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'Ladies and gentlemen, please welcome your host for tonight, | 0:00:18 | 0:00:22 | |
'Jack Whitehall!' | 0:00:22 | 0:00:25 | |
CHEERING AND APPLAUSE | 0:00:25 | 0:00:29 | |
Good evening, ladies and gentlemen. Welcome to Live at the Apollo. | 0:00:38 | 0:00:43 | |
CHEERING | 0:00:43 | 0:00:48 | |
Ladies and gentlemen, | 0:00:48 | 0:00:50 | |
we have a cracking show in store for you this evening. | 0:00:50 | 0:00:54 | |
You are in for a treat. | 0:00:54 | 0:00:57 | |
And let me say, you look like you deserve it. This looks like a beautiful audience. | 0:00:57 | 0:01:01 | |
CHEERING | 0:01:01 | 0:01:01 | |
Oh, yeah. | 0:01:01 | 0:01:03 | |
Some beautiful faces in here. | 0:01:03 | 0:01:05 | |
And also a couple of famous faces as well. Oh, yes. | 0:01:05 | 0:01:08 | |
A star-studded audience tonight in the Hammersmith Apollo. | 0:01:08 | 0:01:12 | |
Kerry Katona is in the house. | 0:01:12 | 0:01:14 | |
CHEERING | 0:01:14 | 0:01:15 | |
Oh, yeah. Kerry Katona. | 0:01:15 | 0:01:18 | |
CHEERING AND APPLAUSE | 0:01:19 | 0:01:21 | |
I love Kerry! | 0:01:21 | 0:01:23 | |
I watched Kerry, I watched you on the Big Brother. | 0:01:23 | 0:01:26 | |
Celebrity Big Brother. | 0:01:26 | 0:01:29 | |
I wasn't sure, about this series of Celebrity Big Brother, | 0:01:29 | 0:01:31 | |
truth be told. | 0:01:31 | 0:01:33 | |
I thought quite a predictable series, Celebrity Big Brother. | 0:01:33 | 0:01:37 | |
It was won by a gypsy. | 0:01:37 | 0:01:39 | |
Well, obviously he was going to be the last one to get evicted. | 0:01:39 | 0:01:42 | |
No, it's nice to have you here, Kerry. | 0:01:48 | 0:01:50 | |
It's lovely everyone has come out to the Hammersmith Apollo | 0:01:50 | 0:01:53 | |
to have a laugh, to enjoy yourselves | 0:01:53 | 0:01:55 | |
because I think, on the whole, | 0:01:55 | 0:01:56 | |
we are quite a grumpy nation. We are a grumpy nation of people | 0:01:56 | 0:01:59 | |
but I think that's something that we should celebrate. Celebrate how grumpy we are | 0:01:59 | 0:02:03 | |
because that's what makes us British, and if we weren't like this | 0:02:03 | 0:02:07 | |
we'd be like Americans, and we don't want that. | 0:02:07 | 0:02:09 | |
There are some things in this great country, oh, yeah, | 0:02:09 | 0:02:13 | |
there are some things that we will never have, | 0:02:13 | 0:02:17 | |
and we need to embrace that. Like customer service. | 0:02:17 | 0:02:20 | |
We are never going to have customer service in the UK. | 0:02:20 | 0:02:23 | |
They love that shit in America. I don't want it here. | 0:02:23 | 0:02:26 | |
Go into a shop in the UK, you know what you're getting put through, yeah? | 0:02:26 | 0:02:30 | |
Like your phone shop, for example. | 0:02:30 | 0:02:31 | |
You walk into the Carphone Warehouse, you know the drill. | 0:02:31 | 0:02:34 | |
You know if you go to Carphone Warehouse you can get ignored for days. | 0:02:34 | 0:02:38 | |
LAUGHTER | 0:02:38 | 0:02:40 | |
There'll be a corpse where an elderly gentleman's | 0:02:40 | 0:02:43 | |
tried to upgrade without his wife there to help, | 0:02:43 | 0:02:45 | |
and even when you do get assistance | 0:02:45 | 0:02:47 | |
it's going to be from some patronising little suited teenager, | 0:02:47 | 0:02:50 | |
constantly arksing you, "How many minutes you talk in a month, bruv?" | 0:02:50 | 0:02:54 | |
When you leave the shop, you feel like you've earned your phone. | 0:02:54 | 0:02:58 | |
I broke my phone when I was in America. | 0:02:58 | 0:03:00 | |
I had to go into the Apple Store in New York. | 0:03:00 | 0:03:02 | |
Oh, my God! The Apple Store in New York | 0:03:02 | 0:03:05 | |
is like a big, white, glistening cathedral | 0:03:05 | 0:03:08 | |
of twats! | 0:03:08 | 0:03:10 | |
LAUGHTER AND APPLAUSE | 0:03:10 | 0:03:11 | |
Before you even have your foot in the door, | 0:03:11 | 0:03:15 | |
there's a wank-tard in your face. | 0:03:15 | 0:03:17 | |
"Hey, buddy, my name's Drew. What brings you to the Apple Store today, hombre? | 0:03:17 | 0:03:22 | |
"I'm here to buy a phone, not make a friend. Piss off." | 0:03:22 | 0:03:25 | |
They genuinely applaud the first customer in of the day. | 0:03:27 | 0:03:31 | |
The Apple Store in New York. They all stand around applauding the idiot as he walks in. | 0:03:31 | 0:03:35 | |
"'Whoo, we love you, man, customer number one, you rock." | 0:03:35 | 0:03:38 | |
Can you imagine getting away with that at a phone shop in the UK? I think not! | 0:03:38 | 0:03:43 | |
T-Mobile in the Westfield Shopping Centre? | 0:03:43 | 0:03:46 | |
The only customer getting applauded is the last one OUT of the day. | 0:03:46 | 0:03:49 | |
"Oh, thank Christ you've gone, mate. | 0:03:49 | 0:03:51 | |
"We can all go down the pub, you BlackBerry wanker!" | 0:03:51 | 0:03:55 | |
LAUGHTER AND APPLAUSE | 0:03:55 | 0:03:57 | |
I don't like customer service. | 0:04:05 | 0:04:07 | |
And it works both ways as well. | 0:04:07 | 0:04:10 | |
When I was in America I needed to use the train, and I was on the platform, | 0:04:10 | 0:04:14 | |
and I saw a poster in one of the stations, right? | 0:04:14 | 0:04:16 | |
It had on it, one of their rail employees. | 0:04:16 | 0:04:19 | |
She was there, all made up, her eyes full of life and hope. | 0:04:19 | 0:04:22 | |
She had a smile across her face, | 0:04:22 | 0:04:24 | |
and then underneath it, a little slogan, | 0:04:24 | 0:04:27 | |
"Hey, you got enough snacks for the journey? Enjoy your trip." | 0:04:27 | 0:04:31 | |
Compare that to the posters you get up and down this great island | 0:04:31 | 0:04:35 | |
on every single station platform. What is it? | 0:04:35 | 0:04:38 | |
A poster of a National Rail employee with a massive black eye. | 0:04:38 | 0:04:42 | |
"Please don't hit our staff." | 0:04:42 | 0:04:44 | |
LAUGHTER AND APPLAUSE | 0:04:44 | 0:04:47 | |
Recently, I really wanted to get into a relationship | 0:04:51 | 0:04:55 | |
and, lo and behold, I met the woman of my dreams. She was incredible, right? | 0:04:55 | 0:04:58 | |
As soon as we start going out the problems start emerging | 0:04:58 | 0:05:02 | |
cos, when I first met her she was great, | 0:05:02 | 0:05:04 | |
but as soon as the relationship became official, she changed. | 0:05:04 | 0:05:07 | |
When I first met her she was cool, she was funny, exciting. | 0:05:07 | 0:05:11 | |
She said she was bi. I was like, "Oooh! Sexy!" | 0:05:11 | 0:05:15 | |
Turns out she meant bipolar. She was... | 0:05:15 | 0:05:18 | |
LAUGHTER | 0:05:18 | 0:05:21 | |
And she scared me as well, like, she intimidated me. | 0:05:21 | 0:05:24 | |
The older woman. She liked things I wasn't comfortable with, in the bedroom, for example. | 0:05:24 | 0:05:28 | |
That was a nightmare because she liked to be experimental in the bedroom. | 0:05:28 | 0:05:32 | |
When it comes to the bedroom, I'm quite English about the whole thing. | 0:05:32 | 0:05:35 | |
Quite sort of English Victorian, right? | 0:05:35 | 0:05:38 | |
I want three minutes in the dark, we both roll over, | 0:05:38 | 0:05:40 | |
assume the foetal position and cry for a bit. | 0:05:40 | 0:05:44 | |
That's how it should be done, right? | 0:05:44 | 0:05:46 | |
None of this talking, as well. I hate the talking. | 0:05:46 | 0:05:49 | |
This is the element I can't stand. | 0:05:49 | 0:05:51 | |
They say during sex that a woman should lie back and think of England. | 0:05:51 | 0:05:54 | |
I think they should lie back and think of London, specifically, London Underground. | 0:05:54 | 0:05:58 | |
Don't make any eye contact and don't dare start a conversation. | 0:05:58 | 0:06:01 | |
This girl, she was obsessed with doing all the talking | 0:06:09 | 0:06:12 | |
and I'd warned her, I had warned her, people, | 0:06:12 | 0:06:15 | |
this voice does not work in the bedroom. | 0:06:15 | 0:06:17 | |
It is not a sexy voice so stop trying to make me dirty talk, | 0:06:17 | 0:06:20 | |
but she persisted in doing it. She tried to trick me. | 0:06:20 | 0:06:23 | |
She'd be like, "Oh, Jack, tell me I've been a bad girl. | 0:06:23 | 0:06:28 | |
-(SLIGHTLY EFFEMINATE TONE) -"You've been a bad girl. | 0:06:28 | 0:06:31 | |
"How bad? I don't know. Is there a scale? | 0:06:31 | 0:06:33 | |
"Worse than a looter, not as bad as Harold Shipman. Are you happy?" | 0:06:33 | 0:06:37 | |
LAUGHTER AND APPLAUSE | 0:06:37 | 0:06:40 | |
There were so many problems with our relationship, so many issues. | 0:06:42 | 0:06:46 | |
The major one was that her friends didn't like me | 0:06:46 | 0:06:48 | |
and, as a guy, if a girl's friends don't like you, you are screwed. | 0:06:48 | 0:06:52 | |
There's nothing you can do | 0:06:52 | 0:06:54 | |
it's like laws of the animal kingdom. Girls are like a pride, | 0:06:54 | 0:06:57 | |
they're gracious, they look after, nurture the weakest of the group. | 0:06:57 | 0:07:01 | |
Guys don't give a shit. | 0:07:01 | 0:07:03 | |
They will kick out the weakest to rot in the sun. | 0:07:03 | 0:07:05 | |
If you want to observe this in all of its beauty, | 0:07:05 | 0:07:08 | |
the savannah, if you will, is the airport. | 0:07:08 | 0:07:11 | |
When you see groups of girls and groups of guys | 0:07:11 | 0:07:13 | |
going as lads and girls on tour, to like, Ayia Napa, Ibiza, Magaluf, | 0:07:13 | 0:07:17 | |
and it all starts in the airports with the tour tee-shirts | 0:07:17 | 0:07:21 | |
and the tour hoodies they've had made up. | 0:07:21 | 0:07:23 | |
You see the girls with their little wheelies, | 0:07:23 | 0:07:27 | |
their little neatly ironed pink hoodies they've organised months in advance, | 0:07:27 | 0:07:31 | |
with little nicknames, on the back, in glitter... | 0:07:31 | 0:07:34 | |
except with girls it's not nicknames, is it? | 0:07:34 | 0:07:36 | |
It's character building. | 0:07:36 | 0:07:39 | |
They'll find any positive about their friends and celebrate it. Incredible to see. | 0:07:39 | 0:07:43 | |
You'll see the group of girls and at the back there'll be this 300 tonne hunk of ham | 0:07:43 | 0:07:48 | |
with like, a gammy leg, chins growing out of their ears | 0:07:48 | 0:07:51 | |
you didn't even know a chin could grow out of. | 0:07:51 | 0:07:53 | |
She reaches herself round to see if there's a queue outside Greggs | 0:07:53 | 0:07:57 | |
and on her back in glitter it just says, "Angel Eyes". | 0:07:57 | 0:08:00 | |
You can't deny her eyes are gorgeous. | 0:08:02 | 0:08:04 | |
They follow you around the room, because one of them is lazy. | 0:08:04 | 0:08:07 | |
Next to them in the queue you've got the guys, | 0:08:07 | 0:08:11 | |
they're crawling over a bin liner full of tee-shirts, desperate to get the one that says "Shagger". | 0:08:11 | 0:08:16 | |
And then they start dishing them out amongst their friends, | 0:08:16 | 0:08:19 | |
except with them it's not nicknames. It's character assassination | 0:08:19 | 0:08:22 | |
with no wit or reason to it, whatsoever. | 0:08:22 | 0:08:26 | |
It's just like, Dick Splash, Shithead, Tit Face, | 0:08:26 | 0:08:29 | |
some poor guy in a wheelchair getting forced into one that says, "Top Gear". | 0:08:29 | 0:08:33 | |
It's cruel. | 0:08:33 | 0:08:34 | |
He's not even part of their group. | 0:08:35 | 0:08:38 | |
And they get on the holiday, | 0:08:40 | 0:08:41 | |
it's no different when they're actually on the holiday. | 0:08:41 | 0:08:44 | |
Groups of girls on holiday, they're sunbathing on the beach, | 0:08:44 | 0:08:47 | |
and one of them falls asleep in the sun, they'll wake them up. | 0:08:47 | 0:08:51 | |
That's what they do. | 0:08:51 | 0:08:53 | |
A guy wouldn't dream of doing that. | 0:08:53 | 0:08:56 | |
The girls, it's like, "'Angel Eyes, Angel Eyes, | 0:08:56 | 0:08:58 | |
"wake up! You're falling asleep in the sun. | 0:08:58 | 0:09:00 | |
"You're burning all over your shoulders. Girls, quickly, get some suntan... | 0:09:00 | 0:09:04 | |
"We're going to need more than that. Come on, girls. | 0:09:04 | 0:09:07 | |
"It'll be all right. We're looking out for you | 0:09:07 | 0:09:09 | |
"cos we're BFF, friends for ever." | 0:09:09 | 0:09:12 | |
LAUGHTER | 0:09:12 | 0:09:13 | |
Further on down the beach, "Oy, what's Jay doing? Shh! | 0:09:13 | 0:09:16 | |
"He's fallen asleep in the midday sun. Oh, wow! | 0:09:18 | 0:09:24 | |
"Shall we put some suntan lotion on him? Yeah! | 0:09:24 | 0:09:28 | |
"I'll draw the balls, you do the shaft." | 0:09:28 | 0:09:31 | |
LAUGHTER | 0:09:31 | 0:09:34 | |
Yes. It's very funny, isn't it, Hammersmith Apollo? | 0:09:34 | 0:09:37 | |
Laugh it all up. That will take weeks to go! | 0:09:37 | 0:09:39 | |
LAUGHTER AND CHEERING | 0:09:39 | 0:09:42 | |
APPLAUSE | 0:09:42 | 0:09:44 | |
WHISTLING | 0:09:46 | 0:09:51 | |
Someone wolf whistled. That was NOT sexy. | 0:10:00 | 0:10:04 | |
Yeah, that's how I like my guys with a cock on their chest. | 0:10:04 | 0:10:07 | |
Maybe Kerry. | 0:10:09 | 0:10:13 | |
No, I didn't... | 0:10:13 | 0:10:14 | |
I couldn't resist! | 0:10:14 | 0:10:16 | |
The relationship, it didn't last. | 0:10:18 | 0:10:20 | |
And it WAS my fault. It was a Friday night when it happened, | 0:10:22 | 0:10:26 | |
because she had arranged dinner and then a movie. That sounds quite fun, | 0:10:26 | 0:10:29 | |
but it is not fun because she's a sophisticated, mature woman. | 0:10:29 | 0:10:33 | |
This was a sophisticated, mature dinner | 0:10:33 | 0:10:35 | |
and I hate going to fancy restaurants on dates | 0:10:35 | 0:10:38 | |
because if you go to a fancy restaurant on a date | 0:10:38 | 0:10:40 | |
they make you look like an idiot. If you take a girl on a date, | 0:10:40 | 0:10:43 | |
you need to go somewhere where you can look like you're in control | 0:10:43 | 0:10:46 | |
which is why, if you're ever taking a girl on a date, | 0:10:46 | 0:10:50 | |
there is only one place, and one place alone, you can take them. | 0:10:50 | 0:10:53 | |
Any takers? | 0:10:53 | 0:10:54 | |
AUDIENCE: Nando's. | 0:10:54 | 0:10:56 | |
Nando's. | 0:10:56 | 0:10:56 | |
Correct! | 0:10:56 | 0:10:59 | |
Nando's is where you take them | 0:10:59 | 0:11:02 | |
because if you go to Nando's you can look like you know your shit. | 0:11:02 | 0:11:05 | |
You arrive at Nando's early. You're greeted at the door. | 0:11:05 | 0:11:08 | |
"Hello, has sir ever been to Nando's before? Yes, I have, my good man, | 0:11:08 | 0:11:12 | |
"and we both know you'll be doing absolutely bugger all this evening, so stand aside! | 0:11:12 | 0:11:17 | |
Have that booth in the corner. | 0:11:17 | 0:11:19 | |
Ooh, banquette seating, nice for scooching up together when this gets interesting later on. | 0:11:19 | 0:11:25 | |
First, time for the wine. "What would Madame like? | 0:11:25 | 0:11:27 | |
"A dry Sancerre or a crisp Sauvignon Blanc?" Doesn't matter, it's Nando's. | 0:11:27 | 0:11:31 | |
They both taste exactly the same. | 0:11:31 | 0:11:34 | |
Which leads us on to the food. | 0:11:34 | 0:11:36 | |
"Do you like chicken?" Good, cos it's all chicken. I already know what I'm getting. | 0:11:36 | 0:11:40 | |
It's a double chicken breast in a pitta, lemon and herb spice, | 0:11:40 | 0:11:44 | |
but at the last minute, I'm asking the guy at the counter | 0:11:44 | 0:11:46 | |
to swap the little flags round | 0:11:46 | 0:11:48 | |
so he can put in one that says it's extra hot, | 0:11:48 | 0:11:50 | |
so when I'm eating it she thinks that I'm hard as nails. | 0:11:50 | 0:11:54 | |
"Would sir like cheese and pineapple with that?" Why does anyone want cheese and pineapple with chicken? | 0:11:54 | 0:12:00 | |
It makes no logical sense. Her dinner has arrived. | 0:12:00 | 0:12:03 | |
She's order two sides, one of macho peas, one of witty repartee. | 0:12:03 | 0:12:07 | |
At this point in proceedings, ladies and gentlemen, | 0:12:07 | 0:12:09 | |
she is eating out of the palm of my hand, | 0:12:09 | 0:12:12 | |
mainly because I've forgotten to get the bloody cutlery from the tooling up desk. | 0:12:12 | 0:12:17 | |
But it doesn't matter | 0:12:17 | 0:12:18 | |
because he's about to ask the question every woman asks. | 0:12:18 | 0:12:21 | |
This is the killer, this is make or break time | 0:12:21 | 0:12:24 | |
whether she'll get into the cab with you, or not. | 0:12:24 | 0:12:26 | |
She turns to me, looks lovingly into my eyes and says, "Jack, what's peri-peri?" | 0:12:26 | 0:12:33 | |
Ooh. A very, very good question, my dear. | 0:12:33 | 0:12:35 | |
This is the final penalty in the shoot-out at Wembley. This is make or break time. | 0:12:35 | 0:12:40 | |
A very good question. What is peri-peri? | 0:12:40 | 0:12:42 | |
I'll let you into a secret, Hammersmith Apollo. It's a good question, but also one | 0:12:42 | 0:12:46 | |
nobody actually knows the answer to, | 0:12:46 | 0:12:50 | |
so you can make up whatever the hell you like and she's still going to be impressed. | 0:12:50 | 0:12:54 | |
Peri-peri, my dear, is a blend of aromatic spices | 0:12:54 | 0:12:57 | |
bonded together by tears of Portuguese widows who lost their husbands at sea. | 0:12:57 | 0:13:01 | |
El hombre est il mort. | 0:13:01 | 0:13:04 | |
And she's mine! | 0:13:04 | 0:13:05 | |
CHEERING AND APPLAUSE | 0:13:05 | 0:13:09 | |
Ladies and gentlemen, it is now time to move on with proceedings. | 0:13:13 | 0:13:17 | |
Our first act this evening, he's a lovely guy. | 0:13:17 | 0:13:20 | |
He's an incredible stand-up. You are absolutely going to love him. | 0:13:20 | 0:13:23 | |
You're in for a treat. Ladies and gentlemen, will you please give a warm welcome to the stage | 0:13:23 | 0:13:29 | |
to the wonderful Josh Widdicombe. | 0:13:29 | 0:13:31 | |
CHEERING AND APPLAUSE | 0:13:31 | 0:13:37 | |
Hello. | 0:13:45 | 0:13:47 | |
CHEERING | 0:13:47 | 0:13:49 | |
-Yes. Are you well? -AUDIENCE: Yes. | 0:13:49 | 0:13:51 | |
I struggle with those questions. I never know what to answer. | 0:13:51 | 0:13:55 | |
I'm only confident answering a question | 0:13:55 | 0:13:57 | |
is when I'm at my computer, like when your computer crashes, | 0:13:57 | 0:14:00 | |
it comes on and goes, "Your computer's just crashed. Do you want to send a report?" | 0:14:00 | 0:14:04 | |
No. | 0:14:05 | 0:14:06 | |
I'm not a grass. | 0:14:07 | 0:14:09 | |
LAUGHTER | 0:14:09 | 0:14:11 | |
If I was going to grass up my computer I wouldn't via my computer. He'll know. | 0:14:11 | 0:14:15 | |
I'll be grassing him up, he'll start grassing me up, | 0:14:15 | 0:14:18 | |
he's got far more on me than I have on him, I can tell you. | 0:14:18 | 0:14:21 | |
It's nice to be in Hammersmith. I've moved to London, area called Finsbury Park. | 0:14:23 | 0:14:27 | |
-Do we know it? -AUDIENCE: Whoo! | 0:14:27 | 0:14:31 | |
Those people clearly haven't been to it. | 0:14:31 | 0:14:33 | |
LAUGHTER | 0:14:33 | 0:14:34 | |
It's not a nice area. When I moved in, | 0:14:34 | 0:14:36 | |
one of the ways the guy got us to take the house, he said, | 0:14:36 | 0:14:39 | |
"Well, great location. | 0:14:39 | 0:14:40 | |
"To give you an idea, you live just across the road from Argos Extra." | 0:14:40 | 0:14:43 | |
If you don't know it, it's a smaller version of Argos. | 0:14:45 | 0:14:48 | |
They've used the rare definition of "extra" to mean "far, far less". | 0:14:48 | 0:14:52 | |
LAUGHTER | 0:14:52 | 0:14:54 | |
They've got the normal catalogues which are full of things | 0:14:54 | 0:14:57 | |
they've never had in stock. | 0:14:57 | 0:14:59 | |
Dialling into the stock check for 20 minutes, nothing is coming up, | 0:14:59 | 0:15:02 | |
the guy said, "Are you all right?" | 0:15:02 | 0:15:04 | |
and I said, "You haven't got anything." | 0:15:04 | 0:15:06 | |
He said, "Well, what you've got to remember is that we have a greatly-reduced range. | 0:15:06 | 0:15:10 | |
"To give you an idea, that warehouse out the back is actually | 0:15:10 | 0:15:13 | |
"no bigger than this room we are having the discussion in now." | 0:15:13 | 0:15:16 | |
So here's an idea - go out the back, get that stuff, | 0:15:16 | 0:15:20 | |
bring it through here, we'll call the whole thing a shop. | 0:15:20 | 0:15:23 | |
LAUGHTER | 0:15:23 | 0:15:25 | |
Currently, what I am doing is dialling in numbers | 0:15:25 | 0:15:28 | |
in an attempt to guess what is the other side of a wall! | 0:15:28 | 0:15:31 | |
LAUGHTER | 0:15:31 | 0:15:33 | |
This isn't shopping, this is Battleships! | 0:15:33 | 0:15:35 | |
LAUGHTER AND APPLAUSE | 0:15:35 | 0:15:37 | |
We've been in there 20 minutes, | 0:15:40 | 0:15:42 | |
I don't even remember what I came in for. | 0:15:42 | 0:15:45 | |
I'm just dialling in random numbers. | 0:15:45 | 0:15:47 | |
The only thing I have found that you have in stock | 0:15:47 | 0:15:49 | |
is a Playboy-themed hot-water bottle. | 0:15:49 | 0:15:52 | |
He said, "Yeah, that is one of our sexier items." | 0:15:53 | 0:15:56 | |
I said, "When did the hot water bottle become a sexy item?" | 0:15:56 | 0:15:59 | |
From my experience, it is used or two things - | 0:15:59 | 0:16:02 | |
cold feet and period pains. | 0:16:02 | 0:16:04 | |
LAUGHTER | 0:16:04 | 0:16:06 | |
Call me a weirdo, I have never been turned on by either of them. | 0:16:06 | 0:16:09 | |
If there is a relationship between a hot-water bottle and sex, | 0:16:09 | 0:16:13 | |
it is that when you see your partner is filling up a hot-water bottle, | 0:16:13 | 0:16:18 | |
you're not having sex. | 0:16:18 | 0:16:20 | |
LAUGHTER | 0:16:20 | 0:16:23 | |
He said, "Well, no, it is sexy, isn't it, | 0:16:23 | 0:16:25 | |
"because it is shaped like a rabbit." | 0:16:25 | 0:16:27 | |
I said, "Is that sexy? | 0:16:27 | 0:16:29 | |
"Obviously, we had different emotional reactions to Watership Down!" | 0:16:29 | 0:16:33 | |
LAUGHTER | 0:16:33 | 0:16:35 | |
I do not understand this Playboy idea that the way to make a woman sexier | 0:16:35 | 0:16:39 | |
is to give her the ears and tail of a rabbit. | 0:16:39 | 0:16:41 | |
It is always the ears and tail, I do not know if there are other prototypes | 0:16:41 | 0:16:45 | |
that Hugh Hefner tried that did not work out, | 0:16:45 | 0:16:47 | |
that he brought out for his mates and said, "Do you fancy her? | 0:16:47 | 0:16:50 | |
"She's got buck teeth. | 0:16:50 | 0:16:51 | |
LAUGHTER | 0:16:51 | 0:16:53 | |
-"And massive feet." -LAUGHTER | 0:16:53 | 0:16:55 | |
"No? What about this one? | 0:16:55 | 0:16:57 | |
"She has fur and I have put her in a hutch. | 0:16:57 | 0:17:00 | |
LAUGHTER | 0:17:00 | 0:17:02 | |
"No? Third time lucky, she has myxomatosis. | 0:17:02 | 0:17:07 | |
"She shits Maltesers." | 0:17:07 | 0:17:09 | |
LAUGHTER | 0:17:09 | 0:17:10 | |
It is difficult in your 20s. | 0:17:13 | 0:17:14 | |
I am single, I came out of a relationship a while ago. | 0:17:14 | 0:17:17 | |
The worst bit is just after, when no-one knows what to say to you. | 0:17:17 | 0:17:20 | |
Some people say, "Well, think of the good times. | 0:17:20 | 0:17:23 | |
"It is better to have loved and lost than never to have loved at all." | 0:17:23 | 0:17:27 | |
That is not true, is it? | 0:17:27 | 0:17:29 | |
Because that is not how losing things works. | 0:17:29 | 0:17:32 | |
When you lose your phone, your first reaction isn't, | 0:17:32 | 0:17:35 | |
"Well, at least I had a phone, I mean..." | 0:17:35 | 0:17:37 | |
LAUGHTER | 0:17:37 | 0:17:38 | |
It is better to have had a phone and lost a phone, isn't it? | 0:17:40 | 0:17:44 | |
Than never to have phoned at all. | 0:17:44 | 0:17:46 | |
You're thinking, "Well, those phone calls, | 0:17:46 | 0:17:48 | |
"they are memories I will always cherish." | 0:17:48 | 0:17:50 | |
Going out alone, that is difficult as well. | 0:17:50 | 0:17:53 | |
I went to the cinema on my own for the first time recently. | 0:17:53 | 0:17:56 | |
I didn't realise that is the act of an oddball. | 0:17:56 | 0:17:58 | |
I've eaten alone before, do not do that. | 0:17:58 | 0:18:00 | |
I went to Pizza Express and said, "Can I have a table for one, please?" | 0:18:00 | 0:18:04 | |
And she said, "No." | 0:18:04 | 0:18:05 | |
LAUGHTER | 0:18:05 | 0:18:07 | |
Instead, she gave me a table for two | 0:18:07 | 0:18:09 | |
and she slowly removed the cutlery of the non-existent second person. | 0:18:09 | 0:18:13 | |
I said, "What are you doing? I am not going to get confused!" | 0:18:13 | 0:18:16 | |
I'm not going to look down halfway through and say, | 0:18:16 | 0:18:19 | |
"Where the hell has my girlfriend gone? | 0:18:19 | 0:18:22 | |
"I didn't think I had one but the knife and fork are saying otherwise." | 0:18:22 | 0:18:25 | |
I went to the cinema alone and I went to see a film | 0:18:25 | 0:18:27 | |
and it wasn't on but the problem is, by the time you get to the cinema, | 0:18:27 | 0:18:30 | |
you feel it'd be rude to leave without seeing something | 0:18:30 | 0:18:33 | |
so I managed to convince myself, for the next 90 minutes, | 0:18:33 | 0:18:36 | |
I wanted to watch Alvin And The Chipmunks 2. | 0:18:36 | 0:18:40 | |
-The Squeakquel. -LAUGHTER | 0:18:40 | 0:18:43 | |
I went up to the desk and said, "I will have one, please, | 0:18:43 | 0:18:45 | |
"for Alvin And The Chipmunks 2: The Squeakquel. | 0:18:45 | 0:18:49 | |
"I have not seen the first one, I do imagine I will pick it up." | 0:18:49 | 0:18:52 | |
She said, "One?" And I said, "Yeah, one." | 0:18:52 | 0:18:54 | |
She said, "You do know it is Orange Wednesday, don't you? | 0:18:54 | 0:18:56 | |
"It's two for one." | 0:18:56 | 0:18:58 | |
I said, "That is not much help for me. I am one. | 0:18:58 | 0:19:00 | |
"What do you expect me to do with the second ticket?" | 0:19:00 | 0:19:03 | |
She said, "You could offer it to someone else." | 0:19:03 | 0:19:05 | |
I said, "Look, people already think I am weird. | 0:19:05 | 0:19:08 | |
"If I was to stalk the foyer brandishing a ticket | 0:19:08 | 0:19:10 | |
"for Alvin And The Chipmunks 2: The Squeakquel, | 0:19:10 | 0:19:14 | |
"show me who would like to come and sit next to me? | 0:19:14 | 0:19:17 | |
"If anything, I think that is going to make matters worse, | 0:19:17 | 0:19:20 | |
"thank you very much!" | 0:19:20 | 0:19:21 | |
I left, I thought, "I'll go and get food," | 0:19:21 | 0:19:23 | |
I went to Wagamama, and they've got the long benches, | 0:19:23 | 0:19:26 | |
I thought it'd be fine, I'd sit on the end of a long bench on my own. | 0:19:26 | 0:19:29 | |
I sat down and a group of three came in. | 0:19:29 | 0:19:32 | |
She decided to set them two opposite me, | 0:19:32 | 0:19:34 | |
one next to me to create a square. | 0:19:34 | 0:19:37 | |
I said, "What are you doing? This is the most awkward thing that has ever happened! | 0:19:37 | 0:19:42 | |
"This isn't Tetris." | 0:19:42 | 0:19:44 | |
LAUGHTER | 0:19:44 | 0:19:45 | |
CHEERING AND APPLAUSE | 0:19:46 | 0:19:49 | |
You have been absolutely lovely. Thank you very much, Apollo. Cheers. | 0:19:49 | 0:19:53 | |
My name is Josh Widdicombe, good night! | 0:19:53 | 0:19:55 | |
CHEERING AND APPLAUSE | 0:19:55 | 0:19:58 | |
Ladies and gentlemen, Josh Widdicombe! | 0:20:01 | 0:20:04 | |
CHEERING | 0:20:04 | 0:20:06 | |
Woo! | 0:20:06 | 0:20:07 | |
Ladies and gentlemen, | 0:20:10 | 0:20:12 | |
your next act this evening is an absolutely fantastic stand-up. | 0:20:12 | 0:20:15 | |
I have worked with her a lot. You are absolutely going to love her. | 0:20:15 | 0:20:19 | |
Will you please give a warm welcome to the stage | 0:20:19 | 0:20:21 | |
to the brilliant Shappi Khorsandi! | 0:20:21 | 0:20:24 | |
CHEERING AND APPLAUSE | 0:20:24 | 0:20:26 | |
Hello, Apollo! | 0:20:43 | 0:20:45 | |
CHEERING | 0:20:45 | 0:20:47 | |
I am one of two children. I have a big brother. | 0:20:47 | 0:20:50 | |
There is a year between me and my brother | 0:20:50 | 0:20:53 | |
and we're REALLY competitive. | 0:20:53 | 0:20:55 | |
It took me years to beat his Pac-Man score | 0:20:55 | 0:20:58 | |
and when I did, he chased me out the house, down an alleyway, | 0:20:58 | 0:21:01 | |
wrestled me to the ground, gave me an almighty Chinese burn, | 0:21:01 | 0:21:04 | |
completely ruined my wedding dress. | 0:21:04 | 0:21:07 | |
It is not that easy to be the big brother, the big sibling, | 0:21:10 | 0:21:14 | |
because there is a lot of expectations when you're the older one. I understand that. | 0:21:14 | 0:21:18 | |
My brother, at the age of five, would draw a picture | 0:21:18 | 0:21:21 | |
-and my dad would go... -IRANIAN ACCENT: -"What is this? | 0:21:21 | 0:21:24 | |
"A house. And this is..." | 0:21:24 | 0:21:25 | |
He is foreign. "And this is the family. | 0:21:25 | 0:21:29 | |
"Why am I taller than the trees? | 0:21:29 | 0:21:31 | |
"If the sun was that close, we would all be burnt alive. | 0:21:31 | 0:21:35 | |
"You have to work much harder than this | 0:21:35 | 0:21:37 | |
"if you want your work to make it to the fridge." | 0:21:37 | 0:21:41 | |
LAUGHTER | 0:21:41 | 0:21:42 | |
You see, I think it is important to screw kids up. | 0:21:43 | 0:21:46 | |
Not loads, just enough for them to become interesting adults. | 0:21:48 | 0:21:52 | |
I have a little boy, and he's three, | 0:21:52 | 0:21:54 | |
and I don't think I screw him up but I must do, | 0:21:54 | 0:21:57 | |
because I am a mother. | 0:21:57 | 0:21:58 | |
I am a single mum and I had a boyfriend round at Christmas - | 0:21:58 | 0:22:03 | |
it turns out some boyfriends really are just for Christmas! | 0:22:03 | 0:22:06 | |
LAUGHTER | 0:22:06 | 0:22:08 | |
I was like, "You will not meet my child until we are solid." | 0:22:08 | 0:22:11 | |
And the chap would come round while my son was sleeping | 0:22:11 | 0:22:14 | |
and he would be gone in the morning before my son woke up, | 0:22:14 | 0:22:17 | |
but my like being my luck, they ended up meeting | 0:22:17 | 0:22:19 | |
in the hallway of my home at three o'clock in the morning, | 0:22:19 | 0:22:22 | |
both needing the loo, both naked. | 0:22:22 | 0:22:25 | |
And in a panic, this man said to my son, "Hello, I'm Father Christmas." | 0:22:26 | 0:22:31 | |
And my little boy said, "But he was here last night!" | 0:22:33 | 0:22:36 | |
LAUGHTER, GROANS | 0:22:36 | 0:22:38 | |
Sometimes you get so proud of your kids | 0:22:42 | 0:22:45 | |
because they display kindness and sensitivity | 0:22:45 | 0:22:49 | |
that, frankly, they didn't learn from you. | 0:22:49 | 0:22:52 | |
I went into a shop with my little boy | 0:22:52 | 0:22:55 | |
and the shopkeeper was two inches taller than my three-year-old. | 0:22:55 | 0:23:00 | |
My little boy was beside himself to say something, | 0:23:01 | 0:23:06 | |
absolutely beside himself, but he knew instinctively not to. | 0:23:06 | 0:23:09 | |
He just looked at the guy, looked me, looked at the guy, | 0:23:09 | 0:23:12 | |
and the bloke was brilliant, he was obviously used to children reacting to him in this way, | 0:23:12 | 0:23:16 | |
so he was chatting away to my boy and my boy was like, "A grown-up, my size? | 0:23:16 | 0:23:20 | |
"I am going to tell him EVERYTHING!" | 0:23:20 | 0:23:23 | |
And he did, he was like, "My name is Charlie, I live with my mummy, | 0:23:23 | 0:23:27 | |
"I see my daddy at the weekend, we have a cat called Lola | 0:23:27 | 0:23:30 | |
"and a dog called Benjamin Petanyahu." | 0:23:30 | 0:23:32 | |
LAUGHTER | 0:23:32 | 0:23:34 | |
I thought of that name. | 0:23:35 | 0:23:38 | |
And when we left the shop, my little boy walked as fast | 0:23:38 | 0:23:41 | |
as his little legs would carry him to be out of earshot. | 0:23:41 | 0:23:45 | |
And he went, "Mummy, Mummy, come over here, Mummy!" | 0:23:45 | 0:23:48 | |
And I said, "Oh, what is it, darling?" | 0:23:48 | 0:23:50 | |
And my little boy said, "Mummy, that man was LITTLE!" | 0:23:50 | 0:23:55 | |
And I was like, "Yes, darling, yes, he was little." | 0:23:57 | 0:23:59 | |
"Why was he so LITTLE?!" | 0:23:59 | 0:24:03 | |
And I thought, "What a glorious moment I am about to share with my son, | 0:24:03 | 0:24:09 | |
"because he is now at an age where he notices difference | 0:24:09 | 0:24:14 | |
"and I can explain to him now that people might look different | 0:24:14 | 0:24:17 | |
"and they might sound different but we all matter equally | 0:24:17 | 0:24:21 | |
"and inside we are all the same." | 0:24:21 | 0:24:24 | |
What a beautiful chat I didn't have. | 0:24:24 | 0:24:29 | |
I didn't say that to him. | 0:24:29 | 0:24:31 | |
In that moment, I said, "Because he didn't eat his broccoli." | 0:24:31 | 0:24:36 | |
LAUGHTER | 0:24:36 | 0:24:38 | |
APPLAUSE | 0:24:38 | 0:24:39 | |
No-one is proud here. | 0:24:40 | 0:24:42 | |
Recently, my brother said, | 0:24:43 | 0:24:44 | |
"You have been separated for ages now, you need to find yourself a new fella, | 0:24:44 | 0:24:49 | |
"why don't you go on the internet?" Cos he found his girlfriend on the internet, | 0:24:49 | 0:24:53 | |
I think it was eBay. | 0:24:53 | 0:24:55 | |
LAUGHTER | 0:24:55 | 0:24:56 | |
So I joined an internet website and to my surprise, | 0:24:56 | 0:25:00 | |
on the online form that you had to fill in, | 0:25:00 | 0:25:02 | |
one of the things you had to tick to see who you wanted | 0:25:02 | 0:25:05 | |
was racial preference and it said, | 0:25:05 | 0:25:07 | |
"White Caucasian," three boxes, "Not Important, | 0:25:07 | 0:25:10 | |
"Decidedly Important, Absolutely Crucial." | 0:25:10 | 0:25:13 | |
I thought, "That is a little bit weird," | 0:25:13 | 0:25:15 | |
because your photo is up there in the first place, | 0:25:15 | 0:25:18 | |
so you can just be racist in private, why hurt anyone's feelings? | 0:25:18 | 0:25:21 | |
So I want to show you this. | 0:25:21 | 0:25:23 | |
I wrote an e-mail to the administrator of this website. | 0:25:23 | 0:25:27 | |
I wrote an e-mail, basically, in a nutshell, going, | 0:25:29 | 0:25:31 | |
"What are you on, mate?" And he wrote back going, | 0:25:31 | 0:25:34 | |
"The choices we provide on our matching algorithms..." | 0:25:34 | 0:25:37 | |
I had to look that word up. | 0:25:37 | 0:25:39 | |
Nothing to do with sex. | 0:25:39 | 0:25:41 | |
LAUGHTER | 0:25:41 | 0:25:42 | |
"..are for our users to find the perfect match. | 0:25:42 | 0:25:46 | |
"They are in no way indicative of someone being racist at all." | 0:25:46 | 0:25:51 | |
White Caucasian, Absolutely Crucial. | 0:25:51 | 0:25:54 | |
So I wrote back going, "Shut up," bit more coherently than that. | 0:25:54 | 0:25:58 | |
And then he wrote back and said, | 0:25:58 | 0:26:00 | |
"Some people are more stringent than others | 0:26:00 | 0:26:04 | |
"when it comes to finding a partner." | 0:26:04 | 0:26:06 | |
Doesn't that sound like a real dig at me? | 0:26:06 | 0:26:09 | |
Like, "Oh, you'd shag any old colour." | 0:26:09 | 0:26:12 | |
LAUGHTER | 0:26:12 | 0:26:14 | |
"We merely help them find the right person by enabling them | 0:26:15 | 0:26:19 | |
"to measure height, weight, occupation, level of income and ethnicity." | 0:26:19 | 0:26:24 | |
Thing is, height, weight, occupation, level of income, | 0:26:24 | 0:26:27 | |
they are all things that can be measured. | 0:26:27 | 0:26:29 | |
How do you measure ethnicity? | 0:26:29 | 0:26:31 | |
I had no idea how to measure my own when I was filling out the form. | 0:26:31 | 0:26:34 | |
I had to look on a Dulux colour chart. | 0:26:34 | 0:26:36 | |
Turns out, I am Natural Calico. | 0:26:37 | 0:26:40 | |
LAUGHTER | 0:26:40 | 0:26:41 | |
This correspondence went on for quite a while. | 0:26:41 | 0:26:45 | |
Tell me if you think I went too far - | 0:26:45 | 0:26:47 | |
eventually, I sent him a copy of the Nuremberg Race Laws. | 0:26:47 | 0:26:52 | |
LAUGHTER | 0:26:52 | 0:26:54 | |
I'm not saying that this website is a Nazi organisation, | 0:26:54 | 0:26:57 | |
I just think we should nip things in the bud at source. | 0:26:57 | 0:27:00 | |
LAUGHTER | 0:27:00 | 0:27:02 | |
He wrote back to me and said, "Dear Shappi, | 0:27:02 | 0:27:05 | |
"I have enjoyed our correspondence. | 0:27:05 | 0:27:08 | |
"I have now noticed your name is Shappi Khorsandi. | 0:27:08 | 0:27:12 | |
"Might you be the same I saw on the Michael McIntyre Comedy Roadshow?" | 0:27:12 | 0:27:19 | |
LAUGHTER | 0:27:19 | 0:27:20 | |
"If so, I am single..." | 0:27:20 | 0:27:23 | |
LAUGHTER AND APPLAUSE | 0:27:23 | 0:27:25 | |
CHEERING | 0:27:27 | 0:27:28 | |
"..and I wondered if you'd like to go for a coffee." | 0:27:31 | 0:27:34 | |
LAUGHTER | 0:27:34 | 0:27:36 | |
Listen to this. "Won't this be a funny story to tell our kids?" | 0:27:36 | 0:27:40 | |
LAUGHTER | 0:27:40 | 0:27:42 | |
"Smiley face." | 0:27:42 | 0:27:44 | |
LAUGHTER | 0:27:44 | 0:27:46 | |
I wrote back. I said, "Thank you so much for your e-mail, | 0:27:46 | 0:27:49 | |
"I am very flattered. | 0:27:49 | 0:27:51 | |
"However, I have noticed your name is James Chaudri. | 0:27:51 | 0:27:56 | |
"Little bit too brown for me. | 0:27:56 | 0:27:59 | |
"Natural Calico only." | 0:27:59 | 0:28:02 | |
You've been a marvellous crowd! | 0:28:02 | 0:28:05 | |
You've been ace, thank you so much! | 0:28:05 | 0:28:07 | |
CHEERING AND APPLAUSE | 0:28:07 | 0:28:09 | |
-Thanks for that, well done. -Mwah! | 0:28:12 | 0:28:15 | |
Shappi Khorsandi! | 0:28:15 | 0:28:17 | |
CHEERING | 0:28:17 | 0:28:18 | |
Ladies and gentlemen, you have been absolutely wonderful. | 0:28:19 | 0:28:22 | |
A big round of applause for Josh Widdicombe... | 0:28:22 | 0:28:24 | |
CHEERING AND APPLAUSE | 0:28:24 | 0:28:26 | |
-..Shappi Khorsandi! -CHEERING AND APPLAUSE | 0:28:26 | 0:28:28 | |
I've been Jack Whitehall, good night! | 0:28:28 | 0:28:31 | |
CHEERING AND APPLAUSE | 0:28:31 | 0:28:33 | |
Subtitles by Red Bee Media Ltd | 0:28:41 | 0:28:44 | |
E-mail [email protected] | 0:28:44 | 0:28:47 |