Browse content similar to Episode 7. Check below for episodes and series from the same categories and more!
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This programme contains strong language and adult humour. | 0:00:02 | 0:00:06 | |
-I feel so sick. I wonder why. -Is it because you went out last night? | 0:00:06 | 0:00:09 | |
Have you seen the photos already? Damn you, Facebook! | 0:00:09 | 0:00:12 | |
-I'm not friends with you on Facebook. -I've got them here. | 0:00:12 | 0:00:15 | |
Who was taking these photos? | 0:00:16 | 0:00:18 | |
I wasn't drinking on my own. I was with Ramos, the security guy. | 0:00:18 | 0:00:21 | |
Fucking hysterical. You probably wouldn't get on with him. | 0:00:21 | 0:00:25 | |
-Yeah? I've heard he's a little bit of a... -Rodney, you plonkers! -Oh-oh! | 0:00:25 | 0:00:30 | |
-How hung over you are from last night? -Pretty hung over! | 0:00:30 | 0:00:33 | |
When I left, you were lying in the middle of the road | 0:00:33 | 0:00:36 | |
being sick like a pig. | 0:00:36 | 0:00:38 | |
I thought, "This guy, he is definitely going to choke!" | 0:00:38 | 0:00:41 | |
Oh, that really hurts, Ramos. | 0:00:41 | 0:00:43 | |
-Tom, this is Ramos. -Hi, I'm Tom. | 0:00:43 | 0:00:46 | |
Oh, almost grabbed your dick there. | 0:00:46 | 0:00:48 | |
Pretty sure you did. | 0:00:48 | 0:00:49 | |
So, we are still on for round two tonight, and I can meet Russell? | 0:00:49 | 0:00:53 | |
Dude, mi amigos es tu amigos. | 0:00:53 | 0:00:54 | |
Whatever, so long as they are not Rodney plonkers. Or gay. | 0:00:54 | 0:00:59 | |
Hello, hello, hello! | 0:01:24 | 0:01:25 | |
Hello and welcome to Question Time. I'm David Dimbleby, | 0:01:27 | 0:01:30 | |
and tonight I'll be talking to Baroness Warsi | 0:01:30 | 0:01:33 | |
about migrant workers within the European Union. | 0:01:33 | 0:01:35 | |
Not really, I'm Russell Kane, this is Live At the Electric | 0:01:35 | 0:01:38 | |
and throughout the show, I'll be referring to my helmet. Hooray! | 0:01:38 | 0:01:42 | |
Please join me tonight, succulent bastards, on a comedy foray. | 0:01:43 | 0:01:46 | |
I am your solitary stand-up guide, | 0:01:46 | 0:01:48 | |
merely a fluffer for your stimulation. | 0:01:48 | 0:01:51 | |
And only when you're at full comedic tumescence | 0:01:51 | 0:01:54 | |
will I allow the delicate insertion of sketch comedy, | 0:01:54 | 0:01:57 | |
character comedy and even a glutinous money-shot of music. | 0:01:57 | 0:02:01 | |
I call that "Stephen Fry on Viagra," | 0:02:01 | 0:02:04 | |
or Fry-agra! Neh-heh! | 0:02:04 | 0:02:07 | |
So anyone from Essex in? | 0:02:07 | 0:02:08 | |
-Give me a cheer. -CROWD CHEERS | 0:02:08 | 0:02:11 | |
Love a bit of Essex, that's where my old man was from. | 0:02:11 | 0:02:14 | |
That's where our beach hut was. | 0:02:14 | 0:02:15 | |
Got my house in Westcliff. I love it there. | 0:02:15 | 0:02:17 | |
My favourite bit of graffiti I ever saw was in Essex. | 0:02:17 | 0:02:20 | |
It's just the mixture of working classness | 0:02:20 | 0:02:22 | |
and grooming is absolutely brilliant. | 0:02:22 | 0:02:24 | |
"I'm a total chav but my hair is perfect, yeah?" | 0:02:24 | 0:02:27 | |
"I'm going to kick your face in, Gary, but with top quality shoes!" | 0:02:27 | 0:02:30 | |
About a year ago, my life went tits up. | 0:02:32 | 0:02:34 | |
I ended up back at my mum's | 0:02:34 | 0:02:35 | |
and I was having a sofa day where you're shivering under the blanket, | 0:02:35 | 0:02:38 | |
like, "eurgh," just eating soup. And everything... | 0:02:38 | 0:02:42 | |
..it's the smallness of a mum's world that's consoling. | 0:02:42 | 0:02:44 | |
Mums bring everything smaller. | 0:02:44 | 0:02:46 | |
"It's all right, love. Just shut the doors, come back to your Mum. | 0:02:46 | 0:02:49 | |
"You're never too old to suckle. Shhh." | 0:02:49 | 0:02:52 | |
And I was lying on the sofa, and it was just over a year ago, | 0:02:52 | 0:02:57 | |
cos it was when the revolutions were starting in the Arab Spring, | 0:02:57 | 0:03:01 | |
and I think it was, erm.... | 0:03:01 | 0:03:03 | |
it was, it was Egypt at the time and I was watching it, | 0:03:03 | 0:03:06 | |
and you know what drama queens are like, | 0:03:06 | 0:03:09 | |
everything that happens is a reflection on our behaviour. | 0:03:09 | 0:03:11 | |
"Oh, my God, there's revolution. Misery's all over the world. | 0:03:11 | 0:03:14 | |
"It must be spreading from my heart into the Middle East." | 0:03:14 | 0:03:17 | |
I took it as a metaphor for my own sadness, how pathetic is that? | 0:03:17 | 0:03:20 | |
"Oh, those poor people in Cairo! Eurgh...wah!" | 0:03:20 | 0:03:22 | |
And I looked over and saw my mum's face. | 0:03:22 | 0:03:25 | |
You know the working class face that's a bit smiling | 0:03:25 | 0:03:27 | |
with thickness, like that? | 0:03:27 | 0:03:28 | |
There are people running from their homes, Mubarak kicking off, | 0:03:32 | 0:03:36 | |
and my mum's watching it like that. I was like, "Why is she smiling?" | 0:03:36 | 0:03:39 | |
And then she got my heartstrings with this, | 0:03:39 | 0:03:42 | |
when I realised how small her world was. She said this. | 0:03:42 | 0:03:46 | |
"You know what this means, don't you, Russ?" "What, Mum?" | 0:03:46 | 0:03:48 | |
"Bargains to Sharm el-Sheikh." | 0:03:48 | 0:03:51 | |
That was her only thought. | 0:03:51 | 0:03:53 | |
My mum and her boyfriend Danny... urgh, she's got a boyfriend, urgh! | 0:03:53 | 0:03:56 | |
Please don't put your willy in my mum! Please! | 0:03:56 | 0:03:59 | |
Anyway, they went...the first week | 0:04:01 | 0:04:04 | |
that the British Embassy recommended it was safe to travel, | 0:04:04 | 0:04:08 | |
Mum and Danny was like, "Right, bargains to Sharm, here we go!" | 0:04:08 | 0:04:11 | |
And I was like, "Mum, I don't think you should go. | 0:04:11 | 0:04:13 | |
"You're the only person I can rely on. I literally need you." | 0:04:13 | 0:04:16 | |
"Russ, do not..." these were her exact words, | 0:04:16 | 0:04:18 | |
and there was a printout from her dot matrix printer bought in Makros. | 0:04:18 | 0:04:22 | |
She's like, "Russ, do not panic. | 0:04:22 | 0:04:25 | |
"I am fully insured with insureandgo.com." | 0:04:25 | 0:04:27 | |
"I have full insurance off the website." | 0:04:27 | 0:04:30 | |
I was like, "Mum, do you honestly think that's going to cover you?" | 0:04:30 | 0:04:35 | |
And she went with this insurance, | 0:04:35 | 0:04:37 | |
and there was a couple of days where the phone lines went down, | 0:04:37 | 0:04:39 | |
you couldn't get a line out to Sharm and I was panicking. | 0:04:39 | 0:04:42 | |
And she phoned the next day, she went, "Russ, don't panic. | 0:04:42 | 0:04:45 | |
"Everything's fine at the resort." | 0:04:45 | 0:04:47 | |
And why would you leave the resort? Never leave the resort. | 0:04:47 | 0:04:50 | |
Put your arm-band on, just feed from a fucking trough like that. | 0:04:50 | 0:04:53 | |
All-inclusive trough. | 0:04:53 | 0:04:55 | |
Just droppings coming out of your arse like that. | 0:04:55 | 0:04:58 | |
Just feed from the all-inclusive trough for a week and go home. | 0:05:01 | 0:05:05 | |
This is her actual words. "Russ, don't panic. Don't get me wrong, | 0:05:05 | 0:05:08 | |
"you can hear distant noises of battle." | 0:05:08 | 0:05:11 | |
Distant noises of battle! | 0:05:11 | 0:05:12 | |
"But the weather is molten, and that's all that matters." | 0:05:14 | 0:05:19 | |
And I was like, "Mum, I don't think you should stay." | 0:05:19 | 0:05:21 | |
"Russ, I'm fully insured with the insurance off the website. | 0:05:21 | 0:05:25 | |
"Platinum level cover." | 0:05:25 | 0:05:27 | |
She honestly believed that an online insurance company | 0:05:27 | 0:05:31 | |
could protect her against anything. | 0:05:31 | 0:05:33 | |
Like she's going to end up on YouTube in an orange jumpsuit going, | 0:05:33 | 0:05:36 | |
"People of Britain, do not panic. I am fully insured. | 0:05:36 | 0:05:39 | |
"They cannot touch me, | 0:05:39 | 0:05:41 | |
"although you did try to behead me, didn't you, Mehmet? | 0:05:41 | 0:05:44 | |
"He was very naughty on Day Four." | 0:05:44 | 0:05:47 | |
"I cannot get through her neck, she's powerfully insured. | 0:05:47 | 0:05:50 | |
"I do not understand." | 0:05:50 | 0:05:52 | |
Some Italian al-Qaeda there for you. | 0:05:53 | 0:05:56 | |
"Hey, I'm a revolutionary, I cannot help it! | 0:05:56 | 0:05:59 | |
"Oh, mamma mia, we have a revolution!" | 0:05:59 | 0:06:01 | |
Now, you won't hear me say this very often, | 0:06:04 | 0:06:06 | |
but some things in life shouldn't be shaven. | 0:06:06 | 0:06:08 | |
And one of them is Joe Wilkinson! | 0:06:10 | 0:06:13 | |
CHEERING AND APPLAUSE | 0:06:13 | 0:06:15 | |
I got a job jumping out of a cake. | 0:06:29 | 0:06:31 | |
But I didn't know we were running late. | 0:06:33 | 0:06:36 | |
So when I jumped out of the cake, I was still in the back of the van. | 0:06:37 | 0:06:41 | |
CHEERING AND APPLAUSE | 0:06:54 | 0:06:56 | |
Now, are you sure you're OK to identify your brother's body? | 0:07:03 | 0:07:08 | |
Yes. | 0:07:08 | 0:07:09 | |
In the accident, he did lose his legs. | 0:07:09 | 0:07:13 | |
And his arms. | 0:07:14 | 0:07:16 | |
And his torso. | 0:07:17 | 0:07:19 | |
And his head. | 0:07:22 | 0:07:23 | |
That's him. | 0:07:29 | 0:07:31 | |
CHEERING AND APPLAUSE | 0:07:33 | 0:07:36 | |
I'm so excited, | 0:07:40 | 0:07:41 | |
I've split my skinnies with the turgidity of arousal. | 0:07:41 | 0:07:44 | |
Make some noise for Two Episodes of Mash! | 0:07:45 | 0:07:49 | |
CHEERING AND APPLAUSE | 0:07:49 | 0:07:52 | |
Hello. | 0:08:07 | 0:08:08 | |
This is our...our bit. | 0:08:09 | 0:08:12 | |
Erm, it's short, | 0:08:12 | 0:08:14 | |
so it won't take long, we'll be out of your hair soon. Erm... | 0:08:14 | 0:08:19 | |
-Won't take long, will it? -No. -No. | 0:08:22 | 0:08:24 | |
Stay with us. | 0:08:26 | 0:08:27 | |
Erm, why is...why is there a wordsearch...? | 0:08:29 | 0:08:35 | |
It's in case the audience gets bored during our bit. | 0:08:35 | 0:08:38 | |
Give 'em something to do. | 0:08:40 | 0:08:42 | |
It's a brilliant idea. | 0:08:42 | 0:08:45 | |
If you get bored, have a look for "Elephant." | 0:08:47 | 0:08:52 | |
AUDIENCE MEMBER: Found it. | 0:08:52 | 0:08:54 | |
Good, you've found it already. | 0:08:58 | 0:08:59 | |
Anyway, Joe, how was your birthday the other day? | 0:09:02 | 0:09:05 | |
Oh yeah, it was good... | 0:09:05 | 0:09:06 | |
'Oh, Christ, a bit of my spit just hit her in the face.' | 0:09:06 | 0:09:11 | |
'He just spat in my face.' | 0:09:11 | 0:09:13 | |
'Oh, I don't think she's noticed.' | 0:09:13 | 0:09:15 | |
'He thinks I haven't noticed.' | 0:09:15 | 0:09:18 | |
'Ohh, she's noticed, I can tell.' | 0:09:18 | 0:09:20 | |
'Oh, I can feel it on my face.' | 0:09:22 | 0:09:25 | |
'Why doesn't she wipe it off?' | 0:09:25 | 0:09:27 | |
'I really want to wipe it off, but then he'll know that I know | 0:09:27 | 0:09:30 | |
'that he's spat on my face.' | 0:09:30 | 0:09:32 | |
'Wipe it off, it's weird!' | 0:09:32 | 0:09:35 | |
'This is disgusting.' | 0:09:35 | 0:09:38 | |
'Disgusting.' | 0:09:38 | 0:09:40 | |
'Oh, thank God for that.' | 0:09:42 | 0:09:44 | |
'Oh, it's gone. Thank God for that. Maybe she didn't notice.' | 0:09:44 | 0:09:48 | |
'Dirty bastard.' | 0:09:48 | 0:09:51 | |
-Sorry, what? -Nothing. -That's it. | 0:09:51 | 0:09:53 | |
CHEERING AND APPLAUSE | 0:09:55 | 0:09:58 | |
We all like a drink. Who doesn't? | 0:10:09 | 0:10:12 | |
Some of us like a couple. | 0:10:12 | 0:10:15 | |
Again, what's the problem? | 0:10:15 | 0:10:17 | |
But there's always that annoying voice | 0:10:17 | 0:10:19 | |
in the back of your head saying, "You shouldn't drink too much." | 0:10:19 | 0:10:22 | |
Well, now you can drink too much with Too Much, | 0:10:22 | 0:10:26 | |
our new premium strength super lager. | 0:10:26 | 0:10:29 | |
You can drink Too Much with family or even on a first date. | 0:10:29 | 0:10:32 | |
But don't drink Too Much too much, or then you'll have had FAR too much. | 0:10:32 | 0:10:36 | |
And remember, don't drink drive. | 0:10:36 | 0:10:39 | |
Drink Drive! | 0:10:39 | 0:10:40 | |
Part of our new energy drinks range. Teetotal but still enjoy a night out? | 0:10:40 | 0:10:45 | |
Drink Drive! What could be safer? | 0:10:45 | 0:10:47 | |
You can drink as much as you want before driving, | 0:10:47 | 0:10:49 | |
but don't drink Too Much before driving. | 0:10:49 | 0:10:52 | |
And remember, please drink responsibly. | 0:10:52 | 0:10:56 | |
Responsibly! | 0:10:56 | 0:10:57 | |
Now available in new apple, strawberry and cherry bomb flavours. | 0:10:57 | 0:11:01 | |
Now you can drink Drive, drink Too Much | 0:11:01 | 0:11:04 | |
and drink Responsibly all on the same night. | 0:11:04 | 0:11:07 | |
You can enjoy all of these drinks sociably, | 0:11:07 | 0:11:09 | |
but I prefer to drink alone! | 0:11:09 | 0:11:12 | |
CHEERING AND APPLAUSE | 0:11:19 | 0:11:22 | |
Hold aloft your comedy plates | 0:11:23 | 0:11:25 | |
for further helpings of Two Episodes of Mash. | 0:11:25 | 0:11:27 | |
CHEERING AND APPLAUSE | 0:11:27 | 0:11:29 | |
HE GAGS | 0:11:38 | 0:11:40 | |
Urgh. | 0:11:42 | 0:11:44 | |
-Diane. -HE GAGS | 0:11:44 | 0:11:47 | |
-Diane. -What? | 0:11:47 | 0:11:49 | |
Come and have a look at this. | 0:11:49 | 0:11:51 | |
What? | 0:11:51 | 0:11:53 | |
Oh, g...! A-agh! | 0:11:55 | 0:11:57 | |
Urgh! | 0:11:59 | 0:12:01 | |
Urgh! | 0:12:03 | 0:12:05 | |
-Oh, is that what I think it is? -Uh-huh. | 0:12:05 | 0:12:08 | |
Oh, God, it looks like it's still beating. | 0:12:08 | 0:12:12 | |
Oh! | 0:12:12 | 0:12:14 | |
Should be, I've had it over an hour. | 0:12:14 | 0:12:16 | |
God, it's nothing like what you see on the front | 0:12:16 | 0:12:19 | |
of Valentines cards, is it? | 0:12:19 | 0:12:20 | |
No. | 0:12:20 | 0:12:22 | |
Except that there's an arrow sticking in it. | 0:12:22 | 0:12:24 | |
Where did you get it? | 0:12:24 | 0:12:26 | |
-Well, you know how I work for Children's BBC? -Yeah. | 0:12:26 | 0:12:30 | |
Well, erm... | 0:12:30 | 0:12:32 | |
..urgh, we had, erm... | 0:12:33 | 0:12:36 | |
we had David Blaine on the Dick and Dom show, you know. | 0:12:36 | 0:12:40 | |
He was doing his new stunt. | 0:12:42 | 0:12:44 | |
He was going to go 48 hours without two of his major organs. | 0:12:44 | 0:12:48 | |
-That's a hell of a stunt. -Oh, you'd think so, but no, no, no. | 0:12:48 | 0:12:52 | |
Cos they took out his appendix, you know, it was fine, | 0:12:52 | 0:12:56 | |
big round of applause, and then they took out his heart, | 0:12:56 | 0:13:00 | |
and Dom held it up in the air like something out of Highlander. | 0:13:00 | 0:13:03 | |
-That sounds hilarious! -No, no. | 0:13:03 | 0:13:05 | |
Then what happened? | 0:13:05 | 0:13:07 | |
Dom pronounced him dead ten seconds later. | 0:13:07 | 0:13:10 | |
Oh, God, so...what are you doing with the heart? | 0:13:12 | 0:13:17 | |
Well, they gave the appendix to one of those organ donation places. | 0:13:17 | 0:13:21 | |
Right, well... | 0:13:21 | 0:13:23 | |
..wouldn't it have made more sense to give them the heart? | 0:13:25 | 0:13:28 | |
Well it's a bit late for that. I've stuck an arrow in it now. | 0:13:31 | 0:13:34 | |
CHEERING AND APPLAUSE | 0:13:37 | 0:13:39 | |
It has everything. Big dogs, little dogs, donkeys. | 0:13:43 | 0:13:46 | |
And it's like in my Top Five Funniest Pornos | 0:13:46 | 0:13:49 | |
because her face is not only expressing horrible agony | 0:13:49 | 0:13:53 | |
but it is also a deep sorrow. Ha-ha-ha! | 0:13:53 | 0:13:57 | |
-That's quite sad. -"Am I bovvered? Does my face look bovvered?" | 0:13:57 | 0:14:03 | |
What is your favourite type of comedy? | 0:14:03 | 0:14:07 | |
Erm, I like American stuff. | 0:14:07 | 0:14:09 | |
-No, I don't really like stand-up from there. -Oh, yeah. | 0:14:09 | 0:14:12 | |
Which ones don't you like? | 0:14:12 | 0:14:14 | |
Chris Rock, Eddie Murphy, Whoopi Goldberg, Bill Cosby, | 0:14:14 | 0:14:19 | |
Martin Luther King. | 0:14:19 | 0:14:20 | |
Why's that? | 0:14:20 | 0:14:22 | |
Lost in translation, I guess. | 0:14:22 | 0:14:24 | |
Cool! Well, I will let you two amigos bicker on. | 0:14:27 | 0:14:31 | |
I've got to go clean the loos for, like, the rest of the day, | 0:14:31 | 0:14:34 | |
so I'll see you in the pub. | 0:14:34 | 0:14:36 | |
Oh, another trip to the toilet. We are suspicious of you! | 0:14:36 | 0:14:39 | |
Suspicious that he is a fag. | 0:14:41 | 0:14:43 | |
Let us pray he is "the only gay in the village!" | 0:14:43 | 0:14:47 | |
Yeah, that's...great. | 0:14:47 | 0:14:49 | |
Let's cross to our correspondent. | 0:14:54 | 0:14:55 | |
He's from the place where chips are fries and so are the prisoners. | 0:14:55 | 0:14:58 | |
Zzz! "I didn't mean to murder!" Zzz! | 0:14:58 | 0:15:02 | |
It's Hari Kondabolu. | 0:15:02 | 0:15:04 | |
CHEERING AND APPLAUSE | 0:15:04 | 0:15:07 | |
MUSIC: "The Star Spangled Banner" by Francis Scott Key | 0:15:07 | 0:15:10 | |
Hello, Britain. This is Hari Kondabolu and I'm an American. | 0:15:12 | 0:15:15 | |
The British have a rich history and a multicultural society. | 0:15:15 | 0:15:19 | |
In your museums, you can see artefacts | 0:15:19 | 0:15:21 | |
from all over the world for free... | 0:15:21 | 0:15:23 | |
..that Britain took from all over the world for free. | 0:15:23 | 0:15:28 | |
Stolen, stolen, stolen. | 0:15:28 | 0:15:30 | |
Hey, that's my grandmother's! | 0:15:30 | 0:15:32 | |
Unlike the UK, the US doesn't steal other people's shit. | 0:15:32 | 0:15:36 | |
Except that time we stole America from the Native Americans. | 0:15:36 | 0:15:40 | |
But it was just that one time. | 0:15:40 | 0:15:42 | |
And since then, it's not like we go into other countries and take stuff. | 0:15:42 | 0:15:45 | |
What? | 0:15:47 | 0:15:49 | |
In America, drinking at lunchtime means you have a problem. | 0:15:49 | 0:15:52 | |
In Britain, NOT drinking at lunchtime means you have a problem. | 0:15:52 | 0:15:57 | |
The Rolling Stones are one of the greatest bands | 0:15:57 | 0:16:00 | |
in rock and roll history. | 0:16:00 | 0:16:01 | |
The key word there, of course, is "history." | 0:16:01 | 0:16:04 | |
They're so old. | 0:16:04 | 0:16:06 | |
"Move like Jagger?" How about breathe like Jagger? | 0:16:06 | 0:16:09 | |
Chew soft food like Jagger. | 0:16:09 | 0:16:11 | |
Be grateful you can open your eyes in the morning like Jagger. | 0:16:11 | 0:16:14 | |
I think it should be illegal to have sex with one of them. | 0:16:14 | 0:16:17 | |
Way too close to necrophilia. | 0:16:17 | 0:16:20 | |
And what about your culture of losing? | 0:16:20 | 0:16:22 | |
That's why it's so ironic that the UK's hosting the Olympics this year. | 0:16:22 | 0:16:26 | |
It's like a birthday party where all of your friends receive gifts | 0:16:26 | 0:16:29 | |
instead of you. Goodnight. | 0:16:29 | 0:16:32 | |
CHEERING AND APPLAUSE | 0:16:32 | 0:16:35 | |
Mum's worse. | 0:16:41 | 0:16:43 | |
I can't afford the operation. | 0:16:44 | 0:16:45 | |
Come with me. It's going to be all right. | 0:16:45 | 0:16:47 | |
-Tom and I have sorted everything. -What do you mean? | 0:16:47 | 0:16:50 | |
We've robbed the bakery. | 0:16:51 | 0:16:54 | |
You little beauties. How much was in the till? | 0:16:54 | 0:16:56 | |
Till? | 0:16:57 | 0:16:59 | |
CHEERING AND APPLAUSE | 0:17:02 | 0:17:05 | |
How good were they? | 0:17:05 | 0:17:07 | |
What about when people over-pronounce a word | 0:17:09 | 0:17:11 | |
to show they're familiar with the language? Showing off. | 0:17:11 | 0:17:14 | |
"I'll have some pizza, please, | 0:17:14 | 0:17:15 | |
"and I'll have some "ch-ala-penyo" on that!" | 0:17:15 | 0:17:17 | |
Say Jalapeno, you dick! | 0:17:20 | 0:17:23 | |
"Yes, I'd like some extra "ch-ala-penyo!" | 0:17:24 | 0:17:27 | |
That's what Spanish people are like, they're like snakes. | 0:17:27 | 0:17:29 | |
They have to dislocate their jaw to greet each other. "Buenos dias!" | 0:17:29 | 0:17:33 | |
"Buenos dias." "Buenos dias tardes!" | 0:17:35 | 0:17:39 | |
Amazing, innit? We fantasise about Spain...fascinate English people. | 0:17:41 | 0:17:46 | |
We move there, we go on holiday there. | 0:17:46 | 0:17:48 | |
We just fantasise about living there, it's just so opposite to us, | 0:17:48 | 0:17:51 | |
so warm and relaxed and family focused. | 0:17:51 | 0:17:54 | |
They go home and have a little kip at lunchtime. Imagine that. | 0:17:54 | 0:17:57 | |
"I go home, I sleep for a bit. See you." "That's fine." | 0:17:57 | 0:18:01 | |
"You're sacked, wanker!" That's what would happen here. | 0:18:01 | 0:18:03 | |
They meet together at lunchtime. I was doing a gig in Barcelona | 0:18:03 | 0:18:06 | |
and there was just a table set out on the street, | 0:18:06 | 0:18:08 | |
and there was mum and dad and the kids at five in the afternoon. | 0:18:08 | 0:18:11 | |
Nan was there in her black shawl and they were having food together | 0:18:11 | 0:18:14 | |
and they were eating little bits of food throughout the day | 0:18:14 | 0:18:17 | |
and making it last and enjoying life. | 0:18:17 | 0:18:19 | |
It couldn't be more different to Britain. | 0:18:19 | 0:18:21 | |
"I starved myself all day, ate nothing, got in at 11 at night, | 0:18:21 | 0:18:25 | |
"had a massive meal, kicked my fucking nan in the face, | 0:18:25 | 0:18:27 | |
"went to work the next day." | 0:18:27 | 0:18:29 | |
American people might be watching this. Are you having fun? | 0:18:31 | 0:18:34 | |
It's really different watching stand-up in the UK | 0:18:34 | 0:18:37 | |
to watching it in America. Comedy in America's like, "Woo-woo! | 0:18:37 | 0:18:41 | |
"Don't even listen. Let's cheer anyway! Hooray!" | 0:18:41 | 0:18:43 | |
I went onstage in New York, got it completely wrong. | 0:18:43 | 0:18:47 | |
It's so hard for an English person to mess a gig up in America. | 0:18:47 | 0:18:50 | |
Whereas Brits, we start from "Prove yourself, dick, | 0:18:50 | 0:18:52 | |
"and we'll build slowly, yeah? Don't give him too much. | 0:18:52 | 0:18:55 | |
"We paid 15 quid, let the little shit work his nuts off." | 0:18:55 | 0:18:58 | |
Whereas in America it's like, "Whoo, we'll give you a pushoff, buddy, it's for you to mess it up. Hooray!" | 0:18:59 | 0:19:05 | |
Now, you think, as a comedian, I would prefer that, don't you? | 0:19:05 | 0:19:08 | |
But you're forgetting what it's like to be British. | 0:19:08 | 0:19:10 | |
As soon as we see something special we want to spoil it, don't we? | 0:19:10 | 0:19:14 | |
It's the finest hotel, what a shame someone's kicked a fucking sink off the wall! | 0:19:14 | 0:19:18 | |
That's the way we're programmed. | 0:19:18 | 0:19:20 | |
So I went out in America, "Come on, he's probably from Lon-don. | 0:19:20 | 0:19:23 | |
"Am I saying it right? Lon-don. Hurray! Maybe he'll bring us i-rony." | 0:19:23 | 0:19:27 | |
And they were so friendly. | 0:19:31 | 0:19:33 | |
You know, I'll come on and I'll say hello, do a few jokes about myself. | 0:19:33 | 0:19:37 | |
I sort of grounded myself on the stage a bit. | 0:19:37 | 0:19:39 | |
It was so positive that that British thing of spoiling it - smash it up! - just came into my head. | 0:19:39 | 0:19:43 | |
Like, "Woo!" and I went, "Good evening." There was a guy sat at the end, enjoying the comedy, | 0:19:43 | 0:19:48 | |
it was Greenwich Village, an arty guy with a beard sat on his own. | 0:19:48 | 0:19:51 | |
"Woo, yeah, he's from London, I'm looking forward to this. All right!" | 0:19:51 | 0:19:55 | |
I went on and went, "Good evening. You look like a paedophile," to the guy, and that was it. | 0:19:55 | 0:20:00 | |
I didn't say hello, I didn't say my name, I just went straight for the beard paedophile joke straight away. | 0:20:00 | 0:20:06 | |
And the whole room went, "Oh, my God, is that humour where you come from? | 0:20:06 | 0:20:11 | |
"Monty Python? | 0:20:11 | 0:20:13 | |
"Is that funny, to say somebody's a sex offender? | 0:20:13 | 0:20:15 | |
"If that's i-rony, we don't need it, buddy." | 0:20:15 | 0:20:18 | |
Imagine that in the UK! "Good evening. You look a bit paedophile." | 0:20:18 | 0:20:22 | |
"He does look paedo! Chase him into the alley and kick his head in! | 0:20:22 | 0:20:26 | |
"Give the kids back, you beardy wanker!" | 0:20:26 | 0:20:28 | |
If I fell down those stairs now, right, broke my ankle, | 0:20:32 | 0:20:35 | |
the series was cancelled and I was carried out having, like, a proper fit from pain, | 0:20:35 | 0:20:41 | |
it would be minutes before one of you sadistic shits said, "I know it's wrong, | 0:20:41 | 0:20:45 | |
"because he's crippled and he'll never perform again, but that is the funniest thing I've ever seen." | 0:20:45 | 0:20:50 | |
APPLAUSE | 0:20:50 | 0:20:54 | |
'I had forgotten that my flatmate Mark had put his violin | 0:21:21 | 0:21:25 | |
'in my double bass case. | 0:21:25 | 0:21:27 | |
'So when I opened it I wrongly assumed that | 0:21:29 | 0:21:33 | |
'my double bass had shrunk.' | 0:21:33 | 0:21:35 | |
'Even after I realised my mistake, | 0:21:38 | 0:21:41 | |
'it still made for an incredibly awkward audition.' | 0:21:41 | 0:21:46 | |
APPLAUSE | 0:21:54 | 0:21:56 | |
Now, if you're not yet at satiation, | 0:22:00 | 0:22:03 | |
head to bbc.co.uk/bbcthree for even more amazing stuff. | 0:22:03 | 0:22:08 | |
Talking of amazing stuff, he's stuff and he's amazing. It's wonderful! | 0:22:08 | 0:22:12 | |
It's Nick Helm! | 0:22:12 | 0:22:14 | |
APPLAUSE | 0:22:14 | 0:22:16 | |
-Good evening! Are you all right? AUDIENCE: -Yeah! | 0:22:23 | 0:22:26 | |
-Who here's single? SOME VOICES: -Whoo! | 0:22:26 | 0:22:29 | |
-It's good, innit? -Yeah! | 0:22:29 | 0:22:31 | |
RATHER DESPERATELY: It's good! | 0:22:31 | 0:22:33 | |
HE GIGGLES | 0:22:33 | 0:22:34 | |
I love being single! Fucking love being single. | 0:22:34 | 0:22:39 | |
Prowling the streets every night like a fucking hungry wolverine. | 0:22:39 | 0:22:43 | |
Not knowing where your next fucking meal's going to come from, | 0:22:43 | 0:22:46 | |
I fucking love being single. | 0:22:46 | 0:22:48 | |
HE GRUNTS | 0:22:50 | 0:22:52 | |
All right... | 0:22:57 | 0:23:00 | |
-What's your name? -Gemma. -HE BELLOWS: That's a nice name! | 0:23:00 | 0:23:04 | |
Gemma. Gemma. | 0:23:06 | 0:23:08 | |
Watch me for the changes, boys. | 0:23:12 | 0:23:15 | |
Look at me. | 0:23:19 | 0:23:20 | |
# I remember just the other day, oh | 0:23:25 | 0:23:30 | |
# How you took my heart and ran away, oh | 0:23:30 | 0:23:35 | |
# Nothing's going to be the same | 0:23:37 | 0:23:41 | |
# Isn't that a crying shame? | 0:23:42 | 0:23:46 | |
# Take my mind off, read a book, no | 0:23:47 | 0:23:50 | |
# Don't give you a second look, oh | 0:23:52 | 0:23:56 | |
# But it's not that easy somehow | 0:23:56 | 0:24:00 | |
# Want this all to leave me now | 0:24:00 | 0:24:06 | |
# I'm coming to get you | 0:24:06 | 0:24:09 | |
# There's nowhere to hide! | 0:24:09 | 0:24:13 | |
# Get your face out of my head! | 0:24:14 | 0:24:19 | |
# Come to me or go and bother someone else instead, oh | 0:24:22 | 0:24:28 | |
# I want you back, want you back by my side | 0:24:28 | 0:24:34 | |
# I'm coming to get you | 0:24:36 | 0:24:38 | |
# There's nowhere to hide! | 0:24:38 | 0:24:42 | |
# Ooh, ooh, ooh | 0:24:42 | 0:24:49 | |
# Ooh | 0:24:49 | 0:24:53 | |
# Ooh, ooh, ooh, ooh, ooh | 0:24:53 | 0:24:58 | |
# I want you back, want you back by my side | 0:24:58 | 0:25:03 | |
# Coming to get you There's no place to hide. # | 0:25:05 | 0:25:12 | |
BAND PLAY CODA | 0:25:15 | 0:25:18 | |
Leave him. | 0:25:33 | 0:25:34 | |
APPLAUSE | 0:25:43 | 0:25:45 | |
Why is taking that guy so long? I'm ready for some shots. | 0:25:52 | 0:25:55 | |
Yeah, I really have no idea actually. | 0:25:55 | 0:25:57 | |
-I got an idea. Gobble-gobble-gobble, splussssh! -HE GIGGLES | 0:25:57 | 0:26:02 | |
'Hey, man. Wow. That guy was WEIRD. Erm, I've gone home so I'll see you tomorrow. Byeee.' | 0:26:02 | 0:26:08 | |
Yeah, he's... | 0:26:08 | 0:26:10 | |
-He's gone home. -He has gone home? -Yeah. -Why? | 0:26:10 | 0:26:14 | |
-We were going for shots. I can't believe! -I'm sorry. | 0:26:14 | 0:26:18 | |
HE SOBS | 0:26:18 | 0:26:19 | |
Everybody who gets close to me ends up drifting away! | 0:26:19 | 0:26:25 | |
And I know why. | 0:26:25 | 0:26:27 | |
It is because... | 0:26:30 | 0:26:32 | |
I am different. | 0:26:32 | 0:26:34 | |
Hey, come on. | 0:26:36 | 0:26:38 | |
It's good to be different. | 0:26:38 | 0:26:41 | |
You're shaking. | 0:26:41 | 0:26:43 | |
Sorry... I think you got the wrong idea. | 0:26:55 | 0:26:59 | |
Am I bothered? | 0:27:01 | 0:27:02 | |
Does my face look bothered? | 0:27:04 | 0:27:07 | |
Subtitles by Red Bee Media | 0:27:36 | 0:27:40 |