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Ladies and gentlemen, please welcome your host for tonight, | 0:00:18 | 0:00:23 | |
Jason Manford. | 0:00:23 | 0:00:26 | |
Hello. | 0:00:29 | 0:00:32 | |
Good evening. | 0:00:32 | 0:00:34 | |
Oh, wow. Hello. | 0:00:34 | 0:00:38 | |
Welcome to Live At The Apollo. | 0:00:38 | 0:00:40 | |
Hello, how are ya? | 0:00:40 | 0:00:42 | |
OK. God bless ya. | 0:00:42 | 0:00:44 | |
So, how does this work then, you all signed up for tickets and then they told you to come along? | 0:00:44 | 0:00:48 | |
That's pretty good, that's pretty good. | 0:00:48 | 0:00:50 | |
Did you reserve where you sat, you wanted front row? | 0:00:50 | 0:00:53 | |
No? You just turned up at, what, three o'clock or something | 0:00:53 | 0:00:56 | |
and just went front row centre? | 0:00:56 | 0:00:58 | |
I think I've seen you in my garden, mate. | 0:00:58 | 0:01:00 | |
That is pretty eager. | 0:01:01 | 0:01:04 | |
It's weird reserve seating, you've done well here, first come first served. | 0:01:04 | 0:01:07 | |
Reserved seating can backfire, I think, in this country. | 0:01:07 | 0:01:10 | |
I went up to the Edinburgh Festival, a couple of years ago. | 0:01:10 | 0:01:12 | |
Anyone been up to the Edinburgh Festival? It's great fun. | 0:01:12 | 0:01:15 | |
I went up to the Edinburgh Festival to see a mate of mine in a show, another comic, called Jason Cook, | 0:01:15 | 0:01:19 | |
who lives up near me in Manchester. | 0:01:19 | 0:01:20 | |
And he's only in a little room, a little 40-seater room, and me and my brother have turned up | 0:01:20 | 0:01:24 | |
and there's only two seats left. | 0:01:24 | 0:01:26 | |
One of them had a reserved sticker on, one of them didn't. | 0:01:26 | 0:01:29 | |
So, I said to me brother, "Right, come on, we'll have to sit here. | 0:01:29 | 0:01:31 | |
"You have the reserved one, because I booked the seat, so you can take the risk." | 0:01:31 | 0:01:35 | |
He's a bit nervous about it, five minutes into the show, he's checking the door, you know. | 0:01:35 | 0:01:38 | |
Half an hour into the show, he's starting to grow in confidence, | 0:01:38 | 0:01:41 | |
you know, that sort of squatters' rights, you know what I mean? | 0:01:41 | 0:01:44 | |
You're like, if anyone comes now, I will fight for this seat, like. | 0:01:44 | 0:01:47 | |
Five minutes before the end of the show, we've both forgot | 0:01:47 | 0:01:49 | |
it was ever a reserved seat in the first place, | 0:01:49 | 0:01:51 | |
until the comic says, on stage, he says, | 0:01:51 | 0:01:53 | |
"Ladies and gentlemen, that's the end of my show," he says, | 0:01:53 | 0:01:56 | |
"before I go, I would like to dedicate tonight's performance to my dad." | 0:01:56 | 0:01:59 | |
AUDIENCE: Ooh! | 0:01:59 | 0:02:01 | |
Yes, strap yourselves in, this gets worse, right? | 0:02:03 | 0:02:06 | |
He says, "I'd like to dedicate tonight's performance to my dad." | 0:02:06 | 0:02:10 | |
He said, "He passed away six months ago, | 0:02:10 | 0:02:14 | |
"and the last show he ever came to see was in this very room, so..." | 0:02:14 | 0:02:18 | |
Honestly, he's proper crying and everything, it was awful. | 0:02:20 | 0:02:23 | |
He says, "As a mark of respect, I like to keep the seat that he was sat in that night... | 0:02:23 | 0:02:30 | |
"reserved." | 0:02:30 | 0:02:32 | |
And a hush fell over the audience, | 0:02:32 | 0:02:34 | |
a real silence, you couldn't hear anything. | 0:02:34 | 0:02:36 | |
Obviously, I could hear my brother's arse going, | 0:02:36 | 0:02:38 | |
you know, but apart from that, apart from that... | 0:02:38 | 0:02:41 | |
And then a little light came on to show everybody which seat it was. | 0:02:41 | 0:02:45 | |
It was all darkness, apart from my brother just sat there like that. | 0:02:45 | 0:02:49 | |
As I'm edging away like, "You lousy bastard, | 0:02:49 | 0:02:51 | |
"I can't believe you sat in a dead man's seat." | 0:02:51 | 0:02:54 | |
My brother's a laugh. Not the brightest, not the brightest. | 0:02:57 | 0:03:01 | |
We were playing football once, he opened up a new pair of shin pads, looked dead disappointed. | 0:03:01 | 0:03:04 | |
I said, "What's up with you?" He said, "I've just bought these the other day." | 0:03:04 | 0:03:07 | |
He said, "I've just opened 'em now, one's a large, one's a regular." | 0:03:07 | 0:03:10 | |
I said, "I think that's left and right, mate, | 0:03:10 | 0:03:13 | |
"I don't think they would sell 'em like that." | 0:03:13 | 0:03:18 | |
His wife is a teacher and... | 0:03:19 | 0:03:21 | |
primary school teacher, and he come home the other week | 0:03:21 | 0:03:24 | |
and he said to me, "Have you heard what's going on at her school?" | 0:03:24 | 0:03:27 | |
I said, "No." He says, "They've got this new thing, it's called two stars and a wish, | 0:03:27 | 0:03:31 | |
"or sandwich punishment." | 0:03:31 | 0:03:32 | |
I said, "Sandwich punishment, I don't understand what this is." | 0:03:32 | 0:03:36 | |
He says, "Well, basically, you can't just tell a kid off any more, | 0:03:36 | 0:03:38 | |
"you've got to give him a compliment either side of the negative, | 0:03:38 | 0:03:42 | |
"so he doesn't go away feeling bad about himself." | 0:03:42 | 0:03:44 | |
That's true, that's a real thing, | 0:03:44 | 0:03:46 | |
and you wonder why the country's on its arse. | 0:03:46 | 0:03:49 | |
It's all these people rioting and looting, "Oi, put that telly down, you little bastard, | 0:03:49 | 0:03:52 | |
"although it is one of the top brands, so good choice." | 0:03:52 | 0:03:56 | |
Anyway, I said, "I don't really understand, what do you mean? | 0:03:58 | 0:04:01 | |
"Give us an example." | 0:04:01 | 0:04:02 | |
I did understand, I just know he's not very good at examples, so... | 0:04:02 | 0:04:06 | |
So he says, "Well, you get the kid and you go right, you, | 0:04:06 | 0:04:09 | |
"you're good at colouring in, I'll give you that... | 0:04:09 | 0:04:12 | |
"..but you're a little shit." | 0:04:14 | 0:04:18 | |
There was a bit of a pause and he went, "But your mum's quite fit, so..." | 0:04:18 | 0:04:22 | |
I don't think that's come down from OFSTED, do you? | 0:04:22 | 0:04:27 | |
They're the things that help comics, having a funny family, | 0:04:28 | 0:04:31 | |
those sort of things help comics. | 0:04:31 | 0:04:32 | |
The other thing that helps is the Comedy Gods. | 0:04:32 | 0:04:35 | |
You don't know about the Comedy Gods if you're not a comedian, but the Comedy Gods, | 0:04:35 | 0:04:38 | |
they float around all theatres, | 0:04:38 | 0:04:39 | |
helping us out when we get ourselves in a jam. | 0:04:39 | 0:04:41 | |
Sometimes, you'll get a heckle, and the Comedy Gods help us out. | 0:04:41 | 0:04:44 | |
What they do is they plant an idea, a little thing in your brain. | 0:04:44 | 0:04:47 | |
It goes past that little filter - you know the filter that says, | 0:04:47 | 0:04:50 | |
"Should I say this out loud to a load of strangers?" - | 0:04:50 | 0:04:52 | |
then comes straight out of your mouth. | 0:04:52 | 0:04:54 | |
The first time you hear it is the first time you hear it. | 0:04:54 | 0:04:56 | |
And I remember, I've got in trouble loads of times, I remember getting in, | 0:04:56 | 0:04:59 | |
I was doing a gig in Liverpool... A GIRL SCREAMS | 0:04:59 | 0:05:02 | |
Yeah, that's right. | 0:05:02 | 0:05:03 | |
You don't come out of this very well, to be honest, love. | 0:05:03 | 0:05:08 | |
I was doing a gig in Liverpool, and it's a great city. | 0:05:11 | 0:05:15 | |
It is a great city, it's really fun, | 0:05:15 | 0:05:16 | |
but early on, it's a hard place to play. | 0:05:16 | 0:05:18 | |
And I was 17 when I first started stand-up, | 0:05:18 | 0:05:20 | |
all fresh faced, not even shaving, and I've walked out onto the stage, | 0:05:20 | 0:05:23 | |
there's only seven people in the audience. | 0:05:23 | 0:05:26 | |
And one of them decided to heckle. | 0:05:26 | 0:05:27 | |
I've gone onto the stage all ready to make 'em laugh and a bloke goes, | 0:05:27 | 0:05:30 | |
"Where's your pubic hair?" | 0:05:30 | 0:05:33 | |
I crumbled, I crumbled. | 0:05:33 | 0:05:35 | |
I don't know if anyone's been heckled at work, it's not nice. | 0:05:35 | 0:05:38 | |
I could feel tears welling up in my eyes, on stage. | 0:05:38 | 0:05:41 | |
And all of a sudden, I heard my voice. | 0:05:41 | 0:05:43 | |
And the first time I heard my voice, I thought, "I know that voice. | 0:05:43 | 0:05:46 | |
"Oh, shit, it's mine," that was the first thought I had. | 0:05:46 | 0:05:49 | |
He went, "Where's your pubic hair?" | 0:05:49 | 0:05:50 | |
And I heard myself just say, "In your wife's teeth." Right? | 0:05:50 | 0:05:53 | |
Now, I don't know where it came from. | 0:05:53 | 0:05:57 | |
I tell you something... | 0:06:02 | 0:06:06 | |
you're laughing more than they did. | 0:06:06 | 0:06:09 | |
I've still not been paid, that was a tough night, man, a tough night. | 0:06:09 | 0:06:13 | |
I remember looking out... | 0:06:13 | 0:06:15 | |
I was in Dudley another time, I was stuck in Dudley one night, and I was... | 0:06:15 | 0:06:18 | |
Oh, we get to all the great places. | 0:06:18 | 0:06:20 | |
..and I was looking down... | 0:06:20 | 0:06:22 | |
Dudley's one of my most favourite places in the country. | 0:06:22 | 0:06:24 | |
About four years ago, in Dudley, there was a front-page news, right, | 0:06:24 | 0:06:27 | |
that Dudley was the UFO hotspot of the UK. | 0:06:27 | 0:06:30 | |
They interviewed this woman, | 0:06:30 | 0:06:31 | |
who said the best thing I've ever read in my life. | 0:06:31 | 0:06:33 | |
This is what she said, word for word, she went, "I was looking out the window..." | 0:06:33 | 0:06:37 | |
She wasn't very good at the accent either, right. | 0:06:37 | 0:06:41 | |
She goes, "I was looking out the window and I saw, | 0:06:41 | 0:06:43 | |
"a Dorito-shaped object in the sky." | 0:06:43 | 0:06:46 | |
Just think about that for a second. | 0:06:46 | 0:06:48 | |
A Dorito-shaped object in the sky. | 0:06:48 | 0:06:53 | |
I thought to myself, who, right, when describing shapes, right... | 0:06:58 | 0:07:02 | |
..whose brain gets to Dorito, before it gets to triangle? | 0:07:05 | 0:07:10 | |
Who is that, what's going on there? | 0:07:10 | 0:07:13 | |
That's someone who's seen more Doritos than triangles. | 0:07:13 | 0:07:16 | |
I was in Dublin recently and a woman came up to me at the airport, | 0:07:18 | 0:07:22 | |
she went, "Oh, my God, it's you!" I said, "What?" | 0:07:22 | 0:07:24 | |
She went, "It's, I can't believe it's you off the telly." | 0:07:24 | 0:07:27 | |
I said, "Oh, right." | 0:07:27 | 0:07:28 | |
She went, "Me mammy's a massive fan of you." I said, "Oh, I love it." | 0:07:28 | 0:07:31 | |
"Do you mind if I ring her?" I went, "No, of course." | 0:07:31 | 0:07:33 | |
"Mammy, Mammy, you'll never guess who's here, | 0:07:33 | 0:07:35 | |
"it's only Tyrone from Coronation Street..." | 0:07:35 | 0:07:38 | |
I still signed the autograph and that, but...it just felt wrong. | 0:07:43 | 0:07:48 | |
We've got some proper famous people in, we've got Downton Abbey, where's the Downton Abbey folks? | 0:07:48 | 0:07:53 | |
There they are, hello, Downton Abbey. | 0:07:53 | 0:07:56 | |
Which did very well in America, of course, winning lots of Emmys and stuff. | 0:07:59 | 0:08:02 | |
Did you go over and collect those awards? | 0:08:02 | 0:08:05 | |
No, you weren't invited. | 0:08:05 | 0:08:07 | |
That's fair enough, just Hugh Bonneville by himself. | 0:08:07 | 0:08:09 | |
"I'll get this, you're all right." | 0:08:09 | 0:08:10 | |
What I enjoyed was the fact that America loves it so much. | 0:08:10 | 0:08:14 | |
Of course America loves Downton Abbey, | 0:08:14 | 0:08:16 | |
it's because that's what they think England is like all the time. | 0:08:16 | 0:08:19 | |
They think it's a documentary. | 0:08:19 | 0:08:21 | |
I'd love to... | 0:08:21 | 0:08:23 | |
A few months ago, American tourists were coming over to try and meet Hugh Bonneville, | 0:08:23 | 0:08:26 | |
and they're expecting some gentleman to put his coat over a puddle, | 0:08:26 | 0:08:30 | |
and actually, they just witnessed a bloke being sick in his own shoes | 0:08:30 | 0:08:33 | |
and an eight year old petrol bombing Footlocker. | 0:08:33 | 0:08:35 | |
You know, it's very different in it? | 0:08:35 | 0:08:37 | |
Oh, it's very different off the telly, isn't it? | 0:08:37 | 0:08:41 | |
We've got, McFly. God bless ya. God bless ya, McFly. | 0:08:41 | 0:08:45 | |
And, of course, you've got two front men, two lead singers. | 0:08:45 | 0:08:48 | |
Danny and Tom are the two lead singers. | 0:08:48 | 0:08:52 | |
Yeah, high five, I love it. | 0:08:52 | 0:08:53 | |
Come on now, you're 30, stop it. | 0:08:53 | 0:08:56 | |
Can't do high fives any more. | 0:08:56 | 0:08:59 | |
Danny, of course, going out with Miss England. Yeah? | 0:08:59 | 0:09:02 | |
I love that, there she is, Miss England right there, yeah. | 0:09:02 | 0:09:04 | |
WOLF-WHISTLES | 0:09:04 | 0:09:05 | |
People just presuming she's pretty, that's a fair presumption. | 0:09:05 | 0:09:09 | |
I love that, there's hundreds of men in this room | 0:09:09 | 0:09:12 | |
who've told their girlfriend they're the prettiest woman in the country, | 0:09:12 | 0:09:14 | |
Danny's the only one who's got a certificate. | 0:09:14 | 0:09:19 | |
It's official. Who else have we got? | 0:09:19 | 0:09:21 | |
We've got Sarah Beeny, everybody, Sarah Beeny. God bless ya. | 0:09:21 | 0:09:26 | |
Who, of course, runs a dating website. | 0:09:26 | 0:09:31 | |
It's a dating website for single people, of course, and their friends put them on there. | 0:09:31 | 0:09:36 | |
Now, that works for women, doesn't it? | 0:09:36 | 0:09:39 | |
That works for women, because women are nice, aren't they? | 0:09:39 | 0:09:41 | |
Yeah. | 0:09:41 | 0:09:43 | |
They go, "Ah, Rachel, she's dead funny, she's dead pretty, | 0:09:43 | 0:09:46 | |
"and you'll have a lovely time. | 0:09:46 | 0:09:47 | |
"She just wants to go for walks and strolls, | 0:09:47 | 0:09:49 | |
"and occasionally cry herself to sleep." | 0:09:49 | 0:09:51 | |
But... | 0:09:51 | 0:09:53 | |
..that's not going to work for blokes, is it? | 0:09:54 | 0:09:57 | |
Imagine a bloke putting his single mate on this website of Sarah's. | 0:09:57 | 0:10:00 | |
"Yeah, Jeff, yeah, he's a bit of a knobhead. | 0:10:00 | 0:10:02 | |
"He's a big fella, you know, built for comfort, all that. | 0:10:04 | 0:10:07 | |
"You know that bloke from the Go Compare advert? | 0:10:07 | 0:10:09 | |
"Well, if you like him, you are going to love Jeff." | 0:10:09 | 0:10:13 | |
Like Sarah, I've got loads of kids as well. | 0:10:14 | 0:10:18 | |
You've got four, is it? Four boys? | 0:10:18 | 0:10:20 | |
I've got three girls. I've got twin girls who are two years old, | 0:10:20 | 0:10:22 | |
and I've got another one who's eight months, another girl, she's all right. | 0:10:22 | 0:10:27 | |
Well, you know, I've not known her as long. But... | 0:10:27 | 0:10:30 | |
It's hard, because they let you go home the next day. I think that's too soon. They let you go the next day, | 0:10:30 | 0:10:34 | |
and you're like, "I'd rather stay here surrounded by professionals, | 0:10:34 | 0:10:37 | |
"and machines and that, know what they're doing." | 0:10:37 | 0:10:39 | |
They let you go with this human child, | 0:10:39 | 0:10:41 | |
and you think, have I strapped 'em into the car seat all right? | 0:10:41 | 0:10:44 | |
You're going about four mile an hour crying, driving home, | 0:10:44 | 0:10:47 | |
tractors overtaking you, people walking past you on the pavement. | 0:10:47 | 0:10:50 | |
Every time you go round a corner, you can hear the baby moving about in the boot. | 0:10:50 | 0:10:53 | |
It's a nightmare. It's a nightmare from day one. | 0:10:53 | 0:10:56 | |
And nappies, of course. I went into ASDA one night. | 0:10:59 | 0:11:01 | |
I said, "Excuse me, love, where are your nappies?" | 0:11:01 | 0:11:03 | |
She said, "Babies nappies?" I was like, "Yeah!" | 0:11:03 | 0:11:06 | |
I would have asked where the toilets were, wouldn't I? | 0:11:06 | 0:11:11 | |
I don't want to see that, at the supermarket, some bloke coming out of ASDA George changing room, | 0:11:11 | 0:11:16 | |
"Have you got these Huggies in a 38, love? | 0:11:16 | 0:11:19 | |
"They're chaffing me." | 0:11:19 | 0:11:21 | |
There was this one night, where one of my daughters, | 0:11:21 | 0:11:24 | |
she'd not had a poo for five days, right? | 0:11:24 | 0:11:27 | |
I know, awful, nobody wanted to hold her. | 0:11:27 | 0:11:30 | |
You know, when it gets to that point? It's like a dirty game of Buckaroo. | 0:11:30 | 0:11:33 | |
You're like, "Oh, no, you have her." | 0:11:33 | 0:11:36 | |
Anyway, one night, I'm lying in bed, | 0:11:36 | 0:11:38 | |
it's about three o'clock in the morning, | 0:11:38 | 0:11:40 | |
and a noise comes over the baby monitor. | 0:11:40 | 0:11:43 | |
And it wasn't a cry, I would have been expecting that. | 0:11:43 | 0:11:46 | |
It was like this, imagine this. Pitch black... | 0:11:46 | 0:11:50 | |
LONG RUMBLING | 0:11:50 | 0:11:53 | |
Now, my first thought was that Predator had just walked past my window, like, | 0:12:00 | 0:12:04 | |
kind of had a weird dream, like. | 0:12:04 | 0:12:06 | |
Anyway, I dropped back off. I thought, there's no point us both being awake, | 0:12:08 | 0:12:12 | |
so I dropped back off... | 0:12:12 | 0:12:14 | |
She'll still be there in the morning. | 0:12:16 | 0:12:19 | |
I dropped back off, about ten minutes later... | 0:12:19 | 0:12:22 | |
LONG RUMBLING | 0:12:28 | 0:12:33 | |
Now, that's a terrifying noise to hear, but not as scary as two words from my wife, | 0:12:40 | 0:12:44 | |
"You go." I was like... | 0:12:44 | 0:12:46 | |
I tell you what now, Apollo, I went in that room... | 0:12:49 | 0:12:53 | |
I never changed that nappy, that nappy changed me. Do you know what I mean? | 0:12:53 | 0:12:56 | |
I've not been the same since, man. | 0:12:56 | 0:12:58 | |
Are you ready for your first act of the night, folks? | 0:13:03 | 0:13:07 | |
Please welcome one of my favourite acts in the world, | 0:13:07 | 0:13:11 | |
please welcome Jimeoin. | 0:13:11 | 0:13:12 | |
Thank you. Not a bad entrance. | 0:13:29 | 0:13:32 | |
Best entrance I ever seen was a swan coming to land on a piece of water, on a lake, | 0:13:34 | 0:13:41 | |
and, er... | 0:13:41 | 0:13:43 | |
as he hit the water, his two feet left off a spray either side, | 0:13:43 | 0:13:49 | |
and as he slowed down, he just showed off his wings before folding 'em away. | 0:13:49 | 0:13:54 | |
He did that... | 0:13:54 | 0:13:56 | |
Oh, yeah, he knew it was good. | 0:14:01 | 0:14:04 | |
Other birds don't have such a good entrance. | 0:14:07 | 0:14:10 | |
Pigeons don't make a big fuss when they arrive, do they? | 0:14:10 | 0:14:14 | |
Any messages? | 0:14:27 | 0:14:29 | |
Stupid walk, isn't it? | 0:14:31 | 0:14:34 | |
All birds have got stupid walks. | 0:14:34 | 0:14:35 | |
Chickens, why do chickens walk like they're in a minefield? | 0:14:35 | 0:14:39 | |
It was one step too many there, wasn't it? | 0:15:04 | 0:15:07 | |
So, one chicken just walking round like this here, he didn't care where he was going. | 0:15:07 | 0:15:11 | |
Next thing, he blew up. | 0:15:11 | 0:15:13 | |
I saw two pigeons... Last pigeon joke, I swear. | 0:15:15 | 0:15:18 | |
I saw two pigeons in a park, male pigeon, female pigeon. | 0:15:18 | 0:15:22 | |
Male pigeon's making a move on the female pigeon, | 0:15:22 | 0:15:25 | |
doing that thing where he's got his neck all fluffed up, | 0:15:25 | 0:15:28 | |
you know, doing that, and he had a little bit of a purple two-tone band, | 0:15:28 | 0:15:32 | |
I'd never really noticed it before. | 0:15:32 | 0:15:34 | |
But it was working for him, subtle, but, you know... | 0:15:34 | 0:15:38 | |
I thought, that's nice. | 0:15:38 | 0:15:40 | |
And he was doing that, "Brrr!" | 0:15:40 | 0:15:43 | |
I don't know what he was saying to the female pigeon, | 0:15:45 | 0:15:48 | |
but whatever it was, it was pure filth. | 0:15:48 | 0:15:51 | |
Cos the female pigeon was going... | 0:15:52 | 0:15:54 | |
..get him away from me. | 0:15:59 | 0:16:01 | |
And he was doing that, he had that neck, he was doing that... | 0:16:01 | 0:16:05 | |
That's always filth, isn't it? | 0:16:09 | 0:16:11 | |
Do you ever talk filth to a girl and go too far, | 0:16:11 | 0:16:14 | |
and then you can't back up? | 0:16:14 | 0:16:16 | |
"Sorry, love, that was a bit much, wasn't it? | 0:16:17 | 0:16:20 | |
"Let's start again. | 0:16:20 | 0:16:22 | |
"What's your name?" | 0:16:22 | 0:16:23 | |
Trick to talking filth is... | 0:16:29 | 0:16:31 | |
you've got to get them talking filth. | 0:16:31 | 0:16:34 | |
And the trick to that is just mumble the last bit. | 0:16:34 | 0:16:38 | |
That's all you have to do. | 0:16:38 | 0:16:40 | |
You go, "When I get you home, I'm going to..." | 0:16:40 | 0:16:44 | |
And they know what you're up to, and if they're not up for it, | 0:16:47 | 0:16:49 | |
they always go, "No, no, no, no, no, no." | 0:16:49 | 0:16:51 | |
But if they're up for it, they always go, "What did you just say?" | 0:16:51 | 0:16:56 | |
And then you can go, "What do you want me to do?" | 0:16:56 | 0:16:58 | |
And then you've got them talking filth and you've said nothing. | 0:16:58 | 0:17:03 | |
And then you can go, "No, no, no, I'm not having that." | 0:17:03 | 0:17:06 | |
I don't talk filth to my wife, I talk clean to my wife. | 0:17:08 | 0:17:12 | |
I go, "When I get you home... I'm going to... | 0:17:12 | 0:17:15 | |
"put the bins out. | 0:17:15 | 0:17:18 | |
"You slip into bed and I'll... | 0:17:19 | 0:17:22 | |
"stick the dishwasher on. | 0:17:22 | 0:17:24 | |
"Read your book, fall asleep, I'll slip in beside you... | 0:17:26 | 0:17:30 | |
"..and leave you alone." | 0:17:31 | 0:17:33 | |
"You promise?" | 0:17:35 | 0:17:36 | |
"Tonight's the night." | 0:17:36 | 0:17:39 | |
So, my name's Jimeoin, I'm Irish. | 0:17:40 | 0:17:44 | |
Any Irish people in? | 0:17:44 | 0:17:46 | |
CHEERING | 0:17:46 | 0:17:48 | |
Good to hear. I'm from Northern Ireland. | 0:17:49 | 0:17:52 | |
But I'm Irish. | 0:17:54 | 0:17:55 | |
There's a difference, yeah. | 0:17:56 | 0:17:59 | |
I was actually born on an island off the coast of Ireland | 0:17:59 | 0:18:03 | |
called England. | 0:18:03 | 0:18:04 | |
English people called Irish people stupid. | 0:18:14 | 0:18:17 | |
We didn't like that. | 0:18:17 | 0:18:19 | |
But we didn't really have a good comeback. | 0:18:19 | 0:18:22 | |
Wasn't till I went to Australia | 0:18:25 | 0:18:27 | |
and they called English people whinging poms. | 0:18:27 | 0:18:31 | |
I thought, that's fantastic. | 0:18:32 | 0:18:35 | |
I thought, why didn't we think of that? | 0:18:35 | 0:18:38 | |
Must be stupid or something. | 0:18:38 | 0:18:40 | |
Any Australians in? | 0:18:44 | 0:18:45 | |
CHEERING | 0:18:45 | 0:18:46 | |
Good to see. Any New Zealanders? | 0:18:46 | 0:18:50 | |
CHEERING | 0:18:50 | 0:18:51 | |
Oh, God. | 0:18:51 | 0:18:53 | |
Cheap tickets. | 0:18:53 | 0:18:54 | |
Any Tibetans? | 0:18:56 | 0:18:58 | |
I hate Tibetans... No. | 0:19:01 | 0:19:03 | |
I don't care who hears this, I'm going to tell it as it is. | 0:19:04 | 0:19:08 | |
I was in New Zealand, I went to a rugby match. | 0:19:12 | 0:19:15 | |
And I was sitting in the stand and they all got up, | 0:19:15 | 0:19:17 | |
all these school kids got up and started doing the Haka round me, | 0:19:17 | 0:19:20 | |
doing that, you know, that... | 0:19:20 | 0:19:24 | |
That's the way they do it too, you know, they give it everything, | 0:19:26 | 0:19:29 | |
they fully commit to it. You never see anyone doing a half-hearted Haka. | 0:19:29 | 0:19:33 | |
You never see that. | 0:19:33 | 0:19:36 | |
I'd love to see England play New Zealand in the rugby in the finals. | 0:19:52 | 0:19:56 | |
And while the All Blacks are doing the Haka, | 0:19:56 | 0:19:59 | |
the English team just doing a little bit of Morris dancing. | 0:19:59 | 0:20:02 | |
Hankies and ribbons. | 0:20:04 | 0:20:06 | |
Anyway, that's all from me. Thank you very much, and... | 0:20:13 | 0:20:17 | |
Goodnight, thank you. | 0:20:17 | 0:20:18 | |
-Jimeoin, everyone! -Thank you. | 0:20:23 | 0:20:26 | |
Jimeoin! | 0:20:26 | 0:20:28 | |
Are you ready for another act, folks? | 0:20:30 | 0:20:33 | |
Ladies and gentlemen, please welcome Tom Stade! | 0:20:33 | 0:20:39 | |
All right... | 0:20:50 | 0:20:52 | |
Wow, all right. | 0:20:52 | 0:20:53 | |
Good evening, Apollo! | 0:20:53 | 0:20:55 | |
Very happy to be here. | 0:20:57 | 0:21:00 | |
I know a lot a people throughout the show tonight, you're going to be thinking to yourself, | 0:21:00 | 0:21:03 | |
you're going to be going, "Tom... | 0:21:03 | 0:21:06 | |
"Tom, you're not from around these parts." | 0:21:06 | 0:21:09 | |
And you're going to be thinking to yourself, you're going to be going, | 0:21:09 | 0:21:12 | |
"Tom... | 0:21:12 | 0:21:13 | |
"where is that funky accent from?" | 0:21:13 | 0:21:17 | |
And I'm here to tell ya, it's from smoking dope for 20 years. | 0:21:18 | 0:21:24 | |
This ain't a regional thing, ladies and gentlemen. | 0:21:28 | 0:21:32 | |
This is what the doctor likes to call 'damage'. | 0:21:32 | 0:21:35 | |
I've actually been married for about 16 years now. | 0:21:38 | 0:21:41 | |
Any married people? | 0:21:41 | 0:21:43 | |
I love being married, because I get to do things that, like... | 0:21:43 | 0:21:47 | |
I go on what I call married dates, man. | 0:21:47 | 0:21:50 | |
And I love married dates, because you can say stuff on a married date | 0:21:50 | 0:21:54 | |
that you can't say on no first date. | 0:21:54 | 0:21:57 | |
You get to say stuff like, "I'm going to go take a shit, | 0:21:57 | 0:22:01 | |
"you order something cheap." | 0:22:01 | 0:22:03 | |
Yeah, man, I've got to go on married dates, | 0:22:11 | 0:22:14 | |
because I don't have any friends any more. | 0:22:14 | 0:22:17 | |
All my friends became assholes. | 0:22:17 | 0:22:19 | |
And do you want to know why my friends became assholes? | 0:22:19 | 0:22:23 | |
Cos she told me they were assholes. Yeah. | 0:22:23 | 0:22:29 | |
I used to get this from my gal all the time. | 0:22:29 | 0:22:31 | |
She used to walk up to me and go, | 0:22:31 | 0:22:34 | |
"So, er, why do you hang out with that Dave guy, anyways? | 0:22:34 | 0:22:40 | |
"I mean, Jesus Christ, all he does is smoke pot and get drunk all day." | 0:22:40 | 0:22:44 | |
And no man can answer that honestly, you know. | 0:22:44 | 0:22:48 | |
No man... What are you going to say? | 0:22:48 | 0:22:51 | |
"No, baby, I'd rather argue with you for ten hours. | 0:22:51 | 0:22:54 | |
"Or maybe we can hang around the kitchen table | 0:22:54 | 0:22:57 | |
"and talk about the finances some more?" | 0:22:57 | 0:23:00 | |
But you ever pull that on your gal, | 0:23:00 | 0:23:02 | |
you ever walk up to your gal and go, | 0:23:02 | 0:23:05 | |
"Oh, yeah, well, what about your friend Cindy? | 0:23:05 | 0:23:10 | |
"She does the same damn thing." | 0:23:10 | 0:23:14 | |
You want to know what you get? | 0:23:14 | 0:23:17 | |
You get this... | 0:23:17 | 0:23:18 | |
Now, you see that little arm cross there? | 0:23:21 | 0:23:24 | |
Not a lot of people know it, but when a woman crosses her arms, | 0:23:24 | 0:23:28 | |
it means, fight's on, dickhead. | 0:23:28 | 0:23:31 | |
And do you want to know what I hate worse than the arm cross? | 0:23:33 | 0:23:37 | |
Is there's this little laugh that women give you after the arm cross. | 0:23:37 | 0:23:42 | |
And I've heard this laugh 1,000 times, from 1,000 different women, | 0:23:42 | 0:23:46 | |
it's like cave women have passed this laugh on. | 0:23:46 | 0:23:50 | |
Cos they just look at you and they're like... | 0:23:50 | 0:23:53 | |
"Oh." | 0:23:53 | 0:23:55 | |
Like they've just witnessed a car accident. | 0:23:55 | 0:23:59 | |
Yeah, because once you hear that laugh, | 0:23:59 | 0:24:02 | |
the gates of hell have closed behind you. Then they're into it. | 0:24:02 | 0:24:07 | |
Then they're like, "Don't you talk about Cindy like that!" | 0:24:07 | 0:24:14 | |
And I'll tell you why, | 0:24:14 | 0:24:16 | |
and every single one of you women in this room know why you don't talk about Cindy like that. | 0:24:16 | 0:24:22 | |
Because she is going through a really rough...time. | 0:24:23 | 0:24:28 | |
So, Cindy's going through a rough time? | 0:24:37 | 0:24:40 | |
Well, at least Dave was never a hooker. | 0:24:40 | 0:24:42 | |
Cos I used to know stuff, man. | 0:24:46 | 0:24:49 | |
I used to know stuff. Before I was married, I knew stuff. | 0:24:49 | 0:24:53 | |
I used to know all the new rock 'n' roll bands. | 0:24:53 | 0:24:56 | |
I used to be into it. McFly and stuff. | 0:24:56 | 0:24:59 | |
Now, I don't know... | 0:25:01 | 0:25:03 | |
I don't know any new rock 'n' roll bands any more | 0:25:03 | 0:25:05 | |
because nobody sings songs for married people. | 0:25:05 | 0:25:10 | |
All the songs nowadays is stuff like... | 0:25:10 | 0:25:12 | |
# I met you today And I want to shag you right now. # | 0:25:12 | 0:25:16 | |
And that don't speak to me. | 0:25:18 | 0:25:19 | |
And if it did, I'd be in a lot of trouble. | 0:25:21 | 0:25:23 | |
Nobody rocks out to marriage, | 0:25:25 | 0:25:27 | |
nobody's in the garage singing about love that never ends and goes on until you die. | 0:25:27 | 0:25:32 | |
Nobody sitting there going... | 0:25:34 | 0:25:36 | |
# We've been together for 16 years | 0:25:36 | 0:25:40 | |
# And we've got our health | 0:25:40 | 0:25:42 | |
# I can't afford to leave ya now | 0:25:52 | 0:25:54 | |
# Compromise | 0:26:02 | 0:26:03 | |
# Killed my dreams. # | 0:26:03 | 0:26:06 | |
See, some people can laugh at that. | 0:26:10 | 0:26:13 | |
A lot of people right now are looking at me going, | 0:26:13 | 0:26:16 | |
"That's a little close to the bone, Tom. | 0:26:16 | 0:26:19 | |
"Now you're talking about us." | 0:26:21 | 0:26:23 | |
And I know there's a woman in this room right now | 0:26:23 | 0:26:25 | |
probably looking at her man going, | 0:26:25 | 0:26:27 | |
"You don't feel that way about me, do ya? | 0:26:27 | 0:26:30 | |
"I didn't compromise your dreams... | 0:26:30 | 0:26:33 | |
"did I?" | 0:26:33 | 0:26:35 | |
Your dreams get compromised. | 0:26:37 | 0:26:40 | |
As soon as you have kids. | 0:26:40 | 0:26:42 | |
I had two kids, that's when my dreams went out the window. | 0:26:42 | 0:26:45 | |
I had to give my dreams to them. | 0:26:45 | 0:26:47 | |
I had two kids, man, it's weird. | 0:26:47 | 0:26:50 | |
I only thought I'd have one. | 0:26:50 | 0:26:52 | |
So, we had the first one, and then we thought, | 0:26:52 | 0:26:54 | |
"OK, we'll have another one, and we'll be creating a playmate for the first one." | 0:26:54 | 0:27:00 | |
But really, what we did is created the first kid's arch-nemesis. | 0:27:00 | 0:27:06 | |
Superman, I'd like to introduce you to Lex Luthor. | 0:27:11 | 0:27:15 | |
You just get dumber. | 0:27:18 | 0:27:20 | |
My kid makes me feel stupid. | 0:27:20 | 0:27:23 | |
My kid's always asking me questions I don't know. | 0:27:23 | 0:27:28 | |
My kid's always coming up to me going, | 0:27:28 | 0:27:30 | |
"Hey, dad, why's the sky blue?" | 0:27:30 | 0:27:32 | |
I'm like, "Why don't you go to school and learn something, dickhead? | 0:27:32 | 0:27:36 | |
"Why are you embarrassing me in front of all my friends? | 0:27:40 | 0:27:43 | |
"How did you get into this strip club, anyways? | 0:27:45 | 0:27:48 | |
"Why don't you ask me questions I know? | 0:27:52 | 0:27:55 | |
"Like, why is your mom crying in the bathroom? | 0:27:55 | 0:28:00 | |
"Cos she likes to play the victim, son." | 0:28:00 | 0:28:02 | |
Thank you very much, ladies and gentlemen! | 0:28:08 | 0:28:11 | |
You've been... | 0:28:11 | 0:28:13 | |
excellent! | 0:28:13 | 0:28:15 | |
Tom Stade, everybody! | 0:28:21 | 0:28:23 | |
Have you had a good night, folks? | 0:28:26 | 0:28:29 | |
So, please show your appreciation for the acts you saw tonight. | 0:28:29 | 0:28:31 | |
You saw Jimeoin! And Tom Stade! | 0:28:31 | 0:28:34 | |
I've been Jason Manford. | 0:28:34 | 0:28:36 | |
Goodnight. God bless. Thank you very much. | 0:28:36 | 0:28:37 | |
Subtitles by Red Bee Media Ltd | 0:28:53 | 0:28:56 | |
E-mail [email protected] | 0:28:56 | 0:28:59 |