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Hancock's Half Hour

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Ladies and gentlemen. We present Tony Hancock in...

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Ha-ha, Hancock's Half Hour.

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It is always a very important event in any street when new neighbours

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move in. The furniture van draws up,

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the removal men start unloading the furniture onto the pavement,

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and carrying it into the empty house.

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On the face of it, no-one is particularly concerned.

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There is no reception committee, all the front doors are shut.

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The street is deserted.

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Can it be that no-one is interested?

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Don't you believe it. Not a move is being missed.

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Every egg cup is being counted. BIKE BELL RINGS

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Mr Hancock, would you please sign these fan letters?

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I'd like to get them off in this morning's post.

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Shush! Shush! Quiet! Oh, come away from the window.

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Oh, shut up!

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Stone me, look at this stuff going in here.

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Radio, television set, big screen.

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Must be all of eight inches.

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They're rich, I tell you, rich!

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Nip into the kitchen and see what we're short of.

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Come away from the window, it's nothing to do with you.

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What will the neighbours think if they see you?

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They won't see me. They're too busy pricing the furniture.

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Look, all the way down the street, not a curtain in place.

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Old Mother Higgins over there, look at her.

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Standing with her back to the window,

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trying to kid them she's not interested.

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Perhaps she isn't.

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Of course she is. She's got a dirty great mirror on the opposite wall!

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They're all the same.

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This is the nosiest street in the district.

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Mrs Brown at number 12, lying on the floor with her

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periscope poking over the windowsill.

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And those three old maids living next door to her,

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they're taking it in turns - shift work.

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One watching, one making tea,

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and the other writing poison pen letters.

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Dead nosey, they are!

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If I had my way, I'd...

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Hello! Hello!

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Flash curtains that's going in there, aren't they?

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What revolting colours.

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Never do down this street, they won't.

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Honestly, you're just as bad as the others.

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I am not. How dare you? It's none of your business. Oh, yes, it is.

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I have a perfect right to know what sort of people

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are moving in next door to me.

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We want no undesirables around here.

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You can always tell what people are like by what they've got.

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Look, look. Look, look, look.

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Look what's going in now. Vacuum cleaner, washing machine,

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box of tinned food.

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Goes to show what sort of wife he's got.

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Bone idle.

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Feet up, box of chocolates, Mrs Dale's Diary,

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and she's away for the day.

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Well, that's ridiculous.

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I know the type. Dyed blonde hair, out every night, back about one,

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and not with him. He ought to be told about it.

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Always the last to know, the husband.

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I bet he's a little bloke, works hard, married a fancy bit,

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20 years younger than him.

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Never work out, those marriages.

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You haven't even seen them yet.

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I don't have to see 'em. You can tell.

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Hello. Hello.

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Yes. There goes the cocktail cabinet.

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Look at the size of that.

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Her and her fancy friends, that's for.

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I bet he never gets a look in.

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I bet she don't let him out, either.

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Five minutes down the park with the dog, that's his lot.

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Well, come away from the window. It's all over now.

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They've everything in. You won't find out anything more about them.

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Well, that's where you're wrong, you see.

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I've got old Harris, from upstairs, watching.

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A sort of double check, to make sure we haven't missed anything.

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I've sent him out on a recce.

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Where is he? Out in the front garden.

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Well, I can't see him.

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Yes, you can. You see that big rhododendron bush

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growing in next door's front garden? Which one?

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The one that just nipped back across the lawn and jumped over the fence.

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That's Mr Harris?

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Yes, I think so. Or is he the rose bush?

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No, that's Mrs Brown's old man.

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Yes, this is Mr Harris.

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Look, he's on his way back.

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Quick, open the door, let him in.

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Oh! Oh!

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Come on, don't just stand there.

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Help me get this foliage off.

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Close the door. Well, did you get the list?

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Yes, and I don't mind telling you I feel very ashamed of myself.

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It's not right, spying on people.

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They are entitled to privacy.

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I don't know why I agreed to do it.

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Because you're getting half a dollar out of it, mush, that's why.

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Now, give us that list.

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There you are.

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It's all down. Everything they own.

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I didn't miss a thing.

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Good lad. Now, let's have a look.

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What have they got that I haven't?

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Practically everything.

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All right, well, never mind about that.

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Just read out the list. Well, there were two crates of crockery, lino,

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carpets, coal scuttle, curtains...

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Coal scuttle? Yes. That means they have coal.

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Yes. Well, thank goodness for that.

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I thought we were going to have to chop down

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another telegraph pole this winter. What else have they got?

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Tables, chairs, a radiogram, a lawnmower.

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Lawnmower?

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Give them a couple of days to settle in, we'll have that.

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What sort of bloke do you think he is?

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Well, I'd say lower-middle-class,

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but quite well educated judging by his bookcase.

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Reads a lot.

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Mostly crime stuff, authentic accounts of famous murderers,

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I saw The Mass Murderer Of Leipzig, The Bluebeard Of Bordeaux,

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The Basingstoke Wife Murderers,

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Case Histories And Methods Of 100 Homicidal Maniacs...

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He's got a big trunk full of assorted women's clothing.

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A large collection of guns, daggers and axes,

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a lot of gardening equipment - spades, pickaxes, forks,

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probably does a lot of digging.

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A large zinc bath and...an incinerator.

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Oh, well, he seems harmless enough!

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Did you say women's clothing? Yes. Probably his wife's.

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No, no, no, no. He lives alone.

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They only took one bed in, a single bed.

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There you are, you see, Mr Hancock, you were wrong.

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He's not married. Not necessarily. What does a single bed prove?

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They could be two very thin people.

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Well, there's nothing more we'll find out about him at the moment.

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Now, I'll make out the rota for tonight.

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Synchronise watches.

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Two hours on, four off.

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You make the cocoa, and good luck, chaps.

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Dear, Oh, dear.

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20 past seven.

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Hold on, he's coming out again.

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Quick, get back behind the curtains!

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Now where's he going this time?

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I don't know. Strange how he always goes out at night.

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You never see him during the day.

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What's that he's carrying under his arm?

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Looks like a bundle of old clothes.

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Let's see now, yes.

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Red blouse and a black skirt.

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Wait a minute. Red blouse, black skirt, no,

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it's not on the list of stuff that went in.

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Well, perhaps it arrived afterwards.

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No, the only thing that's gone into that house since he arrived

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was that girl he brought home last night.

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Oh, yes. The one who was dead drunk.

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Out cold. He had to carry her in.

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The only clothes she had with her were the ones she was wearing...

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A red blouse and a black skirt.

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When did she leave?

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Well, I don't know. I didn't see her leave.

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Well, she didn't leave while I was on duty.

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Eileen! Oh, God...

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Creeping up on me like that!

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Have you seen a young woman come out from next door?

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No. But I did see him go out at three o'clock this morning.

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Just by himself? Yes.

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Apart from a big sack he was carrying over his shoulder.

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A big sack? What was in it?

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A pile of bones.

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Bones?

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What did he do with them? He buried them in the back garden.

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I knew it. I knew it! I knew I was right.

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You said it was no business of mine, well, I was right,

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it's just as I suspected.

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What? That dog of his, it's dead lazy,

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it won't even bury its own bones.

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But what about the girl?

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Well, keep looking, she'll have to come out sooner or later.

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Well, I don't like it.

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Spying on that poor little man.

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You've been watching his every move since he arrived.

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I'm merely trying to find out what he's up to.

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You have to admit he's been acting very strange.

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Not a noise out of him during the day,

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and then as soon as it strikes midnight, he's at it.

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Choppers being sharpened, an incinerator burning all night,

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that wolfhound of his baying at the moon...

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And him nipping up and down the garden path in a dirty great cloak,

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digging holes all over the place.

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Gives you the willies!

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I wouldn't mind if he was sociable, but he won't talk to you.

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Well, have you tried?

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Of course I have.

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I called to him over the fence yesterday morning.

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What did you say? Asked if I could have me ball back.

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Well, why didn't you just climb over the fence and get it back yourself?

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I tried that. I was halfway over and a dirty great chopper

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came flying out of the kitchen window.

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Nearly split me asunder.

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Took 4.5 inches off me shoulder pad.

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I'm sure he doesn't want anyone to find out

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what's going on inside that house. Yes.

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There is something sinister about that man.

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What's he burning in that incinerator?

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And where's that girl?

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Why has he got a zinc bath full of acid?

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I mean, what's going on in there?

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I mean, what sort of monster have we got living next door to us?

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You're a man, you've got to do something about it!

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You've got to do something about it! All right, all right, I'm going to!

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What? Leave that ball where it is and buy another one!

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Mr Hancock, you've got to do something about this man.

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I mean, where does he come from?

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Who is he? We must find out more about him.

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Yes, you're coming round to my way of thinking now, aren't you?

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I'm not as daft as I look, am I?

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Let's go to the police. No, no.

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We can't do that. What can we prove?

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Besides, they won't take any notice of us.

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We've had them out here on wild goose chases before.

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Remember that foggy night last November?

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You and your dial 999, "There's two tall,

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"thin men with big heads lurking on the corner

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"signalling to each other"?

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Well, how was I to know they'd just fitted a zebra crossing?

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No, no, we've got to do this by ourselves.

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But where do we start?

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Find out who he is.

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Yes, but how?

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Easy, we'll go and have a word with the estate agent

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he bought the house from.

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Good idea. Let's see now, who is the estate agent?

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Oh, look, they've still got the board up in the front garden.

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Oh, yes. Sold by...

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Hello, it's the same people we got ours from.

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Albert Slum and Company.

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Now, don't forget. When we speak to this estate agent

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be careful what you say.

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We've got to be dead crafty over this.

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We've got our suspicions, but we might be wrong.

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We can't go around accusing people without proof or we might get in

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trouble. We've got to worm the information gently out of him.

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Don't be too eager. Gradually get round to it.

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The subtle approach, that's what we want.

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The subtle approach.

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Who's that murderer we've got living next door to us?!

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So much for the subtle approach.

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We'd like to have a word with your manager, please.

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Certainly. Who shall I say wishes to see him?

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My card.

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Anthony Hancock.

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I see.

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Actually, he doesn't have anybody with him at the moment

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so perhaps you'd like to go straight in.

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Thank you, my man, you've been most 'elpful.

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'Ave a toffee.

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Hello, Hancock. Sidney James.

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What are you doing here? Where's the manager?

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I'm the manager. I took the business over last week.

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Always wanted to get into this estate agent racket.

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And where, pray, is the former owner, Mr Albert Slum?

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Well, he had to, um, retire because of his health.

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What was wrong with him? A bump came up on his head. Oh?

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It was one of those unfortunate accidents

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that could happen to anybody.

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I took him down the building site to discuss terms with him.

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All of a sudden, what do you think?

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What? Half a pound of sand fell on top of his head.

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Half a pound? How did it do all that damage?

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I can't understand it. I wrapped it in a sock.

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Now then. What can I do for you?

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Well, as you know, we live in one of your houses.

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And you've got a complaint?

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No, no. It's all right, Sid. You can put the sock away.

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We just wanted to ask you...

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There is nothing wrong with the place.

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No, I know. You are not getting a new roof.

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No, I know. There's nothing wrong with the roof. I know, but...

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Those tarpaulins are as good as tiles any day.

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Of course they are. Well, then.

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I didn't come here to complain about the roof.

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What's wrong with the plumbing? Nothing. I just want to...

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That plumbing's as good now as the day it was put in.

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It hasn't been put in yet! It doesn't matter.

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When it goes in it will be good. Well, I'm glad to hear it.

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No-one else has complained about the pump at the end of the street.

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Neither am I... The water's all right once it's been boiled.

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Yes, of course it is. If you don't like it

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I can always get someone else to live there.

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Yes, I expect you can.

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I can get 20 nicker a week off those American airmen any day.

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Yes, I know, I've got three living in the loft.

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Now look... I don't know what you're talking about,

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dry rot on the living room floor? I never mentioned it.

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I should think not. It was there before you were.

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I haven't even noticed. I just want to...

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Those walls are not falling to bits. I never said they were!

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That big, gaping hole in the dining room was part of the design.

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It's a service hatch.

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Yes, from the dining room through to the street! That's right.

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So help me, I didn't know there were two floorboards

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missing in the bedroom. Yes, well, you see...

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Don't worry, the ceilings are quite safe,

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if you don't walk about too much. Sid, will you listen to me?

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I haven't come here to complain about the house.

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There's nothing wrong with the house. I'm quite happy with it.

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You are? Yes. Good. As of next week the rent's up another 25 bob.

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Goodnight.

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Well, I hope you're satisfied. I'm not paying any more.

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You'll have to pay it. Sid, look. Are you still here?

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Let me explain. We can't afford your explanations.

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Let me take care of it. Mr James, I shall come straight to the point.

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We're very interested in the man who's living next door to us.

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All right, where do you live? You know where we live. No, I don't.

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You've just explained everything that's wrong with the place.

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All my properties are like that. It could be any of them.

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Where do you live?

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23 Railway Cuttings.

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Yes, and we want you to tell us everything you know

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about the chap who's moved in to number 25.

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Oh, I'm sorry. I can't divulge any information about my clients.

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It's against all the ethics of the estate agent's charter.

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It's more than my entire business is worth.

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Now, I'm sorry. I am not allowed to tell you anything about him.

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Born 1898, poor family, left school when he was...

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All right, let's have all this slowly.

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Who is he? What does he do? Where does he come from?

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Well, to tell you the truth, I don't know much about his private life.

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He came to see me about a month ago, said he was looking for a big house,

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in a quiet part of town.

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Where he wouldn't be disturbed, and he'd be left alone,

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no questions asked.

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And neighbours who'd mind their own business,

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and wouldn't keep watching and spying on him.

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Well, he's up to no good.

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He's a dangerous man.

0:15:350:15:37

Nonsense! He's a little, meek inoffensive bloke.

0:15:370:15:40

So was Crippen. I tell you, he's all right.

0:15:400:15:43

His money's good, and that's all I'm concerned with.

0:15:430:15:46

Oh, if only you knew. Girls disappear.

0:15:460:15:48

The incinerator's burning all night.

0:15:480:15:50

He digs holes all over the place,

0:15:500:15:52

and he takes bundles of clothes away and disposes of them.

0:15:520:15:55

You've no idea what goes on in that house at night-time.

0:15:550:15:57

I've no idea what goes on in a lot of my houses at night-time.

0:15:570:16:00

That's why the rents are so high.

0:16:000:16:01

Well, something ought to be done. None of us are safe.

0:16:040:16:07

You're imagining things. I tell you, he's perfectly harmless.

0:16:070:16:10

Now, go home and forget about it.

0:16:100:16:12

Very well,

0:16:120:16:14

but don't say I didn't warn you.

0:16:140:16:16

We shall all be murdered in our beds.

0:16:160:16:18

You think so? Yes. Right.

0:16:180:16:20

As from today I want the rent in advance, cheerio.

0:16:200:16:22

Good day to you.

0:16:220:16:24

Murdered in their beds.

0:16:260:16:29

You buzzed, Sid?

0:16:290:16:31

Yeah, Fred, you handled the deal with that bloke

0:16:310:16:33

who moved in next door to Hancock. What do you know about him?

0:16:330:16:35

Oh, you mean Mr Tomkins? The waxwork maker?

0:16:350:16:38

The what? He makes waxwork models.

0:16:380:16:40

Very clever man. Just a minute, just a minute.

0:16:400:16:43

Where does he do all this? At home.

0:16:430:16:45

He's turned the house into a workshop.

0:16:450:16:47

I was chatting to him about it. Ever such a nice man.

0:16:470:16:50

You see, he goes down to the waxworks,

0:16:500:16:52

and collects the old models they don't want any more,

0:16:520:16:55

then he brings them home and melts them down in the incinerator

0:16:550:16:58

in his back garden. Go on.

0:16:580:16:59

Then he makes new models from the wax. Does very well out of it.

0:16:590:17:02

He makes a fortune on the second-hand clothes

0:17:020:17:04

he takes off the old models.

0:17:040:17:05

He bundles them up, and every night he takes them

0:17:050:17:08

to the rag-and-bone man down the road.

0:17:080:17:09

He does all that chamber of horrors stuff.

0:17:090:17:12

That's his department.

0:17:120:17:14

He's got a wonderful collection of choppers and knives, and things.

0:17:140:17:17

They go with the models when he's finished them.

0:17:170:17:19

You should see his reference books.

0:17:190:17:21

All the bloodthirsty murderers that ever happened.

0:17:210:17:26

Lovely!

0:17:260:17:27

Yeah, but why all the mystery?

0:17:280:17:30

Why does he have to do all his work at night-time?

0:17:300:17:32

So no-one will see him. It saves a lot of bother.

0:17:320:17:35

He used to work in the day, but he had so much trouble

0:17:350:17:37

with the neighbours he had to turn it in.

0:17:370:17:39

You wouldn't believe this, but they all thought he was a mass murderer!

0:17:390:17:42

Isn't that silly? Laughable.

0:17:440:17:46

I saw him this morning. Says he's got a very busy night tonight.

0:17:460:17:49

23 models to be collected and melted down.

0:17:490:17:52

Reckons he'll be at it all night.

0:17:520:17:53

One o'clock. Still no sign of him.

0:18:080:18:10

Half an hour since he drove off.

0:18:100:18:12

I wonder where he went. To find some more victims, no doubt.

0:18:120:18:15

Now, don't forget, if we see anything suspicious,

0:18:150:18:17

we phone the police.

0:18:170:18:18

Oh, look, he's coming back. There's his van.

0:18:180:18:21

Quick, turn the lights out. Action stations.

0:18:210:18:23

What's in the van? Can you see?

0:18:230:18:26

I can't quite make it out.

0:18:260:18:28

Ah! What?

0:18:280:18:29

Bodies.

0:18:310:18:33

Dead bodies.

0:18:330:18:35

Dozens of them. The van's packed with dead bodies!

0:18:350:18:39

Hello!

0:18:390:18:40

This bodes dodgy.

0:18:420:18:44

Look, he's carrying them up the path, one under each arm.

0:18:470:18:51

And a couple of legs sticking out of his pocket.

0:18:510:18:54

Oh, what sort of monster is he?

0:18:540:18:57

What's that he's dribbling across the grass?

0:18:570:19:00

A head.

0:19:020:19:04

A head?

0:19:060:19:07

A head?! The fiend!

0:19:070:19:10

The inhuman fiend!

0:19:100:19:12

Dribbling a head across the grass! What kind of a man would...

0:19:120:19:15

He's pretty good though, isn't he?

0:19:150:19:17

You've got to hand it to him. He knows what he's doing.

0:19:190:19:21

That's a nifty left foot he's got there.

0:19:210:19:24

Oh, well played, sir.

0:19:240:19:27

Did you see that body swerve?

0:19:270:19:29

He was around that rose bush like a...

0:19:290:19:31

Oh, there it is.

0:19:310:19:32

Goal! Straight through the front door.

0:19:320:19:35

Yes, we could use him on our local team.

0:19:350:19:38

All he needs is a ball instead of that head.

0:19:380:19:41

Instead of that... Police!

0:19:410:19:43

Call the police!

0:19:430:19:44

Help! He's a lunatic!

0:19:440:19:46

Police! Police! Police!

0:19:460:19:49

Why don't the police hurry up and arrive?

0:19:530:19:55

We called them ten minutes ago. Where are they?

0:19:550:19:58

If they don't get a move on, he'll have got rid of the evidence.

0:19:580:20:01

He's already started up the incinerator.

0:20:010:20:03

I'm scared. I'm sure he knows that we suspect something.

0:20:030:20:06

He'll be after us next.

0:20:060:20:08

We'll all be put in that incinerator along with the rest of them.

0:20:080:20:11

She's right, you know. He'll have our heads off.

0:20:110:20:13

He wants to get his goal average up.

0:20:130:20:14

We've got to do something.

0:20:160:20:17

Wait! Listen!

0:20:180:20:20

The police, they've arrived.

0:20:200:20:22

We're safe. He won't dare touch us now.

0:20:220:20:25

Quick, open the door. Let them in. Safe at last.

0:20:250:20:29

Our heads won't be at his feet after all.

0:20:290:20:31

Good evening. Oh, dear, oh, dear.

0:20:310:20:34

What are you doing here?

0:20:340:20:36

I'm the police, I am.

0:20:360:20:37

Well, no wonder Fabian of the Yard retired.

0:20:370:20:40

Don't be like that. I'm sorry I'm a bit late,

0:20:400:20:42

but I had my feet in a mustard bath.

0:20:420:20:43

All this walking about gives you shocking blisters, you know.

0:20:430:20:46

Yes, I'm sure it does. I got here as soon as I could.

0:20:460:20:49

But by the time I dried my feet and put a new pea in me whistle...

0:20:490:20:52

Yes, all right.

0:20:520:20:53

Where's the rest of them? Rest of who?

0:20:530:20:55

The policemen, from the station.

0:20:550:20:57

There's only me. I'm the only one on duty tonight.

0:20:570:20:59

There must be some more somewhere.

0:20:590:21:00

Oh, there are, hundreds of them.

0:21:000:21:02

Well, where are they? Stag's Head.

0:21:020:21:04

Darts match every Wednesday night.

0:21:040:21:05

Except for me.

0:21:050:21:07

They won't let me play. They won't let me have a go at anything.

0:21:070:21:09

What a shame. Tug-of-war, policeman's ball,

0:21:090:21:12

coach outings to Brighton,

0:21:120:21:13

I've never been on any of them.

0:21:130:21:15

I always put me name down, but they always cross it off.

0:21:150:21:18

Because they don't like me, you know.

0:21:180:21:19

They make me stay at home and look after the station.

0:21:190:21:22

Yes, well, next door...

0:21:220:21:23

Between you and me... Cor blimey!

0:21:230:21:25

Between you and me, you're dead lucky to find me in.

0:21:250:21:28

I'd only just come back from me night beat.

0:21:280:21:30

Yes, very interesting, now this bloke next door...

0:21:300:21:32

Before that I was on traffic duty

0:21:320:21:34

and then I had to report all the accidents.

0:21:340:21:36

What accidents? The ones that happened when I was on traffic duty.

0:21:360:21:39

It wasn't my fault, honest, it wasn't.

0:21:390:21:41

I was doing all right.

0:21:410:21:43

Then me mum walked by, and I waved to her and...

0:21:430:21:46

Oh, dear, another mishap. Yes, I'm sure it was.

0:21:460:21:49

Now... Bashed up cars all over the shop.

0:21:490:21:51

I was knocked down meself, cos they're trying to get rid of me,

0:21:510:21:55

you know. They always put me on where there's no speed limit.

0:21:550:21:57

Well, that's something. Look, we're in dead trouble...

0:21:570:22:00

Between you and me I like night beat best of all.

0:22:000:22:02

Yes, I'm sure you do. Now, this bloke next door...

0:22:020:22:04

I have to go in all the shop doorways

0:22:040:22:06

to see they're locked up.

0:22:060:22:07

Yes, look, this guy, he's dangerous.

0:22:070:22:09

You should see some of the things that go on in shop doorways!

0:22:090:22:12

Look, I'm not interested! There's a homicidal maniac next door,

0:22:120:22:15

and we'll all be killed if you don't go...

0:22:150:22:17

What sort of things?

0:22:170:22:18

I shine me torch in and there are couples in there, kissing.

0:22:190:22:23

I have to break them up and send them home.

0:22:230:22:25

Well, the blokes, anyway.

0:22:250:22:27

Of course, I'm a bit of a devil meself.

0:22:280:22:32

Aren't we all? Oh, yes.

0:22:320:22:34

I try all the doorways, one after another, you know, sometimes,

0:22:340:22:37

on a good night I don't get back to the station at all!

0:22:370:22:40

Now, what was it you wanted me for?

0:22:430:22:47

Wait a minute, I can't remember.

0:22:470:22:49

Oh, yes, we want you to arrest the bloke next door.

0:22:490:22:51

He's a homicidal maniac.

0:22:510:22:52

He's got dozens of dead bodies in his house,

0:22:520:22:54

and he chops them up and puts them in his incinerator,

0:22:540:22:57

then he buries the leftovers and goes out and murders some more.

0:22:570:22:59

Well, everyone to his own trade.

0:22:590:23:01

You don't understand.

0:23:010:23:03

The man's a mass murderer.

0:23:030:23:05

Oh, that's against the law, isn't it?

0:23:050:23:07

Yes, exactly. And if you hurry up, you'll catch him in the act.

0:23:070:23:10

Oh, how thrilling, I've never caught a murderer before.

0:23:100:23:14

Come to think of it, I've never caught anybody before.

0:23:140:23:16

Except the blokes in the shop doorways. Well, yes. Murderer, eh?

0:23:160:23:21

Oh, if I catch a murderer they'll be pleased with me, won't they?

0:23:210:23:24

They might even put me on the tug-of-war team.

0:23:240:23:26

With a bit of luck they'll use you as the rope! Well, yes.

0:23:260:23:29

Please, hurry, Constable, before it's too late.

0:23:330:23:36

He's out there now, throwing them into the furnace.

0:23:360:23:39

Well, let's have a look. Look, down there in the garden.

0:23:390:23:42

Oh!

0:23:420:23:44

Has he murdered all of them?

0:23:440:23:45

Yes, and if you don't do something, we'll all be done for.

0:23:450:23:48

It's your duty to go down there and arrest him.

0:23:480:23:51

Let's stop messing about.

0:23:510:23:53

Are you going to arrest him or not?

0:23:530:23:55

Tell you what, you do it, here's me hat. Go on down there!

0:23:550:23:57

I demand you arrest this monster!

0:23:570:23:58

But I don't like to. I don't even know him.

0:23:580:24:01

Go on down there, go on! I don't want to go.

0:24:010:24:02

Go on, you're the law! All right, then. But you come with me.

0:24:020:24:05

All right. I'll come with you. Through the back door.

0:24:050:24:08

There he is, by the incinerator.

0:24:180:24:19

Look at him throwing all them bodies in.

0:24:190:24:21

He don't care, do he? Look.

0:24:210:24:24

He's a political assassin now as well.

0:24:240:24:27

Look who he's throwing in - Macmillan,

0:24:270:24:30

Thorneycroft, Selwyn Lloyd, Rab Butler...

0:24:300:24:34

He's got half the government in there.

0:24:360:24:38

He's a raving lunatic!

0:24:380:24:39

Oh, I don't know, though, perhaps he knows what he's doing.

0:24:410:24:43

We must stop him before he goes any further.

0:24:430:24:45

Climb over the wall and arrest him.

0:24:450:24:47

Yes, all right. Hold on.

0:24:470:24:49

You're the policeman. Oh, yes, so I am.

0:24:490:24:51

We'll both climb over. Give us a lift up.

0:24:510:24:54

Oh!

0:24:540:24:55

There's your evidence. The bath full of acid, or whatever it is he uses.

0:24:580:25:01

Mind you don't lose your balance, you'll fall in.

0:25:010:25:03

Don't you worry about me, you get on with your job.

0:25:030:25:06

Arrest him! Oh, all right.

0:25:060:25:07

I arrest you in the name of the...

0:25:070:25:10

In the name of the...

0:25:100:25:12

Law. That's it. In the name of the law!

0:25:120:25:15

I have to warn you that anything you say will have to be repeated,

0:25:150:25:18

because I'm a slow writer.

0:25:180:25:20

That's it.

0:25:220:25:24

Go on, take him away.

0:25:240:25:26

Good lad. Assassin!

0:25:260:25:28

Murderer! Yes, you thought you could get away with it, didn't you?

0:25:280:25:33

You didn't reckon on Sexton Hancock.

0:25:330:25:35

The fools, they're going to fall.

0:25:370:25:40

Look out, mind the bath, you'll fall into it!

0:25:400:25:44

I'm going in! I'm going! THEY SCREAM, SPLASHING

0:25:440:25:48

Oh, dear.

0:25:500:25:51

And over there we have the finest Burke and Hare,

0:25:570:26:00

the well-known body snatchers.

0:26:000:26:02

As you can see, in the act of snatching one.

0:26:020:26:05

That, of course, is Doctor Crippen,

0:26:050:26:07

who was the first criminal ever to be arrested by wireless.

0:26:070:26:10

And now, we come to the newest addition to our collection.

0:26:120:26:16

One of the most common scenes in the history of British crime.

0:26:160:26:20

This set piece depicts a police constable

0:26:200:26:23

arresting a man in a shop doorway.

0:26:230:26:26

Note the vicious expression on the face of the little fat one.

0:26:300:26:34

We can only guess what he's saying to his colleague.

0:26:360:26:38

You wait till I get this wax off me!

0:26:380:26:40

I shall bash the living daylights out of you!

0:26:400:26:43

It wasn't my fault. I wish I'd never listened to you.

0:26:430:26:45

I'll never get on that tug-of-war team now.

0:26:450:26:47

Oh, shut up. That's all very well for you to say,

0:26:470:26:49

I've got a very nasty itch.

0:26:490:26:51

Your itching is the least of your worries...

0:26:510:26:54

APPLAUSE

0:26:540:26:57

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