Browse content similar to Hart of Darkness. Check below for episodes and series from the same categories and more!
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This programme contains some strong language. | 0:00:02 | 0:00:04 | |
You're rooting my housemate! | 0:00:04 | 0:00:06 | |
-What's going on with Neil? -The editor's sacking people. | 0:00:06 | 0:00:09 | |
I assume you've abandoned Zirco and are enjoying the rejuvenation package in the hotel spa. | 0:00:09 | 0:00:14 | |
Trish has met a very nice bogan gentleman. | 0:00:14 | 0:00:17 | |
I'm spending more time with the twins, so it's win-win. | 0:00:17 | 0:00:20 | |
# The monkey on my back | 0:00:24 | 0:00:27 | |
# Spreads his fingers on my neck | 0:00:27 | 0:00:31 | |
# And his soul takes control of me... # | 0:00:31 | 0:00:36 | |
'Sultry singer Abi Hart has wowed the world with her warm, | 0:00:36 | 0:00:39 | |
'husky voice and '60s melodic pop.' | 0:00:39 | 0:00:41 | |
# Dragged me down on to the deck... # | 0:00:41 | 0:00:44 | |
'This is Sydney's Sofia Corelli, | 0:00:44 | 0:00:47 | |
'down in Melbourne for three sell-out concerts at the Myer Music Bowl. | 0:00:47 | 0:00:51 | |
'Discovered at 16 on the reality show Australia Can Sing, | 0:00:51 | 0:00:55 | |
'she soon rose to stardom by modelling herself on Abi Hart. | 0:00:55 | 0:00:59 | |
'She sings like Abi Hart, she dresses like Abi Hart, | 0:00:59 | 0:01:03 | |
'she does her hair and make-up like Abi Hart. | 0:01:03 | 0:01:06 | |
'She is, however, not Abi Hart.' | 0:01:06 | 0:01:09 | |
KNOCK ON DOOR | 0:01:09 | 0:01:11 | |
Evening. It's a nightcap compliments of the management. | 0:01:11 | 0:01:16 | |
Oh. OK, thanks. | 0:01:16 | 0:01:18 | |
'This is Abi Hart.' | 0:01:23 | 0:01:26 | |
# The wintergreen, the juniper | 0:01:32 | 0:01:36 | |
# The cornflower and the chicory | 0:01:36 | 0:01:40 | |
# Well, all of the words you said to me | 0:01:40 | 0:01:44 | |
# Are still vibrating in the air | 0:01:44 | 0:01:47 | |
# The elm, the ash and the linden tree | 0:01:47 | 0:01:51 | |
# The dark and deep enchanted sea | 0:01:51 | 0:01:55 | |
# The trembling moon and the stars unfurled | 0:01:55 | 0:01:58 | |
# Well, there she goes, my beautiful world | 0:01:58 | 0:02:03 | |
# There she goes, my beautiful world | 0:02:03 | 0:02:07 | |
# There she goes, my beautiful world | 0:02:07 | 0:02:10 | |
# There she goes, my beautiful world | 0:02:10 | 0:02:15 | |
# There she goes again. # | 0:02:15 | 0:02:18 | |
You know Max from the travel section? | 0:02:27 | 0:02:29 | |
-Yeah. -Woke up last Tuesday morning gay. | 0:02:29 | 0:02:32 | |
He was probably already gay. | 0:02:32 | 0:02:35 | |
Mate, there's no way that guy was already gay. | 0:02:35 | 0:02:38 | |
-He was as heterosexual as you are. -And you are. | 0:02:38 | 0:02:40 | |
Yeah. | 0:02:40 | 0:02:42 | |
-Sofia Corelli was assaulted last night. -Really? What happened? | 0:02:46 | 0:02:50 | |
-Someone drugged her and shaved her head. -Shaved her head? | 0:02:50 | 0:02:53 | |
-And one eyebrow. -That is weird. -Yeah. | 0:02:53 | 0:02:57 | |
Alex, how sure do you have to be that someone's pregnant before you can publish it? | 0:03:01 | 0:03:05 | |
-40%. -Great. | 0:03:05 | 0:03:06 | |
-(Hey, Alex, Max has decided he's gay.) -Yeah, Bob said. | 0:03:09 | 0:03:12 | |
(I was going to ask him to Phantom Of The Opera too, but now there's no point.) | 0:03:12 | 0:03:16 | |
Hey, Alex, a new survey's come out saying three out of five Australian children | 0:03:23 | 0:03:27 | |
are born out of wedlock. | 0:03:27 | 0:03:29 | |
Do you think we could get away with this as a headline? | 0:03:29 | 0:03:32 | |
It's been done before but no-one will remember. | 0:03:32 | 0:03:35 | |
'Alex Burchill, my office.' | 0:03:35 | 0:03:38 | |
-Do you need me to go in with you? -No, thanks, mate. I'll be fine. | 0:03:40 | 0:03:43 | |
-All right, then. -Yeah. | 0:03:43 | 0:03:45 | |
Ooh, Alex, before you go in, in your article on Robbie Williams, | 0:03:45 | 0:03:49 | |
you say, and I quote, "Robbie Williams the rapist lives in the valley." | 0:03:49 | 0:03:52 | |
-Now, has he actually been convicted of such a crime? -"The rapist"? | 0:03:52 | 0:03:56 | |
No, no, the word's broken at the end of the line. There's a hyphen, see? | 0:03:56 | 0:04:00 | |
-"Robbie Williams' therapist lives in the valley." -Ooh, thank you. | 0:04:00 | 0:04:04 | |
For a moment there I was thinking Robbie Williams was not only a rapist but THE rapist. | 0:04:04 | 0:04:08 | |
Now I have learned he is not a rapist at all and I am very relieved. | 0:04:08 | 0:04:12 | |
-Heard what happened to Sofia Corelli? -Bald, one eyebrow? | 0:04:15 | 0:04:19 | |
-You thinking what I'm thinking? -Abi Hart. | 0:04:19 | 0:04:22 | |
Remember when the Argus stole your "Headless Body in Topless Bar" headline? | 0:04:22 | 0:04:25 | |
-I stole that one from Steve Dunleavy. -If it was yours, you'd be angry. | 0:04:25 | 0:04:29 | |
-I'd be very angry. -Angry enough to shave off someone's eyebrow? | 0:04:29 | 0:04:32 | |
-Oh, shit, yes. -She checked into Happy Valley rehab. | 0:04:32 | 0:04:35 | |
-I think it might be time for the Sunday Sun to pay her a visit. -Great! | 0:04:35 | 0:04:39 | |
-See if Cody's available. -Cody?! What about me? | 0:04:39 | 0:04:42 | |
It's a tough assignment, mate. I need a hard-news man. | 0:04:42 | 0:04:45 | |
-You're an entertainment reporter. -I can do hard news. | 0:04:45 | 0:04:48 | |
-It's wild there - there's no tinsel and glamour. -I don't need tinsel and glamour. | 0:04:48 | 0:04:52 | |
It's very remote. | 0:04:52 | 0:04:53 | |
It's got a private airstrip. I'll take a plane. | 0:04:53 | 0:04:55 | |
Yeah. You love your tinsel and glamour. | 0:04:55 | 0:04:58 | |
Mate, if you want to be taken seriously, learn to travel with the battlers - better stories. | 0:04:58 | 0:05:04 | |
-I might get there by four-wheel drive. -You won't meet battlers in a four-wheel drive. | 0:05:04 | 0:05:08 | |
-OK, so how do the battlers get to Happy Valley? -Dinghy. -Dinghy. | 0:05:08 | 0:05:12 | |
Yeah, give Duncan's Dinghies a call. Tell him you're from the paper. | 0:05:12 | 0:05:16 | |
-He'll give you a good deal. Bob's going too. -Does he have to? He's acting really weird. | 0:05:16 | 0:05:20 | |
You want someone with experience. At least one photographer's gone out there and hasn't come back. | 0:05:20 | 0:05:25 | |
Really? | 0:05:25 | 0:05:26 | |
Don't forget to mention the dinghy company in the piece - | 0:05:26 | 0:05:29 | |
comfortable, nice way to travel. | 0:05:29 | 0:05:31 | |
Can't we get into trouble for that? | 0:05:31 | 0:05:33 | |
Not if it's part of the story. | 0:05:33 | 0:05:35 | |
'Alex now realised why Andrea's human-interest piece | 0:05:37 | 0:05:40 | |
'on the dog that learned to type | 0:05:40 | 0:05:43 | |
'included random and unexplained references to Duncan's Dinghies.' | 0:05:43 | 0:05:46 | |
-How long will he be? -I'm not sure. His ex-wife's in there. | 0:05:52 | 0:05:55 | |
-Really?! Do you think they're giving it another shot? -Well, they might be. | 0:05:55 | 0:05:59 | |
Pull them up, James. It's not going to happen. | 0:05:59 | 0:06:02 | |
-Alex. -Trish. -Trish. -Bob. | 0:06:04 | 0:06:06 | |
You can go in now. | 0:06:11 | 0:06:12 | |
-Everything all right? -Yes, great. | 0:06:16 | 0:06:18 | |
OK. | 0:06:23 | 0:06:24 | |
-What have we got today, then? -I just want a referral to the Happy Valley rehab centre. | 0:06:24 | 0:06:30 | |
And what addiction are you trying to deal with? | 0:06:30 | 0:06:33 | |
-Can't you just write a referral? -I'm a proper doctor. I can't just write referrals willy-nilly. | 0:06:33 | 0:06:38 | |
OK. Um, I'm addicted to... | 0:06:38 | 0:06:42 | |
alcohol. | 0:06:42 | 0:06:44 | |
-Really? -Yeah. | 0:06:44 | 0:06:46 | |
OK. And would you say that you lose time at work due to drinking? | 0:06:46 | 0:06:50 | |
That actually has happened a couple of times. | 0:06:50 | 0:06:54 | |
-Have you ever felt remorse after a night of drinking? -Yes. | 0:06:54 | 0:06:58 | |
-Do you drink to help overcome shyness with other people? -Yes. | 0:06:58 | 0:07:02 | |
Do you turn to inferior companions and environments when drinking? | 0:07:02 | 0:07:06 | |
-Yes. -Do you drink to escape from worries or trouble? | 0:07:06 | 0:07:09 | |
-Yes. -Well, mate, I admire your courage in coming to me. | 0:07:09 | 0:07:15 | |
-You've got yourself a referral. -Thanks. | 0:07:15 | 0:07:17 | |
Now, this particular gentleman has had some terrific success with alcoholism. | 0:07:17 | 0:07:22 | |
The results are quite promising. | 0:07:22 | 0:07:24 | |
Hang on, we are still talking about the Happy Valley rehab centre, right? | 0:07:24 | 0:07:28 | |
No, Lordy, no. To go there you have to have an exotic addiction | 0:07:28 | 0:07:32 | |
or at least be a celebrity. | 0:07:32 | 0:07:34 | |
Oh, well, Alex, when you sober up, | 0:07:34 | 0:07:37 | |
all these little delusions will just fall away. | 0:07:37 | 0:07:40 | |
You're going to need to let your friends know so they can support you while you're drying out. | 0:07:40 | 0:07:44 | |
OK. Thanks. | 0:07:44 | 0:07:46 | |
You don't have a questionnaire about one's sexuality, do you? | 0:07:53 | 0:07:56 | |
Uh, no, mate. | 0:07:56 | 0:07:58 | |
Why doesn't one just kiss a guy and see if one likes it? | 0:07:58 | 0:08:00 | |
Yeah. | 0:08:00 | 0:08:02 | |
'Alex noticed that from some angles, Dr James bore a passing resemblance to Steve Vizard.' | 0:08:06 | 0:08:13 | |
-What's up? -I think I might be an alcoholic. | 0:08:19 | 0:08:22 | |
-Don't you have to drink alcohol regularly to be an alcoholic? -Apparently not. -Hmm. | 0:08:22 | 0:08:27 | |
So, anyway, I just wanted to say goodbye. | 0:08:27 | 0:08:30 | |
-Why? -I'm going away on assignment. -Really? -Yeah, it's quite dangerous. Some people haven't made it back. | 0:08:30 | 0:08:36 | |
You're an entertainment reporter. Why are you going on dangerous assignments? | 0:08:36 | 0:08:40 | |
I'm not just an entertainment reporter. | 0:08:40 | 0:08:42 | |
Are you going to Afghanistan? | 0:08:42 | 0:08:44 | |
-No. But that would also be dangerous. -Right. | 0:08:44 | 0:08:48 | |
So, yeah, if anything happens to me, | 0:08:48 | 0:08:50 | |
I just wanted to say I'm sorry it never worked out between us. | 0:08:50 | 0:08:54 | |
Ohh, me too. | 0:08:54 | 0:08:56 | |
SOBBING > | 0:08:56 | 0:08:58 | |
I think your tent might be crying. | 0:09:01 | 0:09:02 | |
-Yeah. -Have you incorporated a sound installation or something? | 0:09:02 | 0:09:07 | |
No. No, it's just my sister. We think she's a sex addict. | 0:09:07 | 0:09:11 | |
-You think SHE'S a sex addict? -Don't have to broadcast it! | 0:09:11 | 0:09:14 | |
Oh, it's just Alex. | 0:09:14 | 0:09:15 | |
-It's terrible - she's lost her job, relationship's finished. -Hey, Alex. | 0:09:15 | 0:09:21 | |
Hey, Selina. | 0:09:21 | 0:09:22 | |
Good luck with your assignment and your battle with the booze. | 0:09:22 | 0:09:27 | |
Thanks. And good luck with... all your stuff. | 0:09:27 | 0:09:30 | |
Yeah. | 0:09:30 | 0:09:32 | |
-I guess it's time to go. -See you, babe. | 0:09:34 | 0:09:37 | |
-Look after yourself. -I'll do my best. | 0:09:37 | 0:09:41 | |
I've never mentioned this before but I really like the film Cabaret. | 0:09:53 | 0:09:58 | |
-Yeah. Doesn't mean you're gay, though, mate. -Oh. OK. | 0:09:58 | 0:10:02 | |
-You the Sunday Sun fellas? -Yeah. I'm Alex and this is Bob. | 0:10:05 | 0:10:08 | |
-Duncan? -Dallas. Lessor's made us wear these. | 0:10:08 | 0:10:12 | |
It's a pretty treacherous part of the Yarra. | 0:10:14 | 0:10:17 | |
Who the hell's Lisa? | 0:10:17 | 0:10:20 | |
'Abi Hart was a middle-class girl who landed a record deal | 0:10:48 | 0:10:52 | |
'and was told to get sexy, husky and Cockney. | 0:10:52 | 0:10:56 | |
'At first, she faked it. | 0:10:56 | 0:10:57 | |
'Then she met Brian, a small-time crim with easy access to crack. | 0:10:57 | 0:11:02 | |
'Suddenly Abi went from having no cred to having cred | 0:11:02 | 0:11:05 | |
'and then to having too much cred. | 0:11:05 | 0:11:08 | |
'Yes, it is possible to have too much cred.' | 0:11:08 | 0:11:12 | |
Hey, Alex. Can you rub some of this on my back, please? | 0:11:13 | 0:11:19 | |
No. | 0:11:19 | 0:11:20 | |
Do you keep secrets about your romantic or sexual activities | 0:11:27 | 0:11:31 | |
from those important to you? | 0:11:31 | 0:11:33 | |
Yeah. No offence. | 0:11:34 | 0:11:37 | |
And do you frequently want to get away from a sexual partner | 0:11:38 | 0:11:41 | |
after having sexual intercourse? | 0:11:41 | 0:11:44 | |
Y-y-yeah. Yep. | 0:11:44 | 0:11:47 | |
And have your needs driven you to have sexual intercourse | 0:11:48 | 0:11:53 | |
with people or in places you might not normally choose? | 0:11:53 | 0:11:57 | |
Yeah. | 0:11:57 | 0:11:58 | |
Shit, Bob, can you just stay put? | 0:12:24 | 0:12:27 | |
-I just want to ask you something. -What? | 0:12:27 | 0:12:30 | |
I was wondering if I could, you know, give you a bit of a kiss. | 0:12:30 | 0:12:34 | |
-What?! No! -Well, I just need to see if I feel anything. | 0:12:34 | 0:12:38 | |
-Mate, you're not gay. -Don't be so homophobic. | 0:12:38 | 0:12:40 | |
I don't care if you kiss Dallas. | 0:12:40 | 0:12:43 | |
There is no way he's kissing me, bro. | 0:12:43 | 0:12:46 | |
-Fine. I'll just sort it out myself then. -Good. | 0:12:46 | 0:12:50 | |
Do you frequently feel remorse, | 0:12:56 | 0:12:58 | |
shame or guilt after a sexual encounter? | 0:12:58 | 0:13:02 | |
Yes. | 0:13:04 | 0:13:06 | |
And are you in danger of being arrested because of your practices? | 0:13:06 | 0:13:12 | |
Yes! | 0:13:12 | 0:13:13 | |
Well, Selina, you have all the hallmarks of a bona fide sex addict. | 0:13:15 | 0:13:19 | |
We thought so. | 0:13:19 | 0:13:20 | |
Now, this man, he's the best in the business. | 0:13:22 | 0:13:26 | |
Thanks. | 0:13:26 | 0:13:27 | |
Er, what's this down here? | 0:13:29 | 0:13:32 | |
Oh, that's just my phone number if ever you need anything. | 0:13:34 | 0:13:37 | |
Thank you. | 0:13:37 | 0:13:39 | |
Mate, we're going to do a recce, check out the security situation. | 0:13:44 | 0:13:49 | |
Watch those guards, bro. They shoot first, ask questions later. | 0:13:49 | 0:13:54 | |
No worries. | 0:13:54 | 0:13:56 | |
-ARROW HISSES BY Hey, there's Ian Norton. -Hey, Norton, what's the security like? | 0:14:02 | 0:14:07 | |
Jesus! | 0:14:10 | 0:14:11 | |
PHONE RINGS | 0:14:11 | 0:14:13 | |
-Wanted to make sure you got there OK. -Boss, they just killed Ian Norton! | 0:14:13 | 0:14:17 | |
Great! This is page-one stuff. | 0:14:17 | 0:14:19 | |
He looked really surprised to see us but it was because he was dead. | 0:14:19 | 0:14:23 | |
Mate, I have nothing but admiration | 0:14:23 | 0:14:24 | |
for journos who sacrifice their lives for a story. | 0:14:24 | 0:14:27 | |
I don't want to sacrifice my life! | 0:14:27 | 0:14:29 | |
Yeah, but what about Neil Davis, mate? Paul Moran, the Balibo Five. | 0:14:29 | 0:14:33 | |
-They were killed in war zones. I'm an entertainment reporter. -I should have used Cody. | 0:14:33 | 0:14:37 | |
He's fearless. He would have already filed a story on the dead photographer | 0:14:37 | 0:14:41 | |
and been on his way to Abi Hart. | 0:14:41 | 0:14:42 | |
The boss doesn't understand that if I die, | 0:14:42 | 0:14:44 | |
sure, there'll be a circulation spike but after that, | 0:14:44 | 0:14:47 | |
who's going to interview all the celebrities? | 0:14:47 | 0:14:50 | |
Norton's not dead, by the way. Must have been a tranquilliser gun. | 0:14:50 | 0:14:54 | |
-Still a dangerous situation, though. -Oh, yeah. | 0:14:54 | 0:14:57 | |
-What do you think, glasses or no glasses? -Glasses, mate. | 0:15:06 | 0:15:10 | |
Gives you depth. | 0:15:10 | 0:15:11 | |
Why do you get to wear the white coat? Why can't I? | 0:15:13 | 0:15:16 | |
Because Abi's not going to open up to a maintenance guy. | 0:15:16 | 0:15:19 | |
But she could open up to me in the white coat while you're | 0:15:19 | 0:15:22 | |
in overalls fiddling with wires and taking everything down. | 0:15:22 | 0:15:25 | |
-What are you going to say to her? You're no journalist. -So I don't know how to ask questions? | 0:15:25 | 0:15:29 | |
It's a skill, mate. I don't make out like I could take photos of her. | 0:15:29 | 0:15:33 | |
Though I probably could. | 0:15:33 | 0:15:34 | |
Oh, right, so I might as well just go home, then. | 0:15:34 | 0:15:36 | |
Seriously, guys, get a room. | 0:15:36 | 0:15:39 | |
You ready? | 0:15:40 | 0:15:41 | |
Yep. Got my lucky Tardis to protect us from being tranquillised. | 0:15:41 | 0:15:45 | |
Good thinking. | 0:15:45 | 0:15:47 | |
Just give us ten minutes, OK? | 0:15:53 | 0:15:55 | |
Boys. | 0:16:18 | 0:16:19 | |
Can I help you? | 0:16:25 | 0:16:27 | |
Yes. I'm sorry, I don't know my way around here. | 0:16:27 | 0:16:31 | |
Do I go down here to get to the patients? | 0:16:31 | 0:16:33 | |
-I believe they're expecting me. -Oh, yes. Are you the new doctor? | 0:16:33 | 0:16:36 | |
-Yes. Dr...Wang? -Yes. | 0:16:36 | 0:16:41 | |
We weren't expecting you till later this afternoon. | 0:16:41 | 0:16:44 | |
-That's all right. -OK, I can call a group session to introduce you. | 0:16:44 | 0:16:48 | |
Actually, I prefer to do one-on-ones first, if you don't mind. | 0:16:48 | 0:16:51 | |
OK. Whatever works for you. | 0:16:51 | 0:16:54 | |
Er, here is the client and room list. | 0:16:54 | 0:16:57 | |
-Great. Oh, perhaps you could let them know I'm dropping by. -Will do. | 0:16:59 | 0:17:03 | |
-SHE SPEAKS VIA TANNOY: -Clients, our new psychiatrist, Dr Wang, | 0:17:04 | 0:17:08 | |
will be visiting patients' rooms presently. | 0:17:08 | 0:17:11 | |
I repeat, Dr Wang will be visiting patients' rooms presently. | 0:17:11 | 0:17:15 | |
-HE KNOCKS ON DOOR -Please make him welcome. | 0:17:15 | 0:17:18 | |
Hi. I'm Dr Wang. | 0:17:22 | 0:17:23 | |
-Do you mind if I come in? -Dr Wang? | 0:17:23 | 0:17:26 | |
-Yes. -You're Chinese, are you? -My grandfather is. -Where's he from? | 0:17:26 | 0:17:31 | |
-China. -Yeah, but whereabouts in China? | 0:17:31 | 0:17:34 | |
Just a small village in the west of China. You wouldn't know it. | 0:17:34 | 0:17:37 | |
-What's it called? -Shin. Shin... Shinshin. | 0:17:37 | 0:17:42 | |
Jing. | 0:17:42 | 0:17:43 | |
Shinjing. So, how are you coping with the withdrawal? | 0:17:43 | 0:17:47 | |
Yeah, it's great. | 0:17:47 | 0:17:49 | |
I think I might get back on the gear when I get out just so I can go through this again. | 0:17:49 | 0:17:53 | |
Did you know research shows treatment progresses more quickly | 0:17:53 | 0:17:57 | |
if you clear your conscience? | 0:17:57 | 0:17:58 | |
I've got a clear conscience. | 0:17:59 | 0:18:01 | |
No-one's got a completely clear conscience. | 0:18:01 | 0:18:04 | |
There must be something you can confess. | 0:18:04 | 0:18:07 | |
No. I've only ever brought joy to the world. | 0:18:07 | 0:18:12 | |
'Alex detected a note of sarcasm in Abi's responses, | 0:18:14 | 0:18:17 | |
'and in his article, he would use italics to illustrate this.' | 0:18:17 | 0:18:21 | |
-Excuse me, fellas, have you got the time? -Yeah, it's 1:30. | 0:18:32 | 0:18:36 | |
Oh, shit! OK, thanks. | 0:18:36 | 0:18:39 | |
'In order to reflect a certain academic aptitude befitting his disguise, | 0:18:44 | 0:18:49 | |
'Alex decided to squeeze a six-syllable word into his next question.' | 0:18:49 | 0:18:53 | |
Abi, I'd like to workshop a little scenario with you, | 0:18:53 | 0:18:56 | |
something I do with most of my patients. | 0:18:56 | 0:18:59 | |
Say you're an 18th-century prestidigitator... | 0:18:59 | 0:19:03 | |
What's a prestidigitator? | 0:19:03 | 0:19:04 | |
-You know what a magician is? -Yeah. -Same thing. | 0:19:04 | 0:19:08 | |
You come up with a fabulous act - the Vanishing Lady. | 0:19:08 | 0:19:12 | |
A rival magician studies how you do it, | 0:19:13 | 0:19:16 | |
then goes off and does their own show, same act. | 0:19:16 | 0:19:19 | |
How do you feel about that? | 0:19:20 | 0:19:22 | |
All right. | 0:19:22 | 0:19:24 | |
Mmm, I don't think you're taking this seriously. | 0:19:24 | 0:19:26 | |
The rival magician gets the money and the glory. | 0:19:26 | 0:19:30 | |
But it's your act. Your costume. Your hair and make-up. | 0:19:31 | 0:19:37 | |
What do your other patients say? | 0:19:37 | 0:19:39 | |
Most of them want to take revenge on the rival magician. | 0:19:39 | 0:19:42 | |
Do they say how? | 0:19:42 | 0:19:45 | |
Usual ways - poison, torture. Shaving an eyebrow. | 0:19:45 | 0:19:49 | |
-Abi, I'd like you to think of this space as a safe haven. -OK. | 0:20:04 | 0:20:08 | |
-You know Sofia Corelli? -What about her? | 0:20:08 | 0:20:12 | |
Someone shaved her head and one of her eyebrows. | 0:20:12 | 0:20:15 | |
The girl who did this had curly brown hair, a big nose | 0:20:15 | 0:20:20 | |
and glasses, but it could easily have been a wig and a false nose. | 0:20:20 | 0:20:25 | |
-And glasses. -Why do you think she did that? | 0:20:25 | 0:20:27 | |
You seem to know everything. Why don't you tell me? | 0:20:27 | 0:20:32 | |
It could have been revenge. | 0:20:36 | 0:20:38 | |
Like, she wanted to teach the girl a lesson. | 0:20:40 | 0:20:43 | |
-Be hard to prove. -My grandfather used to say... | 0:20:43 | 0:20:48 | |
HE SPEAKS CHINESE | 0:20:48 | 0:20:52 | |
-What does that mean? -I don't know. I don't speak Chinese. | 0:20:52 | 0:20:57 | |
But I do know the girl who did this needs serious help. | 0:20:57 | 0:21:01 | |
Maybe you're misdiagnosing her. | 0:21:01 | 0:21:03 | |
Subconsciously, the eyebrow represents communication. | 0:21:03 | 0:21:07 | |
The fact that it was the right eyebrow suggests that the perpetrator wants to be caught. | 0:21:07 | 0:21:12 | |
It wasn't the right eyebrow. It was the left one. | 0:21:12 | 0:21:15 | |
-Apparently. -Abi, you're in a lot of pain from withdrawal. | 0:21:15 | 0:21:20 | |
You're probably experiencing depression, anxiety. | 0:21:20 | 0:21:25 | |
But what you have to understand is the process of confessing | 0:21:25 | 0:21:28 | |
is the most powerful thing a patient can do in speeding up recovery. | 0:21:28 | 0:21:32 | |
KNOCK ON DOOR | 0:21:34 | 0:21:36 | |
Sorry, got to check the wiring before the renovations. | 0:21:36 | 0:21:39 | |
I'm sorry, mate, we're in the middle of a consultation, OK? | 0:21:39 | 0:21:42 | |
-I understand that, Dr Burchill, but I have a... -What did you call him? | 0:21:42 | 0:21:46 | |
-Dr Burchill. -It's Dr Wang. -Right. Right? | 0:21:46 | 0:21:50 | |
Just do whatever it is you have to do and then please leave. | 0:21:50 | 0:21:53 | |
No worries, I might just check under here if that's OK. | 0:21:53 | 0:21:56 | |
Abi, this is a safe place. There's no judgment here. | 0:21:58 | 0:22:01 | |
Sorry, I've got to check some wires, so you might experience a flash. | 0:22:01 | 0:22:05 | |
-Are you ready to unburden? -Sorry about that. -Can you just... | 0:22:05 | 0:22:09 | |
-We're in the middle of something here. -No worries. | 0:22:09 | 0:22:13 | |
Abi, the pain you're experiencing right now, it will ease, I promise. | 0:22:14 | 0:22:20 | |
Confidential, right? | 0:22:20 | 0:22:23 | |
Doctor-patient confidentiality is something I take very seriously. | 0:22:23 | 0:22:27 | |
SCREAMING | 0:22:43 | 0:22:45 | |
KNOCK ON DOOR | 0:22:45 | 0:22:47 | |
I thought I heard you. Are you OK? | 0:22:47 | 0:22:49 | |
-I'll be with you in a minute. -Is this for your... | 0:22:49 | 0:22:52 | |
-Can you just get her out of here? -I beg your pardon. | 0:22:52 | 0:22:55 | |
-Oh, are you doing a story? -I'm sorry, do I know you? | 0:22:57 | 0:23:01 | |
-I'm Dr Wang. -Oh, OK. | 0:23:01 | 0:23:04 | |
-Er...well, we're in room six when you're ready. -What story? | 0:23:04 | 0:23:09 | |
I'm sorry, Miss Hart, I'm actually from the Sunday Sun. | 0:23:09 | 0:23:14 | |
Can you confirm this is the wig you used | 0:23:14 | 0:23:16 | |
-to shave Sofia Corelli's head and one of her eyebrows? -You fucking... Don't you dare! -Run! | 0:23:16 | 0:23:21 | |
Wait! Stop! | 0:23:25 | 0:23:27 | |
-Will you be having lunch, Dr Wang? -Yes, I will. Thank you very much. | 0:23:27 | 0:23:32 | |
Boys, how you going? | 0:23:34 | 0:23:35 | |
Security! | 0:23:39 | 0:23:40 | |
Stop! | 0:23:45 | 0:23:47 | |
Stop! Fucking tabloid scum! | 0:23:47 | 0:23:48 | |
-Stop! Stop! -Start the boat! | 0:23:52 | 0:23:55 | |
-Get in, Bob. Get in, quickly! -Fucking tabloid freaks! | 0:23:55 | 0:24:01 | |
Fucking tabloid scum! Fucking paparazzi freaks! | 0:24:01 | 0:24:06 | |
So much for his lucky Tardis. | 0:24:06 | 0:24:08 | |
Yeah. No, definitely not gay. | 0:24:43 | 0:24:46 | |
'Thanks to Alex's expose, Abi was convicted of malicious assault | 0:24:46 | 0:24:50 | |
'and the Sunday Sun's circulation rose by 10%.' | 0:24:50 | 0:24:53 | |
-LBW! -Bugger. | 0:24:53 | 0:24:56 | |
Well, Alex, it seems you're probably not an alcoholic after all. | 0:24:56 | 0:25:00 | |
-That's a relief. -It sure is. | 0:25:00 | 0:25:03 | |
It says here you actually have to drink alcohol regularly | 0:25:03 | 0:25:06 | |
in order to qualify as an alcoholic. | 0:25:06 | 0:25:08 | |
Amazing. PHONE RINGS | 0:25:08 | 0:25:12 | |
Dr James Sawers. | 0:25:12 | 0:25:14 | |
Oh, hello. | 0:25:15 | 0:25:17 | |
Ah, yes. | 0:25:17 | 0:25:18 | |
Um...yes. | 0:25:18 | 0:25:20 | |
Yep, see you then. OK. | 0:25:22 | 0:25:23 | |
Don't wait up, boys. | 0:25:25 | 0:25:28 | |
Someone's got a date with a nymphomaniac. | 0:25:28 | 0:25:30 | |
'After successfully completing her treatment for sex addiction | 0:25:32 | 0:25:36 | |
'at the Happy Valley rehab centre, Selina went on a date with Dr James. | 0:25:36 | 0:25:40 | |
'The evening started out promising but ended abruptly | 0:25:40 | 0:25:43 | |
'when Dr James got a bit tipsy | 0:25:43 | 0:25:45 | |
'and suddenly tried to undo her bra with his teeth. | 0:25:45 | 0:25:48 | |
'Meanwhile, Sofia Corelli made a virtue of her bald head | 0:25:48 | 0:25:51 | |
'and went on to have a distinguished career | 0:25:51 | 0:25:54 | |
'singing anthemic Celtic pop songs.' | 0:25:54 | 0:25:56 | |
# But I spent this morning taking down your pictures | 0:26:00 | 0:26:08 | |
# Cos I spent last night looking up at your eyes | 0:26:08 | 0:26:15 | |
# And I'm trying not to cry over you | 0:26:15 | 0:26:23 | |
# I'm trying not to feel like I do | 0:26:23 | 0:26:31 | |
# But now I know it's true | 0:26:31 | 0:26:38 | |
# I remember when you gave me your affections. # | 0:26:40 | 0:26:45 | |
Subtitles by Red Bee Media Ltd | 0:26:45 | 0:26:48 |