Browse content similar to Episode 4. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
This programme contains strong language and adult humour. | 0:00:02 | 0:00:06 | |
-What are you doing on this computer? -I'm... -Did you click on the folder called Not Porn? -What? -Good. | 0:00:06 | 0:00:11 | |
Food's here! It's rider time! | 0:00:11 | 0:00:14 | |
What's "rider time"? | 0:00:14 | 0:00:15 | |
God, new guy! Are you new here, or something? | 0:00:15 | 0:00:18 | |
Yeah. | 0:00:18 | 0:00:19 | |
Riders are food for the acts. Par example... | 0:00:19 | 0:00:23 | |
-GREEK ACCENT: -One Greek salad for the producer. | 0:00:23 | 0:00:26 | |
-I always remember that one. -Why, cos she's Greek? | 0:00:26 | 0:00:29 | |
No, because she's anorexic. | 0:00:29 | 0:00:31 | |
Crisps for Diane. | 0:00:31 | 0:00:33 | |
Keep this on the downlow, | 0:00:33 | 0:00:35 | |
but I always like to sneak a couple of these for myself. | 0:00:35 | 0:00:38 | |
She ain't going to notice if the shipment come in a little bit late. | 0:00:38 | 0:00:41 | |
-I think she might. -Well, she never really talks to me, anyway. | 0:00:42 | 0:00:45 | |
Besides, the acts know that if they complain, there will be consequences. | 0:00:45 | 0:00:49 | |
What, cos you'll, like, spit in their sandwich or something? | 0:00:49 | 0:00:52 | |
Pff. Use your imagination, dude. | 0:00:52 | 0:00:54 | |
Last year the director pissed me off so much, | 0:00:54 | 0:00:56 | |
I stuck his baguette up my arse. | 0:00:56 | 0:00:59 | |
-That's disgusting. -Yeah. | 0:00:59 | 0:01:02 | |
Well, didn't get very far. Just sort of disintegrated. | 0:01:02 | 0:01:05 | |
-Got him the next day, though. -How? | 0:01:05 | 0:01:07 | |
-AMERICAN ACCENT: -Stuck my dick in his coffee. | 0:01:07 | 0:01:09 | |
Must've hurt. | 0:01:09 | 0:01:12 | |
-SQUEAKY VOICE: -Not as much as the baguette! | 0:01:12 | 0:01:14 | |
APPLAUSE AND CHEERING | 0:01:35 | 0:01:38 | |
Good evening! | 0:01:40 | 0:01:41 | |
Ladies and gentlemen, welcome to Live At The Electric! | 0:01:41 | 0:01:46 | |
CHEERING | 0:01:46 | 0:01:49 | |
My name is Russell Kane. Now, if you don't know which Russell I am, | 0:01:49 | 0:01:51 | |
I'm the one that looks like someone stuck a coconut on a cocktail stick, right? | 0:01:51 | 0:01:55 | |
We've got lots of comedy tonight, | 0:01:55 | 0:01:57 | |
but I can guarantee you I'll be the BEST stand-up in the show. | 0:01:57 | 0:02:02 | |
APPLAUSE AND CHEERING | 0:02:02 | 0:02:04 | |
Actually, I'm the only stand-up. | 0:02:04 | 0:02:05 | |
The rest is all sketch and character. | 0:02:05 | 0:02:07 | |
Done on purpose to give an artificial sense of how good I am. No confidence. Ching! | 0:02:07 | 0:02:10 | |
LAUGHTER | 0:02:10 | 0:02:12 | |
Now, if comedy were a spanking paddle, this parade of mirth-meisters | 0:02:13 | 0:02:16 | |
going at your buttocks would leave purple welts of hilarity. | 0:02:16 | 0:02:19 | |
Each of their gags a literal gag, a plastic golf ball through which | 0:02:19 | 0:02:23 | |
we can barely hear the muffled screams of your laughter. | 0:02:23 | 0:02:27 | |
LAUGHTER | 0:02:27 | 0:02:29 | |
But, before we bundle you into the Transit of comedy | 0:02:29 | 0:02:33 | |
and drive you to the waste ground of punch lines, | 0:02:33 | 0:02:35 | |
I need to explain what's happened to me. | 0:02:35 | 0:02:38 | |
Cos some of you at home might have noticed that a week has done nothing | 0:02:38 | 0:02:42 | |
to improve my emotional meltdown. | 0:02:42 | 0:02:44 | |
I don't know what it is. Maybe it's the nature of the job. | 0:02:44 | 0:02:47 | |
Can you imagine how difficult it is to get stability, going from town to town doing stand-up? | 0:02:47 | 0:02:51 | |
It's fun. It is fun. And you try to rationalise with yourself. | 0:02:51 | 0:02:54 | |
Has anyone at home, or anyone in the room studied sociology? Give me a cheer. | 0:02:54 | 0:02:57 | |
-A FEW VOICES CHEER -There's a few sociology students in. | 0:02:57 | 0:03:00 | |
Now, you all know the guilt that I must have felt the first time on reaching for the mouse. | 0:03:00 | 0:03:04 | |
"Mustn't watch pornography. I know it's bad. I did it in sociology." | 0:03:04 | 0:03:07 | |
"The horrible misogynistic glare of the camera. Don't log on." | 0:03:07 | 0:03:11 | |
Right? There's hardly a positive thing I can draw from men watching pornography, | 0:03:11 | 0:03:15 | |
except one, United Kingdom watching this. | 0:03:15 | 0:03:18 | |
We are the only country in the world that predominantly watch British porn. | 0:03:18 | 0:03:23 | |
-EXAGGERATED ACCENT: -"British porn, for British people!" Right? | 0:03:23 | 0:03:27 | |
British people in real scenes. | 0:03:27 | 0:03:29 | |
-Real bodies, emerging in groups from behind a Lidl, like that. -HE GROWLS | 0:03:29 | 0:03:33 | |
"Do it on t'face, Barry! Do it on t'face!" | 0:03:34 | 0:03:37 | |
I think that's something to celebrate. I'm sorry, right? | 0:03:39 | 0:03:42 | |
APPLAUSE | 0:03:42 | 0:03:44 | |
Any of the guys who watch American pornography, | 0:03:44 | 0:03:46 | |
the talking in it, it's so un-British to speak to each other. | 0:03:46 | 0:03:49 | |
-FEMALE AMERICAN ACCENT: -"Oh, God, yeah! Do me, yeah! Do me, yeah!" | 0:03:49 | 0:03:52 | |
-And then the guy... -MALE AMERICAN ACCENT: -"..I am ...ing you right now! | 0:03:52 | 0:03:55 | |
"Oh, yeah! | 0:03:55 | 0:03:56 | |
-"Oh, God, yeah!" -HE MOANS | 0:03:56 | 0:03:59 | |
-FEMALE: -"Oh, God! Don't stop ...ing me!" | 0:03:59 | 0:04:01 | |
-MALE: -"That's right!" They're so polite, Americans. | 0:04:01 | 0:04:03 | |
"We're fucking and agreeing!" "That's right!" "Yeah, do me!" | 0:04:03 | 0:04:05 | |
She's doing him, now! | 0:04:05 | 0:04:07 | |
LAUGHTER | 0:04:07 | 0:04:09 | |
-MALE: -"What are you doing?!" | 0:04:09 | 0:04:11 | |
-FEMALE: -"I don't know, but I kind of like it!" | 0:04:11 | 0:04:13 | |
-MALE: -"My prostate!" | 0:04:13 | 0:04:15 | |
That was a genuine mistake, but it was a good bit of prostate banter. | 0:04:15 | 0:04:19 | |
Now, is there a single British woman that ever really wants a man to talk in bed? | 0:04:19 | 0:04:23 | |
Can you think of anything more un-British than, | 0:04:23 | 0:04:25 | |
"I'm shagging you right now, Maureen." | 0:04:25 | 0:04:28 | |
"I know what you're doing, Bernard, I wish you'd get on with it." | 0:04:28 | 0:04:31 | |
"We'll miss Waitrose at this rate." | 0:04:31 | 0:04:33 | |
LAUGHTER | 0:04:33 | 0:04:35 | |
I mean, American porn, like American love scenes in movies, they're unattainable. | 0:04:35 | 0:04:39 | |
It's not something British people can relate to. We don't do it like that. | 0:04:39 | 0:04:42 | |
-AMERICAN ACCENT: -"Perfect sex with a perfect climax. That was amazing! Oh, God, yeah!" | 0:04:42 | 0:04:46 | |
This is actual quotes, I won't say the name of the people, | 0:04:46 | 0:04:49 | |
cos I don't want people Googling it, cos it is horrific. | 0:04:49 | 0:04:52 | |
But trust me, there's an Essex pornographer, | 0:04:52 | 0:04:54 | |
and this is a real quote at the height of the filth. | 0:04:54 | 0:04:56 | |
-ESSEX ACCENT: -"Oh, that's lovely, that." | 0:04:56 | 0:04:58 | |
LAUGHTER | 0:04:58 | 0:04:59 | |
Regardless of your opinion, how proud to be British are you when you hear that? | 0:04:59 | 0:05:03 | |
Listen to the grammar. This is from northern English porn. | 0:05:03 | 0:05:08 | |
-NORTHERN ACCENT: -"Oh, that's fucking champion." | 0:05:08 | 0:05:11 | |
Champion. Champion. But this is my favourite moment ever, | 0:05:11 | 0:05:13 | |
if you're just going to watch it for research. | 0:05:13 | 0:05:15 | |
-Let's just say the scene had concluded. -CLEARS THROAT | 0:05:15 | 0:05:19 | |
And it concluded several times. It was a right mess. | 0:05:20 | 0:05:23 | |
It was like someone had knocked a church candle over. | 0:05:23 | 0:05:27 | |
LAUGHTER | 0:05:27 | 0:05:29 | |
Let's just leave it like that, right? Honestly. | 0:05:29 | 0:05:32 | |
-It was disgusting, really. But this was the British reaction. -HE MOANS | 0:05:32 | 0:05:36 | |
There was a pause, and then straight down the camera, he said this: | 0:05:36 | 0:05:40 | |
"Quality." | 0:05:40 | 0:05:41 | |
"Quality"! Unbelievable. | 0:05:41 | 0:05:43 | |
Give it up for Wit Tank! | 0:05:47 | 0:05:49 | |
CHEERING AND APPLAUSE | 0:05:49 | 0:05:51 | |
-Well, that's the last of it. -Thanks. | 0:06:01 | 0:06:06 | |
Look, I know it's hard, but it was the right decision, for both of you. | 0:06:07 | 0:06:12 | |
She's left me, Mark. | 0:06:12 | 0:06:14 | |
The love of my life has gone. | 0:06:14 | 0:06:17 | |
And I'm totally alone. | 0:06:17 | 0:06:19 | |
Dead inside. | 0:06:21 | 0:06:23 | |
I just feel nothing but pain. | 0:06:23 | 0:06:25 | |
It's pain like you wouldn't imagine, | 0:06:25 | 0:06:29 | |
this hideous, constant pain, like a dagger... | 0:06:29 | 0:06:32 | |
..slowly twisting into my heart. | 0:06:35 | 0:06:39 | |
-It's a pain like nothing else. And it's just... Ow! -What? | 0:06:40 | 0:06:45 | |
I've just stepped on a plug! Argh! | 0:06:45 | 0:06:48 | |
Oh, fuck! Oh, fuck! | 0:06:48 | 0:06:51 | |
HE WAILS | 0:06:57 | 0:06:59 | |
It's like a three-pronged attack from a tiny little army! | 0:06:59 | 0:07:04 | |
Don't touch it! Don't touch it! Oh! It's raw. | 0:07:04 | 0:07:07 | |
It's raw. | 0:07:07 | 0:07:09 | |
Pointy little bastard! | 0:07:09 | 0:07:12 | |
Cut it off, Mark. Fucking cut it off. | 0:07:12 | 0:07:15 | |
HE GROANS IN AGONY | 0:07:15 | 0:07:18 | |
It's like I'm having a baby! | 0:07:18 | 0:07:21 | |
Breathe, breathe. You're doing really well. | 0:07:21 | 0:07:25 | |
HE CRIES OUT | 0:07:25 | 0:07:27 | |
Up we get. Come on. | 0:07:27 | 0:07:29 | |
-Don't touch me, don't touch me. -All right. | 0:07:29 | 0:07:32 | |
HE GASPS | 0:07:32 | 0:07:35 | |
-Sorry, what were we talking about? -It's literally not important. | 0:07:36 | 0:07:40 | |
LAUGHTER | 0:07:40 | 0:07:41 | |
I've gained so much perspective. | 0:07:41 | 0:07:44 | |
LAUGHTER AND APPLAUSE | 0:07:44 | 0:07:46 | |
SEDUCTIVE VOICE: Welcome to my home, baby. | 0:07:53 | 0:07:56 | |
-This is where the magic happens. -Fuck, have you been burgled? | 0:07:56 | 0:08:00 | |
Oh, yeah. | 0:08:01 | 0:08:02 | |
They've taken everything but there's one thing they didn't take. | 0:08:02 | 0:08:06 | |
Your really long futon? | 0:08:08 | 0:08:10 | |
Extra long. I like to move around. | 0:08:10 | 0:08:14 | |
Relax, baby, while I set the mood. | 0:08:14 | 0:08:16 | |
PHONE RINGS | 0:08:16 | 0:08:18 | |
HOLD MUSIC PLAYS "LET'S GET IT ON" | 0:08:18 | 0:08:22 | |
Baby, in the lottery of love, | 0:08:24 | 0:08:27 | |
you have hit the jackpot with bonus balls. | 0:08:27 | 0:08:29 | |
I'm going to create a magical night for you, baby. | 0:08:29 | 0:08:32 | |
You will forget your name. You will forget your training. | 0:08:32 | 0:08:35 | |
You will forget your four times table, | 0:08:35 | 0:08:38 | |
so-called because if they had not stolen my table, | 0:08:38 | 0:08:40 | |
we would do it four times on said table. And... | 0:08:40 | 0:08:44 | |
-MUSIC STOPS -'Please hold the line. | 0:08:44 | 0:08:46 | |
'Your call is important and will be answered as soon as a team member becomes available.' | 0:08:46 | 0:08:50 | |
-MUSIC STARTS When the magic is over... -What if someone answers the phone? | 0:08:50 | 0:08:53 | |
Baby, this is customer services. We got all night. | 0:08:53 | 0:08:58 | |
LAUGHTER | 0:08:58 | 0:09:00 | |
APPLAUSE | 0:09:00 | 0:09:02 | |
Ladies and gentlemen, you'll never guess who's here. | 0:09:04 | 0:09:07 | |
It's Joe Wilkinson and Diane Morgan and Two Episodes Of Mash. | 0:09:07 | 0:09:11 | |
CHEERING AND APPLAUSE | 0:09:11 | 0:09:14 | |
-Good evening. Hello. I'm Joe. That's... -Hello. -..Diane. | 0:09:20 | 0:09:26 | |
Er... We're going to do some stuff. | 0:09:26 | 0:09:29 | |
Then we're going to fuck off. | 0:09:32 | 0:09:35 | |
-Pretty much how it works, innit? -Mm. | 0:09:36 | 0:09:38 | |
Oh, Christ. What's that? | 0:09:40 | 0:09:42 | |
It's a photo of a wall for one of the sketches, | 0:09:42 | 0:09:45 | |
but annoyingly I had my thumb over the lens. | 0:09:45 | 0:09:49 | |
-You printed it anyway? -Yeah. -You... | 0:09:50 | 0:09:53 | |
Let's just do this sketch. | 0:09:53 | 0:09:55 | |
60 quid that cost. | 0:09:58 | 0:10:00 | |
Not made of money. | 0:10:01 | 0:10:02 | |
First one. | 0:10:04 | 0:10:06 | |
That was slick, wasn't it? | 0:10:06 | 0:10:08 | |
HYMN MUSIC PLAYS | 0:10:15 | 0:10:17 | |
CHURCH CHOIR SINGS | 0:10:19 | 0:10:22 | |
'My brothers, sons of Abraham's race...' | 0:10:30 | 0:10:34 | |
Why didn't you tell me the Songs Of Praise cameras were in this weekend? | 0:10:40 | 0:10:45 | |
-You know why. -I've got soup down my top. | 0:10:45 | 0:10:48 | |
It's going to be on the telly. | 0:10:48 | 0:10:50 | |
You shouldn't come out with soup down your top anyway, should you? | 0:10:53 | 0:10:57 | |
Right in the front row. | 0:10:57 | 0:10:59 | |
Shut up. | 0:11:00 | 0:11:02 | |
If the cameras weren't here I'd fucking batter you. | 0:11:04 | 0:11:08 | |
You know how much I love Songs Of Praise. | 0:11:13 | 0:11:16 | |
-You should have checked the website. -What fucking website? | 0:11:16 | 0:11:19 | |
-The fucking church website. -The church has got a website? | 0:11:19 | 0:11:22 | |
Of course it's got a fucking website. | 0:11:22 | 0:11:24 | |
Who the fuck checks the church website?! | 0:11:24 | 0:11:27 | |
LAUGHTER AND APPLAUSE | 0:11:27 | 0:11:30 | |
-What are you doing? -Taking all the blue M&Ms out for a rider. | 0:11:41 | 0:11:46 | |
-What's that for? -Me. | 0:11:46 | 0:11:48 | |
Guess I'm a bit of a diva! | 0:11:48 | 0:11:50 | |
-What's in your rider? -Do you mean what's in my packed lunch? | 0:11:50 | 0:11:54 | |
MIMICS: What's in my packed lunch? | 0:11:54 | 0:11:56 | |
-But is that what you're asking? -Yes. | 0:11:56 | 0:11:58 | |
Well, made it myself so thought I'd keep it simple. Sandwich and crisps. | 0:11:58 | 0:12:02 | |
Oh, my God. Classic newby rider. | 0:12:02 | 0:12:04 | |
-What flavour are the crisps? Ready salted? -Yeah, I love ready salted. | 0:12:04 | 0:12:08 | |
-What flavour are your crisps? -Pickled onion, if you can call them crisps. | 0:12:08 | 0:12:13 | |
SINGS: Monster Munch! | 0:12:13 | 0:12:15 | |
-Got to use your imagination, dude. -Monster Munch? | 0:12:15 | 0:12:18 | |
-Hardly the rider of a rockstar. -Well, that's not all I get. | 0:12:18 | 0:12:22 | |
Go on, then. | 0:12:22 | 0:12:24 | |
-The list goes on, dude. -Go on, then. | 0:12:24 | 0:12:27 | |
-OK. I always get...pizzas. -Pizzas? | 0:12:27 | 0:12:33 | |
-Pepperoni pizzas. -Not very exotic. -With the pepperonis taken off. | 0:12:33 | 0:12:38 | |
-So Margheritas? -Yes, but loads of them. | 0:12:38 | 0:12:43 | |
-How many? -Like, 50. | 0:12:43 | 0:12:46 | |
-That's quite a lot. -Yes, it is. -I expect that's very expensive. -Mm. | 0:12:46 | 0:12:51 | |
-Better order them in. -Will do. I'm not actually that hungry. | 0:12:51 | 0:12:55 | |
There, it's calling. | 0:12:55 | 0:12:56 | |
-Do you want to go halvsies? -No. | 0:13:00 | 0:13:03 | |
APPLAUSE | 0:13:05 | 0:13:08 | |
< Right. | 0:13:10 | 0:13:12 | |
Oh, shitting shit! Oh! | 0:13:13 | 0:13:18 | |
Oh, piss ant! Oh, fucking Nora, that hurt. | 0:13:18 | 0:13:22 | |
Arseholes! | 0:13:22 | 0:13:25 | |
Oh, crap! | 0:13:25 | 0:13:27 | |
Crap on a fucking stick, that hurt. Wankers! | 0:13:27 | 0:13:32 | |
Wank! That hurt. Wank, wank, wank! | 0:13:32 | 0:13:35 | |
WANK! | 0:13:35 | 0:13:37 | |
HE GROANS | 0:13:37 | 0:13:39 | |
You do know you're meant to send the family MY finger, don't you? | 0:13:41 | 0:13:44 | |
LAUGHTER | 0:13:44 | 0:13:46 | |
APPLAUSE | 0:13:46 | 0:13:49 | |
That was the cottage on the Saturday. | 0:14:00 | 0:14:02 | |
That was the cottage on the Sunday. | 0:14:02 | 0:14:06 | |
That's the cottage at night. | 0:14:08 | 0:14:10 | |
Ah! That's the path up the lane. | 0:14:11 | 0:14:14 | |
And that's the path itself. | 0:14:14 | 0:14:17 | |
It felt lovely underfoot, Emma. | 0:14:17 | 0:14:19 | |
Emma, have you seen the film Babe? | 0:14:19 | 0:14:23 | |
Er, Roberta, you've given it away! | 0:14:23 | 0:14:27 | |
Now, Emma... | 0:14:30 | 0:14:31 | |
..that is actually... | 0:14:33 | 0:14:35 | |
..a picture... | 0:14:36 | 0:14:39 | |
of a picture of a pig | 0:14:39 | 0:14:42 | |
that Roberta took in case we didn't actually see a pig! Oh, God. | 0:14:42 | 0:14:49 | |
-Love that. -Look at that lovely grass, Emma. -Really green, it was. | 0:14:51 | 0:14:56 | |
That's a tractor Emma. | 0:15:03 | 0:15:05 | |
Sorry, what were you wearing on the last one? | 0:15:05 | 0:15:08 | |
Tractor wheels, discarded! | 0:15:11 | 0:15:13 | |
Ah, then we went on a walk and met a lovely farmer. | 0:15:13 | 0:15:18 | |
Emma? Emma! | 0:15:26 | 0:15:29 | |
Look what we've found. BOTH: A pig! | 0:15:29 | 0:15:33 | |
THEY LAUGH | 0:15:33 | 0:15:35 | |
That's a gate, Emma. | 0:15:36 | 0:15:38 | |
Then we met a couple of hikers. They were lovely, weren't they, Janice? | 0:15:42 | 0:15:48 | |
Oh, they were lovely. | 0:15:48 | 0:15:49 | |
Oh, my God. | 0:15:51 | 0:15:52 | |
SHE SQUEALS | 0:16:09 | 0:16:11 | |
(Kill me.) | 0:16:12 | 0:16:14 | |
SHE YELPS | 0:16:14 | 0:16:17 | |
And that was the cottage on the Tuesday. | 0:16:17 | 0:16:20 | |
LAUGHTER AND APPLAUSE | 0:16:23 | 0:16:26 | |
That was lovely(!) | 0:16:30 | 0:16:32 | |
I like the way you were all laughing at the time | 0:16:32 | 0:16:34 | |
and everyone just stopped laughing and went, "People have been hurt." | 0:16:34 | 0:16:37 | |
Some people like it dark, some people like it light. | 0:16:37 | 0:16:40 | |
That was particularly dark. I like that. | 0:16:40 | 0:16:42 | |
Those of you following the narrative of this series will realise | 0:16:42 | 0:16:45 | |
I've been having a weird time relationship-wise, | 0:16:45 | 0:16:47 | |
so I thought I'd track back to my first date, | 0:16:47 | 0:16:49 | |
see if I could find the seeds of my disaster. | 0:16:49 | 0:16:51 | |
Sure enough, I can. I'm talking about the first girlfriend. | 0:16:51 | 0:16:54 | |
Not where you actually do it and are properly in love. | 0:16:54 | 0:16:56 | |
I'm talking about the first when you're 13, that relationship. | 0:16:56 | 0:16:59 | |
Remember back to the awkwardness going on that first date, the horror. | 0:16:59 | 0:17:03 | |
How much you got ready before. I'd done the too much gel on the hair. | 0:17:03 | 0:17:08 | |
You know when boys go through a phase of a whole pot a day? I'm totally over it! | 0:17:08 | 0:17:12 | |
I've moved on. Wanker! | 0:17:12 | 0:17:14 | |
Self-heckle. He's heckling himself. I love it, Bernard. | 0:17:14 | 0:17:18 | |
Girls, do remember what it was like when you had your first boyfriend over at 13? | 0:17:18 | 0:17:21 | |
The atmosphere was horrible. | 0:17:21 | 0:17:23 | |
The dad was sat on the sofa on his own. | 0:17:23 | 0:17:25 | |
"My daughter is too young." Not looking at me, even though | 0:17:25 | 0:17:28 | |
we were on the same sofa, slightly turned away like that. | 0:17:28 | 0:17:32 | |
She's come down the stairs wearing too much. A full ballgown. | 0:17:32 | 0:17:35 | |
"Indeed, you are most welcome to afternoon tea at my house. | 0:17:35 | 0:17:39 | |
"I have dressed appropriately." Really over the top. | 0:17:39 | 0:17:41 | |
And the dad just turned away like that watching a wildlife documentary. | 0:17:41 | 0:17:45 | |
Just horrible. Can you feel the atmosphere? | 0:17:45 | 0:17:48 | |
This wouldn't be a stand-up routine - | 0:17:48 | 0:17:50 | |
it barely fricking is anyway - | 0:17:50 | 0:17:51 | |
if the next thing hadn't happened. | 0:17:51 | 0:17:54 | |
This is one of the worst fricking moments of my life. | 0:17:54 | 0:17:57 | |
Coming into my nose, in gusts, the pungent smell of dog shit. | 0:17:57 | 0:18:04 | |
A young boy, who's broken by his dad's mantra of remove your shoes. | 0:18:04 | 0:18:10 | |
"Never leave your shoes on." | 0:18:10 | 0:18:11 | |
I've gone over to a house where I'm unwelcome and trod shit | 0:18:11 | 0:18:14 | |
all the way from the front door | 0:18:14 | 0:18:16 | |
to exactly where I was sitting on the carpet. | 0:18:16 | 0:18:20 | |
Not only that, there are two versions of treading in dog poo. | 0:18:20 | 0:18:23 | |
There's where you've trod in it a while ago and you've left prints | 0:18:23 | 0:18:26 | |
and then there's where you've just trod in it. | 0:18:26 | 0:18:28 | |
I must have hit it just before the door. | 0:18:28 | 0:18:30 | |
You know when you first tread in it | 0:18:30 | 0:18:32 | |
and you carry the poo with you for a couple of steps? | 0:18:32 | 0:18:34 | |
I've carried it in! You know how I walk. I'm like, "Hey!" | 0:18:34 | 0:18:37 | |
I'd flicked poo against the wall! | 0:18:37 | 0:18:40 | |
If it was CSI, they'd have found the spatter marks. | 0:18:40 | 0:18:43 | |
"This poo was flicked here." | 0:18:43 | 0:18:46 | |
In clumps, trod through. | 0:18:46 | 0:18:47 | |
And the mum, who was the nice one... | 0:18:47 | 0:18:50 | |
You know how it works in a marriage with the mum and dad? | 0:18:50 | 0:18:53 | |
There's one strict, horrible parent and one broken and twitchy. | 0:18:53 | 0:18:56 | |
It's not always the woman that's broken. Sometimes the man is and the woman's dominant. | 0:18:56 | 0:19:00 | |
In this one the man was dominant and the woman was broken. "All right, love. | 0:19:00 | 0:19:03 | |
"Don't worry about it. I'm the broken, twitchy parent." | 0:19:03 | 0:19:06 | |
You know when someone's telling you not to worry and it makes you want to cry? | 0:19:06 | 0:19:09 | |
"It's all right. It can happen to anyone. Don't worry, love." | 0:19:09 | 0:19:12 | |
She went back and got a bowl from under the sink | 0:19:12 | 0:19:15 | |
and I was sat there | 0:19:15 | 0:19:16 | |
while her mum was scrubbing shit out of the carpet like that. | 0:19:16 | 0:19:21 | |
This is the bit which is going to sound written, and you'll think it is, | 0:19:21 | 0:19:25 | |
but I swear to God the timing was unbelievable. | 0:19:25 | 0:19:27 | |
As the mum was scrubbing the shit out of the carpet, | 0:19:27 | 0:19:31 | |
the dad who'd been watching the wildlife documentary about walruses... | 0:19:31 | 0:19:34 | |
He didn't react at all, just his nostrils went like that. | 0:19:34 | 0:19:38 | |
That was his only reaction. | 0:19:38 | 0:19:40 | |
And it reached the bit, as it always does in wildlife documentaries, | 0:19:40 | 0:19:44 | |
to do with mating. I don't know if you've ever seen a walrus have sex? | 0:19:44 | 0:19:48 | |
You want to come down Southend sometime! | 0:19:48 | 0:19:51 | |
CAN I BUY YOU A SAMBUCA? | 0:19:51 | 0:19:53 | |
As the mum started... You know when people start to scrub shit, they start quite gently | 0:19:57 | 0:20:01 | |
and then they really get into it? Just as she got into really scrubbing the poo out, | 0:20:01 | 0:20:05 | |
that was when the male walrus was mating the female walrus and it goes like this. | 0:20:05 | 0:20:09 | |
"Wargh!" Right? | 0:20:09 | 0:20:11 | |
Just for a short period of time the hand of the shit scrub | 0:20:11 | 0:20:16 | |
and the walrus's penile thrust matched up. | 0:20:16 | 0:20:19 | |
I was just sat there. "Wargh! Wargh! Wargh! Wargh!" | 0:20:19 | 0:20:25 | |
That was my first date, ladies and gentlemen. | 0:20:25 | 0:20:28 | |
LAUGHTER AND APPLAUSE | 0:20:28 | 0:20:29 | |
Ladies and gentlemen, it's time to reward you in the form of the one, the only, Joe Wilkinson. | 0:20:32 | 0:20:36 | |
CHEERING AND APPLAUSE | 0:20:36 | 0:20:38 | |
'If you're already worried what the neighbours think of you, | 0:21:01 | 0:21:05 | |
'and you know the local kids are trick or treating...' | 0:21:05 | 0:21:08 | |
DOORBELL RINGS | 0:21:09 | 0:21:11 | |
ALL: Trick or treat? | 0:21:19 | 0:21:21 | |
'Don't then answer the door in a dressing gown that you know | 0:21:21 | 0:21:25 | |
'is prone to flapping open.' | 0:21:25 | 0:21:27 | |
CHEERING AND APPLAUSE | 0:21:46 | 0:21:49 | |
Now, it's time for the final scoop of our chocolaty-dark urban drama. | 0:21:52 | 0:21:58 | |
Let's stick a Flake in this bad boy. It's The Van. | 0:21:58 | 0:22:02 | |
APPLAUSE | 0:22:02 | 0:22:04 | |
How far will you go to sell ice cream? | 0:22:13 | 0:22:18 | |
Previously on The Van... | 0:22:18 | 0:22:20 | |
You need to come and see this. | 0:22:20 | 0:22:22 | |
Fuckers. | 0:22:23 | 0:22:24 | |
We don't give a fuck about ice cream. | 0:22:24 | 0:22:27 | |
SOBBING | 0:22:27 | 0:22:28 | |
What have you done? | 0:22:28 | 0:22:31 | |
No going back now. | 0:22:34 | 0:22:36 | |
DRAMATIC MUSIC PLAYS | 0:22:37 | 0:22:39 | |
Six shots fired from right outside the van | 0:22:46 | 0:22:49 | |
and none of you heard a thing? | 0:22:49 | 0:22:52 | |
No, Inspector. | 0:22:52 | 0:22:54 | |
None of us. Right, Mark? | 0:22:54 | 0:22:57 | |
Er, right. | 0:22:57 | 0:22:59 | |
I just got the blood work back from the lab. | 0:22:59 | 0:23:03 | |
Made for some very interesting reading... | 0:23:04 | 0:23:06 | |
..Miss Carter. | 0:23:08 | 0:23:10 | |
I did it. | 0:23:19 | 0:23:21 | |
-I killed them both. -Jimmy, no. What are you doing? | 0:23:22 | 0:23:25 | |
I'll take the rap. | 0:23:25 | 0:23:28 | |
-Save the van. -I can't let you do that, old friend. | 0:23:29 | 0:23:33 | |
What are you going to do to stop me? | 0:23:35 | 0:23:37 | |
This. | 0:23:38 | 0:23:39 | |
BEEPING | 0:23:39 | 0:23:41 | |
LAUGHTER AND APPLAUSE | 0:23:43 | 0:23:45 | |
OK, guys. We are approaching the end of the show and if that worries you, | 0:23:48 | 0:23:51 | |
just log onto: | 0:23:51 | 0:23:54 | |
for loads more exclusive content. | 0:23:54 | 0:23:55 | |
Come to think of it, if a show merely finishing is worrying you, | 0:23:55 | 0:23:58 | |
you might want to swallow about eight packs of Imodium | 0:23:58 | 0:24:01 | |
to deal with the musical onslaught coming your way. | 0:24:01 | 0:24:03 | |
I think you know what I'm talking about. It's the one, the only, Nick Helm! | 0:24:03 | 0:24:08 | |
CHEERING AND APPLAUSE | 0:24:08 | 0:24:10 | |
DRAMATIC ROCK MUSIC PLAYS | 0:24:13 | 0:24:16 | |
CHEERING AND APPLAUSE | 0:24:39 | 0:24:41 | |
A bit of back story on this one first. | 0:24:43 | 0:24:46 | |
LAUGHTER | 0:24:46 | 0:24:48 | |
Relationships are hard, aren't they? | 0:24:48 | 0:24:51 | |
Good. MUSIC STARTS | 0:24:52 | 0:24:54 | |
# She's taking me to the County Court | 0:24:54 | 0:24:57 | |
# She's gonna get me a nice divorce | 0:24:57 | 0:25:00 | |
# She's gonna sign the papers Sign 'em good | 0:25:00 | 0:25:03 | |
# She's gonna sign 'em like a good wife should | 0:25:03 | 0:25:07 | |
# She's taken half of all I own | 0:25:07 | 0:25:12 | |
# I get the kids but she keeps the home | 0:25:12 | 0:25:14 | |
# She's gonna sign the papers Sign 'em nice | 0:25:14 | 0:25:17 | |
# She's gonna sign 'em once She's gonna sign 'em twice | 0:25:17 | 0:25:21 | |
# Get a divorce | 0:25:21 | 0:25:25 | |
# Get a divorce | 0:25:25 | 0:25:28 | |
# She's gonna sign the papers Sign 'em well | 0:25:29 | 0:25:32 | |
# She's gonna sign 'em while I go to hell | 0:25:32 | 0:25:36 | |
# I'm looking round for a bachelor flat | 0:25:36 | 0:25:40 | |
# I ain't allowed no dogs no cats | 0:25:40 | 0:25:43 | |
# She's gonna sign the papers Sign 'em grand | 0:25:43 | 0:25:46 | |
# She's gonna sign 'em with her writing hand | 0:25:46 | 0:25:51 | |
# She started seeing a millionaire | 0:25:51 | 0:25:54 | |
# I've had to put the kids in care | 0:25:54 | 0:25:57 | |
# She's gonna sign the papers Sign 'em fine | 0:25:57 | 0:26:01 | |
# She's gonna sign 'em on the dotted line | 0:26:01 | 0:26:04 | |
# Get a divorce | 0:26:04 | 0:26:07 | |
# Get a divorce | 0:26:08 | 0:26:10 | |
# She's gonna sign the papers Sign 'em right | 0:26:12 | 0:26:15 | |
# She's gonna sign 'em every Tuesday night | 0:26:15 | 0:26:19 | |
# I met a girl who looked quite keen | 0:26:20 | 0:26:23 | |
# I swear to God she was 16 | 0:26:23 | 0:26:26 | |
# She's gonna sign the papers without fail | 0:26:26 | 0:26:30 | |
# She's gonna sign 'em while I go to jail | 0:26:30 | 0:26:33 | |
# She's gonna sign the papers once again | 0:26:33 | 0:26:37 | |
# She's gonna sign 'em with her fountain pen | 0:26:37 | 0:26:40 | |
# She's gonna sign the papers Sign 'em brill | 0:26:40 | 0:26:44 | |
# She's gonna sign 'em with her fucking quill. # | 0:26:44 | 0:26:47 | |
CHEERING AND APPLAUSE | 0:26:48 | 0:26:50 | |
Wow, I see your rider's arrived. It's a lot of pizza. | 0:27:00 | 0:27:04 | |
-500 quid's worth, dog. Rockstar! -They forgot to take the pepperoni off. -Yeah, I know. | 0:27:04 | 0:27:09 | |
-Why don't you just eat it? -I can't. I'm allergic. | 0:27:09 | 0:27:12 | |
-It still tastes of it though. -Yeah, you look quite blotchy. -Should be fine. | 0:27:12 | 0:27:16 | |
I got myself a side order of antihistamine. | 0:27:16 | 0:27:20 | |
-Are you going to be all right for Russell's big dinner? -Yeah. -We're leaving in five. | 0:27:20 | 0:27:24 | |
-Hey. Ready to go? -Yeah. | 0:27:25 | 0:27:27 | |
Somebody got my bloody rider wrong. | 0:27:29 | 0:27:32 | |
I specifically asked for no pepperoni. | 0:27:32 | 0:27:35 | |
-Will you be all right? -Yeah, should be fine. | 0:27:39 | 0:27:41 | |
-My windpipe's closing up. -Cool. | 0:27:41 | 0:27:44 | |
Don't embarrass yourself, newby! | 0:27:45 | 0:27:48 | |
Subtitles by Red Bee Media Ltd | 0:27:54 | 0:27:58 |