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Ladies and gentlemen, please welcome your host for tonight, Adam Hills! | 0:00:19 | 0:00:25 | |
APPLAUSE AND CHEERING | 0:00:25 | 0:00:28 | |
Hello, London! | 0:00:35 | 0:00:37 | |
Hello, London and welcome to live at the Apollo. My name's Adam Hills. | 0:00:38 | 0:00:42 | |
I have two amazing acts to present to you tonight. Are you well? | 0:00:42 | 0:00:45 | |
AUDIENCE: Yeah! | 0:00:45 | 0:00:47 | |
Excellent! There are celebrities in the house - | 0:00:47 | 0:00:50 | |
-Tinie Tempah's here, people! -CHEERING | 0:00:50 | 0:00:53 | |
Hey, buddy! | 0:00:53 | 0:00:55 | |
Tinie Tempah's here. Love your music, love you. We've met before. | 0:00:55 | 0:00:58 | |
But you know what I love about Tinie Tempah? The name. | 0:00:58 | 0:01:00 | |
There's thought gone into the name, Tinie Tempah. | 0:01:00 | 0:01:02 | |
You've told me this before, | 0:01:02 | 0:01:04 | |
you chose something harsh, like "temper", then you offset it | 0:01:04 | 0:01:07 | |
with "tiny" and I love that. There's thought that's gone into it. | 0:01:07 | 0:01:10 | |
Not like Jay-Z who threw two darts at an alphabet! | 0:01:10 | 0:01:14 | |
LAUGHTER | 0:01:14 | 0:01:15 | |
And so what it is it's something impressive and harsh | 0:01:16 | 0:01:20 | |
like "temper", offset by something cuddly like "tiny", brilliant. | 0:01:20 | 0:01:23 | |
It's a lovely name. It's like Angry Birds or Prime Minister Miliband. | 0:01:23 | 0:01:29 | |
-LAUGHTER -Er... | 0:01:29 | 0:01:31 | |
Sorry, every time we look at your Prime Minister we go, | 0:01:31 | 0:01:34 | |
-"Yeah, go on, I dare you." -LAUGHTER | 0:01:34 | 0:01:36 | |
Kimberly Wyatt is here from the Pussycat Dolls. Absolutely brilliant. | 0:01:36 | 0:01:40 | |
-Yes, Kimberly Wyatt's here. -CHEERING | 0:01:40 | 0:01:42 | |
The only thing I know about you is that your nickname is Flexi Doll, | 0:01:42 | 0:01:46 | |
because you are the most supple of the Pussycat Dolls. | 0:01:46 | 0:01:49 | |
Just let's all take a moment to imagine that.... | 0:01:49 | 0:01:52 | |
LAUGHTER | 0:01:52 | 0:01:54 | |
Again, I compare myself to that and go | 0:01:54 | 0:01:56 | |
"Well, I would be Rusty Babushka" if that was the case. | 0:01:56 | 0:01:58 | |
LAUGHTER | 0:01:58 | 0:02:00 | |
Yeah, inside this 43-three-year old decrepit body is just | 0:02:00 | 0:02:02 | |
a broken 62-year-old. | 0:02:02 | 0:02:05 | |
And then inside him there's a 95-five-year old | 0:02:05 | 0:02:07 | |
weeping cos he can't find his Zimmer frame. | 0:02:07 | 0:02:10 | |
I'm genuinely chuffed that you're here and...I don't care, | 0:02:10 | 0:02:13 | |
I love music and I don't understand it and I'm blown away by it | 0:02:13 | 0:02:16 | |
and that's why I think you're brilliant. | 0:02:16 | 0:02:18 | |
And I've seen the power of music around the world. I've seen | 0:02:18 | 0:02:21 | |
music bring people together, regardless of nationality. | 0:02:21 | 0:02:23 | |
I've seen that Jon Bon Jovi is the universal constant. | 0:02:23 | 0:02:26 | |
LAUGHTER | 0:02:26 | 0:02:28 | |
Whether or not you like his music if you can sing a Jon Bon Jovi song | 0:02:28 | 0:02:31 | |
anywhere in the world you will bond a room full of people instantly. | 0:02:31 | 0:02:34 | |
I was doing shows in Belgium once | 0:02:34 | 0:02:36 | |
and I was backstage with a group of Belgian comics, | 0:02:36 | 0:02:38 | |
five Belgian comedians, me and Michael McIntyre. | 0:02:38 | 0:02:41 | |
And I'm thinking, what do you...? | 0:02:41 | 0:02:42 | |
I've got nothing in common with these guys. How do you... | 0:02:42 | 0:02:45 | |
How do you start a conversation with a Belgian? | 0:02:45 | 0:02:47 | |
I was like, "Er, do you like waffles?" | 0:02:47 | 0:02:51 | |
It was this weirdest thing where everyone was nervous | 0:02:51 | 0:02:54 | |
and nobody knew what to say and one of the Belgian guys, | 0:02:54 | 0:02:56 | |
I can only assume out of nerves... | 0:02:56 | 0:02:58 | |
just started singing to himself under his breath. | 0:02:58 | 0:03:01 | |
In the middle of this crowded room everyone's gone quiet | 0:03:01 | 0:03:04 | |
and this one guy went, | 0:03:04 | 0:03:05 | |
# This Romeo is bleeding... | 0:03:05 | 0:03:07 | |
LAUGHTER | 0:03:07 | 0:03:09 | |
# You can't see his blood | 0:03:09 | 0:03:12 | |
# It's nothing but some feelings that this old dog kicked up # | 0:03:12 | 0:03:17 | |
Then he must have suddenly realised what he was doing | 0:03:17 | 0:03:20 | |
cos he looked at me and went, | 0:03:20 | 0:03:21 | |
"Oh." So I looked back across the room and just went, | 0:03:21 | 0:03:25 | |
# It's been raining since you left me... | 0:03:26 | 0:03:28 | |
LAUGHTER | 0:03:28 | 0:03:29 | |
# And I'm drowning in the flood | 0:03:29 | 0:03:32 | |
# You see I've always been a fighter but without you I give up! # | 0:03:32 | 0:03:38 | |
And he gave me a look that said, "You're not serious, are you?" | 0:03:38 | 0:03:41 | |
And I gave him a look to say, "I am if you are, big fella." | 0:03:41 | 0:03:44 | |
He took a step in and went # And I can't sing a love song | 0:03:44 | 0:03:48 | |
# Like the way it's meant to be # | 0:03:48 | 0:03:50 | |
And I thought, "I will see you | 0:03:50 | 0:03:51 | |
"and raise you, my friend," so I stood up and went, | 0:03:51 | 0:03:54 | |
# And I guess that's just not good any more but baby that's just me! # | 0:03:54 | 0:03:59 | |
There was a pause, then everyone in the room did the chorus! | 0:03:59 | 0:04:03 | |
Me, five comedians and Michael McIntyre just went, | 0:04:03 | 0:04:07 | |
-BAWLING: -# And I will love you, baby! Ooohhhhh! # | 0:04:07 | 0:04:16 | |
We bonded. We Jon Bonded. | 0:04:16 | 0:04:18 | |
LAUGHTER | 0:04:18 | 0:04:20 | |
And it occurred to me then that Jon Bon Jovi songs may not solve | 0:04:20 | 0:04:23 | |
the Middle East peace crisis, but it's worth a shot, isn't it? | 0:04:23 | 0:04:27 | |
Just send an envoy into the Middle East, Israelis on one side, | 0:04:27 | 0:04:30 | |
Palestinians on the other. "No, no, this land is for the Jewish people. | 0:04:30 | 0:04:34 | |
"God promised it to the Jews. We will never back down. | 0:04:34 | 0:04:36 | |
"You guys?" "No, this land is for the Palestinian people. We will never back down!" | 0:04:36 | 0:04:40 | |
"Is there any way?" "No, no way." Just pull out a microphone. | 0:04:40 | 0:04:44 | |
# Oowa, oowa, oowa, oowa, oowa, ooowa, oowa # | 0:04:44 | 0:04:47 | |
And just wait! | 0:04:47 | 0:04:49 | |
Honestly, I think the Israelis would crack first. | 0:04:49 | 0:04:52 | |
"No, this is ridiculous, how can we...?" | 0:04:53 | 0:04:55 | |
# Tommy used to work on the docks # | 0:04:55 | 0:04:57 | |
LAUGHTER | 0:04:57 | 0:04:59 | |
The Palestinians would have to join in. "This is outrageous! | 0:04:59 | 0:05:03 | |
# Gina works the diner all day # | 0:05:03 | 0:05:04 | |
And within a minute they'd all be on their feet, lighters in the air. | 0:05:04 | 0:05:08 | |
# Whooooooaaaaaah! Living on a prayer! # | 0:05:08 | 0:05:11 | |
I mean, they'd argue about which prayer | 0:05:11 | 0:05:13 | |
-but at least they'd be singing together. -LAUGHTER AND APPLAUSE | 0:05:13 | 0:05:16 | |
You see, that's the thing, music fires people up as well. | 0:05:22 | 0:05:25 | |
I get very fired up by music. | 0:05:25 | 0:05:27 | |
Oh, man, I went on a rant. I was in Starbucks recently. | 0:05:27 | 0:05:30 | |
Now, I have a lot of problems with Starbucks. | 0:05:30 | 0:05:32 | |
My main problem with Starbucks is, they make shit coffee. | 0:05:32 | 0:05:36 | |
I was in a Starbucks and they were selling albums. | 0:05:38 | 0:05:41 | |
They were selling albums, they were selling CDs. They were selling | 0:05:41 | 0:05:44 | |
a Doors CD. | 0:05:44 | 0:05:46 | |
Does that appal you as much as it appals me? | 0:05:46 | 0:05:49 | |
Are you aware who I'm talking about when I say The Doors? Jim Morrison, The Lizard King? | 0:05:49 | 0:05:54 | |
The man who died choking on his own vomit in a bath? | 0:05:54 | 0:05:57 | |
Who was arrested for indecent exposure on stage. | 0:05:57 | 0:06:00 | |
He's available in Starbucks?! | 0:06:00 | 0:06:03 | |
That's not... Mika, Mika should be available in Starbucks. | 0:06:03 | 0:06:06 | |
I don't know if you know Mika's work, | 0:06:06 | 0:06:08 | |
it sounds like James Blunt shagged a sponge. | 0:06:08 | 0:06:11 | |
LAUGHTER | 0:06:11 | 0:06:12 | |
That should be in Starbucks. You know what I mean? | 0:06:14 | 0:06:16 | |
If you have The Doors in Starbucks at least pay homage, | 0:06:16 | 0:06:19 | |
have a Morrison mochachino where you drop in acid and stir it with your cock, do it properly! | 0:06:19 | 0:06:23 | |
LAUGHTER | 0:06:23 | 0:06:25 | |
I love all music and do you know what I love? | 0:06:26 | 0:06:28 | |
I love boybands. | 0:06:28 | 0:06:30 | |
I know, and not necessarily the music | 0:06:30 | 0:06:32 | |
but just the fact you can put one together. You can create | 0:06:32 | 0:06:35 | |
a boyband, you just need a certain look. | 0:06:35 | 0:06:37 | |
Honestly, I could create a boyband out of five members of the audience right now. | 0:06:37 | 0:06:41 | |
WHOOPING | 0:06:41 | 0:06:43 | |
In fact... | 0:06:43 | 0:06:44 | |
CHEERING | 0:06:44 | 0:06:46 | |
Right... You, fella, could you hop up on stage, please? | 0:06:46 | 0:06:49 | |
Come round on the stairs here, excellent. Yep, you'll be right. | 0:06:49 | 0:06:52 | |
There's a few down here that look a little too obvious. | 0:06:52 | 0:06:55 | |
Oh, shit, yeah, you have to! | 0:06:55 | 0:06:57 | |
-LAUGHTER -You have to. One, two, three... | 0:06:57 | 0:07:00 | |
Yeah, come on, yep, four. | 0:07:02 | 0:07:05 | |
And I'm going to go one more. | 0:07:06 | 0:07:08 | |
Oh, yeah, two rows back. You, fella, come on down. | 0:07:08 | 0:07:11 | |
All right, here we go. | 0:07:11 | 0:07:12 | |
WOLF-WHISTLE | 0:07:12 | 0:07:15 | |
Oh, hey, Nick. sorry. How are you with stairs? | 0:07:15 | 0:07:17 | |
Yeah, I can do it, mate. | 0:07:17 | 0:07:18 | |
Yeah, cool. Right. | 0:07:18 | 0:07:20 | |
I just realised I picked on Nick Hamilton! | 0:07:20 | 0:07:22 | |
CHEERING | 0:07:22 | 0:07:23 | |
I know. | 0:07:23 | 0:07:25 | |
That's right, Adam, | 0:07:25 | 0:07:27 | |
find a guy with cerebral palsy make him walk upstairs. | 0:07:27 | 0:07:29 | |
LAUGHTER | 0:07:29 | 0:07:31 | |
They didn't think to put a ramp in for you, did they? | 0:07:33 | 0:07:36 | |
LAUGHTER AND CHEERING | 0:07:38 | 0:07:39 | |
All right, all right, I think this is going to work! | 0:07:46 | 0:07:49 | |
Now, we've got every member you would find in a boy... | 0:07:49 | 0:07:52 | |
I'll need to swap you round a little bit. | 0:07:52 | 0:07:54 | |
Yeah, you don't have the dodgy guy at the end. | 0:07:54 | 0:07:56 | |
Look at this, we've got the buff guy that the ladies are going to love, | 0:07:59 | 0:08:03 | |
we've got the slightly nerdy guy that the weird girls are going to | 0:08:03 | 0:08:06 | |
get into, we've got the rebellious bloke, we've got the one... | 0:08:06 | 0:08:11 | |
Well, you're probably the one who can sing | 0:08:11 | 0:08:13 | |
cos I can see no other talent there. | 0:08:13 | 0:08:15 | |
LAUGHTER | 0:08:15 | 0:08:17 | |
And we've got the guy who'll become gay. So... | 0:08:18 | 0:08:21 | |
LAUGHTER | 0:08:21 | 0:08:22 | |
Right, every boyband member has to have their own look. | 0:08:27 | 0:08:30 | |
Now, I'm going to try you, Nick, I'm going to try you with this. | 0:08:30 | 0:08:34 | |
Your look, when I go, just hands down in front... | 0:08:34 | 0:08:37 | |
-Nice! -CHEERING | 0:08:37 | 0:08:38 | |
All right, awesome. | 0:08:39 | 0:08:41 | |
Yours...fold your arms, turn side on. | 0:08:41 | 0:08:44 | |
Brilliant! You're Superman, hands on hips. | 0:08:44 | 0:08:48 | |
LAUGHTER | 0:08:48 | 0:08:50 | |
You've got one arm behind your head. | 0:08:50 | 0:08:52 | |
Nice! | 0:08:52 | 0:08:53 | |
You, er, you've got both arms behind your head. | 0:08:55 | 0:08:59 | |
Awesome, awesome. | 0:08:59 | 0:09:01 | |
Now, if I do this we have an album cover. | 0:09:03 | 0:09:05 | |
APPLAUSE AND CHEERING | 0:09:07 | 0:09:10 | |
There's more to it than this, though, there's more to it than this. | 0:09:10 | 0:09:13 | |
So at some point I'm going to click my fingers. | 0:09:15 | 0:09:18 | |
When I, go into your boyband pose, OK? | 0:09:18 | 0:09:20 | |
Right, now, this is going to... | 0:09:20 | 0:09:22 | |
I don't know if this is going to work. | 0:09:22 | 0:09:24 | |
Then at some point I'm going to say "Dance". | 0:09:24 | 0:09:26 | |
LAUGHTER | 0:09:26 | 0:09:28 | |
Now, we've got Brendan Cole here from Strictly Come Dancing. | 0:09:28 | 0:09:31 | |
He's not going to need to teach you steps, this is very easy. | 0:09:31 | 0:09:34 | |
It's a man dance, it's right foot, left foot. | 0:09:34 | 0:09:36 | |
LAUGHTER | 0:09:36 | 0:09:38 | |
Just try that. Yep, you got it. | 0:09:40 | 0:09:41 | |
That's perfect. If you get out of step with everybody, just stop, | 0:09:41 | 0:09:44 | |
they'll come back to you and you join back in again. | 0:09:44 | 0:09:47 | |
-It's absolutely fine. -LAUGHTER | 0:09:47 | 0:09:49 | |
We can all do this. And then at some point I'm going to say "Turn". | 0:09:49 | 0:09:53 | |
I don't how it's going to work but we'll just give it a... | 0:09:53 | 0:09:56 | |
-WHOOPING -Yeah? Yeah? | 0:09:56 | 0:10:00 | |
How am I going to do that? | 0:10:00 | 0:10:02 | |
LAUGHTER | 0:10:02 | 0:10:03 | |
APPLAUSE AND CHEERING | 0:10:03 | 0:10:06 | |
Yeah, that's a good point. | 0:10:09 | 0:10:10 | |
You know what, yours is so quick no-one sees it. | 0:10:12 | 0:10:15 | |
LAUGHTER | 0:10:15 | 0:10:17 | |
How's the rest of it, stepping and all that? | 0:10:17 | 0:10:19 | |
Cool. When you're stepping, if you feel like | 0:10:19 | 0:10:21 | |
clicking your fingers, feel free. Clap your hands if you want, you'll be fine. | 0:10:21 | 0:10:24 | |
All right. Everyone, I need starting positions, which is heads down. | 0:10:24 | 0:10:29 | |
Oh, nice! Heads down, no smiling, no smiling, serious faces. | 0:10:31 | 0:10:35 | |
Can we do something with the lighting? | 0:10:35 | 0:10:37 | |
Can we drop the lighting ever so slightly? | 0:10:37 | 0:10:39 | |
Ladies and gentlemen, I would like to present to you tonight | 0:10:39 | 0:10:41 | |
the newest boyband to come out of London. Yeah, the Back Yard Boys! | 0:10:41 | 0:10:45 | |
APPLAUSE AND CHEERING | 0:10:45 | 0:10:47 | |
OK, you ready, boys? Here we go. | 0:10:47 | 0:10:50 | |
# You are... # | 0:10:50 | 0:10:52 | |
No, not all of you! Just one at a time! | 0:10:52 | 0:10:54 | |
LAUGHTER | 0:10:54 | 0:10:55 | |
Sorry, we've all gone off a bit early. | 0:10:55 | 0:10:57 | |
I should have explained that. | 0:10:57 | 0:10:58 | |
Try and think about something else, reload, you'll be fine. | 0:10:58 | 0:11:02 | |
When I click at each of you individually, into your... | 0:11:02 | 0:11:04 | |
Oh, God, is this what it was like in the Pussycat Dolls? | 0:11:04 | 0:11:07 | |
LAUGHTER | 0:11:07 | 0:11:08 | |
Jesus, which one's Sherzinger, which one? | 0:11:08 | 0:11:11 | |
Weird in the middle, isn't it? Yeah, all right. | 0:11:11 | 0:11:13 | |
-LAUGHTER -All right, here we go. | 0:11:13 | 0:11:15 | |
Jeez, it is harder than I thought to put a boyband together, isn't it? | 0:11:15 | 0:11:18 | |
# You are... | 0:11:22 | 0:11:24 | |
# My fire... | 0:11:24 | 0:11:27 | |
# My one... | 0:11:27 | 0:11:30 | |
# Desire... | 0:11:30 | 0:11:31 | |
-# I love when you say... -WHOOPING AND CHEERING | 0:11:32 | 0:11:37 | |
# That I want it that way... # | 0:11:37 | 0:11:40 | |
Dance! | 0:11:40 | 0:11:42 | |
# Tell me why ain't nothin' but a heartache | 0:11:42 | 0:11:46 | |
# Tell me why ain't nothin' but a mistake | 0:11:46 | 0:11:50 | |
# Tell me why, I never want to hear you say # | 0:11:50 | 0:11:54 | |
And turn! | 0:11:54 | 0:11:56 | |
# I want it that way. # | 0:11:56 | 0:12:00 | |
APPLAUSE AND CHEERING | 0:12:00 | 0:12:01 | |
Ladies and gentlemen, the Back Yard Boys! | 0:12:05 | 0:12:08 | |
Thank you, guys! | 0:12:11 | 0:12:13 | |
Ah! Ladies and gentlemen, I'll back throughout the night | 0:12:16 | 0:12:19 | |
-But are you ready for your first act of the night? -AUDIENCE: Yeah! | 0:12:19 | 0:12:23 | |
She's absolutely amazing, she is Andi Osho! | 0:12:23 | 0:12:27 | |
APPLAUSE AND CHEERING | 0:12:27 | 0:12:29 | |
Whoooo! | 0:12:34 | 0:12:36 | |
Wow! | 0:12:36 | 0:12:39 | |
Wow! | 0:12:40 | 0:12:42 | |
Hello, Apollo! CHEERING | 0:12:42 | 0:12:44 | |
Hey! Excellent! | 0:12:44 | 0:12:48 | |
I'm so glad to you've come out tonight, | 0:12:48 | 0:12:50 | |
so nice to see people come out to support live comedy. | 0:12:50 | 0:12:53 | |
Cos not everybody gets it, right? The other day | 0:12:53 | 0:12:55 | |
I was took a taxi, it had a Romanian cab driver and I was trying | 0:12:55 | 0:12:58 | |
to explain to him live comedy and he was just like, "No." | 0:12:58 | 0:13:01 | |
Like it didn't mean anything to him. | 0:13:01 | 0:13:03 | |
And I said, "Well don't you have like live comedy, live comedians in your country?" | 0:13:03 | 0:13:08 | |
He's like, "No, he is on television." | 0:13:08 | 0:13:10 | |
LAUGHTER | 0:13:10 | 0:13:11 | |
It made it sound like there's one comedian in Romania! | 0:13:11 | 0:13:15 | |
"Good evening, ladies and gentlemen, | 0:13:15 | 0:13:17 | |
"I am your premier comed...ONLY comedian. | 0:13:17 | 0:13:21 | |
"What you get if you cross Polish man with Latvian man? | 0:13:21 | 0:13:24 | |
"You cannot, this is homosexuality and is banned." | 0:13:24 | 0:13:26 | |
LAUGHTER | 0:13:26 | 0:13:28 | |
"An Englishman, an Irishman a Scottish man walk into a bar. | 0:13:31 | 0:13:34 | |
"Because they are British, they are drunk and alcoholic. | 0:13:34 | 0:13:37 | |
LAUGHTER | 0:13:37 | 0:13:39 | |
"Two nuns are in the bath because there is water shortage." | 0:13:39 | 0:13:43 | |
LAUGHTER | 0:13:43 | 0:13:45 | |
I could do this all night. | 0:13:45 | 0:13:47 | |
So what else has been going on? | 0:13:48 | 0:13:49 | |
Oh, right, this happened - a kid got expelled from school | 0:13:49 | 0:13:52 | |
for putting a picture on Facebook of his genitals in his teacher's mug. | 0:13:52 | 0:13:57 | |
LAUGHTER | 0:13:57 | 0:13:59 | |
Now, that is taking teabagging to a whole new level, innit? | 0:14:02 | 0:14:06 | |
How did they even know it was him? | 0:14:07 | 0:14:09 | |
Did they dust the mug fro wrinkle prints or something? | 0:14:09 | 0:14:12 | |
"Yes, that's definitely Jonathan from year 11." | 0:14:12 | 0:14:15 | |
"How do you know, Headmaster?" | 0:14:15 | 0:14:17 | |
"I just do!" | 0:14:17 | 0:14:18 | |
They need good role models. Also, like in celebrity land, | 0:14:21 | 0:14:24 | |
they need good role models. | 0:14:24 | 0:14:26 | |
Not the sort that are famous for being famous, | 0:14:26 | 0:14:28 | |
like Peter Andre. God bless his heart but he's made an | 0:14:28 | 0:14:31 | |
18-year career out of one song! | 0:14:31 | 0:14:33 | |
LAUGHTER | 0:14:33 | 0:14:34 | |
So much so that he's even got a perfume called Mysterious Girl. | 0:14:34 | 0:14:38 | |
Now, call me crazy but surely, as a woman, the one thing you don't | 0:14:38 | 0:14:41 | |
want to smell like is mysterious? | 0:14:41 | 0:14:43 | |
You don't want to spray that on and then walk past your mates | 0:14:43 | 0:14:47 | |
and your mates are like, "Ugh! What is that? Is that egg? | 0:14:47 | 0:14:50 | |
"You smell mysterious! | 0:14:52 | 0:14:53 | |
"Ugh! Eurgh!" | 0:14:55 | 0:14:57 | |
Or Cheryl Cole. | 0:14:58 | 0:15:00 | |
Sorry, I just get so angry whenever I see her face! | 0:15:02 | 0:15:05 | |
Like I was watching her when she was on that Piers Morgan Life Stories bleating on about, | 0:15:05 | 0:15:09 | |
"Being in Africa and my fight with malaria, erghhh." | 0:15:09 | 0:15:13 | |
I got so angry but then I remembered malaria's a disease - not the name | 0:15:13 | 0:15:16 | |
of another toilet attendant she's been kicking the shit out of. | 0:15:16 | 0:15:20 | |
APPLAUSE | 0:15:20 | 0:15:22 | |
Yeah. | 0:15:22 | 0:15:24 | |
NORTH-EASTERN ACCENT: "Take that malaria, you bastard! Give us a lollypop!" | 0:15:24 | 0:15:27 | |
"We're gonna fight for this, love." | 0:15:27 | 0:15:31 | |
It's good, innit, I like that one. | 0:15:31 | 0:15:32 | |
Yeah, if she likes hitting people so much maybe | 0:15:32 | 0:15:35 | |
she should go out with Chris Brown, see how that works out for her! | 0:15:35 | 0:15:38 | |
Yeah, I said it! | 0:15:41 | 0:15:43 | |
Yeah, I did that joke in Cheltenham | 0:15:44 | 0:15:45 | |
and this old lady turned to her husband and was like, | 0:15:45 | 0:15:48 | |
"Chris Brown? Wasn't he the home secretary in 1987?" | 0:15:48 | 0:15:52 | |
Her husband was like, | 0:15:52 | 0:15:54 | |
"I think I'd remember if we had a black home secretary, Margaret!" | 0:15:54 | 0:15:59 | |
He-he. | 0:15:59 | 0:16:00 | |
That'd be amazing to be a black home secretary, | 0:16:00 | 0:16:02 | |
if I was a black home secretary... | 0:16:02 | 0:16:04 | |
Well, if I was home secretary obviously I'd be black but er... | 0:16:04 | 0:16:07 | |
Think it through, Osho! | 0:16:08 | 0:16:11 | |
That would be amazing | 0:16:11 | 0:16:12 | |
because I would do the biggest wind up on the Daily Mail ever. | 0:16:12 | 0:16:16 | |
I would go straight to the BBC news studios | 0:16:16 | 0:16:19 | |
and do a live broadcast, | 0:16:19 | 0:16:21 | |
I'd just go... AFRICAN ACCENT: "Good mornin', viewers! | 0:16:21 | 0:16:24 | |
"As de new home secretary, I want to announce, | 0:16:24 | 0:16:29 | |
"from now on there will be no immigration laws! | 0:16:29 | 0:16:32 | |
APPLAUSE | 0:16:32 | 0:16:35 | |
"Dat's it, de borders are now open!" | 0:16:38 | 0:16:43 | |
"Tell your friends, tell your family, we have plenty o' money, | 0:16:43 | 0:16:45 | |
"plenty o' jobs, plenty o' benefits, com, com! | 0:16:45 | 0:16:49 | |
"Just com, eh?" | 0:16:49 | 0:16:51 | |
And then close the borders! | 0:16:53 | 0:16:55 | |
It's tough. It's tough. | 0:16:56 | 0:16:59 | |
Young people do need good role models. I think | 0:16:59 | 0:17:02 | |
the Paralympians we had last year they were amazing role models, | 0:17:02 | 0:17:05 | |
and I don't think you can get better than... right? | 0:17:05 | 0:17:08 | |
APPLAUSE | 0:17:08 | 0:17:11 | |
I mean seriously, they put footballers to shame, they did. | 0:17:11 | 0:17:16 | |
I mean John Terry must have watched the Paralympics and just gone, | 0:17:16 | 0:17:19 | |
"Oh! I get it! I'm a twat!" | 0:17:19 | 0:17:22 | |
APPLAUSE | 0:17:22 | 0:17:25 | |
As amazing as the Paralympians were I think | 0:17:31 | 0:17:33 | |
sometimes we did get a little bit patronising towards them. | 0:17:33 | 0:17:37 | |
Some people went a little bit OTT with all the, "Ah, they're so brave, argh!" | 0:17:37 | 0:17:41 | |
They're just people who happen to have disabilities, | 0:17:41 | 0:17:44 | |
they have to train like everybody else. | 0:17:44 | 0:17:46 | |
They're just athletes and we didn't do this for other | 0:17:46 | 0:17:49 | |
minority groups, you know what I mean, we didn't watch | 0:17:49 | 0:17:52 | |
the 100m final going, "Look at the black people running! | 0:17:52 | 0:17:55 | |
They're just so fast! | 0:17:57 | 0:17:58 | |
And they're not even being chased! | 0:18:00 | 0:18:03 | |
APPLAUSE | 0:18:03 | 0:18:05 | |
But we should all do that next time! | 0:18:09 | 0:18:11 | |
Apparently, er, this Paralympics that we had here was the most successful Paralympics | 0:18:13 | 0:18:17 | |
in the history of the games so Rio better change it up. | 0:18:17 | 0:18:21 | |
They should add new categories for the disabilities. | 0:18:21 | 0:18:24 | |
They should add non-physical ones. Depression, that's a disability. | 0:18:24 | 0:18:28 | |
You'd just get a guy sat in the sandpit at the end of the long jump | 0:18:29 | 0:18:32 | |
going, "What's the bloody point?" | 0:18:32 | 0:18:34 | |
I hope I haven't scandalised anybody, cos with comedy | 0:18:38 | 0:18:41 | |
you've got to be careful, you gotta make sure you're politically correct | 0:18:41 | 0:18:44 | |
and blah blah, but sometimes you know people take it too far and you | 0:18:44 | 0:18:47 | |
don't wanna be like too caught up in that, the boundaries of political | 0:18:47 | 0:18:50 | |
correctness - some people do take it too far, like somebody complained | 0:18:50 | 0:18:54 | |
to IKEA because their instructions only showed men making the stuff. | 0:18:54 | 0:18:58 | |
Now, let me just check, girls, give a shit? | 0:18:59 | 0:19:02 | |
No! Cos as far as we're concerned that is a win-win situation! | 0:19:04 | 0:19:07 | |
We'll be watching the geezer building the furniture going, | 0:19:07 | 0:19:11 | |
"Oh darling, I'd love to help you build this thing | 0:19:11 | 0:19:13 | |
"but it says you have to do it!" | 0:19:13 | 0:19:15 | |
Woooo! | 0:19:19 | 0:19:21 | |
Ladies and gentlemen you've been awesome. | 0:19:21 | 0:19:23 | |
I've been Andi Osho. Thank you very much, good night! | 0:19:23 | 0:19:27 | |
APPLAUSE | 0:19:27 | 0:19:29 | |
Ladies and gentlemen, Andi Osho! | 0:19:35 | 0:19:37 | |
Ladies and gentlemen, it is time to introduce your next act, | 0:19:41 | 0:19:44 | |
there is no way to describe this man, | 0:19:44 | 0:19:46 | |
he is unlike any other comedian you've ever seen, | 0:19:46 | 0:19:49 | |
you are gonna love him. Please raise the roof for Terry Alderton! | 0:19:49 | 0:19:54 | |
APPLAUSE | 0:19:54 | 0:19:56 | |
Ladies and gentlemen, it's so lovely to be here at the O2. | 0:20:07 | 0:20:11 | |
Er... | 0:20:11 | 0:20:12 | |
LAUGHTER AND APPLAUSE | 0:20:12 | 0:20:15 | |
I know when I come out here a lot of people don't know what I'm about. | 0:20:18 | 0:20:21 | |
You look at me and you think to yourself possibly I am... | 0:20:21 | 0:20:23 | |
CAMPLY: "Hiya, how you doing so nice to be here!" | 0:20:23 | 0:20:26 | |
And others look at me and think, | 0:20:28 | 0:20:29 | |
HARD-MAN: "What you looking at, mate?" | 0:20:29 | 0:20:31 | |
I'm into monkey fighting at the moment. | 0:20:32 | 0:20:34 | |
It's all imaginary monkey fighting. | 0:20:36 | 0:20:38 | |
It's all in my mind - no beasts get hurt, one is about to ensue. | 0:20:38 | 0:20:42 | |
One has a knife the other has a gun but the one with the gun has | 0:20:42 | 0:20:45 | |
no bullets but the one with the knife doesn't know that! | 0:20:45 | 0:20:48 | |
LAUGHTER | 0:20:48 | 0:20:52 | |
But I don't want to come across at any point in my life... | 0:20:57 | 0:21:01 | |
I don't want women to think I'm wrong in any way but as a man | 0:21:01 | 0:21:04 | |
I do things I can't help myself for, like when I have a thought when | 0:21:04 | 0:21:08 | |
I see a girl, I feel terribly bad about it, you know, every | 0:21:08 | 0:21:11 | |
single time and I think every man in here does it, | 0:21:11 | 0:21:14 | |
when you see a woman you can't help yourself you have that feeling like, | 0:21:14 | 0:21:18 | |
a voice that goes, "Would ya?" | 0:21:18 | 0:21:20 | |
Bearing in mind you women know that this happens next time you go | 0:21:23 | 0:21:25 | |
to a family do, like a wedding or something like that, | 0:21:25 | 0:21:28 | |
bear in mind that's going to happen when you're with your new boyfriend that you're so excited about. | 0:21:28 | 0:21:32 | |
And you're skipping along and you go, "Mother, this is Darren, | 0:21:32 | 0:21:35 | |
Mother this is Darren. Darren, Mother, Mother, Darren". | 0:21:35 | 0:21:38 | |
She goes, "So lovely to meet you, Darren, | 0:21:38 | 0:21:40 | |
"you're such a good looking boy we've been so excited to meet you." | 0:21:40 | 0:21:43 | |
And he goes, "Mrs Smith, it's so nice to meet you to..." Would ya?!" | 0:21:43 | 0:21:47 | |
And then you think it's going so wonderfully, let's go and see Auntie Linda. | 0:21:47 | 0:21:53 | |
You say to Auntie Linda, "Linda this is my new boyfriend, Darren" | 0:21:53 | 0:21:56 | |
She goes, "Darren, you're such a beautiful looking boy, it's lovely | 0:21:56 | 0:21:59 | |
"to meet you" he looks at her and goes, "Lovely to meet you..." "Would ya?" | 0:21:59 | 0:22:03 | |
Let's make it a hattrick. | 0:22:04 | 0:22:06 | |
So you think, let's go and see Grandma... | 0:22:06 | 0:22:08 | |
Oh, you ageist bastards! | 0:22:09 | 0:22:11 | |
How do you know she's not a 68-year-old GILF? | 0:22:12 | 0:22:14 | |
You've seen Blondie, right? | 0:22:14 | 0:22:16 | |
You go to Grandma, "Grandma, this is Darren, | 0:22:19 | 0:22:21 | |
"Darren, this is Grandma". She looks at Darren and goes | 0:22:21 | 0:22:24 | |
"I'd let ya" and so... | 0:22:24 | 0:22:26 | |
LAUGHTER | 0:22:26 | 0:22:28 | |
What happens when the one with the knife realises the one with | 0:22:33 | 0:22:36 | |
the gun has no bullets? | 0:22:36 | 0:22:38 | |
My wife and I we don't argue very often - the only time we argue | 0:22:43 | 0:22:46 | |
is over finances and of course, SHE DOESN'T ADMIT THE AFFAIR! | 0:22:46 | 0:22:50 | |
But apart from that... | 0:22:50 | 0:22:53 | |
We don't argue over much, | 0:22:53 | 0:22:55 | |
I MEAN, HOW MUCH CAN YOU SPEND IN BOOTS?! | 0:22:55 | 0:22:59 | |
No point. But I don't see anything from that, do I? | 0:22:59 | 0:23:02 | |
So ladies and gentleman, | 0:23:04 | 0:23:06 | |
I would now like to re-enact my wife and I arguing | 0:23:06 | 0:23:09 | |
over the finances in our house. | 0:23:09 | 0:23:11 | |
Tonight, she will be played by my left hand | 0:23:11 | 0:23:16 | |
and I will be played by me, heheh. | 0:23:16 | 0:23:19 | |
So this is my wife and I, arguing over the finances | 0:23:20 | 0:23:23 | |
in our house, thank you. | 0:23:23 | 0:23:25 | |
SPOOKY DIGITAL ELECTRONICA | 0:23:25 | 0:23:30 | |
STATIC | 0:23:33 | 0:23:35 | |
HE MOUTHS | 0:23:35 | 0:23:38 | |
INDUSTRIAL SIREN | 0:23:38 | 0:23:40 | |
CALL AND ANSWER BETWEEN BRASS AND WIND INSTRUMENTS | 0:23:40 | 0:23:45 | |
MUSIC GETS INTENSIFIES, GETTING FASTER | 0:23:49 | 0:23:54 | |
APPLAUSE | 0:23:54 | 0:23:56 | |
BELL RINGS | 0:24:00 | 0:24:02 | |
Winner! | 0:24:02 | 0:24:05 | |
APPLAUSE | 0:24:05 | 0:24:07 | |
"Listen, there's the one in the white shirt | 0:24:14 | 0:24:17 | |
"and the quiffed hair, I don't think he's enjoying himself." | 0:24:17 | 0:24:21 | |
YORKSHIRE SIBILANT ACCENT: "What you on about? You can't judge someone just cos | 0:24:22 | 0:24:26 | |
"they're not laughing - he could be laughing inside, | 0:24:26 | 0:24:28 | |
"you don't know that he's not enjoying himself here tonight." | 0:24:28 | 0:24:31 | |
"I don't think he really likes it." | 0:24:31 | 0:24:33 | |
"You don't know that!" | 0:24:33 | 0:24:35 | |
"What shall I do here? | 0:24:35 | 0:24:37 | |
"You must forward roll to his girlfriend." | 0:24:37 | 0:24:40 | |
"What?" | 0:24:40 | 0:24:41 | |
"Just forward roll to his girlfriend" | 0:24:41 | 0:24:44 | |
"That could be at least two forward rolls!" | 0:24:48 | 0:24:51 | |
"It is your destiny." | 0:24:51 | 0:24:53 | |
CAMPLY: It's lovely to meet you, love. | 0:25:11 | 0:25:13 | |
Click-click! | 0:25:13 | 0:25:15 | |
APPLAUSE | 0:25:15 | 0:25:18 | |
Now, I have a question for you. Do you like shoes, madam? | 0:25:23 | 0:25:27 | |
You do! | 0:25:27 | 0:25:29 | |
I like shoes as well. | 0:25:29 | 0:25:31 | |
All right, love? | 0:25:39 | 0:25:41 | |
I'm looking forward to the drive home tonight. | 0:25:45 | 0:25:48 | |
'What?' | 0:25:48 | 0:25:50 | |
I said I'm looking forward to the drive home tonight. | 0:25:50 | 0:25:52 | |
'What you on about, you don't do nothing! | 0:25:54 | 0:25:56 | |
'You just sit there while I do all the accelerating and braking! You don't do nothing!' | 0:25:56 | 0:26:01 | |
'Heard you sneaking out last night.' | 0:26:12 | 0:26:14 | |
Eh? | 0:26:16 | 0:26:18 | |
'I said I heard you sneaking out last night, where did you go?' | 0:26:18 | 0:26:23 | |
Went out with a little flip-flop, didn't I? | 0:26:25 | 0:26:27 | |
'What did you say?' | 0:26:29 | 0:26:30 | |
I said I went out with a little flip-flop. | 0:26:30 | 0:26:32 | |
'You can't say that! It's 2013!' | 0:26:32 | 0:26:35 | |
'You can't call them flip-flops, you gotta call them beach shoes, | 0:26:35 | 0:26:39 | |
'beach shoes!' | 0:26:39 | 0:26:40 | |
I don't understand, a lot of my friends are flip-flops. | 0:26:45 | 0:26:48 | |
'There you go again, it's beach shoe.' | 0:26:48 | 0:26:51 | |
Well, they say flip-flop. | 0:26:53 | 0:26:55 | |
'Well, they can, can't they, cos they are flip-flops!' | 0:26:55 | 0:26:58 | |
'Anyway, what does she look like?' | 0:27:04 | 0:27:06 | |
Well, you know, they all look the same, don't they? | 0:27:06 | 0:27:09 | |
APPLAUSE | 0:27:09 | 0:27:14 | |
Thank you! Dooosh! Winner! | 0:27:19 | 0:27:23 | |
Ladies and gentlemen, you've been great, I love you, good night! | 0:27:23 | 0:27:26 | |
APPLAUSE | 0:27:26 | 0:27:28 | |
Ladies and gentlemen, Terry Alderton! | 0:27:52 | 0:27:55 | |
Often at the end of an act you can come out and say, | 0:27:58 | 0:28:00 | |
"Hey he's got a DVD coming out or he has got a tour | 0:28:00 | 0:28:02 | |
but at the end of Terry's act you just go, "Terry Alderton, we're not sure if he's OK!" | 0:28:02 | 0:28:07 | |
Ladies and gentlemen, have you enjoyed yourselves tonight? | 0:28:09 | 0:28:12 | |
APPLAUSE | 0:28:12 | 0:28:14 | |
One more time for the acts you saw, Andi Osho! | 0:28:14 | 0:28:16 | |
And Terry Alderton! | 0:28:18 | 0:28:20 | |
Thank you to all the celebs who turned up, thank you to all of you, | 0:28:20 | 0:28:23 | |
my name's Adam Hills, thank you and good night! | 0:28:23 | 0:28:26 |