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Ladies and gentlemen, please welcome your host for tonight, | 0:00:18 | 0:00:22 | |
Kevin Bridges! | 0:00:22 | 0:00:24 | |
CHEERING AND APPLAUSE | 0:00:24 | 0:00:27 | |
Yeah. | 0:00:40 | 0:00:42 | |
-Hello. -Hello! | 0:00:42 | 0:00:45 | |
Good evening, ladies and gentlemen, and welcome to Live At The Apollo! | 0:00:45 | 0:00:49 | |
CHEERING AND WHISTLING | 0:00:49 | 0:00:51 | |
Beautiful. It's good to be here. I'm your host for the evening. | 0:00:53 | 0:00:57 | |
Don't worry. I've done this sort of thing before. I've done a few telly shows. | 0:00:57 | 0:01:01 | |
When you've got a Scottish accent and you do a TV show, | 0:01:01 | 0:01:04 | |
you need to use proper English and enunciate so people understand you | 0:01:04 | 0:01:09 | |
but it's quite hard to find that balance sometimes, | 0:01:09 | 0:01:12 | |
because there'll still be somebody from Aylesbury or Leamington Spa... | 0:01:12 | 0:01:17 | |
ONE PERSON CHEERING | 0:01:17 | 0:01:19 | |
..saying... LAUGHTER | 0:01:19 | 0:01:22 | |
..saying, "We saw you on the television. I didn't understand anything you actually said. | 0:01:22 | 0:01:27 | |
"I found your accent utterly incomprehensible. | 0:01:28 | 0:01:32 | |
"Really quite a thick Scotch accent you've got. | 0:01:32 | 0:01:34 | |
"I used work beside a guy who was Scotch. | 0:01:34 | 0:01:37 | |
"I didn't understand anything he was saying either, yah?" | 0:01:37 | 0:01:40 | |
Whereas somebody in Scotland, they're saying, | 0:01:40 | 0:01:43 | |
"We seen you on the telly talking like a (BLEEP). | 0:01:43 | 0:01:46 | |
"Care to explain yourself?" | 0:01:52 | 0:01:53 | |
I still live in Scotland. | 0:01:55 | 0:01:57 | |
I recently moved out from my parents' house. It's an exciting time when you leave home. | 0:01:57 | 0:02:02 | |
It's an end of an era. It's quite sad. | 0:02:02 | 0:02:05 | |
I've always had a good relationship with my mum and my dad, | 0:02:05 | 0:02:08 | |
especially my dad. | 0:02:08 | 0:02:09 | |
When you're a young guy, | 0:02:09 | 0:02:10 | |
traditionally, your dad is your hero, right? He knows everything. | 0:02:10 | 0:02:15 | |
He's your role model. You want to follow in his footsteps. | 0:02:15 | 0:02:19 | |
He's a legend. | 0:02:19 | 0:02:20 | |
And then you get to about 12 years old, | 0:02:20 | 0:02:23 | |
you discover that your dad is a dick. | 0:02:23 | 0:02:26 | |
And that normally happens on Christmas Day | 0:02:32 | 0:02:35 | |
and involves building something. | 0:02:35 | 0:02:38 | |
I would be sat there, working patiently away using the instruction manual provided | 0:02:39 | 0:02:45 | |
when my dad would come in. | 0:02:45 | 0:02:46 | |
See, my dad was of the old school | 0:02:46 | 0:02:48 | |
where the use of an instruction manual | 0:02:48 | 0:02:50 | |
is seen as an admission of homosexuality. | 0:02:50 | 0:02:54 | |
"This can get to ... Go and get me a can of Miller and the claw hammer." | 0:02:58 | 0:03:03 | |
And once you've realised your dad's a dick, | 0:03:05 | 0:03:07 | |
it lays the foundations | 0:03:07 | 0:03:10 | |
to build a whole new relationship with your old man, | 0:03:10 | 0:03:13 | |
when you figure out how he works | 0:03:13 | 0:03:15 | |
and you can kind of use that to your advantage. | 0:03:15 | 0:03:17 | |
I realised by dad was a knob in 1997. | 0:03:17 | 0:03:22 | |
Quite an exciting year for me because we never had Sky Plus in 1997. | 0:03:24 | 0:03:28 | |
You could not pause live TV in '97. We were cavemen back then, right? | 0:03:28 | 0:03:33 | |
We were Neanderthals. 1997. You had the old school Sky. | 0:03:33 | 0:03:37 | |
You had three options when you were first getting Sky TV installed in 1997, | 0:03:37 | 0:03:42 | |
as far as I can recall. | 0:03:42 | 0:03:43 | |
You could get it via a satellite dish, | 0:03:43 | 0:03:46 | |
via a cable | 0:03:46 | 0:03:48 | |
or you knew a guy. | 0:03:48 | 0:03:51 | |
You knew a guy who could get you a box for 40 quid. | 0:03:55 | 0:03:59 | |
One of the guys that can get you anything for 40 quid. | 0:03:59 | 0:04:03 | |
Doesn't matter how large or how small, 40 quid is the optimum price | 0:04:04 | 0:04:08 | |
for the services of a petty criminal. 40 quid. | 0:04:08 | 0:04:11 | |
He can get you a Nissan Cherry for 40 quid. | 0:04:11 | 0:04:15 | |
A set of golf clubs, 40 quid. | 0:04:17 | 0:04:19 | |
A pair of hair-straighteners, 40 quid. | 0:04:19 | 0:04:22 | |
50 quid in cash, 40 quid. | 0:04:22 | 0:04:25 | |
Cable was the more middle-class option. | 0:04:29 | 0:04:31 | |
"We don't want a satellite dish on the side of our house, thank you. | 0:04:31 | 0:04:36 | |
"I think it looks really quite naff, yeah?" | 0:04:36 | 0:04:38 | |
Whereas the working class, the satellite dish was the key selling point. | 0:04:38 | 0:04:43 | |
If you're paying £25 a month, you want your neighbours to know... | 0:04:44 | 0:04:48 | |
..that you are better than them. | 0:04:52 | 0:04:54 | |
Now, we had Sky through a dish. 1997. | 0:04:54 | 0:04:57 | |
You could be watching old school Sky in the living room, | 0:04:57 | 0:05:00 | |
watching it on the main TV | 0:05:00 | 0:05:02 | |
but you could also go upstairs to the bedroom TVs, | 0:05:02 | 0:05:06 | |
turn to a certain channel and watch Sky in the bedroom | 0:05:06 | 0:05:11 | |
but only what the person in the living room was watching. | 0:05:11 | 0:05:17 | |
I don't know the intrinsic technical explanation as to why this happened | 0:05:17 | 0:05:22 | |
but it just did. | 0:05:22 | 0:05:24 | |
Saturday nights, me and my dad. I'm on the couch, he's in his chair. | 0:05:24 | 0:05:29 | |
My mum's in bed, my brother's out with his pals. | 0:05:29 | 0:05:32 | |
Just me and the old man watching Match Of The Day. | 0:05:32 | 0:05:36 | |
Watching the highlights. It gets to the kind of shite games | 0:05:36 | 0:05:40 | |
and I say, "I think I'm... I think I'm going to go to bed, Dad. | 0:05:40 | 0:05:45 | |
"Good night." | 0:05:46 | 0:05:47 | |
And he would continue the charade. He'd say, "Oh, are you off to bed, son? | 0:05:55 | 0:05:58 | |
"Good night." | 0:05:59 | 0:06:01 | |
And there was that mutual father and son, we both know what the plan is here. | 0:06:04 | 0:06:09 | |
I would casually exit the living room, nice and slowly. "Good night." | 0:06:15 | 0:06:22 | |
Hit the hallway and race up the stairs. | 0:06:22 | 0:06:25 | |
Don't even consider looking in the fridge. Eyes on the prize. | 0:06:25 | 0:06:29 | |
Upstairs, bedroom, TV switched on, go to number six. | 0:06:29 | 0:06:33 | |
That's where you see what he's watching. TVs are synchronised. Six. We're in. He's in control. | 0:06:33 | 0:06:38 | |
A few minutes go by and he's still watching Match Of The Day. | 0:06:40 | 0:06:44 | |
That's fine. He must be giving it a few minutes. | 0:06:45 | 0:06:48 | |
Don't want to make it too obvious. | 0:06:48 | 0:06:51 | |
He's done this before. | 0:06:51 | 0:06:52 | |
Five minutes go by. He's still watching Match Of The Day. | 0:06:55 | 0:06:59 | |
I'm thinking, "Come on. Stick to the plan, Andy." | 0:06:59 | 0:07:02 | |
I'm looking at the bottom left of the screen, | 0:07:06 | 0:07:08 | |
waiting for the numbers to get typed in. | 0:07:08 | 0:07:11 | |
The numbers that could make or break the evening's entertainment. | 0:07:13 | 0:07:17 | |
"Give me your numbers, Andy, come on. Nine! That's a good start. Nine. | 0:07:20 | 0:07:23 | |
"I could not have hoped for a better start than a nine, there. | 0:07:29 | 0:07:32 | |
"The 05, the ten-minute free view. | 0:07:33 | 0:07:37 | |
"You're a dirty bastard, Dad, but I love you." | 0:07:41 | 0:07:44 | |
So, we've got some celebrities in, as always, at Live At The Apollo. | 0:07:53 | 0:07:57 | |
Who have we got? We've got the EastEnders cast. | 0:07:57 | 0:08:00 | |
How are we doing, EastEnders? WHOOPING | 0:08:00 | 0:08:02 | |
Sitting right at the back. | 0:08:02 | 0:08:04 | |
I don't mean the extras, I mean the real people. | 0:08:04 | 0:08:07 | |
Have we got Phil Mitchell? | 0:08:13 | 0:08:15 | |
No, where's he? He's up at King's Cross | 0:08:15 | 0:08:18 | |
dressed up as a ladyboy, trying to raise enough money to buy a Pot Noodle, isn't he? | 0:08:18 | 0:08:23 | |
There's a record amount of complaints about the Phil Mitchell crack addict thing. | 0:08:26 | 0:08:30 | |
A record amount. You don't know. | 0:08:30 | 0:08:32 | |
I'm speaking to Ian Beale. I'm a bit star-struck. | 0:08:32 | 0:08:34 | |
I feel sorry, out of the major addictions, I feel sorry for gambling addicts. | 0:08:35 | 0:08:40 | |
I feel sorry for them. | 0:08:40 | 0:08:41 | |
Because at least if you're a drug addict or an alcoholic | 0:08:41 | 0:08:44 | |
or a sex addict, at least you've got some good stories. | 0:08:44 | 0:08:47 | |
Not like a Gamblers Anonymous meeting. How boring would that be? | 0:08:52 | 0:08:56 | |
"I remember I put 20 quid on a greyhound. | 0:08:56 | 0:08:59 | |
"And it finished last." Well, you know? | 0:09:01 | 0:09:04 | |
Whereas a sex addiction meeting, I'd imagine that to be awesome. | 0:09:04 | 0:09:07 | |
"I got to the stage where I was spending my wages on strap-ons | 0:09:08 | 0:09:14 | |
"and gimp masks and... | 0:09:14 | 0:09:16 | |
"WD-40." | 0:09:16 | 0:09:18 | |
Sarah Beeny. Where's Sarah Beeny? She's in the house. | 0:09:22 | 0:09:25 | |
How are you doing, Sarah? What stage of pregnancy are you at, Sarah? | 0:09:25 | 0:09:28 | |
Sarah Beeny is always pregnant, isn't she? | 0:09:30 | 0:09:32 | |
Sarah, what's your new show called? It's called...? | 0:09:34 | 0:09:37 | |
-Help! My House Is Falling Down. -Help! My House Is Falling Down. | 0:09:37 | 0:09:41 | |
That's the kind of title of a show that would get me to watch it. | 0:09:41 | 0:09:44 | |
I like seeing distress and carnage. | 0:09:44 | 0:09:47 | |
You don't want to watch MTV Cribs, | 0:09:47 | 0:09:49 | |
watching some R&B star showing you his golden snooker table and stuff. | 0:09:49 | 0:09:54 | |
I want to see MTV Shitholes, that's what I want to see. | 0:09:54 | 0:09:58 | |
With some guy opening the door, keeping the chain on, peaking round, | 0:10:00 | 0:10:04 | |
a can of cider. | 0:10:04 | 0:10:05 | |
"Oh, come in. Er, this is my toaster. | 0:10:05 | 0:10:09 | |
"This is where the sink used to be." | 0:10:13 | 0:10:15 | |
Sarah's got kids. I'm at that age... | 0:10:18 | 0:10:20 | |
I'm at that age that some of my cousins and friends are having children. | 0:10:20 | 0:10:24 | |
You're at a family gathering and there's a newborn baby | 0:10:24 | 0:10:28 | |
getting passed around the room like a joint. | 0:10:28 | 0:10:31 | |
And everybody's saying their piece. | 0:10:40 | 0:10:42 | |
Some people have just got a natural rapport when they speak to kids. | 0:10:42 | 0:10:46 | |
They can just go, "Oh, look at you! Oh! He's cheeky. | 0:10:46 | 0:10:50 | |
"Are you cheeky? Yes, you're the best. Ahh! | 0:10:50 | 0:10:52 | |
"Are you telling me a little story? Ahhhh." | 0:10:52 | 0:10:56 | |
It's getting closer and closer to me and I'm thinking, "Wow. | 0:10:57 | 0:11:00 | |
"I need to pretend I give a shit." | 0:11:00 | 0:11:02 | |
The baby reaches me and I just sort of freeze up. | 0:11:05 | 0:11:08 | |
I'm going, "How are you doing, mate?" | 0:11:08 | 0:11:10 | |
And the baby feels the tension, starts to cry. | 0:11:12 | 0:11:14 | |
Everybody looks at me as if I'm in the wrong. | 0:11:14 | 0:11:17 | |
No, toughen up, you wee prick. | 0:11:17 | 0:11:18 | |
We're in the middle of an obesity epidemic. | 0:11:22 | 0:11:25 | |
Have we got any fat people in the audience? | 0:11:25 | 0:11:27 | |
Cos people have got flawed perceptions of their actual size. | 0:11:32 | 0:11:35 | |
I'll use women as an example. | 0:11:35 | 0:11:37 | |
You know you get skinny girls, they think they're chubby? | 0:11:37 | 0:11:39 | |
Chubby girls think they're fat. Fat girls think they're obese. | 0:11:39 | 0:11:43 | |
And obese girls think they're supermodels. | 0:11:43 | 0:11:46 | |
They're the happy people, the ones hanging out limousine windows | 0:11:54 | 0:11:58 | |
on a Friday night, going, "Aaaagh!" | 0:11:58 | 0:12:01 | |
And the driver's there going, "Can you lean in, please? | 0:12:03 | 0:12:06 | |
"You're going to tip this thing." | 0:12:06 | 0:12:08 | |
"I know it's Christine's hen night, but I don't have a tax disc, get in." | 0:12:12 | 0:12:16 | |
We've got Olympic medallist swimmer, Sharron Davies. | 0:12:19 | 0:12:23 | |
APPLAUSE AND CHEERING | 0:12:23 | 0:12:25 | |
That's enough, that's enough, it was only a silver. That's enough. | 0:12:27 | 0:12:30 | |
I took up swimming. I went to my local public pool. | 0:12:33 | 0:12:36 | |
Not a private, fancy gym, a local pool. | 0:12:36 | 0:12:38 | |
A council pool where anybody can go. | 0:12:38 | 0:12:40 | |
And by that, they mean ANYBODY can go. | 0:12:40 | 0:12:44 | |
I was there, public pool. I done my length. | 0:12:44 | 0:12:48 | |
Then I stopped, but I made it look cool. | 0:12:49 | 0:12:52 | |
You know the way you put your elbows up on the tiles? | 0:12:52 | 0:12:54 | |
"Can't wait to go and grab a smoothie." | 0:12:59 | 0:13:02 | |
If you've got a bit of a waist, you need to shop in cheap clothes shops. | 0:13:03 | 0:13:07 | |
If you walk in somewhere trendy, like somewhere like River Island | 0:13:07 | 0:13:11 | |
or Top Shop, somewhere like that, and some boy band freak show | 0:13:11 | 0:13:16 | |
comes bouncing across to serve. You know the people who work in these places, | 0:13:16 | 0:13:21 | |
they don't walk, they bounce. "Hey, man, yeah..." | 0:13:21 | 0:13:24 | |
All that energy and enthusiasm that oozes from people | 0:13:27 | 0:13:31 | |
who have never been punched in the face. | 0:13:31 | 0:13:34 | |
You ask this guy, I said, "Excuse me, mate, can I try on these jeans | 0:13:36 | 0:13:41 | |
"in a 36" waist?" | 0:13:41 | 0:13:43 | |
And the guy's enthusiasm just drained. | 0:13:43 | 0:13:46 | |
He looked at me. You know that way you'd look at somebody | 0:13:47 | 0:13:50 | |
if they'd just took a shite in your kettle? | 0:13:50 | 0:13:52 | |
Primark, they've started selling Che Guevara T-shirts. | 0:14:04 | 0:14:08 | |
That's a fitting testament to the man's legacy, isn't it? Che Guevara. | 0:14:08 | 0:14:12 | |
He fought for the poor and oppressed in South America. | 0:14:12 | 0:14:16 | |
Now his face has been stitched onto T-shirts | 0:14:16 | 0:14:18 | |
by the poor and oppressed in Southeast Asia... | 0:14:18 | 0:14:21 | |
..to be worn by the poor and oppressed in Southeast London. | 0:14:23 | 0:14:26 | |
That's where I stay when I come to London - Southeast London. | 0:14:34 | 0:14:37 | |
Dulwich sort of area. There's a lot of knife crime, a lot of crime. | 0:14:37 | 0:14:41 | |
I don't really know the solutions to that particular problem. | 0:14:41 | 0:14:44 | |
I think a start would be to maybe close the shops | 0:14:44 | 0:14:47 | |
that sell the weapons in the first place. | 0:14:47 | 0:14:50 | |
These High Street shops that sell crossbows to guys in shell suits, | 0:14:50 | 0:14:53 | |
you know these places? | 0:14:53 | 0:14:55 | |
Shops that sell thousands of baseball bats every year, | 0:14:55 | 0:14:59 | |
but have never sold any baseballs. | 0:14:59 | 0:15:02 | |
"The Peckham Rye Red Sox have not had a game in a while." | 0:15:07 | 0:15:10 | |
I was in one of these places, did a bit of research | 0:15:13 | 0:15:15 | |
and the only security measure, if you want to buy a violent weapon, | 0:15:15 | 0:15:18 | |
is you need to fill in a form, leaving your name and address | 0:15:18 | 0:15:21 | |
so if anything happens, you can be traced for questioning. | 0:15:21 | 0:15:24 | |
That's the theory. But what self-respecting nutcase | 0:15:24 | 0:15:27 | |
buying a weapon would leave their real name and address? | 0:15:27 | 0:15:31 | |
I picture some police investigation team going through the book | 0:15:31 | 0:15:36 | |
and saying, "Excuse me, shop owner, says here you sold a samurai sword | 0:15:36 | 0:15:41 | |
"to Bert and Ernie... | 0:15:41 | 0:15:43 | |
"..from 24 Sesame Street." | 0:15:46 | 0:15:49 | |
Some new-guy cop would get sent on a wild-goose chase somewhere. | 0:15:51 | 0:15:55 | |
Sesame Street not showing up on the sat-nav. | 0:15:55 | 0:15:58 | |
Putting down the window for directions. | 0:16:02 | 0:16:05 | |
"Excuse me, mate. Excuse me. | 0:16:05 | 0:16:07 | |
"Can you tell me..." | 0:16:07 | 0:16:08 | |
LAUGHTER | 0:16:08 | 0:16:11 | |
"..how to get...how to get to... | 0:16:12 | 0:16:16 | |
"That's a wind-up, isn't it?" | 0:16:16 | 0:16:19 | |
Give me a cheer if you're in the mood for a top night of live comedy. | 0:16:25 | 0:16:29 | |
CHEERING | 0:16:29 | 0:16:32 | |
We've got two top-drawer comedians selected from the UK circuit. | 0:16:33 | 0:16:38 | |
Two cracking comics. | 0:16:38 | 0:16:39 | |
We're going to kick off... We're going to welcome to the stage | 0:16:39 | 0:16:43 | |
a woman who you may have seen on Live At The Apollo before. | 0:16:43 | 0:16:46 | |
She's also been on Have I Got News For You and loads of other shows. | 0:16:46 | 0:16:50 | |
She's outstanding. Give it up for the hilarious Shappi Khorsandi. | 0:16:50 | 0:16:53 | |
CHEERING AND APPLAUSE | 0:16:53 | 0:16:55 | |
-Hello! -Hello! | 0:17:08 | 0:17:10 | |
Ah, that's a nice welcome. All right, London? | 0:17:10 | 0:17:13 | |
WHOOPING | 0:17:13 | 0:17:16 | |
It's nice to be back here at the Apollo. | 0:17:16 | 0:17:18 | |
I did the show last series | 0:17:18 | 0:17:20 | |
and after it was on TV, people kept Twittering me. | 0:17:20 | 0:17:23 | |
If you are on Twitter, do twat me. | 0:17:23 | 0:17:25 | |
I talked, last time, a lot about being Iranian | 0:17:27 | 0:17:30 | |
and people Twittered me going, "Are you really Iranian?" | 0:17:30 | 0:17:33 | |
I go, "No, I just say that to be more popular." | 0:17:33 | 0:17:36 | |
That's all right. My career's going OK. | 0:17:37 | 0:17:40 | |
Everything's going fine. | 0:17:40 | 0:17:41 | |
It's at a point now, for me, where people come up to me in the street | 0:17:41 | 0:17:45 | |
and go, "Excuse me. Are you Omid Djalili?" | 0:17:45 | 0:17:48 | |
I never really wanted to be a stand-up. | 0:17:49 | 0:17:52 | |
I wanted to be a doctor. My parents pushed me into stand-up comedy. | 0:17:52 | 0:17:55 | |
My big dream in life was to be an actress | 0:17:57 | 0:18:00 | |
but with the way I look, the only job I'd get | 0:18:00 | 0:18:02 | |
was to be someone's cousin off EastEnders. | 0:18:02 | 0:18:05 | |
All right, Ian? | 0:18:05 | 0:18:07 | |
Sit coms, that's what I dreamed of doing when I was a kid. | 0:18:08 | 0:18:12 | |
I wanted to be an actress in a sit com and in 2003, that dream almost came true | 0:18:12 | 0:18:17 | |
when I got a part in a sit-com pilot | 0:18:17 | 0:18:20 | |
and I was so excited and it went to series | 0:18:20 | 0:18:23 | |
and I was playing an Iraqi nanny. | 0:18:23 | 0:18:25 | |
And it went to series. I was like, "This is brilliant. This is my big break." | 0:18:25 | 0:18:29 | |
And then we attacked Iraq. | 0:18:29 | 0:18:33 | |
The producers decided it was no longer appropriate | 0:18:34 | 0:18:38 | |
to have an Iraqi nanny in a British sit com and they got rid of me. | 0:18:38 | 0:18:42 | |
AUDIENCE AHS | 0:18:42 | 0:18:45 | |
Now, I know that there were probably better reasons | 0:18:45 | 0:18:52 | |
to have been against the war... | 0:18:52 | 0:18:57 | |
LAUGHTER | 0:18:57 | 0:18:59 | |
..but as I marched, ladies and gentlemen, | 0:19:00 | 0:19:02 | |
I knew there had been some personal cost to me. | 0:19:02 | 0:19:05 | |
I did Question Time this year and what was brilliant about that | 0:19:06 | 0:19:10 | |
was realising that David Dimbleby is as obsessed as I am | 0:19:10 | 0:19:13 | |
with political correctness. | 0:19:13 | 0:19:15 | |
He took a question from the floor | 0:19:15 | 0:19:16 | |
and he went, "Gentleman there in the blue." Ten hands stay up. | 0:19:16 | 0:19:20 | |
He goes, "No, gentleman in the blue with the eyes, | 0:19:20 | 0:19:23 | |
"the eyes set in a face on top of a neck | 0:19:23 | 0:19:27 | |
"on, I believe, some shoulders." | 0:19:27 | 0:19:29 | |
"Just say it, David, say it. The man in a turban, the man in a turban | 0:19:29 | 0:19:32 | |
"with the beard down to his ankles, wearing ceremonial robes, | 0:19:32 | 0:19:37 | |
"holding a sword. | 0:19:37 | 0:19:38 | |
"The warrior has a question, David. Say it!" | 0:19:38 | 0:19:41 | |
So, it's been a big year for everyone. | 0:19:48 | 0:19:51 | |
It's been a big year for me. I separated from my husband. | 0:19:51 | 0:19:54 | |
That's an awkward thing to tell people. | 0:19:54 | 0:19:57 | |
My parents don't know yet. They don't follow me. | 0:19:57 | 0:20:00 | |
They don't follow me on Twitter. | 0:20:00 | 0:20:03 | |
My husband and I fought so hard for our marriage. | 0:20:03 | 0:20:05 | |
We had a lot to fight for, mostly the house. | 0:20:05 | 0:20:08 | |
And we went... We went to marriage counsellors | 0:20:08 | 0:20:11 | |
and our counsellor didn't fill me with confidence. | 0:20:11 | 0:20:14 | |
She had a picture of her own family on her desk with her husband's head crudely cut out. | 0:20:14 | 0:20:19 | |
So we separated and we divided our stuff equally. | 0:20:19 | 0:20:21 | |
I got half the house and the car and he got the other half in my dreams. | 0:20:21 | 0:20:24 | |
But I'm going to tell you... | 0:20:24 | 0:20:26 | |
We met at a comedy club. He's a comedian, too. You won't have heard of him. | 0:20:26 | 0:20:30 | |
And we... | 0:20:30 | 0:20:32 | |
Forgive me. | 0:20:34 | 0:20:35 | |
He was brilliant. When he met my parents, he was so thoughtful, my husband | 0:20:35 | 0:20:39 | |
because he learnt all about their culture | 0:20:39 | 0:20:42 | |
by reading the Lonely Planet Guide to Iran. | 0:20:42 | 0:20:45 | |
Which just meant that he peppered the conversation with random facts. | 0:20:45 | 0:20:49 | |
"I hear the ancient ruins of Persepolis are a must-see, | 0:20:49 | 0:20:52 | |
"but the wheelchair access is poor." | 0:20:52 | 0:20:55 | |
It was the equivalent of me going to his parents' house | 0:20:55 | 0:20:59 | |
in Nottingham dressed as Robin Hood. | 0:20:59 | 0:21:01 | |
"The Merry Men and I are in deep trouble, | 0:21:03 | 0:21:05 | |
"can we hide in your rhododendrons?" | 0:21:05 | 0:21:07 | |
So we got married quite soon after we met. | 0:21:07 | 0:21:10 | |
We didn't have a traditional wedding | 0:21:10 | 0:21:12 | |
cos my dad's not a traditional man. | 0:21:12 | 0:21:14 | |
He wouldn't walk me down the aisle. | 0:21:14 | 0:21:17 | |
My father wouldn't walk me down the aisle. | 0:21:17 | 0:21:20 | |
Cos he's a feminist. | 0:21:20 | 0:21:21 | |
Well, he reckons he's a feminist, | 0:21:21 | 0:21:23 | |
the rest of us think he's just got a passing resemblance to Germaine Greer. | 0:21:23 | 0:21:27 | |
And he said, "What, I walk you down the aisle like you are property? | 0:21:27 | 0:21:30 | |
IN AFRICAN ACCENT: "Like you are chattel, I give you away..." | 0:21:30 | 0:21:33 | |
He's not Nigerian! | 0:21:33 | 0:21:34 | |
That's the real reason I'm not an actor. | 0:21:39 | 0:21:42 | |
So my husband and I had a little boy. That was lovely. | 0:21:46 | 0:21:49 | |
We named him Charlie after Charlie Chaplin, one of my heroes, | 0:21:49 | 0:21:53 | |
who famously said, "All I need to make comedy | 0:21:53 | 0:21:55 | |
"is a park, a policeman and a pretty girl." | 0:21:55 | 0:21:58 | |
Of course, today we'd call that dogging. | 0:21:58 | 0:22:00 | |
One of my ex-husband's friends is a bit of a geezer. A real lad. | 0:22:02 | 0:22:06 | |
He loves his football. And he said to me, | 0:22:06 | 0:22:08 | |
"Why do women always go on about the birth? | 0:22:08 | 0:22:11 | |
"Why do we need to know the gory details?" And I said, | 0:22:11 | 0:22:14 | |
"It's because it's a major trauma that we go through | 0:22:14 | 0:22:16 | |
"and we need to talk about it as part of the healing process." | 0:22:16 | 0:22:20 | |
To make him understand, I said, "Look, it's like | 0:22:20 | 0:22:22 | |
"if your team was in a major cup final and lost to penalties | 0:22:22 | 0:22:28 | |
"and then someone attacked your genitals with an axe... | 0:22:28 | 0:22:32 | |
"..you would need to talk about it." | 0:22:33 | 0:22:36 | |
We had to have separate birthday parties for my son this year | 0:22:38 | 0:22:43 | |
and I got really competitive. | 0:22:43 | 0:22:44 | |
My party is going to be the one that our kid remembers. | 0:22:44 | 0:22:47 | |
It's going to be spectacular. | 0:22:47 | 0:22:50 | |
I even thought about hiring a pair of dancing chimps... | 0:22:50 | 0:22:54 | |
but do you have any idea how much it costs to hire Jedward for half an hour? | 0:22:54 | 0:22:59 | |
APPLAUSE | 0:22:59 | 0:23:03 | |
I want to have another baby. I really want another baby. | 0:23:06 | 0:23:09 | |
I am so broody at the moment. Hi, sir! | 0:23:09 | 0:23:12 | |
I am so broody. | 0:23:12 | 0:23:14 | |
My best friend's pregnant, heavily pregnant. | 0:23:14 | 0:23:17 | |
She says, "Do you want to feel it kick?" | 0:23:17 | 0:23:19 | |
I'm like, "No, do you?" | 0:23:19 | 0:23:21 | |
I am just so worried, | 0:23:21 | 0:23:23 | |
because I'm well into my 30s. | 0:23:23 | 0:23:25 | |
I haven't got the time to meet someone new, see if we're compatible, | 0:23:25 | 0:23:29 | |
if we're going to start a family together. I just meet men | 0:23:29 | 0:23:32 | |
and go, "Are you single, have you got a history of heart disease? | 0:23:32 | 0:23:35 | |
"Then let's go, go, go!" | 0:23:35 | 0:23:36 | |
Some of you are looking a little bit worried. | 0:23:38 | 0:23:40 | |
I'm only kidding. | 0:23:40 | 0:23:42 | |
I don't care if you're single! | 0:23:42 | 0:23:44 | |
There's another very personal reason I have for wanting another child | 0:23:48 | 0:23:51 | |
and that's cos I want to breast-feed in public again. | 0:23:51 | 0:23:54 | |
That really freaks people out in this country. | 0:23:54 | 0:23:57 | |
Especially if you haven't got your baby with you. | 0:23:57 | 0:24:00 | |
I was discreetly breast-feeding my child in the supermarket | 0:24:03 | 0:24:09 | |
and the staff came along and erected screens around me | 0:24:09 | 0:24:12 | |
to give me privacy. | 0:24:12 | 0:24:14 | |
I'm like, "I'm feeding my child, I'm not tossing off a dog." | 0:24:14 | 0:24:18 | |
They've got policies for that, obviously. | 0:24:20 | 0:24:23 | |
I've got a little sister. | 0:24:23 | 0:24:26 | |
She's 15 years younger than me. When she was 17, | 0:24:26 | 0:24:30 | |
her best mate Charlotte had a baby. | 0:24:30 | 0:24:32 | |
You have to say Char-lotte, like that, otherwise she hits you. | 0:24:32 | 0:24:35 | |
I went round to see the baby, beautiful little girl, | 0:24:35 | 0:24:38 | |
and I said, "What have you called her?" | 0:24:38 | 0:24:40 | |
She goes, "Nokia." | 0:24:40 | 0:24:41 | |
I said, "Does that name have a particular significance for you?" | 0:24:41 | 0:24:45 | |
She goes, "Yeah, I was on the phone when I was conceiving, right?" | 0:24:45 | 0:24:48 | |
That's very different to my generation. | 0:24:48 | 0:24:52 | |
If I'd been on the phone, conceiving at 17, | 0:24:52 | 0:24:56 | |
it would've meant I'm in my parents' house, in the hallway at the telephone table. | 0:24:56 | 0:25:00 | |
People under 25 are going, "What's a telephone table?" | 0:25:01 | 0:25:05 | |
You'll never know our pain. | 0:25:06 | 0:25:07 | |
People now, if someone they fancy says they might call them, | 0:25:09 | 0:25:12 | |
they can get on with their lives cos they've got mobile phones in their pockets. | 0:25:12 | 0:25:15 | |
We had to stay in all summer holiday, staring at the phone. | 0:25:15 | 0:25:20 | |
Rocking backwards and forwards. | 0:25:20 | 0:25:22 | |
And you couldn't leave your post cos if it rang and your mum got it, | 0:25:22 | 0:25:25 | |
it'll be awful, cos the most embarrassing thing in the world | 0:25:25 | 0:25:28 | |
is if anyone finds out at 15 that you've got a mum. | 0:25:28 | 0:25:31 | |
I love a mum. | 0:25:32 | 0:25:34 | |
I love a good mum. Mums always give their daughters in particular | 0:25:34 | 0:25:37 | |
that beautiful, unique gift of low self-esteem. | 0:25:37 | 0:25:40 | |
All the while I was growing up, my mum would say to me, | 0:25:40 | 0:25:44 | |
"Oh, Shappi, the women in our family are so beautiful. | 0:25:44 | 0:25:46 | |
"You look like your father." | 0:25:46 | 0:25:49 | |
So I decided that it's time that I get back into the dating game | 0:25:51 | 0:25:56 | |
and it's quite difficult because this is the first time I've been single since I was 22. | 0:25:56 | 0:26:01 | |
Not the same guy - loads of overlaps. | 0:26:01 | 0:26:04 | |
And it's so simple. When you're 22 and you want to pull, | 0:26:04 | 0:26:07 | |
you just get drunk and fall on someone. | 0:26:07 | 0:26:09 | |
That's really frowned upon at my age. | 0:26:09 | 0:26:12 | |
Especially in playgroup. | 0:26:14 | 0:26:16 | |
But if I'm going to do it, I'm going to go out and do it. | 0:26:17 | 0:26:20 | |
So I got my old pulling outfit, you know, | 0:26:20 | 0:26:22 | |
and I went out I threw some shapes. | 0:26:22 | 0:26:24 | |
Do you know, whatever people say, | 0:26:24 | 0:26:26 | |
supermarkets are not the best place to pull? | 0:26:26 | 0:26:29 | |
I was in the supermarket and this guy, I was with my little boy, | 0:26:29 | 0:26:33 | |
and he was in the fold-down seat of the trolley. | 0:26:33 | 0:26:36 | |
And this guy said to me, "Oh, is that your child?" | 0:26:36 | 0:26:39 | |
And he was really fit, so I went, "Oh, no, he just came free with three bottles of wine." | 0:26:39 | 0:26:43 | |
Which is kind of true. | 0:26:43 | 0:26:46 | |
I tried internet dating but I didn't like it. | 0:26:50 | 0:26:52 | |
Someone messaged me and went, "Your name's a bit ambiguous, | 0:26:52 | 0:26:55 | |
"are you a man or a woman?" | 0:26:55 | 0:26:58 | |
It had my picture on it. | 0:26:59 | 0:27:01 | |
I don't tell men immediately that I have a child. | 0:27:03 | 0:27:05 | |
I went on a date with a guy and I opened up my bag | 0:27:05 | 0:27:08 | |
and he saw that I had nappies and wipes in my bag | 0:27:08 | 0:27:10 | |
and he went, "Oh, great, you're into that, too." | 0:27:10 | 0:27:13 | |
I had dinner with a guy and I gave the game away. | 0:27:15 | 0:27:18 | |
He had sauce on his chin and I spat on a napkin and wiped it for him. | 0:27:18 | 0:27:22 | |
And later on, he flirted with me | 0:27:22 | 0:27:25 | |
by feeding me bits of his food from his fork | 0:27:25 | 0:27:27 | |
and I thought, "I remember that," so I did the same to him | 0:27:27 | 0:27:30 | |
but I ruined it by going, "Here it comes! Nwaaaaaah!" | 0:27:30 | 0:27:35 | |
There was this guy that I did really like, | 0:27:37 | 0:27:39 | |
so I thought, "I'm going to bring him home." Exciting. | 0:27:39 | 0:27:43 | |
So I cleared all of my kid's toys out of the living room, | 0:27:43 | 0:27:47 | |
just to make it a little bit more romantic. | 0:27:47 | 0:27:49 | |
And he came back... I feel quite intimate, telling you this, | 0:27:49 | 0:27:52 | |
but I'm going to tell you. | 0:27:52 | 0:27:54 | |
I was being ravished. | 0:27:54 | 0:27:55 | |
I was being ravished to the point of no return | 0:27:55 | 0:27:59 | |
and someone's knee went in the wrong place | 0:27:59 | 0:28:01 | |
and we heard this, "To infinity and beyond!" | 0:28:01 | 0:28:06 | |
Thing is... | 0:28:09 | 0:28:11 | |
my son doesn't have a Buzz Lightyear toy. | 0:28:11 | 0:28:16 | |
It had been a while. | 0:28:16 | 0:28:18 | |
That sound came from me. | 0:28:24 | 0:28:26 | |
Listen, you've been such a lovely, lovely audience | 0:28:31 | 0:28:33 | |
and I just want to end by telling you another cute little thing | 0:28:33 | 0:28:37 | |
that my kid said to me recently. | 0:28:37 | 0:28:40 | |
I was having a bath with my three-year-old son | 0:28:40 | 0:28:43 | |
and he said to me, "Mummy, where's your willy?" | 0:28:43 | 0:28:46 | |
Cute. I said, "Mummy hasn't got a willy. | 0:28:48 | 0:28:51 | |
"She's got more balls than Daddy, though." | 0:28:51 | 0:28:54 | |
APPLAUSE | 0:28:54 | 0:28:56 | |
Let's hear it for Shappi Khorsandi. CHEERING | 0:29:07 | 0:29:11 | |
I'm now going to introduce a young guy. This is his Live At The Apollo debut. | 0:29:13 | 0:29:19 | |
You'll have seen him on loads of TV shows. He's a comedy buddy of mine. | 0:29:19 | 0:29:22 | |
You're going to love him. | 0:29:22 | 0:29:24 | |
It's the hilarious, the wonderful Jack Whitehall. | 0:29:24 | 0:29:27 | |
CHEERING AND APPLAUSE | 0:29:27 | 0:29:29 | |
Hello, Hammersmith Apollo! | 0:29:38 | 0:29:40 | |
Good evening. | 0:29:40 | 0:29:42 | |
So I'm Jack. I live in London, quite locally. | 0:29:42 | 0:29:47 | |
I'm quite posh, as probably most of you will have already gauged. | 0:29:47 | 0:29:51 | |
I don't want any shit for it, though. | 0:29:52 | 0:29:54 | |
I do get stick for being posh | 0:29:54 | 0:29:56 | |
but you know, it's like I always say, | 0:29:56 | 0:29:57 | |
sticks and stones may break my bones | 0:29:57 | 0:30:01 | |
but, whatever, I'm with BUPA. Erm... | 0:30:01 | 0:30:05 | |
I am posh. I'm not right wing, not prejudiced. | 0:30:09 | 0:30:13 | |
Not homophobic. | 0:30:13 | 0:30:14 | |
Well, I guess I'm homophobic | 0:30:14 | 0:30:17 | |
in the same sense that I'm arachnophobic. | 0:30:17 | 0:30:20 | |
I'm not scared of spiders, I'm not scared of gays, | 0:30:20 | 0:30:23 | |
though I would probably scream if I saw one in my bath. | 0:30:23 | 0:30:26 | |
APPLAUSE | 0:30:26 | 0:30:29 | |
I'm young, I'm not like one of the... A regular youth, I guess. | 0:30:35 | 0:30:39 | |
People are afraid of young people now. | 0:30:39 | 0:30:42 | |
I'm afraid of young people, as well. | 0:30:42 | 0:30:44 | |
I forget what I'm meant to be afraid of | 0:30:44 | 0:30:46 | |
cos it seems to change with young people. If you read the tabloids, | 0:30:46 | 0:30:49 | |
one minute you get, "Young people, knife crime and gun crime, | 0:30:49 | 0:30:53 | |
hoodies, ASBOs," all of that stuff. | 0:30:53 | 0:30:56 | |
Next minute, they're all fat, overweight, the obesity epidemic. | 0:30:56 | 0:31:00 | |
And I'm confused. | 0:31:00 | 0:31:02 | |
I don't know what I'm meant to be scared of any more. | 0:31:02 | 0:31:04 | |
I'm worried to walk down the street unless I'm attacked | 0:31:04 | 0:31:07 | |
by a fat kid with a knife... | 0:31:07 | 0:31:09 | |
and a fork. | 0:31:09 | 0:31:10 | |
I want to stay fit. I want to be good at fitness and health. | 0:31:17 | 0:31:20 | |
I want to be healthy but I've never been good at it. | 0:31:20 | 0:31:23 | |
Even when I was at school, I hated PE. I hated PE so much at school. | 0:31:23 | 0:31:26 | |
Mainly because of my PE teacher. He was a complete arsehole. | 0:31:26 | 0:31:30 | |
His name was Mr Walton. He was from South Africa. | 0:31:30 | 0:31:34 | |
And he was a lumbering hulk of protein shake and unresolved childhood issues, | 0:31:34 | 0:31:39 | |
which he took out on me every week. | 0:31:39 | 0:31:42 | |
He was horrible to me. He humiliated me every lesson, right? | 0:31:42 | 0:31:46 | |
And I remember one class, he tried to get us to do a bleep test, | 0:31:46 | 0:31:50 | |
which I refused to do because we weren't living in Nazi Germany, | 0:31:50 | 0:31:54 | |
ironically an environment in which he would have thrived | 0:31:54 | 0:31:57 | |
and he was shouting at me and pushing me, trying to humiliate me | 0:31:57 | 0:32:01 | |
and I'm quite a sensitive soul, I couldn't hack it. | 0:32:01 | 0:32:03 | |
Eventually, I flipped. | 0:32:03 | 0:32:05 | |
He was like, "Go on, Jack. Push yourself now! | 0:32:05 | 0:32:07 | |
"Embrace the burn! Look at my body, Jack. | 0:32:07 | 0:32:11 | |
"How do you think I got to where I am today?" | 0:32:11 | 0:32:14 | |
"I don't know. Oppressing black people?" | 0:32:14 | 0:32:17 | |
He thought he was a motivator. He thought he was inspirational to the children. | 0:32:20 | 0:32:25 | |
It wasn't. It was psychotic. | 0:32:25 | 0:32:26 | |
And it never made any sense, as well. | 0:32:26 | 0:32:29 | |
Once, we were playing basketball and in the middle of the game | 0:32:29 | 0:32:32 | |
he blew his whistle and shouted at me, | 0:32:32 | 0:32:35 | |
"The problem with you, Jack, is you're all fart and no poo. | 0:32:35 | 0:32:38 | |
"When I fart, I follow through and sometimes there's blood." | 0:32:38 | 0:32:42 | |
I tried at school, I just could never do very well. | 0:32:49 | 0:32:52 | |
But I always think if you weren't very good at school, | 0:32:52 | 0:32:55 | |
there's always one thing that everyone that wasn't good at school could hold onto | 0:32:55 | 0:32:59 | |
and that is that every school, all over the world, in every class, | 0:32:59 | 0:33:04 | |
there was always that person that was better than everyone else. | 0:33:04 | 0:33:08 | |
That got into all the sports teams, that was in the school play, | 0:33:08 | 0:33:11 | |
that had a girlfriend. Mr Perfect. | 0:33:11 | 0:33:13 | |
You can hold onto the fact that, yeah, they were Mr Perfect at school | 0:33:13 | 0:33:17 | |
and everyone resented them and they were so great | 0:33:17 | 0:33:20 | |
but in later life, Mr Perfect will have made his mistakes. | 0:33:20 | 0:33:25 | |
He will have screwed things up | 0:33:25 | 0:33:26 | |
and now, with Facebook, you can find the bastard. | 0:33:26 | 0:33:31 | |
You can hunt him down and look at his photographs | 0:33:31 | 0:33:34 | |
and realise, "You were Mr Perfect at school | 0:33:34 | 0:33:36 | |
"but now someone's put on a bit of weight, someone's lost his job | 0:33:36 | 0:33:39 | |
"and they're sleeping in their car, | 0:33:39 | 0:33:41 | |
"so screw you, Robbie Westlake!" | 0:33:41 | 0:33:44 | |
And it's not just them. | 0:33:44 | 0:33:45 | |
You can also find people who didn't want to have sex with you at school, | 0:33:45 | 0:33:49 | |
that rejected you at school, and you can find them on Facebook | 0:33:49 | 0:33:53 | |
and you can hunt them down and look at their photographs | 0:33:53 | 0:33:56 | |
and do what us perverts like to refer to | 0:33:56 | 0:33:58 | |
as The Revenge Wank. | 0:33:58 | 0:33:59 | |
"Yeah! Didn't want to have sex with me at school? | 0:33:59 | 0:34:02 | |
"How do you like it now, Robbie Westlake?" | 0:34:02 | 0:34:05 | |
The sad thing is, right, I'm the only person that can't do this. | 0:34:14 | 0:34:18 | |
I can't hold onto the fact that the person I resented has failed | 0:34:18 | 0:34:22 | |
because I used to sit next to Mr Perfect in my class. | 0:34:22 | 0:34:25 | |
I used to have to sit next to him every class, | 0:34:25 | 0:34:27 | |
every single term time. | 0:34:27 | 0:34:29 | |
My school, down the road in Sheen, in London. | 0:34:29 | 0:34:31 | |
And at my school, Mr Perfect's name was Robert Pattinson. | 0:34:31 | 0:34:38 | |
The star of the internationally acclaimed movies, Twilight, | 0:34:38 | 0:34:42 | |
who earns hundreds of millions of dollars a year, | 0:34:42 | 0:34:45 | |
has been voted the sexiest man alive in every magazine there is. | 0:34:45 | 0:34:50 | |
Not every magazine. Top Gear didn't do the poll but he's really popular. | 0:34:51 | 0:34:55 | |
And I hate it because all I can think of | 0:34:55 | 0:34:58 | |
is the knobhead I had to sit next to at school. | 0:34:58 | 0:35:01 | |
Now I see him on the news at all these movie premieres. | 0:35:01 | 0:35:04 | |
He turns up and there's all of his screaming, adoring fans. | 0:35:04 | 0:35:08 | |
The girls that have camped out overnight just so they can get a glimpse of his stupid face. | 0:35:08 | 0:35:13 | |
And they've got his stupid face on their T-shirts | 0:35:13 | 0:35:15 | |
and it's on their banners, | 0:35:15 | 0:35:17 | |
these girls that are waiting to see their hero. | 0:35:17 | 0:35:19 | |
Do you know what they chant at his premieres, Robert Pattinson fans? | 0:35:19 | 0:35:23 | |
They chant, "Bite me, Robert, bite me, bite me! Bite me, vampire!" | 0:35:23 | 0:35:27 | |
I hope he does bite one of them one day | 0:35:27 | 0:35:29 | |
and the one that he bites has hepatitis. | 0:35:29 | 0:35:32 | |
I hate him! | 0:35:32 | 0:35:34 | |
He stole my dreams. | 0:35:34 | 0:35:38 | |
For those of you who don't know him, he's in these Twilight films, | 0:35:38 | 0:35:41 | |
where he plays a vampire. | 0:35:41 | 0:35:43 | |
But not a fun vampire like Christopher Lee with the cape. | 0:35:43 | 0:35:47 | |
No, in Twilight, Robert Pattinson plays a vampire | 0:35:47 | 0:35:50 | |
who looks more like one of Jedward | 0:35:50 | 0:35:51 | |
that has just been diagnosed with acute pancreatitis | 0:35:51 | 0:35:55 | |
and is trying to work out what the pancreas is. | 0:35:55 | 0:35:58 | |
He's everywhere. Everywhere I look. He's in films. | 0:35:58 | 0:36:01 | |
He's in the Harry Potter film. I went to see that film four times. | 0:36:01 | 0:36:05 | |
Every time, I was the only one laughing when his character died. | 0:36:05 | 0:36:08 | |
I'll come clean with you, though. | 0:36:15 | 0:36:17 | |
The main reason I have an issue with Robert Pattinson in Twilight | 0:36:17 | 0:36:20 | |
is that when I was at school, I wasn't good at sport, I wasn't academic. | 0:36:20 | 0:36:24 | |
I thought, "If I'm rubbish at everything, I'll have to do drama. That's what you do if you're shit." | 0:36:24 | 0:36:30 | |
Some drama students in. Awkward laughs. | 0:36:30 | 0:36:33 | |
What are they going to do? | 0:36:33 | 0:36:34 | |
"Look at me, Jack. I'm making an angry tree." | 0:36:34 | 0:36:37 | |
Piss off. | 0:36:37 | 0:36:38 | |
APPLAUSE | 0:36:40 | 0:36:41 | |
But I thought, "I'm going to do drama. I'm going to audition for every play the school puts on." | 0:36:43 | 0:36:48 | |
And every single play that I went in to audition for at my school | 0:36:48 | 0:36:52 | |
and I learnt all of my lines, I went in and gave it my all | 0:36:52 | 0:36:56 | |
and every single play that I auditioned for, | 0:36:56 | 0:36:59 | |
Robert Pattinson got cast in the lead role. | 0:36:59 | 0:37:02 | |
And I got cast as Villager Six, | 0:37:02 | 0:37:05 | |
the twat that used to have to stand at the corner of the stage | 0:37:05 | 0:37:08 | |
and do nothing for an hour and a half, | 0:37:08 | 0:37:11 | |
whilst his parents looked on ashamed. | 0:37:11 | 0:37:13 | |
That's not to say I didn't throw myself into these roles. | 0:37:13 | 0:37:16 | |
When I was playing Villager Six, I would give it my all. | 0:37:16 | 0:37:19 | |
The teacher would be like, "Jack, at the end of the scene, Robert's doing his speech, | 0:37:19 | 0:37:24 | |
"just walk very quietly from that side of the stage to this side of the stage | 0:37:24 | 0:37:29 | |
"and exit quietly without making a fuss." | 0:37:29 | 0:37:32 | |
I was like, "Oh, my God, sir, you are a fool." | 0:37:32 | 0:37:35 | |
"When Jack Whitehall is on stage, he does not walk, he glides." | 0:37:35 | 0:37:39 | |
WHOOPING AND APPLAUSE | 0:37:41 | 0:37:43 | |
The other one I'd have to do, and this happened on several occasions, | 0:37:52 | 0:37:56 | |
the school were forced to write parts into plays | 0:37:56 | 0:37:58 | |
so my parents wouldn't complain to the headmaster. | 0:37:58 | 0:38:02 | |
Do you realise how humiliating that is? | 0:38:02 | 0:38:04 | |
When you're stood with all of your friends and peers in front of a cast list | 0:38:04 | 0:38:08 | |
and, yeah, my name's on it | 0:38:08 | 0:38:10 | |
but everyone knows there is no emu in the manger. | 0:38:10 | 0:38:13 | |
I look like a dick. | 0:38:13 | 0:38:15 | |
But the worst thing about it and it still cuts me up | 0:38:15 | 0:38:19 | |
and I cannot get over it | 0:38:19 | 0:38:20 | |
is the one very simple and plain fact | 0:38:20 | 0:38:22 | |
and that is, Robert Pattinson is not a good actor. | 0:38:22 | 0:38:26 | |
He wasn't a good actor at school, he's not a good actor now. | 0:38:26 | 0:38:29 | |
-CHEERING -I've been to see him in these Twilight films several times | 0:38:29 | 0:38:34 | |
and every time I watch him on the screen through my tears, | 0:38:34 | 0:38:38 | |
I'm astounded by how big a crock of shit he is. | 0:38:38 | 0:38:41 | |
All the guy does is mope around, giving this one, same surly look | 0:38:41 | 0:38:46 | |
and that's a look that he stole off me when... | 0:38:46 | 0:38:48 | |
HE RANTS INCOMPREHENSIBLY | 0:38:48 | 0:38:50 | |
APPLAUSE | 0:38:53 | 0:38:54 | |
CHEERING | 0:38:54 | 0:38:56 | |
But I'm not bitter. I'm very happy. | 0:39:06 | 0:39:08 | |
And basically, all I've ever wanted to do is make my parents proud, | 0:39:11 | 0:39:14 | |
especially my mum. My mum, she's very proud of her children, | 0:39:14 | 0:39:17 | |
but she's also very openly proud of her children. | 0:39:17 | 0:39:20 | |
She loves doing that thing all mums like doing - | 0:39:20 | 0:39:22 | |
going to do the weekly shop at the local supermarket | 0:39:22 | 0:39:25 | |
and when she's there, look around for other local mothers in the area. | 0:39:25 | 0:39:29 | |
Then they go over, start to have a chat, banter about whatever - | 0:39:29 | 0:39:32 | |
silly nonsense. And then, slowly but surely, | 0:39:32 | 0:39:35 | |
that banter will segue into a little exchange | 0:39:35 | 0:39:38 | |
where they start showing off about their children. | 0:39:38 | 0:39:40 | |
Back and forth, back and forth. | 0:39:40 | 0:39:42 | |
And what it becomes is essentially, in the supermarket, | 0:39:42 | 0:39:45 | |
a little supermarket game of Top Trumps with your kids. | 0:39:45 | 0:39:48 | |
My mum is amazing at playing child Top Trumps | 0:39:49 | 0:39:52 | |
cos when she plays against other mothers, | 0:39:52 | 0:39:54 | |
my mum thinks outside the box. | 0:39:54 | 0:39:56 | |
She uses categories that you didn't even know existed. | 0:39:56 | 0:40:00 | |
And she can win any exchange with any mother, | 0:40:00 | 0:40:03 | |
even when she's showing off about my little brother Barnaby, | 0:40:03 | 0:40:06 | |
who by far and away is her dud card. | 0:40:06 | 0:40:09 | |
He is. You know how every set of siblings has the one who's shit? | 0:40:10 | 0:40:15 | |
You're thinking, "Ours doesn't." | 0:40:15 | 0:40:17 | |
It's you! I see my mum do it, right? | 0:40:17 | 0:40:20 | |
She'll scour round Sainsbury's looking for the mother | 0:40:20 | 0:40:23 | |
she wants to have the exchange with. Hunting down her prey. | 0:40:23 | 0:40:26 | |
When she finds the mother, she'll ram the trolley in front of her | 0:40:26 | 0:40:29 | |
and start the game. "Hello, Jane, how's Joe?" | 0:40:29 | 0:40:32 | |
"Joe's doing very well, Hilary, he's bought a new house, | 0:40:32 | 0:40:35 | |
"he's moving into it with his girlfriend and he has a new job, | 0:40:35 | 0:40:38 | |
"earning a lot of money. How's your son? I forget his name, oh, yes, Barnaby." | 0:40:38 | 0:40:42 | |
"Barnaby's fine. How big are Joe's feet?" | 0:40:42 | 0:40:44 | |
"I beg your pardon?" | 0:40:44 | 0:40:46 | |
"You heard me, bitch." "I think he's only a size 8." | 0:40:46 | 0:40:50 | |
"Ooh, only size 8? Barnaby is size 13." | 0:40:50 | 0:40:54 | |
Ooh, didn't my mum just hit you with the my-son's-got-a-bigger-dick card? | 0:40:54 | 0:40:59 | |
I think she did. | 0:40:59 | 0:41:02 | |
It's a low blow but she'll take the round. Walk on, bitch. | 0:41:02 | 0:41:06 | |
Mothers were terrified of my mum. | 0:41:08 | 0:41:11 | |
They would cower, try and avoid eye contact with her. | 0:41:11 | 0:41:13 | |
My mother was very much the sheriff in that town. | 0:41:13 | 0:41:16 | |
But then, ladies and gentlemen, approximately five months ago, | 0:41:16 | 0:41:20 | |
someone else started shopping in our local Sainsbury's. | 0:41:20 | 0:41:24 | |
Someone that had come into a little bit of money recently | 0:41:24 | 0:41:27 | |
and all of a sudden there was a new sheriff in town. | 0:41:27 | 0:41:29 | |
And that sheriff's name was a Mrs Clare Pattinson. | 0:41:29 | 0:41:35 | |
His mum started shopping in our supermarket. | 0:41:36 | 0:41:39 | |
And that woman was unbeatable at child Top Trumps. | 0:41:39 | 0:41:43 | |
My mum wouldn't know what to do. She'd try and hide, | 0:41:43 | 0:41:46 | |
but Clare would always catch up with her. | 0:41:46 | 0:41:48 | |
She'd ram the trolley in front and start the exchange. "How's Jack?" | 0:41:48 | 0:41:52 | |
"Jack's fine, how's Robert?" | 0:41:52 | 0:41:54 | |
"Robert's doing very well." | 0:41:54 | 0:41:56 | |
"How big are Robert's feet?" | 0:41:56 | 0:41:58 | |
"Robert's feet? I think he's only a small size 7." | 0:41:58 | 0:42:01 | |
"Are they only size 7? Jack is size..." | 0:42:01 | 0:42:04 | |
"Obviously that's size 7 in the UK, he doesn't live here, | 0:42:04 | 0:42:07 | |
"he lives in LA where I think he's a size 44. | 0:42:07 | 0:42:09 | |
"But he doesn't buy shoes for himself, the studio buy them for him | 0:42:09 | 0:42:13 | |
"cos he's earned them so much money in films like Twilight, | 0:42:13 | 0:42:16 | |
"which grossed 395m in its opening weekend. What's Jack doing? | 0:42:16 | 0:42:19 | |
"A gig in Sunderland? How quaint." | 0:42:19 | 0:42:21 | |
My poor mum was destroyed, she didn't know what to do. | 0:42:23 | 0:42:28 | |
The only way my mum could see fit to deal with the situation | 0:42:28 | 0:42:31 | |
was to swap supermarkets. | 0:42:31 | 0:42:32 | |
Robert Pattinson is not only ruining my life, | 0:42:32 | 0:42:35 | |
he's affecting my diet. It's all right for Clare Pattinson | 0:42:35 | 0:42:38 | |
just waltzing down the aisles of Sainsbury's, | 0:42:38 | 0:42:40 | |
buying herself only the finest organic range - | 0:42:40 | 0:42:43 | |
couscous and quails. | 0:42:43 | 0:42:44 | |
Meanwhile my mother is self-harming in Lidl. | 0:42:44 | 0:42:48 | |
Ah, you guys have been absolutely wonderful. Thank you so much. | 0:42:52 | 0:42:55 | |
-I've been Jack Whitehall. Good night. -CHEERING AND APPLAUSE | 0:42:55 | 0:43:00 | |
Let's hear it for Jack Whitehall. | 0:43:07 | 0:43:10 | |
CHEERING AND APPLAUSE | 0:43:10 | 0:43:13 | |
You've been watching Live At The Apollo. Give it up for Shappi Khorsandi. | 0:43:15 | 0:43:18 | |
CHEERING | 0:43:18 | 0:43:21 | |
And give it up for Jack Whitehall. CHEERING | 0:43:23 | 0:43:25 | |
I'm Kevin Bridges. Thanks for watching. | 0:43:27 | 0:43:29 | |
Good night, God bless. | 0:43:29 | 0:43:31 | |
Subtitles by Red Bee Media Ltd | 0:43:50 | 0:43:52 | |
E-mail [email protected] | 0:43:52 | 0:43:55 |