Browse content similar to Episode 3. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Fan mail in that one, good luck cards in that one and junk mail goes in... | 0:00:02 | 0:00:05 | |
Michael Jordan! That one. | 0:00:05 | 0:00:07 | |
A lot of stuff for Russell. Why don't they just send e-mails? | 0:00:07 | 0:00:10 | |
-They do, it's called fan e-mail. -Fanny mail! That's very funny. | 0:00:10 | 0:00:14 | |
-Why is that funny? Have you been reading them? -No, it's just fanny... | 0:00:14 | 0:00:18 | |
Doesn't matter. | 0:00:18 | 0:00:20 | |
This programme contains adult humour and strong language | 0:00:20 | 0:00:25 | |
CHEERING AND APPLAUSE | 0:00:43 | 0:00:45 | |
Hello. Good evening. | 0:00:45 | 0:00:47 | |
This is Live At The Electric. Welcome. | 0:00:47 | 0:00:50 | |
WHOOPING AND CHEERING | 0:00:50 | 0:00:52 | |
What are we going to get tonight? Inventive stand up from me | 0:00:52 | 0:00:55 | |
and a Dragon's Den of character and sketch comedy | 0:00:55 | 0:00:58 | |
from my troupe of obscenely talented performers. | 0:00:58 | 0:01:01 | |
Who am I? I'm Russell Kane. | 0:01:01 | 0:01:03 | |
-AS DUNCAN BANNATYNE -And for that reason, I'm out. | 0:01:03 | 0:01:06 | |
"But why did he just reference Dragon's Den? | 0:01:06 | 0:01:08 | |
"It didn't relate to anything. He's brave. That explains his hair." | 0:01:08 | 0:01:11 | |
"It's his hair that makes me want to smash his head in." | 0:01:11 | 0:01:14 | |
"He's improvising. He's even doing our voices. | 0:01:14 | 0:01:16 | |
"He's so post-modern. Orgasm. Orgasm." | 0:01:16 | 0:01:18 | |
LAUGHTER | 0:01:18 | 0:01:21 | |
Think of this show as a swingers party, yeah? | 0:01:21 | 0:01:24 | |
Me, the sketch and character players like lusty suburban couples, | 0:01:24 | 0:01:29 | |
dribbling onto the buckets of comedy keys, | 0:01:29 | 0:01:31 | |
tumescently waiting for the random exchange of mirth to begin, | 0:01:31 | 0:01:35 | |
then in the dark, so many jokes entering you from so many | 0:01:35 | 0:01:39 | |
different angles that when the lights go on, | 0:01:39 | 0:01:43 | |
your wife looks like a game of KerPlunk! | 0:01:43 | 0:01:45 | |
"Gavin! Gavin!" | 0:01:45 | 0:01:46 | |
LAUGHTER | 0:01:46 | 0:01:48 | |
I'm sorry. I don't want complaints. | 0:01:50 | 0:01:53 | |
"He's so nice, but why do you always have to refer to sex all the time?" | 0:01:53 | 0:01:57 | |
Sorry, it's an important part of a young man's life, | 0:01:57 | 0:01:59 | |
especially when you're not getting much of it! | 0:01:59 | 0:02:02 | |
OK, so have we got any families in tonight? Over there. | 0:02:02 | 0:02:06 | |
Mum, are you with any one? Is that your son over there? | 0:02:06 | 0:02:09 | |
-What's your son's name? -Danny. -Danny. | 0:02:09 | 0:02:11 | |
Why are you sitting apart? You're with your girlfriend? | 0:02:11 | 0:02:14 | |
Separate, but together? "Don't sit near me, Mum!" | 0:02:14 | 0:02:16 | |
"I want to be separate, I want my own space." Who is that? | 0:02:16 | 0:02:20 | |
Is that your other son next to you? It's a friend, closer to the mum. | 0:02:20 | 0:02:23 | |
That's dark, isn't it? | 0:02:23 | 0:02:25 | |
What are you doing with the dirty washing bin? | 0:02:25 | 0:02:27 | |
"Nothing! I was just helping your mum out!" | 0:02:27 | 0:02:29 | |
LAUGHTER | 0:02:29 | 0:02:31 | |
You know, it's tough living at home. | 0:02:32 | 0:02:35 | |
People are now going to think I'm knocking Danny for a cheap joke. | 0:02:35 | 0:02:38 | |
Every single man, every brother, feels your pain, Danny. | 0:02:38 | 0:02:41 | |
You happen to be with your girlfriend, | 0:02:41 | 0:02:43 | |
but we know the great famine that led up to that girl. | 0:02:43 | 0:02:46 | |
The horrible wasteland aged between 13 and 21, it can go on for. | 0:02:46 | 0:02:50 | |
Milking yourself into a skeleton in your bedroom. | 0:02:50 | 0:02:53 | |
GROANS | 0:02:53 | 0:02:55 | |
Your Popeye's forearm pumping away desperately. It's horrible. | 0:02:55 | 0:02:59 | |
Have you got a lot on your door at home? What? | 0:02:59 | 0:03:01 | |
All those of you watching, if you're aged 14 to 18, | 0:03:03 | 0:03:06 | |
you're living at home, you've got no lock on your door, sort it out. | 0:03:06 | 0:03:10 | |
If you haven't already had a white arsed get out, | 0:03:10 | 0:03:13 | |
there is one coming your way. | 0:03:13 | 0:03:15 | |
Do you know what a white arsed get out is? | 0:03:15 | 0:03:17 | |
That is where, that's where you are in your room | 0:03:17 | 0:03:19 | |
you haven't heard your mum knock due to the frantic pumping | 0:03:19 | 0:03:22 | |
of your hand, your hand going so fast | 0:03:22 | 0:03:25 | |
it actually travels through time. | 0:03:25 | 0:03:27 | |
LAUGHTER | 0:03:27 | 0:03:29 | |
Comes back in an Elizabethan glove. | 0:03:29 | 0:03:31 | |
HE SCREAMS | 0:03:31 | 0:03:33 | |
You haven't heard your mum knock. | 0:03:33 | 0:03:36 | |
"Danny! Danny!" | 0:03:36 | 0:03:38 | |
A white arsed get out is when there is no time for trousers, | 0:03:39 | 0:03:42 | |
no time for pants, nothing. | 0:03:42 | 0:03:45 | |
All you can do is spin your pale arse towards the door and go, | 0:03:45 | 0:03:48 | |
"Get out! Now! Give me a minute!" | 0:03:48 | 0:03:51 | |
LAUGHTER AND APPLAUSE | 0:03:51 | 0:03:53 | |
It's called a white arsed get out. | 0:03:53 | 0:03:56 | |
APPLAUSE | 0:03:56 | 0:03:57 | |
That is one sport, Danny and Danny's mum, | 0:03:57 | 0:04:01 | |
that I would definitely watch if they introduced it to the Olympics. | 0:04:01 | 0:04:05 | |
The Olympic Mum knock. | 0:04:05 | 0:04:08 | |
How awesome would that be? | 0:04:08 | 0:04:10 | |
"Let's watch the replay of the American one. | 0:04:10 | 0:04:13 | |
"It was a brilliant knock. She did the American lean. | 0:04:13 | 0:04:15 | |
"It's a very American move. She came around the corner. | 0:04:15 | 0:04:20 | |
"The head went in, the judges really liked that spin there, | 0:04:20 | 0:04:23 | |
"from the American mum. | 0:04:23 | 0:04:25 | |
"Let's just watch that. | 0:04:25 | 0:04:27 | |
"The judges awarded extra points for the laughing walk off | 0:04:28 | 0:04:31 | |
"which does of course scar deeply, laughing at the son's genitals. | 0:04:31 | 0:04:35 | |
"Walking off, never to be referred to but always thought of. | 0:04:35 | 0:04:38 | |
"Ten points for the American mum." | 0:04:38 | 0:04:41 | |
LAUGHTER AND APPLAUSE | 0:04:41 | 0:04:43 | |
Time for the English mum, now. Danny's mum limbering up. | 0:04:43 | 0:04:46 | |
It is known as the cocky pheasant, this warm up. | 0:04:48 | 0:04:51 | |
See the English mum will go for the traditional fox-hunting lunge. | 0:04:51 | 0:04:55 | |
-KNOCKING -Danny. | 0:04:55 | 0:04:57 | |
LAUGHTER AND APPLAUSE | 0:04:57 | 0:04:59 | |
Look at the lunge, did you see it? | 0:04:59 | 0:05:01 | |
"Let's just have a quick look at Danny's reaction. | 0:05:01 | 0:05:04 | |
"That is what the judges will be analysing. "Mum!" | 0:05:04 | 0:05:07 | |
"But the extra points was for the falling down ejaculation." | 0:05:07 | 0:05:11 | |
"Mum! Mum! | 0:05:11 | 0:05:13 | |
"Mu-uh-um!" | 0:05:13 | 0:05:15 | |
LAUGHTER AND APPLAUSE | 0:05:15 | 0:05:17 | |
And now, ladies and gentlemen, | 0:05:20 | 0:05:22 | |
I think we should tail my wit with some more wit | 0:05:22 | 0:05:25 | |
and that wit is WitTank. | 0:05:25 | 0:05:26 | |
APPLAUSE | 0:05:26 | 0:05:29 | |
COUGHING | 0:05:53 | 0:05:55 | |
I completely fucked that up! | 0:06:01 | 0:06:04 | |
LAUGHTER | 0:06:04 | 0:06:06 | |
Hey. | 0:06:19 | 0:06:21 | |
I know you're down at the moment. | 0:06:23 | 0:06:25 | |
I know you feel like you're out of shape and unattractive. | 0:06:26 | 0:06:32 | |
And I know you feel like it's not going to get any better. | 0:06:32 | 0:06:36 | |
OK, bye! | 0:06:40 | 0:06:42 | |
LAUGHTER AND APPLAUSE | 0:06:42 | 0:06:44 | |
How excellent was that? | 0:06:44 | 0:06:46 | |
Yeah, but now for something so excellent I'm feeling more aroused | 0:06:49 | 0:06:52 | |
than Poirot's suspicion at a crime scene. | 0:06:52 | 0:06:55 | |
Make some noise for Two Episodes Of Mash! | 0:06:55 | 0:06:58 | |
CHEERING AND APPLAUSE | 0:06:58 | 0:07:00 | |
LAUGHTER | 0:07:09 | 0:07:12 | |
Hullo. | 0:07:15 | 0:07:16 | |
-I'm Joe, this is Diane. -Hello. | 0:07:17 | 0:07:20 | |
LAUGHTER | 0:07:20 | 0:07:22 | |
Why is there, why is there a big picture of your face? | 0:07:23 | 0:07:26 | |
Because this is our bit of the show. | 0:07:27 | 0:07:31 | |
-Well, why is there not a picture of me as well? -Forgot about you. | 0:07:31 | 0:07:35 | |
-Oh, for fu... -LAUGHTER | 0:07:35 | 0:07:37 | |
That has quite annoyed me, actually. | 0:07:42 | 0:07:44 | |
Oh, Diane has to bring on a... | 0:07:44 | 0:07:47 | |
..trolley. | 0:07:51 | 0:07:53 | |
Should have probably done that beforehand, shouldn't we? | 0:07:53 | 0:07:56 | |
Right, first one. | 0:07:56 | 0:07:58 | |
It's been a really difficult year, you know. | 0:08:01 | 0:08:04 | |
-My husband left me. -Right. | 0:08:05 | 0:08:07 | |
Which came as a bit of a shock, but now, you know, | 0:08:07 | 0:08:11 | |
I'm at a stage where I'm able to deal with that | 0:08:11 | 0:08:14 | |
-and my friends and family have been great. -Oh, ah... | 0:08:14 | 0:08:18 | |
They've, they've really rallied around. | 0:08:18 | 0:08:21 | |
Mm, heh... Ah! | 0:08:21 | 0:08:23 | |
LAUGHTER | 0:08:23 | 0:08:25 | |
-He still gets to see the kids. -Mm. -Which I suppose is a godsend. | 0:08:25 | 0:08:30 | |
Hmm. | 0:08:30 | 0:08:32 | |
But you know, I have been in and out of hospital for most of the year. | 0:08:32 | 0:08:36 | |
-(LOUDLY) -Ah! Huh! | 0:08:36 | 0:08:38 | |
With my asthma and blood pressure and... | 0:08:38 | 0:08:42 | |
-Cor, cor. -HE GIGGLES | 0:08:42 | 0:08:44 | |
I just feel like the worry is just making me ill now, you know. | 0:08:44 | 0:08:48 | |
I just feel really, I just feel a bit depressed. | 0:08:48 | 0:08:51 | |
HE WHINES | 0:08:51 | 0:08:53 | |
And to top it all off, my grandmother died. | 0:08:53 | 0:08:56 | |
HE GIGGLES | 0:08:56 | 0:08:58 | |
And I can't see the point, any more. | 0:09:00 | 0:09:02 | |
I really, really can't, can't see the point. | 0:09:05 | 0:09:09 | |
OK, let's see what you've brought. | 0:09:12 | 0:09:15 | |
Brought some scallops, some red peppers and a courgette. | 0:09:15 | 0:09:19 | |
LAUGHTER AND APPLAUSE | 0:09:19 | 0:09:22 | |
It's just a play on words because fan e-mail sounds like fanny mail. | 0:09:27 | 0:09:32 | |
-Fucking hell! -It's not that good. | 0:09:32 | 0:09:36 | |
Look at this. | 0:09:36 | 0:09:37 | |
"Dear Russell, meet little Jackie. See you soon, we'll be watching. | 0:09:37 | 0:09:41 | |
"Love Jenny." So what? | 0:09:41 | 0:09:43 | |
Secret love child. Blackmail, my friend. | 0:09:43 | 0:09:48 | |
-Where's the blackmail letter? -She probably e-mailed it. | 0:09:48 | 0:09:52 | |
-Black e-mail. I suppose that's funny, too? -No. Sorry. | 0:09:52 | 0:09:55 | |
How are we so sure this is his secret love child? | 0:09:55 | 0:09:58 | |
Of course it's Russell's. Look at its face. | 0:09:58 | 0:10:01 | |
Maybe it looks like him because it's his nephew. | 0:10:01 | 0:10:03 | |
Yeah, because he had sex with his sister(!) | 0:10:03 | 0:10:06 | |
-No. What? -We have to handle this. | 0:10:06 | 0:10:09 | |
Part of our role is to protect the acts from this kind of thing. | 0:10:09 | 0:10:12 | |
Joe Wilkinson's uncle died three weeks ago. | 0:10:12 | 0:10:14 | |
-Thanks to me, he has no idea. -JOE LAUGHS | 0:10:14 | 0:10:18 | |
APPLAUSE | 0:10:21 | 0:10:23 | |
Somewhere between hope and despair, there's ice-cream. | 0:10:29 | 0:10:35 | |
Previously on The Van... | 0:10:35 | 0:10:38 | |
I can't believe Dale's dead. | 0:10:38 | 0:10:39 | |
Setting yourself on fire with a crack pipe will do that to a guy. | 0:10:39 | 0:10:43 | |
-What about a replacement? -No-one is going to work for 70p an hour. | 0:10:43 | 0:10:46 | |
Dale only did it because I saved his life in Iraq. | 0:10:46 | 0:10:49 | |
-You never talk about Iraq. -Well I won't start now! | 0:10:49 | 0:10:53 | |
-What are you doing here, Jimmy? -What's the matter, sugartits? | 0:10:54 | 0:10:58 | |
No kiss for me? | 0:10:59 | 0:11:01 | |
Welcome aboard, Jimmy. | 0:11:03 | 0:11:05 | |
You need to come and see this. | 0:11:06 | 0:11:10 | |
Fuckers! Home-made ice-cream? Home-made? | 0:11:10 | 0:11:14 | |
-We can't compete with that. -This is bullshit! | 0:11:14 | 0:11:18 | |
-Take it or leave it. We're all going to die. -Ice-cream sucks dick. | 0:11:28 | 0:11:32 | |
-We're only doing this to piss off Sophie's parents. -I don't give a fuck about ice-cream. | 0:11:32 | 0:11:36 | |
-What can we do about it? -We could get rid of them. Permanently. | 0:11:36 | 0:11:41 | |
Hey, little chicken. You want a flake in that? | 0:11:41 | 0:11:45 | |
SHE SOBS | 0:11:45 | 0:11:47 | |
What have you done? | 0:11:54 | 0:11:56 | |
We need to make this look like an accident. | 0:11:57 | 0:12:00 | |
-What we need to do is call the pol... -What's going on? | 0:12:00 | 0:12:02 | |
GUNSHOT | 0:12:02 | 0:12:05 | |
LAUGHTER | 0:12:05 | 0:12:07 | |
No going back now. | 0:12:15 | 0:12:17 | |
APPLAUSE | 0:12:22 | 0:12:24 | |
Wonderful stuff, wonderful. | 0:12:24 | 0:12:25 | |
Now, there are some things that you need two of | 0:12:25 | 0:12:28 | |
and one of those things you need two of is Two Episodes Of Mash! | 0:12:28 | 0:12:32 | |
CHEERING AND APPLAUSE | 0:12:32 | 0:12:34 | |
No deal. | 0:12:45 | 0:12:47 | |
PHONE RINGS | 0:12:47 | 0:12:49 | |
LAUGHTER | 0:12:49 | 0:12:50 | |
LAUGHTER AND APPLAUSE | 0:12:58 | 0:12:59 | |
-Are you sure? -Yes, definitely. No deal. | 0:12:59 | 0:13:03 | |
'Edmonds, you really are a gonad! | 0:13:12 | 0:13:14 | |
'Stop being a prick and get on with it!' | 0:13:14 | 0:13:18 | |
DIAL TONE | 0:13:18 | 0:13:20 | |
LAUGHTER AND APPLAUSE | 0:13:20 | 0:13:22 | |
He likes you! | 0:13:30 | 0:13:32 | |
-That, that, that is why he's offered you £16,000. -Oh, wow! | 0:13:36 | 0:13:40 | |
A lot of money, a lot of money. | 0:13:40 | 0:13:42 | |
Would get you out of Bolton. | 0:13:42 | 0:13:44 | |
-LAUGHTER -A lot of money. | 0:13:44 | 0:13:46 | |
Erm, no deal. | 0:13:49 | 0:13:51 | |
-Shit! -No deal! PHONE RINGS | 0:13:51 | 0:13:55 | |
'You can't not be a bell end, can you Edmonds? You fat anus. | 0:14:05 | 0:14:10 | |
'I'm going to smash your stupid, fat face in.' | 0:14:10 | 0:14:15 | |
DIAL TONE | 0:14:15 | 0:14:17 | |
He says you're playing a great game. | 0:14:28 | 0:14:31 | |
That, that's why he's going to offer you, erm, £32,000. | 0:14:33 | 0:14:37 | |
-32! Wow! -LOT OF MONEY! Lot of money! | 0:14:37 | 0:14:40 | |
That is a lot of money, yeah. Erm... | 0:14:40 | 0:14:43 | |
HE WHIMPERS | 0:14:43 | 0:14:45 | |
-£32,000. -Take it, take it. | 0:14:45 | 0:14:48 | |
-Not sure, not sure. -Take it? | 0:14:48 | 0:14:50 | |
I'm really not sure. | 0:14:50 | 0:14:52 | |
Take it, pl... | 0:14:52 | 0:14:54 | |
Yeah, no deal. No deal. Oh, for fuck... | 0:14:58 | 0:15:01 | |
PHONE RINGS | 0:15:01 | 0:15:03 | |
LAUGHTER | 0:15:03 | 0:15:05 | |
Sure? | 0:15:09 | 0:15:11 | |
-'You really are a total cu...' -LAUGHTER | 0:15:14 | 0:15:18 | |
Ah! | 0:15:22 | 0:15:24 | |
-Oh, he really likes you! -LAUGHTER | 0:15:24 | 0:15:27 | |
That's why he's gonna offer you £100,000! | 0:15:27 | 0:15:30 | |
TAKE IT! TAKE IT! | 0:15:30 | 0:15:33 | |
£100,000! Well, yes! Deal! Definitely deal! | 0:15:33 | 0:15:37 | |
APPLAUSE | 0:15:37 | 0:15:39 | |
PHONE RINGS | 0:15:39 | 0:15:41 | |
Are you gonna get that? | 0:15:53 | 0:15:54 | |
I might just let it go to answer machine. That's it. Bye. | 0:15:54 | 0:15:58 | |
CHEERING AND APPLAUSE | 0:15:58 | 0:16:00 | |
If you're sure this is blackmail, we should call the police. | 0:16:07 | 0:16:10 | |
You want to leave the 5-0 out of this in my experience, dog. | 0:16:10 | 0:16:13 | |
What experience have you had with the police? | 0:16:13 | 0:16:15 | |
My brother's a policeman and he can be really mean. | 0:16:15 | 0:16:18 | |
Him and his friends used to kettle me. | 0:16:18 | 0:16:20 | |
Right. So what's your plan? | 0:16:20 | 0:16:23 | |
I am going to calmly explain to the blackmailer | 0:16:23 | 0:16:26 | |
that Russell Kane and his family members will not be fucked with. | 0:16:26 | 0:16:30 | |
You're not a family member. | 0:16:30 | 0:16:31 | |
-"Dear..." -I think her name's Jenny. -"..bitch." | 0:16:31 | 0:16:34 | |
"Get the abortion or get it in the neck. No love, Russell Kane." | 0:16:34 | 0:16:39 | |
-Abortion? -Too strong? -Too late. | 0:16:39 | 0:16:42 | |
Well, it will have to do. | 0:16:42 | 0:16:44 | |
Time is of the essence. I'm going to go FedEx this bad boy. | 0:16:44 | 0:16:48 | |
Hey. One of the Toms, isn't it? My sister's here with her new nephew. | 0:16:51 | 0:16:54 | |
-I was wondering... -Sorry, is she called Jenny? | 0:16:54 | 0:16:57 | |
-Yeah, Jenny's here with my nephew. -Can I tell Tom something? | 0:16:57 | 0:17:00 | |
I really need you to look after my sister. | 0:17:00 | 0:17:02 | |
It's a very small baby. Is that cool? | 0:17:02 | 0:17:05 | |
-On it. -Double guns. | 0:17:05 | 0:17:08 | |
APPLAUSE | 0:17:10 | 0:17:11 | |
Thanks for coming in, Laura. | 0:17:16 | 0:17:18 | |
You sent a very impressive CV. | 0:17:18 | 0:17:20 | |
We just wanted to get you in here | 0:17:20 | 0:17:22 | |
and ask you a couple of questions in person. | 0:17:22 | 0:17:24 | |
Personal questions! | 0:17:24 | 0:17:26 | |
Of course, that's fine. | 0:17:28 | 0:17:30 | |
OK, so how would you describe your leadership style? | 0:17:30 | 0:17:33 | |
Laura? What's happened? Are you OK? | 0:17:53 | 0:17:55 | |
Oh! Oh, no, sorry. | 0:17:56 | 0:17:59 | |
That's just my thinking face. | 0:17:59 | 0:18:01 | |
LAUGHS | 0:18:03 | 0:18:04 | |
-Sorry, I thought something awful had happened. -No! Sorry. | 0:18:06 | 0:18:09 | |
-Do you mind if I... -Not at all. -OK. | 0:18:09 | 0:18:13 | |
LAUGHTER | 0:18:13 | 0:18:15 | |
Is, is she all right, do you think? | 0:18:24 | 0:18:27 | |
It's just her thinking face. | 0:18:27 | 0:18:29 | |
-Is she all right? -Quite all right. | 0:18:29 | 0:18:33 | |
Laura. | 0:18:33 | 0:18:34 | |
Laura, have you finished thinking yet? | 0:18:34 | 0:18:37 | |
I think she's... | 0:18:37 | 0:18:38 | |
Laura! | 0:18:38 | 0:18:40 | |
LEAVE HER! SHE'S THINKING! | 0:18:40 | 0:18:43 | |
-You're looking a lot better now, Laura. -Good, thank you. | 0:18:47 | 0:18:51 | |
-Just one more thing, are you allergic to any medicines. -Erm... | 0:18:51 | 0:18:57 | |
LAUGHTER AND APPLAUSE | 0:19:01 | 0:19:03 | |
Lady Garden, there. | 0:19:03 | 0:19:05 | |
Very like... I did a horn voice, there! That came out accidentally! | 0:19:07 | 0:19:10 | |
-NASAL VOICE: -"Hello!" That's my nerd voice. | 0:19:10 | 0:19:12 | |
That's the trouble if you're from Essex, right. | 0:19:12 | 0:19:14 | |
There's the natural accent, of course, of the Essex people. | 0:19:14 | 0:19:17 | |
-ESSEX ACCENT: -"They're in tonight, watching the show, | 0:19:17 | 0:19:20 | |
"I'm not being funny, at the end of the day, I could turn around and say to you..." | 0:19:20 | 0:19:23 | |
Face me in the first place. | 0:19:23 | 0:19:24 | |
"I could turn around, I could turn around and say to you, | 0:19:24 | 0:19:27 | |
"I'm not being funny, at the end of the day I don't mean that. | 0:19:27 | 0:19:30 | |
"But that's not what I'm trying to say." What are you trying to say? | 0:19:30 | 0:19:33 | |
But, of course, with someone like me, who's been to university, | 0:19:33 | 0:19:37 | |
but comes from a chavvy background, we panic about our accent. | 0:19:37 | 0:19:40 | |
Who are the working class people who are born into these accents, | 0:19:40 | 0:19:43 | |
but wish they spoke like Surrey people. | 0:19:43 | 0:19:44 | |
-SURREY ACCENT: -"I believe our pheasant has turned, Bernard." | 0:19:44 | 0:19:47 | |
LAUGHTER | 0:19:47 | 0:19:49 | |
We want to speak like that, don't we, Essex people, Kent people, London people? | 0:19:49 | 0:19:54 | |
But it's so hard. Your vowels have been crushed by the comprehensive, | 0:19:54 | 0:19:58 | |
so you speak like 'at. Why would I finish me sentences? Didn't bovver finishing school. Right? | 0:19:58 | 0:20:03 | |
LAUGHTER | 0:20:03 | 0:20:04 | |
But now and again you bump into someone... | 0:20:04 | 0:20:06 | |
-NASAL VOICE: -"..who speaks like that, from a working-class background." | 0:20:06 | 0:20:10 | |
-It's horn voice, isn't it? Cos it sounds like they've swallowed a... -HONKS LIKE A HORN | 0:20:10 | 0:20:13 | |
LAUGHTER | 0:20:13 | 0:20:15 | |
There will be people watching this, | 0:20:15 | 0:20:17 | |
-ESSEX ACCENT: -"100%," | 0:20:17 | 0:20:18 | |
have horn voice. I guarantee it. | 0:20:18 | 0:20:20 | |
-HORN VOICE: -"I'm sorry, I can't help it, wish I didn't have it, this horn voice." | 0:20:20 | 0:20:23 | |
But you can, you can help it, right? Cos I've worked out what causes it. | 0:20:23 | 0:20:28 | |
It's someone with my accent, a broad, limp, working-class accent. | 0:20:28 | 0:20:33 | |
Flat words, not really... | 0:20:33 | 0:20:34 | |
Trying to control it. Trying to speak posh, | 0:20:34 | 0:20:36 | |
trying to speak properly, as though one is from Surrey. | 0:20:36 | 0:20:39 | |
But halfway along the journey of faking... | 0:20:39 | 0:20:41 | |
-HORN VOICE: -"..the voice folds in on itself to produce a horn. | 0:20:41 | 0:20:43 | |
"Like that. What I'm actually saying is I'm secretly | 0:20:43 | 0:20:46 | |
-HONKS LIKE A HORN: -"working class." | 0:20:46 | 0:20:48 | |
That's what they're trying to tell you. | 0:20:48 | 0:20:50 | |
LAUGHTER AND APPLAUSE | 0:20:50 | 0:20:53 | |
It's a nerd voice, isn't it, as well? It's a bit of a nerd voice. | 0:20:53 | 0:20:57 | |
-NASAL VOICE: -"Hello, my name's Nigel, my name's Kevin." | 0:20:57 | 0:20:59 | |
Except if you're in Australia. Their last prime minister was called Kevin. | 0:20:59 | 0:21:03 | |
How relaxed is a country, for its prime minister to be called Kevin? | 0:21:03 | 0:21:08 | |
I'd like to move to Australia just cos someone called Kev | 0:21:08 | 0:21:11 | |
can get into government. | 0:21:11 | 0:21:12 | |
-AUSTRALIAN ACCENT: -"Hello, my name's Kevin." | 0:21:12 | 0:21:14 | |
Into office you go. Imagine that in the UK. | 0:21:14 | 0:21:17 | |
-NASAL VOICE: -"My name's Kevin." | 0:21:17 | 0:21:19 | |
-Get in accounts with Nigel and Colin. -LAUGHTER | 0:21:19 | 0:21:21 | |
A country so relaxed that when they go to watch comedy, | 0:21:21 | 0:21:24 | |
they go in their vests. | 0:21:24 | 0:21:25 | |
I performed in Queensland. They turn up in a tank top, | 0:21:25 | 0:21:28 | |
a proper wife-beater, and swimming trunks, and flip-flops, or "thongs," as they call them, right? | 0:21:28 | 0:21:32 | |
Wouldn't you just kill, United Kingdom, | 0:21:32 | 0:21:35 | |
just to be just a slice of that relaxedness, | 0:21:35 | 0:21:37 | |
that we could go to the theatre in our vest and shorts? I love a culture like that. | 0:21:37 | 0:21:42 | |
-AUSTRALIAN ACCENTS: -"Have you seen my theatre vest anywhere, Muriel? Have you seen it?" | 0:21:42 | 0:21:47 | |
"Yes, I have, Roger. It's right next to your funeral shorts. Right next to them, babe." | 0:21:47 | 0:21:51 | |
LAUGHTER | 0:21:51 | 0:21:53 | |
Thank you. Now, after all my middlebrow thrustings, | 0:21:53 | 0:21:55 | |
which are essentially low-grade thoughts delivered with speed | 0:21:55 | 0:21:58 | |
to create the illusion of quality, I think we should see an actual genius in action. | 0:21:58 | 0:22:02 | |
And that actual genius is Joe Wilkinson. | 0:22:02 | 0:22:06 | |
CHEERING AND APPLAUSE | 0:22:06 | 0:22:10 | |
All rise! | 0:22:12 | 0:22:14 | |
'Turns out a member of the jury CAN be held in contempt for delivering the verdict...' | 0:22:27 | 0:22:32 | |
Not guilty. | 0:22:32 | 0:22:33 | |
'..And then saying...' | 0:22:34 | 0:22:37 | |
Only messing! | 0:22:38 | 0:22:39 | |
LAUGHTER | 0:22:39 | 0:22:42 | |
'I was a little overexcited because I'd had the week off work.' | 0:22:46 | 0:22:48 | |
LAUGHTER AND APPLAUSE | 0:22:48 | 0:22:52 | |
Oh! We're approaching the end of our comedy journey, but fear not! | 0:22:57 | 0:23:00 | |
Look at the bus window, there's a poster there, it says go to: | 0:23:00 | 0:23:04 | |
for more exclusive content. | 0:23:04 | 0:23:06 | |
But wait! There's somebody else on this bus. | 0:23:06 | 0:23:08 | |
There's someone else to join us on the rest of our journey. | 0:23:08 | 0:23:11 | |
Not only that, he's a musical maestro. | 0:23:11 | 0:23:13 | |
Not only that, he's the one, the only, the genius that is | 0:23:13 | 0:23:17 | |
Nick Helm...! | 0:23:17 | 0:23:20 | |
CHEERING AND APPLAUSE | 0:23:20 | 0:23:22 | |
Good evening, Live At The Electric. You all right? | 0:23:27 | 0:23:30 | |
CHEERING | 0:23:30 | 0:23:32 | |
Yeah, good. Who's got a job? | 0:23:32 | 0:23:34 | |
AUDIENCE: Yeah! | 0:23:34 | 0:23:35 | |
Yeah, I used to have one of them. | 0:23:35 | 0:23:37 | |
It's good, isn't it? It's good, it's good. | 0:23:37 | 0:23:39 | |
I used to work 9 to 5.30, which is officially half an hour longer | 0:23:39 | 0:23:41 | |
than Dolly Parton ever fucking bothered with. | 0:23:41 | 0:23:44 | |
So, fuck you, Dolly! | 0:23:44 | 0:23:46 | |
Let's whack it in a jacket! | 0:23:46 | 0:23:48 | |
-# -Oi! -When I was just a young boy my mother told me, "Son" | 0:23:56 | 0:24:00 | |
# She said, "Life is there for living and you've only got the one | 0:24:00 | 0:24:03 | |
# "Cos dreams can be hard or that's what it seems | 0:24:03 | 0:24:06 | |
-# "So hold on to your heart and then follow those dreams." -Oi! -# | 0:24:06 | 0:24:10 | |
MUSIC STOPS That is your bit! That is your bit! You do the "Oi"s. | 0:24:10 | 0:24:14 | |
I am not going to come all the way over to you and pull YOUR good time out of MY arse. | 0:24:14 | 0:24:18 | |
LAUGHTER | 0:24:18 | 0:24:20 | |
Get on board! | 0:24:20 | 0:24:21 | |
LAUGHTER | 0:24:21 | 0:24:23 | |
# So all the possibilities went racing through my head | 0:24:27 | 0:24:30 | |
# Of all the things I'd like to do before that I am dead | 0:24:30 | 0:24:34 | |
# Cos one day when I grow up I'll do the job that's best | 0:24:34 | 0:24:38 | |
# And I won't to do data entry with a name tag on my chest | 0:24:38 | 0:24:40 | |
-# -Oi! -I don't want a job in admin | 0:24:40 | 0:24:44 | |
# I don't want to be on 16 grand a year | 0:24:44 | 0:24:47 | |
# I don't want a job in admin | 0:24:47 | 0:24:50 | |
-# You can take your job and stick it in your ear -Oi! | 0:24:50 | 0:24:54 | |
# I went to university to get a good degree | 0:24:54 | 0:24:57 | |
# I did BA performance arts there was no stopping me | 0:24:57 | 0:25:00 | |
# We laughed, we stretched we mimed, we danced, | 0:25:00 | 0:25:02 | |
# We pranced around like knobs and when we got into the real world | 0:25:02 | 0:25:05 | |
# Well, there were no fucking jobs | 0:25:05 | 0:25:08 | |
-# -Oi! -I don't want a job in admin | 0:25:08 | 0:25:10 | |
# I don't want to be on 15 grand a year | 0:25:10 | 0:25:14 | |
# I don't want a job in admin | 0:25:14 | 0:25:16 | |
-# You can take your job and stick it in your ear -Oi! | 0:25:16 | 0:25:21 | |
# As I grew to adulthood I kept my dreams alive | 0:25:21 | 0:25:24 | |
# And I couldn't make my holidays or the cost to learn to drive | 0:25:24 | 0:25:27 | |
# Until the day my mom announced "I know back then I said | 0:25:27 | 0:25:30 | |
-# "But you're nearly pushing 30 and I want to rent your bed." -Oi! | 0:25:30 | 0:25:34 | |
MUSIC SLOWS: # Dreams can be hard to | 0:25:34 | 0:25:38 | |
# Follow all your life | 0:25:38 | 0:25:42 | |
# When you've got yourself some kids to feed | 0:25:44 | 0:25:49 | |
# A mortgage and a wife | 0:25:49 | 0:25:53 | |
# Life deals you cards and | 0:25:56 | 0:26:02 | |
# You take what you can | 0:26:02 | 0:26:05 | |
# But I don't want to wear a shirt and tie | 0:26:08 | 0:26:10 | |
-# And I don't respect the man -Oi! | 0:26:10 | 0:26:11 | |
# I don't want a job in admin | 0:26:11 | 0:26:14 | |
# I don't want to be on 13 grand a year | 0:26:14 | 0:26:18 | |
# I don't want a job in admin | 0:26:18 | 0:26:21 | |
# You can take your job and fuck it in your ear | 0:26:21 | 0:26:24 | |
# Sometimes it's hard work and sometimes it's luck | 0:26:24 | 0:26:27 | |
# My mum, she worked so hard until one day her back was fucked | 0:26:27 | 0:26:31 | |
# It's not that I'm ungrateful or I don't give a toss | 0:26:31 | 0:26:33 | |
# But if I have to work on Monday then I'm going to shoot my boss | 0:26:33 | 0:26:37 | |
-# -Oi! -I don't want a job in admin | 0:26:37 | 0:26:40 | |
# I don't want to be on 12 grand a year | 0:26:40 | 0:26:44 | |
# I don't want a job in admin | 0:26:44 | 0:26:46 | |
# You can take your job and fuck it in your ear | 0:26:46 | 0:26:49 | |
# Everybody, now! | 0:26:49 | 0:26:51 | |
# I don't want a job in admin | 0:26:51 | 0:26:53 | |
# I don't want to be on 11 grand a year | 0:26:53 | 0:26:57 | |
# I don't want a job in admin | 0:26:57 | 0:27:00 | |
# You can take your job and fuck it in your ear | 0:27:00 | 0:27:03 | |
# You can take your job and fuck it... | 0:27:03 | 0:27:09 | |
# In your ear! # | 0:27:09 | 0:27:13 | |
CHEERING AND APPLAUSE | 0:27:13 | 0:27:18 | |
-What were you just swallowing? -Keys. -Right, well, thank God I found you. | 0:27:30 | 0:27:33 | |
-Did you send that letter? -Didn't need to. -Amazing, cos the woman in the photo, isn't... | 0:27:33 | 0:27:37 | |
I know, they're here, I've seen them. | 0:27:37 | 0:27:40 | |
The perps have been restrained and detained. | 0:27:40 | 0:27:43 | |
No, you don't understand... | 0:27:43 | 0:27:45 | |
Sorry to interrupt, I'm looking for my sister. I can't find her anywhere. | 0:27:45 | 0:27:48 | |
-MUFFLED BANGING -I...haven't seen her anywhere. | 0:27:48 | 0:27:52 | |
MUFFLED BANGING | 0:27:52 | 0:27:55 | |
-Who's in there? -Your stalker. -SCREAMING AND BABY CRYING | 0:27:55 | 0:27:57 | |
And her baby. | 0:27:57 | 0:27:59 | |
-It's your sister. -Is it? -Probably. -Well, unlock it then, mate! | 0:27:59 | 0:28:04 | |
-I'll get the spare keys. -I swallowed them as well. | 0:28:04 | 0:28:08 | |
BOTH SHOUT AT ONCE | 0:28:09 | 0:28:11 | |
Everybody be cool! Chill out, guys. | 0:28:11 | 0:28:15 | |
I've got the skeleton key. | 0:28:17 | 0:28:19 | |
SCREAMING | 0:28:19 | 0:28:21 | |
Subtitles by Red Bee Media Ltd. | 0:28:45 | 0:28:48 |