Let's Talk about Alf Lost Sitcoms


Let's Talk about Alf

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I liked him. The thing is, most people go, "Oh, he's terrible."

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But I was... I was along the lines of,

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something about him that you find engaging and you sort of...

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you find him amusing, even though he's an absolutely horrific person.

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What's so bloody special

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about digging a bit of coal out of the ground, eh?

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Cor, blimey, I mean anyone can do that.

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Even your fuzzy wuzzies in the jungle, they can do that...

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I think Alf Garnett was a genius creation,

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and he gave expression to some pretty radical, er...views.

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That's the trouble with this country, we're too bloody soft!

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We'll never have a proper democracy here,

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unless we shoot a few people, like your Russians!

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If you examine Alf Garnett, he's an idiot.

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He's a half-educated half-wit, really.

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And, of course, if you look at what he says,

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it's just, you know, it doesn't hold up for a minute.

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But he was convinced, and he was a bigot,

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and he had these strong views,

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and he was a monstrous, hilarious comedy creation.

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Alf Garnett's wife, she was... Actually,

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she looked as though she was very subordinate to him,

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and she was actually as tough as old boots.

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And she had things to say.

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And because she didn't say them very often,

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they came out really strongly.

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Anyway, it ain't supposed to be a perfect world, is it?

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Cos he's always said he would send down things to try us.

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Like you.

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The daughter,

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played by Una Stubbs,

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she was a wonderful contrast

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to her shouty husband, you know, argumentative husband.

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So the two women there, in a way, were the peacemakers.

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I felt very sorry for Johnny Speight, because he got a hard...

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Unfortunately, people can't tell the difference between...

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between a satire of someone and the real thing.

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And I thought that he had a hard time because of that character,

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but it was obvious that he was trying to make a comment on racism.

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How would you like it if I called you a yid?

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Where it becomes a grey area is,

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obviously, if that person is funny...

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but we like them. And let's face it,

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we have to like them, cos they're the central part of a sitcom.

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So there's no getting around it - Alf Garnett was liked as a person,

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otherwise he wouldn't have survived so long.

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And there's no getting around it - he was phenomenally racist.

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But I did find it funny.

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And I remember watching it with my father,

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and we would find it funny

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because, you know, it felt quite real.

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The thing about comedy, if you can't hold these bigots up to light

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and make fun of them, then you're missing the point.

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I ain't daft, you know? I ain't bloody stupid.

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No, but you do a very good imitation.

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For the un-PC-ness of it all, I thought it was a brave show.

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I thought it was a fantastically written show,

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but I think the genius of it

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was he, sort of, reflected the public consciousness,

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especially in London.

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And he was saying things that people were thinking, but not saying.

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If you look at the opening titles, there's that pull back,

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I seem to remember, from Tower Bridge,

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and then it goes across and you look down into West Ham,

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and the docks are still there.

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It reflects a bit of working-class society that isn't there any more.

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Not that working-class society isn't there,

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but that bit of East London isn't like that any more.

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Right, showing them how to drink wine, ain't we?

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Cor, blimey!

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I've tasted better vinegar up the chip shop!

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Bloody marvellous!

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