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This programme contains strong language and adult humour. | 0:00:00 | 0:00:01 | |
"He restoreth my soul. He leadeth me in the path of righteousness for His name's sake. | 0:00:01 | 0:00:05 | |
"Yea, though I walk through the valley of the shadow of death | 0:00:05 | 0:00:08 | |
"I will fear no evil for Thou art with me. | 0:00:08 | 0:00:10 | |
"Thy rod and thy staff, they... | 0:00:10 | 0:00:12 | |
-"They comfort me. Thou preparest a table before me in the presence..." -Do it with an accent. | 0:00:12 | 0:00:18 | |
Like Jesus. | 0:00:18 | 0:00:20 | |
Say it how she would have spake it. | 0:00:20 | 0:00:23 | |
I think Jesus was a man. | 0:00:23 | 0:00:24 | |
CHORTLES AND SPLUTTERS | 0:00:24 | 0:00:27 | |
Tom, I pray that you will be more open-minded on your death bed. | 0:00:27 | 0:00:31 | |
-Tom, you had your tonsils out two weeks ago. You're going to be fine. -I'm relapsing! | 0:00:31 | 0:00:34 | |
OK, fine. You still don't have a temperature. | 0:00:34 | 0:00:38 | |
When are you going to help me with those lighting crates? They are so heavy... | 0:00:38 | 0:00:42 | |
Must you plague a dying man with these questions? | 0:00:42 | 0:00:45 | |
-How did you get this bed in here? -My physicians helped me. | 0:00:45 | 0:00:48 | |
They've been looking after me, soothing me, cleaning me. | 0:00:48 | 0:00:52 | |
Who's been cleaning him? | 0:00:52 | 0:00:54 | |
Come on. | 0:00:55 | 0:00:57 | |
Ishmael. He's my favourite. | 0:00:59 | 0:01:01 | |
What else did he make you do, Ishmael? | 0:01:01 | 0:01:04 | |
Sometimes after the sponge baths he makes me... | 0:01:04 | 0:01:06 | |
CRIES OUT IN PAIN | 0:01:06 | 0:01:08 | |
They're becoming more frequent. What did you say they were called? | 0:01:08 | 0:01:11 | |
Contractions. You need to breathe heavily and push. | 0:01:11 | 0:01:14 | |
FARTS | 0:01:14 | 0:01:16 | |
How are we getting on with the will? Is it finished? | 0:01:18 | 0:01:21 | |
-I think so. -Read it to me. I might want to make some edits. | 0:01:21 | 0:01:24 | |
"Once I am dead and have ascended, | 0:01:24 | 0:01:26 | |
"none of my possessions are to be given to Nubi because he is a butt-hole." | 0:01:26 | 0:01:29 | |
Just read that last part to me again. | 0:01:29 | 0:01:32 | |
"..because I am a butt-hole." | 0:01:32 | 0:01:35 | |
No changes. | 0:01:36 | 0:01:37 | |
APPLAUSE AND CHEERING | 0:01:57 | 0:02:00 | |
Good evening! | 0:02:01 | 0:02:04 | |
Hello, hello, hello! | 0:02:04 | 0:02:05 | |
Welcome, ladies, gentlemen, and people from Essex, you're all welcome! | 0:02:05 | 0:02:10 | |
Seriously, I do love this place. This is where me and my parade of sketchy character freaks belong. | 0:02:10 | 0:02:16 | |
Geek Central, yeah? | 0:02:16 | 0:02:17 | |
Personally, I take it as a compliment to be rejected. | 0:02:17 | 0:02:20 | |
That way, the girls can never win! | 0:02:20 | 0:02:22 | |
Dirty girls, even if they do smell lovely. | 0:02:22 | 0:02:24 | |
Girls smell so nice, especially when they're running! | 0:02:24 | 0:02:27 | |
We've got an amazing show for you tonight. | 0:02:30 | 0:02:32 | |
I made sure I got plenty of rest before I filmed this series. | 0:02:32 | 0:02:35 | |
I went to Thailand, which I've never done before. | 0:02:35 | 0:02:37 | |
It's a long-haul flight. It's 13 hours on the way back. | 0:02:37 | 0:02:41 | |
It's that horrible... You get these horrible old ladies doing these weird exercises on the way back! | 0:02:41 | 0:02:45 | |
I always seem to sit in the seat where the old lady's doing her maximum section. | 0:02:45 | 0:02:51 | |
She's always got the jogging bottoms on. | 0:02:51 | 0:02:53 | |
They're like a camel toe if camels had elephantitis! | 0:02:53 | 0:02:56 | |
It's like I'm getting some bizarre octogenarian lap dance! | 0:02:59 | 0:03:04 | |
"I'll do whatever you want for a Werther's!" | 0:03:05 | 0:03:07 | |
Anyway... | 0:03:12 | 0:03:13 | |
I don't know who's been to Thailand. You think it'll be so different. | 0:03:15 | 0:03:19 | |
Bangkok is going to be like another world. | 0:03:19 | 0:03:20 | |
They are weirdly like British people. | 0:03:20 | 0:03:23 | |
Thai and British people are so similar! | 0:03:23 | 0:03:26 | |
That strange mix of real ultra conservatism | 0:03:26 | 0:03:29 | |
and repressedness by day, | 0:03:29 | 0:03:31 | |
and then completely going wild at night. | 0:03:31 | 0:03:33 | |
The Brits do it fantastically. | 0:03:33 | 0:03:34 | |
"Nothing. I'm not going to tell that girl I fancy her, nothing all week, sober. | 0:03:34 | 0:03:38 | |
"Stay in, don't speak. It's Friday night! Finger her behind the skip. Back to work!" | 0:03:38 | 0:03:41 | |
No middle gear. No middle gear. Nothing or orgy! | 0:03:41 | 0:03:46 | |
The Thais are brilliant by day. | 0:03:47 | 0:03:50 | |
"If you would like to remove your footwear. It is respectful to cover your shoulders." | 0:03:50 | 0:03:53 | |
By night, "Please, take off your shoes and cover your shoulders before I wank you off for 20 baht!" | 0:03:53 | 0:03:58 | |
It was an absolutely awesome holiday, and I'll... | 0:04:00 | 0:04:04 | |
It's amazing how many 20 bahts you get through! | 0:04:04 | 0:04:07 | |
I feel the one big question that has escaped the attention of UK social anthropologists and linguists is, | 0:04:09 | 0:04:15 | |
what would happen if the peoples of Essex could converse in blank Shakespearian verse. | 0:04:15 | 0:04:19 | |
Wonder no more. | 0:04:19 | 0:04:21 | |
For we have the answer! | 0:04:21 | 0:04:23 | |
My love, what is this culinary surprise, | 0:04:38 | 0:04:41 | |
for I am hungrier than a junior stockbroker | 0:04:41 | 0:04:44 | |
before the credit crunch! | 0:04:44 | 0:04:46 | |
Stay back, my prince, Daveutio! | 0:04:46 | 0:04:48 | |
I have let thee down like a Lidl helium balloon! | 0:04:48 | 0:04:51 | |
-Sweet trollop! -My souffle is dead. | 0:04:51 | 0:04:56 | |
Though I did whisk at it, as you do yourself when downloading new porn mpegs! | 0:04:56 | 0:05:01 | |
'Tis deflated. | 0:05:02 | 0:05:04 | |
Flat as a Bruce Forsyth joke! | 0:05:04 | 0:05:06 | |
My sweet, risen mound will not charm thee | 0:05:06 | 0:05:10 | |
after thy day's expense at Kwik Fit. | 0:05:10 | 0:05:12 | |
I have unserviced you! | 0:05:12 | 0:05:15 | |
The suspension of my dessert broken, | 0:05:15 | 0:05:18 | |
the engine of its tin ungreased! | 0:05:18 | 0:05:20 | |
-Hey, you rev too hard! -To thee I am now a write-off. | 0:05:20 | 0:05:26 | |
A broken-down wench. No angel that thus delights thee. | 0:05:26 | 0:05:30 | |
Is Dick becoming spotted at the thought of my unwomanly hands? | 0:05:30 | 0:05:35 | |
My soul is smashing into biscuit baseness. | 0:05:35 | 0:05:39 | |
Never more will the clotted cream of his love | 0:05:39 | 0:05:43 | |
empty into the moist split scone of mine affections! | 0:05:43 | 0:05:47 | |
Adieu! | 0:05:47 | 0:05:49 | |
Nay, foolish, fair slapper! | 0:05:49 | 0:05:53 | |
See not failure in this unrisen thing but joy! | 0:05:54 | 0:05:57 | |
A souffle risen is but a speech by Nick Clegg. | 0:05:57 | 0:06:00 | |
Air, egginess, heat. Inside, fuck all. | 0:06:00 | 0:06:03 | |
Do you mean it, my love? | 0:06:03 | 0:06:05 | |
Look with thy false-lashed eyes to truth. | 0:06:05 | 0:06:08 | |
This squashed souffle has become a pancake, | 0:06:08 | 0:06:12 | |
a smilier pudd, rolled out in celebration. | 0:06:12 | 0:06:15 | |
Covered in sweetness, enjoyed together. | 0:06:15 | 0:06:19 | |
All is gained and none is lost... | 0:06:20 | 0:06:22 | |
when evenings finish with things being tossed! | 0:06:22 | 0:06:26 | |
And now the only kind of mash people on Atkin's can tuck into, | 0:06:37 | 0:06:41 | |
Two Episodes of Mash! | 0:06:41 | 0:06:42 | |
Hello. This is our bit. Good luck. | 0:06:51 | 0:06:55 | |
-Don't touch me! -Jesus! | 0:06:55 | 0:06:57 | |
Just get on with it, then. | 0:06:59 | 0:07:00 | |
Can we put a goldfish up here? | 0:07:02 | 0:07:05 | |
Can we make it look like it's trying to decide what A levels to do? | 0:07:09 | 0:07:13 | |
What time is it? | 0:07:19 | 0:07:21 | |
I dunno. It's about quarter past. | 0:07:21 | 0:07:23 | |
Shit! Can you put my eBay account up, please? | 0:07:23 | 0:07:27 | |
-Why? -I'm bidding on some compost. It's nearly finished. | 0:07:27 | 0:07:30 | |
You're the highest bidder! | 0:07:32 | 0:07:34 | |
Shh! Don't jinx it! Come on! | 0:07:34 | 0:07:36 | |
I really need this compost. | 0:07:36 | 0:07:39 | |
Come on, come on, come on! | 0:07:39 | 0:07:42 | |
Come on! Come on! | 0:07:42 | 0:07:44 | |
-Yes! -Yes! Yes! -Yes! | 0:07:44 | 0:07:46 | |
High-five! High-five! | 0:07:53 | 0:07:55 | |
-Shall we just get... -Yeah. | 0:08:14 | 0:08:16 | |
OK. | 0:08:17 | 0:08:19 | |
I'm genuinely knackered! | 0:08:19 | 0:08:21 | |
I feel sick. | 0:08:23 | 0:08:24 | |
Oh, that's lovely. | 0:08:36 | 0:08:37 | |
Are you enjoying my party? | 0:08:58 | 0:09:00 | |
Not many people here, is there? | 0:09:00 | 0:09:02 | |
There's a gazebo in the garden. | 0:09:02 | 0:09:05 | |
It's like a tent with no sides. | 0:09:06 | 0:09:08 | |
Stand under it if it drizzles. | 0:09:10 | 0:09:12 | |
Hmm. | 0:09:12 | 0:09:13 | |
A gazebo. Funny word, isn't it? | 0:09:16 | 0:09:19 | |
You can use it... Oh, I've got a text. | 0:09:21 | 0:09:22 | |
It's from you! | 0:09:27 | 0:09:29 | |
"Don't bother coming. It's shit here." | 0:09:32 | 0:09:34 | |
Sorry. | 0:09:39 | 0:09:40 | |
I sent that to the wrong person! | 0:09:40 | 0:09:43 | |
That's a relief! | 0:09:50 | 0:09:51 | |
Raa! | 0:10:03 | 0:10:05 | |
Sarah, do you mind? I've got a bit of a headache. | 0:10:05 | 0:10:08 | |
Yeah, me, too. | 0:10:08 | 0:10:11 | |
I feel like my skull's been smashed in with a crowbar. | 0:10:11 | 0:10:14 | |
I've got a tummy ache, as well. | 0:10:14 | 0:10:17 | |
Probably caught it off me. My stomach's in agony. | 0:10:17 | 0:10:20 | |
I feel like I've been poisoned with arsenic and my guts are falling out. | 0:10:20 | 0:10:23 | |
-I think I'm... -And I can't stop burping. | 0:10:23 | 0:10:25 | |
Perhaps you've got consumption. | 0:10:25 | 0:10:28 | |
That... | 0:10:29 | 0:10:30 | |
..or someone's trying to kill me. | 0:10:31 | 0:10:34 | |
Say your prayers, prostitute! | 0:10:37 | 0:10:38 | |
-I'm not a prostitute! -Shit! | 0:10:38 | 0:10:41 | |
I've come all this way now! I'll just kill you anyway! | 0:10:41 | 0:10:44 | |
Oh, the dark years of The Ripper! | 0:10:44 | 0:10:46 | |
I'm not The Ripper! I'm The... | 0:10:46 | 0:10:50 | |
Um... | 0:10:50 | 0:10:51 | |
The... | 0:10:51 | 0:10:53 | |
I'm The Caesarean! | 0:10:54 | 0:10:57 | |
What?! | 0:10:57 | 0:10:58 | |
The Caesarean. | 0:10:58 | 0:11:00 | |
That's gross! | 0:11:00 | 0:11:02 | |
Well, I've said it now, so... | 0:11:02 | 0:11:04 | |
The Caesarean! | 0:11:04 | 0:11:07 | |
Funny, I've never heard of you! | 0:11:07 | 0:11:09 | |
Oh, so you haven't heard about poor Mary Swiggins | 0:11:09 | 0:11:12 | |
who was cut into a pair of curtains! | 0:11:12 | 0:11:14 | |
We have ourselves a Jack the Ripper wannabe! | 0:11:14 | 0:11:17 | |
You want to watch your mouth. | 0:11:17 | 0:11:19 | |
Some people wouldn't take kindly to a big-headed blather-skite like you! | 0:11:19 | 0:11:23 | |
Especially not The Suckler! | 0:11:23 | 0:11:25 | |
-Who? -Why, just last week he took a boy's face clean off with a plunger | 0:11:25 | 0:11:30 | |
and fed it to his dog, Pooper. | 0:11:30 | 0:11:32 | |
Then he cut off the boy's stiff, dead hand | 0:11:32 | 0:11:35 | |
and used it to scoop out the brains of his battered skull | 0:11:35 | 0:11:38 | |
before gobbling it down with a pint of blood. | 0:11:38 | 0:11:41 | |
And to finish the job off, he flushed the dismembered body down the crapper! | 0:11:41 | 0:11:46 | |
-I ain't scared of no-one. -RATTLING | 0:11:46 | 0:11:49 | |
All right, girls? Just give you a heads up. | 0:11:59 | 0:12:01 | |
The toilet's in a bit of a state. | 0:12:01 | 0:12:03 | |
Looks like there's been a murder in there! | 0:12:05 | 0:12:07 | |
I told you I was ill. | 0:12:09 | 0:12:11 | |
OK. It's time to put more north in our life! | 0:12:13 | 0:12:16 | |
Say hello to Lucy Beaumont! | 0:12:16 | 0:12:19 | |
APPLAUSE AND CHEERING | 0:12:19 | 0:12:22 | |
Hello. I'm Lucy. I'm from Hull. | 0:12:26 | 0:12:29 | |
CHEERING | 0:12:29 | 0:12:31 | |
Do you know what? I don't think Diane is a good name for steak. | 0:12:31 | 0:12:37 | |
I've thought this for a while, actually. | 0:12:42 | 0:12:45 | |
I don't think it was meant to be called Steak Diane. | 0:12:45 | 0:12:48 | |
I think what's happened is someone's gone, "Steak, Diane." | 0:12:48 | 0:12:52 | |
And someone's overheard and they thought that's what the dish was called. | 0:12:52 | 0:12:57 | |
I think they've probably gone, like, | 0:12:57 | 0:13:00 | |
"Quiche, Lorraine!" | 0:13:00 | 0:13:02 | |
Or, "Eggs, Benedict!" | 0:13:04 | 0:13:07 | |
"Eggs, Florentine!" | 0:13:07 | 0:13:09 | |
Or, "Caesar, your salad's here." | 0:13:09 | 0:13:12 | |
Or "Rogan"... Oh. That doesn't work. | 0:13:12 | 0:13:16 | |
Right, and summat else, as well. | 0:13:16 | 0:13:18 | |
Facebook. | 0:13:18 | 0:13:20 | |
It was annoying me before | 0:13:20 | 0:13:21 | |
when people I knew was putting pictures of their children as their profile picture. | 0:13:21 | 0:13:26 | |
Makes it look like you were friends with toddlers. | 0:13:26 | 0:13:29 | |
That was annoying me. But what people are doing now on my Facebook page | 0:13:31 | 0:13:35 | |
is putting pictures of their unborn foetuses. | 0:13:35 | 0:13:38 | |
You know, the scans from the hospital. | 0:13:38 | 0:13:41 | |
That. I didn't know what was going on. | 0:13:41 | 0:13:44 | |
I thought people was putting black and white pictures of their dinner! | 0:13:44 | 0:13:48 | |
I know. One of my friends put, "Look what we're having." | 0:13:51 | 0:13:55 | |
And I put, "What, liver and onions?" | 0:13:59 | 0:14:01 | |
Do you know what else? My friend, Jackie, she's been single for quite a while, now. | 0:14:03 | 0:14:08 | |
And she met this guy on Facebook. | 0:14:08 | 0:14:11 | |
And literally within two weeks he said, "I'm falling for you. | 0:14:11 | 0:14:14 | |
"I need to come and meet you." | 0:14:14 | 0:14:16 | |
And he got a train to Hull, and I went with her in the car to pick him up. | 0:14:16 | 0:14:20 | |
And he came out the station doors and he saw us both in the car | 0:14:20 | 0:14:25 | |
and he put his bags down like that | 0:14:25 | 0:14:28 | |
and he went... | 0:14:28 | 0:14:30 | |
So we drove off. | 0:14:31 | 0:14:34 | |
Psychopath! | 0:14:35 | 0:14:37 | |
Thank you! | 0:14:37 | 0:14:39 | |
APPLAUSE AND CHEERING | 0:14:39 | 0:14:41 | |
"Tom's memoirs, chapter two." | 0:14:44 | 0:14:47 | |
A, B, C, D... | 0:14:49 | 0:14:52 | |
-D? -No, not D. | 0:14:52 | 0:14:54 | |
C? | 0:14:54 | 0:14:55 | |
A, B, C... | 0:14:59 | 0:15:00 | |
-Tom, this is ridiculous. -Yeah, you're right. How far did we get? | 0:15:00 | 0:15:04 | |
You've just had sex with Natasha Bedingfield | 0:15:04 | 0:15:07 | |
-and now you're smoking a joint with Usain Bolt. -That's right. | 0:15:07 | 0:15:10 | |
And Sinatra walks in, drunk as a skunk... | 0:15:10 | 0:15:13 | |
No, then it just stops. | 0:15:13 | 0:15:15 | |
-Did I faint? -No, I left because you kept doing a Usain Bolt impression. | 0:15:15 | 0:15:19 | |
That's the last one, I promise! Please, just push me around so I can say my goodbyes. | 0:15:21 | 0:15:26 | |
Fine. | 0:15:26 | 0:15:27 | |
Oh, so many memories! | 0:15:27 | 0:15:31 | |
Ooh, what's this? | 0:15:31 | 0:15:32 | |
The wet floor sign. Remember that? | 0:15:32 | 0:15:35 | |
That man used to put it down when the, um... When the... | 0:15:35 | 0:15:39 | |
-When the floor was wet? -Yes, that's right! | 0:15:39 | 0:15:42 | |
How we did laugh! | 0:15:42 | 0:15:44 | |
Oh, and this. The fuse box. | 0:15:44 | 0:15:47 | |
What was that joke I always made about this? | 0:15:47 | 0:15:49 | |
-I don't think you did. -I called it the confuse box! | 0:15:49 | 0:15:53 | |
-No, you didn't. -Never knew what it was for. | 0:15:53 | 0:15:56 | |
It turns off the stage lights. | 0:15:56 | 0:15:58 | |
It's your job, but I've been doing it for the past - all of the shows. | 0:15:58 | 0:16:01 | |
You seem sad, Tom. Don't be. I'm at peace now. | 0:16:01 | 0:16:06 | |
Goodbye, Russell. | 0:16:06 | 0:16:08 | |
He looked straight through me! Why is everyone ignoring me? I'm dying! | 0:16:09 | 0:16:13 | |
I don't know. Maybe you've already died and now you're a ghost. | 0:16:13 | 0:16:16 | |
CHEERING AND APPLAUSE | 0:16:20 | 0:16:23 | |
He's louche, he's chic, he's with us every week. | 0:16:27 | 0:16:30 | |
Bienvenu, Marcel Lucont! | 0:16:30 | 0:16:32 | |
APPLAUSE | 0:16:32 | 0:16:36 | |
HEAVY FRENCH ACCENT: Some male viewers | 0:16:41 | 0:16:44 | |
have written asking me to give advice for the procurement of women. | 0:16:44 | 0:16:48 | |
I am happy to do this via television, as this way, I am paid to do so. | 0:16:48 | 0:16:55 | |
I don't waste any of my own time. | 0:16:55 | 0:16:57 | |
"Marcel, mon ami... | 0:17:01 | 0:17:03 | |
"..if a woman is touching her hair, is this a sign of her affections for me?" | 0:17:05 | 0:17:11 | |
That's Lee from Dundee. | 0:17:11 | 0:17:13 | |
No. | 0:17:15 | 0:17:16 | |
It is more likely a sign of low personal hygiene. | 0:17:18 | 0:17:22 | |
Although, of course, you did not specify which hair she was touching. | 0:17:22 | 0:17:26 | |
"Marcel, I have been with the same woman for three years now | 0:17:30 | 0:17:33 | |
"and I need something to reinvigorate the spark. | 0:17:33 | 0:17:37 | |
"What are your suggestions?" | 0:17:37 | 0:17:40 | |
That's Keith from Leith. | 0:17:40 | 0:17:42 | |
Wow! | 0:17:44 | 0:17:46 | |
Three years? Already this sounds a little clingy to me. | 0:17:46 | 0:17:50 | |
But there are two things a man can do to keep alive the spark. | 0:17:51 | 0:17:56 | |
Number one. | 0:17:56 | 0:17:57 | |
Women, they like to play games. | 0:17:57 | 0:18:00 | |
Always. | 0:18:00 | 0:18:02 | |
Why not try hiding? | 0:18:02 | 0:18:05 | |
Try one, maybe two hours in the cupboard. | 0:18:11 | 0:18:14 | |
Boo! Surprise! | 0:18:14 | 0:18:16 | |
Build it up to three, four weeks away. | 0:18:18 | 0:18:23 | |
Some men, they can hide for decades. | 0:18:24 | 0:18:27 | |
If this is not for you, | 0:18:29 | 0:18:30 | |
you can leave for your loved one around the house small notes | 0:18:30 | 0:18:34 | |
for her to find. | 0:18:34 | 0:18:36 | |
Three word notes are the best. | 0:18:36 | 0:18:38 | |
A different word on a different note | 0:18:38 | 0:18:40 | |
in a different room of the house. | 0:18:40 | 0:18:42 | |
And the best three words a man can leave | 0:18:42 | 0:18:46 | |
are "will", "you" and "me". | 0:18:46 | 0:18:51 | |
She will be searching for the fourth one for days. | 0:18:51 | 0:18:55 | |
Finally, | 0:19:04 | 0:19:05 | |
"Marcel, how do I persuade my woman to get a Brazilian wax?" | 0:19:05 | 0:19:11 | |
From Maximillian from Slough. | 0:19:11 | 0:19:15 | |
Well, the questionnaire should not be how but why? | 0:19:19 | 0:19:23 | |
I don't understand this trend. A woman should have some hair down there. | 0:19:23 | 0:19:29 | |
Not too much. It should not look like it has its own washing instruction on a tag. | 0:19:29 | 0:19:34 | |
But the line of hair, I don't trust. | 0:19:37 | 0:19:41 | |
An American design. | 0:19:41 | 0:19:42 | |
They call it the...uh... | 0:19:42 | 0:19:44 | |
..the landing strip. | 0:19:45 | 0:19:47 | |
It's why I believe it to be American. | 0:19:47 | 0:19:49 | |
The American man, he needs guidance. | 0:19:49 | 0:19:53 | |
He will still miss. | 0:20:05 | 0:20:07 | |
Hit the wrong target. | 0:20:09 | 0:20:11 | |
He will call it "friendly fire". | 0:20:12 | 0:20:15 | |
But it won't be so friendly in the morning! | 0:20:19 | 0:20:21 | |
Well, that is all the advice I wish to give for now. | 0:20:24 | 0:20:28 | |
Remember, men, | 0:20:28 | 0:20:29 | |
there are plenty of fish in the sea. | 0:20:29 | 0:20:32 | |
If you cannot drive a trawler, | 0:20:32 | 0:20:34 | |
you can always make do with a tug. | 0:20:34 | 0:20:37 | |
Jones, have you seen this email from the headmaster? | 0:20:57 | 0:21:00 | |
No. What's an email? | 0:21:00 | 0:21:03 | |
He's planning a staff initiation. | 0:21:03 | 0:21:06 | |
"Prepare to get pissed and be sick in the quad." | 0:21:06 | 0:21:10 | |
It's tradition. He's always sick in the quad. | 0:21:10 | 0:21:13 | |
Well, if it isn't the black-eyed penises! | 0:21:13 | 0:21:16 | |
-Morning, headmaster. -Look what I found. Bloody saxophone. Listen. | 0:21:16 | 0:21:20 | |
SINGLE NOTE | 0:21:20 | 0:21:22 | |
Trumpet! | 0:21:22 | 0:21:24 | |
Sir, about this initiation. | 0:21:24 | 0:21:27 | |
Be prepared to get shit-faced. | 0:21:27 | 0:21:30 | |
What are the pupils going to do? Watch you get drunk? | 0:21:30 | 0:21:33 | |
No, they'll be far too scared to watch. | 0:21:33 | 0:21:35 | |
When I drink... | 0:21:35 | 0:21:37 | |
..I'm an animal. | 0:21:38 | 0:21:39 | |
How come I never had any sort of initiation? | 0:21:39 | 0:21:42 | |
Never had an initiation? | 0:21:42 | 0:21:45 | |
Oh, dear(!) | 0:21:46 | 0:21:48 | |
BELL TOLLS | 0:21:48 | 0:21:50 | |
What's going on? | 0:21:51 | 0:21:53 | |
Please! This isn't funny! | 0:21:54 | 0:21:57 | |
Jones? Where am I? | 0:21:58 | 0:22:00 | |
What's going on? | 0:22:00 | 0:22:02 | |
Please! | 0:22:03 | 0:22:04 | |
Aghh! | 0:22:04 | 0:22:06 | |
GROWLING | 0:22:09 | 0:22:11 | |
What are you doing? | 0:22:11 | 0:22:13 | |
Look at it! | 0:22:15 | 0:22:18 | |
-Come! -Aghhh! | 0:22:21 | 0:22:23 | |
No! | 0:22:27 | 0:22:29 | |
Welcome to boarding school. | 0:22:33 | 0:22:38 | |
No! | 0:22:42 | 0:22:43 | |
Right. Now that's done with, we'd better start this initiation. | 0:22:55 | 0:23:00 | |
-IN UNISON: -Down it! Down it! Down it! Down it! | 0:23:01 | 0:23:05 | |
APPLAUSE AND CHEERING | 0:23:05 | 0:23:07 | |
Now, ladies and gentlemen, please welcome a woman so temperamental, | 0:23:10 | 0:23:14 | |
her garden has got its own mood swing. | 0:23:14 | 0:23:16 | |
It's Loretta Maine! | 0:23:16 | 0:23:18 | |
Hello. Good evening. | 0:23:24 | 0:23:26 | |
I'm here to sing some songs. Most of my songs come out of love. | 0:23:26 | 0:23:31 | |
So give me a cheer if you've ever been in love. | 0:23:31 | 0:23:34 | |
CHEERING | 0:23:34 | 0:23:36 | |
Great(!) | 0:23:36 | 0:23:38 | |
Give me a cheer if you've ever been fucked over by a man! | 0:23:39 | 0:23:43 | |
CHEERING | 0:23:43 | 0:23:44 | |
That's right, ladies. This is our five minutes. | 0:23:44 | 0:23:47 | |
This song is off my new album: "I Had Your Baby But I Threw It In The River". | 0:23:47 | 0:23:53 | |
And, um... | 0:23:56 | 0:23:57 | |
It's about that brave face you have to put on | 0:23:59 | 0:24:01 | |
when you bump into someone you broke up with | 0:24:01 | 0:24:03 | |
and maybe they moved on a bit faster than you did. | 0:24:03 | 0:24:07 | |
Ass-hole! | 0:24:09 | 0:24:11 | |
# You said that we could still be friends | 0:24:12 | 0:24:15 | |
# But you don't return any of my calls but | 0:24:15 | 0:24:18 | |
# Don't worry I'll keep redialling | 0:24:18 | 0:24:21 | |
# Cos it stops me climbing up these walls | 0:24:21 | 0:24:23 | |
# And I know you got my emails | 0:24:23 | 0:24:26 | |
# Cos I checked in your Inbox | 0:24:26 | 0:24:28 | |
# You didn't change your password and you didn't change your locks | 0:24:29 | 0:24:34 | |
# But I'm fine, yeah, I'm absolutely fine | 0:24:34 | 0:24:38 | |
# I just wanted to let you know | 0:24:39 | 0:24:42 | |
# Now seemed like a good time | 0:24:42 | 0:24:44 | |
# You broke my heart and stole my soul | 0:24:44 | 0:24:47 | |
# You vicious Valentine | 0:24:47 | 0:24:49 | |
# But I promise you I'm absolutely fine | 0:24:50 | 0:24:54 | |
You know. | 0:25:03 | 0:25:05 | |
I'm looking at you! | 0:25:05 | 0:25:07 | |
# I watched while you were sleeping from your wardrobe the other day | 0:25:09 | 0:25:13 | |
# I wanted to approach you | 0:25:16 | 0:25:19 | |
# But then what's a girl to say? | 0:25:19 | 0:25:21 | |
# And then your new girlfriend arrived | 0:25:21 | 0:25:24 | |
# And climbed into your bed | 0:25:24 | 0:25:26 | |
# I meant to creep out silently | 0:25:27 | 0:25:30 | |
# But I shot you both instead | 0:25:30 | 0:25:32 | |
# And now I'm fine, yeah, I'm absolutely fine | 0:25:32 | 0:25:36 | |
# I'm sorry that I killed you both | 0:25:37 | 0:25:40 | |
# OK, so wrong place, wrong time | 0:25:40 | 0:25:42 | |
# There's blood all over your bedroom | 0:25:42 | 0:25:44 | |
# I can probably sell it to The Guggenheim | 0:25:44 | 0:25:47 | |
# Your girlfriend's in the bin now so I'm fine | 0:25:48 | 0:25:53 | |
# As I lie here and hold your decaying body in my arms | 0:25:56 | 0:26:00 | |
# I just can't help but succumb to your charms | 0:26:00 | 0:26:06 | |
# And although I know you'd think it's wrong | 0:26:06 | 0:26:08 | |
# It feels so very right | 0:26:08 | 0:26:11 | |
# As I clutch your clammy body right into the night | 0:26:12 | 0:26:17 | |
# And now I'm fine, yeah, I'm absolutely fine | 0:26:17 | 0:26:20 | |
# Don't worry I won't let it rot | 0:26:22 | 0:26:24 | |
# I've pickled him in brine | 0:26:24 | 0:26:27 | |
# As my relationships go I'd probably rate this a 7.9 | 0:26:27 | 0:26:31 | |
# And now we're back together I am fine | 0:26:32 | 0:26:36 | |
# Besides he's dead now, he can't argue so I'm fine. # | 0:26:37 | 0:26:41 | |
Thank you very much. | 0:26:42 | 0:26:44 | |
APPLAUSE AND CHEERING | 0:26:44 | 0:26:46 | |
Loretta Maine! | 0:26:49 | 0:26:51 | |
Still, compared to my ex-girlfriend, quite mild. | 0:26:52 | 0:26:56 | |
Now, if you find yourself wanting more clip stimulation after the show, | 0:26:57 | 0:27:00 | |
head to: | 0:27:00 | 0:27:02 | |
That's all from me and my motley crew. | 0:27:04 | 0:27:05 | |
Goodbye! | 0:27:05 | 0:27:08 | |
What are you doing? | 0:27:14 | 0:27:17 | |
-Can you see me? -Yeah! | 0:27:20 | 0:27:22 | |
Sorry. Thought I was a ghost. | 0:27:24 | 0:27:26 | |
Subtitles by Red Bee Media Ltd | 0:27:55 | 0:27:58 |