Browse content similar to Project Runaway. Check below for episodes and series from the same categories and more!
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Jogging around here, sometimes you find a dead body. | 0:00:02 | 0:00:04 | |
ALARM RINGS How'd you go? | 0:00:04 | 0:00:07 | |
'When is a dead photographer not dead? | 0:00:07 | 0:00:09 | |
'Apparently when he works for the Sunday Sun.' | 0:00:09 | 0:00:12 | |
Janet, Bob. Bob, Janet. | 0:00:12 | 0:00:14 | |
'Well, Mr Evans, I don't know how long the Sunday Sun can survive, | 0:00:14 | 0:00:18 | |
'but I suggest that you just drove a nail into your own coffin.' | 0:00:18 | 0:00:21 | |
A reputation as an enigmatic recluse can take years to build. | 0:00:24 | 0:00:28 | |
And it can be destroyed in an instant. | 0:00:28 | 0:00:31 | |
..with great prose, a category very close to my own heart, | 0:00:31 | 0:00:35 | |
Best Newspaper Feature Writing. | 0:00:35 | 0:00:37 | |
FOOTSTEPS APPROACH | 0:00:37 | 0:00:39 | |
Here we go. | 0:00:39 | 0:00:40 | |
SHOCKED GASPS | 0:00:40 | 0:00:42 | |
You pour your buckets of unsubstantiated... | 0:00:43 | 0:00:47 | |
I'm doing it for the battlers. You ought to just shut up! | 0:00:47 | 0:00:51 | |
LAUGHTER AND CAMERAS CLICK | 0:00:51 | 0:00:54 | |
Yeah, all right. | 0:00:54 | 0:00:56 | |
And on behalf of the...uh... | 0:00:58 | 0:01:01 | |
the board of Sun Newspapers Limited, | 0:01:01 | 0:01:04 | |
that was the former editor of the Sunday Sun. | 0:01:04 | 0:01:07 | |
THEY LAUGH | 0:01:07 | 0:01:09 | |
Shh! He's coming. He's coming. Come on, come on. | 0:01:09 | 0:01:12 | |
You packed? | 0:01:17 | 0:01:18 | |
Everything except my clothes. | 0:01:18 | 0:01:20 | |
Rodney Page? | 0:01:21 | 0:01:23 | |
TANNOY: 'Alex Burchill.' | 0:01:25 | 0:01:27 | |
KNOCKS ON DOOR | 0:01:27 | 0:01:28 | |
-How many hits has it got? -About 72,000. | 0:01:31 | 0:01:34 | |
Amazing. That's 30,000 more than it was when I left home 25 minutes ago. | 0:01:34 | 0:01:38 | |
-What happened? -Mix a couple of glasses of vino with a bunch of cold and flu tablets | 0:01:38 | 0:01:42 | |
and you inhabit a universe without repercussions. | 0:01:42 | 0:01:44 | |
-It'll be forgotten by tomorrow. -How are the holiday plans going? | 0:01:44 | 0:01:48 | |
-Great. We're checking into Rick's Spa and Grill this arvo. -Cancel it. -Why? -Joss Miller, AWOL. | 0:01:48 | 0:01:53 | |
-If she doesn't turn up, they're rooted. -Who's Joss Miller and who's rooted? | 0:01:53 | 0:01:57 | |
Project Starsearch finalist. Just clarifying - you are an entertainment journalist? | 0:01:57 | 0:02:02 | |
Who hates talent shows. | 0:02:02 | 0:02:04 | |
2.5 million people will be watching on Sunday night. | 0:02:04 | 0:02:07 | |
-While they're doing that, I'll be in a spa. -Mate, we're down to 44 pages, and that includes the form guide. | 0:02:07 | 0:02:13 | |
-So we are in trouble? -No, of course not. | 0:02:13 | 0:02:15 | |
It's just that we could be selling a few more ads. | 0:02:15 | 0:02:17 | |
-And the Argus may want to take us over. -Oh, no! | 0:02:17 | 0:02:21 | |
I'm just worried if you don't find Joss Miller, | 0:02:21 | 0:02:23 | |
we may be forced to wear cufflinks and have a strong online presence. | 0:02:23 | 0:02:26 | |
Sorry, you'll have to get someone else to do the heavy lifting. I can't work every day of the year. | 0:02:26 | 0:02:30 | |
Wait. If you find Joss Miller, I will give you 10,000. | 0:02:30 | 0:02:34 | |
And where would that come from? | 0:02:34 | 0:02:36 | |
Me. Now, if this paper goes under, I've got nothing | 0:02:36 | 0:02:40 | |
but a one-minute clip on YouTube with 115,000 hits. | 0:02:40 | 0:02:44 | |
Boss, I really need this holiday. | 0:02:44 | 0:02:46 | |
You're going to have to find someone else. | 0:02:46 | 0:02:49 | |
Right. Course I will. | 0:02:49 | 0:02:52 | |
Attention, everybody. Can I have a moment of your time? | 0:02:52 | 0:02:56 | |
'I'm offering 10,000 to the first hack who can track down | 0:02:56 | 0:03:01 | |
'and interview Joss Miller. Hang on. Not you, Susie. We need an arts section.' | 0:03:01 | 0:03:06 | |
And, Satish, who's going to check sub? Max! Where are you going? | 0:03:06 | 0:03:09 | |
'I can't put the paper out without you. Gary, you can't go. | 0:03:09 | 0:03:12 | |
'You work for Hi-Tech Hair Solutions. The rest of you, Godspeed.' | 0:03:12 | 0:03:16 | |
This programme contains some strong language | 0:03:19 | 0:03:24 | |
# The wintergreen, the juniper | 0:03:24 | 0:03:29 | |
# The cornflower and the chicory | 0:03:29 | 0:03:32 | |
# Well, all of the words you said to me | 0:03:32 | 0:03:36 | |
# Are still vibrating in the air | 0:03:36 | 0:03:39 | |
# The elm, the ash and the linden tree | 0:03:39 | 0:03:43 | |
# The dark and deep enchanted sea | 0:03:43 | 0:03:47 | |
# The trembling moon and the stars unfurled | 0:03:47 | 0:03:51 | |
# Well, there she goes, my beautiful world | 0:03:51 | 0:03:55 | |
# There she goes, my beautiful world | 0:03:55 | 0:03:59 | |
# There she goes, my beautiful world | 0:03:59 | 0:04:02 | |
# There she goes, my beautiful world | 0:04:02 | 0:04:06 | |
# There she goes again. # | 0:04:06 | 0:04:10 | |
-Mr Burchill? -Yes. -We've a lovely room for you today, overlooking the pool. | 0:04:33 | 0:04:38 | |
-Great. -There's your key, room 12. | 0:04:38 | 0:04:40 | |
-Now, do you need a hand with any luggage? -Uh...no. | 0:04:40 | 0:04:43 | |
Well, enjoy your stay. If you want anything, just dial 0. | 0:04:43 | 0:04:46 | |
OK, thanks. | 0:04:46 | 0:04:48 | |
Um...what about the other room? | 0:04:48 | 0:04:49 | |
The other room? | 0:04:49 | 0:04:51 | |
Yeah, I booked two rooms. One for me and one for my mate. | 0:04:51 | 0:04:54 | |
Oh, I'm sorry. | 0:04:54 | 0:04:56 | |
I have no record of that, sir. | 0:04:56 | 0:04:58 | |
I had you down for the Couples Escape Package. | 0:04:58 | 0:05:00 | |
No, there's no couple. | 0:05:00 | 0:05:02 | |
We'll just have to take another room. | 0:05:02 | 0:05:04 | |
We only have the deluxe suite, I'm afraid. | 0:05:04 | 0:05:07 | |
-Well, that sounds all right. How much is that? -That one is 700 a night. | 0:05:07 | 0:05:11 | |
-What? -On top of what we're already paying? | 0:05:11 | 0:05:13 | |
-It has a bidet. -That's ridiculous, mate. Why don't we just bunk in? | 0:05:13 | 0:05:17 | |
If you're going to do that, there is a lovely fold-out bed provided | 0:05:17 | 0:05:20 | |
which we'd be happy to make up for an extra 30 a night. | 0:05:20 | 0:05:23 | |
-Excellent. -OK. Great. Thanks. | 0:05:23 | 0:05:26 | |
I'll take the fold-out, mate. | 0:05:38 | 0:05:40 | |
No, no. It's your room. I'll take it. | 0:05:40 | 0:05:42 | |
OK, thanks. | 0:05:42 | 0:05:44 | |
Bob was disappointed by the outcome of that conversation. | 0:05:46 | 0:05:50 | |
He believed it had ended a bit too early. | 0:05:50 | 0:05:54 | |
"Dear sirs, | 0:06:00 | 0:06:01 | |
"we sincerely welcome you both to the Couples Escape Package, | 0:06:01 | 0:06:04 | |
"which includes grape-seed-crush foot therapy, | 0:06:04 | 0:06:08 | |
"champagne and rose hand therapy for lovers, | 0:06:08 | 0:06:11 | |
"vineyard mud wrap, a romantic dinner for two | 0:06:11 | 0:06:13 | |
"and a complimentary lovers' mocktail at the bar upon arrival." | 0:06:13 | 0:06:16 | |
The irony is that we probably love each other more than most lovers. | 0:06:16 | 0:06:19 | |
-Might be an idea to keep that to yourself, mate. -No worries. | 0:06:19 | 0:06:23 | |
Mate, do you mind? | 0:06:30 | 0:06:31 | |
Well, it's just as much mine as it is yours. | 0:06:31 | 0:06:33 | |
What if neither of us ends up finding someone and we just, | 0:06:33 | 0:06:37 | |
-you know, end up like this for the rest of our lives? -It's not that bad, is it? | 0:06:37 | 0:06:42 | |
With all due respect, I'd hoped at some point I'd be waking up next to a beautiful woman every morning. | 0:06:42 | 0:06:48 | |
And it'd be great if you were doing the same. | 0:06:48 | 0:06:50 | |
With a different beautiful woman, obviously. | 0:06:50 | 0:06:53 | |
Mate, it might come sooner than you think. | 0:06:53 | 0:06:55 | |
There's a chick at ten o'clock who's dead-set barrelling me. | 0:06:55 | 0:06:59 | |
No, further to your left. Bit more. | 0:06:59 | 0:07:02 | |
Fair bit more. | 0:07:02 | 0:07:05 | |
Very subtle work. | 0:07:07 | 0:07:08 | |
-Couldn't have done it without you. -So? -Mmm. Nice. | 0:07:08 | 0:07:12 | |
Holidays agree with you, mate. | 0:07:16 | 0:07:17 | |
You're telling me. | 0:07:17 | 0:07:20 | |
-That's ridiculous. -Should we ask someone? | 0:07:22 | 0:07:25 | |
I'm sorry, but Andrew Peacock was never prime minister of Australia. | 0:07:25 | 0:07:28 | |
-Ah, I think he was. -I think she might be right, mate. | 0:07:28 | 0:07:31 | |
Trust me, I can chronologically list every Australian PM | 0:07:31 | 0:07:33 | |
since Billy Hughes, and I promise you, Peacock isn't one of them. | 0:07:33 | 0:07:36 | |
Well, I remember the day that he was elected. I remember his speech. | 0:07:36 | 0:07:39 | |
OK, OK, in reverse chronological order, | 0:07:39 | 0:07:42 | |
Rudd, Howard, Keating, Hawke... | 0:07:42 | 0:07:45 | |
Peacock. You're so wrong! | 0:07:45 | 0:07:47 | |
OK, let's look it up. | 0:07:47 | 0:07:48 | |
No, I'm enjoying my drink. | 0:07:48 | 0:07:50 | |
Guys, chillax. We're on holiday. | 0:07:50 | 0:07:52 | |
Privately, Alex was relieved not to have to list every Australian PM since Billy Hughes, | 0:07:57 | 0:08:03 | |
as he'd completely forgotten the guy who had the job for six days in 1945. | 0:08:03 | 0:08:07 | |
Oh, now he's remembered again. | 0:08:07 | 0:08:08 | |
SHE MOANS | 0:08:08 | 0:08:10 | |
It was Frank Forde. | 0:08:10 | 0:08:12 | |
MOANING CONTINUES | 0:08:14 | 0:08:16 | |
MOANING CONTINUES | 0:08:22 | 0:08:25 | |
RHYTHMIC MOANING | 0:08:29 | 0:08:32 | |
Oh, my God! Oh, my God! | 0:08:33 | 0:08:36 | |
RHYTHMIC MOANING | 0:08:36 | 0:08:38 | |
Oh, my God. Oh, my God! | 0:08:38 | 0:08:41 | |
You know what? I was tempted by the crush foot therapy, | 0:08:42 | 0:08:45 | |
but I've decided to go with the mud bath. | 0:08:45 | 0:08:47 | |
So that's where I'll be if anyone's looking for me. | 0:08:47 | 0:08:50 | |
Oh, and I've left a printout of Australian PMs on the desk. | 0:08:50 | 0:08:54 | |
No Andrew Peacock. Yes. So...um... Have a great day. | 0:08:54 | 0:08:59 | |
In the words of Alex's favourite prime minister, | 0:08:59 | 0:09:02 | |
it was the sweetest victory of all. | 0:09:02 | 0:09:06 | |
Hello, can we get some help down here? | 0:09:35 | 0:09:39 | |
SHE COUGHS | 0:09:39 | 0:09:41 | |
Upsy-daisy. | 0:09:41 | 0:09:45 | |
Hello! | 0:09:45 | 0:09:47 | |
Somebody? | 0:09:47 | 0:09:49 | |
Hello? Hello? | 0:09:49 | 0:09:52 | |
Hello! | 0:09:58 | 0:10:00 | |
HE KNOCKS ON DOOR | 0:10:04 | 0:10:05 | |
-Hang on. -Hurry up, mate. Emergency. | 0:10:05 | 0:10:08 | |
Don't go. | 0:10:10 | 0:10:11 | |
-What the fuck? -Let's go. Put the shower on. Let's go. | 0:10:14 | 0:10:16 | |
You couldn't get a live one, Alex? | 0:10:16 | 0:10:18 | |
-Come on, keep awake. -I'm sorry. | 0:10:21 | 0:10:24 | |
-Sis! What happened? -Is she your sister? -Yeah, Lucy. -Shit, eh? | 0:10:24 | 0:10:29 | |
-What did you take? -Um... Come on. Tell us what you took. | 0:10:29 | 0:10:32 | |
We might be able to do something about it. | 0:10:32 | 0:10:35 | |
-Sleeping pills. -Yeah, but which ones? How many? | 0:10:35 | 0:10:38 | |
I don't know, like, eight. | 0:10:38 | 0:10:40 | |
Bob, call reception. Get 'em to ring a doctor. | 0:10:40 | 0:10:42 | |
-No, it's OK. -What? -No doctors. Our parents will freak out. | 0:10:42 | 0:10:45 | |
OK, OK. You hold the fort, mate. I'm going to give Jim a call. | 0:10:45 | 0:10:48 | |
PHONE RINGS | 0:10:50 | 0:10:51 | |
-'Dr James Sawers.' -Jim, it's me. | 0:10:51 | 0:10:53 | |
It's Alex. You're never going to guess who I've got with me now. | 0:10:53 | 0:10:57 | |
I just need some advice, mate. | 0:10:57 | 0:10:58 | |
-Rita. -Say hi. -Rita says hi. | 0:10:58 | 0:11:00 | |
-Yeah, great. There's this girl here who's taken eight sleeping pills. What should I do? -Call the doctor. | 0:11:00 | 0:11:05 | |
-I just did. -Uh...well, eight, hey? | 0:11:05 | 0:11:07 | |
Well, she's not going to die, unless, of course, | 0:11:07 | 0:11:10 | |
she falls asleep and chokes on her own vomit. | 0:11:10 | 0:11:12 | |
Ew! What, so just keep her awake? | 0:11:12 | 0:11:14 | |
-At least for another hour. -OK. Thanks, mate. | 0:11:14 | 0:11:16 | |
-Say hi to Rita for you, shall I? -Yep. | 0:11:16 | 0:11:19 | |
OK. I might be jumping the gun here, | 0:11:19 | 0:11:22 | |
but I get the feeling our Alex has met someone. | 0:11:22 | 0:11:25 | |
Isn't that nice? | 0:11:25 | 0:11:27 | |
Yeah. | 0:11:27 | 0:11:30 | |
-So how long are guys up here for, Lucy? -Um... | 0:11:30 | 0:11:32 | |
-A week. -Can I just sleep? -Not for another hour or so. | 0:11:32 | 0:11:37 | |
There's a risk you might choke on your own vomit. | 0:11:37 | 0:11:39 | |
-Ew! -Mmm. That's what I said. | 0:11:39 | 0:11:42 | |
So what happened? | 0:11:42 | 0:11:43 | |
Well, I just wanted to relax, so I took a couple of pills. | 0:11:43 | 0:11:47 | |
I was still tense, so I took a couple more. | 0:11:47 | 0:11:50 | |
-You've got to give 'em a chance to kick in. -I know that now. | 0:11:50 | 0:11:54 | |
-So how are you feeling? -Sleepy. Can you just keep talking to me? | 0:11:54 | 0:11:59 | |
Oh, OK. Um... Something me and the guys were discussing before - | 0:11:59 | 0:12:03 | |
was Andrew Peacock ever prime minister of Australia? | 0:12:03 | 0:12:08 | |
Of course not. | 0:12:08 | 0:12:10 | |
He lost two elections to Hawke, one in '84 and one in '90. | 0:12:10 | 0:12:13 | |
I think I might go the heated seaweed | 0:12:16 | 0:12:19 | |
and essential oil muscle wrap. | 0:12:19 | 0:12:20 | |
-Aren't you having a massage? -It's all part of the package. -PHONE RINGS | 0:12:20 | 0:12:25 | |
Rita. | 0:12:25 | 0:12:26 | |
Hi, gorgeous. | 0:12:26 | 0:12:27 | |
Are you on some sort of medication? | 0:12:27 | 0:12:30 | |
No! No. | 0:12:30 | 0:12:33 | |
I'm just wondering what you're up to. | 0:12:33 | 0:12:35 | |
Well, I'm on holiday. | 0:12:35 | 0:12:36 | |
So where are you staying? Maybe I could come and join you. | 0:12:36 | 0:12:40 | |
-Um...I can't remember the name. -Aren't you there now? | 0:12:40 | 0:12:43 | |
Why don't I see you when I get back? | 0:12:43 | 0:12:45 | |
-But can't you just tell me where you're staying? -Alex? | 0:12:45 | 0:12:49 | |
-Speak to you later. -Hi. I'm Bianca. | 0:12:49 | 0:12:51 | |
-Mr Geraghty? -That's me. -Oh. | 0:12:51 | 0:12:54 | |
Mr Burchill? Hi. I'm Raymond. | 0:12:59 | 0:13:02 | |
Why have men giving other men massages? | 0:13:04 | 0:13:06 | |
How are you supposed to relax with a man's firm hands all over you? | 0:13:06 | 0:13:10 | |
-Why didn't you just say something? -I didn't want to offend him. | 0:13:10 | 0:13:13 | |
You should have said something, mate, cos I was in heaven. | 0:13:13 | 0:13:16 | |
-Hey! -Hey! | 0:13:16 | 0:13:18 | |
Hey, Alex, who was prime minister for 23 days in '67-'68? | 0:13:18 | 0:13:22 | |
-John McEwen. -Damn it. Hi. -Hey. | 0:13:22 | 0:13:26 | |
-Thank you so much for saving my life. -Oh, thank you for thanking me. | 0:13:26 | 0:13:30 | |
The last person whose life I saved hasn't even acknowledged it yet. | 0:13:30 | 0:13:33 | |
You just happened to stumble upon me when you were out jogging. | 0:13:33 | 0:13:36 | |
-With my replacement. -See? That wasn't so hard. | 0:13:36 | 0:13:39 | |
So we should all go and have a hit of tennis sometime. | 0:13:39 | 0:13:42 | |
-Yeah, sure. -Yeah? | 0:13:42 | 0:13:44 | |
You and me versus the cast of Nine And A Half Weeks. | 0:13:44 | 0:13:48 | |
If you need to eradicate any disturbing images, | 0:13:48 | 0:13:50 | |
I have the number of a very good shrink. | 0:13:50 | 0:13:52 | |
And sounds? Does he eradicate disturbing sounds as well? | 0:13:52 | 0:13:55 | |
It'd be the first naked woman you've seen or heard in quite a while. | 0:13:55 | 0:13:58 | |
OK. Um... So how about we all meet up at four? | 0:14:01 | 0:14:05 | |
Sounds good. See you there. | 0:14:05 | 0:14:07 | |
-See ya. -Alex. -Samantha. | 0:14:07 | 0:14:10 | |
Mate, what are you trying to do to me? | 0:14:13 | 0:14:15 | |
Don't you worry about anything, mate. | 0:14:15 | 0:14:17 | |
If it can happen to me, it can happen to anyone. | 0:14:17 | 0:14:20 | |
Yeah! | 0:14:22 | 0:14:25 | |
"Why the long face?" | 0:14:25 | 0:14:27 | |
THEY LAUGH | 0:14:27 | 0:14:29 | |
ALL: Cheers. | 0:14:46 | 0:14:49 | |
BOTH: # Love you... # | 0:14:49 | 0:14:51 | |
THEY LAUGH | 0:14:51 | 0:14:53 | |
Next up, Alex and Lucy, with the Lee Hazlewood classic Summer Wine. | 0:14:53 | 0:14:58 | |
Look, if we're going to take this any further, | 0:15:02 | 0:15:05 | |
then there's some things I need to tell you. | 0:15:05 | 0:15:07 | |
What things? | 0:15:07 | 0:15:09 | |
Well, Alex takes his tea white with honey, not sugar, honey. | 0:15:09 | 0:15:13 | |
-Right. -And not supermarket honey either. Cold-extracted honey. | 0:15:13 | 0:15:16 | |
I get it from the organic store. | 0:15:16 | 0:15:19 | |
Why cold-extracted? | 0:15:19 | 0:15:20 | |
Because toxins form if the honey's heated over 40 degrees, | 0:15:20 | 0:15:24 | |
and it loses its beneficial properties. | 0:15:24 | 0:15:27 | |
But doesn't the honey heat up once it's in the tea? | 0:15:27 | 0:15:30 | |
-Yeah, we don't talk about that. -# Summer wine | 0:15:30 | 0:15:33 | |
# Oh, summer wine... # | 0:15:33 | 0:15:36 | |
He does a really great impersonation of Tony Greig. | 0:15:36 | 0:15:39 | |
# Strawberries, cherries and an angel's kiss in spring | 0:15:39 | 0:15:46 | |
# My summer wine is really made from all these things... # | 0:15:46 | 0:15:52 | |
Wow! Your sister sure can sing. | 0:15:52 | 0:15:56 | |
Yeah. | 0:15:56 | 0:15:58 | |
# And I will give to you | 0:15:58 | 0:16:01 | |
# Summer wine | 0:16:01 | 0:16:04 | |
# Ooh | 0:16:04 | 0:16:07 | |
# Summer wine. # | 0:16:07 | 0:16:10 | |
CROWD CHEER | 0:16:10 | 0:16:13 | |
So how's things going with "Lucy"? | 0:16:15 | 0:16:19 | |
-What's with the air quotes? -Well, I'm 99% certain | 0:16:19 | 0:16:23 | |
that Lucy is Joss Miller from Project Starsearch. | 0:16:23 | 0:16:27 | |
-Mate, if that were the case, she would have told me. -You reckon? | 0:16:27 | 0:16:29 | |
-You're talking about my future wife. -Really? | 0:16:29 | 0:16:33 | |
Sure, we might date for a while, but when you know, you know. | 0:16:33 | 0:16:36 | |
I'd pop the question now, but it might be weird and freak her out. | 0:16:36 | 0:16:39 | |
-I knew you'd find happiness. -Thanks, mate. | 0:16:39 | 0:16:42 | |
Good on ya, mate. | 0:16:42 | 0:16:44 | |
Mmm. So what do you do with your days? | 0:16:53 | 0:16:56 | |
I work in a lab. | 0:16:56 | 0:16:58 | |
Really? You don't experiment on animals, do you? | 0:16:58 | 0:17:00 | |
No, no, we're working on adult stem cell technology | 0:17:00 | 0:17:03 | |
-that can actually regenerate damaged spinal discs. -Right. | 0:17:03 | 0:17:07 | |
Yeah, that's a whole lot of people out there in wheelchairs | 0:17:07 | 0:17:10 | |
who now have a hope of being able to walk again. | 0:17:10 | 0:17:12 | |
-Wow. -What do you do? -Oh, I'm a writer, actually. | 0:17:12 | 0:17:15 | |
-I could write about it. -You're not a tabloid journalist, are you? | 0:17:15 | 0:17:19 | |
-No. -Those guys are just the lowest of the low. -I know. | 0:17:19 | 0:17:23 | |
No, I'm writing a book, actually, about a charity I do work for. | 0:17:23 | 0:17:30 | |
Oh, really? What kind of charity work? | 0:17:30 | 0:17:32 | |
Oh, we're introducing cricket to developing countries. | 0:17:32 | 0:17:35 | |
That must be fun. | 0:17:35 | 0:17:37 | |
You'd think so, but it's actually quite dangerous. | 0:17:37 | 0:17:40 | |
I love cricket. It reminds me of my childhood with my dad. | 0:17:40 | 0:17:45 | |
-What are you doing? -Sorry, I thought that there was something going on. | 0:17:48 | 0:17:53 | |
Is that how it works? You help me and then you expect me to put out? | 0:17:53 | 0:17:56 | |
-Help you? I saved your life. -You can't let me forget it, can you? | 0:17:56 | 0:17:59 | |
Wow. Is that what you think? | 0:17:59 | 0:18:02 | |
And here I was thinking that there was something special going on. | 0:18:02 | 0:18:06 | |
Huh! | 0:18:12 | 0:18:14 | |
-OK, Sam, that's it for tonight. -What? | 0:18:15 | 0:18:18 | |
-Seriously, I need to talk to Bob about something important. -Go on. | 0:18:18 | 0:18:22 | |
I'll see you in the morning. | 0:18:22 | 0:18:24 | |
Come here. | 0:18:28 | 0:18:29 | |
-Take a look at that. -I told you! | 0:18:32 | 0:18:34 | |
I probably should have mentioned this earlier, | 0:18:34 | 0:18:37 | |
but the editor's offering 10 grand to the first journo who can find her. | 0:18:37 | 0:18:40 | |
-Right. -How would you feel if I wrote it up? | 0:18:40 | 0:18:42 | |
I don't know. I actually really like Sam. | 0:18:42 | 0:18:45 | |
-It's a great story. -What time is it, anyway? | 0:18:45 | 0:18:47 | |
They'll already be in the middle of the final print run. | 0:18:47 | 0:18:50 | |
Look, how about you wash your hands of this and I'll use file photos? | 0:18:50 | 0:18:53 | |
It won't be as good. | 0:18:53 | 0:18:56 | |
No. | 0:18:56 | 0:18:57 | |
-OK. -Are you sure? | 0:18:57 | 0:19:01 | |
-If Sam and I are meant to be, we'll get over it. -And if you're not, | 0:19:01 | 0:19:03 | |
you've got five grand worth of executive relief you can call upon. | 0:19:03 | 0:19:07 | |
Win-win. | 0:19:07 | 0:19:08 | |
Boss. What's the splash? | 0:19:14 | 0:19:16 | |
Something off the wire about a British cop who's had a sex-change operation. | 0:19:16 | 0:19:19 | |
No-Knobby Bobby Keeps Jobby. | 0:19:19 | 0:19:23 | |
-How about Joss And Found? -No. | 0:19:23 | 0:19:26 | |
Yes. | 0:19:26 | 0:19:27 | |
Oh, mate, you have made an old man very happy. One second. | 0:19:27 | 0:19:32 | |
Howard Evans, editor of the Sunday Sun. | 0:19:37 | 0:19:40 | |
Stop the press. | 0:19:40 | 0:19:42 | |
Alex saw his story as a lesson for all men. | 0:19:44 | 0:19:46 | |
Just because you save a girl's life | 0:19:46 | 0:19:49 | |
doesn't necessarily mean you're going to get a thank you pash. | 0:19:49 | 0:19:52 | |
She has to like you as well. | 0:19:52 | 0:19:54 | |
Bizarre, I know. | 0:19:54 | 0:19:55 | |
'Good job, boys. I reckon you've saved the paper.' | 0:19:57 | 0:20:00 | |
Not that we're in any trouble. | 0:20:00 | 0:20:01 | |
-Thanks, boss. -I've never said this to you, Alex, but... | 0:20:01 | 0:20:05 | |
you're like a son to me. | 0:20:05 | 0:20:07 | |
Thanks, boss. | 0:20:07 | 0:20:08 | |
And, Bob, you're like my son's friend. | 0:20:08 | 0:20:12 | |
We love you too, boss. | 0:20:12 | 0:20:13 | |
Enjoy your holidays, boys. | 0:20:13 | 0:20:15 | |
-So it was worth it. -Most definitely. | 0:20:16 | 0:20:19 | |
He didn't mention anything about the 10 large, though, did he? | 0:20:19 | 0:20:22 | |
-He'll come through. -I hope so. | 0:20:22 | 0:20:24 | |
KNOCK ON DOOR | 0:20:24 | 0:20:26 | |
-Hi. -I saw your light on. Is this OK? | 0:20:27 | 0:20:31 | |
-Come in, come in. -I'm so sorry about before. | 0:20:31 | 0:20:33 | |
-I should never have said those things. -Oh, don't worry about it. | 0:20:33 | 0:20:36 | |
Also, my name's not actually Lucy. | 0:20:36 | 0:20:38 | |
-Right. -It's Joss. I've been calling myself Lucy. | 0:20:38 | 0:20:42 | |
Don't tell me if you don't want to. | 0:20:42 | 0:20:43 | |
Also, I wanted to apologise for being such a cow | 0:20:43 | 0:20:46 | |
about the whole kiss thing. | 0:20:46 | 0:20:48 | |
Oh, that's OK. I misread the moment. | 0:20:48 | 0:20:50 | |
I just freaked out because I thought I wasn't ready for a relationship, | 0:20:50 | 0:20:54 | |
but the truth is I wanted to kiss you too. | 0:20:54 | 0:20:57 | |
Look, um... Bob's not feeling too flash. | 0:20:59 | 0:21:02 | |
Do you mind if we talk about this in detail tomorrow morning? | 0:21:02 | 0:21:05 | |
-So breakfast? -Breakfast. -OK. | 0:21:05 | 0:21:08 | |
Boss, it's Alex. | 0:21:14 | 0:21:15 | |
You know how you were saying I was like a son to you? | 0:21:15 | 0:21:18 | |
Hi. Do you have a Sunday Sun? | 0:21:25 | 0:21:27 | |
Sorry, just the Sunday Argus. | 0:21:27 | 0:21:30 | |
We can go into town and get one, if you like. Liz! | 0:21:30 | 0:21:32 | |
No, no, no, no, that's fine. | 0:21:32 | 0:21:33 | |
In fact, it'd be great if you didn't get a Sunday Sun. | 0:21:33 | 0:21:36 | |
-Under any circumstances. -Certainly, sir. | 0:21:36 | 0:21:39 | |
So you've never seen Project Starsearch? | 0:21:41 | 0:21:44 | |
-Sorry. -It's pretty popular. -Well, if I'd known you were on it... | 0:21:44 | 0:21:48 | |
-I'm supposed to be there now. -Well, what happened? | 0:21:48 | 0:21:51 | |
I just don't think I'm very good at handling stress. | 0:21:51 | 0:21:53 | |
-You could always take eight sleeping pills and hop in a mud bath. -I'm never going to live that down, am I? | 0:21:53 | 0:21:58 | |
I always like to have something in the bank just for when I stuff up. | 0:21:58 | 0:22:01 | |
Speaking of which, I've got a bit of a confession of my own. | 0:22:01 | 0:22:04 | |
Alex! | 0:22:04 | 0:22:06 | |
-What are you doing here? -Just came to hang out. | 0:22:06 | 0:22:08 | |
Relax for a couple of days. You up for a bit of tennis? | 0:22:08 | 0:22:11 | |
-Are you two...? -No, no, no. How'd you find me? | 0:22:11 | 0:22:13 | |
-Your article. -Hey, you should go and get your complimentary mocktail. | 0:22:13 | 0:22:16 | |
-What article? -Haven't you seen it? | 0:22:16 | 0:22:18 | |
Before you read that, there's something I need to tell you. | 0:22:19 | 0:22:23 | |
So you are a tabloid journalist. | 0:22:23 | 0:22:24 | |
I tried really hard to stop that being published. | 0:22:24 | 0:22:27 | |
-You lied about doing charity work? -What about you? | 0:22:27 | 0:22:29 | |
I believed all that rubbish about you making paraplegics walk. | 0:22:29 | 0:22:32 | |
That's my full-time job. I just also happen to be on Project Starsearch. | 0:22:32 | 0:22:35 | |
Oh. | 0:22:35 | 0:22:36 | |
"Joss, whose sister Samantha thinks that Andrew Peacock was once prime minister of Australia, | 0:22:36 | 0:22:41 | |
"took an overdose of sleeping tablets and slid into a mud bath | 0:22:41 | 0:22:43 | |
"before being rescued by this column." How could you do this? | 0:22:43 | 0:22:47 | |
-Why didn't you kiss me? None of this would've happened! -It's my fault? | 0:22:47 | 0:22:51 | |
Well, maybe in my heart I knew you were a tabloid scumbag. | 0:22:51 | 0:22:54 | |
Fuck you, Alex Burchill! | 0:22:54 | 0:22:56 | |
-So how are you going, anyway? -Yeah, good. | 0:23:04 | 0:23:07 | |
I was coming down with a bit of a cold, but I'm feeling good now. | 0:23:07 | 0:23:10 | |
Great. So you're staying for a couple of days, are you? | 0:23:10 | 0:23:13 | |
Yeah, I don't know. | 0:23:13 | 0:23:15 | |
-I might get back home, actually. This place is quite expensive. -Mmm. | 0:23:15 | 0:23:20 | |
Let's go, then. | 0:23:20 | 0:23:22 | |
Bob. Code Red, mate. | 0:23:22 | 0:23:25 | |
Right you are, mate. | 0:23:25 | 0:23:26 | |
Sorry, Sam. | 0:23:29 | 0:23:30 | |
You're joking. | 0:23:30 | 0:23:32 | |
-Afraid not. -Can't I come? | 0:23:32 | 0:23:35 | |
Darling, where I'm going, you can't follow. | 0:23:35 | 0:23:38 | |
What I've got to do, you can't be any part of. | 0:23:38 | 0:23:41 | |
Look, I'm no good at being noble, but... | 0:23:41 | 0:23:44 | |
Something about a hill of beans. | 0:23:46 | 0:23:48 | |
What? | 0:23:53 | 0:23:54 | |
Thank you, Mr Burchill. And just so you know, | 0:23:54 | 0:23:57 | |
-you're officially no longer welcome here at Rick's Spa and Grill. -Thanks very much. | 0:23:57 | 0:24:01 | |
We're just going to wait here a minute for our friend. | 0:24:01 | 0:24:03 | |
How long does it take to drink a complimentary mocktail? | 0:24:11 | 0:24:14 | |
Alex! This is Dylan. He's a journalist too. | 0:24:19 | 0:24:23 | |
Yeah. We know each other. Dylan. | 0:24:23 | 0:24:26 | |
Alex. I read your story in this section of the paper this morning. | 0:24:26 | 0:24:31 | |
Oh. I'm sorry, this IS the paper. | 0:24:31 | 0:24:35 | |
I've just been telling Dylan about your argument with Joss. | 0:24:36 | 0:24:39 | |
Oh, great. Well, I look forward to reading about it, then. | 0:24:39 | 0:24:42 | |
Yeah, I think it'd make a fantastic story. | 0:24:42 | 0:24:44 | |
Only problem is our readers haven't got the faintest idea who you are. | 0:24:44 | 0:24:48 | |
SHE LAUGHS | 0:24:48 | 0:24:50 | |
Well, you can't have everything. | 0:24:50 | 0:24:52 | |
I guess I'll see you back in Melbourne. | 0:24:52 | 0:24:54 | |
Oh, OK. | 0:24:54 | 0:24:56 | |
We're off, mate. | 0:25:05 | 0:25:07 | |
Interesting. | 0:25:45 | 0:25:47 | |
As in the Chinese curse, "May you live in interesting times." | 0:25:47 | 0:25:53 | |
It is the first of three curses of increasing severity, | 0:25:56 | 0:26:00 | |
the other two being, | 0:26:00 | 0:26:02 | |
"May you come to the attention of those in authority," | 0:26:02 | 0:26:06 | |
and finally, and the one that Alex feared the most, | 0:26:06 | 0:26:10 | |
"May you find what you're looking for." | 0:26:10 | 0:26:13 | |
Subtitles by Red Bee Media Ltd | 0:26:49 | 0:26:52 |