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This programme contains some strong language. | 0:00:01 | 0:00:03 | |
I'm late for an interview and I might have cancer of the fucking arse! | 0:00:03 | 0:00:06 | |
If this paper were in trouble, it'd be pieces on blokes | 0:00:06 | 0:00:08 | |
rooting sheilas for five hours that'd keep it afloat. | 0:00:08 | 0:00:10 | |
-Is it in trouble? -Nuh. | 0:00:10 | 0:00:11 | |
-What's going on with Neil? -The editor's sacking people. | 0:00:11 | 0:00:14 | |
Is Wasp Warneke someone you'd like to photograph? | 0:00:14 | 0:00:17 | |
Oh, yeah! | 0:00:17 | 0:00:18 | |
Rita! | 0:00:18 | 0:00:20 | |
# The wintergreen, the juniper | 0:00:26 | 0:00:28 | |
# The cornflower and the chicory | 0:00:28 | 0:00:33 | |
# Well, all of the words you said to me | 0:00:33 | 0:00:38 | |
# Are still vibrating in the air | 0:00:38 | 0:00:41 | |
# The elm, the ash and the linden tree | 0:00:41 | 0:00:45 | |
# The dark and deep enchanted sea | 0:00:45 | 0:00:49 | |
# The trembling moon and the stars unfurled | 0:00:49 | 0:00:53 | |
# Well, there she goes, my beautiful world | 0:00:53 | 0:00:56 | |
# There she goes, my beautiful world | 0:00:56 | 0:01:01 | |
# There she goes, my beautiful world | 0:01:01 | 0:01:04 | |
# There she goes, my beautiful world | 0:01:04 | 0:01:08 | |
# There she goes again. # | 0:01:08 | 0:01:13 | |
I grew up in a world of men. | 0:01:18 | 0:01:20 | |
There were the men that I'd fight... | 0:01:22 | 0:01:24 | |
and there were the men I loved. | 0:01:24 | 0:01:27 | |
Then came the day that I had to fight...the man I loved. | 0:01:27 | 0:01:31 | |
'Hollywood heart-throb Oliver Barry is back in Melbourne to promote his neo-realist film.' | 0:01:31 | 0:01:36 | |
-The Weeping Fist? -It must be a really sad fist. | 0:01:36 | 0:01:39 | |
Either that or a badly infected fist. | 0:01:39 | 0:01:42 | |
-I can see you're right for the interview. -Actually, | 0:01:42 | 0:01:44 | |
Alex and Oliver share a birthday, so I reckon we are the right guys | 0:01:44 | 0:01:46 | |
-for the interview. -Yeah, I do feel a bit of a connection | 0:01:46 | 0:01:49 | |
with people who have the same birthday as me. | 0:01:49 | 0:01:50 | |
Doesn't Hitler have the same birthday as you? | 0:01:50 | 0:01:52 | |
Well, I think upbringing also has a lot to do with things. | 0:01:52 | 0:01:55 | |
Mmm... OK, background. | 0:01:55 | 0:01:57 | |
Now, happy to talk about prepping for the role. | 0:01:57 | 0:01:59 | |
He broke three ribs during the fight scenes. Happy to discuss that. | 0:01:59 | 0:02:03 | |
Private life - off limits. | 0:02:03 | 0:02:05 | |
Do not ask questions about wife or children. | 0:02:05 | 0:02:07 | |
And favourite vegetable - spinach. | 0:02:07 | 0:02:09 | |
Is that it? | 0:02:09 | 0:02:11 | |
Well, you're a good writer. You can make it work. | 0:02:11 | 0:02:13 | |
Do you think our readers are interested in broken ribs | 0:02:13 | 0:02:15 | |
and spinach? | 0:02:15 | 0:02:17 | |
He's a huge celebrity! They'll be fascinated. | 0:02:17 | 0:02:19 | |
No, they're going to want more than that. | 0:02:19 | 0:02:21 | |
OK. But this is strictly confidential. | 0:02:22 | 0:02:25 | |
On Monday, Oliver Barry | 0:02:25 | 0:02:26 | |
will be voted Wow! Magazine's sexiest man alive. | 0:02:26 | 0:02:30 | |
Whoa, he's jumped from 10th to 1st. That's unprecedented. | 0:02:30 | 0:02:33 | |
-Anyone else got this? -No, of course not. | 0:02:33 | 0:02:36 | |
-Gentlemen. -Dylan. -Dylan. | 0:02:36 | 0:02:39 | |
-How was he? -Sexy. | 0:02:39 | 0:02:41 | |
Sexier than anyone else alive? | 0:02:41 | 0:02:44 | |
Yes. | 0:02:44 | 0:02:46 | |
Oh, get over it! | 0:02:46 | 0:02:49 | |
Doesn't worry me. Oliver's given me three potential splashes anyway. | 0:02:49 | 0:02:52 | |
-We had quite a connection. -Did you? | 0:02:52 | 0:02:55 | |
Right, you guys are last for today. | 0:02:55 | 0:02:58 | |
How about we go for a drink when you finish? | 0:02:58 | 0:03:00 | |
Yeah, sure, as long as you don't bang on | 0:03:00 | 0:03:02 | |
about what I can and can't say in the story. | 0:03:02 | 0:03:04 | |
Not everything's work related! | 0:03:04 | 0:03:06 | |
Alex was perplexed. | 0:03:07 | 0:03:08 | |
Hope van der Boom hadn't had a non-work-related conversation | 0:03:08 | 0:03:11 | |
since late 1997. | 0:03:11 | 0:03:13 | |
-Oliver. Alex Burchill. How are you? -G'day. | 0:03:13 | 0:03:17 | |
My photographer, Bob Geraghty. | 0:03:17 | 0:03:19 | |
So, Oliver, could you start off by telling us | 0:03:21 | 0:03:24 | |
how you managed to get into the mind of a gay boxer? | 0:03:24 | 0:03:27 | |
Uh, well, I don't think that's really relevant, mate. | 0:03:27 | 0:03:30 | |
Oh, OK. Um... | 0:03:30 | 0:03:33 | |
Well, apparently you lost ten kilos to play the role. | 0:03:33 | 0:03:37 | |
No. | 0:03:37 | 0:03:39 | |
-I'm sorry, my mistake. Was it nine kilos? -No. | 0:03:39 | 0:03:43 | |
-Eight? -Yep. | 0:03:43 | 0:03:46 | |
Any funny stories that you could tell us about | 0:03:48 | 0:03:50 | |
-that happened while you were prepping or on set? -Um... nuh. | 0:03:50 | 0:03:55 | |
Really? | 0:03:55 | 0:03:57 | |
Well, I'm sure something funny happened, but... | 0:03:57 | 0:04:00 | |
-But you can't think of it right now. -No. | 0:04:00 | 0:04:03 | |
Is there anything you can think of that you might like to tell us? | 0:04:04 | 0:04:08 | |
Yeah, well, whatever was in that briefing document. | 0:04:08 | 0:04:11 | |
Um, breaking your ribs and spinach. | 0:04:11 | 0:04:14 | |
Yeah, no. Delete spinach. | 0:04:14 | 0:04:17 | |
Well, I tell you what, it must have been agony breaking your ribs. | 0:04:17 | 0:04:21 | |
It was, yeah. | 0:04:21 | 0:04:24 | |
OK, well...thanks for that. That... Yeah. | 0:04:27 | 0:04:31 | |
-You got enough? -Absolutely. That was great. | 0:04:31 | 0:04:34 | |
Oh, by the way, happy birthday for tomorrow. | 0:04:34 | 0:04:37 | |
-Thanks. -It's actually my birthday, too. -Right! | 0:04:37 | 0:04:40 | |
Yeah - you, me, Adolf Hitler and Jessica Lange. | 0:04:40 | 0:04:43 | |
-OK. -All right. | 0:04:45 | 0:04:48 | |
Well, that story's not going to save the paper. | 0:04:48 | 0:04:51 | |
Apparently Dylan's photo by-line is going | 0:04:52 | 0:04:55 | |
from a 5cm head shot to a 10cm mid shot next week. | 0:04:55 | 0:04:59 | |
Why don't they do that for you? | 0:04:59 | 0:05:00 | |
There's no evidence of an increase in circulation. | 0:05:00 | 0:05:02 | |
-What did you guys do last week? -450,000. -Under four and you fold? | 0:05:02 | 0:05:06 | |
Surely we could talk about something other than the industry. | 0:05:06 | 0:05:08 | |
Well, um... There is something I'd like to tell you. | 0:05:08 | 0:05:14 | |
I'm going to have a baby. | 0:05:15 | 0:05:17 | |
-That's wonderful! Congratulations! -Congratulations, Hope. | 0:05:19 | 0:05:22 | |
When's it due? | 0:05:22 | 0:05:23 | |
Assuming all goes well, this time next year. | 0:05:23 | 0:05:26 | |
Wow! How does that work? | 0:05:26 | 0:05:31 | |
Well, I'm going to need a donation. | 0:05:31 | 0:05:34 | |
Of sperm. | 0:05:34 | 0:05:36 | |
Look, I know it's a lot to ask. I just want you to think about it. | 0:05:36 | 0:05:40 | |
And I want you to know this is not a random choice. | 0:05:40 | 0:05:42 | |
I examined my circle of friends and... | 0:05:42 | 0:05:46 | |
-I think I can safely say we're friends. -Yeah... | 0:05:46 | 0:05:49 | |
And I just think you have the best physical and mental qualities | 0:05:49 | 0:05:53 | |
of any man I know. | 0:05:53 | 0:05:55 | |
So, Bob... | 0:05:55 | 0:05:58 | |
Would you consider being my sperm donor? | 0:05:59 | 0:06:02 | |
-BOTH: What? -And as far as the baby's concerned, | 0:06:02 | 0:06:04 | |
you can have as much or as little contact as you like. | 0:06:04 | 0:06:08 | |
I'm blown away, Hope. | 0:06:08 | 0:06:09 | |
And, um, I'm going to consider it very, very carefully. | 0:06:09 | 0:06:14 | |
This was undoubtedly | 0:06:18 | 0:06:20 | |
the most brutal rejection Alex had experienced | 0:06:20 | 0:06:23 | |
over something he never wanted in the first place. | 0:06:23 | 0:06:27 | |
-HE YELLS -Give us a smile, Mr Barry! -No! | 0:06:30 | 0:06:33 | |
PHONE BEEPS | 0:06:40 | 0:06:43 | |
Huh. Rita wants us to drop into the gallery. | 0:06:43 | 0:06:46 | |
Sorry, is this the same Rita who cheated on you with Wasp Warneke? | 0:06:46 | 0:06:50 | |
Yeah, but if you sleep with a celebrity, it's not technically cheating, apparently. | 0:06:50 | 0:06:54 | |
And how do you figure that? | 0:06:54 | 0:06:55 | |
Anyone who gets a chance to sleep with a celebrity would. | 0:06:55 | 0:06:58 | |
It's just that most people don't get the opportunity to sleep with a celebrity. | 0:06:58 | 0:07:01 | |
-So basically, you can't trust Rita. -No. | 0:07:01 | 0:07:03 | |
Hey! Hey, hey, hey! Wait! | 0:07:23 | 0:07:25 | |
Get in! | 0:07:25 | 0:07:27 | |
-Where do you want to go? -Anywhere. Just go! Go, go, go, go! | 0:07:27 | 0:07:32 | |
Evasive driving was one of Bob's most impressive talents, | 0:07:37 | 0:07:41 | |
alongside cordon bleu cooking and being fluent in Dira, | 0:07:41 | 0:07:44 | |
a Southern Oceanic language spoken on a remote island in Vanuatu. | 0:07:44 | 0:07:48 | |
Provocative. | 0:07:54 | 0:07:55 | |
Whimsical. | 0:08:03 | 0:08:04 | |
Lazy. | 0:08:10 | 0:08:11 | |
Wouldn't want my kids to see that. | 0:08:11 | 0:08:16 | |
Doing anything later? | 0:08:16 | 0:08:17 | |
Oh, I don't know if it's a good idea for us to be spending time together. | 0:08:17 | 0:08:21 | |
-I said I was sorry! -Yeah, I know. I just need some time. -What for? | 0:08:21 | 0:08:25 | |
-To believe in us again. -Well, how long's that gonna take? | 0:08:25 | 0:08:29 | |
-I don't know! -Rita, come and meet Ashley Morehead. | 0:08:29 | 0:08:33 | |
He's curating the next Sydney Biennale. | 0:08:33 | 0:08:35 | |
Uh-oh. Dylan Hunt at nine o'clock. | 0:08:35 | 0:08:39 | |
-Where? -Nine o'clock. -I'm looking at nine o'clock. | 0:08:39 | 0:08:41 | |
A bit more to your right. | 0:08:41 | 0:08:44 | |
Bit more. Bit more. | 0:08:44 | 0:08:46 | |
Right. Shit. Oliver, you better hide. | 0:08:46 | 0:08:51 | |
-Where'd he go? -Don't know. | 0:08:51 | 0:08:54 | |
-Oliver! -Oliver! | 0:08:57 | 0:09:00 | |
-Oliver! -Oliver! | 0:09:00 | 0:09:02 | |
You'd think the sexiest man alive would be easier to spot. | 0:09:02 | 0:09:06 | |
Just so you know, I texted Hope to give her the thumbs-up | 0:09:08 | 0:09:10 | |
on the sperm donation. | 0:09:10 | 0:09:11 | |
-That's great, mate. -You're not still shitty, are you? | 0:09:11 | 0:09:14 | |
No, no, I get it - there's only one thing worse | 0:09:14 | 0:09:16 | |
than having a receding chin, and that's having two of them. | 0:09:16 | 0:09:18 | |
Mate, you don't have a double chin! | 0:09:18 | 0:09:20 | |
Mate, there's more chins here than in a Beijing phone book, OK? | 0:09:20 | 0:09:23 | |
-And that is a gross exaggeration! -Holy shit! How'd you get in? | 0:09:23 | 0:09:27 | |
Well, in The Weeping Fist, my character was able to break | 0:09:27 | 0:09:29 | |
into cars using nothing but a dipstick. | 0:09:29 | 0:09:32 | |
I actually left the car unlocked in case we needed a quick getaway. | 0:09:32 | 0:09:35 | |
Yes, but...you can still use a dipstick to break | 0:09:35 | 0:09:39 | |
into an unlocked car. | 0:09:39 | 0:09:41 | |
We're thinking of going back to Bob's. | 0:09:41 | 0:09:44 | |
Brilliant. I'm stuffed! | 0:09:44 | 0:09:47 | |
Let's go! | 0:09:49 | 0:09:50 | |
Oooh! | 0:09:57 | 0:09:59 | |
Alex, I think you might have too many fieldsmen on the leg side, | 0:09:59 | 0:10:02 | |
-which is highly illegal. -Mate, it's a board game! | 0:10:02 | 0:10:05 | |
Mate, it's Bodyline! | 0:10:05 | 0:10:06 | |
CLOCK CHIMES | 0:10:06 | 0:10:08 | |
-Happy birthday! -Oh, thanks, mate! | 0:10:11 | 0:10:15 | |
-Perfume? -What? No, it's not perfume. | 0:10:17 | 0:10:21 | |
Mate, that'd be a bit gay. No, this is an aromatherapy kit. | 0:10:21 | 0:10:26 | |
Now, try this for size. | 0:10:26 | 0:10:28 | |
Frankincense... | 0:10:28 | 0:10:30 | |
..and bergamot. | 0:10:31 | 0:10:33 | |
It's calming, but stimulating at the same time. | 0:10:33 | 0:10:38 | |
Now, if I put a drop of lime oil in there, | 0:10:38 | 0:10:42 | |
then you get a totally different impact, because... | 0:10:42 | 0:10:45 | |
-You're batting, mate. -Yeah, sure. | 0:10:45 | 0:10:48 | |
I'll just let that waft over us while we play. | 0:10:48 | 0:10:52 | |
Hey! | 0:10:54 | 0:10:56 | |
I just came to say happy birthday! | 0:10:56 | 0:10:58 | |
Happy birthday! | 0:11:07 | 0:11:09 | |
You smell nice! | 0:11:11 | 0:11:13 | |
-Thanks. -Alex? | 0:11:14 | 0:11:16 | |
-You're not Alex! -No, I'm Oliver. | 0:11:19 | 0:11:23 | |
Oh, wow! This is embarrassing. | 0:11:23 | 0:11:26 | |
-Aren't you the artist? -Yeah! | 0:11:26 | 0:11:30 | |
Aren't you the 10th sexiest man alive? | 0:11:30 | 0:11:33 | |
Yes. But on Monday, I'll be announced as the sexiest man alive. | 0:11:33 | 0:11:40 | |
Right. But at the moment, you're still the 10th sexiest man alive. | 0:11:40 | 0:11:45 | |
Yes, but on Monday I'll be number one. | 0:11:45 | 0:11:50 | |
Yeah, but right now you're still number ten. | 0:11:50 | 0:11:54 | |
-Oh, bowled him! -I wasn't ready, mate. | 0:11:54 | 0:11:58 | |
Are we just gonna keep chitchatting | 0:11:59 | 0:12:02 | |
or are we going to get this show on the road? | 0:12:02 | 0:12:05 | |
Ooh! | 0:12:08 | 0:12:10 | |
THUMPING | 0:12:11 | 0:12:16 | |
I went to boarding school with a kid who used to do that. | 0:12:16 | 0:12:19 | |
He wouldn't use his hand, cos that was a sin | 0:12:19 | 0:12:21 | |
but apparently sticking his penis repeatedly into a pillow | 0:12:21 | 0:12:24 | |
was totally fine. | 0:12:24 | 0:12:25 | |
Be sure to get rid of that pillow first thing. | 0:12:25 | 0:12:27 | |
-Don't wash it, just burn it. -Oops! | 0:12:27 | 0:12:31 | |
Ooh! GROANING | 0:12:34 | 0:12:36 | |
I'm actually quite enjoying that aroma. | 0:12:39 | 0:12:41 | |
Yeah? I put a hint of ylang-ylang in there just to liven the place up | 0:12:41 | 0:12:44 | |
-a bit. -Mmm. | 0:12:44 | 0:12:46 | |
-Hi! It's just me. -Was that you in there? | 0:12:46 | 0:12:51 | |
Just came in to say happy birthday! | 0:12:51 | 0:12:54 | |
Rita! How am I meant to believe in us again if you're in there | 0:12:54 | 0:12:57 | |
-rooting my housemate? -He's not your housemate, | 0:12:57 | 0:13:00 | |
he's a celebrity who somehow ended up in your bed! | 0:13:00 | 0:13:04 | |
-But you wanted to give it another chance! -I do! | 0:13:04 | 0:13:06 | |
-But you said you needed time. -I do! -So, then what's your problem? | 0:13:06 | 0:13:10 | |
You're not supposed to just go off and sleep with the sexiest man alive! | 0:13:10 | 0:13:13 | |
How am I supposed to know that? I can't read your mind. | 0:13:13 | 0:13:17 | |
Well... | 0:13:22 | 0:13:24 | |
Happy birthday, anyway. | 0:13:24 | 0:13:26 | |
Now I feel really shit. | 0:13:26 | 0:13:28 | |
See you in the morning. | 0:13:28 | 0:13:31 | |
-Yeah, see ya. -See ya. | 0:13:31 | 0:13:33 | |
Are you gonna bowl? | 0:13:37 | 0:13:38 | |
-I might pack it in, if that's OK, mate. -Yeah, course. | 0:13:39 | 0:13:42 | |
-Do you need a... -No, no, no, no. | 0:13:44 | 0:13:47 | |
Do you want me to put a drop of camomile in the burner? | 0:13:47 | 0:13:50 | |
No, mate. | 0:13:50 | 0:13:52 | |
-'Night, then. -Goodnight, buddy. | 0:13:55 | 0:13:57 | |
Alex thought that next year for his birthday, | 0:14:06 | 0:14:08 | |
he wouldn't mind going to Acapulco. | 0:14:08 | 0:14:11 | |
THUMPING | 0:14:14 | 0:14:18 | |
Alex! Are you awake? | 0:14:23 | 0:14:24 | |
What? | 0:14:24 | 0:14:26 | |
GROANING | 0:14:26 | 0:14:28 | |
-Maybe now you'll be able to get some sleep. -Yeah. | 0:14:28 | 0:14:32 | |
Um, re Hope's request, | 0:14:32 | 0:14:34 | |
do you reckon I'd be able to knock the top off one now | 0:14:34 | 0:14:36 | |
or do I have to let the sperm build up? | 0:14:36 | 0:14:38 | |
I don't know! | 0:14:38 | 0:14:40 | |
-Righto. -Just try and keep the noise to a minimum. | 0:14:40 | 0:14:44 | |
Oh, I'm really silent. | 0:14:44 | 0:14:46 | |
THUMPING | 0:14:49 | 0:14:54 | |
That's not me, by the way. | 0:14:54 | 0:14:56 | |
Hey. | 0:15:07 | 0:15:08 | |
-What's this? -It's the reason I came over last night. | 0:15:12 | 0:15:15 | |
Happy birthday. | 0:15:15 | 0:15:16 | |
Might open it later. | 0:15:16 | 0:15:19 | |
-I think you'll like it. -Oh, thanks for that. -Ugh! | 0:15:19 | 0:15:25 | |
I'm taking you and Bob out tonight. | 0:15:25 | 0:15:27 | |
My shout, wherever you want. You coming? | 0:15:27 | 0:15:29 | |
Uh, no, I've gotta see my sister tonight. | 0:15:29 | 0:15:33 | |
-What about the paps? -I can make myself anonymous. | 0:15:33 | 0:15:36 | |
-Really? -Yep. | 0:15:36 | 0:15:37 | |
Here's Oliver Barry, regular bloke. | 0:15:37 | 0:15:40 | |
-Right. -Here's Oliver Barry, the movie star. | 0:15:42 | 0:15:46 | |
Right! Can you do the first one again? | 0:15:46 | 0:15:49 | |
I do also have a Paul Hogan wig in my bag. | 0:15:49 | 0:15:52 | |
-I'd go with that. -OK. Done. | 0:15:52 | 0:15:54 | |
-Many happy returns, by the way. -Yeah, you too. | 0:15:55 | 0:15:59 | |
-He's lovely! -Yeah. | 0:15:59 | 0:16:02 | |
And how old are you, if you don't mind me asking? | 0:16:05 | 0:16:08 | |
Yes, we do need to know. | 0:16:08 | 0:16:10 | |
Right. So you were 11 when you had your first child? | 0:16:10 | 0:16:14 | |
Alex, a word, if you please! | 0:16:14 | 0:16:16 | |
You say in your article on Nicole Kidman, | 0:16:16 | 0:16:18 | |
-"She was in Australia for the last two months?" -Yeah. | 0:16:18 | 0:16:21 | |
-So, she's deceased? -No. -Ah, well, surely you mean, | 0:16:21 | 0:16:24 | |
"She was in Australia for the PAST two months." | 0:16:24 | 0:16:27 | |
For if you use the word last, it implies a finality | 0:16:27 | 0:16:29 | |
-which Ms Kidman might not appreciate. -OK. | 0:16:29 | 0:16:32 | |
Hey, mate! | 0:16:34 | 0:16:35 | |
KNOCKING ON DOOR | 0:16:35 | 0:16:38 | |
-I need a splash. -What if I told you Oliver Barry's | 0:16:38 | 0:16:41 | |
not the family man he makes himself out to be? | 0:16:41 | 0:16:44 | |
-Keep talking. -He stayed at Bob's last night with a lady friend. | 0:16:44 | 0:16:48 | |
Keep talking. | 0:16:48 | 0:16:49 | |
He's a very slow fornicator and walks around the house shirtless. | 0:16:49 | 0:16:53 | |
-Oh, I hate men who are comfortable with their bodies. -Mmm. | 0:16:53 | 0:16:56 | |
OK, we'll go big on this. Don't let him out of your sight | 0:16:56 | 0:16:59 | |
-until the Argus's last edition has gone to bed. -No worries. | 0:16:59 | 0:17:03 | |
I'm thinking...Wild About Barry. | 0:17:03 | 0:17:07 | |
The Trouble With Barry. | 0:17:07 | 0:17:08 | |
Thrust and Barry. | 0:17:08 | 0:17:10 | |
-Dirty Barry. -You have a gift. -Thanks, boss. | 0:17:10 | 0:17:14 | |
The editor suddenly came up with Barry The Dirty Dog, | 0:17:15 | 0:17:19 | |
but it was too late, the competition had finished. | 0:17:19 | 0:17:22 | |
-Trouble sleeping? -Yeah. | 0:17:25 | 0:17:29 | |
-Loss of appetite? -Yeah. | 0:17:29 | 0:17:32 | |
-Feeling unattractive? -Yeah. | 0:17:32 | 0:17:36 | |
Sharna! Loss of interest and/or pleasure in all activities? | 0:17:37 | 0:17:41 | |
Yeah. | 0:17:41 | 0:17:43 | |
-Yes? -Sharna, answer me this. | 0:17:44 | 0:17:48 | |
Do you find this man attractive? | 0:17:48 | 0:17:50 | |
-He's all right. -There you go. Sharna thinks you're all right. | 0:17:50 | 0:17:54 | |
That'll be all. Thanks, Sharna. | 0:17:54 | 0:17:57 | |
-You know what I think? -What do you think? | 0:17:57 | 0:18:00 | |
-I think you've got a broken heart. -Genius. | 0:18:00 | 0:18:04 | |
Now, broken hearts are like the common cold - | 0:18:04 | 0:18:06 | |
everyone's got a theory on how to fix them. | 0:18:06 | 0:18:07 | |
But you know what works for me? | 0:18:07 | 0:18:09 | |
-Paroxetine? -Strippers. | 0:18:09 | 0:18:11 | |
-Oh. -You see, you go into a strip club | 0:18:11 | 0:18:14 | |
and there's this anonymity that's immensely liberating, | 0:18:14 | 0:18:18 | |
much like the Dionysian festivities of the ancient Greeks | 0:18:18 | 0:18:20 | |
in that the strip club... | 0:18:20 | 0:18:22 | |
As Alex listened to Dr James's theory | 0:18:22 | 0:18:24 | |
on the health benefits of strip clubs, | 0:18:24 | 0:18:26 | |
he couldn't help but feel that it seemed a little sad. | 0:18:26 | 0:18:29 | |
But then, as Dr James talked more, | 0:18:29 | 0:18:32 | |
Alex came to think that it actually made quite a bit of sense. | 0:18:32 | 0:18:35 | |
Then, as he listened further, | 0:18:35 | 0:18:37 | |
it started to seem really sad again. | 0:18:37 | 0:18:40 | |
Now, I think we should bear in mind, strippers are people too, OK? | 0:18:43 | 0:18:47 | |
So... | 0:19:16 | 0:19:18 | |
Have you ever thought about being a stripper? | 0:19:18 | 0:19:20 | |
-No. -Cos they are people too, apparently. | 0:19:20 | 0:19:23 | |
What about you? | 0:19:25 | 0:19:26 | |
You ever consider getting your kit off for money? | 0:19:26 | 0:19:28 | |
No, and it's not because I have a problem with my naked body. | 0:19:28 | 0:19:32 | |
I'm just not that good a dancer. | 0:19:32 | 0:19:33 | |
-Well, that would be a problem. -Mmm. And I'm not at all flexible. | 0:19:33 | 0:19:38 | |
-Tortola lullabies don't normally come like this. -Oh, yeah. | 0:19:47 | 0:19:51 | |
They're normally a very masculine drink. | 0:19:51 | 0:19:54 | |
-Otherwise Joel Garner would never have drunk them. -Yeah. | 0:19:54 | 0:19:56 | |
What? | 0:19:56 | 0:19:58 | |
Tortola lullabies were Joel Garner's favourite drink. | 0:19:58 | 0:20:01 | |
You know something about West Indian cricket, do you? | 0:20:01 | 0:20:04 | |
Well, more than anybody else in this room, I would think. | 0:20:04 | 0:20:07 | |
OK. Who were the West Indian opening batsmen | 0:20:07 | 0:20:11 | |
in the team that won the record 11th straight Test match in 1984? | 0:20:11 | 0:20:15 | |
Haynes and Greenidge. | 0:20:15 | 0:20:17 | |
Yeah. Technically, it was Greenidge and Haynes, | 0:20:17 | 0:20:20 | |
cos Greenidge actually faced the first ball. | 0:20:20 | 0:20:21 | |
Yeah, but only because the Adelaide pitch was a bit green that day | 0:20:21 | 0:20:24 | |
and Greenidge could handle the bounce better. | 0:20:24 | 0:20:27 | |
ALL: Cheers! | 0:20:52 | 0:20:54 | |
-Happy birthday, mate. -Happy birthday. | 0:20:54 | 0:20:57 | |
Alex, can I just say that you and the lovely Sharna | 0:20:57 | 0:21:02 | |
have my blessing? | 0:21:02 | 0:21:03 | |
Why would we need your blessing? | 0:21:03 | 0:21:05 | |
Well, I just thought, since you and I have been intimate, that Alex... | 0:21:05 | 0:21:10 | |
You put your arm around me one night and I told you to take it away! | 0:21:10 | 0:21:13 | |
Yes, but only because of the employer/employee situation. | 0:21:13 | 0:21:18 | |
Yeah. | 0:21:18 | 0:21:20 | |
-Happy birthday, Alex. -Dylan! -Thanks, mate. | 0:21:20 | 0:21:24 | |
Um, this is James, Sharna. Bob you already know. | 0:21:24 | 0:21:29 | |
Two lap dancers. And my cousin Oscar from...Lightning Ridge. | 0:21:29 | 0:21:35 | |
I can see the resemblance. | 0:21:35 | 0:21:37 | |
-You know who else is having a birthday tonight? -Adolf Hitler? | 0:21:37 | 0:21:42 | |
Oliver Barry. | 0:21:42 | 0:21:44 | |
Enjoy your night. | 0:21:44 | 0:21:47 | |
Hey, look, I just want you to know I promised my COUSIN | 0:21:52 | 0:21:57 | |
I'd look after his privacy. | 0:21:57 | 0:21:59 | |
Mate, I'm off duty, now that I've...sent these. | 0:21:59 | 0:22:04 | |
When Barry Met Sally. | 0:22:06 | 0:22:09 | |
Picked a bad night to bring the sexiest man alive | 0:22:09 | 0:22:12 | |
to Diamonds & Pearls. It's Max Hutchins's bucks. | 0:22:12 | 0:22:15 | |
We're all here - the Post, the Times, the Herald, AAP. | 0:22:15 | 0:22:19 | |
I'm surprised you didn't know. | 0:22:19 | 0:22:21 | |
-I forgot. -Did you? | 0:22:21 | 0:22:24 | |
Hey, have you seen Oliver? | 0:22:26 | 0:22:28 | |
I think he went off in search of recreational drugs. | 0:22:28 | 0:22:31 | |
No! | 0:22:31 | 0:22:32 | |
'The Hollywood family man was caught | 0:22:32 | 0:22:34 | |
'in the embrace of stripper Sally Barton, also known as Roxie.' | 0:22:34 | 0:22:38 | |
'At one point, comma, the Hollywood star | 0:22:38 | 0:22:40 | |
'turned the tables on Roxie, comma, | 0:22:40 | 0:22:42 | |
'by stripping for her himself, comma...' | 0:22:42 | 0:22:44 | |
'The former father of the year celebrating his birthday, comma, | 0:22:44 | 0:22:47 | |
'which he shares with Adolf Hitler, comma, | 0:22:47 | 0:22:50 | |
'at the notorious strip club Diamonds & Pearls.' | 0:22:50 | 0:22:53 | |
SPEAKS IN GERMAN | 0:22:53 | 0:22:56 | |
Adolf Hitler, comma... | 0:22:56 | 0:22:59 | |
-Oliver, there's media everywhere! -What? | 0:22:59 | 0:23:03 | |
What? | 0:23:03 | 0:23:04 | |
He's a celebrity! | 0:23:05 | 0:23:08 | |
Ahh! Ahh! | 0:23:10 | 0:23:11 | |
I'm warning you, Alex. | 0:23:14 | 0:23:15 | |
On any given day, a journo will always beat an actor in a fight. | 0:23:15 | 0:23:18 | |
Really? | 0:23:18 | 0:23:19 | |
Foolish words, mate. Foolish words. | 0:23:22 | 0:23:25 | |
Aaah! | 0:23:28 | 0:23:29 | |
There we go! | 0:23:33 | 0:23:34 | |
HE SCREAMS | 0:23:40 | 0:23:42 | |
It's OK, everyone! I'm a doctor. | 0:23:43 | 0:23:46 | |
I just wanted to make it clear that when I screamed last night, | 0:23:48 | 0:23:52 | |
it was because of a pre-existing injury. | 0:23:52 | 0:23:55 | |
It wasn't because of anything that you did. | 0:23:55 | 0:23:57 | |
Still, sorry for giving you such a brutal hiding. | 0:23:57 | 0:24:01 | |
And I'm sorry for getting off with your old girlfriend. | 0:24:01 | 0:24:05 | |
And your new girlfriend. | 0:24:05 | 0:24:08 | |
And I'm sorry for the article I've just written | 0:24:08 | 0:24:09 | |
detailing in chapter and verse | 0:24:09 | 0:24:11 | |
everything that's happened over the past 24 hours. | 0:24:11 | 0:24:13 | |
And I'm sorry that I dropped your computer in the toilet. | 0:24:13 | 0:24:16 | |
I can live with that. And weed on it. | 0:24:16 | 0:24:18 | |
And if you'll excuse me, I'm just gonna go and wash my hands. | 0:24:18 | 0:24:22 | |
-Bob. -Oliver. | 0:24:24 | 0:24:27 | |
You all right? You don't need a hug or anything? | 0:24:33 | 0:24:35 | |
-No, I'm fine. -Well, this is the big moment! | 0:24:35 | 0:24:39 | |
I'm quite possibly going to be a daddy. | 0:24:40 | 0:24:43 | |
I'm proud of you, mate. | 0:24:43 | 0:24:44 | |
Oh, you don't have any bubble bottom porn, do you? | 0:24:47 | 0:24:51 | |
No, mate. | 0:24:51 | 0:24:52 | |
It took her four months of parties, functions, | 0:25:11 | 0:25:14 | |
and waiting outside dressing-rooms, | 0:25:14 | 0:25:16 | |
but Rita eventually managed to get the baggy green | 0:25:16 | 0:25:18 | |
signed by every member of the 2006-2007 Ashes-winning | 0:25:18 | 0:25:23 | |
Australian cricket team. | 0:25:23 | 0:25:25 | |
Alex's first-person account of his 24 hours with Oliver Barry | 0:25:25 | 0:25:29 | |
helped the Sunday Sun survive another week | 0:25:29 | 0:25:32 | |
and pushed Rita's exhibition into the mainstream. | 0:25:32 | 0:25:36 | |
But all this was insignificant | 0:25:36 | 0:25:38 | |
compared with the tiny bottle of life Bob held in his right hand. | 0:25:38 | 0:25:41 | |
-Hi! -Here you go. | 0:25:41 | 0:25:44 | |
-Great. -Excellent. | 0:25:46 | 0:25:48 | |
-Alex. -Hope. | 0:25:48 | 0:25:51 | |
-So, do you like my present? -I just want to say it's the nicest, | 0:25:58 | 0:26:02 | |
most thoughtful thing anyone has ever bought me. Thank you! | 0:26:02 | 0:26:05 | |
No worries! So, do you want to catch up, see how things go? | 0:26:05 | 0:26:09 | |
-No! -Oh, OK. | 0:26:09 | 0:26:12 | |
Do you want to buy one of my works? | 0:26:12 | 0:26:14 | |
I'll think about it. | 0:26:16 | 0:26:17 | |
Later, the artificial insemination clinic | 0:26:22 | 0:26:24 | |
would reject Bob's sperm | 0:26:24 | 0:26:26 | |
on the grounds that it contained dangerous concentrations of yeast. | 0:26:26 | 0:26:29 | |
Subtitles by Red Bee Media Ltd | 0:26:30 | 0:26:35 |