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CHEERING AND APPLAUSE | 0:00:26 | 0:00:29 | |
Good evening, ladies and gentlemen, and welcome to Live At The Apollo! | 0:00:45 | 0:00:50 | |
Oh, yes, were going to have a good time tonight. | 0:00:53 | 0:00:55 | |
Thank you very much for coming out. | 0:00:55 | 0:00:57 | |
Looking around the audience, who do we have in this evening? | 0:00:57 | 0:01:00 | |
Mr Colin Jackson. In the house! | 0:01:00 | 0:01:03 | |
Yeah, Olympic and world superstar. | 0:01:08 | 0:01:11 | |
Hurdler, yeah? | 0:01:11 | 0:01:14 | |
But I notice also, a slightly high voice. | 0:01:14 | 0:01:16 | |
Is that one of the hazards of hurdling? | 0:01:17 | 0:01:20 | |
Welcome, Colin. Nice to have you here. | 0:01:21 | 0:01:23 | |
Oh, the lovely Esther Rantzen is here. | 0:01:23 | 0:01:25 | |
-Hello, Miss Esther, how are you? -I'm good, thanks. -Very nice to have you here. | 0:01:28 | 0:01:33 | |
Unfortunately, if you don't like this show there is not any complaining procedure. | 0:01:33 | 0:01:37 | |
Sorry, but that's...life. | 0:01:37 | 0:01:40 | |
Welcome, welcome. | 0:01:43 | 0:01:44 | |
Before we start, I want to tell you a little bit about myself. | 0:01:44 | 0:01:47 | |
I come from quite a big family. | 0:01:47 | 0:01:49 | |
There are eight kids in the family. Now, what can I tell you about that? | 0:01:49 | 0:01:52 | |
Well, my dad loved the Jackson Five. | 0:01:52 | 0:01:54 | |
And, quite clearly, sex. | 0:01:54 | 0:01:56 | |
Very, very tough existence. | 0:01:58 | 0:02:00 | |
I remember as a young kid saying to my dad, | 0:02:00 | 0:02:02 | |
"Dad, dad, with so many kids in the family there's not enough money. | 0:02:02 | 0:02:06 | |
"Can I have some pocket money?" | 0:02:06 | 0:02:08 | |
My dad would look at me and go, "Shut up, bastard! | 0:02:08 | 0:02:11 | |
"Your pocket is for your hand." | 0:02:12 | 0:02:14 | |
That's not the sort of thing you tell a teenage boy with holes in his pocket. | 0:02:15 | 0:02:20 | |
I'd say to my dad, "Dad, what does the future hold?" | 0:02:20 | 0:02:24 | |
He'd sit me down and go, "One day, son, | 0:02:24 | 0:02:26 | |
"people will hang televisions | 0:02:26 | 0:02:28 | |
"off their walls as though they were pictures." | 0:02:28 | 0:02:32 | |
I'd be like, "Dad, what's a picture?" | 0:02:32 | 0:02:35 | |
I'd say to my mum, "Mum, all the other kids are playing outside. | 0:02:37 | 0:02:40 | |
"Can I play outside?" My mum would go, "Shut up, bastard! | 0:02:40 | 0:02:43 | |
"Go upstairs and read a book." We had one book. The phone book. | 0:02:43 | 0:02:46 | |
I read it. | 0:02:46 | 0:02:49 | |
Wasn't a great read. I don't want to spoil it for you. | 0:02:49 | 0:02:53 | |
Lots of characters. And at the end, a lot of Polish people turn up. | 0:02:53 | 0:02:57 | |
Parents are very, very strange. Even little things. | 0:03:00 | 0:03:03 | |
If we, as a family, played Monopoly, right, and I landed on jail, my dad would make me | 0:03:03 | 0:03:08 | |
stand in the cupboard under the stairs to add a bit of realism. | 0:03:08 | 0:03:11 | |
I remember when I got one of those Community Chest cards. | 0:03:13 | 0:03:16 | |
It said, "You've been caught speeding. £60 fine." | 0:03:16 | 0:03:21 | |
My dad looked at me and went, "Go upstairs to your bedroom and think about what you have done." | 0:03:21 | 0:03:25 | |
My dad has mellowed later on in life. | 0:03:28 | 0:03:30 | |
My dad is now 75 years old and we are getting on. We are getting on. | 0:03:30 | 0:03:34 | |
But a couple of things about him I've now noticed, | 0:03:34 | 0:03:36 | |
as he's gotten older, | 0:03:36 | 0:03:38 | |
the level and volume of his sneezing has increased exponentially. | 0:03:38 | 0:03:44 | |
And I don't know if you know this, but a sneeze is one-eighth of an orgasm. | 0:03:44 | 0:03:48 | |
So when I hear my dad sneezing now, | 0:03:48 | 0:03:51 | |
I just think, "He's never had it so good!" | 0:03:51 | 0:03:54 | |
It's really hard to get him out of the house. | 0:03:54 | 0:03:56 | |
I'm like, "Dad, dad, let's go to the pub. | 0:03:56 | 0:03:59 | |
"What do you think?" | 0:03:59 | 0:04:00 | |
He'd go, "No, I'm going to have a quiet evening in with the pepper pot." | 0:04:00 | 0:04:04 | |
Being a child from a big family, | 0:04:07 | 0:04:09 | |
I had loads of brothers and sisters. | 0:04:09 | 0:04:10 | |
Anyone here who's got an older brother, | 0:04:10 | 0:04:13 | |
you'll know that you believed EVERYTHING your older brother said. | 0:04:13 | 0:04:16 | |
He was my God. My older brother told me stuff that I believed. | 0:04:16 | 0:04:21 | |
My older brother once told me that people on TV could see you as well. | 0:04:21 | 0:04:24 | |
It was so embarrassing. I could never, ever watch Baywatch again. | 0:04:26 | 0:04:31 | |
Yes, David Hasselhoff knew too much. | 0:04:31 | 0:04:35 | |
And also he'd say things like, | 0:04:37 | 0:04:39 | |
"You know, the milkman has got his own special udder. | 0:04:39 | 0:04:43 | |
"You should go and pull it." | 0:04:43 | 0:04:44 | |
I pulled it. Social services were called. | 0:04:46 | 0:04:50 | |
And we never saw the milkman again. | 0:04:50 | 0:04:53 | |
Very, very tough existence. | 0:04:53 | 0:04:55 | |
But, at school, you want to fit in and I was very, very paranoid | 0:04:55 | 0:04:58 | |
cos at school I had really big feet, massive feet. | 0:04:58 | 0:05:01 | |
So, for three years, as a kid at school, | 0:05:01 | 0:05:04 | |
I wore shoes three sizes too small. | 0:05:04 | 0:05:07 | |
Would you believe it, later on in life, I've got a crooked cock. | 0:05:07 | 0:05:12 | |
Some of you now are trying to process that! "How did he walk?" | 0:05:15 | 0:05:20 | |
But also at school, I wanted a teacher... | 0:05:23 | 0:05:26 | |
Do we have any teachers here this evening? Any teachers? | 0:05:26 | 0:05:28 | |
SHOUTS AND CHEERS | 0:05:28 | 0:05:30 | |
Yes, what age group do you teach? | 0:05:30 | 0:05:32 | |
Secondary? Respect to you. | 0:05:32 | 0:05:34 | |
Respect. | 0:05:34 | 0:05:36 | |
-What subject? -Maths. -So you do maths, and you? | 0:05:36 | 0:05:38 | |
Science. Respect. | 0:05:38 | 0:05:41 | |
I asked that same question at a show yesterday, lady at the front went, "Yeah, I do primary." | 0:05:41 | 0:05:45 | |
I went, "Listen, love, you're not a teacher. You're a helper. | 0:05:45 | 0:05:48 | |
"Let me guess, what subject do you teach?" | 0:05:50 | 0:05:52 | |
"Everything." | 0:05:52 | 0:05:55 | |
I wanted a teacher at school who was inspiring. | 0:05:55 | 0:05:59 | |
A teacher like Robin Williams in Dead Poets Society. | 0:05:59 | 0:06:03 | |
Instead, I got a teacher like Robin Williams in a Mrs Doubtfire. | 0:06:03 | 0:06:07 | |
We weren't even allowed to go on any school trips. Anybody go on school trips? | 0:06:08 | 0:06:12 | |
Yeah, where did you go, sir? | 0:06:12 | 0:06:14 | |
-The beach. -The beach?! | 0:06:14 | 0:06:16 | |
That really doesn't help me at all. "Beach! | 0:06:16 | 0:06:20 | |
"We go trip beach!" | 0:06:21 | 0:06:23 | |
-Where are you from, sir? -Kent. | 0:06:23 | 0:06:25 | |
Kent. OK, beach. | 0:06:25 | 0:06:27 | |
I shouldn't disparage. I digress. | 0:06:29 | 0:06:31 | |
I once went on a family holiday many years ago. | 0:06:31 | 0:06:34 | |
Obviously, as I said, there were so many kids in the family | 0:06:34 | 0:06:36 | |
that the only memory of family holidays | 0:06:36 | 0:06:39 | |
is the smell of petrol, right? | 0:06:39 | 0:06:40 | |
With all us kids in the car, my dad would put me and my sister in the boot. | 0:06:40 | 0:06:45 | |
Yeah? After four hours in the boot, I'd go, "Dad, dad, can you guess where we are yet?" | 0:06:45 | 0:06:50 | |
And he'd go, "Shut up, bastard! | 0:06:50 | 0:06:52 | |
"We're on the motorway and if you are talking, you're not hiding." | 0:06:52 | 0:06:57 | |
-It was a family holiday in Margate, back in the old days. -CHEERING | 0:07:02 | 0:07:06 | |
Oh, please, don't cheer Margate. I haven't finished. | 0:07:06 | 0:07:09 | |
I'm talking the late '70s, right? | 0:07:09 | 0:07:12 | |
All the family traipsed down there, arrived in Margate, | 0:07:12 | 0:07:15 | |
miserable weather, horrible food, rainy, windy. | 0:07:15 | 0:07:19 | |
We walked along the beachfront and this random bloke comes up to us and goes, "Oi, you lot! | 0:07:19 | 0:07:24 | |
"Why don't you go back to where you came from?" | 0:07:24 | 0:07:28 | |
And I was like, | 0:07:28 | 0:07:29 | |
"Don't you think I've asked myself the very same question?" | 0:07:29 | 0:07:33 | |
But then fast forward to this year | 0:07:42 | 0:07:43 | |
and I've had two holidays already. Two holidays. | 0:07:43 | 0:07:46 | |
I went to America. Mmm, boom! | 0:07:46 | 0:07:48 | |
Yes, but I don't know if you know this, folks, but in America | 0:07:48 | 0:07:51 | |
there is no point of reference for a black British person, right? | 0:07:51 | 0:07:54 | |
I was in a cafe in America. I said, "I'd like a cappuccino, please." | 0:07:54 | 0:07:58 | |
The guy behind the desk went, | 0:07:58 | 0:08:00 | |
"Oh, my God! | 0:08:00 | 0:08:02 | |
"It's Jeffrey from the Fresh Prince!" | 0:08:02 | 0:08:05 | |
Don't applaud that. | 0:08:13 | 0:08:14 | |
I look nothing like him! | 0:08:14 | 0:08:16 | |
In fact, a friend said to me that I look like a black Alan Sugar. | 0:08:18 | 0:08:21 | |
No, say it ain't so! | 0:08:24 | 0:08:27 | |
One of the reasons I went to America is because my favourite drink is Jack Daniels. | 0:08:28 | 0:08:32 | |
So I went to the birthplace of Jack Daniels, which is where? | 0:08:32 | 0:08:35 | |
-ALL: Tennessee. -Thank you. | 0:08:35 | 0:08:37 | |
Whereabouts in Tennessee? Lynchburg. | 0:08:37 | 0:08:40 | |
It's OK, folks, what's done is done. | 0:08:44 | 0:08:49 | |
But how much does it cost to change a sign? | 0:08:49 | 0:08:52 | |
I went to the Jack Daniel's distillery. | 0:08:52 | 0:08:54 | |
They could answer all my questions. How long is the ageing process? | 0:08:54 | 0:08:57 | |
How long does it take to go through all the charcoal? | 0:08:57 | 0:08:59 | |
The one question they couldn't answer was, "Why is this place still called Lynchburg? | 0:08:59 | 0:09:03 | |
"Come on, guys, don't leave me hanging." | 0:09:03 | 0:09:06 | |
And I also went to Nigeria. | 0:09:10 | 0:09:12 | |
My parents are from Nigeria and it was quite an experience. | 0:09:12 | 0:09:15 | |
I arrived at immigration with my two earrings, right? | 0:09:15 | 0:09:17 | |
The immigration took one look at me and went, | 0:09:17 | 0:09:20 | |
"Ah, are you a man or a woman?" | 0:09:20 | 0:09:23 | |
I said, "I'm quite clearly a man." | 0:09:26 | 0:09:29 | |
And he said, "Shame. With your powerful legs and your broad shoulders, | 0:09:29 | 0:09:33 | |
"you make a beautiful lady." | 0:09:33 | 0:09:35 | |
The things I've done for a visa. | 0:09:39 | 0:09:42 | |
Angela. My good friend, Angela Griffin's here. Hi, Ange. All right? | 0:09:45 | 0:09:49 | |
We like Ange, yeah? In the house. | 0:09:49 | 0:09:52 | |
I loved you in Coronation Street. | 0:09:52 | 0:09:53 | |
-You played a hairdresser. -That's right. | 0:09:53 | 0:09:55 | |
And in Cutting It you played a hairdresser. | 0:09:55 | 0:09:57 | |
-A beautician, actually. -A beautician? | 0:09:57 | 0:09:59 | |
Quite similar. What a range. | 0:09:59 | 0:10:02 | |
I've been on tour, as well, folks, and I've seen all of the country. | 0:10:05 | 0:10:08 | |
I travelled on various means of transport. | 0:10:08 | 0:10:10 | |
I took the train. Oh, my God! | 0:10:10 | 0:10:12 | |
When I took the train as a kid, | 0:10:12 | 0:10:14 | |
it was only so my mum could beat us in public. | 0:10:14 | 0:10:17 | |
"Think yourself lucky. | 0:10:19 | 0:10:21 | |
"Other children are merely beaten at home. | 0:10:21 | 0:10:24 | |
"I'm beating you as you gaze out on to beautiful scenery." | 0:10:26 | 0:10:30 | |
And the trains now, aren't they so high-tech? | 0:10:30 | 0:10:34 | |
Oh, my God. You now get a socket by your seat. | 0:10:34 | 0:10:36 | |
A socket by your seat. | 0:10:36 | 0:10:38 | |
If you're on a train, there is a socket by your seat. | 0:10:38 | 0:10:41 | |
Use it to the max. | 0:10:41 | 0:10:44 | |
Get your ironing done. | 0:10:44 | 0:10:46 | |
Blow-dry your hair. | 0:10:48 | 0:10:50 | |
When I now travel on the train, | 0:10:51 | 0:10:53 | |
I take a kettle and George Foreman grill. | 0:10:53 | 0:10:56 | |
Yeah, I can knock out coffee and sandwiches | 0:10:56 | 0:10:59 | |
cheaper than the buffet car. | 0:10:59 | 0:11:01 | |
And television, I'm really a big fan of TV, right. | 0:11:03 | 0:11:06 | |
People are now saying that apparently | 0:11:06 | 0:11:09 | |
young people are being influenced by what they see on TV. | 0:11:09 | 0:11:12 | |
And any parents here, you might remember this, there is a cartoon called Peppa Pig. | 0:11:12 | 0:11:16 | |
-Anybody know that cartoon? -CHEERING | 0:11:16 | 0:11:19 | |
Yeah. People are applauding a cartoon! "Oh yes!" | 0:11:19 | 0:11:22 | |
And what it was, they had to re-edit two of the episodes cos apparently | 0:11:23 | 0:11:26 | |
Peppa Pig was seen driving a car without a seatbelt. | 0:11:26 | 0:11:31 | |
Yeah. We had Roadrunner! | 0:11:31 | 0:11:34 | |
He jumped off buildings. | 0:11:36 | 0:11:39 | |
If you've got a child who copies what they see on adverts, | 0:11:39 | 0:11:43 | |
that's called natural selection. | 0:11:43 | 0:11:45 | |
Get rid. Get another one. | 0:11:46 | 0:11:48 | |
Back in the old days, '70s, '80s, | 0:11:53 | 0:11:55 | |
all our bits of technology were built into bits of furniture. | 0:11:55 | 0:11:59 | |
Look at people nodding. Yes! | 0:11:59 | 0:12:01 | |
Is it any wonder the rainforest is now depleting? | 0:12:02 | 0:12:05 | |
The stereo in our lounge was built under so much mahogany | 0:12:05 | 0:12:08 | |
that I thought if I lifted the lid | 0:12:08 | 0:12:10 | |
I would discover a lost Amazonian tribe. | 0:12:10 | 0:12:12 | |
"Mum, look, | 0:12:14 | 0:12:16 | |
"a man with a plate in his lip has just shot a dart in my face." | 0:12:16 | 0:12:20 | |
"Shut up, he's your father." | 0:12:20 | 0:12:22 | |
When I was growing up, we had one telephone in the house, in the hallway. | 0:12:25 | 0:12:29 | |
Anybody my age remember that? One telephone. | 0:12:29 | 0:12:32 | |
I'd be like that, "Listen, I can't talk for long, Dad is staring at me. | 0:12:32 | 0:12:37 | |
"Dad, dad, can I have some privacy?" | 0:12:40 | 0:12:42 | |
And he'd go, "Privacy? | 0:12:42 | 0:12:44 | |
"Buy your own house!" | 0:12:44 | 0:12:46 | |
One thing I remember from school, though, teachers, yeah, finger painting. | 0:12:48 | 0:12:53 | |
Remember that? I loved that. Cos I come from inner-city London, right? | 0:12:53 | 0:12:57 | |
And it was only later on in life that I realised it was | 0:12:57 | 0:13:00 | |
our headmaster's ingenious way to get our fingerprints early. | 0:13:00 | 0:13:03 | |
He'd say, "Most of you will go on to offend later on in life. | 0:13:05 | 0:13:09 | |
"I'm a merely cutting out the middleman." | 0:13:09 | 0:13:11 | |
Also, one of the things I seem to remember from school, folks, right, | 0:13:13 | 0:13:15 | |
one of the main things I remember is that I'm not a very sporty child. | 0:13:15 | 0:13:18 | |
Not sporty at all. And it dawned on me, right, | 0:13:18 | 0:13:21 | |
if you're a white kid at an all-black school, | 0:13:21 | 0:13:23 | |
and you're not sporty, people assume you're academic. | 0:13:23 | 0:13:27 | |
But if you're a black kid at an all-white school, | 0:13:27 | 0:13:30 | |
you can't dance or sing, people assume you're adopted. | 0:13:30 | 0:13:33 | |
The one thing I loved at school was the power of the note. | 0:13:36 | 0:13:40 | |
Forget the man who invented the television. Forget him. | 0:13:40 | 0:13:43 | |
Forget the man who invented the internet. | 0:13:43 | 0:13:45 | |
The power of the note, the note could get you out of anything. | 0:13:45 | 0:13:49 | |
PE? No, I've got a note. | 0:13:49 | 0:13:52 | |
Jabs? I've got a note. | 0:13:53 | 0:13:56 | |
If only the note could follow you later on in life. | 0:13:56 | 0:13:59 | |
Can you imagine me in the military | 0:13:59 | 0:14:01 | |
in a Chinook helicopter over Afghanistan? | 0:14:01 | 0:14:04 | |
"Private Amos, jump." "I can't, I've got a note. | 0:14:04 | 0:14:07 | |
"Mum says don't jump. Not in these shoes. | 0:14:09 | 0:14:11 | |
"You get me?" | 0:14:13 | 0:14:15 | |
And the leader of the free world, Barack Obama, wow, look at that. | 0:14:17 | 0:14:21 | |
If Barack Obama was a kid at my primary school and said to my careers adviser, | 0:14:21 | 0:14:25 | |
"I want to be the President", | 0:14:25 | 0:14:27 | |
the careers adviser would have gone, "Well, O-bummer..." | 0:14:27 | 0:14:30 | |
Obviously a temporary careers adviser. | 0:14:31 | 0:14:35 | |
"..I can definitely see you on the campaign bus...driving it." | 0:14:35 | 0:14:39 | |
Also, folks, I want to be a bit honest with you tonight. | 0:14:41 | 0:14:45 | |
I'm very much into same-sex relationships | 0:14:45 | 0:14:47 | |
cos I think it's very important | 0:14:47 | 0:14:49 | |
that you're both into the same kind of sex. | 0:14:49 | 0:14:51 | |
Otherwise it can create friction. | 0:14:53 | 0:14:55 | |
GROANS | 0:14:56 | 0:14:58 | |
APPLAUSE | 0:14:58 | 0:15:00 | |
Thank you. | 0:15:00 | 0:15:03 | |
People say to me, "Steve, are you gay or bisexual?" | 0:15:03 | 0:15:06 | |
I go, "Definitely gay, there's no two ways about it." | 0:15:06 | 0:15:09 | |
That's one positive thing about being gay | 0:15:11 | 0:15:14 | |
cos a lot of those skills are transferable. | 0:15:14 | 0:15:16 | |
Is that too much? | 0:15:18 | 0:15:20 | |
But my mum's take on it is this, | 0:15:22 | 0:15:24 | |
if my mum saw me having sex with a man she'd be like this. | 0:15:24 | 0:15:26 | |
"Oh, the man my son is having sex with, HE is the gay one." | 0:15:26 | 0:15:31 | |
That's my mum. | 0:15:34 | 0:15:35 | |
But my friends, they are quite bad at trying to set me up. | 0:15:38 | 0:15:41 | |
I say to them I like a man in uniform. | 0:15:41 | 0:15:44 | |
Barry from B&Q wasn't quite what I had in mind. | 0:15:44 | 0:15:49 | |
But, as I say, I'm having fun at the moment doing this job. | 0:15:50 | 0:15:53 | |
Look at me, yeah, I've actually been asked to host Live At The Apollo! | 0:15:53 | 0:15:57 | |
CHEERING | 0:15:57 | 0:16:02 | |
And Lenny Henry isn't dead. No! | 0:16:04 | 0:16:06 | |
He's just locked in a room at the Premiere Inn. | 0:16:08 | 0:16:11 | |
OK, ladies and gentlemen, are we ready to start the show? | 0:16:18 | 0:16:21 | |
CHEERING | 0:16:21 | 0:16:22 | |
Ladies and gentlemen, please help me welcome my first guest on tonight. | 0:16:22 | 0:16:27 | |
A very good friend of mine. A rising star on the comedy circuit. | 0:16:27 | 0:16:31 | |
Please give it up for the comedy talents that are Mr John Richardson! | 0:16:31 | 0:16:36 | |
CHEERING AND APPLAUSE | 0:16:36 | 0:16:39 | |
Hello. | 0:16:48 | 0:16:50 | |
Hello. | 0:16:53 | 0:16:54 | |
How are you? | 0:16:54 | 0:16:56 | |
This is good, isn't it? Big! | 0:16:56 | 0:16:59 | |
HIGH-PITCHED SCREAM | 0:16:59 | 0:17:00 | |
Ooh, yeah! | 0:17:00 | 0:17:02 | |
One of them as well. Why not? | 0:17:02 | 0:17:04 | |
Very rare you get that response in a cardigan, but, you know. | 0:17:04 | 0:17:07 | |
It's nice. It's times like this, as a stand-up, | 0:17:09 | 0:17:11 | |
you realise, I think I basically just moan for a living. | 0:17:11 | 0:17:14 | |
I'm going to make a concerted effort to be positive and happy | 0:17:14 | 0:17:18 | |
cos that's what people like, apparently. | 0:17:18 | 0:17:20 | |
And I get accused, I constantly get told | 0:17:20 | 0:17:22 | |
I'm grumpy and miserable, and I'm not. I'm happy. I'm upbeat. | 0:17:22 | 0:17:25 | |
I love being alive. | 0:17:25 | 0:17:27 | |
Love being a human. | 0:17:27 | 0:17:28 | |
Being a human's unbelievable, isn't it? | 0:17:28 | 0:17:30 | |
If you're a human, you really have nothing to moan about. | 0:17:30 | 0:17:33 | |
I realise this year that being a human is the best on the planet. | 0:17:33 | 0:17:37 | |
I was on a plane eating a chicken sandwich. | 0:17:37 | 0:17:40 | |
That's not it. It's pretty good, though. | 0:17:40 | 0:17:43 | |
I thought, "I am eating a bird whilst I am flying." | 0:17:43 | 0:17:47 | |
Unbelievable. I, a flightless land mammal, | 0:17:51 | 0:17:55 | |
am consuming a bird in mid-air. | 0:17:55 | 0:17:58 | |
Never mind the fact I just ordered a gin and tonic in a cloud. | 0:18:00 | 0:18:03 | |
Being a human's so easy that that's are why you get annoyed with people | 0:18:04 | 0:18:08 | |
cos people don't seem to try as hard as I would like them to, about life. | 0:18:08 | 0:18:13 | |
I am a perfectionist. Give us a cheer if you're a perfectionist. | 0:18:13 | 0:18:16 | |
Fair few of you. The rest of you are annoying. | 0:18:16 | 0:18:20 | |
You go around and make mistakes and you drop things and you laugh | 0:18:20 | 0:18:23 | |
about it, cos you think it's part of life's rich tapestry. | 0:18:23 | 0:18:27 | |
It isn't. You should be trying harder. | 0:18:27 | 0:18:29 | |
I'm a massive perfectionist | 0:18:29 | 0:18:31 | |
to the point that every mistake in my life counts the same. | 0:18:31 | 0:18:35 | |
So, in my world, dropping a spoon is the same as running someone over. | 0:18:35 | 0:18:38 | |
In that, you didn't mean to do it and you did it, | 0:18:38 | 0:18:40 | |
so you have to get angry about it | 0:18:40 | 0:18:42 | |
and make sure it never happens again. And I watch people make mistakes. | 0:18:42 | 0:18:45 | |
I came into London last year to do some gigs and I was on the London Underground. | 0:18:45 | 0:18:49 | |
I was on the Hammersmith and City line which, if you don't know London, | 0:18:49 | 0:18:52 | |
is the line that goes from Hammersmith into the City. | 0:18:52 | 0:18:55 | |
Cockneys really don't piss around when they're naming their things. | 0:18:55 | 0:18:59 | |
"I built a tube line, Gary. It goes from Hammersmith to the City." | 0:18:59 | 0:19:02 | |
"Oh, yeah, what you gonna call it?" | 0:19:02 | 0:19:04 | |
"Don't muck about, Gary. Don't muck about." | 0:19:04 | 0:19:08 | |
So anyway, I was on the Underground, sat down. | 0:19:10 | 0:19:13 | |
I knew I needed six stops to get to where I was going | 0:19:13 | 0:19:15 | |
and opposite me on are two young girls, | 0:19:15 | 0:19:17 | |
they're all dressed up, going out for the evening. | 0:19:17 | 0:19:19 | |
They're laughing, giggling, joking. | 0:19:19 | 0:19:21 | |
They're generally pissing me off. | 0:19:21 | 0:19:23 | |
I'm not a big fan of public shows of joy. | 0:19:26 | 0:19:29 | |
My motto is, there's misery in this world, you just have to look for it. | 0:19:30 | 0:19:34 | |
If something's broken, you can fix it and if it's untidy, you can tidy it. | 0:19:34 | 0:19:39 | |
If someone's unhappy, you can make them laugh and you've made their day a bit better. | 0:19:39 | 0:19:42 | |
Happy people are finished. You can't help them. | 0:19:42 | 0:19:45 | |
If you're happy, don't go out, | 0:19:45 | 0:19:47 | |
just stay at home and enjoy walls and ceilings. | 0:19:47 | 0:19:49 | |
My real issue with the happy is it's happy people who make mistakes | 0:19:49 | 0:19:52 | |
because they're so busy enjoying life they've forgotten to do it properly. | 0:19:52 | 0:19:56 | |
So I was on the underground and these girls were laughing away. | 0:19:56 | 0:19:58 | |
A perfect example because they are enjoying being together so much | 0:19:58 | 0:20:01 | |
they haven't noticed they've got on completely the wrong train. | 0:20:01 | 0:20:04 | |
So we are hurtling off in this direction and they should actually be going in this direction. | 0:20:04 | 0:20:08 | |
About five minutes in, one of the girls cottoned on. | 0:20:08 | 0:20:11 | |
She tapped her mate and went, | 0:20:11 | 0:20:12 | |
LAUGHS HEARTILY | 0:20:12 | 0:20:16 | |
"We're on the..." | 0:20:16 | 0:20:17 | |
I would have been furious. | 0:20:17 | 0:20:22 | |
Let's say it now - that's not funny, is it? | 0:20:22 | 0:20:26 | |
What's happened there is you've just lost a big chunk of your life. | 0:20:26 | 0:20:31 | |
The time you were going to spend | 0:20:31 | 0:20:32 | |
doing the thing you left the house to do | 0:20:32 | 0:20:34 | |
you will now spend correcting your ineptitude. | 0:20:34 | 0:20:36 | |
I know some people would say once you've got on the wrong train, | 0:20:36 | 0:20:39 | |
there's nothing you can do but laugh about it. | 0:20:39 | 0:20:41 | |
The only reason you'd laugh in this situation | 0:20:41 | 0:20:43 | |
is if you do this so often you've just had to learn to find it amusing. | 0:20:43 | 0:20:47 | |
"Done it again, what are we like?!" | 0:20:48 | 0:20:51 | |
I'll tell you. | 0:20:51 | 0:20:53 | |
Shit at being alive. | 0:20:55 | 0:20:57 | |
It wasn't just that they laughed initially, they laughed all through | 0:20:59 | 0:21:03 | |
the conversation about the fact there was no line they could get that would hook them back round | 0:21:03 | 0:21:07 | |
and they'd have to cross the track at the next stop and go back in the opposite direction. | 0:21:07 | 0:21:10 | |
Then one of them went, | 0:21:10 | 0:21:12 | |
"You'll have to phone Neil and tell him we're going to be late. He won't believe this!" | 0:21:12 | 0:21:16 | |
Yes, he will. | 0:21:16 | 0:21:17 | |
It's not a far-fetched anecdote, is it? | 0:21:17 | 0:21:21 | |
Neil's an idiot if you phone him and go, "We've got on the wrong train", | 0:21:21 | 0:21:24 | |
and he goes, "No, it's never happened before!" | 0:21:24 | 0:21:27 | |
And they got off and they were still laughing. | 0:21:27 | 0:21:29 | |
They got off at the next stop. I sat there thinking, "This is unbelievable! | 0:21:29 | 0:21:32 | |
"If you're not going to let this ruin your day, I'm going to have to take one for the team here. | 0:21:32 | 0:21:37 | |
"Strap on a pair and learn from this mistake even though I didn't make it." | 0:21:38 | 0:21:43 | |
I just started ranting in my chair. "This is typical of the world, this is. | 0:21:43 | 0:21:46 | |
"Never mind laughing about it, the fact is, Neil is waiting for them." | 0:21:46 | 0:21:50 | |
"And I'll tell you why Neil is waiting for them, | 0:21:52 | 0:21:54 | |
"cos Neil got there in good time by getting the right frigging train. | 0:21:54 | 0:21:58 | |
"I've got no qualms with Neil, Neil's a good egg." | 0:21:58 | 0:22:00 | |
I ranted for about 10 minutes. | 0:22:01 | 0:22:04 | |
All I achieved in that 10 minutes was that I went straight through the stop I was meant to be getting off at. | 0:22:04 | 0:22:10 | |
You would have to concede that that's mental illness, | 0:22:17 | 0:22:19 | |
if you are allowing your own life to be ruined by mistakes you haven't even made. | 0:22:19 | 0:22:23 | |
The worst thing about it is it means a relationship is out of the question | 0:22:23 | 0:22:26 | |
because you can't go out with someone when you pick up on every mistake, people don't like it. | 0:22:26 | 0:22:30 | |
My view on relationships and on people in general is this - | 0:22:30 | 0:22:33 | |
There are two types of people in the world. | 0:22:33 | 0:22:35 | |
Basically there are putters and leavers. | 0:22:35 | 0:22:37 | |
If you are not sure which one you are, you'll find out if I ask you a question like "Where are your keys?" | 0:22:37 | 0:22:42 | |
and you go, "They are where I put them." You are a putter. | 0:22:42 | 0:22:45 | |
And to sum up, you're a good human being. | 0:22:45 | 0:22:47 | |
You work hard, you try hard, you are probably quite successful. | 0:22:47 | 0:22:51 | |
The other group, the leavers, or shithead devils... | 0:22:51 | 0:22:57 | |
To give them their full title. | 0:22:57 | 0:22:58 | |
If you say to them, "Where are your keys?" They'll go, "Wherever I left them!" | 0:22:58 | 0:23:04 | |
And you will die in an accident. | 0:23:04 | 0:23:06 | |
That's just a fact, you have to know where things are. That is a fact. | 0:23:08 | 0:23:11 | |
And here's the problem in relationships. | 0:23:11 | 0:23:13 | |
You tend to find you get a putter with a lever. | 0:23:13 | 0:23:16 | |
You can't have two putters together cos they will kill each other | 0:23:16 | 0:23:19 | |
over which way the beans should face in the cupboard. | 0:23:19 | 0:23:22 | |
"They go westwards." "Oh, do they? In your face?" | 0:23:22 | 0:23:25 | |
Of course, you can never have two leavers together cos they will die of dysentery. | 0:23:26 | 0:23:30 | |
What you tend to find is you get a putter with a leaver. | 0:23:31 | 0:23:35 | |
The most annoying thing about leavers is they are more fun to be around, they are happier people, | 0:23:35 | 0:23:40 | |
because they go around dropping things and knocking stuff over | 0:23:40 | 0:23:43 | |
and the putter goes, "That goes there, that goes there. I'm valid in the relationship." | 0:23:43 | 0:23:48 | |
Leavers drop things cos they're enjoying life. | 0:23:49 | 0:23:52 | |
"Who cares where my keys are? Tin foil - shiny!" | 0:23:52 | 0:23:55 | |
Not a good mixture in a relationship. | 0:24:02 | 0:24:04 | |
"Let's make a collage." | 0:24:04 | 0:24:06 | |
"Let's make a list." | 0:24:06 | 0:24:08 | |
I make lists for a very simple reason. I like to control my life. | 0:24:08 | 0:24:13 | |
My view on happiness is it's kind of like that. | 0:24:13 | 0:24:16 | |
It goes up and down, it's wavy. | 0:24:16 | 0:24:17 | |
The happier you are, the sadder you'll be. It always evens out. | 0:24:17 | 0:24:21 | |
And if you're impulsive, you will have days where everything's perfect | 0:24:21 | 0:24:24 | |
but you'll have days when everything goes bad and you'll fluctuate a lot like that. | 0:24:24 | 0:24:28 | |
I can't handle that, so I keep my wave fairly shallow. | 0:24:28 | 0:24:30 | |
"Oh, that was a nice Kit Kat. Oh, bloody hell." | 0:24:30 | 0:24:32 | |
And if I try to be impulsive I don't know how it's done and I just ruin days. | 0:24:35 | 0:24:40 | |
The last girlfriend I went out with, we were chatting, it was the first time we'd spoken. | 0:24:40 | 0:24:44 | |
She said, "Let's go out on a date. What would you like to do?" | 0:24:44 | 0:24:47 | |
I thought, "Don't be honest about what you would like to do | 0:24:47 | 0:24:50 | |
"cos it's probably weird. Say something sexy and impulsive." | 0:24:50 | 0:24:53 | |
I said something so impulsive even I didn't really know I was going to say it until after it had happened. | 0:24:53 | 0:24:59 | |
She said, "Oh, this has been nice, what would you like to do?" I said, "Oh, let's go ice-skating." | 0:24:59 | 0:25:05 | |
Which is easily the shittest sentence I have ever said. | 0:25:05 | 0:25:09 | |
The phrase, "Would you like to go ice skating?" is on a par with "Would you like a fire bath?" | 0:25:09 | 0:25:14 | |
Just an experience and a range of temperatures your body does not need to go through. | 0:25:15 | 0:25:19 | |
If you go ice-skating, you will fall and hurt yourself and it's your fault. | 0:25:19 | 0:25:23 | |
Ice has evolved. It's got slippery for a reason. It doesn't want us on its back. | 0:25:23 | 0:25:28 | |
I don't mind falling over, I fall over in life, I like a drink. | 0:25:28 | 0:25:31 | |
You trip and you put your hands out and you try and minimise the damage. That doesn't work on ice. | 0:25:31 | 0:25:36 | |
On ice, you splay out and you slide for another 50 yards, | 0:25:36 | 0:25:39 | |
surrounded by out-of-control teenagers with razor blades on their shoes. | 0:25:39 | 0:25:43 | |
That is how you lose three fingers. If you're going to lose fingers, | 0:25:45 | 0:25:48 | |
you need an anecdote, cos you'll get asked about it. | 0:25:48 | 0:25:50 | |
"Where did you lose those fingers, was in a war?" "No, in an ice rink." | 0:25:50 | 0:25:54 | |
So I panicked. We went on the date, she'd been before so she went straight through the gate. | 0:25:54 | 0:25:58 | |
She was doing loop the loop, plies and triple salchows and all that bollocks. | 0:25:58 | 0:26:01 | |
I thought, "I can't go out in the middle, that is the most dangerous area. | 0:26:01 | 0:26:04 | |
"But what I can do is just move around the edge and then I've got a barrier to hold onto." | 0:26:04 | 0:26:09 | |
Which, in terms of health and safety, is a 10 out of 10 move. | 0:26:09 | 0:26:12 | |
In terms of looking sexy on a first date it's a nought out of 10 move. | 0:26:12 | 0:26:17 | |
She was looking over at me trying to look sexy and I'm going... | 0:26:17 | 0:26:21 | |
"You like this, baby?" | 0:26:22 | 0:26:23 | |
"Daddy moves like your grandmother, that's right." | 0:26:25 | 0:26:27 | |
She tried everything to get me off the edge. | 0:26:30 | 0:26:32 | |
"Come on, John, what's the worst that could happen?" | 0:26:32 | 0:26:34 | |
I went, "Three fingers!" She actually misunderstood. | 0:26:34 | 0:26:37 | |
Awkward conversation. | 0:26:40 | 0:26:43 | |
Eventually she got me off the edge and the sentence she used, | 0:26:43 | 0:26:45 | |
I will guarantee everyone watching this has done something | 0:26:45 | 0:26:48 | |
they had no intention of doing because of the following phrase. | 0:26:48 | 0:26:51 | |
She went, "Come on, John, in at the deep end." | 0:26:51 | 0:26:54 | |
There's something about that phrase that makes you go... | 0:26:54 | 0:26:57 | |
"In at the deep end!" | 0:26:57 | 0:26:58 | |
I think it's just because it's rhythmical. | 0:26:58 | 0:27:01 | |
"Dibby-de-ba-ba." And you go, "Dibby-de-ba-ba!" | 0:27:01 | 0:27:05 | |
As advice, it's terrible. It basically means, "Why don't you, | 0:27:05 | 0:27:07 | |
"as a non-swimmer, just have a jump in that deep water there?" | 0:27:07 | 0:27:11 | |
You might as well just say, "Go on, try and kill yourself." | 0:27:11 | 0:27:14 | |
The advice should be, "Come on, John, let's walk there together from the shallow end with floats on." | 0:27:16 | 0:27:22 | |
That doesn't scan. She said, "In at the deep end" | 0:27:22 | 0:27:24 | |
and I thought, "Well, that's obviously how you learn to ice-skate or she wouldn't have said it." | 0:27:24 | 0:27:28 | |
So I flung myself off the edge, instantly slipped... | 0:27:28 | 0:27:31 | |
And you really need your brain there to go, | 0:27:31 | 0:27:33 | |
"It's all right, I've got this one, I know exactly what to do." What my brain said was... | 0:27:33 | 0:27:38 | |
"It's all right, John, I actually think you can outrun this." | 0:27:38 | 0:27:41 | |
You can't outrun a fall. | 0:27:45 | 0:27:47 | |
No one in the history of mankind has ever run outrun a fall. | 0:27:47 | 0:27:50 | |
You just double your options to falling or smashing your face into a wall. | 0:27:50 | 0:27:55 | |
I started pumping my legs. | 0:27:55 | 0:27:56 | |
Cos there's no friction, they just go like that. | 0:27:56 | 0:27:59 | |
You enter a move I call the road runner phase, where the legs are going but the body is still. | 0:27:59 | 0:28:03 | |
But it feels like you are winning cos you're not falling any more. | 0:28:03 | 0:28:06 | |
"This is just fine, this. | 0:28:06 | 0:28:08 | |
"I'll just do this for all eternity. We'll get married here." | 0:28:08 | 0:28:11 | |
Then I started tilting forward and I thought, | 0:28:11 | 0:28:13 | |
"I'm probably not that far from the barrier. "I can probably still get hold of that." | 0:28:13 | 0:28:17 | |
I flung my arm out and I got the barrier... | 0:28:17 | 0:28:20 | |
You weren't expecting that, were you, world? | 0:28:20 | 0:28:22 | |
Then I thought, "That barrier is actually a little bit squidgier than the last one. | 0:28:22 | 0:28:27 | |
"I don't remember the last one screaming when I grabbed hold of it." | 0:28:27 | 0:28:30 | |
And I grabbed her. Not an outstretched arm or anything like that, just an innocent breast. | 0:28:30 | 0:28:35 | |
And because this is comedy, I imagine you think it was a kind of Hugh Grant romantic comedy style, | 0:28:37 | 0:28:42 | |
"Oh, no, how embarrassing, but slightly arousing. See you at the bottom!" | 0:28:42 | 0:28:46 | |
It was nothing like that, it was just a good, old-fashioned, "Aagh!" | 0:28:46 | 0:28:51 | |
"This is mine." | 0:28:51 | 0:28:53 | |
I really pulled on this thing. | 0:28:55 | 0:28:57 | |
Various thoughts go through a man's brain when he's grabbed a breast. | 0:28:59 | 0:29:02 | |
First of all, "Hee-hee-hee." | 0:29:02 | 0:29:05 | |
There's nothing you can do about that, that's a reflex. | 0:29:06 | 0:29:09 | |
Second is usually, "I should let go of this. | 0:29:09 | 0:29:13 | |
"I don't think she's getting the buzz that we are." | 0:29:13 | 0:29:16 | |
Not my brain. My brain said, "Don't let go of that, you'll fall." | 0:29:16 | 0:29:20 | |
So I carried on pulling on it, right. | 0:29:20 | 0:29:23 | |
She was a lovely girl but she wasn't built to carry that kind of load. | 0:29:23 | 0:29:27 | |
She hit the deck and I came tumbling after her. | 0:29:27 | 0:29:30 | |
On the floor she's already laughing. | 0:29:30 | 0:29:32 | |
She thinks, "If we get together this is going to be hilarious." | 0:29:32 | 0:29:35 | |
I'm lying next to her absolutely furious. | 0:29:35 | 0:29:38 | |
Not only because she'd buckled. | 0:29:38 | 0:29:40 | |
"Put your back into it, love, there's two of us in this." | 0:29:43 | 0:29:46 | |
It was mainly cos I'd found out | 0:29:46 | 0:29:47 | |
that when you grab breasts they don't go... HE MAKES HONKING NOISE | 0:29:47 | 0:29:52 | |
Devastating. | 0:29:52 | 0:29:53 | |
This has been an absolute honour. Take care. Bye-bye. | 0:29:57 | 0:30:00 | |
Mr John Richardson. | 0:30:09 | 0:30:11 | |
Ladies and gentlemen, are we ready for the next act? | 0:30:15 | 0:30:18 | |
CHEERING | 0:30:18 | 0:30:19 | |
Ladies and gentlemen, it gives me great pleasure to ask you to help us welcome | 0:30:20 | 0:30:23 | |
another very good friend of mine, a very special guest on the stage tonight, a very funny man indeed, | 0:30:23 | 0:30:28 | |
please, give it up for the comedy talents that are Micky Flanagan! | 0:30:28 | 0:30:33 | |
Hello, thank you. | 0:30:40 | 0:30:41 | |
Thank you. | 0:30:43 | 0:30:45 | |
Good evening, everybody. Hello. | 0:30:49 | 0:30:51 | |
Very nice to be here. So I'm from the East End of London. | 0:30:53 | 0:30:57 | |
Let's use the facilities. This is the cockney walk. | 0:30:57 | 0:31:00 | |
This is your casual cockney walk, this. | 0:31:00 | 0:31:03 | |
This is your standard cockney walk. | 0:31:03 | 0:31:05 | |
"Not a lot going on. Just having a little bit of a walkabout. | 0:31:05 | 0:31:09 | |
"There you go. Having a little walkabout. A little look about." | 0:31:09 | 0:31:12 | |
Just your casual cockney walk. | 0:31:12 | 0:31:15 | |
Then you've got your busy cockney walk. | 0:31:16 | 0:31:18 | |
"Obviously I'm double busy. Double busy! | 0:31:18 | 0:31:20 | |
"Can't hang about. I've got to sign on and get back to work." | 0:31:23 | 0:31:26 | |
Left school with a bottle opener. | 0:31:30 | 0:31:32 | |
Made in the third year. It wasn't a rubbish one. | 0:31:33 | 0:31:36 | |
It was good, because the two biggest departments in our schools, woodwork and metalwork. | 0:31:36 | 0:31:42 | |
So I made the metal bits in the metalwork department. | 0:31:42 | 0:31:45 | |
I went inter-departmental. | 0:31:45 | 0:31:47 | |
Went across the corridor. | 0:31:49 | 0:31:51 | |
I said to the woodwork teacher, | 0:31:51 | 0:31:54 | |
"Do you mind if I put a wooden handle on my bottle opener, sir?" | 0:31:54 | 0:31:58 | |
He said, "You're a natural, son. | 0:32:00 | 0:32:02 | |
"Things are going to work out for you." | 0:32:02 | 0:32:05 | |
We made ashtrays in the second year. | 0:32:05 | 0:32:09 | |
Bottle openers in the third year. | 0:32:10 | 0:32:13 | |
Prams in the fourth year. | 0:32:14 | 0:32:16 | |
But my big thing in the 80s, chasing women. | 0:32:20 | 0:32:22 | |
Back in the 80s, I was an international lover and player. | 0:32:22 | 0:32:26 | |
I was. I made love to women as far afield as Cardiff, Cornwall. | 0:32:29 | 0:32:35 | |
I got a girl to wank me off on the Isle of Wight. A day trip. | 0:32:36 | 0:32:41 | |
It was easy to get sex in the 80s. You had to really work for it. | 0:32:43 | 0:32:47 | |
Women didn't want to part up too quickly. | 0:32:47 | 0:32:50 | |
You had to go to work. | 0:32:50 | 0:32:52 | |
If you met a girl and were taking her out on Saturday night, | 0:32:52 | 0:32:57 | |
"Bosh, here we go, a splash of Paco Rabanne." | 0:32:57 | 0:33:01 | |
Get your jeans out of the cleaners. | 0:33:01 | 0:33:03 | |
A nice crease on them. | 0:33:03 | 0:33:05 | |
And you took her out for the evening, you treated her. | 0:33:07 | 0:33:10 | |
You took her out for a Steak Diane. | 0:33:10 | 0:33:12 | |
A few Cinzano Biancos. | 0:33:13 | 0:33:16 | |
And if she wanted a prawn cocktail, she got a prawn cocktail. | 0:33:18 | 0:33:21 | |
Women went mental for the prawn cocktail in the 80s. | 0:33:24 | 0:33:27 | |
You'd see her little face light up. | 0:33:27 | 0:33:31 | |
You've sat her down and you've presented her with prawns... | 0:33:31 | 0:33:35 | |
..Lettuce... | 0:33:36 | 0:33:38 | |
in a wine glass.... | 0:33:38 | 0:33:40 | |
..Drizzled with the dressing from a thousand islands. | 0:33:42 | 0:33:47 | |
"Not salad cream tonight, Princess." | 0:33:51 | 0:33:54 | |
"Tonight, you're special." | 0:33:56 | 0:33:58 | |
"You're going to get a dressing that's been gathered from a thousand islands... | 0:33:59 | 0:34:05 | |
"and brought to this steak house in Bethnal Green." | 0:34:05 | 0:34:08 | |
Now, you want the vagina. | 0:34:11 | 0:34:13 | |
This hasn't changed. | 0:34:13 | 0:34:15 | |
Men have chased the vagina since time began. | 0:34:15 | 0:34:18 | |
The vagina has changed, as we know. | 0:34:18 | 0:34:21 | |
It was still a big hairy beast back in the 80s. | 0:34:21 | 0:34:24 | |
Big, hairy, militant, Marxist, feminist vagina. | 0:34:26 | 0:34:30 | |
It was angry, the vagina, in the 80s. Had a terrible attitude. | 0:34:32 | 0:34:38 | |
I mean, the knickers weren't small and it was still busting out the side. Big angry vagina! | 0:34:40 | 0:34:46 | |
You started rolling these Marxist knickers down and it would come out, "Grrr! What are you looking at?" | 0:34:49 | 0:34:55 | |
But you want the vagina. | 0:34:57 | 0:35:00 | |
So I got myself a place, kitted it out for love - bedsitter. | 0:35:00 | 0:35:05 | |
Quality bedsitter. Not council. | 0:35:05 | 0:35:09 | |
And I went and got all the latest gear. I spent about 700 quid, "Right, let's go." | 0:35:09 | 0:35:14 | |
Take her back, sit her down on the futon. | 0:35:14 | 0:35:17 | |
She's half in bed already. | 0:35:19 | 0:35:21 | |
Up there for thinking. | 0:35:23 | 0:35:24 | |
Go over to my stereo stacker system. | 0:35:26 | 0:35:28 | |
Got a stereo stacker. | 0:35:28 | 0:35:33 | |
With a built-in graphic equaliser. | 0:35:35 | 0:35:38 | |
That does nothing. | 0:35:40 | 0:35:42 | |
I slip into the cassette deck, | 0:35:44 | 0:35:48 | |
Now That's What I Call Music... | 0:35:48 | 0:35:52 | |
Two. | 0:35:52 | 0:35:53 | |
Now, I know Luther Vandross will be on in a minute. | 0:36:00 | 0:36:03 | |
When Luther comes on, bosh, I'm in. | 0:36:03 | 0:36:06 | |
This frees up the time for me to go off to the kitchenette area. | 0:36:08 | 0:36:12 | |
I've got a kitchenette area. | 0:36:12 | 0:36:14 | |
It's not a pisshole I'm living in. | 0:36:14 | 0:36:16 | |
I've got a kitchenette. I go behind my little bit of curtain. | 0:36:17 | 0:36:21 | |
Got to have a little bit of curtain around your kitchen, come on. | 0:36:24 | 0:36:27 | |
I change into the uniform of the international player, | 0:36:29 | 0:36:32 | |
which we know is the silk, black kimono. | 0:36:32 | 0:36:37 | |
Come back out into the main area. | 0:36:38 | 0:36:42 | |
I've kept my jeans on. I'm not a monster. | 0:36:42 | 0:36:45 | |
I turn round to reveal the dragon. | 0:36:49 | 0:36:52 | |
Hold that pose. | 0:36:55 | 0:36:58 | |
Come back with a nice chilled bottle of Blue Nun. | 0:36:58 | 0:37:01 | |
Oh, she's gone. | 0:37:02 | 0:37:04 | |
Now, playing days are over for me anyway. | 0:37:06 | 0:37:10 | |
I sorted my life out in the late 80s. | 0:37:10 | 0:37:12 | |
Met a very nice girl. Proper middle class. | 0:37:12 | 0:37:15 | |
She's been skiing and everything. | 0:37:15 | 0:37:16 | |
About four years ago - we were together six years - | 0:37:18 | 0:37:23 | |
we were making love, right? Making love. | 0:37:23 | 0:37:26 | |
She said, "I want a baby. I want a baby." | 0:37:26 | 0:37:31 | |
I said, "Well, if you come off the pill I'll start leaving it in, right?" | 0:37:31 | 0:37:35 | |
So...started leaving it in. | 0:37:35 | 0:37:39 | |
Child came along, was created. | 0:37:41 | 0:37:44 | |
My wife, quite a middle-class woman, said, after a few months, "I'm losing my identity. | 0:37:45 | 0:37:51 | |
"Losing my identity!" | 0:37:51 | 0:37:54 | |
I said, "Have you finished your cleaning?" | 0:37:56 | 0:37:58 | |
Course I didn't. We've got a cleaner. | 0:37:59 | 0:38:02 | |
Everyone's got a cleaner now. Poor people have got cleaners. | 0:38:04 | 0:38:07 | |
So...she went back to work, leaving me to bring the child up. | 0:38:08 | 0:38:14 | |
So I'm pushing him along the street in his £500 pram, which I resented, initially. | 0:38:14 | 0:38:20 | |
Then I got involved in a race in Somerfields. | 0:38:20 | 0:38:23 | |
Turns on a tanner. Turns on a tanner. | 0:38:25 | 0:38:27 | |
Some idiot in a £200 buggy tried to cut me up?! | 0:38:29 | 0:38:33 | |
I said, "Come on, mate, there's a monkey's worth of pramette coming through here. | 0:38:35 | 0:38:39 | |
"Shouldn't you be in Iceland's with that thing?" | 0:38:43 | 0:38:45 | |
I'm not... I'm not a snob. | 0:38:51 | 0:38:56 | |
But we did buy an overpriced house to store the baby in, | 0:38:56 | 0:38:59 | |
you know what I mean? In a nice area. Really nice area. | 0:38:59 | 0:39:04 | |
My wife went back to work. It's the thing about having children, | 0:39:04 | 0:39:08 | |
it is a bit tedious because you get up early with them. You get up about 6:30am. | 0:39:08 | 0:39:12 | |
By about 7:30am, you're running out of ideas. | 0:39:12 | 0:39:15 | |
So the government say, "Not too much telly, not too much telly." | 0:39:15 | 0:39:20 | |
They don't know what they're talking about. | 0:39:20 | 0:39:23 | |
He loves a bit of telly. | 0:39:23 | 0:39:25 | |
Never once has this little boy turned to me and gone, "There's nothing on, Dad." | 0:39:26 | 0:39:32 | |
I put him by the telly, right. | 0:39:32 | 0:39:34 | |
He's watching Thomas the Tank Engine. I'm reading about the budget deficit, | 0:39:34 | 0:39:38 | |
which is very high, as we know, and you should be more worried about it. | 0:39:38 | 0:39:43 | |
He's watching Thomas. I'm reading the paper. He's watching Thomas. | 0:39:44 | 0:39:48 | |
I'm reading the paper. Suddenly, I'M watching Thomas. | 0:39:48 | 0:39:52 | |
Two years later, I'm a massive fan of Thomas. | 0:39:55 | 0:39:58 | |
I've got to know the trains again, haven't I? | 0:39:59 | 0:40:02 | |
Their little personalities, you know. | 0:40:02 | 0:40:04 | |
You think, "Oh, Toby's turned up, this'll be a blinder, this will." | 0:40:04 | 0:40:08 | |
No, cos he's not a proper diesel or a steamy, he's square, he plays up a bit, you know. | 0:40:13 | 0:40:22 | |
So you're guaranteed a good episode with Toby. | 0:40:22 | 0:40:25 | |
Now, the worst thing about having children - you're thoroughly enjoying an episode of Thomas, | 0:40:25 | 0:40:29 | |
the little boy looks up at me and thinks, "He's enjoying himself a bit. I'm not having that. | 0:40:29 | 0:40:34 | |
"I think I'll go off and top myself." | 0:40:34 | 0:40:37 | |
So he goes and gets in the oven. | 0:40:37 | 0:40:39 | |
Keep me on my toes. And you have to go, | 0:40:40 | 0:40:42 | |
"Hot, hot, hot! Hot, hot, hot!" | 0:40:42 | 0:40:46 | |
And you miss the end of Thomas. | 0:40:49 | 0:40:51 | |
It ruins the rest of your day. | 0:40:53 | 0:40:54 | |
Ruins it. It gnaws away at you. | 0:40:54 | 0:40:57 | |
You think, "How did that end?" | 0:40:57 | 0:40:59 | |
And it's not the sort of show you can just pop down the pub that night | 0:41:02 | 0:41:06 | |
and start asking about, you know what I mean? | 0:41:06 | 0:41:10 | |
Saying to people, "I don't suppose you saw Thomas this morning, did you?" | 0:41:10 | 0:41:13 | |
"They brought the orchestra over, right, to play at the fete, the Sodor fete, | 0:41:16 | 0:41:22 | |
"they've only sent Percy to pick them up, haven't they? | 0:41:22 | 0:41:25 | |
"I don't know what the Fat Controller's thinking about sometimes, I really don't." | 0:41:25 | 0:41:30 | |
"We know it's a job for Gordon, don't we? | 0:41:31 | 0:41:34 | |
"Possibly Henry, at a push." | 0:41:34 | 0:41:36 | |
Ladies and gentlemen, you have been absolutely lovely. | 0:41:38 | 0:41:40 | |
Thank you very much. Enjoy the rest of your evening. Thank you. | 0:41:40 | 0:41:43 | |
Mr Micky Flanagan! | 0:41:54 | 0:41:56 | |
Yes, what a great time we've had tonight. | 0:42:01 | 0:42:03 | |
Just to round up, I just want to say one last thing. | 0:42:03 | 0:42:06 | |
They say PC has gone a bit too mad in this country. | 0:42:06 | 0:42:09 | |
Everyone's a bit too PC. Too PC. | 0:42:09 | 0:42:11 | |
Now, I think PC's OK if it means you've got to think before you speak and you respect other people. | 0:42:11 | 0:42:18 | |
However, it can go too far. | 0:42:18 | 0:42:20 | |
A blackboard is a blackboard. | 0:42:20 | 0:42:22 | |
Keep singing Baa Baa Black Sheep. | 0:42:22 | 0:42:24 | |
It dawned on me when I watched a programme earlier this year. | 0:42:24 | 0:42:28 | |
It was called Finding Dorothy. Anybody see that programme? | 0:42:28 | 0:42:31 | |
Basically they were looking for a West End star to play Dorothy in the Wizard of Oz. | 0:42:31 | 0:42:36 | |
I was hooked on this programme. | 0:42:36 | 0:42:37 | |
I watched it until it got to the final ten and I found out that one of them was black. | 0:42:37 | 0:42:44 | |
And I was like, "What? | 0:42:44 | 0:42:47 | |
"To play Dorothy? I don't think so." | 0:42:47 | 0:42:51 | |
Now, don't get me wrong, folks, there were black people in rural Kansas in 1939. | 0:42:53 | 0:42:58 | |
They just weren't allowed on the Yellow Brick Road. | 0:42:58 | 0:43:01 | |
Ladies and gentlemen, that about rounds it up for tonight. Please help me thank my first guest, | 0:43:05 | 0:43:11 | |
Mr John Richardson! | 0:43:11 | 0:43:12 | |
And we finished with Mr Micky Flanagan! | 0:43:17 | 0:43:20 | |
You have been a great audience. I have simply been gorgeous. | 0:43:27 | 0:43:30 | |
My name is Stephen K Amos. Good night. | 0:43:30 | 0:43:33 | |
Subtitles by Red Bee Media Ltd | 0:43:33 | 0:43:36 | |
E-mail [email protected] | 0:43:36 | 0:43:39 |