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This programme contains some strong language | 0:00:02 | 0:00:04 | |
Gary Duffy, how are you? | 0:00:04 | 0:00:05 | |
If this paper were in trouble, which it's not, | 0:00:05 | 0:00:08 | |
this story would really dig us out of a hole. | 0:00:08 | 0:00:10 | |
-I love you, mate. -I love you too, mate. | 0:00:10 | 0:00:12 | |
After a series of complaints, | 0:00:16 | 0:00:18 | |
the courts ordered the man in the flat above Alex | 0:00:18 | 0:00:20 | |
to urinate on the side of the toilet bowl instead of directly into it. | 0:00:20 | 0:00:25 | |
As a result, Alex had just enjoyed his first night | 0:00:25 | 0:00:27 | |
of uninterrupted sleep in months. | 0:00:27 | 0:00:30 | |
'Hello?' | 0:00:30 | 0:00:31 | |
Mate. I thought you should know, it is stunning down here. | 0:00:31 | 0:00:35 | |
'I have no doubt about that.' | 0:00:35 | 0:00:37 | |
You should come down. | 0:00:37 | 0:00:38 | |
No, I don't think so, mate. | 0:00:38 | 0:00:40 | |
Why not? | 0:00:40 | 0:00:41 | |
I just need a bit of me time. | 0:00:41 | 0:00:42 | |
Me time? | 0:00:42 | 0:00:43 | |
You're the one who said I should be more independent. | 0:00:43 | 0:00:46 | |
A self-actualised human being doesn't need to be alone to be independent. | 0:00:46 | 0:00:49 | |
What about if I want to walk around the house naked? | 0:00:49 | 0:00:52 | |
You're not naked now, are you? | 0:00:52 | 0:00:54 | |
No. | 0:00:54 | 0:00:55 | |
Just don't sit on anything. | 0:00:55 | 0:00:57 | |
Yeah, all right! | 0:00:57 | 0:00:59 | |
Jesus! | 0:01:00 | 0:01:01 | |
What's happened? | 0:01:01 | 0:01:02 | |
I'll call you back. | 0:01:02 | 0:01:04 | |
# The wintergreen, the juniper | 0:01:19 | 0:01:22 | |
# The cornflower and the chicory | 0:01:22 | 0:01:27 | |
# All the words you said to me | 0:01:27 | 0:01:30 | |
# Are still vibrating in the air | 0:01:30 | 0:01:34 | |
# The elm, the ash And the linden tree | 0:01:34 | 0:01:38 | |
# The dark and deep enchanted sea | 0:01:38 | 0:01:42 | |
# The trembling moon and the stars unfurled | 0:01:42 | 0:01:46 | |
# Well there she goes My beautiful world | 0:01:46 | 0:01:50 | |
# There she goes my beautiful world | 0:01:50 | 0:01:54 | |
# There she goes my beautiful world | 0:01:54 | 0:01:57 | |
# There she goes my beautiful world | 0:01:57 | 0:02:02 | |
-# There she goes again. -# | 0:02:02 | 0:02:05 | |
KNOCK AT DOOR | 0:02:09 | 0:02:11 | |
ALARM RINGS | 0:02:16 | 0:02:17 | |
Just press the button on the wall. | 0:02:19 | 0:02:21 | |
What's going on? | 0:02:23 | 0:02:24 | |
Can't be too careful. I'm not the most loved person in the building. | 0:02:24 | 0:02:27 | |
No, I guess not. | 0:02:27 | 0:02:28 | |
Why, what are they saying? | 0:02:28 | 0:02:30 | |
-Nothing. -Why did you agree with me, then? | 0:02:30 | 0:02:32 | |
I wasn't thinking. | 0:02:32 | 0:02:35 | |
Got a splash for me? | 0:02:35 | 0:02:36 | |
I found a dead body this morning. | 0:02:36 | 0:02:39 | |
That's the best news I've heard all week! | 0:02:39 | 0:02:41 | |
I was jogging by the Yarra. Do you want to see the picture? | 0:02:41 | 0:02:43 | |
-Bob's? -No, I used my phone. | 0:02:43 | 0:02:45 | |
Lo-fi, better. More real. | 0:02:45 | 0:02:47 | |
Yeah. I'll send it to Timmy, see how it blows up. | 0:02:47 | 0:02:50 | |
I've never seen a dead body before. | 0:02:50 | 0:02:51 | |
I thought you were with your dad when he died. | 0:02:51 | 0:02:54 | |
I got there and the nurses said he had half an hour to go. | 0:02:54 | 0:02:57 | |
I couldn't be away from the paper that long. | 0:02:57 | 0:02:59 | |
Police are thinking gangland hit, possibly Tony Marino. | 0:03:00 | 0:03:05 | |
Great! Anyone else got it? | 0:03:05 | 0:03:06 | |
-Just us! -Thank God it's Saturday! | 0:03:06 | 0:03:09 | |
Finally we get to beat the dailies! | 0:03:09 | 0:03:11 | |
I know! | 0:03:11 | 0:03:12 | |
You were jogging, right? I'm thinking "The Quick And The Dead." | 0:03:12 | 0:03:16 | |
-"Dead In The Water." -"Dead Man Floating." | 0:03:16 | 0:03:18 | |
"I See Dead People." | 0:03:18 | 0:03:19 | |
I'm Salieri to your Mozart, even if it kills me to admit it. | 0:03:19 | 0:03:23 | |
Thanks, boss. | 0:03:23 | 0:03:25 | |
The editor secretly didn't like Mozart. | 0:03:25 | 0:03:27 | |
It wasn't the music, it was more a pre-emptive thing. | 0:03:27 | 0:03:30 | |
If they'd ever have met, he didn't think Mozart would've liked him. | 0:03:30 | 0:03:34 | |
This guy was 35. There's not many people my age that die. | 0:03:34 | 0:03:39 | |
And my age. | 0:03:39 | 0:03:41 | |
It happens to everyone. | 0:03:41 | 0:03:42 | |
Yeah, but when you are really old. You've done everything you wanted to. | 0:03:42 | 0:03:46 | |
And you don't mind dying. | 0:03:46 | 0:03:47 | |
Show me your hand. | 0:03:47 | 0:03:49 | |
Well, you've got a long lifeline, so there's nothing to worry about. | 0:03:51 | 0:03:54 | |
Show me your right? | 0:03:54 | 0:03:56 | |
-Oh. -What? | 0:03:56 | 0:03:58 | |
There's a break in your lifeline. | 0:03:58 | 0:04:01 | |
What does that mean? It's not broken in my left hand. | 0:04:01 | 0:04:03 | |
Yeah, but your left hand is what you're born with, | 0:04:03 | 0:04:06 | |
your right is what you make of it. | 0:04:06 | 0:04:08 | |
So I've done something to bring about my premature death? | 0:04:08 | 0:04:11 | |
I guess so. | 0:04:11 | 0:04:12 | |
Don't worry, my lifeline just stops in the middle of my hand. | 0:04:12 | 0:04:15 | |
What are you cooking anyway? | 0:04:15 | 0:04:17 | |
I'm not cooking, I'm burning your clothes. | 0:04:17 | 0:04:19 | |
-What?! -It's just your gym clothes. They stank. | 0:04:19 | 0:04:22 | |
I reckon I could smell that dead body on it. | 0:04:22 | 0:04:24 | |
They were brand-new! | 0:04:24 | 0:04:25 | |
-Hey, another 35-year-old died. -Who died? | 0:04:25 | 0:04:27 | |
Zac Proctor. One of the Life In A Bubble housemates. | 0:04:27 | 0:04:30 | |
"35-year-old reality star died today after suffering a severe | 0:04:30 | 0:04:34 | |
"anaphylactic reaction to a peanut." | 0:04:34 | 0:04:37 | |
These things always happen in threes. | 0:04:37 | 0:04:40 | |
What things? | 0:04:40 | 0:04:42 | |
Deaths, mate, they come in threes. | 0:04:42 | 0:04:43 | |
I wouldn't want to be 35 right now. | 0:04:43 | 0:04:46 | |
How old am I when my lifeline breaks? | 0:04:46 | 0:04:49 | |
I don't know, it's not an exact science! | 0:04:49 | 0:04:51 | |
Mate, you can't be scared of death all your life. | 0:04:51 | 0:04:55 | |
When it eventually comes, you should accept it not as an end, | 0:04:55 | 0:04:59 | |
but as a beginning, like a threshold into a new dimension. | 0:04:59 | 0:05:02 | |
There were only three things Alex was scared off. | 0:05:04 | 0:05:08 | |
Death, pain and Bob getting in touch with his spiritual side. | 0:05:08 | 0:05:12 | |
Are you following me? | 0:06:17 | 0:06:19 | |
The boss wants to see you. | 0:06:19 | 0:06:21 | |
What boss? | 0:06:21 | 0:06:22 | |
Ring any bells? | 0:06:26 | 0:06:28 | |
The peanut guy? | 0:06:28 | 0:06:30 | |
No, not the peanut guy, above that. | 0:06:30 | 0:06:33 | |
That's just my article on the dead body. | 0:06:33 | 0:06:35 | |
In which you mention Mr Tony Marino. | 0:06:35 | 0:06:38 | |
Only in passing - I didn't say he had anything to do with the murder. | 0:06:38 | 0:06:41 | |
You talk about it being a gang hit, then you say, and I quote... | 0:06:41 | 0:06:45 | |
"Meanwhile, gangland leader Tony Marino is still at large." | 0:06:47 | 0:06:51 | |
Look, the subs must have done that. We can call him and I can apologise. | 0:06:51 | 0:06:56 | |
It's not going to be that easy. | 0:06:56 | 0:06:58 | |
He wants to meet with you. Eyeball to eyeball. | 0:06:58 | 0:07:02 | |
Then you're going to write another article to set the record straight. | 0:07:02 | 0:07:07 | |
I'll have to bring my photographer. | 0:07:10 | 0:07:11 | |
Be back here in 20 minutes. | 0:07:13 | 0:07:15 | |
I thought I'd bring my lucky TARDIS. | 0:07:17 | 0:07:19 | |
This is what you wear to meet underworld royalty, is it? | 0:07:21 | 0:07:24 | |
It's my washing day. | 0:07:24 | 0:07:26 | |
The thing about the peanut guy was he'd never had an allergic reaction before. | 0:07:26 | 0:07:31 | |
Amazing. | 0:07:31 | 0:07:32 | |
Then one day, has a peanut - bang. | 0:07:32 | 0:07:35 | |
He's alive, eating a peanut. | 0:07:35 | 0:07:38 | |
Then nothingness. | 0:07:39 | 0:07:41 | |
Makes you think. | 0:07:41 | 0:07:43 | |
Yeah. | 0:07:43 | 0:07:44 | |
A mate of a mate's girlfriend had a nut allergy, | 0:08:03 | 0:08:06 | |
goes to an Indian restaurant, dips a bit of roti into the lamb curry, | 0:08:06 | 0:08:10 | |
eats that roti, dead within minutes. | 0:08:10 | 0:08:12 | |
-Bullshit! -No bullshit. | 0:08:12 | 0:08:14 | |
Peanuts in the curry. | 0:08:14 | 0:08:15 | |
-You know Michelle Baxter? -Yeah. | 0:08:15 | 0:08:17 | |
Her cousin went into an anaphylactic shock after kissing her boyfriend, | 0:08:17 | 0:08:21 | |
who'd eaten a peanut butter sandwich nine hours before! | 0:08:21 | 0:08:25 | |
-Bullshit! -No bullshit. | 0:08:25 | 0:08:27 | |
A mate of mine's mate, allergic to nuts, | 0:08:27 | 0:08:30 | |
goes to one of these restaurants | 0:08:30 | 0:08:32 | |
where you've got to go through the kitchen to get to the gents, | 0:08:32 | 0:08:36 | |
so he's walking through the kitchen... | 0:08:36 | 0:08:38 | |
-Oh, no! -Oh, no! | 0:08:38 | 0:08:40 | |
Unbeknownst to him, inhales nut fragments, | 0:08:40 | 0:08:43 | |
collapses, dies on the way to the hospital. | 0:08:43 | 0:08:46 | |
-Bullshit! -Bullshit! -No bullshit. | 0:08:46 | 0:08:48 | |
Better warn you, when you meet Tony, do not mention his hair. | 0:09:06 | 0:09:09 | |
It's not what it used to be. | 0:09:09 | 0:09:12 | |
Do you have a sense of where we might be? | 0:09:14 | 0:09:18 | |
I reckon it was about a 20-minute drive. | 0:09:18 | 0:09:20 | |
North? Would you say north? | 0:09:20 | 0:09:22 | |
Either that or south. | 0:09:22 | 0:09:23 | |
I reckon it was north-west because I was in the driver's side, | 0:09:23 | 0:09:27 | |
and the sun was hitting me on the right-hand side of the forehead. | 0:09:27 | 0:09:30 | |
It was about 10 o'clock, so I reckon... Yeah, north-west. | 0:09:30 | 0:09:34 | |
Strange. Cos I thought I could feel the sun too | 0:09:34 | 0:09:37 | |
and I was on the passenger side, | 0:09:37 | 0:09:40 | |
which would mean we were heading north-east. | 0:09:40 | 0:09:43 | |
Or possibly south-west. | 0:09:43 | 0:09:45 | |
That doesn't make sense, mate. | 0:09:45 | 0:09:47 | |
-CHICAGO ACCENT: -You come to me and you say, "Don Corleone, that doesn't make sense, | 0:09:47 | 0:09:52 | |
"but you don't say it with respect. | 0:09:52 | 0:09:54 | |
"You don't even think to call me Godfather." | 0:09:54 | 0:09:56 | |
-That is very good. -Not as good as your Tony Greig. | 0:09:56 | 0:09:58 | |
IMPERSONATES TONY GREIG: It's a pretty hard impersonation to do, | 0:09:58 | 0:10:02 | |
but I feel I'm starting to crack it. | 0:10:02 | 0:10:04 | |
You do realise one of us is going to die today, don't you? | 0:10:06 | 0:10:10 | |
Rule of three, mate. | 0:10:10 | 0:10:12 | |
-Mr Marino. -Please, sit down. | 0:10:15 | 0:10:17 | |
I'm Alex and this is our photographer, Bob. | 0:10:17 | 0:10:20 | |
And this is Micky, hmmm. | 0:10:20 | 0:10:22 | |
I don't want to tell you how to do your job, boys, | 0:10:22 | 0:10:24 | |
but maybe later on you can get a photo of us together for your article. | 0:10:24 | 0:10:28 | |
That's a great idea. Bob? | 0:10:28 | 0:10:30 | |
Excellent idea. | 0:10:30 | 0:10:32 | |
You like chocolate? | 0:10:32 | 0:10:34 | |
Thanks. | 0:10:36 | 0:10:37 | |
You brought great pain to me, Alex. | 0:10:37 | 0:10:41 | |
You make me out to be a murderer. | 0:10:41 | 0:10:43 | |
That was certainly not my intention. | 0:10:43 | 0:10:45 | |
It just said, "Meanwhile, in other gang-related news, | 0:10:45 | 0:10:48 | |
"Tony Marino is still at large," which you are. | 0:10:48 | 0:10:51 | |
It's the phrase "at large" I have a problem with. | 0:10:51 | 0:10:54 | |
It implies I should be in jail. | 0:10:54 | 0:10:56 | |
No, in journalism, when we say an editor's at large, | 0:10:56 | 0:10:59 | |
it just means he's not in his office. | 0:10:59 | 0:11:01 | |
But I'm not an editor, am I? | 0:11:01 | 0:11:03 | |
That's a really good point. | 0:11:03 | 0:11:05 | |
You've got to understand, I didn't do the things I've been accused of. | 0:11:05 | 0:11:09 | |
That would be three counts of trafficking and two counts of murder? | 0:11:09 | 0:11:13 | |
If you're not guilty, why don't you just face the judicial system? | 0:11:14 | 0:11:18 | |
How can I get a fair trial? | 0:11:21 | 0:11:23 | |
When you've already found me guilty? | 0:11:23 | 0:11:25 | |
Not at all. | 0:11:25 | 0:11:27 | |
These chocolate peanuts are very nice. | 0:11:27 | 0:11:29 | |
They're Belgian. We've got a supply. | 0:11:29 | 0:11:32 | |
Alex. | 0:11:32 | 0:11:34 | |
We can forget about the whole thing. | 0:11:34 | 0:11:36 | |
You write a story that shows me as I am - | 0:11:36 | 0:11:40 | |
a legitimate businessman... and dog lover. | 0:11:40 | 0:11:44 | |
But I'm going to have to ask you the tough questions | 0:11:44 | 0:11:47 | |
or we're both going to look bad. | 0:11:47 | 0:11:49 | |
Anything you want. | 0:11:49 | 0:11:51 | |
Are you OK? | 0:11:51 | 0:11:53 | |
OK, did you have anything to do with the murder of Ricardo Stone, | 0:11:53 | 0:11:58 | |
whose body was found by the Yarra... | 0:11:58 | 0:12:00 | |
WHEEZING | 0:12:00 | 0:12:03 | |
..last Saturday...morning? | 0:12:03 | 0:12:06 | |
No. | 0:12:06 | 0:12:08 | |
-Mate, do you want a glass of water or something? -Next question. | 0:12:08 | 0:12:12 | |
Have you ever been involved in... (WHEEZES) ..drug trafficking? | 0:12:12 | 0:12:18 | |
No. | 0:12:18 | 0:12:19 | |
Then how did you get your reputation as a... | 0:12:19 | 0:12:22 | |
WHEEZING AND COUGHING | 0:12:22 | 0:12:24 | |
As a... | 0:12:24 | 0:12:25 | |
Doctor. | 0:12:30 | 0:12:31 | |
Doctor! | 0:12:31 | 0:12:32 | |
WHEEZING | 0:12:32 | 0:12:34 | |
WHEEZING | 0:12:48 | 0:12:51 | |
Are you all right? | 0:12:52 | 0:12:54 | |
HE FALLS | 0:12:55 | 0:12:58 | |
Dr James! | 0:12:58 | 0:12:59 | |
-It's Alex. -Bloody hell. Jesus. | 0:13:02 | 0:13:04 | |
All right. Hang in there, buddy. | 0:13:06 | 0:13:08 | |
All right, Alex. I need you to tell me what happened. | 0:13:12 | 0:13:16 | |
P... P... | 0:13:16 | 0:13:17 | |
Pain? Are you in pain, mate? | 0:13:17 | 0:13:19 | |
P... P... | 0:13:19 | 0:13:21 | |
P... P... Peritonitis? | 0:13:21 | 0:13:23 | |
P... Pe... | 0:13:23 | 0:13:26 | |
You haven't done something to your penis again? | 0:13:26 | 0:13:29 | |
Peanut. | 0:13:30 | 0:13:31 | |
Alex. Alex! | 0:13:33 | 0:13:35 | |
BELL RINGS | 0:13:48 | 0:13:50 | |
Just press the button on the wall. | 0:13:53 | 0:13:55 | |
-What's with the alarm? -Can't be too careful. | 0:14:01 | 0:14:04 | |
I'm not exactly the most loved person in the universe. | 0:14:04 | 0:14:07 | |
-No, I guess not. -Why? What are they saying about me? -Nothing. | 0:14:07 | 0:14:10 | |
-Why did you agree with me, then? -I wasn't thinking. | 0:14:10 | 0:14:12 | |
-Welcome to Paradise, Alex. -Right. | 0:14:16 | 0:14:19 | |
So is that it? I'll never open the bowling for Australia? | 0:14:19 | 0:14:23 | |
Nor will you play centre half-forward for Carlton. | 0:14:23 | 0:14:27 | |
But there's so much more I wanted to write. | 0:14:27 | 0:14:29 | |
-No, actually, you wrote enough. -I wanted to write... -In fact, you probably wrote too much. | 0:14:29 | 0:14:33 | |
OK, so what happens now? | 0:14:33 | 0:14:36 | |
Well, you can become an angel, fly around guarding people. | 0:14:36 | 0:14:40 | |
Oh, yeah? | 0:14:40 | 0:14:42 | |
Or you can be reincarnated. | 0:14:42 | 0:14:44 | |
-Do I get to pick who I can be? -No. | 0:14:44 | 0:14:46 | |
-Or you can hang out with me for eternity. -Right. | 0:14:46 | 0:14:50 | |
What was the first one again? | 0:14:50 | 0:14:52 | |
-Alex, I can see you're not ready for eternal happiness. -Really? | 0:14:54 | 0:14:59 | |
Ow, that hurt! | 0:14:59 | 0:15:00 | |
Alex. Alex! That's it. Come on, mate. | 0:15:02 | 0:15:05 | |
Hey! | 0:15:06 | 0:15:07 | |
What happened? | 0:15:09 | 0:15:10 | |
Well, you had a psychosomatic anaphylactic reaction to a peanut. | 0:15:10 | 0:15:15 | |
Psychosomatic? | 0:15:15 | 0:15:16 | |
But I still nearly died, right? | 0:15:18 | 0:15:20 | |
-Well, you thought you did. -No, no, no, no, I did. | 0:15:20 | 0:15:23 | |
And if I'd been a bit more enthusiastic about it, | 0:15:23 | 0:15:26 | |
I'd still be dead. | 0:15:26 | 0:15:27 | |
-It can happen just like that. -Indeed it can. | 0:15:27 | 0:15:30 | |
I tell you what, from now on, | 0:15:30 | 0:15:32 | |
I want to make the most of every precious moment. | 0:15:32 | 0:15:35 | |
Good for you. | 0:15:35 | 0:15:36 | |
'Alex would spend the next 25 minutes | 0:15:41 | 0:15:44 | |
'trying to make the most of every precious moment. | 0:15:44 | 0:15:46 | |
'Then, failing to find an activity which would sufficiently fill that brief, | 0:15:46 | 0:15:50 | |
'he decided to go back to work.' | 0:15:50 | 0:15:52 | |
'Hi! You've phoned Bob Geraghty of the Sunday Sun. | 0:15:57 | 0:16:00 | |
'Please leave a message after the beep and I'll get back to you! Ha-ha-ha-ha-ha-ha!' | 0:16:00 | 0:16:04 | |
BEEP | 0:16:04 | 0:16:05 | |
-Susan, you haven't seen Bob, have you? -I thought he was with you. | 0:16:15 | 0:16:17 | |
No, no, we got separated. Either of you guys seen Bob? | 0:16:17 | 0:16:20 | |
-No. -Janine, has Bob come by? | 0:16:20 | 0:16:23 | |
-No. Have you got those petty cash receipts? -Yeah, yeah, yeah. | 0:16:23 | 0:16:27 | |
-Satish, have you seen Bob? -No. Our paths rarely cross. | 0:16:27 | 0:16:30 | |
-Oh, sorry. -No worries. Can you come back in 15? | 0:16:32 | 0:16:35 | |
No, I'm all right. | 0:16:35 | 0:16:37 | |
OK. | 0:16:37 | 0:16:39 | |
'Hi, you've phoned Bob Geraghty of the Sunday Sun. Please...' | 0:16:42 | 0:16:44 | |
-Bob hasn't come back from that Marino job. -You left him there? -I had to. | 0:16:44 | 0:16:49 | |
Oh, you must feel like shit. | 0:16:49 | 0:16:50 | |
KNOCKS ON DOOR | 0:16:55 | 0:16:58 | |
BELL RINGS | 0:17:00 | 0:17:02 | |
-How'd you go? -OK. -Bob gets some good snaps? | 0:17:03 | 0:17:06 | |
-I don't know, I had to leave early. -What, you left Bob with him? | 0:17:06 | 0:17:09 | |
Yeah, I'm a bit worried, he's got his phone off and he never has his phone off. | 0:17:09 | 0:17:13 | |
Even when it should be off. | 0:17:13 | 0:17:14 | |
I hope his mouth didn't get him into trouble. Where are they? | 0:17:14 | 0:17:17 | |
I don't know, I was blindfolded. | 0:17:17 | 0:17:18 | |
-Did you agree to the blindfold? -No, they kind of forced them on us. | 0:17:18 | 0:17:22 | |
-So you were kidnapped? -Well, we did agree to the interview, so... | 0:17:22 | 0:17:25 | |
This is great! | 0:17:25 | 0:17:26 | |
-Kidnapped! And now they've got Bob. -I should never have taken him. | 0:17:26 | 0:17:30 | |
So a nice, easy 1,500 words on the whole debacle. | 0:17:30 | 0:17:33 | |
Bob even said, "One of us is going to die." | 0:17:33 | 0:17:35 | |
I'm thinking, "Mob's Got My Bob." | 0:17:35 | 0:17:37 | |
-But why would they take him? -Mob's Got My Bob it is, then. | 0:17:37 | 0:17:40 | |
I thought you would try to top me, but no. I'm on the way back. | 0:17:40 | 0:17:44 | |
'Alex did not relish the prospect of writing | 0:17:44 | 0:17:46 | |
'a story about his friend's possible abduction. | 0:17:46 | 0:17:49 | |
'Though he did think Mob's Got My Bob had a certain ring to it.' | 0:17:49 | 0:17:53 | |
OK, sergeant, I reckon this is our only chance of finding him. | 0:17:53 | 0:17:56 | |
It's highly irregular. | 0:17:56 | 0:17:57 | |
Just keep going straight ahead. | 0:18:01 | 0:18:03 | |
This is good, I can feel the sun on my forehead. | 0:18:04 | 0:18:07 | |
Do you mind going a bit faster? | 0:18:09 | 0:18:10 | |
You're going too slow and I think it's buggering up my antenna. | 0:18:10 | 0:18:13 | |
OK, bear right. | 0:18:13 | 0:18:15 | |
There's no bearing right, you either have to turn right or go straight ahead. | 0:18:15 | 0:18:18 | |
All right, turn right. | 0:18:18 | 0:18:20 | |
Just keep going. | 0:18:23 | 0:18:25 | |
The sounds and smells are very familiar to me. Very familiar. | 0:18:28 | 0:18:33 | |
-Really? -Next left. | 0:18:33 | 0:18:35 | |
Uh-huh. | 0:18:37 | 0:18:39 | |
Uh-huh. OK, I think we're just about here. | 0:18:39 | 0:18:42 | |
Stop. Stop here. | 0:18:42 | 0:18:44 | |
-Shit! -This the place? -I think it might be. | 0:18:47 | 0:18:51 | |
Yeah. This is it. | 0:19:11 | 0:19:13 | |
-Recognise this? -It's Bob's. He's a massive Doctor Who fan. | 0:19:16 | 0:19:20 | |
I think we should alert the public. What was he wearing? | 0:19:23 | 0:19:27 | |
Pale green pants and a faded red T-shirt with a humorous slogan on it. | 0:19:28 | 0:19:33 | |
"I'm with stupid?" | 0:19:33 | 0:19:35 | |
It was his washing day. | 0:19:35 | 0:19:37 | |
Bob? | 0:19:41 | 0:19:42 | |
Hey, mate. | 0:19:54 | 0:19:55 | |
Off break. Off break. | 0:20:02 | 0:20:05 | |
Bowled him! | 0:20:05 | 0:20:07 | |
Burchill's a genius! | 0:20:07 | 0:20:09 | |
THEY GRUNT | 0:20:10 | 0:20:13 | |
Night, Alex. | 0:20:19 | 0:20:21 | |
(Night, mate.) | 0:20:28 | 0:20:30 | |
It has been believed since the 5th century BC, | 0:20:32 | 0:20:34 | |
when Parmenides first observed it, | 0:20:34 | 0:20:36 | |
that nature abhors a vacuum. | 0:20:36 | 0:20:38 | |
And as far as Alex was concerned, he did too. | 0:20:39 | 0:20:43 | |
Right, a married celebrity has just spent the night with Paris Hilton. | 0:20:43 | 0:20:47 | |
They come out to the balcony of their hotel room to have a cigarette. | 0:20:47 | 0:20:50 | |
-Do you photograph them? -No. -Why not? | 0:20:50 | 0:20:52 | |
There shouldn't be any surveillance of private activities | 0:20:52 | 0:20:55 | |
in a building without consent of those involved. | 0:20:55 | 0:20:57 | |
But it's a balcony, so technically, it's outside. | 0:20:57 | 0:20:59 | |
Well, technically, but still inside the parameters of the building. | 0:20:59 | 0:21:03 | |
Isn't the fourth estate's job to uncover corruption | 0:21:03 | 0:21:06 | |
-wherever it takes place? -But where do you draw the line? | 0:21:06 | 0:21:08 | |
Do you want me to stick my camera under a toilet cubicle | 0:21:08 | 0:21:10 | |
to bust Sonny Bill Williams and Candice Falzon going at it? | 0:21:10 | 0:21:14 | |
DOOR KNOCKS | 0:21:17 | 0:21:21 | |
I don't suppose there's any news? | 0:21:21 | 0:21:23 | |
Sorry, mate. How d'you go with the photographers? | 0:21:23 | 0:21:25 | |
Look, they've all got principles. | 0:21:25 | 0:21:27 | |
Oh, dear, it takes a long time to unteach principles. | 0:21:27 | 0:21:30 | |
I just wish I'd never taken Bob on that job. | 0:21:30 | 0:21:32 | |
You can never tell which jobs are going to get you killed. | 0:21:32 | 0:21:34 | |
-You can make an educated guess. -You CAN make an educated guess, yes. | 0:21:34 | 0:21:38 | |
DOOR KNOCKED SWIFTLY | 0:21:38 | 0:21:39 | |
Hi, I was looking for Alex Burch... There you are! | 0:21:39 | 0:21:42 | |
-I recognise you from your photo byline. -Hi! -Sorry I'm late. | 0:21:42 | 0:21:46 | |
Hey, do you guys want to buy this pic I just got? | 0:21:46 | 0:21:50 | |
A food delivery guy, picking up a chicken fillet with bare hands. | 0:21:50 | 0:21:53 | |
-No gloves? -No. | 0:21:53 | 0:21:55 | |
-Did he give permission? -Course not. | 0:21:55 | 0:21:56 | |
I attached a hidden camera to the inside of his truck. | 0:21:56 | 0:22:00 | |
Bingo! | 0:22:00 | 0:22:01 | |
Sorry that these aren't the best circumstances to take on a new job. | 0:22:02 | 0:22:07 | |
Don't worry about it. I'm here for you. | 0:22:07 | 0:22:10 | |
I've got to go home and write the most difficult story of my life. | 0:22:10 | 0:22:13 | |
Have you eaten? | 0:22:13 | 0:22:15 | |
Bob used to do the cooking. | 0:22:15 | 0:22:18 | |
Alex's article on Bob | 0:22:18 | 0:22:20 | |
and the Marino gang was the most talked-about story of the year. | 0:22:20 | 0:22:23 | |
The sales spike reprieved the paper from the unthinkable - | 0:22:23 | 0:22:27 | |
a merger with the Sunday Argus, a newspaper where the reporters | 0:22:27 | 0:22:30 | |
wore cufflinks and had share portfolios. | 0:22:30 | 0:22:33 | |
What's more, it had a strong online presence, | 0:22:33 | 0:22:35 | |
which Sunday Sun staffers thought was a bit gay. | 0:22:35 | 0:22:38 | |
Look, I just used what was in the fridge and I've whipped up a herb | 0:22:38 | 0:22:41 | |
marinated chicken with garlic and green peppercorns. | 0:22:41 | 0:22:44 | |
And I hope you don't mind, but I used up the last of the chardonnay, too. | 0:22:44 | 0:22:48 | |
Wow! | 0:22:48 | 0:22:49 | |
Mmm! | 0:22:51 | 0:22:54 | |
It's almost as good as Bob's! That says something because he's a... | 0:22:54 | 0:22:58 | |
WAS a cordon bleu. | 0:22:58 | 0:23:01 | |
Burchill off his long run. | 0:23:09 | 0:23:12 | |
Short length. | 0:23:12 | 0:23:13 | |
Bowled him. Burchill's a genius! | 0:23:15 | 0:23:18 | |
Hey, hey, hey, hey, that's enough! | 0:23:18 | 0:23:20 | |
Come here! | 0:23:20 | 0:23:22 | |
THEY GRUNT | 0:23:22 | 0:23:23 | |
Night, Alex! | 0:23:23 | 0:23:26 | |
Night, Janet. | 0:23:26 | 0:23:28 | |
This was a time of healing for Alex, as one chapter of his life closed | 0:23:34 | 0:23:37 | |
and a new and exciting one began. | 0:23:37 | 0:23:40 | |
The thing about jogging round here's that sometimes you find the odd dead body. | 0:23:40 | 0:23:44 | |
-Really? How many dead bodies have you seen? -One. But still. | 0:23:44 | 0:23:47 | |
-That would have been such a shock for you. -Yeah, I was by myself, too. | 0:23:47 | 0:23:50 | |
Bob was attempting a bit of a spiritual rebirth at the time | 0:23:50 | 0:23:53 | |
-and decided not to come. -Oh, no. | 0:23:53 | 0:23:55 | |
Just lying there, you know, | 0:23:55 | 0:23:58 | |
like a cold lump of lard. | 0:23:58 | 0:24:01 | |
I read the story. | 0:24:01 | 0:24:02 | |
It was a beautiful depiction. | 0:24:02 | 0:24:04 | |
-Only topped, of course, by what you wrote yesterday. -Thanks. | 0:24:04 | 0:24:08 | |
I'll never forget him. | 0:24:08 | 0:24:10 | |
I loved him, you know. | 0:24:10 | 0:24:12 | |
Although sometimes he could be a bit selfish. | 0:24:12 | 0:24:14 | |
MUFFLED SHRIEKING | 0:24:14 | 0:24:16 | |
Did you hear that? | 0:24:16 | 0:24:18 | |
-What? -Some sort of groan? | 0:24:18 | 0:24:21 | |
Mate, one thing you have to know is I get freaked out really easily. | 0:24:21 | 0:24:25 | |
-OK? -Probably wasn't anything. | 0:24:25 | 0:24:27 | |
MUFFLED MOANING | 0:24:27 | 0:24:29 | |
STRANGLED SPEECH | 0:24:29 | 0:24:32 | |
MUFFLED MOAN | 0:24:35 | 0:24:38 | |
Bob? | 0:24:38 | 0:24:39 | |
Bob! | 0:24:39 | 0:24:42 | |
-Oh, Janet, Bob, Bob, Janet. -Hi, Bob, I'm Janet. | 0:24:42 | 0:24:46 | |
Massive fan of your work. | 0:24:46 | 0:24:47 | |
MUFFLED THANKS | 0:24:47 | 0:24:48 | |
So good to see you! What the fuck happened? | 0:24:48 | 0:24:50 | |
Well... | 0:24:50 | 0:24:53 | |
It was all going magnificently, | 0:24:53 | 0:24:55 | |
and then I suggested Tony pay a visit to Hi-Tech Hair Solutions. | 0:24:55 | 0:24:58 | |
They specifically said, "Don't mention the hair." | 0:24:58 | 0:25:01 | |
I thought if you look better from the outside, | 0:25:01 | 0:25:03 | |
you'll feel better on the inside. | 0:25:03 | 0:25:05 | |
Anyway, next thing I know, I'm tied up and taken down here. | 0:25:05 | 0:25:09 | |
-They didn't kill you. -That's the thing. | 0:25:09 | 0:25:11 | |
I did my Don Corleone and the big guy loved it. | 0:25:11 | 0:25:13 | |
-Said he couldn't possibly shoot me. -Mate, that's an amazing story. | 0:25:13 | 0:25:16 | |
Wait till this comes out! | 0:25:16 | 0:25:19 | |
Though the paper doesn't go to press till Saturday night | 0:25:19 | 0:25:22 | |
so the boss'll want to keep you dead for a few more days. | 0:25:22 | 0:25:24 | |
-Sure. -You won't want the dailies getting hold of this. | 0:25:24 | 0:25:28 | |
Ten days later, and Janet had got a job at the Argus | 0:25:30 | 0:25:33 | |
while life had returned to normal for Alex and Bob. | 0:25:33 | 0:25:36 | |
-Superb couscous, mate. -My pleasure. | 0:25:36 | 0:25:39 | |
-TV: -'When is a dead photographer not dead? | 0:25:39 | 0:25:42 | |
'Apparently, when he works for the Sunday Sun.' | 0:25:42 | 0:25:44 | |
Sunday Sun editor Howard Evans | 0:25:44 | 0:25:47 | |
recently carved out a new low at the tabloid | 0:25:47 | 0:25:50 | |
when he pronounced photographer Bob Geraghty was dead a week | 0:25:50 | 0:25:54 | |
and a half ago, after he failed to return from an assignment. | 0:25:54 | 0:25:57 | |
Full Disclosure has obtained images revealing Geraghty was, in fact, | 0:25:57 | 0:26:01 | |
very much alive and apparently, quite well. | 0:26:01 | 0:26:06 | |
Can you believe that? Janet has absolutely no scruples whatsoever. | 0:26:06 | 0:26:10 | |
Well, Mr Evans, I don't know how long the Sunday Sun can survive, | 0:26:10 | 0:26:13 | |
but I suggest that you, together with your puff columnist | 0:26:13 | 0:26:16 | |
Alex Burchill, just drove a nail into your own coffin. | 0:26:16 | 0:26:20 | |
-Puff columnist? -That's a bit harsh. | 0:26:20 | 0:26:23 | |
Yes, I thought so, too. | 0:26:23 | 0:26:26 | |
Subtitles by Red Bee Media Ltd | 0:26:50 | 0:26:53 |