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Ladies and gentlemen. We present Tony Hancock in... | 0:00:16 | 0:00:19 | |
Ha-ha, Hancock's Half Hour. | 0:00:21 | 0:00:23 | |
It is always a very important event in any street when new neighbours | 0:00:32 | 0:00:36 | |
move in. The furniture van draws up, | 0:00:36 | 0:00:39 | |
the removal men start unloading the furniture onto the pavement, | 0:00:39 | 0:00:42 | |
and carrying it into the empty house. | 0:00:42 | 0:00:43 | |
On the face of it, no-one is particularly concerned. | 0:00:43 | 0:00:46 | |
There is no reception committee, all the front doors are shut. | 0:00:46 | 0:00:49 | |
The street is deserted. | 0:00:49 | 0:00:51 | |
Can it be that no-one is interested? | 0:00:51 | 0:00:53 | |
Don't you believe it. Not a move is being missed. | 0:00:53 | 0:00:56 | |
Every egg cup is being counted. BIKE BELL RINGS | 0:00:56 | 0:00:59 | |
Mr Hancock, would you please sign these fan letters? | 0:01:08 | 0:01:11 | |
I'd like to get them off in this morning's post. | 0:01:15 | 0:01:17 | |
Shush! Shush! Quiet! Oh, come away from the window. | 0:01:17 | 0:01:20 | |
Oh, shut up! | 0:01:20 | 0:01:22 | |
Stone me, look at this stuff going in here. | 0:01:22 | 0:01:25 | |
Radio, television set, big screen. | 0:01:25 | 0:01:28 | |
Must be all of eight inches. | 0:01:28 | 0:01:30 | |
They're rich, I tell you, rich! | 0:01:30 | 0:01:33 | |
Nip into the kitchen and see what we're short of. | 0:01:33 | 0:01:36 | |
Come away from the window, it's nothing to do with you. | 0:01:36 | 0:01:39 | |
What will the neighbours think if they see you? | 0:01:39 | 0:01:41 | |
They won't see me. They're too busy pricing the furniture. | 0:01:41 | 0:01:44 | |
Look, all the way down the street, not a curtain in place. | 0:01:44 | 0:01:47 | |
Old Mother Higgins over there, look at her. | 0:01:47 | 0:01:49 | |
Standing with her back to the window, | 0:01:49 | 0:01:51 | |
trying to kid them she's not interested. | 0:01:51 | 0:01:53 | |
Perhaps she isn't. | 0:01:53 | 0:01:54 | |
Of course she is. She's got a dirty great mirror on the opposite wall! | 0:01:54 | 0:01:57 | |
They're all the same. | 0:01:59 | 0:02:01 | |
This is the nosiest street in the district. | 0:02:01 | 0:02:03 | |
Mrs Brown at number 12, lying on the floor with her | 0:02:03 | 0:02:05 | |
periscope poking over the windowsill. | 0:02:05 | 0:02:08 | |
And those three old maids living next door to her, | 0:02:08 | 0:02:10 | |
they're taking it in turns - shift work. | 0:02:10 | 0:02:12 | |
One watching, one making tea, | 0:02:12 | 0:02:14 | |
and the other writing poison pen letters. | 0:02:14 | 0:02:17 | |
Dead nosey, they are! | 0:02:17 | 0:02:18 | |
If I had my way, I'd... | 0:02:18 | 0:02:20 | |
Hello! Hello! | 0:02:20 | 0:02:23 | |
Flash curtains that's going in there, aren't they? | 0:02:23 | 0:02:27 | |
What revolting colours. | 0:02:27 | 0:02:29 | |
Never do down this street, they won't. | 0:02:29 | 0:02:32 | |
Honestly, you're just as bad as the others. | 0:02:32 | 0:02:34 | |
I am not. How dare you? It's none of your business. Oh, yes, it is. | 0:02:34 | 0:02:37 | |
I have a perfect right to know what sort of people | 0:02:37 | 0:02:40 | |
are moving in next door to me. | 0:02:40 | 0:02:41 | |
We want no undesirables around here. | 0:02:41 | 0:02:43 | |
You can always tell what people are like by what they've got. | 0:02:43 | 0:02:46 | |
Look, look. Look, look, look. | 0:02:46 | 0:02:48 | |
Look what's going in now. Vacuum cleaner, washing machine, | 0:02:49 | 0:02:53 | |
box of tinned food. | 0:02:53 | 0:02:55 | |
Goes to show what sort of wife he's got. | 0:02:55 | 0:02:57 | |
Bone idle. | 0:02:57 | 0:02:59 | |
Feet up, box of chocolates, Mrs Dale's Diary, | 0:02:59 | 0:03:01 | |
and she's away for the day. | 0:03:01 | 0:03:03 | |
Well, that's ridiculous. | 0:03:03 | 0:03:04 | |
I know the type. Dyed blonde hair, out every night, back about one, | 0:03:04 | 0:03:08 | |
and not with him. He ought to be told about it. | 0:03:08 | 0:03:12 | |
Always the last to know, the husband. | 0:03:12 | 0:03:14 | |
I bet he's a little bloke, works hard, married a fancy bit, | 0:03:14 | 0:03:16 | |
20 years younger than him. | 0:03:16 | 0:03:18 | |
Never work out, those marriages. | 0:03:18 | 0:03:20 | |
You haven't even seen them yet. | 0:03:20 | 0:03:22 | |
I don't have to see 'em. You can tell. | 0:03:22 | 0:03:24 | |
Hello. Hello. | 0:03:24 | 0:03:26 | |
Yes. There goes the cocktail cabinet. | 0:03:26 | 0:03:29 | |
Look at the size of that. | 0:03:29 | 0:03:31 | |
Her and her fancy friends, that's for. | 0:03:31 | 0:03:33 | |
I bet he never gets a look in. | 0:03:33 | 0:03:35 | |
I bet she don't let him out, either. | 0:03:35 | 0:03:37 | |
Five minutes down the park with the dog, that's his lot. | 0:03:37 | 0:03:41 | |
Well, come away from the window. It's all over now. | 0:03:41 | 0:03:44 | |
They've everything in. You won't find out anything more about them. | 0:03:44 | 0:03:47 | |
Well, that's where you're wrong, you see. | 0:03:47 | 0:03:49 | |
I've got old Harris, from upstairs, watching. | 0:03:49 | 0:03:51 | |
A sort of double check, to make sure we haven't missed anything. | 0:03:51 | 0:03:54 | |
I've sent him out on a recce. | 0:03:54 | 0:03:56 | |
Where is he? Out in the front garden. | 0:03:56 | 0:03:58 | |
Well, I can't see him. | 0:03:58 | 0:04:00 | |
Yes, you can. You see that big rhododendron bush | 0:04:00 | 0:04:02 | |
growing in next door's front garden? Which one? | 0:04:02 | 0:04:06 | |
The one that just nipped back across the lawn and jumped over the fence. | 0:04:06 | 0:04:10 | |
That's Mr Harris? | 0:04:14 | 0:04:16 | |
Yes, I think so. Or is he the rose bush? | 0:04:16 | 0:04:19 | |
No, that's Mrs Brown's old man. | 0:04:19 | 0:04:21 | |
Yes, this is Mr Harris. | 0:04:21 | 0:04:23 | |
Look, he's on his way back. | 0:04:23 | 0:04:24 | |
Quick, open the door, let him in. | 0:04:24 | 0:04:26 | |
Oh! Oh! | 0:04:28 | 0:04:30 | |
Come on, don't just stand there. | 0:04:31 | 0:04:33 | |
Help me get this foliage off. | 0:04:33 | 0:04:35 | |
Close the door. Well, did you get the list? | 0:04:35 | 0:04:38 | |
Yes, and I don't mind telling you I feel very ashamed of myself. | 0:04:38 | 0:04:42 | |
It's not right, spying on people. | 0:04:42 | 0:04:44 | |
They are entitled to privacy. | 0:04:44 | 0:04:45 | |
I don't know why I agreed to do it. | 0:04:45 | 0:04:47 | |
Because you're getting half a dollar out of it, mush, that's why. | 0:04:47 | 0:04:50 | |
Now, give us that list. | 0:04:50 | 0:04:52 | |
There you are. | 0:04:52 | 0:04:53 | |
It's all down. Everything they own. | 0:04:53 | 0:04:55 | |
I didn't miss a thing. | 0:04:55 | 0:04:56 | |
Good lad. Now, let's have a look. | 0:04:56 | 0:05:00 | |
What have they got that I haven't? | 0:05:00 | 0:05:03 | |
Practically everything. | 0:05:03 | 0:05:05 | |
All right, well, never mind about that. | 0:05:05 | 0:05:07 | |
Just read out the list. Well, there were two crates of crockery, lino, | 0:05:07 | 0:05:11 | |
carpets, coal scuttle, curtains... | 0:05:11 | 0:05:13 | |
Coal scuttle? Yes. That means they have coal. | 0:05:13 | 0:05:16 | |
Yes. Well, thank goodness for that. | 0:05:18 | 0:05:20 | |
I thought we were going to have to chop down | 0:05:20 | 0:05:21 | |
another telegraph pole this winter. What else have they got? | 0:05:21 | 0:05:24 | |
Tables, chairs, a radiogram, a lawnmower. | 0:05:24 | 0:05:27 | |
Lawnmower? | 0:05:27 | 0:05:29 | |
Give them a couple of days to settle in, we'll have that. | 0:05:29 | 0:05:32 | |
What sort of bloke do you think he is? | 0:05:32 | 0:05:34 | |
Well, I'd say lower-middle-class, | 0:05:34 | 0:05:36 | |
but quite well educated judging by his bookcase. | 0:05:36 | 0:05:38 | |
Reads a lot. | 0:05:38 | 0:05:40 | |
Mostly crime stuff, authentic accounts of famous murderers, | 0:05:40 | 0:05:44 | |
I saw The Mass Murderer Of Leipzig, The Bluebeard Of Bordeaux, | 0:05:44 | 0:05:48 | |
The Basingstoke Wife Murderers, | 0:05:48 | 0:05:50 | |
Case Histories And Methods Of 100 Homicidal Maniacs... | 0:05:50 | 0:05:54 | |
He's got a big trunk full of assorted women's clothing. | 0:05:54 | 0:05:57 | |
A large collection of guns, daggers and axes, | 0:05:57 | 0:06:02 | |
a lot of gardening equipment - spades, pickaxes, forks, | 0:06:02 | 0:06:07 | |
probably does a lot of digging. | 0:06:07 | 0:06:09 | |
A large zinc bath and...an incinerator. | 0:06:09 | 0:06:16 | |
Oh, well, he seems harmless enough! | 0:06:18 | 0:06:20 | |
Did you say women's clothing? Yes. Probably his wife's. | 0:06:22 | 0:06:26 | |
No, no, no, no. He lives alone. | 0:06:26 | 0:06:28 | |
They only took one bed in, a single bed. | 0:06:28 | 0:06:30 | |
There you are, you see, Mr Hancock, you were wrong. | 0:06:30 | 0:06:32 | |
He's not married. Not necessarily. What does a single bed prove? | 0:06:32 | 0:06:36 | |
They could be two very thin people. | 0:06:36 | 0:06:38 | |
Well, there's nothing more we'll find out about him at the moment. | 0:06:38 | 0:06:42 | |
Now, I'll make out the rota for tonight. | 0:06:42 | 0:06:44 | |
Synchronise watches. | 0:06:44 | 0:06:46 | |
Two hours on, four off. | 0:06:46 | 0:06:48 | |
You make the cocoa, and good luck, chaps. | 0:06:48 | 0:06:50 | |
Dear, Oh, dear. | 0:07:04 | 0:07:06 | |
20 past seven. | 0:07:22 | 0:07:24 | |
Hold on, he's coming out again. | 0:07:24 | 0:07:26 | |
Quick, get back behind the curtains! | 0:07:26 | 0:07:28 | |
Now where's he going this time? | 0:07:28 | 0:07:30 | |
I don't know. Strange how he always goes out at night. | 0:07:30 | 0:07:33 | |
You never see him during the day. | 0:07:33 | 0:07:35 | |
What's that he's carrying under his arm? | 0:07:35 | 0:07:37 | |
Looks like a bundle of old clothes. | 0:07:37 | 0:07:38 | |
Let's see now, yes. | 0:07:38 | 0:07:40 | |
Red blouse and a black skirt. | 0:07:40 | 0:07:42 | |
Wait a minute. Red blouse, black skirt, no, | 0:07:42 | 0:07:45 | |
it's not on the list of stuff that went in. | 0:07:45 | 0:07:46 | |
Well, perhaps it arrived afterwards. | 0:07:46 | 0:07:48 | |
No, the only thing that's gone into that house since he arrived | 0:07:48 | 0:07:51 | |
was that girl he brought home last night. | 0:07:51 | 0:07:53 | |
Oh, yes. The one who was dead drunk. | 0:07:53 | 0:07:55 | |
Out cold. He had to carry her in. | 0:07:55 | 0:07:58 | |
The only clothes she had with her were the ones she was wearing... | 0:07:58 | 0:08:02 | |
A red blouse and a black skirt. | 0:08:02 | 0:08:04 | |
When did she leave? | 0:08:04 | 0:08:06 | |
Well, I don't know. I didn't see her leave. | 0:08:06 | 0:08:08 | |
Well, she didn't leave while I was on duty. | 0:08:08 | 0:08:10 | |
Eileen! Oh, God... | 0:08:10 | 0:08:11 | |
Creeping up on me like that! | 0:08:13 | 0:08:15 | |
Have you seen a young woman come out from next door? | 0:08:15 | 0:08:18 | |
No. But I did see him go out at three o'clock this morning. | 0:08:18 | 0:08:22 | |
Just by himself? Yes. | 0:08:22 | 0:08:24 | |
Apart from a big sack he was carrying over his shoulder. | 0:08:24 | 0:08:26 | |
A big sack? What was in it? | 0:08:26 | 0:08:29 | |
A pile of bones. | 0:08:29 | 0:08:31 | |
Bones? | 0:08:31 | 0:08:33 | |
What did he do with them? He buried them in the back garden. | 0:08:33 | 0:08:36 | |
I knew it. I knew it! I knew I was right. | 0:08:36 | 0:08:38 | |
You said it was no business of mine, well, I was right, | 0:08:38 | 0:08:41 | |
it's just as I suspected. | 0:08:41 | 0:08:42 | |
What? That dog of his, it's dead lazy, | 0:08:42 | 0:08:45 | |
it won't even bury its own bones. | 0:08:45 | 0:08:47 | |
But what about the girl? | 0:08:48 | 0:08:50 | |
Well, keep looking, she'll have to come out sooner or later. | 0:08:50 | 0:08:53 | |
Well, I don't like it. | 0:08:53 | 0:08:55 | |
Spying on that poor little man. | 0:08:55 | 0:08:57 | |
You've been watching his every move since he arrived. | 0:08:57 | 0:09:00 | |
I'm merely trying to find out what he's up to. | 0:09:00 | 0:09:02 | |
You have to admit he's been acting very strange. | 0:09:02 | 0:09:05 | |
Not a noise out of him during the day, | 0:09:05 | 0:09:07 | |
and then as soon as it strikes midnight, he's at it. | 0:09:07 | 0:09:09 | |
Choppers being sharpened, an incinerator burning all night, | 0:09:09 | 0:09:13 | |
that wolfhound of his baying at the moon... | 0:09:13 | 0:09:17 | |
And him nipping up and down the garden path in a dirty great cloak, | 0:09:17 | 0:09:20 | |
digging holes all over the place. | 0:09:20 | 0:09:22 | |
Gives you the willies! | 0:09:22 | 0:09:25 | |
I wouldn't mind if he was sociable, but he won't talk to you. | 0:09:25 | 0:09:27 | |
Well, have you tried? | 0:09:27 | 0:09:29 | |
Of course I have. | 0:09:29 | 0:09:30 | |
I called to him over the fence yesterday morning. | 0:09:30 | 0:09:32 | |
What did you say? Asked if I could have me ball back. | 0:09:32 | 0:09:35 | |
Well, why didn't you just climb over the fence and get it back yourself? | 0:09:35 | 0:09:39 | |
I tried that. I was halfway over and a dirty great chopper | 0:09:39 | 0:09:41 | |
came flying out of the kitchen window. | 0:09:41 | 0:09:43 | |
Nearly split me asunder. | 0:09:43 | 0:09:45 | |
Took 4.5 inches off me shoulder pad. | 0:09:45 | 0:09:48 | |
I'm sure he doesn't want anyone to find out | 0:09:48 | 0:09:51 | |
what's going on inside that house. Yes. | 0:09:51 | 0:09:54 | |
There is something sinister about that man. | 0:09:54 | 0:09:58 | |
What's he burning in that incinerator? | 0:09:58 | 0:10:01 | |
And where's that girl? | 0:10:01 | 0:10:03 | |
Why has he got a zinc bath full of acid? | 0:10:03 | 0:10:06 | |
I mean, what's going on in there? | 0:10:06 | 0:10:07 | |
I mean, what sort of monster have we got living next door to us? | 0:10:07 | 0:10:10 | |
You're a man, you've got to do something about it! | 0:10:10 | 0:10:13 | |
You've got to do something about it! All right, all right, I'm going to! | 0:10:13 | 0:10:16 | |
What? Leave that ball where it is and buy another one! | 0:10:16 | 0:10:19 | |
Mr Hancock, you've got to do something about this man. | 0:10:24 | 0:10:26 | |
I mean, where does he come from? | 0:10:26 | 0:10:28 | |
Who is he? We must find out more about him. | 0:10:28 | 0:10:30 | |
Yes, you're coming round to my way of thinking now, aren't you? | 0:10:30 | 0:10:33 | |
I'm not as daft as I look, am I? | 0:10:33 | 0:10:35 | |
Let's go to the police. No, no. | 0:10:37 | 0:10:39 | |
We can't do that. What can we prove? | 0:10:39 | 0:10:41 | |
Besides, they won't take any notice of us. | 0:10:41 | 0:10:44 | |
We've had them out here on wild goose chases before. | 0:10:44 | 0:10:46 | |
Remember that foggy night last November? | 0:10:46 | 0:10:49 | |
You and your dial 999, "There's two tall, | 0:10:49 | 0:10:51 | |
"thin men with big heads lurking on the corner | 0:10:51 | 0:10:54 | |
"signalling to each other"? | 0:10:54 | 0:10:55 | |
Well, how was I to know they'd just fitted a zebra crossing? | 0:10:55 | 0:10:58 | |
No, no, we've got to do this by ourselves. | 0:11:02 | 0:11:04 | |
But where do we start? | 0:11:04 | 0:11:05 | |
Find out who he is. | 0:11:05 | 0:11:07 | |
Yes, but how? | 0:11:07 | 0:11:08 | |
Easy, we'll go and have a word with the estate agent | 0:11:08 | 0:11:11 | |
he bought the house from. | 0:11:11 | 0:11:12 | |
Good idea. Let's see now, who is the estate agent? | 0:11:12 | 0:11:15 | |
Oh, look, they've still got the board up in the front garden. | 0:11:15 | 0:11:17 | |
Oh, yes. Sold by... | 0:11:17 | 0:11:20 | |
Hello, it's the same people we got ours from. | 0:11:20 | 0:11:23 | |
Albert Slum and Company. | 0:11:23 | 0:11:25 | |
Now, don't forget. When we speak to this estate agent | 0:11:30 | 0:11:33 | |
be careful what you say. | 0:11:33 | 0:11:34 | |
We've got to be dead crafty over this. | 0:11:34 | 0:11:36 | |
We've got our suspicions, but we might be wrong. | 0:11:36 | 0:11:39 | |
We can't go around accusing people without proof or we might get in | 0:11:39 | 0:11:42 | |
trouble. We've got to worm the information gently out of him. | 0:11:42 | 0:11:45 | |
Don't be too eager. Gradually get round to it. | 0:11:45 | 0:11:48 | |
The subtle approach, that's what we want. | 0:11:50 | 0:11:51 | |
The subtle approach. | 0:11:51 | 0:11:53 | |
Who's that murderer we've got living next door to us?! | 0:11:53 | 0:11:56 | |
So much for the subtle approach. | 0:11:57 | 0:11:59 | |
We'd like to have a word with your manager, please. | 0:12:01 | 0:12:03 | |
Certainly. Who shall I say wishes to see him? | 0:12:03 | 0:12:07 | |
My card. | 0:12:07 | 0:12:10 | |
Anthony Hancock. | 0:12:10 | 0:12:12 | |
I see. | 0:12:12 | 0:12:14 | |
Actually, he doesn't have anybody with him at the moment | 0:12:15 | 0:12:17 | |
so perhaps you'd like to go straight in. | 0:12:17 | 0:12:19 | |
Thank you, my man, you've been most 'elpful. | 0:12:19 | 0:12:21 | |
'Ave a toffee. | 0:12:21 | 0:12:23 | |
Hello, Hancock. Sidney James. | 0:12:25 | 0:12:27 | |
What are you doing here? Where's the manager? | 0:12:27 | 0:12:29 | |
I'm the manager. I took the business over last week. | 0:12:29 | 0:12:32 | |
Always wanted to get into this estate agent racket. | 0:12:32 | 0:12:34 | |
And where, pray, is the former owner, Mr Albert Slum? | 0:12:34 | 0:12:37 | |
Well, he had to, um, retire because of his health. | 0:12:37 | 0:12:40 | |
What was wrong with him? A bump came up on his head. Oh? | 0:12:40 | 0:12:43 | |
It was one of those unfortunate accidents | 0:12:43 | 0:12:45 | |
that could happen to anybody. | 0:12:45 | 0:12:47 | |
I took him down the building site to discuss terms with him. | 0:12:47 | 0:12:50 | |
All of a sudden, what do you think? | 0:12:50 | 0:12:51 | |
What? Half a pound of sand fell on top of his head. | 0:12:51 | 0:12:54 | |
Half a pound? How did it do all that damage? | 0:12:54 | 0:12:57 | |
I can't understand it. I wrapped it in a sock. | 0:12:57 | 0:12:59 | |
Now then. What can I do for you? | 0:12:59 | 0:13:02 | |
Well, as you know, we live in one of your houses. | 0:13:02 | 0:13:05 | |
And you've got a complaint? | 0:13:05 | 0:13:06 | |
No, no. It's all right, Sid. You can put the sock away. | 0:13:06 | 0:13:09 | |
We just wanted to ask you... | 0:13:09 | 0:13:10 | |
There is nothing wrong with the place. | 0:13:10 | 0:13:12 | |
No, I know. You are not getting a new roof. | 0:13:12 | 0:13:14 | |
No, I know. There's nothing wrong with the roof. I know, but... | 0:13:14 | 0:13:17 | |
Those tarpaulins are as good as tiles any day. | 0:13:17 | 0:13:19 | |
Of course they are. Well, then. | 0:13:19 | 0:13:20 | |
I didn't come here to complain about the roof. | 0:13:20 | 0:13:22 | |
What's wrong with the plumbing? Nothing. I just want to... | 0:13:22 | 0:13:24 | |
That plumbing's as good now as the day it was put in. | 0:13:24 | 0:13:27 | |
It hasn't been put in yet! It doesn't matter. | 0:13:27 | 0:13:29 | |
When it goes in it will be good. Well, I'm glad to hear it. | 0:13:29 | 0:13:31 | |
No-one else has complained about the pump at the end of the street. | 0:13:31 | 0:13:34 | |
Neither am I... The water's all right once it's been boiled. | 0:13:34 | 0:13:37 | |
Yes, of course it is. If you don't like it | 0:13:37 | 0:13:39 | |
I can always get someone else to live there. | 0:13:39 | 0:13:41 | |
Yes, I expect you can. | 0:13:41 | 0:13:42 | |
I can get 20 nicker a week off those American airmen any day. | 0:13:42 | 0:13:45 | |
Yes, I know, I've got three living in the loft. | 0:13:45 | 0:13:47 | |
Now look... I don't know what you're talking about, | 0:13:47 | 0:13:50 | |
dry rot on the living room floor? I never mentioned it. | 0:13:50 | 0:13:52 | |
I should think not. It was there before you were. | 0:13:52 | 0:13:54 | |
I haven't even noticed. I just want to... | 0:13:54 | 0:13:56 | |
Those walls are not falling to bits. I never said they were! | 0:13:56 | 0:13:59 | |
That big, gaping hole in the dining room was part of the design. | 0:13:59 | 0:14:02 | |
It's a service hatch. | 0:14:02 | 0:14:03 | |
Yes, from the dining room through to the street! That's right. | 0:14:03 | 0:14:06 | |
So help me, I didn't know there were two floorboards | 0:14:06 | 0:14:08 | |
missing in the bedroom. Yes, well, you see... | 0:14:08 | 0:14:11 | |
Don't worry, the ceilings are quite safe, | 0:14:11 | 0:14:12 | |
if you don't walk about too much. Sid, will you listen to me? | 0:14:12 | 0:14:15 | |
I haven't come here to complain about the house. | 0:14:15 | 0:14:17 | |
There's nothing wrong with the house. I'm quite happy with it. | 0:14:17 | 0:14:20 | |
You are? Yes. Good. As of next week the rent's up another 25 bob. | 0:14:20 | 0:14:23 | |
Goodnight. | 0:14:23 | 0:14:25 | |
Well, I hope you're satisfied. I'm not paying any more. | 0:14:28 | 0:14:30 | |
You'll have to pay it. Sid, look. Are you still here? | 0:14:30 | 0:14:33 | |
Let me explain. We can't afford your explanations. | 0:14:33 | 0:14:36 | |
Let me take care of it. Mr James, I shall come straight to the point. | 0:14:36 | 0:14:40 | |
We're very interested in the man who's living next door to us. | 0:14:40 | 0:14:42 | |
All right, where do you live? You know where we live. No, I don't. | 0:14:42 | 0:14:45 | |
You've just explained everything that's wrong with the place. | 0:14:45 | 0:14:48 | |
All my properties are like that. It could be any of them. | 0:14:48 | 0:14:51 | |
Where do you live? | 0:14:51 | 0:14:52 | |
23 Railway Cuttings. | 0:14:52 | 0:14:54 | |
Yes, and we want you to tell us everything you know | 0:14:54 | 0:14:56 | |
about the chap who's moved in to number 25. | 0:14:56 | 0:14:59 | |
Oh, I'm sorry. I can't divulge any information about my clients. | 0:14:59 | 0:15:02 | |
It's against all the ethics of the estate agent's charter. | 0:15:02 | 0:15:04 | |
It's more than my entire business is worth. | 0:15:04 | 0:15:06 | |
Now, I'm sorry. I am not allowed to tell you anything about him. | 0:15:06 | 0:15:10 | |
Born 1898, poor family, left school when he was... | 0:15:11 | 0:15:14 | |
All right, let's have all this slowly. | 0:15:14 | 0:15:16 | |
Who is he? What does he do? Where does he come from? | 0:15:16 | 0:15:18 | |
Well, to tell you the truth, I don't know much about his private life. | 0:15:18 | 0:15:21 | |
He came to see me about a month ago, said he was looking for a big house, | 0:15:21 | 0:15:24 | |
in a quiet part of town. | 0:15:24 | 0:15:25 | |
Where he wouldn't be disturbed, and he'd be left alone, | 0:15:25 | 0:15:28 | |
no questions asked. | 0:15:28 | 0:15:29 | |
And neighbours who'd mind their own business, | 0:15:29 | 0:15:31 | |
and wouldn't keep watching and spying on him. | 0:15:31 | 0:15:34 | |
Well, he's up to no good. | 0:15:34 | 0:15:35 | |
He's a dangerous man. | 0:15:35 | 0:15:37 | |
Nonsense! He's a little, meek inoffensive bloke. | 0:15:37 | 0:15:40 | |
So was Crippen. I tell you, he's all right. | 0:15:40 | 0:15:43 | |
His money's good, and that's all I'm concerned with. | 0:15:43 | 0:15:46 | |
Oh, if only you knew. Girls disappear. | 0:15:46 | 0:15:48 | |
The incinerator's burning all night. | 0:15:48 | 0:15:50 | |
He digs holes all over the place, | 0:15:50 | 0:15:52 | |
and he takes bundles of clothes away and disposes of them. | 0:15:52 | 0:15:55 | |
You've no idea what goes on in that house at night-time. | 0:15:55 | 0:15:57 | |
I've no idea what goes on in a lot of my houses at night-time. | 0:15:57 | 0:16:00 | |
That's why the rents are so high. | 0:16:00 | 0:16:01 | |
Well, something ought to be done. None of us are safe. | 0:16:04 | 0:16:07 | |
You're imagining things. I tell you, he's perfectly harmless. | 0:16:07 | 0:16:10 | |
Now, go home and forget about it. | 0:16:10 | 0:16:12 | |
Very well, | 0:16:12 | 0:16:14 | |
but don't say I didn't warn you. | 0:16:14 | 0:16:16 | |
We shall all be murdered in our beds. | 0:16:16 | 0:16:18 | |
You think so? Yes. Right. | 0:16:18 | 0:16:20 | |
As from today I want the rent in advance, cheerio. | 0:16:20 | 0:16:22 | |
Good day to you. | 0:16:22 | 0:16:24 | |
Murdered in their beds. | 0:16:26 | 0:16:29 | |
You buzzed, Sid? | 0:16:29 | 0:16:31 | |
Yeah, Fred, you handled the deal with that bloke | 0:16:31 | 0:16:33 | |
who moved in next door to Hancock. What do you know about him? | 0:16:33 | 0:16:35 | |
Oh, you mean Mr Tomkins? The waxwork maker? | 0:16:35 | 0:16:38 | |
The what? He makes waxwork models. | 0:16:38 | 0:16:40 | |
Very clever man. Just a minute, just a minute. | 0:16:40 | 0:16:43 | |
Where does he do all this? At home. | 0:16:43 | 0:16:45 | |
He's turned the house into a workshop. | 0:16:45 | 0:16:47 | |
I was chatting to him about it. Ever such a nice man. | 0:16:47 | 0:16:50 | |
You see, he goes down to the waxworks, | 0:16:50 | 0:16:52 | |
and collects the old models they don't want any more, | 0:16:52 | 0:16:55 | |
then he brings them home and melts them down in the incinerator | 0:16:55 | 0:16:58 | |
in his back garden. Go on. | 0:16:58 | 0:16:59 | |
Then he makes new models from the wax. Does very well out of it. | 0:16:59 | 0:17:02 | |
He makes a fortune on the second-hand clothes | 0:17:02 | 0:17:04 | |
he takes off the old models. | 0:17:04 | 0:17:05 | |
He bundles them up, and every night he takes them | 0:17:05 | 0:17:08 | |
to the rag-and-bone man down the road. | 0:17:08 | 0:17:09 | |
He does all that chamber of horrors stuff. | 0:17:09 | 0:17:12 | |
That's his department. | 0:17:12 | 0:17:14 | |
He's got a wonderful collection of choppers and knives, and things. | 0:17:14 | 0:17:17 | |
They go with the models when he's finished them. | 0:17:17 | 0:17:19 | |
You should see his reference books. | 0:17:19 | 0:17:21 | |
All the bloodthirsty murderers that ever happened. | 0:17:21 | 0:17:26 | |
Lovely! | 0:17:26 | 0:17:27 | |
Yeah, but why all the mystery? | 0:17:28 | 0:17:30 | |
Why does he have to do all his work at night-time? | 0:17:30 | 0:17:32 | |
So no-one will see him. It saves a lot of bother. | 0:17:32 | 0:17:35 | |
He used to work in the day, but he had so much trouble | 0:17:35 | 0:17:37 | |
with the neighbours he had to turn it in. | 0:17:37 | 0:17:39 | |
You wouldn't believe this, but they all thought he was a mass murderer! | 0:17:39 | 0:17:42 | |
Isn't that silly? Laughable. | 0:17:44 | 0:17:46 | |
I saw him this morning. Says he's got a very busy night tonight. | 0:17:46 | 0:17:49 | |
23 models to be collected and melted down. | 0:17:49 | 0:17:52 | |
Reckons he'll be at it all night. | 0:17:52 | 0:17:53 | |
One o'clock. Still no sign of him. | 0:18:08 | 0:18:10 | |
Half an hour since he drove off. | 0:18:10 | 0:18:12 | |
I wonder where he went. To find some more victims, no doubt. | 0:18:12 | 0:18:15 | |
Now, don't forget, if we see anything suspicious, | 0:18:15 | 0:18:17 | |
we phone the police. | 0:18:17 | 0:18:18 | |
Oh, look, he's coming back. There's his van. | 0:18:18 | 0:18:21 | |
Quick, turn the lights out. Action stations. | 0:18:21 | 0:18:23 | |
What's in the van? Can you see? | 0:18:23 | 0:18:26 | |
I can't quite make it out. | 0:18:26 | 0:18:28 | |
Ah! What? | 0:18:28 | 0:18:29 | |
Bodies. | 0:18:31 | 0:18:33 | |
Dead bodies. | 0:18:33 | 0:18:35 | |
Dozens of them. The van's packed with dead bodies! | 0:18:35 | 0:18:39 | |
Hello! | 0:18:39 | 0:18:40 | |
This bodes dodgy. | 0:18:42 | 0:18:44 | |
Look, he's carrying them up the path, one under each arm. | 0:18:47 | 0:18:51 | |
And a couple of legs sticking out of his pocket. | 0:18:51 | 0:18:54 | |
Oh, what sort of monster is he? | 0:18:54 | 0:18:57 | |
What's that he's dribbling across the grass? | 0:18:57 | 0:19:00 | |
A head. | 0:19:02 | 0:19:04 | |
A head? | 0:19:06 | 0:19:07 | |
A head?! The fiend! | 0:19:07 | 0:19:10 | |
The inhuman fiend! | 0:19:10 | 0:19:12 | |
Dribbling a head across the grass! What kind of a man would... | 0:19:12 | 0:19:15 | |
He's pretty good though, isn't he? | 0:19:15 | 0:19:17 | |
You've got to hand it to him. He knows what he's doing. | 0:19:19 | 0:19:21 | |
That's a nifty left foot he's got there. | 0:19:21 | 0:19:24 | |
Oh, well played, sir. | 0:19:24 | 0:19:27 | |
Did you see that body swerve? | 0:19:27 | 0:19:29 | |
He was around that rose bush like a... | 0:19:29 | 0:19:31 | |
Oh, there it is. | 0:19:31 | 0:19:32 | |
Goal! Straight through the front door. | 0:19:32 | 0:19:35 | |
Yes, we could use him on our local team. | 0:19:35 | 0:19:38 | |
All he needs is a ball instead of that head. | 0:19:38 | 0:19:41 | |
Instead of that... Police! | 0:19:41 | 0:19:43 | |
Call the police! | 0:19:43 | 0:19:44 | |
Help! He's a lunatic! | 0:19:44 | 0:19:46 | |
Police! Police! Police! | 0:19:46 | 0:19:49 | |
Why don't the police hurry up and arrive? | 0:19:53 | 0:19:55 | |
We called them ten minutes ago. Where are they? | 0:19:55 | 0:19:58 | |
If they don't get a move on, he'll have got rid of the evidence. | 0:19:58 | 0:20:01 | |
He's already started up the incinerator. | 0:20:01 | 0:20:03 | |
I'm scared. I'm sure he knows that we suspect something. | 0:20:03 | 0:20:06 | |
He'll be after us next. | 0:20:06 | 0:20:08 | |
We'll all be put in that incinerator along with the rest of them. | 0:20:08 | 0:20:11 | |
She's right, you know. He'll have our heads off. | 0:20:11 | 0:20:13 | |
He wants to get his goal average up. | 0:20:13 | 0:20:14 | |
We've got to do something. | 0:20:16 | 0:20:17 | |
Wait! Listen! | 0:20:18 | 0:20:20 | |
The police, they've arrived. | 0:20:20 | 0:20:22 | |
We're safe. He won't dare touch us now. | 0:20:22 | 0:20:25 | |
Quick, open the door. Let them in. Safe at last. | 0:20:25 | 0:20:29 | |
Our heads won't be at his feet after all. | 0:20:29 | 0:20:31 | |
Good evening. Oh, dear, oh, dear. | 0:20:31 | 0:20:34 | |
What are you doing here? | 0:20:34 | 0:20:36 | |
I'm the police, I am. | 0:20:36 | 0:20:37 | |
Well, no wonder Fabian of the Yard retired. | 0:20:37 | 0:20:40 | |
Don't be like that. I'm sorry I'm a bit late, | 0:20:40 | 0:20:42 | |
but I had my feet in a mustard bath. | 0:20:42 | 0:20:43 | |
All this walking about gives you shocking blisters, you know. | 0:20:43 | 0:20:46 | |
Yes, I'm sure it does. I got here as soon as I could. | 0:20:46 | 0:20:49 | |
But by the time I dried my feet and put a new pea in me whistle... | 0:20:49 | 0:20:52 | |
Yes, all right. | 0:20:52 | 0:20:53 | |
Where's the rest of them? Rest of who? | 0:20:53 | 0:20:55 | |
The policemen, from the station. | 0:20:55 | 0:20:57 | |
There's only me. I'm the only one on duty tonight. | 0:20:57 | 0:20:59 | |
There must be some more somewhere. | 0:20:59 | 0:21:00 | |
Oh, there are, hundreds of them. | 0:21:00 | 0:21:02 | |
Well, where are they? Stag's Head. | 0:21:02 | 0:21:04 | |
Darts match every Wednesday night. | 0:21:04 | 0:21:05 | |
Except for me. | 0:21:05 | 0:21:07 | |
They won't let me play. They won't let me have a go at anything. | 0:21:07 | 0:21:09 | |
What a shame. Tug-of-war, policeman's ball, | 0:21:09 | 0:21:12 | |
coach outings to Brighton, | 0:21:12 | 0:21:13 | |
I've never been on any of them. | 0:21:13 | 0:21:15 | |
I always put me name down, but they always cross it off. | 0:21:15 | 0:21:18 | |
Because they don't like me, you know. | 0:21:18 | 0:21:19 | |
They make me stay at home and look after the station. | 0:21:19 | 0:21:22 | |
Yes, well, next door... | 0:21:22 | 0:21:23 | |
Between you and me... Cor blimey! | 0:21:23 | 0:21:25 | |
Between you and me, you're dead lucky to find me in. | 0:21:25 | 0:21:28 | |
I'd only just come back from me night beat. | 0:21:28 | 0:21:30 | |
Yes, very interesting, now this bloke next door... | 0:21:30 | 0:21:32 | |
Before that I was on traffic duty | 0:21:32 | 0:21:34 | |
and then I had to report all the accidents. | 0:21:34 | 0:21:36 | |
What accidents? The ones that happened when I was on traffic duty. | 0:21:36 | 0:21:39 | |
It wasn't my fault, honest, it wasn't. | 0:21:39 | 0:21:41 | |
I was doing all right. | 0:21:41 | 0:21:43 | |
Then me mum walked by, and I waved to her and... | 0:21:43 | 0:21:46 | |
Oh, dear, another mishap. Yes, I'm sure it was. | 0:21:46 | 0:21:49 | |
Now... Bashed up cars all over the shop. | 0:21:49 | 0:21:51 | |
I was knocked down meself, cos they're trying to get rid of me, | 0:21:51 | 0:21:55 | |
you know. They always put me on where there's no speed limit. | 0:21:55 | 0:21:57 | |
Well, that's something. Look, we're in dead trouble... | 0:21:57 | 0:22:00 | |
Between you and me I like night beat best of all. | 0:22:00 | 0:22:02 | |
Yes, I'm sure you do. Now, this bloke next door... | 0:22:02 | 0:22:04 | |
I have to go in all the shop doorways | 0:22:04 | 0:22:06 | |
to see they're locked up. | 0:22:06 | 0:22:07 | |
Yes, look, this guy, he's dangerous. | 0:22:07 | 0:22:09 | |
You should see some of the things that go on in shop doorways! | 0:22:09 | 0:22:12 | |
Look, I'm not interested! There's a homicidal maniac next door, | 0:22:12 | 0:22:15 | |
and we'll all be killed if you don't go... | 0:22:15 | 0:22:17 | |
What sort of things? | 0:22:17 | 0:22:18 | |
I shine me torch in and there are couples in there, kissing. | 0:22:19 | 0:22:23 | |
I have to break them up and send them home. | 0:22:23 | 0:22:25 | |
Well, the blokes, anyway. | 0:22:25 | 0:22:27 | |
Of course, I'm a bit of a devil meself. | 0:22:28 | 0:22:32 | |
Aren't we all? Oh, yes. | 0:22:32 | 0:22:34 | |
I try all the doorways, one after another, you know, sometimes, | 0:22:34 | 0:22:37 | |
on a good night I don't get back to the station at all! | 0:22:37 | 0:22:40 | |
Now, what was it you wanted me for? | 0:22:43 | 0:22:47 | |
Wait a minute, I can't remember. | 0:22:47 | 0:22:49 | |
Oh, yes, we want you to arrest the bloke next door. | 0:22:49 | 0:22:51 | |
He's a homicidal maniac. | 0:22:51 | 0:22:52 | |
He's got dozens of dead bodies in his house, | 0:22:52 | 0:22:54 | |
and he chops them up and puts them in his incinerator, | 0:22:54 | 0:22:57 | |
then he buries the leftovers and goes out and murders some more. | 0:22:57 | 0:22:59 | |
Well, everyone to his own trade. | 0:22:59 | 0:23:01 | |
You don't understand. | 0:23:01 | 0:23:03 | |
The man's a mass murderer. | 0:23:03 | 0:23:05 | |
Oh, that's against the law, isn't it? | 0:23:05 | 0:23:07 | |
Yes, exactly. And if you hurry up, you'll catch him in the act. | 0:23:07 | 0:23:10 | |
Oh, how thrilling, I've never caught a murderer before. | 0:23:10 | 0:23:14 | |
Come to think of it, I've never caught anybody before. | 0:23:14 | 0:23:16 | |
Except the blokes in the shop doorways. Well, yes. Murderer, eh? | 0:23:16 | 0:23:21 | |
Oh, if I catch a murderer they'll be pleased with me, won't they? | 0:23:21 | 0:23:24 | |
They might even put me on the tug-of-war team. | 0:23:24 | 0:23:26 | |
With a bit of luck they'll use you as the rope! Well, yes. | 0:23:26 | 0:23:29 | |
Please, hurry, Constable, before it's too late. | 0:23:33 | 0:23:36 | |
He's out there now, throwing them into the furnace. | 0:23:36 | 0:23:39 | |
Well, let's have a look. Look, down there in the garden. | 0:23:39 | 0:23:42 | |
Oh! | 0:23:42 | 0:23:44 | |
Has he murdered all of them? | 0:23:44 | 0:23:45 | |
Yes, and if you don't do something, we'll all be done for. | 0:23:45 | 0:23:48 | |
It's your duty to go down there and arrest him. | 0:23:48 | 0:23:51 | |
Let's stop messing about. | 0:23:51 | 0:23:53 | |
Are you going to arrest him or not? | 0:23:53 | 0:23:55 | |
Tell you what, you do it, here's me hat. Go on down there! | 0:23:55 | 0:23:57 | |
I demand you arrest this monster! | 0:23:57 | 0:23:58 | |
But I don't like to. I don't even know him. | 0:23:58 | 0:24:01 | |
Go on down there, go on! I don't want to go. | 0:24:01 | 0:24:02 | |
Go on, you're the law! All right, then. But you come with me. | 0:24:02 | 0:24:05 | |
All right. I'll come with you. Through the back door. | 0:24:05 | 0:24:08 | |
There he is, by the incinerator. | 0:24:18 | 0:24:19 | |
Look at him throwing all them bodies in. | 0:24:19 | 0:24:21 | |
He don't care, do he? Look. | 0:24:21 | 0:24:24 | |
He's a political assassin now as well. | 0:24:24 | 0:24:27 | |
Look who he's throwing in - Macmillan, | 0:24:27 | 0:24:30 | |
Thorneycroft, Selwyn Lloyd, Rab Butler... | 0:24:30 | 0:24:34 | |
He's got half the government in there. | 0:24:36 | 0:24:38 | |
He's a raving lunatic! | 0:24:38 | 0:24:39 | |
Oh, I don't know, though, perhaps he knows what he's doing. | 0:24:41 | 0:24:43 | |
We must stop him before he goes any further. | 0:24:43 | 0:24:45 | |
Climb over the wall and arrest him. | 0:24:45 | 0:24:47 | |
Yes, all right. Hold on. | 0:24:47 | 0:24:49 | |
You're the policeman. Oh, yes, so I am. | 0:24:49 | 0:24:51 | |
We'll both climb over. Give us a lift up. | 0:24:51 | 0:24:54 | |
Oh! | 0:24:54 | 0:24:55 | |
There's your evidence. The bath full of acid, or whatever it is he uses. | 0:24:58 | 0:25:01 | |
Mind you don't lose your balance, you'll fall in. | 0:25:01 | 0:25:03 | |
Don't you worry about me, you get on with your job. | 0:25:03 | 0:25:06 | |
Arrest him! Oh, all right. | 0:25:06 | 0:25:07 | |
I arrest you in the name of the... | 0:25:07 | 0:25:10 | |
In the name of the... | 0:25:10 | 0:25:12 | |
Law. That's it. In the name of the law! | 0:25:12 | 0:25:15 | |
I have to warn you that anything you say will have to be repeated, | 0:25:15 | 0:25:18 | |
because I'm a slow writer. | 0:25:18 | 0:25:20 | |
That's it. | 0:25:22 | 0:25:24 | |
Go on, take him away. | 0:25:24 | 0:25:26 | |
Good lad. Assassin! | 0:25:26 | 0:25:28 | |
Murderer! Yes, you thought you could get away with it, didn't you? | 0:25:28 | 0:25:33 | |
You didn't reckon on Sexton Hancock. | 0:25:33 | 0:25:35 | |
The fools, they're going to fall. | 0:25:37 | 0:25:40 | |
Look out, mind the bath, you'll fall into it! | 0:25:40 | 0:25:44 | |
I'm going in! I'm going! THEY SCREAM, SPLASHING | 0:25:44 | 0:25:48 | |
Oh, dear. | 0:25:50 | 0:25:51 | |
And over there we have the finest Burke and Hare, | 0:25:57 | 0:26:00 | |
the well-known body snatchers. | 0:26:00 | 0:26:02 | |
As you can see, in the act of snatching one. | 0:26:02 | 0:26:05 | |
That, of course, is Doctor Crippen, | 0:26:05 | 0:26:07 | |
who was the first criminal ever to be arrested by wireless. | 0:26:07 | 0:26:10 | |
And now, we come to the newest addition to our collection. | 0:26:12 | 0:26:16 | |
One of the most common scenes in the history of British crime. | 0:26:16 | 0:26:20 | |
This set piece depicts a police constable | 0:26:20 | 0:26:23 | |
arresting a man in a shop doorway. | 0:26:23 | 0:26:26 | |
Note the vicious expression on the face of the little fat one. | 0:26:30 | 0:26:34 | |
We can only guess what he's saying to his colleague. | 0:26:36 | 0:26:38 | |
You wait till I get this wax off me! | 0:26:38 | 0:26:40 | |
I shall bash the living daylights out of you! | 0:26:40 | 0:26:43 | |
It wasn't my fault. I wish I'd never listened to you. | 0:26:43 | 0:26:45 | |
I'll never get on that tug-of-war team now. | 0:26:45 | 0:26:47 | |
Oh, shut up. That's all very well for you to say, | 0:26:47 | 0:26:49 | |
I've got a very nasty itch. | 0:26:49 | 0:26:51 | |
Your itching is the least of your worries... | 0:26:51 | 0:26:54 | |
APPLAUSE | 0:26:54 | 0:26:57 |