Browse content similar to Episode 5. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
THIS PROGRAMME CONTAINS STRONG LANGUAGE AND ADULT HUMOUR | 0:00:02 | 0:00:08 | |
-Got a text, mate. -I've got... -It might be urgent. -"We regret to inform you you have HIV and chlamydia. | 0:00:08 | 0:00:12 | |
"Your penis is also small and gross." | 0:00:12 | 0:00:15 | |
-Shit, mate, might want to get down the clinic. -Yeah, but it might be a fake. -Why? | 0:00:15 | 0:00:20 | |
Because the text is from you. | 0:00:20 | 0:00:22 | |
Damn! People don't usually save my number. | 0:00:22 | 0:00:26 | |
Why are you filming this? | 0:00:26 | 0:00:28 | |
Then the secret is out. The rumours are true. | 0:00:28 | 0:00:31 | |
I am doing my own prank show. | 0:00:31 | 0:00:33 | |
I'm calling it Spunked. It'll be like Punked. | 0:00:33 | 0:00:35 | |
-Do you know what that is? -Yeah, I worked on Punt. -Let me explain. | 0:00:35 | 0:00:38 | |
It's where celebrities are put in hilariously compromising positions. | 0:00:38 | 0:00:41 | |
For example, for Justin Timberlake, they got an entire removal crew. | 0:00:41 | 0:00:45 | |
-What are you going to do? -We're going to slap Russell Kane. -Don't. | 0:00:45 | 0:00:48 | |
-Here he comes. -Why are you filming me? -Cos you're about to get slapped. | 0:00:48 | 0:00:53 | |
-Why? -Very good question. | 0:00:53 | 0:00:56 | |
Well, he didn't find that... very funny. | 0:00:58 | 0:01:01 | |
Welcome to Spunked! | 0:01:04 | 0:01:06 | |
CHEERING AND APPLAUSE | 0:01:26 | 0:01:28 | |
Hello, lovely humans. | 0:01:30 | 0:01:33 | |
Well, double-penetrate me with your giggles. | 0:01:33 | 0:01:36 | |
This is Live At The Electric! | 0:01:36 | 0:01:39 | |
There's so many of them! | 0:01:41 | 0:01:42 | |
Now, I am Russell Kane. Some of you slightly confused there. | 0:01:44 | 0:01:49 | |
Do not do me the credit of muddling me with any of the other Russells. | 0:01:49 | 0:01:52 | |
I live alone, I live in England, I'm into books, pets, | 0:01:52 | 0:01:55 | |
and if a woman so much as touches me, she develops eczema immediately. | 0:01:55 | 0:01:59 | |
Not really. He's just making himself look vulnerable so he can get more vag. Ding! | 0:01:59 | 0:02:05 | |
Thankfully, I'm the only self-obsessed stand-up comedian in tonight's show. | 0:02:05 | 0:02:11 | |
The rest of my crew are a heterogeneous bunch of geniuses | 0:02:11 | 0:02:15 | |
peddling the genial crafts of sketch and character comedy. How exciting is that, yeah? | 0:02:15 | 0:02:19 | |
We've even cross-bred hard rock with mental breakdown - it's too exciting. | 0:02:19 | 0:02:23 | |
Hashtag pre-cum. | 0:02:23 | 0:02:26 | |
I don't want to be horrible to the people that are watching the show, | 0:02:27 | 0:02:31 | |
because I use this phrase myself, but as a general rule, | 0:02:31 | 0:02:34 | |
the more that you use the term "random", yeah, the more horribly | 0:02:34 | 0:02:38 | |
linear and predictable and ordinary your life probably is, yeah? | 0:02:38 | 0:02:42 | |
"Oh, my God, it's so random. I'm walking down the street with my mate Ollie, I can't believe it! | 0:02:42 | 0:02:47 | |
"Oh, my God, I'd better trip over! Oh, my God, random! Life just can't be predicted!" | 0:02:47 | 0:02:51 | |
"WTF? Let's cover ourselves in hummous and go to Oxbridge immediately!" | 0:02:51 | 0:02:56 | |
"Why are you being so random?" "I'm not. I'm not being random, am I?" | 0:02:58 | 0:03:02 | |
"Do you even know what it means?" | 0:03:02 | 0:03:04 | |
"I can't believe I bumped into my friend Tim. What are the chances?" | 0:03:04 | 0:03:07 | |
Quite high. You and Tim are into the same stuff, you're the same age, | 0:03:07 | 0:03:10 | |
it's barely an interesting fucking coincidence. | 0:03:10 | 0:03:13 | |
It's not random. | 0:03:13 | 0:03:15 | |
What'd be random is if I dressed up as a knight | 0:03:15 | 0:03:17 | |
and then stuck a squirrel in your shitter. That'd be random! | 0:03:17 | 0:03:21 | |
"Oh, my God! How random! I'm being raped by a woodland animal. | 0:03:22 | 0:03:25 | |
"That truly is mathematically accurate, man!" | 0:03:25 | 0:03:28 | |
Now, the thing is, there'll be lots of people watching, 16 to 18, | 0:03:29 | 0:03:33 | |
that find it quite patronising when I say "younger people", | 0:03:33 | 0:03:36 | |
implying that you're somehow not yet fully grown up. | 0:03:36 | 0:03:39 | |
Let me put this very clearly to you, if you are watching this, | 0:03:39 | 0:03:42 | |
aged 14, 15, 16. | 0:03:42 | 0:03:44 | |
There's a quick check to see if you're fully grown up. | 0:03:44 | 0:03:47 | |
Ask yourself this. If you're going, "I can't believe you're so patronising, | 0:03:47 | 0:03:51 | |
"I'll switch the TV off! Excuse me, I am grown up. I know my politics, my life. | 0:03:51 | 0:03:55 | |
"I'm sexually active. How dare you suggest I'm not grown up?!" | 0:03:55 | 0:03:58 | |
That is the number one symptom of being a fucking child. | 0:03:58 | 0:04:01 | |
Number one! | 0:04:01 | 0:04:02 | |
If you are sat there thinking, "I'm a snivelling baby that knows nothing about life," | 0:04:02 | 0:04:07 | |
welcome to adulthood. | 0:04:07 | 0:04:09 | |
Welcome, but not until you've slid down a fridge sobbing with that revelation. | 0:04:09 | 0:04:14 | |
"My life's fucked..." | 0:04:14 | 0:04:16 | |
Not until you've had a fridge slide are you fully adult. | 0:04:17 | 0:04:20 | |
I find the mating game quite hard, because I developed a public... | 0:04:23 | 0:04:26 | |
I play up to it on stage. It's only natural. | 0:04:26 | 0:04:29 | |
People say, "You're camp." You play up to it if it gets a laugh. That's what a comedian does. | 0:04:29 | 0:04:32 | |
But I'm finding it hard to seal the deal with the ladies off the stage. | 0:04:32 | 0:04:37 | |
Part of it is, the angriness of sex puts me off. | 0:04:37 | 0:04:41 | |
Why did evolution seek to make anger and sex in he same field? | 0:04:41 | 0:04:46 | |
The natural face of shagging is quite angry, isn't it? | 0:04:46 | 0:04:49 | |
"Yeah, this is the best feeling I've ever had! | 0:04:49 | 0:04:51 | |
"I've never felt so good, making sweet, gentle love to you..." | 0:04:51 | 0:04:55 | |
Eugh! At what point did it become evolutionary beneficial | 0:04:55 | 0:05:01 | |
to look like you hate someone's guts while you're pounding them? "I really love you!" | 0:05:01 | 0:05:05 | |
How much nicer would sex be if this was the natural face of shagging? | 0:05:05 | 0:05:10 | |
I think a lot of guys would like it, yeah. Not too funny, though. | 0:05:15 | 0:05:19 | |
You can't laugh during sex. Laughing during sex - forget about it. | 0:05:19 | 0:05:22 | |
-"I'd like to try it, though." -HE LAUGHS HYSTERICALLY | 0:05:22 | 0:05:26 | |
For some of the younger people who maybe haven't experimented | 0:05:30 | 0:05:33 | |
with any sexual partners yet - don't attempt that, | 0:05:33 | 0:05:35 | |
The worst one is when you're laughed OUT of someone. How horrible is that?! | 0:05:35 | 0:05:38 | |
HE GIGGLES MANIACALLY | 0:05:38 | 0:05:40 | |
You laughed me out! | 0:05:40 | 0:05:43 | |
That's horrible, especially if that happens at the end. | 0:05:43 | 0:05:46 | |
"Don't laugh!" Splat! "Oh, no!" | 0:05:46 | 0:05:48 | |
# You can go hot, you can go home, you can go splat! # | 0:05:48 | 0:05:51 | |
My mum calls him will.1am. | 0:05:54 | 0:05:56 | |
I think we should proceed. Imagine being inside my head - I'm fucked. | 0:05:58 | 0:06:01 | |
Now, make some noise. | 0:06:01 | 0:06:03 | |
Clap until the mock masonry falls from the walls, for Winston! | 0:06:03 | 0:06:08 | |
CHEERING AND APPLAUSE | 0:06:08 | 0:06:11 | |
CRACKLY INTERFERENCE | 0:06:16 | 0:06:17 | |
'I like to watch. | 0:06:22 | 0:06:23 | |
'That's why I have eyes, I suppose... | 0:06:25 | 0:06:28 | |
'to watch things. | 0:06:28 | 0:06:30 | |
'Some people think that watching is a strange and perverse habit. | 0:06:33 | 0:06:37 | |
'They're right. I am both strange and perverse... | 0:06:40 | 0:06:45 | |
'..only I'm different to the other watchers, | 0:06:47 | 0:06:51 | |
'because I don't just watch people, places, wildlife. | 0:06:51 | 0:06:56 | |
'Oh, no. My watching takes a far more sinister form. | 0:06:56 | 0:07:03 | |
'I like to watch the watching. | 0:07:03 | 0:07:06 | |
'That's right. I'm a voyeur voyeur. | 0:07:08 | 0:07:12 | |
'I spectate the spectator. | 0:07:15 | 0:07:17 | |
'Nothing gets me more excited than watching another filthy pervert | 0:07:17 | 0:07:21 | |
'watching someone else, with no idea he's being watched by me. | 0:07:21 | 0:07:25 | |
HE GRUNTS | 0:07:25 | 0:07:27 | |
'The man preparing an ambush least expects an ambush. | 0:07:27 | 0:07:31 | |
'The man mugging a child least expects to be mugged by a child. | 0:07:33 | 0:07:39 | |
'And here my watcher has no idea he's being watched. | 0:07:41 | 0:07:44 | |
HE JUDDERS | 0:07:44 | 0:07:47 | |
HE EXHALES 'Why do I do it?' | 0:07:47 | 0:07:50 | |
Not for charity, that's for sure! | 0:07:54 | 0:07:58 | |
LAUGHTER AND APPLAUSE | 0:07:58 | 0:07:59 | |
-Welcome, sir. -Oh, hello. -Who is this little one? -This is Sally. | 0:08:10 | 0:08:14 | |
How old are you, Sally? | 0:08:14 | 0:08:16 | |
She's having a shy day today. | 0:08:16 | 0:08:17 | |
She's four years old. | 0:08:17 | 0:08:19 | |
Oh, I don't know if you've noticed | 0:08:19 | 0:08:20 | |
but kids under the age of five eat for free, so... | 0:08:20 | 0:08:23 | |
Oh, look at that. Oh, shoot. We hadn't no... | 0:08:23 | 0:08:25 | |
Oh, we've made up our minds anyway. | 0:08:25 | 0:08:27 | |
-Er, I'll have the small cheese toastie, please... -Mm-hm. | 0:08:27 | 0:08:29 | |
..and Sally will have the 15oz rib eye. | 0:08:29 | 0:08:32 | |
LAUGHTER | 0:08:32 | 0:08:33 | |
-15oz rib eye? -Yes, please, with a whisky chaser. | 0:08:34 | 0:08:38 | |
LAUGHTER | 0:08:38 | 0:08:39 | |
Right away, sir. | 0:08:42 | 0:08:44 | |
LAUGHTER AND APPLAUSE | 0:08:46 | 0:08:48 | |
CHEERING AND APPLAUSE | 0:08:50 | 0:08:52 | |
Now, do you know what would be much more fun than watching me | 0:08:52 | 0:08:55 | |
desperately thrust for attention? | 0:08:55 | 0:08:56 | |
It's giving a massive round of applause | 0:08:56 | 0:08:58 | |
and welcoming to the stage Two Episodes Of Mash! | 0:08:58 | 0:09:01 | |
APPLAUSE | 0:09:01 | 0:09:03 | |
HE MOUTHS THANKS | 0:09:11 | 0:09:12 | |
LAUGHTER | 0:09:18 | 0:09:19 | |
Hello. LAUGHTER | 0:09:24 | 0:09:27 | |
-I'm Joe, this is Diane. -Hello. | 0:09:27 | 0:09:29 | |
Er...this is our bit. | 0:09:31 | 0:09:33 | |
We're going to do, er...two sketches. | 0:09:36 | 0:09:39 | |
CHEERING | 0:09:39 | 0:09:42 | |
I'll be honest with you - we may do less if we lose confidence. | 0:09:42 | 0:09:46 | |
LAUGHTER | 0:09:46 | 0:09:48 | |
-That's fair, innit? -Mm. | 0:09:48 | 0:09:49 | |
So, why is there a picture of an angle grinder? | 0:09:49 | 0:09:54 | |
Oh, they've printed the wrong one of the pictures I sent them. | 0:09:54 | 0:09:58 | |
That one was meant to be for a christening card. | 0:09:58 | 0:10:01 | |
LAUGHTER | 0:10:01 | 0:10:02 | |
-Right, shall we do a sketch? -Yeah. | 0:10:08 | 0:10:10 | |
First one. | 0:10:16 | 0:10:17 | |
LAUGHTER | 0:10:20 | 0:10:21 | |
-Are you a genie? -Yep. LAUGHTER | 0:10:33 | 0:10:37 | |
Right. | 0:10:37 | 0:10:38 | |
-I was expecting a puff of smoke, or something. -Oh, right, sorry. | 0:10:38 | 0:10:43 | |
You caught me off guard. | 0:10:43 | 0:10:46 | |
I was washing me hair. | 0:10:46 | 0:10:47 | |
LAUGHTER | 0:10:47 | 0:10:48 | |
-So, do I get three wishes, then? -Yeah. -Great, OK. My first wish... | 0:10:51 | 0:10:56 | |
-Oh, right, yeah. -My first wish is to be a millionaire. -Very original. | 0:10:56 | 0:11:01 | |
Fair enough. | 0:11:01 | 0:11:02 | |
-Bollocks. -What? -Oh, shit. | 0:11:08 | 0:11:12 | |
-What? -You know... Oh, fuck. | 0:11:12 | 0:11:14 | |
What? | 0:11:14 | 0:11:16 | |
You know how... Oh! | 0:11:18 | 0:11:19 | |
You know how I make the wishes? | 0:11:19 | 0:11:21 | |
Well, I think I've left the instructions in the lantern. | 0:11:21 | 0:11:25 | |
Right, well, go in and get them. | 0:11:25 | 0:11:27 | |
Yes, but how I get back in is part of the general instructions, | 0:11:27 | 0:11:30 | |
which are in the lantern. | 0:11:30 | 0:11:32 | |
So where does that leave us? | 0:11:32 | 0:11:34 | |
Ah, the annoying thing is, I can see them in there. | 0:11:34 | 0:11:37 | |
LAUGHTER | 0:11:37 | 0:11:38 | |
Oh, you're a dickhead! How long have you been in there? | 0:11:40 | 0:11:43 | |
-Dunno, about a thousand years? -And you never thought of learning it? | 0:11:45 | 0:11:49 | |
I've got Sky+. | 0:11:50 | 0:11:52 | |
LAUGHTER | 0:11:52 | 0:11:53 | |
-It takes up a lot of time. -I could have really done with three wishes. | 0:11:54 | 0:11:58 | |
SHE SIGHS | 0:11:59 | 0:12:01 | |
What about me? I'm stuck out here now. | 0:12:01 | 0:12:04 | |
-Can I stay with you for a bit? -No. | 0:12:04 | 0:12:06 | |
-Hello? Hello?! -What are you doing? | 0:12:10 | 0:12:13 | |
Just seeing if my flatmate's in. | 0:12:13 | 0:12:16 | |
CHEERING AND APPLAUSE | 0:12:18 | 0:12:20 | |
BAND PLAYS: "The Star-Spangled Banner" | 0:12:28 | 0:12:30 | |
Hello, Britain. This is Hari Kondabolu and I'm an American. | 0:12:31 | 0:12:35 | |
I recently tried some of your cuisine. | 0:12:35 | 0:12:38 | |
This is your national dish? | 0:12:38 | 0:12:40 | |
You plundered the world for spice and you still eat something | 0:12:40 | 0:12:42 | |
that could have been invented by McDonald's?! | 0:12:42 | 0:12:44 | |
"But potatoes are good for you!" | 0:12:44 | 0:12:46 | |
Unless they're deep-fried. | 0:12:46 | 0:12:48 | |
Fish is good for you, too! | 0:12:48 | 0:12:49 | |
Unless they're deep-fried. | 0:12:49 | 0:12:51 | |
Guys, stop deep-frying everything. | 0:12:51 | 0:12:54 | |
Black pudding is sausage made of congealed blood?! | 0:12:54 | 0:12:59 | |
Hang on - you eat blood, you have terrible complexions, | 0:13:00 | 0:13:06 | |
you live in a country with very little sunlight... | 0:13:06 | 0:13:09 | |
I knew it! You're vampires! LAUGHTER | 0:13:09 | 0:13:12 | |
Of course, it's all about the flavour. | 0:13:12 | 0:13:15 | |
It's best to add salt, vinegar and ketchup to bring out | 0:13:15 | 0:13:18 | |
the natural taste...of salt, vinegar and ketchup. | 0:13:18 | 0:13:21 | |
Marmite is disgusting and I know half of you agree with me. | 0:13:21 | 0:13:26 | |
Do you even know what Marmite is? It's the waste product from beer. | 0:13:26 | 0:13:30 | |
It's beer shit. | 0:13:30 | 0:13:31 | |
And Hari Kondabolu doesn't eat shit. | 0:13:31 | 0:13:36 | |
Good night, Britain. | 0:13:36 | 0:13:38 | |
APPLAUSE | 0:13:38 | 0:13:42 | |
CHEERING AND APPLAUSE | 0:13:42 | 0:13:44 | |
Ooh. | 0:14:00 | 0:14:03 | |
-What are you doing? -Touching you with this ten foot pole. | 0:14:05 | 0:14:09 | |
Ho-ho! Wow! | 0:14:14 | 0:14:16 | |
-Makes me feel quite good about myself. -Yeah. | 0:14:18 | 0:14:21 | |
I always said I wouldn't do this, but look at me. | 0:14:23 | 0:14:26 | |
I'm doing it, aren't I? | 0:14:28 | 0:14:30 | |
-Thanks, Diane. -You're welcome. -That's it. | 0:14:32 | 0:14:34 | |
CHEERING AND APPLAUSE | 0:14:34 | 0:14:38 | |
Heads up, YouTubers. | 0:14:42 | 0:14:43 | |
We're here in Joe Wilkinson's dressing room | 0:14:43 | 0:14:46 | |
and he's about to get a bit of a surprise. | 0:14:46 | 0:14:49 | |
-Tell them what you're going to do. -I'm going to jump out at him. | 0:14:49 | 0:14:53 | |
-Do the thing. -Rawr! | 0:14:53 | 0:14:56 | |
A tiger in my dressing room?! What the fuck?! | 0:14:56 | 0:14:59 | |
-DOOR OPENS -Shit, that's him. | 0:14:59 | 0:15:02 | |
HE SOBS Fuck! | 0:15:09 | 0:15:12 | |
CONTINUES TO SOB | 0:15:14 | 0:15:17 | |
-Do it. Do it. -No way! | 0:15:22 | 0:15:26 | |
Spunk. | 0:15:34 | 0:15:35 | |
CHEERING AND APPLAUSE | 0:15:37 | 0:15:40 | |
Argh! | 0:15:45 | 0:15:46 | |
-I've... I've been stabbed. I can't feel my arms. -Get help! Get help! | 0:15:49 | 0:15:54 | |
No, wait! | 0:15:54 | 0:15:56 | |
It's too late. | 0:15:56 | 0:15:57 | |
-Do something for me. -Anything. -Look in my pocket. | 0:15:59 | 0:16:02 | |
My wife and I are doing IVF. | 0:16:06 | 0:16:09 | |
I've got to leave her something. Give my wife my baby. | 0:16:09 | 0:16:13 | |
Oh! Right. | 0:16:15 | 0:16:17 | |
Give my wife my baby! | 0:16:17 | 0:16:20 | |
Yeah. Yeah, OK. | 0:16:23 | 0:16:25 | |
Thank you. | 0:16:25 | 0:16:27 | |
Yeah. | 0:16:29 | 0:16:31 | |
Ah... | 0:16:34 | 0:16:36 | |
That's not quite the angle | 0:16:36 | 0:16:37 | |
-you've got going there. -Sorry. | 0:16:37 | 0:16:40 | |
Just, yeah... | 0:16:40 | 0:16:41 | |
-Put a bit of soul into it. -Yeah, sorry. | 0:16:44 | 0:16:47 | |
-Women aren't always... -OK. -Yeah. | 0:16:50 | 0:16:54 | |
All right, big guy. Let's make some babies. | 0:16:55 | 0:16:59 | |
Oh! Ho-ho! | 0:17:00 | 0:17:03 | |
Oh, God! You're good! | 0:17:03 | 0:17:05 | |
That's the stuff, am I right? | 0:17:05 | 0:17:07 | |
Ooh! | 0:17:07 | 0:17:10 | |
Oh! Ah! | 0:17:10 | 0:17:12 | |
You want to back up, love. | 0:17:12 | 0:17:14 | |
This guy's got game! | 0:17:14 | 0:17:16 | |
-Oh! -Go long! Go long! | 0:17:17 | 0:17:20 | |
Nn-gg! Ho! | 0:17:20 | 0:17:22 | |
Oh! Oh! | 0:17:22 | 0:17:25 | |
APPLAUSE | 0:17:26 | 0:17:29 | |
Ahoy, skips. Do any other men skip? | 0:17:33 | 0:17:36 | |
This is what happens to a young, straight... | 0:17:36 | 0:17:38 | |
Admittedly, I don't look straight, but I am a young straight man, | 0:17:38 | 0:17:42 | |
without a woman, this happens. I didn't learn the art of pulling. | 0:17:42 | 0:17:46 | |
I've gone from nothing at all, no female attention, | 0:17:46 | 0:17:49 | |
long term girlfriend, to this, with female attention and I'm still managing to eff it up. | 0:17:49 | 0:17:55 | |
For those of you that might be younger or as useless with women | 0:17:55 | 0:17:59 | |
as I am, let me give you a few tips I've discovered manually that women definitely do not like. | 0:17:59 | 0:18:05 | |
Cos I come across younger than my age and quite boyish on stage, that must be a turn on for women. | 0:18:05 | 0:18:10 | |
I'm going to play up to it in the bedroom. No. | 0:18:10 | 0:18:12 | |
The bedroom is the time to stop that behaviour, it turns out. | 0:18:12 | 0:18:16 | |
Do not try and make your language more juvenile. | 0:18:16 | 0:18:20 | |
Please can I have a blowie-wowie, please! | 0:18:20 | 0:18:23 | |
It's one that definitely does not work. Do not bring anything from Harry Potter in as well. | 0:18:25 | 0:18:30 | |
Do not put a sorting hat on a woman's head and go, "Gryffindor!" | 0:18:30 | 0:18:35 | |
That would be really good. The sorting hat decides what we're going to do in bed. | 0:18:39 | 0:18:43 | |
And your friends doing the voice from round the corner. "Bum sex!" | 0:18:43 | 0:18:47 | |
The hat has spoken! | 0:18:47 | 0:18:49 | |
There's something else, although it's worth doing it once. | 0:18:51 | 0:18:54 | |
Never ever...ever put a Berroca in a girl's fanny. Ever! | 0:18:54 | 0:18:59 | |
Don't do it, seriously. | 0:19:02 | 0:19:05 | |
For the first 20 seconds, nothing, and then it all kicks off. | 0:19:06 | 0:19:11 | |
"Oh, you've got a volcano!" | 0:19:11 | 0:19:14 | |
Dante's vag! No, don't do it. | 0:19:14 | 0:19:16 | |
By the way, if you do that and nothing happens, | 0:19:17 | 0:19:21 | |
she doesn't fancy you. | 0:19:21 | 0:19:23 | |
There's one other. This is when you know you really love each other. | 0:19:23 | 0:19:27 | |
Doing it in the morning and it's thanks to American movies. "Oh, my God! | 0:19:27 | 0:19:32 | |
"Let's just do it with the light streaming on our bodies. Oh, God! Yeah! Morning sex is so good! Ye-ah!" | 0:19:32 | 0:19:38 | |
Doesn't work in Britain. "Let's do it in the morning. I need a piss. | 0:19:38 | 0:19:41 | |
"She's got dog-shit breath. It's not working!" | 0:19:41 | 0:19:44 | |
How much does it take...? "Let's do it when we first wake up, | 0:19:47 | 0:19:50 | |
"as soon as I've done this really loud horse piss." | 0:19:50 | 0:19:53 | |
Tsh-sh-sh-sh! Tsh-sh-sh-sh! | 0:19:53 | 0:19:58 | |
If you hear someone doing a really loud whizz, just forget it. Just leave it. | 0:19:58 | 0:20:03 | |
I don't put loud wee in the foreplay bracket. | 0:20:03 | 0:20:06 | |
OK, ladies and gentlemen, | 0:20:08 | 0:20:09 | |
show your appreciation for the wonderful Joe Wilkinson! | 0:20:09 | 0:20:12 | |
CHEERING AND APPLAUSE | 0:20:12 | 0:20:16 | |
MONITORS BEEP | 0:20:30 | 0:20:33 | |
MONITORS BEEP | 0:21:13 | 0:21:16 | |
'After pronouncing a patient is dead, don't then admit that you're not | 0:21:58 | 0:22:01 | |
'actually a doctor, but just on your way to a fancy dress party. | 0:22:01 | 0:22:06 | |
'Going through the hospital is just a great little shortcut | 0:22:16 | 0:22:20 | |
'to The Plough & Sail where Mark was having his do.' | 0:22:20 | 0:22:23 | |
APPLAUSE | 0:22:25 | 0:22:28 | |
How good was that?! | 0:22:28 | 0:22:30 | |
If you'd like even more good stuff, head to... | 0:22:30 | 0:22:35 | |
And if you want music, how about you start applauding for Nik Hill. | 0:22:35 | 0:22:41 | |
APPLAUSE | 0:22:41 | 0:22:45 | |
-Good evening, the Electric Show! -CHEERING AND APPLAUSE | 0:22:50 | 0:22:55 | |
-You all right? -AUDIENCE: Yeah! | 0:22:55 | 0:22:58 | |
Then let's stuff it in the chuff! | 0:22:58 | 0:23:01 | |
All right, let's cut the shit. This song's really long. | 0:23:01 | 0:23:05 | |
It doesn't have a chorus and there's no real punchline to it until right at the end. | 0:23:05 | 0:23:09 | |
But aside from that, it's quite good. | 0:23:09 | 0:23:12 | |
Er... So, if you don't like it, why not try fucking yourself? | 0:23:12 | 0:23:16 | |
# It's just a second date | 0:23:21 | 0:23:24 | |
# And things are going great | 0:23:24 | 0:23:26 | |
# He says he'll pick her up at six, | 0:23:26 | 0:23:28 | |
# But he is running late | 0:23:28 | 0:23:31 | |
# So she goes to change her shoes | 0:23:31 | 0:23:33 | |
# Put on a bit more rouge | 0:23:33 | 0:23:36 | |
# She swaps her dress a seventh time | 0:23:36 | 0:23:38 | |
# Not sure which one to choose | 0:23:38 | 0:23:40 | |
# Cos this might be the one | 0:23:40 | 0:23:43 | |
# He seems like so much fun | 0:23:43 | 0:23:46 | |
# She knows she shouldn't race ahead | 0:23:46 | 0:23:48 | |
# But her heart begins to run | 0:23:48 | 0:23:50 | |
# Church bells start to ring | 0:23:50 | 0:23:52 | |
# Her soul begins to sing | 0:23:52 | 0:23:54 | |
# She names her kids from one to five, yeah | 0:23:54 | 0:23:58 | |
# This man means everything | 0:23:58 | 0:24:00 | |
# She sat around for hours | 0:24:00 | 0:24:02 | |
# As he bundles up with flowers | 0:24:02 | 0:24:05 | |
# He got delayed around his mate's | 0:24:05 | 0:24:07 | |
# It was all out of his powers | 0:24:07 | 0:24:09 | |
# They don't go very far | 0:24:09 | 0:24:12 | |
# He takes her to a bar | 0:24:12 | 0:24:15 | |
# The service isn't very good | 0:24:15 | 0:24:18 | |
# The choice is below par | 0:24:18 | 0:24:20 | |
# She sat facing the door | 0:24:20 | 0:24:22 | |
# So that he can watch the score | 0:24:22 | 0:24:25 | |
# On the TV screen behind her | 0:24:25 | 0:24:27 | |
# As the crowd begins to roar | 0:24:27 | 0:24:30 | |
# She has the pasta bake | 0:24:30 | 0:24:32 | |
# He has the gammon steak | 0:24:32 | 0:24:35 | |
# They wash it down with a glass of house | 0:24:35 | 0:24:37 | |
# Finish off with cake | 0:24:37 | 0:24:40 | |
# She meets his vacant stare | 0:24:40 | 0:24:42 | |
# Her eyes begin to glare | 0:24:42 | 0:24:45 | |
# What the fuck is on his mind? | 0:24:45 | 0:24:47 | |
# What's going on up there? | 0:24:47 | 0:24:49 | |
# She's nearly at her brink | 0:24:49 | 0:24:52 | |
# She has another drink | 0:24:52 | 0:24:54 | |
# She's all awash with alcohol | 0:24:54 | 0:24:57 | |
# The empties start to clink | 0:24:57 | 0:24:59 | |
# She's all over the place | 0:24:59 | 0:25:01 | |
# Mascara down her face | 0:25:01 | 0:25:04 | |
# Who's this prick she's sitting with? | 0:25:04 | 0:25:07 | |
# This date's been a disgrace | 0:25:07 | 0:25:10 | |
# She says, who am I to you? | 0:25:10 | 0:25:11 | |
# Just another girl to screw? | 0:25:11 | 0:25:15 | |
# You really are a shower of shit | 0:25:15 | 0:25:16 | |
# You haven't got a clue | 0:25:16 | 0:25:19 | |
# But then she ups and leaves | 0:25:19 | 0:25:21 | |
# She almost feels bereaved | 0:25:21 | 0:25:24 | |
# She walks away with dignity | 0:25:24 | 0:25:26 | |
# And vomit up her sleeve | 0:25:26 | 0:25:29 | |
# She's ignoring all his calls | 0:25:29 | 0:25:32 | |
# And is tumbling into walls | 0:25:32 | 0:25:34 | |
# He catches up behind her | 0:25:34 | 0:25:36 | |
# And she kicks him in the balls | 0:25:36 | 0:25:39 | |
# You can learn this lesson too | 0:25:39 | 0:25:41 | |
# To save you feeling blue | 0:25:41 | 0:25:43 | |
# Never take your date to Wetherspoons | 0:25:43 | 0:25:46 | |
# If you've got a love that's true | 0:25:46 | 0:25:48 | |
# Romance shouldn't cost a lot | 0:25:48 | 0:25:51 | |
# You can only work with what you got | 0:25:51 | 0:25:53 | |
# But just so you know what is what... | 0:25:53 | 0:25:56 | |
AUDIENCE STARTS TO APPLAUD | 0:25:57 | 0:26:00 | |
# That man was... | 0:26:02 | 0:26:05 | |
# Me | 0:26:05 | 0:26:09 | |
# That man was, that man was | 0:26:09 | 0:26:12 | |
# Me | 0:26:12 | 0:26:15 | |
-# Me -That man was, that man was | 0:26:15 | 0:26:20 | |
-# Me -That man was, that man was | 0:26:20 | 0:26:25 | |
-# Me -That man was, that man was | 0:26:25 | 0:26:29 | |
-# Me -That man was, that man was | 0:26:29 | 0:26:34 | |
# That man was... | 0:26:34 | 0:26:36 | |
# Me. # | 0:26:36 | 0:26:38 | |
CHEERING AND APPLAUSE | 0:26:38 | 0:26:40 | |
Tom, I'm not dead. | 0:27:10 | 0:27:12 | |
Tom... | 0:27:13 | 0:27:15 | |
Subtitles by Red Bee Media Ltd | 0:27:24 | 0:27:27 |