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This programme contains adult humour and some strong language. | 0:00:02 | 0:00:04 | |
Sorry, dude... | 0:00:04 | 0:00:07 | |
-Where the hell are my headphones? -I think you're wearing them, mate. | 0:00:07 | 0:00:11 | |
D'oh! | 0:00:11 | 0:00:12 | |
-Take a wild guess who designed these. -You? -Take a wilder guess. | 0:00:12 | 0:00:18 | |
-Dr Dre? -No... It was me. | 0:00:18 | 0:00:21 | |
Where did you get all the material? | 0:00:21 | 0:00:23 | |
My little niece has got one of those furry pencil cases. | 0:00:23 | 0:00:25 | |
She don't any more! | 0:00:25 | 0:00:26 | |
-Can you actually hear anything in those? -Not from the outside. | 0:00:26 | 0:00:29 | |
What about the inside? | 0:00:29 | 0:00:30 | |
-What the fuck is he wearing? -His new headphones. Completely soundproof. | 0:00:34 | 0:00:38 | |
-So he can't hear anything? -No. Nothing at all. | 0:00:38 | 0:00:41 | |
That's good, isn't it? | 0:00:58 | 0:00:59 | |
Did you get any of that? | 0:01:07 | 0:01:08 | |
Like I said. Completely soundproof. | 0:01:08 | 0:01:12 | |
APPLAUSE AND CHEERING | 0:01:31 | 0:01:33 | |
This is Live At The Electric! Welcome. | 0:01:36 | 0:01:38 | |
CHEERING | 0:01:38 | 0:01:41 | |
# Welcome! Welcome to the show! Welcome, welcome, welcome. # | 0:01:41 | 0:01:45 | |
Now, tonight, you lucky-lubed comedy holes, | 0:01:45 | 0:01:47 | |
I present not just me doing stand-up - eff that with a conventionally shaped rod, no! | 0:01:47 | 0:01:52 | |
It's some of the finest sketch and character comedy | 0:01:52 | 0:01:57 | |
you can find performing in the UK. | 0:01:57 | 0:01:59 | |
We're ready to rock. | 0:02:01 | 0:02:04 | |
The gay glitter guns of mirth are loaded and firing, | 0:02:04 | 0:02:07 | |
and Liza Minnelli is dancing an effing jig of delight, | 0:02:07 | 0:02:10 | |
while Dale Winton looks on, | 0:02:10 | 0:02:11 | |
knocking one out into a supermarket trolley. Yeah? | 0:02:11 | 0:02:14 | |
"Think of the fun YOU could be having..." SPLAT! | 0:02:15 | 0:02:18 | |
That's the beautiful thing about doing comedy | 0:02:18 | 0:02:21 | |
in the United Kingdom, is it unites the classes, it seems to. | 0:02:21 | 0:02:25 | |
Whereas as soon as we're back out on the streets, | 0:02:25 | 0:02:27 | |
it's not fashionable, | 0:02:27 | 0:02:28 | |
but there still seems to be a class system in place. | 0:02:28 | 0:02:31 | |
I have a tale to prove the class system exists. | 0:02:31 | 0:02:33 | |
It happened to me not very long ago, and it takes place on a train, | 0:02:33 | 0:02:37 | |
in the first-class carriage. | 0:02:37 | 0:02:38 | |
Four trains had been cancelled - it was absolutely packed. | 0:02:38 | 0:02:42 | |
And I got the last seat in first class. Even first class was full - imagine it, Molly. | 0:02:42 | 0:02:46 | |
And there I was minding my own business, | 0:02:46 | 0:02:49 | |
and that would just be a pathetic little tale | 0:02:49 | 0:02:52 | |
of a chav who got lucky on a first-class train | 0:02:52 | 0:02:54 | |
if someone else had not walked on - rotund, very posh woman. | 0:02:54 | 0:02:59 | |
So posh, she's got pheasants hanging off her belt. | 0:02:59 | 0:03:01 | |
"Excuse me, that one's rather gamey, it seems to have bumped into you." | 0:03:01 | 0:03:05 | |
And as the train's pulling out she started staring at me, really viciously just staring. | 0:03:05 | 0:03:09 | |
Staring at the side of my head. I realise she wanted me to be a polite young man | 0:03:09 | 0:03:13 | |
and give my seat up. She wasn't disabled, | 0:03:13 | 0:03:14 | |
and you can't say, "You seem to be overweight. | 0:03:14 | 0:03:17 | |
"Why don't you take the weight off your fat ass!" | 0:03:17 | 0:03:19 | |
So I just sat there, and other people on the carriage | 0:03:21 | 0:03:24 | |
were sensing, "This is getting awkward. | 0:03:24 | 0:03:26 | |
"Please, no conflict. Oh, my God, please... | 0:03:26 | 0:03:29 | |
"Looking out of the windows..." | 0:03:29 | 0:03:32 | |
I thought, she's going to have a go at me for being rude. | 0:03:32 | 0:03:35 | |
And I've been brought up properly, | 0:03:35 | 0:03:36 | |
I've been brought up mostly by women, powerful aunts, nans and mums. | 0:03:36 | 0:03:39 | |
My arse is this far off the seat, | 0:03:39 | 0:03:40 | |
I'm just about to do the correct thing | 0:03:40 | 0:03:43 | |
and give up my seat for the older woman, | 0:03:43 | 0:03:45 | |
when I've realised with horror the truth of what she thinks, | 0:03:45 | 0:03:48 | |
because she's leant in, and she said this. | 0:03:48 | 0:03:51 | |
"Excuse me, young man. Are you quite sure you're in the correct section? | 0:03:51 | 0:03:55 | |
"It's just that this is a... first-class carriage." | 0:03:56 | 0:04:00 | |
"Yes, I know it is. That's why I'm sitting in it." | 0:04:00 | 0:04:05 | |
Working-class people become more musical when they're angry. | 0:04:05 | 0:04:07 | |
-SING-SONG TONE: -"I know it IS... That's why I'm sitting in it. | 0:04:07 | 0:04:11 | |
"Bring the harp out, Dave." | 0:04:11 | 0:04:14 | |
And I've done it loud as well. | 0:04:14 | 0:04:16 | |
Some of the people, one old guy actually used magic - | 0:04:16 | 0:04:19 | |
"Expelliarmus!" He disappeared. | 0:04:19 | 0:04:22 | |
That's how awkward it was. | 0:04:22 | 0:04:25 | |
That's the end of it. Do you know what she said next? She said this. | 0:04:26 | 0:04:30 | |
"Show me your ticket." | 0:04:30 | 0:04:32 | |
Now - this is where I could feel my temper bubbling, right? | 0:04:34 | 0:04:38 | |
I said to her, "Look, there's no way I'm showing you my ticket." | 0:04:38 | 0:04:42 | |
She went, "No, no. | 0:04:42 | 0:04:43 | |
There's no need to lose your temper, we won't have foul language. | 0:04:43 | 0:04:46 | |
"Tell me where you're travelling to. | 0:04:46 | 0:04:49 | |
I said, "Cambridge. Not that it's any of your f..." | 0:04:49 | 0:04:51 | |
She went, "No, we won't have foul language. | 0:04:51 | 0:04:53 | |
"I too...am travelling to Cambridge." | 0:04:53 | 0:04:56 | |
Not, "I'm travelling to Cambridge too." Listen to the grammar - | 0:04:56 | 0:04:59 | |
"I, too, am travelling to Cambridge." | 0:04:59 | 0:05:01 | |
I've had contact with ancient languages | 0:05:01 | 0:05:03 | |
whose grammars are different. | 0:05:03 | 0:05:05 | |
"I too am travelling to Cambridge!" She said this in a loud voice | 0:05:05 | 0:05:07 | |
that rung like a bill through the rest of the carriage. She said, | 0:05:07 | 0:05:10 | |
"What I'm going to do is get off the train with you in Cambridge, | 0:05:10 | 0:05:13 | |
"walk you to do barriers, and announce to the inspectors where you were sitting. | 0:05:13 | 0:05:17 | |
"Then we'll see if you've got a first-class tickets, won't we?" | 0:05:17 | 0:05:20 | |
LAUGHTER | 0:05:20 | 0:05:22 | |
Now as the train was rolling into Cambridge, right? | 0:05:22 | 0:05:26 | |
Someone else stood up. Remember how small these carriages are. | 0:05:26 | 0:05:29 | |
He's risen up. A posh, fat, Indian doctor, he turned out to be. | 0:05:29 | 0:05:32 | |
We spoke afterwards. He's risen up out of his seat. | 0:05:32 | 0:05:36 | |
Clearly the scene that has played out | 0:05:36 | 0:05:38 | |
has reminded him of something from his youth. | 0:05:38 | 0:05:40 | |
It probably translated into race terms. | 0:05:40 | 0:05:42 | |
Some sort of Gandhi chucked off a train moment. | 0:05:42 | 0:05:45 | |
He is angry on my behalf at the small-minded prejudice. | 0:05:45 | 0:05:48 | |
He said this in a loud voice. I nearly died of embarrassment. | 0:05:48 | 0:05:51 | |
The finger went up, pointed at me, and he said at this woman's face, | 0:05:51 | 0:05:55 | |
"Why don't you leave him alone? | 0:05:55 | 0:05:57 | |
He's a comedian and he belongs here!" | 0:05:57 | 0:05:59 | |
LAUGHTER AND APPLAUSE | 0:05:59 | 0:06:01 | |
I'm like, "Please leave me alone!" | 0:06:01 | 0:06:03 | |
LAUGHTER | 0:06:03 | 0:06:05 | |
Next to him is a silver-haired man in his 60s, | 0:06:05 | 0:06:08 | |
watching everything play out. | 0:06:08 | 0:06:10 | |
Daily Telegraph on the table, | 0:06:10 | 0:06:12 | |
ticket on his Telegraph, ticket side up in the holder. | 0:06:12 | 0:06:14 | |
That's the mistake he made, right? | 0:06:14 | 0:06:17 | |
So the finger has gone round and rested on the guy. | 0:06:17 | 0:06:20 | |
"Leave him alone. He's a comedian." | 0:06:20 | 0:06:21 | |
He said, "This is the gentleman you should be questioning!" | 0:06:21 | 0:06:24 | |
"This chap here." | 0:06:24 | 0:06:26 | |
LAUGHTER AND APPLAUSE | 0:06:26 | 0:06:28 | |
I swear to God. This silver-haired guy stood up and said, | 0:06:28 | 0:06:32 | |
"Yes, I've got a standard class ticket. What of it?" | 0:06:32 | 0:06:34 | |
And ran out, like that. | 0:06:34 | 0:06:36 | |
I've never seen anything like it in my life. | 0:06:36 | 0:06:38 | |
LAUGHTER | 0:06:38 | 0:06:40 | |
Awesome. | 0:06:40 | 0:06:41 | |
Now, ladies and gentlemen, it's time to make such noise | 0:06:45 | 0:06:48 | |
that your eardrums perforate | 0:06:48 | 0:06:50 | |
and blood trickles down your smiling faces | 0:06:50 | 0:06:52 | |
as we appreciate Jigsaw! | 0:06:52 | 0:06:55 | |
APPLAUSE AND CHEERING | 0:06:55 | 0:06:58 | |
DOOR OPENING | 0:07:03 | 0:07:05 | |
Hey, man. | 0:07:05 | 0:07:06 | |
-I'm so glad you're home. -Good to see you too. | 0:07:06 | 0:07:09 | |
Listen, I just got off the phone to the police. | 0:07:09 | 0:07:12 | |
The police? | 0:07:12 | 0:07:13 | |
-It's about your parents. -It can't be. They're in South America. | 0:07:13 | 0:07:17 | |
Yeah, I know they are, mate. I don't know how to tell you this. | 0:07:17 | 0:07:21 | |
They've been kidnapped. They say your dad's been executed. | 0:07:21 | 0:07:25 | |
Sorry, have you farted? | 0:07:28 | 0:07:31 | |
-Did you blow off? -Yeah, I was a bit nervous. | 0:07:31 | 0:07:34 | |
Oh, God. Oh, oh, God! | 0:07:34 | 0:07:36 | |
-They've still got your mum. -Phew! Hang on. | 0:07:36 | 0:07:41 | |
-OK, go on. -They want money. They say they're going to hurt her. | 0:07:41 | 0:07:43 | |
I think their threats are real. | 0:07:43 | 0:07:45 | |
It's no good. It's not filtering it. | 0:07:45 | 0:07:48 | |
You have got serious problems! | 0:07:48 | 0:07:51 | |
APPLAUSE AND CHEERING | 0:07:53 | 0:07:55 | |
Oh, sorry. | 0:08:06 | 0:08:08 | |
Oh! | 0:08:08 | 0:08:10 | |
Er... | 0:08:10 | 0:08:13 | |
Ha ha ha ha ha. | 0:08:20 | 0:08:22 | |
BOTH: Argh! | 0:08:37 | 0:08:38 | |
Get off! Get... Argh! | 0:08:39 | 0:08:44 | |
THEY CRY | 0:09:26 | 0:09:27 | |
APPLAUSE | 0:09:31 | 0:09:34 | |
And now, folks, if you like mash and you like episodes, | 0:09:36 | 0:09:40 | |
you're really going to love Two Episodes Of Mash! | 0:09:40 | 0:09:44 | |
APPLAUSE | 0:09:44 | 0:09:46 | |
CHEERING | 0:09:52 | 0:09:54 | |
All right? | 0:10:02 | 0:10:04 | |
Um... | 0:10:04 | 0:10:05 | |
-I'm Joe. This is Diane. -Hello. | 0:10:05 | 0:10:08 | |
Uh, this is our bit. Uh... | 0:10:10 | 0:10:13 | |
We're, uh, we're very... chuffed to be here. | 0:10:13 | 0:10:17 | |
SMALL CHEER | 0:10:17 | 0:10:18 | |
Aren't we? | 0:10:18 | 0:10:19 | |
Yeah. | 0:10:19 | 0:10:20 | |
MUTTERS: Fuck's sake. | 0:10:22 | 0:10:24 | |
-What's it... Look. -What? -What's that? | 0:10:29 | 0:10:32 | |
It's one of those magic eye posters. | 0:10:32 | 0:10:34 | |
You know, if you stare at it and squint, | 0:10:34 | 0:10:37 | |
you can see a picture of us riding a unicorn. | 0:10:37 | 0:10:40 | |
I can't... I can't, I can't see. | 0:10:44 | 0:10:47 | |
Keep looking. | 0:10:47 | 0:10:49 | |
It's in there. | 0:10:49 | 0:10:52 | |
LAUGHTER | 0:10:52 | 0:10:54 | |
I can't, I can't see it. | 0:10:55 | 0:10:57 | |
Well, everyone else can. | 0:10:58 | 0:11:00 | |
-Really? -Yeah. | 0:11:02 | 0:11:04 | |
That's brilliant. | 0:11:06 | 0:11:08 | |
LAUGHTER | 0:11:08 | 0:11:10 | |
-Well, let's do the first sketch. That's fucking brilliant. -OK, um... | 0:11:12 | 0:11:16 | |
-I spy... -Oh, I Spy! | 0:11:16 | 0:11:19 | |
-I Spy, I Spy. -With my little eye... -Yeah. | 0:11:19 | 0:11:22 | |
Something beginning with R. | 0:11:22 | 0:11:24 | |
R! It's on R! It's an R! | 0:11:24 | 0:11:27 | |
An R! It's an R! | 0:11:27 | 0:11:29 | |
R... It's an R! It's an R! | 0:11:30 | 0:11:33 | |
Um... | 0:11:33 | 0:11:35 | |
Oh, it's...ROOF OF MY MOUTH! | 0:11:35 | 0:11:37 | |
No. | 0:11:37 | 0:11:39 | |
-It's an R, but it's not roof of my mouth? -No. | 0:11:39 | 0:11:43 | |
What is it, then? | 0:11:44 | 0:11:46 | |
Roof of my mouth! | 0:11:50 | 0:11:52 | |
Roof of...er, roof of my... | 0:11:56 | 0:11:59 | |
Roof of my...! Oh... | 0:11:59 | 0:12:00 | |
-Racks! Rifle range! -No. | 0:12:00 | 0:12:03 | |
Roof of my mouth. | 0:12:05 | 0:12:07 | |
Roof of my mouth. Ruh... It's hard! | 0:12:10 | 0:12:14 | |
It's a ruh but it's not roof of my mouth! Roof of my mouth... | 0:12:14 | 0:12:18 | |
It's redundancy. | 0:12:29 | 0:12:31 | |
There's never a good way to give bad news, is there? | 0:12:35 | 0:12:38 | |
The first one, the first one. That's the first one. | 0:12:38 | 0:12:42 | |
APPLAUSE, CHEERING | 0:12:42 | 0:12:44 | |
BAND PLAYS "THE STAR-SPANGLED BANNER" | 0:12:48 | 0:12:51 | |
Hello, Britain. This is Hari Kondabolu and I'm an American. | 0:12:51 | 0:12:54 | |
Today, I'm going to be looking at | 0:12:54 | 0:12:56 | |
the people that make your country what it is - your famous Britannians. | 0:12:56 | 0:13:01 | |
Are you all under the mistaken impression that Piers Morgan is famous in America? | 0:13:01 | 0:13:05 | |
Is that what he's telling you here? | 0:13:05 | 0:13:07 | |
Sometimes I think the only person I can trust in this country is Adele | 0:13:07 | 0:13:11 | |
and I'm not really sure if I can trust her either. | 0:13:11 | 0:13:14 | |
Do you really want to find someone like me | 0:13:14 | 0:13:16 | |
or are you just fucking with my brain? | 0:13:16 | 0:13:19 | |
Doctor Who? More like Dr Who Gives A Fuck! Am I right? | 0:13:19 | 0:13:24 | |
No? You all love him here? OK. | 0:13:24 | 0:13:26 | |
One Direction have now invaded America. | 0:13:26 | 0:13:30 | |
Why did their one direction have to be west? | 0:13:30 | 0:13:33 | |
Simon Cowell is arguably the most famous Brit in the US. | 0:13:33 | 0:13:37 | |
Since arriving in the UK, I've discovered how proud you are of him. | 0:13:37 | 0:13:40 | |
"Mate, he's a wanker!" | 0:13:40 | 0:13:42 | |
Wanker? That means he masturbates, right? | 0:13:42 | 0:13:45 | |
And this is an insult here? | 0:13:45 | 0:13:47 | |
Adorable. | 0:13:47 | 0:13:49 | |
Good night, Britain. | 0:13:49 | 0:13:51 | |
APPLAUSE | 0:13:51 | 0:13:53 | |
Show your appreciation for a further helping of Two Episodes Of Mash! | 0:13:55 | 0:14:00 | |
APPLAUSE, CHEERING | 0:14:00 | 0:14:03 | |
The second one. | 0:14:12 | 0:14:13 | |
"GRANDSTAND THEME" PLAYS | 0:14:20 | 0:14:23 | |
HE SNIFFS | 0:14:54 | 0:14:56 | |
HE SOBS | 0:14:59 | 0:15:01 | |
HE BREAKS DOWN SOBBING | 0:15:10 | 0:15:13 | |
-You really miss Grandstand, don't you, Joe? -Yeah. | 0:15:21 | 0:15:25 | |
That's it. | 0:15:25 | 0:15:27 | |
APPLAUSE, CHEERING | 0:15:27 | 0:15:30 | |
And at the moment, dude, you're not shining. | 0:15:31 | 0:15:35 | |
-What do you mean? -You've got to build an identity, i.e. e.g... | 0:15:35 | 0:15:40 | |
MAKES NOISE OF A HYDRAULIC ARM | 0:15:40 | 0:15:43 | |
Yeah, well, I guess some people don't re... | 0:15:43 | 0:15:46 | |
Can you see anything in those? | 0:15:48 | 0:15:50 | |
Not as much as I'd like. | 0:15:50 | 0:15:52 | |
Tsss... | 0:15:52 | 0:15:55 | |
Point is, when I'm rocking these bad boys, I stand out in the crowd. | 0:15:55 | 0:16:00 | |
I'm a crowd-surfer. Have you ever been crowd-surfing? | 0:16:00 | 0:16:04 | |
-Yeah. -Well, I have. Glastonbury, 2009. | 0:16:04 | 0:16:07 | |
-Got crowd-surfed right out the back of the tent. -Was that fun? | 0:16:07 | 0:16:11 | |
No. Someone actually fingered me. It was horrible. | 0:16:11 | 0:16:14 | |
Point is, after that, everyone on the campsite knew my name. | 0:16:15 | 0:16:19 | |
The finger guy! What do you think people call you around here? | 0:16:19 | 0:16:22 | |
I dunno. Tom? | 0:16:22 | 0:16:24 | |
They call you dickhead. | 0:16:27 | 0:16:29 | |
Really? | 0:16:29 | 0:16:30 | |
Unless they're shouting it at me. | 0:16:30 | 0:16:33 | |
APPLAUSE | 0:16:35 | 0:16:38 | |
MAN SOBS | 0:16:41 | 0:16:43 | |
SOBBING TURNS TO INSANE LAUGHTER | 0:16:50 | 0:16:54 | |
THEY BREATHE HEAVILY | 0:17:36 | 0:17:39 | |
LAUGHTER | 0:18:00 | 0:18:02 | |
APPLAUSE | 0:18:04 | 0:18:07 | |
Lovely. | 0:18:10 | 0:18:11 | |
Now, be honest, ladies. | 0:18:11 | 0:18:13 | |
Just for once, be honest with the gentleman sat next to you. | 0:18:13 | 0:18:16 | |
There is nothing worse than a naked man. Admit it. | 0:18:16 | 0:18:20 | |
Admit it! | 0:18:20 | 0:18:22 | |
I understand, it's necessary, what's happened in body politics. | 0:18:22 | 0:18:25 | |
Why shouldn't woman consume male flesh with their eyes the way men have done for generations? | 0:18:25 | 0:18:30 | |
"Nonsense, Russell, you talk nonsense! Now we can look at Torso Of The Week | 0:18:30 | 0:18:33 | |
"and Cosmopolitan's nude centrefold. | 0:18:33 | 0:18:36 | |
"At last, male flesh consumed with our eyes, equality at last. Hurrah!" | 0:18:36 | 0:18:39 | |
That's all very well, girls, | 0:18:39 | 0:18:42 | |
but there's only so far the less visual female brain can go. | 0:18:42 | 0:18:45 | |
Admit it. Most of the time, | 0:18:45 | 0:18:46 | |
it's the last fricking thing you want to look at, yeah? | 0:18:46 | 0:18:49 | |
This lady over there, she doesn't want to open her Woman's Own | 0:18:49 | 0:18:52 | |
and see a guy with a rager next to the knitting patterns. She doesn't! | 0:18:52 | 0:18:56 | |
"Well, I was going to do you a scarf, Nigel, | 0:18:56 | 0:18:58 | |
"but now I'll have to strum one out in the utility room. I'm sorry." | 0:18:58 | 0:19:02 | |
And that's all very well, but what you don't realise, girls, | 0:19:03 | 0:19:06 | |
is the knock-on in the body politics is translating through to men, | 0:19:06 | 0:19:10 | |
so we're seeing male eating disorders, male body dysmorphia, | 0:19:10 | 0:19:14 | |
it's all starting as we go, "That must be what girls want. We must take care of our bodies." | 0:19:14 | 0:19:18 | |
And we also think that it's highly arousing | 0:19:18 | 0:19:20 | |
for you to see us walking around completely starkers. | 0:19:20 | 0:19:23 | |
We have no conception of how ridiculous and slightly repulsive it is most of the time | 0:19:23 | 0:19:27 | |
to be presented with a naked man. | 0:19:27 | 0:19:29 | |
Every single woman has had this, sat on the edge of the bed, GHD ceramic straighteners, | 0:19:29 | 0:19:33 | |
bargain from New Look, you've made the effort. | 0:19:33 | 0:19:36 | |
Right? You're at the end of the bed getting ready and the guy comes out of the shower and does this. | 0:19:36 | 0:19:41 | |
"Debbie! Look at that! Yeah, that's yours later! That is yours later!" | 0:19:41 | 0:19:45 | |
Yeah? Or the star jump. "Do you like that, babes? Is that what you like? | 0:19:45 | 0:19:48 | |
"Is that what you want? | 0:19:48 | 0:19:50 | |
"I'm going to talc it, bag it and give it to you later. Right?" | 0:19:50 | 0:19:54 | |
Yeah? That's disgusting! | 0:19:57 | 0:19:59 | |
Even by my standards, that was bad! | 0:20:01 | 0:20:04 | |
APPLAUSE | 0:20:04 | 0:20:06 | |
Now, welcome to the place where beard and talent coincide - | 0:20:06 | 0:20:11 | |
Joe Wilkinson! | 0:20:11 | 0:20:13 | |
APPLAUSE, CHEERING | 0:20:13 | 0:20:16 | |
CRASHES, GRUNTS, SOUNDS OF SPARRING | 0:20:18 | 0:20:21 | |
HE BREATHES DEEPLY | 0:20:44 | 0:20:46 | |
'If you're entering a judo competition for the first time, | 0:20:54 | 0:20:58 | |
'you shouldn't choose the colour of your belt | 0:20:58 | 0:21:01 | |
'just because you think it looks slimming on you.' | 0:21:01 | 0:21:04 | |
Hajime! | 0:21:04 | 0:21:06 | |
Urgh! | 0:21:08 | 0:21:09 | |
'At least I burned off a few calories hitting the floor as hard as I did.' | 0:21:11 | 0:21:15 | |
MUSIC: "Up From Below" by the Magnetic Zeroes | 0:21:15 | 0:21:18 | |
# I was only five | 0:21:18 | 0:21:20 | |
# When my dad told me I'd die... # | 0:21:21 | 0:21:25 | |
APPLAUSE | 0:21:25 | 0:21:28 | |
All you got to do is head to bbc.co.uk/bbcthree | 0:21:29 | 0:21:34 | |
for more exclusive content. | 0:21:34 | 0:21:35 | |
Right now, strap in for the one, the only Nick Helm! | 0:21:35 | 0:21:39 | |
APPLAUSE, CHEERING | 0:21:39 | 0:21:42 | |
Hello, you! | 0:21:46 | 0:21:47 | |
You all right? | 0:21:47 | 0:21:50 | |
Yeah, good, yeah. | 0:21:50 | 0:21:52 | |
All right? Not you. | 0:21:55 | 0:21:58 | |
You look like my ex-girlfriend. | 0:21:58 | 0:22:01 | |
Has anyone ever told you that? | 0:22:01 | 0:22:03 | |
She's married now, with a baby. | 0:22:04 | 0:22:07 | |
What an idiot. Who marries a baby? | 0:22:07 | 0:22:09 | |
LAUGHTER | 0:22:09 | 0:22:11 | |
Ha-ha-ha! | 0:22:11 | 0:22:12 | |
I, um... | 0:22:15 | 0:22:16 | |
I knew she was going to leave me. I was talking to her on the phone. | 0:22:16 | 0:22:19 | |
She must have gone under a tunnel or something. | 0:22:19 | 0:22:22 | |
I said, "You're breaking up." | 0:22:22 | 0:22:23 | |
She said, "Thanks for making this conversation a lot easier on me." | 0:22:23 | 0:22:28 | |
Which is a shame, | 0:22:28 | 0:22:29 | |
because I thought our relationship was going to last for ever and ever. | 0:22:29 | 0:22:33 | |
That's the title of this song. | 0:22:34 | 0:22:36 | |
# From the moment we met to the moment we touched | 0:22:44 | 0:22:47 | |
# I knew you were the one, girl, I love you so much | 0:22:47 | 0:22:51 | |
# From the look in your eyes I could tell right away | 0:22:51 | 0:22:55 | |
# That the rest of our lives could begin here today | 0:22:55 | 0:22:59 | |
# Though we've only just met, we could tell it was fate | 0:22:59 | 0:23:03 | |
# We're two halves of a whole and a whole lot of great | 0:23:03 | 0:23:07 | |
# Now we've both made a choice and our love's running thick | 0:23:07 | 0:23:11 | |
# I'll have one pair of tits | 0:23:11 | 0:23:13 | |
# And you'll have one dick! | 0:23:13 | 0:23:15 | |
# For ever and ever | 0:23:16 | 0:23:18 | |
# I'll love you for ever | 0:23:18 | 0:23:20 | |
# And ever and ever | 0:23:20 | 0:23:22 | |
# And ever and ever, my dear | 0:23:22 | 0:23:26 | |
# I'll love you forever and ever and ever | 0:23:26 | 0:23:30 | |
# And ever and ever, it's clear | 0:23:30 | 0:23:32 | |
# When the meteors strike and the land turns to dust | 0:23:34 | 0:23:37 | |
# I'll still love you, my dear | 0:23:37 | 0:23:39 | |
# On my love you can trust | 0:23:39 | 0:23:41 | |
# I'll be holding your hand, I'll be touching your skin | 0:23:41 | 0:23:45 | |
# I'll be smelling your hair | 0:23:45 | 0:23:46 | |
# Won't you just let me in? | 0:23:46 | 0:23:49 | |
# I'll be there through the wind I'll be there through the rain | 0:23:49 | 0:23:52 | |
# If I've popped out for five minutes, I'll be right back again | 0:23:52 | 0:23:56 | |
# When they lay me to rest, you'll be right by my side | 0:23:56 | 0:24:00 | |
# You'll be right there with me | 0:24:00 | 0:24:02 | |
# Even if you're alive! | 0:24:02 | 0:24:05 | |
# Sexy baby! | 0:24:05 | 0:24:06 | |
# I'll love you for ever and ever and ever | 0:24:06 | 0:24:10 | |
# And ever and ever, my dear | 0:24:10 | 0:24:13 | |
# I'll love you for ever and ever and ever | 0:24:13 | 0:24:18 | |
# With me you've got nothing to fear | 0:24:18 | 0:24:21 | |
# Dinna-ninna-day-oh | 0:24:30 | 0:24:31 | |
# Dinna-ninna-day-oh | 0:24:31 | 0:24:33 | |
# Dinna-ninna-day-oh | 0:24:33 | 0:24:35 | |
# Dinna-ninna-day-oh | 0:24:35 | 0:24:37 | |
# Dinna-ninna-day-oh | 0:24:37 | 0:24:39 | |
# Dinna-ninna-day-oh | 0:24:39 | 0:24:41 | |
# Dinna-ninna-day-oh Dinna-ninna-day-oh | 0:24:41 | 0:24:44 | |
# Don't you dare turn your back on this love that we've found | 0:24:44 | 0:24:48 | |
# I've got nowhere to go I'm just hanging around | 0:24:48 | 0:24:52 | |
# I'll be there after work I'll be there on your porch | 0:24:52 | 0:24:56 | |
# When you turn out the lights I'll be holding a torch | 0:24:56 | 0:25:00 | |
# You'll be there in your house as I watch from afar | 0:25:00 | 0:25:03 | |
-# When you look out the window I'll be sat in my car. -Mondeo! | 0:25:03 | 0:25:08 | |
# There's no saying no cos my love never stops | 0:25:08 | 0:25:11 | |
# No, I won't let you go Girl, I think you are tops! | 0:25:11 | 0:25:15 | |
# Fuck me, baby! | 0:25:15 | 0:25:17 | |
# For ever and ever and ever and ever | 0:25:17 | 0:25:21 | |
# And ever and ever, my dear | 0:25:21 | 0:25:25 | |
# I'll love you for ever and ever and ever | 0:25:25 | 0:25:28 | |
# And ever and ever, it's clear | 0:25:28 | 0:25:30 | |
# For ever and ever and ever and ever | 0:25:32 | 0:25:36 | |
# And ever and ever and ever and ever | 0:25:36 | 0:25:40 | |
# And ever and ever and ever and ever | 0:25:40 | 0:25:44 | |
# And ever and ever | 0:25:44 | 0:25:45 | |
# Ever, ever, ever and ever | 0:25:47 | 0:25:50 | |
# For ever and ever For ever and ever | 0:25:50 | 0:25:54 | |
# For ever and ever and ever and ever | 0:25:54 | 0:25:58 | |
# And ever and ever, and ever and ever | 0:25:58 | 0:26:02 | |
# And ever and ever and ever and ever | 0:26:02 | 0:26:05 | |
# And ever and ever and ever and ever! | 0:26:05 | 0:26:09 | |
-# And ever! -Ever! -And ever! -Ever! | 0:26:09 | 0:26:11 | |
-# And ever! -Ever! -And ever! -Ever! -And ever! -Ever! -And ever! -Ever! | 0:26:11 | 0:26:15 | |
# I won't let you out of my sights! # | 0:26:15 | 0:26:18 | |
APPLAUSE, CHEERING | 0:26:18 | 0:26:23 | |
Ah, this is a brief announcement. | 0:26:31 | 0:26:32 | |
Would the enormous doofus standing in front of me | 0:26:32 | 0:26:35 | |
please check his headphones and see what I've done to them? | 0:26:35 | 0:26:39 | |
Oh, great. You've cut the wire and put a dollar sign there. | 0:26:39 | 0:26:42 | |
You are welcome. People are going to be calling you the dollar dude! | 0:26:42 | 0:26:45 | |
-Or just the guy whose headphones don't work. -That's not as snappy. | 0:26:45 | 0:26:48 | |
Either way, at least they won't be calling you prick any more. | 0:26:48 | 0:26:51 | |
Well, they're still broken. | 0:26:51 | 0:26:53 | |
Not broken - customised, dawg. | 0:26:53 | 0:26:56 | |
And that is why my nickname is Dr Dre. | 0:26:56 | 0:27:00 | |
-All right, prick. -Hiya. | 0:27:00 | 0:27:02 | |
Subtitles by Red Bee Media Ltd | 0:27:30 | 0:27:33 |