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Ladies and gentlemen, | 0:00:18 | 0:00:20 | |
please welcome your host for tonight - Lenny Henry! | 0:00:20 | 0:00:24 | |
CHEERS AND APPLAUSE | 0:00:24 | 0:00:27 | |
Yeah, yeah! | 0:00:47 | 0:00:48 | |
Good evening, Live at the Apollo! | 0:00:48 | 0:00:51 | |
CHEERING | 0:00:51 | 0:00:55 | |
Fantastic! | 0:00:55 | 0:00:57 | |
I love this show because it's the only one on TV with no vampires in it. | 0:00:57 | 0:01:02 | |
Everything's got vampires now. | 0:01:02 | 0:01:04 | |
If my daughter and me were vampires, it'd be exactly the same. | 0:01:04 | 0:01:08 | |
I'd be texting her at 5am - "Where RU? Sun about 2 come up. | 0:01:08 | 0:01:13 | |
"U will explode!" She'd be like, | 0:01:13 | 0:01:16 | |
"Am in field with pals, drinking dead sheep. | 0:01:16 | 0:01:20 | |
"Leave me alone!" | 0:01:20 | 0:01:22 | |
So I'm like, "Have you seen the state of your coffin, young lady? | 0:01:22 | 0:01:25 | |
"There's a half-dead bloke twitching in the corner. | 0:01:25 | 0:01:28 | |
"I've told you not to play with your food!" "Stay out of my coffin! | 0:01:28 | 0:01:31 | |
"I hate you!" She's just mad at me cos I ate her boyfriend. | 0:01:31 | 0:01:36 | |
Black people in the house say "Ho!" | 0:01:38 | 0:01:40 | |
-AUDIENCE: -Ho! | 0:01:40 | 0:01:41 | |
It's like a Tupac convention. | 0:01:41 | 0:01:43 | |
Brixton's empty. | 0:01:43 | 0:01:45 | |
I said that in Winchester once - absolute silence! | 0:01:45 | 0:01:49 | |
Not one black guy in the entire place. | 0:01:50 | 0:01:52 | |
All right, there was one. | 0:01:52 | 0:01:54 | |
He was in the second row going, "Please don't talk to me." | 0:01:54 | 0:01:57 | |
Imagine being the only black guy in Winchester. | 0:01:57 | 0:02:00 | |
Wouldn't that be fantastic? | 0:02:00 | 0:02:01 | |
You'd have a licence to go up to every black woman you see and go, "Excuse me, we have to breed." | 0:02:01 | 0:02:06 | |
Listen, I've got to tell you this. | 0:02:08 | 0:02:10 | |
The BNP had a Christmas disco - this is absolutely true - | 0:02:10 | 0:02:14 | |
the BNP had a Christmas disco and when the DJ arrived, | 0:02:14 | 0:02:17 | |
they all walked out because the DJ was black. | 0:02:17 | 0:02:21 | |
The BNP hired a black DJ! | 0:02:23 | 0:02:25 | |
Their spokesman said, "He sounded white on the phone!" | 0:02:26 | 0:02:30 | |
What? The DJ's got to sound extra black on the phone? | 0:02:32 | 0:02:36 | |
EXAGGERATED ACCENT: Hello, I am the DJ for your Christmas party. | 0:02:36 | 0:02:40 | |
My name is King Bobatoondy Zaniadema Mandela. Heh-heh! | 0:02:40 | 0:02:45 | |
APPLAUSE | 0:02:45 | 0:02:47 | |
My fee is £100, but you can pay me in buffalo. | 0:02:47 | 0:02:52 | |
I think we've come a long way, though. When I first watched television, | 0:02:54 | 0:02:58 | |
there were no black people on it at all. | 0:02:58 | 0:03:00 | |
If somebody black did come on, people thought there was something wrong with the set. | 0:03:00 | 0:03:04 | |
They'd be on the phone to the TV repair man. | 0:03:04 | 0:03:07 | |
"There's a dark bloke on my telly - can you come and get him off?" | 0:03:07 | 0:03:10 | |
The only black people on TV were the Black and White Minstrels. | 0:03:10 | 0:03:13 | |
They had black shoe polish on their faces | 0:03:13 | 0:03:16 | |
and these huge white lips. | 0:03:16 | 0:03:17 | |
Accurate. | 0:03:17 | 0:03:19 | |
AUDIENCE LAUGH | 0:03:19 | 0:03:20 | |
My mum would be this close to the screen, | 0:03:20 | 0:03:22 | |
"Well, it's nice to see some black people on television for a change. | 0:03:22 | 0:03:26 | |
"But look at them lips. | 0:03:26 | 0:03:28 | |
"They must be from one of the small islands." | 0:03:28 | 0:03:31 | |
I love being a comedian - this is all I can do. | 0:03:33 | 0:03:36 | |
In my heart I'm a 16-year-old boy, which is great for a comedian | 0:03:36 | 0:03:39 | |
but not if you're a gynaecologist. | 0:03:39 | 0:03:42 | |
God, can you imagine me coming into the room? | 0:03:42 | 0:03:44 | |
Your feet are in stirrups, "All right, Mrs Makin... | 0:03:44 | 0:03:46 | |
"Bloody hell, I can see everything! | 0:03:46 | 0:03:49 | |
"Do you want some cider?" | 0:03:49 | 0:03:51 | |
I couldn't be an airline pilot, on your own in the cockpit. | 0:03:53 | 0:03:56 | |
I'd have to be a steward, out there with the passengers. | 0:03:56 | 0:04:00 | |
Put on a bit of a show. | 0:04:00 | 0:04:01 | |
RAPS: People, if we're in a crash | 0:04:01 | 0:04:03 | |
Please do not despair | 0:04:03 | 0:04:05 | |
Grab a mask from above your head and suck in lots of air | 0:04:05 | 0:04:10 | |
Whip on your life jacket and tie it very tight | 0:04:10 | 0:04:13 | |
Then stick your head between your legs and kiss your ass goodnight! | 0:04:13 | 0:04:18 | |
WHISTLES AND APPLAUSE | 0:04:18 | 0:04:20 | |
Actually, do you know what? | 0:04:27 | 0:04:28 | |
I wouldn't mind being a pilot, cos everyone's life depends on you. | 0:04:28 | 0:04:32 | |
You can get away with anything, can't you? | 0:04:32 | 0:04:35 | |
Who's going to argue with that voice they do? | 0:04:35 | 0:04:37 | |
FORMAL VOICE: This is your captain speaking. | 0:04:37 | 0:04:40 | |
My name is Brian. | 0:04:40 | 0:04:42 | |
How much do YOU earn? | 0:04:42 | 0:04:44 | |
Hope you have an enjoyable flight. | 0:04:46 | 0:04:48 | |
Our stewardesses are there to help you | 0:04:48 | 0:04:50 | |
and our stewards are there to show we employ gays. | 0:04:50 | 0:04:54 | |
Right, we are cleared for take-off. | 0:04:59 | 0:05:01 | |
Let me take the chewing gum out of my mouth | 0:05:01 | 0:05:03 | |
and stick it in my co-pilot Nigel's ear. He loves it. | 0:05:03 | 0:05:06 | |
Take that, you bitch. | 0:05:06 | 0:05:08 | |
Weather in Miami is superb - 26C with a light breeze. | 0:05:10 | 0:05:14 | |
Shame we're going to Glasgow, where the weather's shit. | 0:05:14 | 0:05:17 | |
If you'd like to visit the cockpit you're very welcome. | 0:05:20 | 0:05:23 | |
You don't have to give me a blow job. | 0:05:23 | 0:05:25 | |
Maybe you think I fly better when I'm tense. | 0:05:25 | 0:05:29 | |
Want to risk it? Go ahead. | 0:05:30 | 0:05:32 | |
If there are any drug mules with us today, I have one word for you. | 0:05:33 | 0:05:37 | |
Share. | 0:05:37 | 0:05:39 | |
Hello, hello, how are you? Nice to see you. Hello. Right on, James Caan! | 0:05:41 | 0:05:46 | |
You're not THE James Caan, you're the other James Caan. All right, James? | 0:05:46 | 0:05:51 | |
I'm a big guy, too, it's all right. Everybody in my family's big. My mum, brothers and sisters, we love it. | 0:05:51 | 0:05:57 | |
I've got a cousin who weighs 17-and-a-half stone. | 0:05:57 | 0:06:00 | |
We call her The Anorexic. | 0:06:00 | 0:06:02 | |
"Give The Anorexic one and two dumpling and some pig foot, | 0:06:03 | 0:06:08 | |
"she looking a bit peaky!" | 0:06:08 | 0:06:10 | |
Jamaican guys love big women. | 0:06:10 | 0:06:13 | |
I was at a karaoke bar in Kingston, this big woman got up on stage, | 0:06:13 | 0:06:17 | |
massive woman, skin-tight dress. | 0:06:17 | 0:06:21 | |
Microphone in one hand, half a chicken in the other. Singing away. | 0:06:21 | 0:06:26 | |
# I want to know what love i-i-is! | 0:06:26 | 0:06:30 | |
# I want you to show me-e-e-e! # | 0:06:30 | 0:06:33 | |
Dozens of yardies pushing each other out the way - "I will show you! | 0:06:33 | 0:06:37 | |
"Move over there! I will show you! | 0:06:37 | 0:06:40 | |
"Come here, darling, let me sweep you off your feet. Jesus Christ!" | 0:06:40 | 0:06:44 | |
Not all Jamaican people are out of shape. | 0:06:44 | 0:06:48 | |
Just look at Usain Bolt, the greatest sprinter in the world. | 0:06:48 | 0:06:52 | |
CHEERING Yeah, yeah! | 0:06:52 | 0:06:55 | |
When he broke the Olympic world record, he was so far ahead, he had time to call his mum. | 0:06:55 | 0:07:00 | |
"Mama, I'm breakin' de world record right now. See it dere? It broke. | 0:07:02 | 0:07:06 | |
"I have to do me lap of honour now. See it dere? It done." | 0:07:09 | 0:07:14 | |
"Put on some rice an' peas, I'll be back in 19.3 seconds." | 0:07:15 | 0:07:19 | |
Everybody knows you are what you eat. | 0:07:21 | 0:07:24 | |
The French eat 500 million snails a year. | 0:07:24 | 0:07:28 | |
Think about it - when did you last see a French sprinter? | 0:07:28 | 0:07:32 | |
They're all at the back, strolling, smoking a Gauloise. | 0:07:32 | 0:07:35 | |
"What is the point? Life is meaningless. | 0:07:35 | 0:07:40 | |
"Sarkozy gets Carla Bruni, I am alone." | 0:07:40 | 0:07:44 | |
Check out the haircut. This is a number one. | 0:07:46 | 0:07:49 | |
CHEERING | 0:07:49 | 0:07:51 | |
Big guy, small hair. | 0:07:51 | 0:07:54 | |
Back in the day, every black guy had a huge afro. | 0:07:54 | 0:07:57 | |
Every one of us, right? Remember the Jackson 5? | 0:07:57 | 0:07:59 | |
They had one big afro and they were all underneath going - | 0:07:59 | 0:08:02 | |
HIGH PITCHED VOICE: Move over, Tito. | 0:08:05 | 0:08:07 | |
Black women can't leave their hair alone. Sisters, where are you? | 0:08:07 | 0:08:11 | |
You can't leave your hair alone. I blame the black beauty magazines. | 0:08:11 | 0:08:15 | |
I love their names, though. | 0:08:15 | 0:08:16 | |
They're called things like Ebony Sister. | 0:08:16 | 0:08:19 | |
Nubian Warrior Woman. | 0:08:19 | 0:08:21 | |
Martin Luther Queen. | 0:08:22 | 0:08:24 | |
Barack O-Mama! | 0:08:25 | 0:08:27 | |
I've got one of them young black stylists from the hood. | 0:08:29 | 0:08:32 | |
He's cool. | 0:08:32 | 0:08:34 | |
He shaves patterns. | 0:08:34 | 0:08:36 | |
I hear Usain Bolt's going to have the Puma logo shaved into his head. | 0:08:36 | 0:08:41 | |
Yeah, man. | 0:08:41 | 0:08:42 | |
Soon my head's going to say, "Everything's premier but the price." | 0:08:42 | 0:08:46 | |
All over there, down here. | 0:08:47 | 0:08:50 | |
I live in the country now. | 0:08:55 | 0:08:57 | |
-AUDIENCE: -Oooh! | 0:08:57 | 0:08:59 | |
I'm the only black guy within 100 miles. | 0:08:59 | 0:09:01 | |
Anything to do with blackness, I'm the expert. | 0:09:01 | 0:09:04 | |
I get geezers knocking on my door, | 0:09:04 | 0:09:06 | |
"Lenny, my daughter's going to Senegal for her gap year. | 0:09:06 | 0:09:09 | |
"Do you know anybody she can stay with?" | 0:09:09 | 0:09:11 | |
Come this way. I'll teach you to play basketball, as well. | 0:09:13 | 0:09:16 | |
"Can you introduce me to Jay-Z?" I think he's here somewhere. | 0:09:16 | 0:09:20 | |
All the famous black people live with me. | 0:09:21 | 0:09:24 | |
Ainsley will take your coat. | 0:09:26 | 0:09:29 | |
APPLAUSE | 0:09:32 | 0:09:34 | |
I've got a white West Highland terrier. | 0:09:36 | 0:09:38 | |
He's like a loaf of bread with ears. | 0:09:38 | 0:09:40 | |
Looks a bit like Robert De Niro, as well. | 0:09:40 | 0:09:43 | |
He's got that downturned mouth. | 0:09:43 | 0:09:45 | |
Hates walking, this dog. You get 100 yards from the house and he stops dead. | 0:09:49 | 0:09:53 | |
"Are you walking with me? | 0:09:53 | 0:09:55 | |
"Are you walking with me? | 0:09:56 | 0:09:58 | |
"Is this a marathon? | 0:09:58 | 0:10:00 | |
"Are we doing this for charity? | 0:10:00 | 0:10:02 | |
"Do I look like Bob freakin' Geldof to you? | 0:10:02 | 0:10:05 | |
"Pick me up, wipe my ass and call me a cab. We're going home. | 0:10:05 | 0:10:08 | |
"You freakin' two-legged mook." | 0:10:08 | 0:10:11 | |
I love Robert De Niro. | 0:10:12 | 0:10:14 | |
You know why? He's not scared to be ugly. | 0:10:14 | 0:10:16 | |
I wouldn't say that to his face, for Christ's sake. | 0:10:16 | 0:10:21 | |
Have you noticed you can be an ugly actor | 0:10:22 | 0:10:24 | |
but it's hard to be an ugly singer, isn't it? | 0:10:24 | 0:10:28 | |
Unless you're a backing singer, in which case nobody's looking at you. | 0:10:28 | 0:10:32 | |
I went to see George Michael. Hey, George, if you're watching this... | 0:10:32 | 0:10:35 | |
I went to see George Michael at Wembley Stadium | 0:10:37 | 0:10:40 | |
with brilliant backing singers. | 0:10:40 | 0:10:42 | |
They were these big women, no make-up, leggings, | 0:10:42 | 0:10:45 | |
gravy down here. | 0:10:45 | 0:10:48 | |
Six kids by seven different men. | 0:10:48 | 0:10:50 | |
I don't know how that works, but it does. | 0:10:50 | 0:10:53 | |
These women never missed a note. | 0:10:54 | 0:10:56 | |
And they knew no-one was looking at them. | 0:10:56 | 0:10:59 | |
They were knitting, | 0:10:59 | 0:11:00 | |
doing the crossword, on the phone to their kids. | 0:11:00 | 0:11:03 | |
# Do the jitterbug... # Tyrone, bed now. | 0:11:03 | 0:11:06 | |
# Do the jitterbug... # I mean it, mister. | 0:11:06 | 0:11:08 | |
# Ooh-ooh! # | 0:11:08 | 0:11:09 | |
If you want to be a frontman, you've got to have energy. | 0:11:11 | 0:11:13 | |
Look at Dizzee Rascal. He's so excited, isn't he, all the time. | 0:11:13 | 0:11:17 | |
RAPS: Some people think I'm bonkers but I just think I'm free. | 0:11:17 | 0:11:20 | |
Bonkers. | 0:11:20 | 0:11:22 | |
He'd be excited if he was in a car crash. | 0:11:22 | 0:11:24 | |
RAPS: My nose and mouth and arse are full of bits of glass | 0:11:24 | 0:11:28 | |
My left leg has been mangled, it sticks out at an angle. | 0:11:28 | 0:11:31 | |
Bonkers! | 0:11:32 | 0:11:34 | |
I tell you who else is excited, that baldy bloke from The Prodigy. | 0:11:36 | 0:11:40 | |
I love that guy. He's still got it. | 0:11:40 | 0:11:42 | |
# I'm a fire starter, twisted fire starter. # | 0:11:42 | 0:11:45 | |
Mind you, he's older now, the new tune's called... | 0:11:45 | 0:11:48 | |
# I think I've left the gas on. # | 0:11:48 | 0:11:50 | |
That's from the album... | 0:11:53 | 0:11:55 | |
# My son's an accountant | 0:11:55 | 0:11:56 | |
# My daughter lives in New Zealand | 0:11:57 | 0:11:59 | |
# I'd like a cup of tea now and a lie down. | 0:12:01 | 0:12:04 | |
# This used to be all fields around here. # | 0:12:06 | 0:12:09 | |
Duffy's exciting, do you like Duffy? | 0:12:13 | 0:12:15 | |
# You got me begging you for mercy! # | 0:12:15 | 0:12:18 | |
She's tiny, Duffy. | 0:12:18 | 0:12:20 | |
We did a show together and people said, "Do you want to meet Duffy?" | 0:12:20 | 0:12:24 | |
I said, "Yeah." They said, "Here she is." I was like, "Awww! | 0:12:24 | 0:12:28 | |
"Hello, Duffy!" I had to speak softly | 0:12:28 | 0:12:31 | |
so I wouldn't blow her away. She said... | 0:12:31 | 0:12:34 | |
WELSH ACCENT: "Lenny, I've got a tiny voice, see? | 0:12:34 | 0:12:38 | |
"But when I hit the microphone, look you, it gets proper huge, isn't it?" | 0:12:38 | 0:12:42 | |
It's true, man, when she's onstage, she's so tiny she has to stand behind a magnifying glass. | 0:12:47 | 0:12:51 | |
That's why she can't play Glastonbury, cos if the sun came out, she'd be like, "I'm on fire! | 0:12:51 | 0:12:56 | |
"I'm burning! I'm like a kebab in stilettos!" | 0:12:56 | 0:13:01 | |
Festivals aren't really a black people thing. | 0:13:06 | 0:13:09 | |
We see thousands of people living in a field, we go, "Plantation." | 0:13:09 | 0:13:13 | |
They're so cramped together, all the people. | 0:13:15 | 0:13:18 | |
The DJ sets are amazing, | 0:13:18 | 0:13:19 | |
100,000 people with their hands up in the air. | 0:13:19 | 0:13:22 | |
Cos there's no space to get them down. | 0:13:22 | 0:13:24 | |
Praying for a helicopter to fly by with a rope ladder. Thank God! | 0:13:24 | 0:13:28 | |
Fly me to the toilet, now! | 0:13:28 | 0:13:30 | |
It's amazing when the DJs come on at Glastonbury, at the festivals. | 0:13:30 | 0:13:34 | |
They're treated like gods. People go nuts. Why?! | 0:13:34 | 0:13:38 | |
DJs don't make music, they just deliver it! | 0:13:38 | 0:13:42 | |
If musicians are chefs, DJs are waiters. | 0:13:42 | 0:13:46 | |
The waiter doesn't get a standing ovation | 0:13:46 | 0:13:48 | |
when he brings the plates out. | 0:13:48 | 0:13:50 | |
The waiter doesn't fanny around with your food when it gets to the table. | 0:13:52 | 0:13:56 | |
He's not there going... | 0:13:56 | 0:13:57 | |
RAPS: Yeeah! Yeeah! | 0:13:57 | 0:14:02 | |
Put your knives and forks in the air | 0:14:02 | 0:14:04 | |
And wave them like you just don't care | 0:14:04 | 0:14:06 | |
This is the restaurant remix, now listen to me | 0:14:06 | 0:14:08 | |
Table number seven, swap with table three | 0:14:08 | 0:14:11 | |
You freakin' vegetarians are driving me mental | 0:14:11 | 0:14:14 | |
I'll stick the chicken tikka on your cabbage and lentils | 0:14:14 | 0:14:16 | |
Gazpacho, everybody say gazpacho! | 0:14:16 | 0:14:21 | |
Yo, skinny model with your celery stick | 0:14:21 | 0:14:23 | |
Legging it to the ladies to make yourself sick | 0:14:23 | 0:14:26 | |
You've got to get some flesh on them tiny little hips | 0:14:26 | 0:14:29 | |
So here's my solution, burger, egg and chips | 0:14:29 | 0:14:31 | |
Everybody say gazpacho! | 0:14:31 | 0:14:32 | |
It's cold soup | 0:14:32 | 0:14:34 | |
Gazpacho! | 0:14:34 | 0:14:35 | |
Raise your champagne glass to your lip | 0:14:35 | 0:14:38 | |
And then give me an oversized tip. | 0:14:38 | 0:14:40 | |
Dancehall style! | 0:14:40 | 0:14:43 | |
RAPS: Don't follow me! | 0:14:43 | 0:14:45 | |
Don't follow me! | 0:14:45 | 0:14:47 | |
You wanted the monkfish, you're having the lamb | 0:14:47 | 0:14:50 | |
You wanted the rabbit, you're getting the lamb | 0:14:50 | 0:14:53 | |
Pepper on your ice cream, salt on your jelly | 0:14:53 | 0:14:55 | |
Yo, Rabbi Cohen, have the pork belly! | 0:14:55 | 0:14:58 | |
CHEERING AND APPLAUSE | 0:14:58 | 0:15:02 | |
Thank you. | 0:15:04 | 0:15:05 | |
I love music. It's my big thing, music. | 0:15:07 | 0:15:10 | |
I can't do without it. I buy a lot of music online. | 0:15:10 | 0:15:15 | |
This is what I love about buying music online. | 0:15:15 | 0:15:18 | |
"If you like Beyonce, you might like Pink." | 0:15:18 | 0:15:22 | |
How cool is that? | 0:15:23 | 0:15:26 | |
They should do that everywhere with everything. | 0:15:26 | 0:15:30 | |
You go down the pub, have ten pints of lager, the barmaid says, | 0:15:30 | 0:15:33 | |
"If you like ten pints of lager, you might like a kebab." | 0:15:33 | 0:15:37 | |
Go to the kebab place, the bloke's there going, | 0:15:41 | 0:15:43 | |
"If you like ten pints of lager and a kebab, you might like a fight." | 0:15:43 | 0:15:48 | |
Go outside, beat the crap out of some innocent bystander, a copper comes up and says, | 0:15:49 | 0:15:54 | |
"If you like beating the crap out of innocent bystanders, | 0:15:54 | 0:15:57 | |
"you might like to join the police." | 0:15:57 | 0:15:59 | |
You've been lovely, thank you very much. Yeah, yeah! | 0:15:59 | 0:16:03 | |
CHEERS AND APPLAUSE | 0:16:03 | 0:16:05 | |
WHISTLES AND CHEERS | 0:16:15 | 0:16:17 | |
I'm sweating like Christopher Biggins at a free buffet. | 0:16:26 | 0:16:29 | |
My first guest tonight is a very funny man. | 0:16:31 | 0:16:34 | |
Will you please put your hands together for Mr Mike Wilmot! Come on! | 0:16:34 | 0:16:38 | |
No-one told me there'd be smoke. That scared the shit out of me. | 0:16:53 | 0:16:57 | |
What a fancy place, man. | 0:16:57 | 0:17:00 | |
It is truly great to be here. | 0:17:00 | 0:17:02 | |
I know a lot of comedians start their show with, | 0:17:02 | 0:17:04 | |
"It's great to be here, it's nice to be here." | 0:17:04 | 0:17:07 | |
Many of them are lying. | 0:17:07 | 0:17:09 | |
But it is really good to be here. | 0:17:09 | 0:17:12 | |
My wife, girl-friendy person... | 0:17:12 | 0:17:14 | |
..she just turned 50 and she's pre-menopausal. | 0:17:16 | 0:17:19 | |
So, it's very, very nice to be here. | 0:17:19 | 0:17:23 | |
Thousands of miles away. | 0:17:25 | 0:17:28 | |
I have never done this so much in my life within the last year. | 0:17:29 | 0:17:34 | |
Every time I hear a door open now it's... | 0:17:34 | 0:17:36 | |
She hit me recently in the back of the head with car keys | 0:17:38 | 0:17:41 | |
from a distance. | 0:17:41 | 0:17:43 | |
I had it coming, I called her a whore, but y'know... | 0:17:43 | 0:17:47 | |
..in a funny way. | 0:17:47 | 0:17:49 | |
You know, like, "Oh, ya whore!" | 0:17:49 | 0:17:52 | |
LAUGHTER | 0:17:52 | 0:17:54 | |
Turns out there's really no funny way. | 0:17:54 | 0:17:57 | |
It's odd to be hit in the back of the head with car keys | 0:17:57 | 0:18:00 | |
because you can hear them jingle on the way over. | 0:18:00 | 0:18:03 | |
It's almost magical, really. # Jingling, jingle-ling-ingle. # | 0:18:05 | 0:18:09 | |
Santa? | 0:18:09 | 0:18:11 | |
BOOF! LAUGHTER | 0:18:11 | 0:18:13 | |
Laying on your ass with a key in your eye. | 0:18:14 | 0:18:17 | |
It's also good to be here because I enjoy drinking. | 0:18:17 | 0:18:20 | |
Er, that's how I got this lovely voice. | 0:18:20 | 0:18:24 | |
But I do enjoy drinking and it's beautiful here for that. | 0:18:24 | 0:18:28 | |
You know, like in LA, I'm an alcoholic. In Canada, I'm a drinker. | 0:18:28 | 0:18:32 | |
Here, fine. I'm absolutely fine! | 0:18:32 | 0:18:36 | |
I have nothing to worry about. LAUGHTER AND APPLAUSE | 0:18:36 | 0:18:40 | |
Everything's wonderful. In fact, I could be fit. | 0:18:40 | 0:18:44 | |
And in Ireland, I'm a pussy. So it depends, really, | 0:18:46 | 0:18:50 | |
on where you go. | 0:18:50 | 0:18:53 | |
Years ago, the first time I got really smashed was in Dublin. | 0:18:54 | 0:18:58 | |
-AUDIENCE MEMBER: -Whoo! -Bless, one person. | 0:18:58 | 0:19:01 | |
And I got smashed. | 0:19:01 | 0:19:05 | |
I'd never been that smashed, I fell off the back of a bar stool. | 0:19:05 | 0:19:08 | |
I've never done that before. | 0:19:08 | 0:19:10 | |
It wasn't because I was, you know, this kind of drunk. | 0:19:10 | 0:19:13 | |
It's just for a brief moment, | 0:19:13 | 0:19:15 | |
I thought there was a back on the bar stool. | 0:19:15 | 0:19:19 | |
I was, like, winding up a story, | 0:19:23 | 0:19:24 | |
some bullshit story that I thought was clever. | 0:19:24 | 0:19:28 | |
"And then, we all decided to..." | 0:19:28 | 0:19:30 | |
And just completely disappeared from view. | 0:19:30 | 0:19:33 | |
But God bless the Irish, they don't make fun of you, | 0:19:34 | 0:19:38 | |
they just pick you up, dust you off and put you back on that bar stool. | 0:19:38 | 0:19:43 | |
Then they all line up and tell you the story about when they fell off the bar stool. | 0:19:43 | 0:19:48 | |
And fiddles come out of nowhere | 0:19:48 | 0:19:51 | |
and they sing a song about what just happened. | 0:19:51 | 0:19:54 | |
I don't like organised drinking. | 0:19:59 | 0:20:01 | |
I'm not big on stag parties or any of that bullshit. | 0:20:01 | 0:20:05 | |
At my age, most of my friends are getting re-married. | 0:20:05 | 0:20:09 | |
The stags are a bit calmer when you're getting re-married. | 0:20:09 | 0:20:12 | |
We just got smashed and watched Iron Man 2. | 0:20:12 | 0:20:16 | |
Dumbest movie I've ever seen. If you think it's good, shoot yourself. | 0:20:17 | 0:20:21 | |
There's really no point. | 0:20:21 | 0:20:24 | |
I got smashed and mad at a movie. That's never a good sign. | 0:20:24 | 0:20:28 | |
Walking home drunk with a suit. | 0:20:29 | 0:20:31 | |
Nothing sadder than drunk men in suits. | 0:20:31 | 0:20:34 | |
Way too many pockets. | 0:20:34 | 0:20:36 | |
I'm walking, getting closer to my house. | 0:20:36 | 0:20:40 | |
I was wearing a necktie. The wind grabbed the front part, | 0:20:40 | 0:20:44 | |
the fat part of my tie, and threw it over my shoulder, | 0:20:44 | 0:20:49 | |
leaving me with that little tie. | 0:20:49 | 0:20:52 | |
LAUGHTER | 0:20:52 | 0:20:54 | |
I was so drunk I looked down and thought, | 0:20:54 | 0:20:56 | |
"Oh, my God, I'm huge!" | 0:20:56 | 0:20:58 | |
LAUGHTER | 0:20:58 | 0:21:00 | |
SLURRED: "How will I fit in my little house? | 0:21:04 | 0:21:06 | |
"I'm going to have to live outside, now." | 0:21:08 | 0:21:11 | |
There's really, truly, nothing sadder than a man | 0:21:11 | 0:21:15 | |
coming home drunk, and there's the old lady in the house, | 0:21:15 | 0:21:19 | |
and when I say old lady, women, don't get all pissy. I'm an old man. | 0:21:19 | 0:21:23 | |
Please don't form a giant woman and come up here and attack me. | 0:21:23 | 0:21:27 | |
I've always had that fear of women - | 0:21:27 | 0:21:29 | |
if you piss off more than five, they morph into a big one and come at you. | 0:21:29 | 0:21:33 | |
Men all over the world, we stand outside of our homes, drunk, | 0:21:36 | 0:21:40 | |
auditioning to get in. | 0:21:40 | 0:21:43 | |
LAUGHTER | 0:21:43 | 0:21:44 | |
There's nothing sadder than standing outside of your house at three in the morning | 0:21:44 | 0:21:48 | |
practising the word "hello". | 0:21:48 | 0:21:50 | |
LAUGHTER | 0:21:50 | 0:21:52 | |
'Allo! | 0:21:56 | 0:21:58 | |
LAUGHTER | 0:21:58 | 0:21:59 | |
'Ello! Howdy! | 0:22:01 | 0:22:03 | |
Don't say howdy, you stupid bastard! Only drunk people say howdy! | 0:22:03 | 0:22:07 | |
Might as well jump through a window and kick her in the crotch if you're going to say howdy! | 0:22:07 | 0:22:12 | |
LAUGHTER | 0:22:12 | 0:22:14 | |
I've been coming out here for years now, so now when I get drunk, | 0:22:15 | 0:22:18 | |
I just get this bullshit Englishy sounding accent. | 0:22:18 | 0:22:22 | |
To me, it sounds more theatrical than pissed. | 0:22:22 | 0:22:25 | |
POSH ENGLISH ACCENT: Hello. Hello, my love, I'm home. Hello. | 0:22:26 | 0:22:31 | |
LAUGHTER | 0:22:31 | 0:22:33 | |
It's like Richard Burton coming home. | 0:22:33 | 0:22:35 | |
AS RICHARD BURTON: Martha, come running at me, | 0:22:35 | 0:22:37 | |
your melons bobbling, your kimono flying. | 0:22:37 | 0:22:41 | |
Then I do her voice. | 0:22:41 | 0:22:43 | |
Na-na-na-na-nah! | 0:22:43 | 0:22:45 | |
LAUGHTER | 0:22:45 | 0:22:47 | |
That's how men impersonate women, by the way. | 0:22:47 | 0:22:49 | |
All women. Mums, sisters, girlfriends, wives, doesn't matter. | 0:22:49 | 0:22:54 | |
Na-na-na-na-nah! | 0:22:54 | 0:22:56 | |
LAUGHTER | 0:22:56 | 0:22:58 | |
Which is fair because when women impersonate men, | 0:22:59 | 0:23:04 | |
they always use that idiot voice. | 0:23:04 | 0:23:06 | |
Then he said, "Oogh, oogh, blah, blah!" | 0:23:06 | 0:23:10 | |
LAUGHTER AND APPLAUSE | 0:23:10 | 0:23:13 | |
You're not different! You're the same! You're the same! | 0:23:13 | 0:23:17 | |
All of you vagina people! | 0:23:17 | 0:23:19 | |
LAUGHTER | 0:23:19 | 0:23:21 | |
Or "women", as you prefer to be called. | 0:23:21 | 0:23:23 | |
LAUGHTER | 0:23:23 | 0:23:26 | |
Evee-ink-ink-ee! | 0:23:26 | 0:23:28 | |
POSH ENGLISH ACCENT: No. Ha, ha, ha! | 0:23:28 | 0:23:31 | |
LAUGHTER | 0:23:31 | 0:23:33 | |
POSH ENGLISH ACCENT: Your beauty alone intoxicates me. | 0:23:33 | 0:23:36 | |
LAUGHTER | 0:23:36 | 0:23:38 | |
Then I sleep in a bush! | 0:23:38 | 0:23:40 | |
LAUGHTER | 0:23:40 | 0:23:42 | |
I've been with her now... 24 years now. | 0:23:42 | 0:23:46 | |
And I'll tell you one thing, man - it's not love. | 0:23:46 | 0:23:49 | |
LAUGHTER | 0:23:49 | 0:23:51 | |
Love is fleeting. But spite? | 0:23:55 | 0:23:58 | |
That stays! | 0:23:59 | 0:24:00 | |
LAUGHTER | 0:24:00 | 0:24:03 | |
I'm not leaving her. That would make her happy! | 0:24:03 | 0:24:06 | |
LAUGHTER | 0:24:06 | 0:24:08 | |
I'm in it for the long haul, man. | 0:24:09 | 0:24:11 | |
LAUGHTER | 0:24:11 | 0:24:13 | |
24 years with the same woman and I'll be honest with you, | 0:24:13 | 0:24:17 | |
I wake up every morning of my life and I walk down the stairs, | 0:24:17 | 0:24:21 | |
and I think, you know, "I'm going to kill her today." | 0:24:21 | 0:24:24 | |
LAUGHTER | 0:24:24 | 0:24:27 | |
"I'm going to sneak up behind her and hit her in the head with a shovel. She won't see it coming." | 0:24:28 | 0:24:33 | |
And I know she's, er, walking down the stairs behind me. | 0:24:36 | 0:24:39 | |
Every day... "I'm going to push him." | 0:24:39 | 0:24:42 | |
"I'm going to push this fat bastard down the stairs. | 0:24:42 | 0:24:46 | |
"He never picks up his shit. I'm going to put a screwdriver in his eye. | 0:24:46 | 0:24:50 | |
"I'm going to let him rot." Then we circle each other... | 0:24:50 | 0:24:53 | |
in the kitchen, | 0:24:53 | 0:24:54 | |
spitting fire and hate. | 0:24:54 | 0:24:57 | |
And then we have tea and toast, and everything's better. | 0:24:57 | 0:25:01 | |
And that's why breakfast is the most important meal of the day. | 0:25:02 | 0:25:07 | |
CHEERING AND APPLAUSE | 0:25:07 | 0:25:09 | |
Man! | 0:25:11 | 0:25:13 | |
24 years... 24 years. | 0:25:15 | 0:25:19 | |
I love her tits, though, just... | 0:25:20 | 0:25:21 | |
LAUGHTER | 0:25:21 | 0:25:23 | |
That's the wonderful thing about tits... | 0:25:23 | 0:25:25 | |
for me... | 0:25:25 | 0:25:27 | |
..is the first time I squeezed one... | 0:25:28 | 0:25:30 | |
y-yay. | 0:25:30 | 0:25:31 | |
LAUGHTER | 0:25:31 | 0:25:33 | |
And the last time I squeezed it... y-yay. | 0:25:33 | 0:25:36 | |
They never get less fun, | 0:25:37 | 0:25:38 | |
titties. | 0:25:38 | 0:25:39 | |
And I suck 'em. I'm a big, tit-sucking man. | 0:25:41 | 0:25:44 | |
I suck her tits so much, | 0:25:47 | 0:25:49 | |
that I know I'm not the boss in the relationship. | 0:25:49 | 0:25:52 | |
LAUGHTER | 0:25:52 | 0:25:54 | |
"You can't look at a woman while you're..." | 0:25:54 | 0:25:57 | |
"I run everything, this is all mine, mwah-mwah-mwah..." | 0:25:57 | 0:26:01 | |
"You're a monkey! | 0:26:01 | 0:26:03 | |
"You're not a human, you're a nipple-sucking monkey man!" | 0:26:03 | 0:26:06 | |
Are you like me, when you suck... | 0:26:09 | 0:26:11 | |
When you suck one tit, do you look at the other, like...? | 0:26:11 | 0:26:15 | |
"Stay right there, lefty." | 0:26:18 | 0:26:20 | |
"I'm just practising on this one." | 0:26:22 | 0:26:24 | |
I don't know how women can look at men suck their tit | 0:26:28 | 0:26:32 | |
without just laughing at him. | 0:26:32 | 0:26:34 | |
I really don't! | 0:26:34 | 0:26:36 | |
I don't know how women can look down at their man... | 0:26:36 | 0:26:40 | |
sucking a tit with his eyes rolled back like a feeding shark... | 0:26:40 | 0:26:44 | |
LAUGHTER | 0:26:44 | 0:26:46 | |
..and have any thought in their head other than, "How can you keep a job?" | 0:26:46 | 0:26:50 | |
LAUGHTER AND APPLAUSE | 0:26:50 | 0:26:53 | |
"I can't figure you out. | 0:26:56 | 0:26:58 | |
"How do you bring money home?" | 0:26:58 | 0:27:00 | |
Squeezing one, that's the fun part. I love squeezing tits too. | 0:27:02 | 0:27:05 | |
If you're like me, if you're out there, and you're lucky enough | 0:27:07 | 0:27:10 | |
to be with a woman that lets you grab her titty, willy-nilly, | 0:27:10 | 0:27:15 | |
24/7, | 0:27:15 | 0:27:16 | |
without doing this shit... | 0:27:16 | 0:27:19 | |
..then you, my friend, are living in paradise. | 0:27:21 | 0:27:24 | |
Screw the recession, screw government, | 0:27:25 | 0:27:28 | |
screw the war - just suck her tits till things are better. | 0:27:28 | 0:27:31 | |
LAUGHTER | 0:27:31 | 0:27:32 | |
That's what they're there for. | 0:27:32 | 0:27:34 | |
I love the morning tit, that's my favourite tit. | 0:27:36 | 0:27:38 | |
We wake up at different times - | 0:27:40 | 0:27:44 | |
she gets up before me and then starts rummaging through the fridge. | 0:27:44 | 0:27:47 | |
I can hear food being moved, so I wake up. | 0:27:47 | 0:27:51 | |
I come down the stairs | 0:27:51 | 0:27:53 | |
and she's bent over... | 0:27:53 | 0:27:54 | |
and her head's in the fridge, and the light from the fridge door is going through her nightie, | 0:27:54 | 0:27:59 | |
and I see them just do this... | 0:27:59 | 0:28:02 | |
LAUGHTER | 0:28:02 | 0:28:04 | |
My God... | 0:28:05 | 0:28:07 | |
Men are looking at this right now and thinking, | 0:28:07 | 0:28:10 | |
"Yeah, that's...yeah". | 0:28:10 | 0:28:12 | |
There's something about that kinetic weirdness. | 0:28:14 | 0:28:16 | |
Men have toys on their desks that basically do the same thing. | 0:28:16 | 0:28:20 | |
There she is, I sneak up behind her... | 0:28:22 | 0:28:24 | |
grab a dangler, | 0:28:24 | 0:28:26 | |
you know what I mean? | 0:28:26 | 0:28:27 | |
The nipple's hard cos the fridge door's open so you don't even have to work for it. | 0:28:27 | 0:28:31 | |
LAUGHTER AND APPLAUSE | 0:28:31 | 0:28:34 | |
You've been wonderful. Thank you very, very much. | 0:28:34 | 0:28:38 | |
CHEERING AND APPLAUSE | 0:28:38 | 0:28:41 | |
Mike Wilmot! | 0:28:50 | 0:28:52 | |
From Canada. | 0:28:52 | 0:28:54 | |
OK, we have one more act for you tonight. | 0:28:56 | 0:28:59 | |
Please give a huge welcome to the very funny, | 0:28:59 | 0:29:02 | |
the very excellent, Mr Tommy Tiernan! | 0:29:02 | 0:29:06 | |
CHEERING AND APPLAUSE | 0:29:06 | 0:29:08 | |
Hello. Hello, hello. How are you? | 0:29:15 | 0:29:16 | |
Thank you very much. | 0:29:18 | 0:29:19 | |
Thank you very much for that. I've come a long way | 0:29:19 | 0:29:22 | |
to be with you here this evening. | 0:29:22 | 0:29:24 | |
SCATTERED CHEERING | 0:29:24 | 0:29:26 | |
-Yeah. -WHISTLING | 0:29:26 | 0:29:28 | |
From over there. I've come all the way from the west coast of Ireland. | 0:29:28 | 0:29:33 | |
CHEERING | 0:29:33 | 0:29:34 | |
I've left my wife, | 0:29:34 | 0:29:37 | |
my family and my kids behind me... | 0:29:37 | 0:29:40 | |
..to come here... | 0:29:42 | 0:29:45 | |
to make you... | 0:29:45 | 0:29:47 | |
laugh. | 0:29:47 | 0:29:48 | |
LAUGHTER | 0:29:48 | 0:29:50 | |
There's a... | 0:29:50 | 0:29:52 | |
an empty chair...beside the fire tonight. | 0:29:52 | 0:29:56 | |
I hope. | 0:29:58 | 0:30:00 | |
Unless Other Daddy calls round again. Er... | 0:30:05 | 0:30:09 | |
I'm not a very ambitious person. | 0:30:10 | 0:30:13 | |
Er... I don't like ambition, I don't like what it does to people. | 0:30:13 | 0:30:17 | |
My ambition in life is to have no ambition. | 0:30:17 | 0:30:20 | |
It's probably a bit ambitious, er... | 0:30:21 | 0:30:24 | |
My hope for when I'm finished talking to you this evening | 0:30:24 | 0:30:28 | |
in the short time we have together, | 0:30:28 | 0:30:30 | |
My hope is that when I'm done, | 0:30:30 | 0:30:32 | |
both of us will know less than we did when I started talking. | 0:30:32 | 0:30:36 | |
I come from Ireland and I'm very, very proud to be Irish! | 0:30:38 | 0:30:41 | |
Half my life I spent travelling around rural Ireland | 0:30:41 | 0:30:44 | |
and it's... Ireland is an amazing country. | 0:30:44 | 0:30:47 | |
We're going through a recession now but we're not bothered by it. | 0:30:47 | 0:30:50 | |
We're used to recession. | 0:30:50 | 0:30:52 | |
I myself spent five years on the dole. | 0:30:52 | 0:30:55 | |
FIVE YEARS! | 0:30:55 | 0:30:57 | |
It was the best eight years of my life! | 0:30:57 | 0:31:00 | |
-LAUGHTER -I did nothing! | 0:31:00 | 0:31:02 | |
Absolutely nothing! | 0:31:03 | 0:31:06 | |
Any time I had to do something, I got stressed. | 0:31:06 | 0:31:08 | |
The bins had to be left out once a week, and if it was my turn, | 0:31:10 | 0:31:13 | |
"Argh... | 0:31:13 | 0:31:15 | |
"You can't be springing that shit on me, man! | 0:31:15 | 0:31:17 | |
I spent an entire summer teaching a cat how to play Snap. | 0:31:20 | 0:31:23 | |
I had a white cat called Shaun. | 0:31:25 | 0:31:27 | |
He was called Shaun was claiming disability for him. | 0:31:27 | 0:31:30 | |
Bringing him down to the dole office every Wednesday, saying to the lady, | 0:31:33 | 0:31:36 | |
"Go on, tell him, tell him to his face you don't think he's a real boy. | 0:31:36 | 0:31:40 | |
Irish people were used to hard times - | 0:31:42 | 0:31:45 | |
going all the way back to the great potato recession of the 1840s, | 0:31:45 | 0:31:50 | |
when two million Irish people died. | 0:31:50 | 0:31:53 | |
Two million! | 0:31:53 | 0:31:54 | |
Because of no potatoes! | 0:31:54 | 0:31:56 | |
The thickest, stubbornest people on the planet! | 0:31:57 | 0:32:00 | |
Dying there in the ditches beside fields full of cabbages and sweetcorn. | 0:32:01 | 0:32:05 | |
LAUGHTER | 0:32:05 | 0:32:07 | |
Cos we were there, | 0:32:07 | 0:32:09 | |
"No. No, | 0:32:09 | 0:32:11 | |
"I'd rather die in a ditch." | 0:32:11 | 0:32:13 | |
I don't like cabbage. | 0:32:14 | 0:32:16 | |
I don't like the smell of it. | 0:32:16 | 0:32:18 | |
"It's like the inside of a psychiatric hospital. | 0:32:19 | 0:32:23 | |
Do not talk to me about sweetcorn! | 0:32:23 | 0:32:26 | |
All sweetcorn does is hit your lip from your mouth to your arse | 0:32:26 | 0:32:30 | |
before it heads off for the next person. | 0:32:30 | 0:32:32 | |
I travel around rural Ireland and you go to hotels and stuff. | 0:32:35 | 0:32:39 | |
I was in a fancy hotel in a place called Waterford recently. | 0:32:39 | 0:32:42 | |
I went downstairs to the restaurant in the morning and asked the waitress, | 0:32:42 | 0:32:46 | |
"Can I have the vegetarian breakfast?" | 0:32:46 | 0:32:48 | |
She goes, "What - corn flakes?" | 0:32:48 | 0:32:50 | |
The rest of the time, I spend travelling around the world. | 0:32:53 | 0:32:56 | |
To be honest with you, it's a fierce disappointment. | 0:32:56 | 0:32:58 | |
I go to all these cities all over, like Melbourne, Montreal, | 0:32:58 | 0:33:02 | |
Toronto and Sydney and New York. | 0:33:02 | 0:33:06 | |
It's the same shit everywhere. | 0:33:06 | 0:33:07 | |
White people shopping - that's all it is! | 0:33:07 | 0:33:12 | |
I want to go where there's no white people. | 0:33:12 | 0:33:14 | |
I don't care what colour they are. I don't even want them to have legs. | 0:33:14 | 0:33:19 | |
Sit in the muck, throwing chickens at each other. | 0:33:19 | 0:33:22 | |
I've been to Australia. | 0:33:25 | 0:33:26 | |
D'you know, white people have been in charge of Australia for 400 years. | 0:33:26 | 0:33:30 | |
Before that, the Aboriginal people were in charge... | 0:33:30 | 0:33:33 | |
for 50,000 years. | 0:33:33 | 0:33:35 | |
Now, they didn't do much with the place. | 0:33:35 | 0:33:38 | |
They just covered each other in finger paint... | 0:33:41 | 0:33:44 | |
..and stood around pointing. | 0:33:45 | 0:33:47 | |
IMITATES DRONE OF DIDGERIDOO | 0:33:47 | 0:33:50 | |
Woof, woof! | 0:33:53 | 0:33:54 | |
"Oh, God! There's a Jack Russell in my didgeridoo." | 0:33:54 | 0:33:57 | |
Lots of people are going to Australia now, because they think it's a safe place to live. | 0:33:59 | 0:34:03 | |
Maybe they're right, you know. Australia will never be invaded. | 0:34:03 | 0:34:07 | |
Never. Why not? Jet lag. | 0:34:07 | 0:34:09 | |
You'd have the opposing army on the beach. | 0:34:13 | 0:34:16 | |
"CHARGE!" | 0:34:16 | 0:34:18 | |
HE PANTS HEAVILY | 0:34:18 | 0:34:20 | |
"Oh, for God's sake! | 0:34:20 | 0:34:22 | |
"What time is it where we come from? | 0:34:23 | 0:34:25 | |
"Two o'clock in the morning? I'm starving. | 0:34:27 | 0:34:30 | |
"I haven't had a shit in a week." | 0:34:31 | 0:34:33 | |
"How big is this beach, for God's sake?" | 0:34:33 | 0:34:36 | |
So, lots of people are going to Australia. | 0:34:38 | 0:34:40 | |
Off the coast of Australia right now, in boats, | 0:34:40 | 0:34:44 | |
hoping to get in, | 0:34:44 | 0:34:46 | |
are people from Sri Lanka, and people from Afghanistan. | 0:34:46 | 0:34:49 | |
And I'm going to tell you something. | 0:34:49 | 0:34:51 | |
I'm going to tell you something, | 0:34:51 | 0:34:53 | |
educated, clever England. | 0:34:53 | 0:34:57 | |
I'm going to tell you something to your face, | 0:34:57 | 0:34:59 | |
and I don't care what you think of me when you find out. | 0:34:59 | 0:35:02 | |
I know nothing. | 0:35:02 | 0:35:05 | |
Nothing... | 0:35:06 | 0:35:07 | |
about Sri Lanka. | 0:35:07 | 0:35:09 | |
I don't even know where it is. | 0:35:11 | 0:35:13 | |
If you took me in a helicopter - a big helicopter - | 0:35:15 | 0:35:18 | |
and you dropped me from a reasonable height - | 0:35:18 | 0:35:21 | |
about two snooker tables - | 0:35:21 | 0:35:24 | |
onto Sri Lanka, I wouldn't know which way to be walking. | 0:35:24 | 0:35:28 | |
I know nothing - nothing - | 0:35:30 | 0:35:32 | |
about the people of Sri Lanka. | 0:35:32 | 0:35:34 | |
If you gave me a Sri Lankan baby... | 0:35:34 | 0:35:38 | |
If you said, "Tommy Tiernan. | 0:35:40 | 0:35:41 | |
"Tommy Tiernan, there's a Sri Lankan baby, | 0:35:41 | 0:35:44 | |
"Bring him up in the ways of his own people," | 0:35:44 | 0:35:48 | |
I wouldn't know what to be doing with the child. | 0:35:52 | 0:35:55 | |
Making the plastic bits that go on top of laces or something. I don't know. | 0:35:55 | 0:35:59 | |
So I can't be saying if they should be let into Australia or not. | 0:35:59 | 0:36:03 | |
But the people of Afghanistan, I think they should. | 0:36:03 | 0:36:06 | |
Why? Because they've gone all the way from Afghanistan | 0:36:06 | 0:36:11 | |
to Australia by boat. | 0:36:11 | 0:36:13 | |
From Afghanistan. It doesn't even have a coastline. | 0:36:13 | 0:36:18 | |
Can you imagine how difficult that must have been? | 0:36:20 | 0:36:23 | |
Escaping that Taliban hellhole | 0:36:24 | 0:36:26 | |
with a boat on your back. | 0:36:26 | 0:36:28 | |
The wife and kids complaining. | 0:36:32 | 0:36:34 | |
"Shut up. Shut up. Does it look like we're there yet? Does it?" | 0:36:34 | 0:36:37 | |
I've no time for facts, | 0:36:41 | 0:36:44 | |
or rationality. If all you want to do in your life is give out facts, | 0:36:44 | 0:36:49 | |
you might as well be a signpost by the side of the road. | 0:36:49 | 0:36:53 | |
In school, I used to hate mathematics. I hated it. | 0:36:53 | 0:36:57 | |
You'd be there in school and the teacher at the top of the room with the big "king of numbers"... | 0:36:57 | 0:37:02 | |
And he's there. "Tiernan, | 0:37:02 | 0:37:04 | |
"what is the cosine logarithm of X-Y," | 0:37:04 | 0:37:09 | |
with the really small 25 written up in the corner, | 0:37:09 | 0:37:12 | |
"brackets - smiley face, Nazi symbol, | 0:37:12 | 0:37:16 | |
"Nike symbol, close brackets, forward slash, bbc.co.uk?" | 0:37:16 | 0:37:21 | |
If a woman in a train travelling at 27 miles an hour | 0:37:21 | 0:37:26 | |
passes a man holding five apples in one hand and a banana in the other, | 0:37:26 | 0:37:31 | |
"what time is it?" | 0:37:31 | 0:37:33 | |
I've no time for that at all. | 0:37:34 | 0:37:37 | |
The happiest fella that I knew in my life was also the thickest. | 0:37:38 | 0:37:42 | |
I went to a religious boarding school, | 0:37:42 | 0:37:45 | |
and his name was Richie and he was from Dublin. | 0:37:45 | 0:37:47 | |
And he was so stupid, he was a pleasure to be with. | 0:37:47 | 0:37:50 | |
Your thought processes just slowed down in his company. He was like, | 0:37:52 | 0:37:55 | |
"All right, Tommy, no problem. | 0:37:55 | 0:37:57 | |
"No problem, Tommy, all reet. | 0:37:59 | 0:38:01 | |
"All reet. All right, Tommy, no problem." | 0:38:01 | 0:38:04 | |
Heroin would have sharpened him up. | 0:38:04 | 0:38:07 | |
Once a term, we used to have these... | 0:38:08 | 0:38:11 | |
Because the dormitories we were in were so old, | 0:38:11 | 0:38:14 | |
we had to have these fire drills - they were old and wooden. | 0:38:14 | 0:38:17 | |
So once a term, about three o'clock in the morning, | 0:38:17 | 0:38:19 | |
the fire alarm would go off | 0:38:19 | 0:38:21 | |
and the priests would chase us out of the building in our underpants. | 0:38:21 | 0:38:26 | |
Jesus! | 0:38:26 | 0:38:27 | |
The naivety of it now, when I think about it... | 0:38:29 | 0:38:32 | |
And there was always a few priests trying to chase you into the woods for safety. | 0:38:32 | 0:38:36 | |
"Go on, into the woods. Into the woods for safety." | 0:38:36 | 0:38:38 | |
Anyway... | 0:38:41 | 0:38:43 | |
So one morning, the fire drill goes off | 0:38:43 | 0:38:45 | |
and everybody's up in their knickers and we run out of the school, | 0:38:45 | 0:38:48 | |
across the yard into the study hall - except for Richie, | 0:38:48 | 0:38:52 | |
who thinks it's the morning bell. | 0:38:52 | 0:38:54 | |
So he goes downstairs, has a shower and gets dressed. | 0:38:54 | 0:38:57 | |
The priest is counting us up in the study hall and there's one fella missing. | 0:38:57 | 0:39:02 | |
This is not good. In a real emergency, this is a disaster. | 0:39:02 | 0:39:06 | |
So Richie is hauled up in front of this midnight court, | 0:39:06 | 0:39:09 | |
and he's never seen a scene like it in his life - | 0:39:09 | 0:39:12 | |
all his friends there, naked under fluorescent lights. | 0:39:12 | 0:39:15 | |
And the priest is there. "Where were you? | 0:39:16 | 0:39:19 | |
"Richie, where were you?" | 0:39:20 | 0:39:24 | |
And before Richie has time to answer, the priest goes, | 0:39:24 | 0:39:26 | |
"I'll tell you where you were, will I? I'll tell you. | 0:39:26 | 0:39:29 | |
"You were burning to death in the school fire." | 0:39:29 | 0:39:32 | |
Richie's looking round - "hat, what?!" | 0:39:34 | 0:39:36 | |
"That's right - you're dead! | 0:39:37 | 0:39:39 | |
"You're dead now. | 0:39:39 | 0:39:41 | |
"Am I supposed to phone your mother | 0:39:42 | 0:39:44 | |
"and tell her you've died in the school fire?" | 0:39:44 | 0:39:47 | |
It all gets to him. He goes, "No-o-o-o! | 0:39:47 | 0:39:51 | |
"I'LL tell her! | 0:39:52 | 0:39:54 | |
"It's better coming from me. | 0:39:56 | 0:39:59 | |
"She thinks you're a prick anyway!" | 0:39:59 | 0:40:02 | |
I turned 40 recently. | 0:40:07 | 0:40:09 | |
A few things you realise when you turn 40, | 0:40:09 | 0:40:11 | |
one of them is that 17-year-old girls no longer want to have sex with you. | 0:40:11 | 0:40:15 | |
They might have to, but they don't want to. | 0:40:17 | 0:40:19 | |
I couldn't be having sex with a 17-year-old, anyway - they're too excitable. | 0:40:21 | 0:40:26 | |
Two 17-year-old girls haven't seen each other for a few days, it's like... | 0:40:26 | 0:40:29 | |
-HE SCREECHES -.."Oh, my God! | 0:40:29 | 0:40:31 | |
"Oh, my God, I haven't seen you for so looooooong!" | 0:40:31 | 0:40:34 | |
LAUGHTER | 0:40:34 | 0:40:37 | |
I couldn't be having sex with that. | 0:40:38 | 0:40:40 | |
I wouldn't have the hand-eye coordination. | 0:40:42 | 0:40:44 | |
LAUGHTER | 0:40:44 | 0:40:46 | |
I'd put my back out. It'd be like trying to have sex with a salmon - "Where are ya?!" | 0:40:46 | 0:40:49 | |
I got married recently. | 0:40:55 | 0:40:58 | |
Yeah, I don't know... | 0:40:58 | 0:40:59 | |
I don't know if the lights are... | 0:40:59 | 0:41:01 | |
..picking up... | 0:41:03 | 0:41:06 | |
SCATTERED LAUGHTER | 0:41:06 | 0:41:07 | |
..my ring. | 0:41:07 | 0:41:09 | |
This ring... | 0:41:10 | 0:41:12 | |
protects me... | 0:41:12 | 0:41:14 | |
..from crazy ladies. | 0:41:15 | 0:41:18 | |
-WHISPERING: -Stay away! | 0:41:19 | 0:41:21 | |
We got... | 0:41:23 | 0:41:24 | |
marriage advice... | 0:41:24 | 0:41:26 | |
..from a priest. | 0:41:27 | 0:41:28 | |
What was that about? | 0:41:34 | 0:41:36 | |
You wouldn't take driving lessons off a blind fellow, would you? | 0:41:36 | 0:41:39 | |
"OK, just keep going till you hit the bumpy stuff, ha, ha, ha! | 0:41:43 | 0:41:46 | |
"Oh, there you are, sorry, I can't see a thing!" | 0:41:48 | 0:41:50 | |
I stood up... | 0:41:55 | 0:41:57 | |
in front of all my friends... | 0:41:57 | 0:41:58 | |
..to love... | 0:42:01 | 0:42:03 | |
honour... | 0:42:03 | 0:42:04 | |
and obey... | 0:42:04 | 0:42:06 | |
..in sickness... | 0:42:08 | 0:42:09 | |
and in health. | 0:42:09 | 0:42:11 | |
For better... | 0:42:13 | 0:42:14 | |
..for worse... | 0:42:15 | 0:42:16 | |
for richer, | 0:42:17 | 0:42:18 | |
for poorer... | 0:42:18 | 0:42:20 | |
..till... | 0:42:21 | 0:42:23 | |
..death... | 0:42:24 | 0:42:26 | |
do...us...part... | 0:42:26 | 0:42:29 | |
LAUGHTER | 0:42:32 | 0:42:34 | |
I'll give it a go! | 0:42:41 | 0:42:43 | |
It's a pleasure talking to you, Apollo. Thank you very much and good night. | 0:42:43 | 0:42:48 | |
CHEERING AND APPLAUSE | 0:42:48 | 0:42:49 | |
Cheers, Lenny. Thank you. | 0:42:51 | 0:42:54 | |
Let's hear it for Tommy Tiernan... | 0:42:57 | 0:42:59 | |
CHEERING AND APPLAUSE | 0:42:59 | 0:43:02 | |
..and Mike Wilmot... | 0:43:02 | 0:43:04 | |
CHEERING AND APPLAUSE CONTINUES | 0:43:04 | 0:43:06 | |
Ladies and gentlemen, this has been Live At The Apollo. | 0:43:06 | 0:43:08 | |
You've been a brilliant audience. Good night. Peace! | 0:43:08 | 0:43:11 | |
Subtitles by Red Bee Media Ltd | 0:43:30 | 0:43:33 | |
E-mail [email protected] | 0:43:33 | 0:43:36 |