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Tonight on my Big Show, | 0:00:10 | 0:00:13 | |
Geri Horner spices things up when she plays Celebrity Send To All, | 0:00:13 | 0:00:18 | |
chart sensation Tinie Tempah brings the house down, | 0:00:18 | 0:00:22 | |
jaw-dropping acrobatics from the Peres Brothers Group | 0:00:22 | 0:00:25 | |
and who will be our unexpected star of the show? | 0:00:25 | 0:00:30 | |
Ladies and gentlemen, it's the Big Show! | 0:00:34 | 0:00:38 | |
Please welcome your host, Michael McIntyre. | 0:00:38 | 0:00:42 | |
APPLAUSE | 0:00:42 | 0:00:46 | |
Yay! | 0:00:56 | 0:00:57 | |
Good evening, ladies and gentlemen! | 0:01:02 | 0:01:04 | |
And welcome to the Big Show! | 0:01:06 | 0:01:09 | |
Let me explain to you that tonight we're going to have some big stars, | 0:01:13 | 0:01:17 | |
big laughs and big surprises on this very stage. | 0:01:17 | 0:01:20 | |
Yes, we are. | 0:01:22 | 0:01:24 | |
We will also be playing my favourite game of them all, | 0:01:24 | 0:01:26 | |
Celebrity Send To All, that sounds like fun. | 0:01:26 | 0:01:29 | |
And I can promise you that tonight, ladies and gentlemen, | 0:01:30 | 0:01:32 | |
one person will be getting the biggest surprise of their life. | 0:01:32 | 0:01:36 | |
Yes. | 0:01:38 | 0:01:40 | |
So this show, let me tell you, ladies and gentlemen, | 0:01:40 | 0:01:42 | |
it's going out on BBC One on Saturday night television | 0:01:42 | 0:01:47 | |
so my kids are going to watch it. My kids have never seen me on TV. | 0:01:47 | 0:01:49 | |
They're ten and seven now, | 0:01:49 | 0:01:51 | |
so they're growing up. They're both boys. They... | 0:01:51 | 0:01:53 | |
They like each other and they hate each other. | 0:01:53 | 0:01:55 | |
You know what it's like when you've got brothers. | 0:01:55 | 0:01:57 | |
They argue a lot, they argue over everything, you know. | 0:01:57 | 0:02:00 | |
It's always about "my turn." Sibling rivalry isn't it, my turn? | 0:02:00 | 0:02:03 | |
"It's my turn to do this, my turn to do that." | 0:02:03 | 0:02:04 | |
Some things I understand, like "It's my turn to sit in the front." | 0:02:04 | 0:02:07 | |
It's a big one, "It's my turn to sit in the front." | 0:02:07 | 0:02:09 | |
"He sat in the front last time, it's my turn to sit in the front!" | 0:02:09 | 0:02:12 | |
I don't know, I can't keep track of it. | 0:02:12 | 0:02:14 | |
Why don't you just sit on the way and you on the way home? | 0:02:14 | 0:02:16 | |
"No, but he did it last time, it's my turn to sit in the front!" | 0:02:16 | 0:02:19 | |
I understand sitting in the front because it's more fun, isn't it? | 0:02:19 | 0:02:22 | |
You're up there with Mum or Dad, you can see more clearly, | 0:02:22 | 0:02:24 | |
you get the music, you're controlling the window. | 0:02:24 | 0:02:27 | |
Also you have the satisfaction of knowing that your brother, | 0:02:27 | 0:02:29 | |
your rival, is trapped in the worst seat in the car behind you. | 0:02:29 | 0:02:33 | |
But there are some things I will never understand, | 0:02:33 | 0:02:35 | |
like "It's my turn to push the button in the lift." | 0:02:35 | 0:02:39 | |
This is not one of the perks of life. | 0:02:40 | 0:02:42 | |
There's so much more exciting things in the world, | 0:02:42 | 0:02:46 | |
but my kids go mental if the other one pushes it and it's not his turn. | 0:02:46 | 0:02:51 | |
"Oh, I can't believe he pushed the button, it's my turn!" | 0:02:51 | 0:02:54 | |
I'm like, "Darling, this is one of the most boring things, | 0:02:54 | 0:02:57 | |
"pushing up and watching it get illuminated. | 0:02:57 | 0:03:00 | |
"Just let your brother do it. It's very boring." | 0:03:00 | 0:03:02 | |
And they do this arguing and they get so upset | 0:03:02 | 0:03:04 | |
that they don't want to stop talking | 0:03:04 | 0:03:06 | |
cos they know their brother's going to chip in | 0:03:06 | 0:03:08 | |
so they keep talking while they're inhaling. | 0:03:08 | 0:03:10 | |
It's a skill that only children have. | 0:03:10 | 0:03:12 | |
"I can't believe he pushed the button when it was my turn | 0:03:12 | 0:03:15 | |
"and then he just pushed the button right in front of me | 0:03:15 | 0:03:17 | |
"and it was my turn to push the button!" | 0:03:17 | 0:03:21 | |
Adults are often quite pleased if somebody pushes the button for them. | 0:03:21 | 0:03:24 | |
We go into a lift and sometimes there's a person, a stranger, | 0:03:24 | 0:03:27 | |
in the lift and they're like, | 0:03:27 | 0:03:28 | |
"Which floor, please? Sorry, which floor?" | 0:03:28 | 0:03:30 | |
Oh, thank you! Oh, you're very kind. | 0:03:30 | 0:03:32 | |
You're a very kind stranger. 11, I'm going to 11. | 0:03:32 | 0:03:35 | |
They push 11 and I go, "Thank you! Thank you, stranger, | 0:03:35 | 0:03:38 | |
"for making my life a little easier." | 0:03:38 | 0:03:40 | |
It's very rare for an adult to go, | 0:03:40 | 0:03:41 | |
"Hey! It's my turn to push the button. Step aside! | 0:03:41 | 0:03:44 | |
"I can't believe you would push the button | 0:03:44 | 0:03:45 | |
"when it's obviously my turn to push the button." | 0:03:45 | 0:03:48 | |
Crossing the road is exactly the same. | 0:03:48 | 0:03:51 | |
The pelican crossing thing where you push it, it says "Wait." | 0:03:51 | 0:03:54 | |
Is there anything more boring than that in life? My kids go mental. | 0:03:54 | 0:03:57 | |
"I can't believe it was my turn, he pushed the button yesterday | 0:03:57 | 0:04:00 | |
"and the day before and I haven't pushed the button for ages." | 0:04:00 | 0:04:03 | |
This is so boring! Half of adults forget. | 0:04:03 | 0:04:05 | |
We're often standing at the road going, "Have you...? | 0:04:05 | 0:04:07 | |
"Sorry, have you not pushed the button?" | 0:04:07 | 0:04:09 | |
"I thought you pushed the button." | 0:04:09 | 0:04:11 | |
"Oh, for God's sake! I'll push the button." | 0:04:11 | 0:04:15 | |
But with kids! | 0:04:16 | 0:04:17 | |
Oh, the drama! The drama of road crossing. | 0:04:17 | 0:04:21 | |
Because also you've got to teach them about the green man, | 0:04:21 | 0:04:23 | |
because you can never cross on the red man | 0:04:23 | 0:04:25 | |
because, you know, it's dangerous | 0:04:25 | 0:04:26 | |
so you always have to wait there with your kids, | 0:04:26 | 0:04:28 | |
waiting for the green man. It's the red man, don't cross on the red man. | 0:04:28 | 0:04:31 | |
Adults don't help of course because they walk past them. | 0:04:31 | 0:04:35 | |
"But he's going." He's an idiot. Children, that man is an idiot. | 0:04:35 | 0:04:38 | |
Once a man in an all-green tracksuit starts walking across, | 0:04:39 | 0:04:42 | |
my son was like, "Is that the green man?" | 0:04:42 | 0:04:44 | |
No, that's is just... It's another idiot. | 0:04:44 | 0:04:46 | |
I like it when couples who are, like, in a relationship, | 0:04:49 | 0:04:52 | |
they obviously love each other, you know, | 0:04:52 | 0:04:54 | |
they might be married or going out, walking along the street | 0:04:54 | 0:04:56 | |
and the man will always do that thing | 0:04:56 | 0:04:58 | |
when he naturally goes roadside. Roadside. | 0:04:58 | 0:05:00 | |
"I'm going to... Excuse me, I'll go this side, darling. | 0:05:00 | 0:05:03 | |
"If a car comes off the road, I'll take it, I'll take it. | 0:05:03 | 0:05:06 | |
"I'll take it, you go there. | 0:05:06 | 0:05:08 | |
"The worst that can happen is a wheelie bin might topple on you | 0:05:08 | 0:05:10 | |
"but here, a lorry could come | 0:05:10 | 0:05:13 | |
"and I'll just stop it with my thigh." | 0:05:13 | 0:05:15 | |
You get to a road, right, and there's this ambiguity | 0:05:19 | 0:05:21 | |
over whether to cross and suddenly the hands... | 0:05:21 | 0:05:24 | |
You stop holding hands. | 0:05:24 | 0:05:25 | |
One person will go and they look at the car and think, | 0:05:25 | 0:05:28 | |
oh, there's a car coming. | 0:05:28 | 0:05:29 | |
And then one person starts going, the other person's going... | 0:05:29 | 0:05:31 | |
No, I think I'm going to die. | 0:05:31 | 0:05:32 | |
And the person keeps going, what's happened? Where are you? | 0:05:32 | 0:05:35 | |
And you end up on opposite sides of the road. | 0:05:35 | 0:05:37 | |
What are you doing?! | 0:05:37 | 0:05:39 | |
Well, I saw, I thought, I thought I was going to die. | 0:05:40 | 0:05:43 | |
And you left ME to die? | 0:05:43 | 0:05:45 | |
I like it now with the countdowns. Have you seen the countdown clocks? | 0:05:48 | 0:05:51 | |
They give you, like, 20 seconds to cross the road. | 0:05:51 | 0:05:54 | |
I always do it well inside the allotted time. | 0:05:54 | 0:05:56 | |
I'm watching the clock. I'm like... I've done it in eight seconds. | 0:05:56 | 0:05:59 | |
I've got 12 left. I'm tempted to go back in. | 0:05:59 | 0:06:01 | |
I'm going to make the most of my 20. | 0:06:01 | 0:06:03 | |
I like to time it exactly. Three, two, one and yeah! | 0:06:05 | 0:06:09 | |
Just a bit of advice. | 0:06:12 | 0:06:13 | |
Now, ladies and gentlemen, | 0:06:18 | 0:06:19 | |
we have some amazing stars on this stage tonight, | 0:06:19 | 0:06:21 | |
but one of our performers isn't actually at the theatre yet. | 0:06:21 | 0:06:25 | |
That's because right now they don't even know they're on the show. | 0:06:25 | 0:06:29 | |
-AUDIENCE: -Ooh! | 0:06:29 | 0:06:30 | |
Each week on the Big Show, we're going to surprise | 0:06:32 | 0:06:34 | |
a member of the public and they will be performing on this very stage | 0:06:34 | 0:06:39 | |
as our Unexpected Star of the Show! | 0:06:39 | 0:06:41 | |
JINGLE PLAYS | 0:06:41 | 0:06:45 | |
OK. | 0:06:45 | 0:06:47 | |
OK, so this week's unexpected star is called Natasha John. | 0:06:47 | 0:06:51 | |
She's from Wales, that's her. | 0:06:51 | 0:06:52 | |
-ONE MAN: -H-E-E-E-E-E-EY! | 0:06:52 | 0:06:54 | |
LAUGHTER | 0:06:54 | 0:06:57 | |
That's Natasha. | 0:06:57 | 0:07:00 | |
Either she's known by someone in the audience | 0:07:00 | 0:07:02 | |
or someone has hurled themselves from the circle. | 0:07:02 | 0:07:05 | |
OK, Natasha is 23 years old and she's a hairdresser | 0:07:06 | 0:07:10 | |
at her mother's salon in...Penco-ed? Pincoed? | 0:07:10 | 0:07:14 | |
Pencoed! | 0:07:14 | 0:07:15 | |
Pencoed? Do you know her? | 0:07:15 | 0:07:18 | |
Yeah, I went to school with her. | 0:07:18 | 0:07:20 | |
Is that a coincidence? | 0:07:20 | 0:07:21 | |
Yeah, I didn't know anything about it. | 0:07:21 | 0:07:23 | |
LAUGHTER AND APPLAUSE | 0:07:23 | 0:07:27 | |
Are you serious? | 0:07:27 | 0:07:28 | |
Because I know that she's got friends and family over here | 0:07:31 | 0:07:34 | |
and I keep thinking there's a lunatic over there. | 0:07:34 | 0:07:36 | |
H-E-E-E-E-E-EY! | 0:07:36 | 0:07:38 | |
WELSH ACCENT: We are so far from Pencoed. | 0:07:38 | 0:07:41 | |
It's an unbelievable coincidence. | 0:07:41 | 0:07:43 | |
I can't believe it. | 0:07:44 | 0:07:46 | |
-What's the name of the school you went to? -Er, Pencoed. | 0:07:46 | 0:07:50 | |
LAUGHTER | 0:07:50 | 0:07:52 | |
It's not a big place, Pencoed. | 0:07:52 | 0:07:53 | |
I live in Pencoed. I go to Pencoed. | 0:07:57 | 0:07:59 | |
I live at number three, Pencoed. | 0:07:59 | 0:08:01 | |
Number of pupils, two. | 0:08:04 | 0:08:06 | |
There's me and the hairdresser. | 0:08:06 | 0:08:07 | |
No wonder you went mental. | 0:08:07 | 0:08:09 | |
ARGH! It's the other one, innit! | 0:08:09 | 0:08:12 | |
It's the other one from Pencoed! | 0:08:13 | 0:08:15 | |
What was your name? | 0:08:17 | 0:08:18 | |
-CJ. -CJ, excellent. | 0:08:18 | 0:08:21 | |
-So you remember Natasha? -Yeah, I know her really well. | 0:08:21 | 0:08:24 | |
OK, brilliant. Well, you're going to enjoy tonight. | 0:08:24 | 0:08:27 | |
She's been working at the hairdresser in Pencoed | 0:08:28 | 0:08:31 | |
which I assume you go to as well? | 0:08:31 | 0:08:33 | |
-Do you to go to there? -Not any more, I used to. | 0:08:33 | 0:08:35 | |
He used to go to the hairdresser, of course, | 0:08:35 | 0:08:37 | |
when he was living in Pencoed. | 0:08:37 | 0:08:39 | |
Hey, Natasha, it's me from school, innit? | 0:08:40 | 0:08:45 | |
Trim the locks, let's have it. | 0:08:45 | 0:08:46 | |
I'm living in London now. In fact I've turned into a bit of a luvvie. | 0:08:46 | 0:08:51 | |
I keep going to the theatre... | 0:08:51 | 0:08:53 | |
for free. APPLAUSE | 0:08:53 | 0:08:57 | |
OK, so we have some footage of her working. | 0:08:59 | 0:09:04 | |
There she is. This is her hard at work. | 0:09:04 | 0:09:08 | |
This is just the highlights obviously. | 0:09:08 | 0:09:10 | |
LAUGHTER | 0:09:10 | 0:09:12 | |
APPLAUSE | 0:09:12 | 0:09:14 | |
So Natasha think she's coming to the theatre today to help her mum out | 0:09:15 | 0:09:19 | |
with some hairstyling as part of a charity event | 0:09:19 | 0:09:21 | |
that she thinks is going on at the theatre, | 0:09:21 | 0:09:23 | |
but, of course, that isn't the plan at all. | 0:09:23 | 0:09:26 | |
Natasha has always dreamed of being in show business, | 0:09:26 | 0:09:29 | |
singing is her passion and tonight, | 0:09:29 | 0:09:32 | |
we'll be making Natasha's dream come true. | 0:09:32 | 0:09:34 | |
So Natasha was set up by her mum, Natalie, who is with her right now | 0:09:34 | 0:09:38 | |
and her dad, Steve, and Steve's in the audience | 0:09:38 | 0:09:40 | |
so let's go and chat to Steve. | 0:09:40 | 0:09:42 | |
-Hello. -Steve! Lovely to see you. | 0:09:46 | 0:09:48 | |
Stand up, please, for me, Steve. | 0:09:48 | 0:09:50 | |
Ladies and gentlemen, it's Natasha's dad, Steve. There he is. | 0:09:50 | 0:09:54 | |
OK, so tell us about Natasha. | 0:09:54 | 0:09:57 | |
She's a hairdresser, like, a full time hairdresser? | 0:09:57 | 0:09:59 | |
-Yeah, she's full time with her mum, erm... -Right. | 0:09:59 | 0:10:02 | |
But her main goal, if you like, is to be a singer, yeah. | 0:10:02 | 0:10:05 | |
How do you think she's going to react | 0:10:05 | 0:10:06 | |
when she shows up at the theatre? | 0:10:06 | 0:10:08 | |
It'll just blow her mind to be honest with you but, you know, | 0:10:08 | 0:10:10 | |
I think she's the type of person... You know, she can handle it. | 0:10:10 | 0:10:13 | |
And I, I gather we've got granny June here, is that right? Nana June? | 0:10:13 | 0:10:16 | |
-That's me, yes. -Hi, June. Nice to see you. | 0:10:16 | 0:10:18 | |
-How are you doing? Fabulous. -Fine, thanks. | 0:10:18 | 0:10:21 | |
-So you're a big fan of Natasha's voice? -Yes. -Yeah? -Yes. | 0:10:21 | 0:10:25 | |
-You think she'll sing well tonight if she...? -Oh, yes. | 0:10:25 | 0:10:27 | |
Do you remember CJ? The creepy guy in the village? | 0:10:27 | 0:10:31 | |
-Oh, keep him quiet! -LAUGHTER | 0:10:31 | 0:10:34 | |
Ladies and gentlemen, please give it up for Natasha's family. | 0:10:34 | 0:10:37 | |
Dad Steve and Nanny June. | 0:10:37 | 0:10:40 | |
There we go. | 0:10:40 | 0:10:42 | |
OK, so Natasha is on her way to the theatre right now. | 0:10:44 | 0:10:48 | |
She's going to come and we're going to call her up. | 0:10:48 | 0:10:50 | |
We're going to attach a corridor onto here, | 0:10:50 | 0:10:53 | |
which will then go into a fake dressing room | 0:10:53 | 0:10:56 | |
which is going to take up quite a lot of the stage | 0:10:56 | 0:10:58 | |
and then I'm going to go in it and put a wig on. | 0:10:58 | 0:11:01 | |
And I'm going to sit in the chair | 0:11:02 | 0:11:04 | |
and then she's going to come into the room, thinking it's a haircut | 0:11:04 | 0:11:07 | |
and then the whole front of the room is going to collapse | 0:11:07 | 0:11:12 | |
and you're going to go completely bananas, OK? | 0:11:12 | 0:11:15 | |
And of course, if there's a technical issue | 0:11:19 | 0:11:21 | |
and it doesn't collapse, | 0:11:21 | 0:11:22 | |
I will just have to have a haircut. | 0:11:22 | 0:11:24 | |
My first guest is a multi-award winning, | 0:11:28 | 0:11:31 | |
platinum-selling rap sensation. | 0:11:31 | 0:11:34 | |
Here with a banging tune that cool kids will be dancing to all summer | 0:11:35 | 0:11:40 | |
and I'll be tapping the steering wheel to on the school run | 0:11:40 | 0:11:43 | |
in the autumn, it's Tinie Tempah! | 0:11:43 | 0:11:47 | |
CHEERING | 0:11:47 | 0:11:49 | |
# All the girls like | 0:11:57 | 0:11:59 | |
# Said I was the man | 0:11:59 | 0:12:00 | |
# All I ever needed was a plan | 0:12:00 | 0:12:02 | |
# Tell JK that we still rolling | 0:12:02 | 0:12:04 | |
# Yeah, tell Russell I'm a brand | 0:12:04 | 0:12:07 | |
# Yeah, bust that skank | 0:12:07 | 0:12:08 | |
# Ain't nobody messing with the gang | 0:12:08 | 0:12:10 | |
# Might take a fly out for the weekend | 0:12:10 | 0:12:12 | |
# And go Cannes cos I can | 0:12:12 | 0:12:14 | |
# Go low, go low, everybody get low | 0:12:14 | 0:12:16 | |
# Had a couple hits and a couple solos | 0:12:16 | 0:12:18 | |
# Now I got a couple Brits and a couple MOBOs | 0:12:18 | 0:12:20 | |
# Dropped Pass Out, everybody loco | 0:12:20 | 0:12:22 | |
# I was dropping off the mandem in a Polo | 0:12:22 | 0:12:24 | |
# Now I'm with a mandem at the polo | 0:12:24 | 0:12:26 | |
# I could make a honey give away her last Rolo | 0:12:26 | 0:12:28 | |
# Then I say sure, yo, you know how it goes | 0:12:28 | 0:12:30 | |
-# All the girls like -I know what boys like | 0:12:30 | 0:12:33 | |
# I know what they want | 0:12:33 | 0:12:34 | |
# They want that good thing | 0:12:34 | 0:12:36 | |
-# They wanna get some -All the girls like | 0:12:36 | 0:12:39 | |
# I know what boys like | 0:12:39 | 0:12:40 | |
# I know what they want | 0:12:40 | 0:12:42 | |
# So go ahead and prove me right | 0:12:42 | 0:12:45 | |
# That's what girls like | 0:12:45 | 0:12:47 | |
# Yeah, Roley on the wrist, that's me, me | 0:12:47 | 0:12:49 | |
# Man of the year I'm fleek-y | 0:12:49 | 0:12:50 | |
# Had a couple man wanna be me | 0:12:50 | 0:12:52 | |
# Them man can't be TT | 0:12:52 | 0:12:54 | |
# Tell 'em only winners are allowed | 0:12:54 | 0:12:56 | |
# No diggidy, no diggi-doubt | 0:12:56 | 0:12:58 | |
# I was getting... Before girls were putting out | 0:12:58 | 0:13:00 | |
# Told them I was gonna blow back when I was in the south | 0:13:00 | 0:13:02 | |
# Go low, go low, everybody go low | 0:13:02 | 0:13:04 | |
# Since she want me she don't want the coco | 0:13:04 | 0:13:06 | |
# So I made her sing it back like she was Moloko | 0:13:06 | 0:13:08 | |
# And I got Merc, I ain't got a Volvo | 0:13:08 | 0:13:10 | |
# Used to have a black...Sirocco | 0:13:10 | 0:13:12 | |
# Now everywhere I go people want a photo | 0:13:12 | 0:13:14 | |
# I could make a honey give away her last Rolo | 0:13:14 | 0:13:16 | |
# Then I say sure, yo, you know how I roll | 0:13:16 | 0:13:18 | |
-# All the girls like -I know what boys like | 0:13:18 | 0:13:21 | |
# I know what they want | 0:13:21 | 0:13:22 | |
# They want that good thing | 0:13:22 | 0:13:25 | |
-# They wanna get some -All the girls like | 0:13:25 | 0:13:27 | |
# I know what boys like | 0:13:27 | 0:13:28 | |
# I know what they want | 0:13:28 | 0:13:30 | |
# So go ahead and prove me right | 0:13:30 | 0:13:34 | |
# That's what girls like... # | 0:13:34 | 0:13:36 | |
Everybody on your feet right now! | 0:13:36 | 0:13:38 | |
# No Netflix and chill that's dead | 0:13:40 | 0:13:42 | |
# Every day you ride your friends | 0:13:42 | 0:13:44 | |
# All the girls like | 0:13:44 | 0:13:45 | |
# I don't need your money for my rent | 0:13:45 | 0:13:46 | |
# I'm not an eight or a nine, I'm a ten | 0:13:46 | 0:13:48 | |
-# All the girls like -What's the code to your wi-fi again? | 0:13:48 | 0:13:50 | |
-Let's go! -# I know what boys like | 0:13:50 | 0:13:52 | |
-# I know what they want -All the girls like | 0:13:52 | 0:13:55 | |
# They want that good thing | 0:13:55 | 0:13:56 | |
# They wanna get some | 0:13:56 | 0:13:58 | |
# All the girls like | 0:13:58 | 0:13:59 | |
# I know what boys like | 0:13:59 | 0:14:00 | |
# I know what they want | 0:14:00 | 0:14:02 | |
# So go ahead and prove me right | 0:14:02 | 0:14:05 | |
# Cos that's what girls like | 0:14:05 | 0:14:07 | |
# Said I was the man | 0:14:07 | 0:14:08 | |
# All I ever needed was a plan | 0:14:08 | 0:14:10 | |
# Tell JK that we still rolling | 0:14:10 | 0:14:12 | |
# Yeah, tell Russell I'm a brand | 0:14:12 | 0:14:14 | |
# Yeah, bust that skank | 0:14:14 | 0:14:16 | |
# Ain't nobody messing with the gang | 0:14:16 | 0:14:18 | |
# Might take a fly out for the weekend | 0:14:18 | 0:14:20 | |
# And go Cannes cos I can | 0:14:20 | 0:14:22 | |
# Go low, go low, everybody go low | 0:14:22 | 0:14:24 | |
# Had a couple hits and a couple solos | 0:14:24 | 0:14:26 | |
# Now I got a couple Brits and a couple MOBOs | 0:14:26 | 0:14:28 | |
# Dropped Pass Out, everybody loco | 0:14:28 | 0:14:30 | |
# I was dropping off the mandem in a Polo | 0:14:30 | 0:14:32 | |
# Now I'm with a mandem at the polo | 0:14:32 | 0:14:34 | |
# I could make a honey give away her last Rolo | 0:14:34 | 0:14:36 | |
# Then I say sure, yo, you know how it goes | 0:14:36 | 0:14:38 | |
-# All the girls like -I know what boys like | 0:14:38 | 0:14:40 | |
-# I know what they want -All the girls like | 0:14:40 | 0:14:42 | |
# I know what boys like | 0:14:42 | 0:14:44 | |
# I know what they want | 0:14:44 | 0:14:45 | |
# All the girls like | 0:14:45 | 0:14:47 | |
# I know you, I know you want the good thing | 0:14:47 | 0:14:49 | |
# I know what boys like | 0:14:49 | 0:14:51 | |
# I know what they want. # | 0:14:51 | 0:14:54 | |
APPLAUSE AND CHEERING | 0:14:54 | 0:14:57 | |
Thank you, ladies and gentlemen. | 0:15:01 | 0:15:03 | |
Tinie! | 0:15:06 | 0:15:08 | |
Go on, Tinie! Oh, my God! You've just blown the roof off. | 0:15:08 | 0:15:12 | |
Thank you very much, thank you. | 0:15:12 | 0:15:14 | |
-Look at that! That is a summer banger! -Thank you. | 0:15:14 | 0:15:18 | |
Look at the reaction. | 0:15:18 | 0:15:20 | |
It's amazing, it's good, right? | 0:15:20 | 0:15:23 | |
Thank you very much. | 0:15:23 | 0:15:25 | |
Look at that. | 0:15:25 | 0:15:27 | |
Oh, that coat's amazing! Oh, it's so warm! | 0:15:27 | 0:15:32 | |
So this is what girls like? | 0:15:32 | 0:15:33 | |
That's so far from my get up. | 0:15:35 | 0:15:37 | |
-No, you look good. You look great. -You think I look all right? | 0:15:37 | 0:15:40 | |
-You look great. -Thank you, Tinie. -That's what girls like, right? | 0:15:40 | 0:15:43 | |
-CHEERING -There you go, come on, Michael. | 0:15:43 | 0:15:45 | |
It was reluctant. That was so reluctant. | 0:15:45 | 0:15:48 | |
OK, thank you very much. One more time, what about that? | 0:15:49 | 0:15:52 | |
Complete legend. | 0:15:52 | 0:15:54 | |
MUSIC PLAYS | 0:15:54 | 0:15:56 | |
MUSIC STOPS | 0:15:59 | 0:16:01 | |
Give me more of that music. I'm loving that. | 0:16:04 | 0:16:06 | |
Come on, let's do this. MUSIC RESUMES | 0:16:06 | 0:16:09 | |
MUSIC STOPS, HE LAUGHS | 0:16:12 | 0:16:15 | |
Never done anything like that before in my life. | 0:16:15 | 0:16:17 | |
Ah... It's completely exhausting. | 0:16:21 | 0:16:23 | |
Can you cue up that music? | 0:16:24 | 0:16:26 | |
Every time I do that, I want you to play the music. | 0:16:26 | 0:16:28 | |
MUSIC PLAYS Yes! Oh, OK, that's it. | 0:16:28 | 0:16:31 | |
Just as long as you're ready for that. | 0:16:31 | 0:16:33 | |
MUSIC BEAT | 0:16:33 | 0:16:35 | |
At any moment in time, I might feel this show needs a little bit of... | 0:16:35 | 0:16:40 | |
MUSIC PLAYS ..that. | 0:16:41 | 0:16:43 | |
OK. But not now. | 0:16:46 | 0:16:47 | |
OK, ladies and gentlemen, I've just heard that our unexpected star | 0:16:50 | 0:16:54 | |
of the show, Natasha, is in the building. | 0:16:54 | 0:16:57 | |
She's in the building, Dad. She's in the building. | 0:16:57 | 0:16:59 | |
Who's supposed to be sitting in that seat? | 0:16:59 | 0:17:02 | |
-Grandmother. -The other grandma. -The other grandmother. | 0:17:02 | 0:17:05 | |
-Where's she gone? -(Gone to the toilet.) -Toilet. | 0:17:05 | 0:17:07 | |
She's gone to the...? | 0:17:07 | 0:17:08 | |
-What's her name? What's her name? -Pat. | 0:17:13 | 0:17:15 | |
I can't believe Pat has decided to go. This is unbelievable. | 0:17:15 | 0:17:20 | |
Exactly. | 0:17:20 | 0:17:22 | |
She'd better hurry up because I don't want... Pat can't miss this. | 0:17:22 | 0:17:25 | |
-Oh, she'll miss it. -No, she can't miss it! | 0:17:25 | 0:17:27 | |
APPLAUSE Oh, Pat! | 0:17:29 | 0:17:31 | |
Pat! This is a big moment, Pat. | 0:17:31 | 0:17:35 | |
It's not time to nip off to the bog, innit? | 0:17:36 | 0:17:40 | |
All right, I've just heard that Natasha is in the building. | 0:17:41 | 0:17:45 | |
We have the moment that Natasha arrived, let's check on this. | 0:17:45 | 0:17:48 | |
There she is. OK, that's Natasha and that's Natasha's mum, Natalie. | 0:17:48 | 0:17:52 | |
So, of course, as you all know, she's coming here | 0:17:52 | 0:17:54 | |
thinking she's here to cut hair, | 0:17:54 | 0:17:57 | |
but actually she's going to be performing on this stage | 0:17:57 | 0:17:59 | |
and we're going to give her the surprise of her life. | 0:17:59 | 0:18:02 | |
I think we can see her live now in a room downstairs, | 0:18:02 | 0:18:05 | |
so that's actually her doing, doing someone's hair. | 0:18:05 | 0:18:08 | |
So that's mum Natalie blow-drying away there. | 0:18:08 | 0:18:12 | |
The fun of this is that dress there... | 0:18:12 | 0:18:14 | |
You see that white dress there just behind Natalie? | 0:18:14 | 0:18:16 | |
That white dress hanging there is the actual dress | 0:18:16 | 0:18:18 | |
that Natasha is going to wear in her performance. | 0:18:18 | 0:18:21 | |
So this is the room, I'm going to go in it, that's right. | 0:18:23 | 0:18:26 | |
And I'm going to be having a haircut. | 0:18:26 | 0:18:28 | |
So I've got my, I've got my... er, my cape here. | 0:18:28 | 0:18:32 | |
Here we go. That's good. So that looks great, | 0:18:32 | 0:18:35 | |
that must look really good. | 0:18:35 | 0:18:36 | |
I need to wig up. | 0:18:39 | 0:18:41 | |
I look a little bit like a German tennis coach. | 0:18:51 | 0:18:54 | |
"GERMAN" ACCENT: OK, we're here for today's lesson. | 0:18:57 | 0:19:00 | |
We're going to be working on your backhand and your volleys. | 0:19:00 | 0:19:04 | |
It's actually changed my walk. | 0:19:06 | 0:19:08 | |
All right, I'm going to run round | 0:19:10 | 0:19:11 | |
and I'm going to get in position, OK? | 0:19:11 | 0:19:14 | |
Shh, I'll see you in a minute. I'm going round... | 0:19:14 | 0:19:17 | |
LAUGHTER | 0:19:17 | 0:19:18 | |
Looks amazing in here. Oh, my God, I've just seen my hair! | 0:19:30 | 0:19:32 | |
Close the door. Shh! | 0:19:34 | 0:19:36 | |
OK... Oh, my God, I didn't know I'd look this awful. | 0:19:38 | 0:19:41 | |
I can't tell you how authentic this looks. It's amazing. | 0:19:42 | 0:19:45 | |
It's a proper dressing room and I'll just sit here waiting for my haircut | 0:19:45 | 0:19:48 | |
and as soon as I say hello, get this thing down, OK? | 0:19:48 | 0:19:51 | |
All right. let's do it. Bring her up. | 0:19:51 | 0:19:54 | |
Bring her up. Bring Natasha up. | 0:19:54 | 0:19:55 | |
Are you nearly done? I've got a room ready for you now. | 0:19:55 | 0:19:58 | |
-Yeah. -Are you happy just to finish it off? -I am. | 0:19:58 | 0:20:00 | |
-And if I grab you and just grab your things... -Yeah, yeah. | 0:20:00 | 0:20:03 | |
-Thank you so much. -Looking lovely though, good job. | 0:20:03 | 0:20:05 | |
20 minutes. | 0:20:05 | 0:20:07 | |
Grab your things, we haven't got long. He's got to go on a minute. | 0:20:07 | 0:20:10 | |
-Right. -So if you can just be quick for me. | 0:20:10 | 0:20:12 | |
-Off you go. -Right, bye. -Bye. -Bye. -Thank you. After you. | 0:20:12 | 0:20:15 | |
Yeah, thanks for this. It's this way. | 0:20:17 | 0:20:19 | |
So who we've got now is our guest speaker, OK? | 0:20:19 | 0:20:22 | |
-Erm... he just needs a bit of style. -Yeah. -Nothing major. | 0:20:22 | 0:20:24 | |
-Er, maybe a little bit of hairspray something like that. -That's fine. | 0:20:24 | 0:20:28 | |
-If you've got it with you, that'd be lovely. -I think so, I'll check. | 0:20:30 | 0:20:32 | |
So it's just in there. I'll go and sort your mum out. | 0:20:32 | 0:20:35 | |
-Yeah, let me just check I've got hairspray. -Got everything you need? | 0:20:35 | 0:20:38 | |
Because my mum's got my other hairspray. | 0:20:38 | 0:20:40 | |
Yeah, my mum's got my hairspray. | 0:20:40 | 0:20:42 | |
-Oh, OK. I'll go and grab it. -Righty-o. -OK, thank you. | 0:20:42 | 0:20:45 | |
Oh, do come in. | 0:20:48 | 0:20:49 | |
-Hello. -Hello. Hello! | 0:20:49 | 0:20:52 | |
I didn't realise it'd be you. I'm under pressure now. | 0:20:52 | 0:20:55 | |
WILD CHEERING AND APPLAUSE | 0:20:56 | 0:21:00 | |
What's going on? Oh, my God. | 0:21:00 | 0:21:03 | |
God. | 0:21:05 | 0:21:07 | |
Oh, my... Oh, my God. | 0:21:07 | 0:21:10 | |
What the hell?! | 0:21:14 | 0:21:16 | |
Your family are over there, Natasha. There's your dad, there's your nan. | 0:21:20 | 0:21:23 | |
Oh, my God. | 0:21:23 | 0:21:25 | |
Oh, my God, I'm going to wee myself or something. | 0:21:25 | 0:21:29 | |
Come and join me on the stage. | 0:21:29 | 0:21:31 | |
CHEERING AND APPLAUSE DROWNS OUT SPEECH | 0:21:31 | 0:21:35 | |
Does my mum know? | 0:21:35 | 0:21:37 | |
Your mum knows, your mum knows. | 0:21:37 | 0:21:40 | |
Ladies and gentlemen, it's our unexpected star of the show, | 0:21:40 | 0:21:44 | |
Natasha! WILD CHEERING | 0:21:44 | 0:21:46 | |
Welcome. | 0:21:46 | 0:21:47 | |
Oh, good lord. | 0:21:47 | 0:21:49 | |
Oh, my god. | 0:21:49 | 0:21:52 | |
Natasha, how are you feeling? That's a bit of a shock. | 0:21:52 | 0:21:54 | |
I just can't believe it. When I walked in and seen you, | 0:21:54 | 0:21:56 | |
I thought my nerves were going to go doing your hair. | 0:21:56 | 0:21:59 | |
How did you recognise me in a blonde wig? | 0:21:59 | 0:22:02 | |
You're very distinctive, sorry. | 0:22:02 | 0:22:04 | |
Not that distinct... | 0:22:04 | 0:22:06 | |
-I was dressed like a... -It's this, it's this. | 0:22:06 | 0:22:08 | |
-..like a Bee Gee. -Yeah. | 0:22:08 | 0:22:10 | |
You suddenly saw me and thought, "Oh, it's McIntyre, | 0:22:10 | 0:22:13 | |
"he's gone all Bee Gee. No wonder he needs a haircut." | 0:22:13 | 0:22:16 | |
Yeah, I was like what am I going to do with that? | 0:22:16 | 0:22:19 | |
Well, hopefully turn it back into this. | 0:22:19 | 0:22:22 | |
OK, Natasha, well, let me... | 0:22:22 | 0:22:23 | |
-So you know the girl I was just curling her hair? -Yes. | 0:22:23 | 0:22:26 | |
Who was that? | 0:22:26 | 0:22:27 | |
Don't worry, you'll still get paid. It's, er... | 0:22:27 | 0:22:30 | |
I can't believe this. | 0:22:32 | 0:22:33 | |
No, that wasn't real, none of this is real. | 0:22:33 | 0:22:35 | |
-You've been set up by your mother... -No way. -..Natalie. Oh, there she is. | 0:22:35 | 0:22:39 | |
Your mum's in on it, Natasha, as is your dad Steve. | 0:22:42 | 0:22:45 | |
There's Steve-o and there's your nana. | 0:22:45 | 0:22:47 | |
-There's Pat, who only just made it. -I can't believe this. | 0:22:47 | 0:22:50 | |
She only just made it. Pat was running late. | 0:22:50 | 0:22:53 | |
You've been in on this all weekend? | 0:22:53 | 0:22:55 | |
Oh, my God, I can't believe this. Like, honestly I can't. | 0:22:55 | 0:22:59 | |
I feel like I'm in a dream. | 0:22:59 | 0:23:00 | |
Well, regarding dreams, Natasha... | 0:23:00 | 0:23:03 | |
LAUGHTER | 0:23:03 | 0:23:05 | |
-Oh, my God. -There's more to tonight than just, er, surprising you | 0:23:05 | 0:23:08 | |
because I understand that it's not just hairdressing | 0:23:08 | 0:23:10 | |
that you enjoy to do, is it? | 0:23:10 | 0:23:12 | |
-No. Oh, my God. -What do you enjoy? -I like singing. | 0:23:12 | 0:23:14 | |
You like singing. | 0:23:14 | 0:23:16 | |
Well, Natasha... | 0:23:16 | 0:23:17 | |
Oh, I'm going to have to sing. | 0:23:17 | 0:23:19 | |
-LAUGHTER -Oh, no. | 0:23:19 | 0:23:21 | |
What we have for you is we have the Theatre Royal here | 0:23:21 | 0:23:25 | |
full of 2,500 people. | 0:23:25 | 0:23:26 | |
We also have... WHOOPING AND CHEERING | 0:23:26 | 0:23:29 | |
..a great deal of support for you, isn't that right? | 0:23:32 | 0:23:35 | |
CHEERING AND APPLAUSE | 0:23:35 | 0:23:38 | |
Cos tonight, we're going to make your singing dreams come true | 0:23:38 | 0:23:42 | |
and at the end of the show, you're going to be duetting, in fact, | 0:23:42 | 0:23:46 | |
-with somebody on this very stage... -Oh, my God. | 0:23:46 | 0:23:48 | |
I know, you're going to have some time to calm down. | 0:23:48 | 0:23:51 | |
We'll get you a peppermint tea. | 0:23:51 | 0:23:54 | |
I think I'm going to wee myself. | 0:23:54 | 0:23:55 | |
If you wee yourself, Pat can tell you where the loos are. | 0:23:55 | 0:23:58 | |
I can't believe this! | 0:24:00 | 0:24:02 | |
I can't believe they got away with this. | 0:24:02 | 0:24:04 | |
I don't suppose you remember someone from school called CJ? | 0:24:04 | 0:24:07 | |
No way. | 0:24:07 | 0:24:09 | |
That's literally just a coincidence. | 0:24:09 | 0:24:12 | |
-That's literally just a coincidence. -No way. | 0:24:12 | 0:24:14 | |
No, no, no! | 0:24:14 | 0:24:16 | |
No! Natasha thinks she's going to be duetting with CJ. | 0:24:16 | 0:24:18 | |
LAUGHTER | 0:24:18 | 0:24:20 | |
No, Natasha, CJ is literally here by coincidence. | 0:24:20 | 0:24:24 | |
Tonight, you're going to be duetting with none other | 0:24:24 | 0:24:26 | |
than showbiz West End legend, | 0:24:26 | 0:24:29 | |
it's Michael Ball! | 0:24:29 | 0:24:30 | |
Yes! | 0:24:31 | 0:24:33 | |
What? | 0:24:35 | 0:24:36 | |
Hello, my lovely. | 0:24:36 | 0:24:37 | |
-Nice to meet you. Oh, my God. -What about that? | 0:24:37 | 0:24:41 | |
Oh, my life. | 0:24:41 | 0:24:43 | |
-I'm in my uniform and everything... -It's OK, we've got... | 0:24:43 | 0:24:46 | |
Actually in that dressing room you were in earlier is a brand-new dress for you. We've got everything. | 0:24:46 | 0:24:50 | |
It's all ready to go, it's all in your size. We're going to put you through full hair and make-up. | 0:24:50 | 0:24:53 | |
We've got a huge performance, Michael's going to rehearse with you | 0:24:53 | 0:24:56 | |
and then you're going to perform at the end of the show. | 0:24:56 | 0:24:58 | |
-All I need to do is ask... -I can't wait. -Oh, my god. | 0:24:58 | 0:25:01 | |
-if you're up it, would you be our... -Definitely, yeah! -There you go. | 0:25:01 | 0:25:04 | |
OK, ladies and gentlemen, our unexpected star of the show, | 0:25:04 | 0:25:08 | |
Natasha! | 0:25:08 | 0:25:10 | |
APPLAUSE AND CHEERING | 0:25:10 | 0:25:14 | |
Oh! | 0:25:14 | 0:25:16 | |
OK, now, ladies and gentlemen, | 0:25:18 | 0:25:20 | |
it is time for my favourite game of them all, it's Send To All! | 0:25:20 | 0:25:24 | |
Oh, yes! Oh, yes! | 0:25:24 | 0:25:26 | |
This is where I take a celebrity's mobile telephone | 0:25:28 | 0:25:31 | |
and send a text of my choosing and see what hilarious replies they get. | 0:25:31 | 0:25:36 | |
Each week, a very brave celebrity has agreed to hand their phone | 0:25:36 | 0:25:39 | |
over to me in exchange for seats in our glorious royal box. | 0:25:39 | 0:25:43 | |
So who's in our royal Send To All box this week? | 0:25:43 | 0:25:46 | |
Oh, divine! | 0:25:46 | 0:25:47 | |
It's Spice Girl Geri Horner! | 0:25:49 | 0:25:51 | |
-I love you. Oh! -Hello. Hi. | 0:25:53 | 0:25:56 | |
-You look beautiful up there, Geri. -Thank you. | 0:25:56 | 0:26:00 | |
Are you well? Now you've got... Where's Mr Horner? | 0:26:00 | 0:26:02 | |
He's on an aeroplane just coming back from Australia. | 0:26:02 | 0:26:05 | |
-That's a long flight. -Yeah, a very long flight, yeah. | 0:26:05 | 0:26:07 | |
So he's missing this. When did you marry Mr Horner? | 0:26:07 | 0:26:09 | |
It was almost a year ago, actually. | 0:26:09 | 0:26:11 | |
-Almost a year ago. -Yeah. -Congratulations. -Thank you. | 0:26:11 | 0:26:13 | |
-Because now you're Mrs Horner. -I am, yeah. | 0:26:13 | 0:26:16 | |
OK, can I...? Oh, yes? | 0:26:16 | 0:26:18 | |
-I made you some cake. -You made me some cake? | 0:26:18 | 0:26:21 | |
I made it for the first time, Welsh cake, coincidentally, | 0:26:21 | 0:26:24 | |
-a bara brith? Do you know bara brith? -Yeah! | 0:26:24 | 0:26:26 | |
-Oh, this so lovely. -Yay! OK. | 0:26:26 | 0:26:29 | |
You are going to be playing Send To All | 0:26:29 | 0:26:31 | |
so it's better that you give me the presents before that happens. | 0:26:31 | 0:26:34 | |
Yeah. | 0:26:34 | 0:26:35 | |
All I have to do is ask you to confirm that you haven't told anyone | 0:26:35 | 0:26:38 | |
you're playing this game, you haven't texted anyone in advance. | 0:26:38 | 0:26:41 | |
-No. -All right, great. | 0:26:41 | 0:26:42 | |
Well, please, thank you so much for the cake, | 0:26:42 | 0:26:45 | |
-if you'd like to place the phone... -Be nice. | 0:26:45 | 0:26:47 | |
..and the cake on our Send To All cushion. | 0:26:47 | 0:26:50 | |
-Do you want me to throw it? -Pop the... No, no, there's a... | 0:26:50 | 0:26:52 | |
-Geri! -Stand there. | 0:26:52 | 0:26:54 | |
Ah! Oh, thank you. Ah! Oh, God. | 0:26:54 | 0:26:56 | |
Oh, God! | 0:26:58 | 0:27:00 | |
Oh! | 0:27:00 | 0:27:03 | |
Oh, God! | 0:27:03 | 0:27:04 | |
I can't believe it. | 0:27:06 | 0:27:07 | |
That was a good catch! | 0:27:08 | 0:27:10 | |
You're a wild Spice Girl! | 0:27:10 | 0:27:12 | |
Well done! | 0:27:14 | 0:27:15 | |
Can I get your number? Have my whole phone, there you go! | 0:27:15 | 0:27:18 | |
Oh, before I get onto the phone, | 0:27:19 | 0:27:21 | |
I've got to find out what's going on with this Welsh cake, innit? | 0:27:21 | 0:27:23 | |
You're meant to have it with butter, apparently. | 0:27:23 | 0:27:26 | |
I'll just confirm with the Welsh people. | 0:27:26 | 0:27:30 | |
-Nanny June? -Yes. | 0:27:30 | 0:27:32 | |
Is this a Welsh cake? | 0:27:32 | 0:27:33 | |
-Bara brith. -I've got bad breath? | 0:27:33 | 0:27:36 | |
Rude nanny June! | 0:27:40 | 0:27:42 | |
You've got bad breath! | 0:27:42 | 0:27:45 | |
OK, oh! | 0:27:47 | 0:27:48 | |
Is it OK? | 0:27:50 | 0:27:51 | |
I'm going to finish the cake and then we'll come back. | 0:27:51 | 0:27:54 | |
Thank you so much for the cake, Geri. | 0:27:57 | 0:27:59 | |
And thank you so much for this. | 0:27:59 | 0:28:00 | |
Ladies and gentlemen, I have Geri Horner's phone | 0:28:00 | 0:28:03 | |
and it's time to play Send To All! | 0:28:03 | 0:28:05 | |
Yeah, baby! | 0:28:05 | 0:28:07 | |
All right, I'm going to plug this phone into here | 0:28:08 | 0:28:10 | |
and that should come up on the screen. | 0:28:10 | 0:28:13 | |
Oh, yes. | 0:28:13 | 0:28:15 | |
That's Bluebell. | 0:28:15 | 0:28:16 | |
Oh, it's your beautiful daughter, Bluebell! | 0:28:16 | 0:28:18 | |
The message I'm going to send into your phone | 0:28:23 | 0:28:26 | |
to your contacts is, hi. | 0:28:26 | 0:28:29 | |
-Would you start with hi on a text? Hiya? -Maybe hi, yeah. | 0:28:29 | 0:28:34 | |
"I'm doing a massage course... | 0:28:34 | 0:28:40 | |
"..and have to practice... | 0:28:44 | 0:28:48 | |
"..on all different body shapes. | 0:28:50 | 0:28:56 | |
"I REALLY think... | 0:29:01 | 0:29:07 | |
"you would be perfect. | 0:29:07 | 0:29:09 | |
"Are you up for it?" | 0:29:12 | 0:29:15 | |
How would you sign a text, Geri? G? | 0:29:17 | 0:29:20 | |
Yeah, G xx. | 0:29:20 | 0:29:22 | |
G xx. Like that? | 0:29:22 | 0:29:24 | |
Maybe one kiss. | 0:29:24 | 0:29:26 | |
-G x. -Yeah. | 0:29:26 | 0:29:27 | |
So, that is the text, ladies and gentlemen. | 0:29:27 | 0:29:29 | |
"Hi, I'm doing a massage course | 0:29:29 | 0:29:31 | |
"and have to practice on all different body shapes. | 0:29:31 | 0:29:33 | |
"I REALLY think you'd be perfect. Are you up for it? G x." | 0:29:33 | 0:29:37 | |
-Shall I send it, ladies and gentlemen? -AUDIENCE: Yes! | 0:29:37 | 0:29:39 | |
-It's gone! -Oh my God! | 0:29:39 | 0:29:41 | |
All right, ladies and gentlemen. | 0:29:43 | 0:29:45 | |
A huge thank you to a fantastic sport, Geri Horner, | 0:29:45 | 0:29:50 | |
ladies and gentlemen! | 0:29:50 | 0:29:52 | |
And, of course, we will catch up with all the replies | 0:29:52 | 0:29:54 | |
that Geri gets later in the show. | 0:29:54 | 0:29:58 | |
OK, our next guests have been wowing audiences the world over. | 0:30:00 | 0:30:05 | |
They've flown in especially for tonight's performance, | 0:30:05 | 0:30:08 | |
two of them sat in seats, | 0:30:08 | 0:30:09 | |
the other two were in the overhead lockers. | 0:30:09 | 0:30:12 | |
See if you can work out who. | 0:30:12 | 0:30:14 | |
It's the Peres Brothers Group! | 0:30:14 | 0:30:17 | |
MUSIC: Feeling Good by Muse | 0:30:25 | 0:30:30 | |
The Peres Brothers Group, ladies and gentlemen! | 0:33:01 | 0:33:04 | |
Incredible! Well done! | 0:33:04 | 0:33:06 | |
Wow! Wow, wow, wow! | 0:33:06 | 0:33:10 | |
# And I'm feeling... | 0:33:10 | 0:33:13 | |
# Fat! # | 0:33:13 | 0:33:16 | |
That is so strong. | 0:33:18 | 0:33:21 | |
That is the only bit I can do with nobody else on my own, that. | 0:33:21 | 0:33:25 | |
I've got to be honest, that was hard enough! | 0:33:49 | 0:33:53 | |
Oh! Oh God! | 0:33:53 | 0:33:56 | |
So, I'm going to come down, | 0:33:56 | 0:33:58 | |
don't be alarmed, just to say hi to a few of you. | 0:33:58 | 0:34:00 | |
I don't want you to feel too safe, do you know what I mean? | 0:34:00 | 0:34:03 | |
You, you and you can feel completely safe, OK? | 0:34:03 | 0:34:07 | |
I'm going to come down just to say hi to a few people, OK? Hi! | 0:34:07 | 0:34:12 | |
-Hello, how are you? -Good, thanks. | 0:34:12 | 0:34:14 | |
Front row, great seat until you realise this was in your face. | 0:34:14 | 0:34:17 | |
Unlucky! | 0:34:17 | 0:34:19 | |
-Hello, how are you? Have you got any kids? -No. | 0:34:20 | 0:34:22 | |
-You're too young for kids? -Just. | 0:34:22 | 0:34:24 | |
-Have you got kids? -No. -Nobody's got kids! | 0:34:24 | 0:34:27 | |
Have you got kids? You've got kids? | 0:34:27 | 0:34:29 | |
-Yes. -You've got kids? | 0:34:29 | 0:34:32 | |
-Where are your kids? -At home. | 0:34:33 | 0:34:35 | |
-Are they? What are their names? -Lucy, Thomas and Grace. | 0:34:35 | 0:34:38 | |
Would they be these children? | 0:34:38 | 0:34:40 | |
Is that Lucy, Thomas and Grace? | 0:34:44 | 0:34:46 | |
-Are you Helena? Oh, my God! Are you Helena? -Yeah. | 0:34:49 | 0:34:54 | |
Would like to stand up for me? | 0:34:54 | 0:34:56 | |
It's Helena, ladies and gentlemen. Helena! | 0:34:56 | 0:35:00 | |
Oh, good Lord. | 0:35:00 | 0:35:02 | |
So who's who? | 0:35:03 | 0:35:04 | |
That's Tom, then the younger's one's Grace and then Lucy. | 0:35:04 | 0:35:07 | |
-And who's that gentleman? -Their dad. | 0:35:07 | 0:35:09 | |
-All right and what's his name? -Andrew. | 0:35:09 | 0:35:11 | |
-Andrew, OK. Where are they right now? -Home. | 0:35:11 | 0:35:13 | |
They're at home, OK. Would that be this home? | 0:35:13 | 0:35:18 | |
So, they're in there? | 0:35:18 | 0:35:20 | |
Are there any rules in the house? | 0:35:20 | 0:35:22 | |
There's loads of rules but they don't actually | 0:35:22 | 0:35:24 | |
work when they're with their dad. | 0:35:24 | 0:35:26 | |
I know what that's like. I know, I know. | 0:35:26 | 0:35:29 | |
When I'm babysitting, I don't even put the kids to sleep. | 0:35:29 | 0:35:31 | |
-I just wait... -Neither does he. -for nature to take its course | 0:35:31 | 0:35:34 | |
and then I wake them up and make them walk up the stairs, | 0:35:34 | 0:35:37 | |
that's what I do. | 0:35:37 | 0:35:38 | |
My kids play a lot of football in the house. | 0:35:38 | 0:35:41 | |
-Is that allowed in your house? -No. -No. | 0:35:41 | 0:35:43 | |
-And jumping on the furniture? -No. -You don't like that at all. -No. | 0:35:43 | 0:35:49 | |
You seemed a little bit OK with the football | 0:35:49 | 0:35:51 | |
but you do not want them jumping on furniture. | 0:35:51 | 0:35:54 | |
Well, we can go now live to your house. | 0:35:54 | 0:35:57 | |
Oh, shut up! | 0:35:57 | 0:35:59 | |
Let's head in. | 0:36:02 | 0:36:03 | |
Oh dear, seems to be some music. What's going on? This isn't bedtime. | 0:36:07 | 0:36:10 | |
What happened? | 0:36:10 | 0:36:14 | |
Oh, my God, they changed the whole house into a football pitch! | 0:36:14 | 0:36:19 | |
What? Get off the furniture, Lucy! | 0:36:19 | 0:36:23 | |
It's absolute pandemonium. | 0:36:26 | 0:36:29 | |
Where is little Grace? | 0:36:29 | 0:36:31 | |
Oh, what? | 0:36:32 | 0:36:34 | |
-Oh, my God, my kitchen cupboards! -Oh, the kitchen cupboards! | 0:36:38 | 0:36:42 | |
This doesn't... There's no sign of dad at all, Helena. | 0:36:42 | 0:36:48 | |
-Grace! Hi, Grace! -Hello. -I'm here with your mum. | 0:36:48 | 0:36:52 | |
You can stop, Grace. | 0:36:52 | 0:36:54 | |
No. | 0:36:55 | 0:36:57 | |
OK, let's get all the kids together, then, please. | 0:36:59 | 0:37:03 | |
There they are, Helena, it's your beautiful children! | 0:37:03 | 0:37:06 | |
CHEERING AND APPLAUSE | 0:37:06 | 0:37:09 | |
All right. | 0:37:09 | 0:37:10 | |
Who's cleaning all the mess? | 0:37:11 | 0:37:14 | |
-You. -You. | 0:37:14 | 0:37:15 | |
LAUGHTER | 0:37:15 | 0:37:17 | |
OK, so the game is, Helena, | 0:37:17 | 0:37:19 | |
that I'm going to show you items that we know are in your home | 0:37:19 | 0:37:22 | |
and you have to get your children to get them within 20 seconds. OK? | 0:37:22 | 0:37:28 | |
All right, so, the first one, who are we going to give this one to...? | 0:37:28 | 0:37:31 | |
Let's go for Thomas, | 0:37:31 | 0:37:32 | |
-who has his arm in a sling to make things more difficult. -Yes! | 0:37:32 | 0:37:36 | |
Thomas, let's reveal the item you need to find, please, for Mum. | 0:37:36 | 0:37:40 | |
Let's have a look. OK, there it is, and... | 0:37:40 | 0:37:43 | |
let's start the clock. | 0:37:43 | 0:37:45 | |
Fake tan glove in medicine cupboard. | 0:37:45 | 0:37:48 | |
He's got to go to the medicine... The fake tan glove. | 0:37:48 | 0:37:50 | |
In the medicine cupboard, medicine cupboard. | 0:37:50 | 0:37:52 | |
Oh, come on! We want the prize! | 0:37:52 | 0:37:54 | |
That's it, done! Easy. APPLAUSE | 0:37:54 | 0:37:56 | |
Yeah! | 0:37:56 | 0:37:58 | |
That is right. | 0:37:59 | 0:38:01 | |
Well done. There's no... Cos there's no medicine like fake tan. | 0:38:01 | 0:38:04 | |
-LAUGHTER -No! | 0:38:04 | 0:38:06 | |
I was going to ask you where you'd been, | 0:38:06 | 0:38:08 | |
but obviously now we know, the medicine cabinet. OK! | 0:38:08 | 0:38:10 | |
LAUGHTER | 0:38:10 | 0:38:12 | |
All right, we're going to take Grace, it's baby Grace. | 0:38:12 | 0:38:15 | |
-How old is Grace? She's adorable. -Six. -Six years old. | 0:38:15 | 0:38:18 | |
All right and let's see what your item is. | 0:38:18 | 0:38:20 | |
OK, let's start the clock. | 0:38:20 | 0:38:23 | |
Um, it's a hair clip, cream. | 0:38:23 | 0:38:25 | |
It might be in the bathroom. | 0:38:25 | 0:38:27 | |
Come on, Grace! | 0:38:27 | 0:38:28 | |
-WHOOPING AND CHEERING -Um, run upstairs. | 0:38:28 | 0:38:31 | |
Come on, Grace. | 0:38:31 | 0:38:32 | |
-In the bathroom. -Up the stairs. | 0:38:32 | 0:38:34 | |
-The clock is ticking. -Right, up there. -The clock is...oh! | 0:38:34 | 0:38:38 | |
Grace, slow down! There it is on the floor. | 0:38:39 | 0:38:42 | |
Oh, she's got it! Oh! APPLAUSE | 0:38:42 | 0:38:44 | |
Incredible. | 0:38:44 | 0:38:46 | |
Wow! | 0:38:46 | 0:38:48 | |
Oh, with just one second to spare, ladies and gentlemen! | 0:38:48 | 0:38:52 | |
Just one second. | 0:38:52 | 0:38:53 | |
APPLAUSE | 0:38:53 | 0:38:55 | |
OK, and finally we have Lucy. | 0:38:55 | 0:38:57 | |
This should be no trouble at all, let's see what the item is. | 0:38:57 | 0:39:00 | |
-OK, let's do this. -OK. -Start the clock. | 0:39:00 | 0:39:03 | |
Um, Lucy in my bedroom in the wardrobe. | 0:39:03 | 0:39:05 | |
Oh, it's a blue jacket, it's a blue jacket, the flowery one. | 0:39:05 | 0:39:09 | |
It might be not, | 0:39:09 | 0:39:10 | |
it might be the other one, the other one, the same one. | 0:39:10 | 0:39:13 | |
-Lucy... -Ten, nine, eight! -Yeah, you got it. | 0:39:13 | 0:39:16 | |
Oh, we've got it, she's got it! Wow. | 0:39:16 | 0:39:20 | |
APPLAUSE | 0:39:20 | 0:39:21 | |
Congratulations, Helena. | 0:39:21 | 0:39:23 | |
Let's take a little look around the bedroom, kids. | 0:39:25 | 0:39:28 | |
Yeah, this is your, this is a little bit embarrassing, | 0:39:28 | 0:39:30 | |
that's your bedroom on national television. | 0:39:30 | 0:39:32 | |
What's all that, what's all that paint on the floor? | 0:39:32 | 0:39:35 | |
Um, we've been decorating. | 0:39:35 | 0:39:36 | |
-Do you sleep in that bed next to the... -Mm. -..next to the paint? | 0:39:36 | 0:39:39 | |
-Yeah! -How long have you been sleeping next to the paint? | 0:39:39 | 0:39:42 | |
-Since 2012. -Since... LAUGHTER | 0:39:42 | 0:39:45 | |
-That's amazing. Do you use it as a side table? -Yeah. -You do! | 0:39:49 | 0:39:53 | |
-You put your cup of tea on there in the morning? -Yeah. -And your glasses? | 0:39:55 | 0:39:58 | |
OK, so what room in the house needs... | 0:39:58 | 0:40:00 | |
Are you planning on finishing the decorating? | 0:40:00 | 0:40:03 | |
There's an en-suite, which is like a dump cupboard. | 0:40:03 | 0:40:06 | |
-The en-suite is a...? -Dumping ground. | 0:40:06 | 0:40:08 | |
A dumping ground? LAUGHTER | 0:40:08 | 0:40:10 | |
All right, let's have a picture of this dumping ground. | 0:40:10 | 0:40:14 | |
So that, that's your bathroom, that's your, | 0:40:14 | 0:40:16 | |
-what you call an en-suite? -Yeah. | 0:40:16 | 0:40:19 | |
-It's not exactly functional, is it? -No. | 0:40:19 | 0:40:22 | |
All right, let's go and have a look at your en-suite now. | 0:40:22 | 0:40:24 | |
Is it over here? | 0:40:24 | 0:40:25 | |
Oh! APPLAUSE | 0:40:27 | 0:40:30 | |
It's your husband Andy on the loo! | 0:40:32 | 0:40:35 | |
That's right, Helena. | 0:40:39 | 0:40:41 | |
We've done up your en-suite! | 0:40:41 | 0:40:42 | |
Ladies and gentlemen, | 0:40:42 | 0:40:44 | |
it's Helena and her lovely family, what about that? | 0:40:44 | 0:40:46 | |
CHEERING AND APPLAUSE There you go, quickly. | 0:40:46 | 0:40:49 | |
That was fun. | 0:40:49 | 0:40:51 | |
Ah, Helena's thrilled! | 0:40:51 | 0:40:52 | |
WHISTLING AND APPLAUSE | 0:40:52 | 0:40:57 | |
Look at that, sweet. | 0:40:57 | 0:40:59 | |
That's it, it's all happening. | 0:40:59 | 0:41:02 | |
It's all happening. | 0:41:02 | 0:41:04 | |
It's all happening. OK. | 0:41:04 | 0:41:06 | |
So, ladies and gentlemen, I can tell you, of course, that we still | 0:41:06 | 0:41:09 | |
have to come our unexpected star of the show. | 0:41:09 | 0:41:11 | |
We've got some footage of Natasha actually rehearsing with Michael. | 0:41:11 | 0:41:15 | |
Oh, this is them. | 0:41:15 | 0:41:16 | |
I don't know if they're rehearsing so much | 0:41:16 | 0:41:18 | |
as he's...sort of pointing... | 0:41:18 | 0:41:20 | |
Oh, he's being, he's a real charmer, isn't he? | 0:41:20 | 0:41:23 | |
Lord. Yes, now I've performed in many West End plays. | 0:41:23 | 0:41:26 | |
No he's, he's basically chatting her up, | 0:41:26 | 0:41:28 | |
so hopefully, hopefully they're rehearsing. | 0:41:28 | 0:41:31 | |
But before that, | 0:41:31 | 0:41:34 | |
ladies and gentlemen, let's hear it for Geri, | 0:41:34 | 0:41:36 | |
what a great sport Geri has been to hand over her phone... | 0:41:36 | 0:41:40 | |
APPLAUSE ..which I have in my possession. | 0:41:40 | 0:41:44 | |
-Oh, no. -Right, so let's just remind ourself what the text was... | 0:41:44 | 0:41:48 | |
LAUGHTER | 0:41:58 | 0:42:00 | |
-So we've sent that text and, er, let's just go through them. -OK. | 0:42:00 | 0:42:04 | |
-So we'll start with "Andrez Wendy hub". Who's that? -Oh, no! | 0:42:04 | 0:42:09 | |
-Do you remember the band Damage? -Damage, yes. | 0:42:10 | 0:42:13 | |
Yeah, he's a singer in there | 0:42:13 | 0:42:16 | |
and he's now like a child psychologist | 0:42:16 | 0:42:19 | |
and he's kind of a friend. | 0:42:19 | 0:42:21 | |
Right, well, he's just come in with one word... "Absolutely." | 0:42:21 | 0:42:25 | |
-Oh, no. -"Double kiss." -Oh, no. | 0:42:25 | 0:42:29 | |
Wow. Hubby's on the plane | 0:42:29 | 0:42:31 | |
and going to get a little bit of a shock on landing. | 0:42:31 | 0:42:34 | |
LAUGHTER | 0:42:34 | 0:42:36 | |
-Er, your mother? Is this mother, just "Mother"? -Yes. | 0:42:36 | 0:42:38 | |
SHRIEKS: Mother! | 0:42:38 | 0:42:40 | |
You put her down as "Mother"! | 0:42:40 | 0:42:42 | |
"Geraldine, sorry, I only had two massages in my life. I hate it." | 0:42:42 | 0:42:46 | |
It's got a great ending - "Try Katherine, she's my shape." | 0:42:48 | 0:42:52 | |
That's wonderful from Mum - "Oh, try Katherine, she's my shape." | 0:42:55 | 0:43:02 | |
-Everyone believes it's happening. Kevin... -Oh, Kevin. -Who's Kevin? | 0:43:02 | 0:43:06 | |
-Kevin is like the school chef... -The school chef? | 0:43:06 | 0:43:10 | |
Well, I sometimes get him to help me, like over Christmas, you know | 0:43:10 | 0:43:14 | |
when there's loads of potatoes to peel, he comes over and helps me. | 0:43:14 | 0:43:17 | |
Geri, you've lost this audience. | 0:43:19 | 0:43:21 | |
LAUGHTER | 0:43:21 | 0:43:22 | |
When there's loads of potatoes to peel, you get the school chef? | 0:43:22 | 0:43:26 | |
"Oi, you! Come here! I've got some potatoes. | 0:43:26 | 0:43:30 | |
"Get peeling, all right?" | 0:43:30 | 0:43:32 | |
-He's really nice, though. -Kevin's really nice. | 0:43:34 | 0:43:37 | |
-But you know, outside of him coming round to peel potatoes... -Yeah. | 0:43:37 | 0:43:40 | |
-..he wouldn't expect this text. -No. | 0:43:40 | 0:43:42 | |
Which is why he's opened with, "Me?" | 0:43:42 | 0:43:44 | |
And then he answers his own question, he goes, "Why not? | 0:43:44 | 0:43:47 | |
"When will it be? I'm in Canada between the 1st and the 12th." | 0:43:47 | 0:43:51 | |
Who's Joyce? This is a wonderful text back. Who's Joyce? | 0:43:53 | 0:43:56 | |
-Um, Joyce is my manager. -Joyce is your manager. -Yes. | 0:43:56 | 0:44:00 | |
She didn't know you were here either. | 0:44:00 | 0:44:01 | |
No, she's with the Rolling Stones at the moment. | 0:44:01 | 0:44:04 | |
-She's with the Rolling Stones? -Yeah. -Well, she's just come back | 0:44:04 | 0:44:06 | |
straight in, "Bring it on, baby". | 0:44:06 | 0:44:08 | |
I love that. "Bring it on, baby"! | 0:44:08 | 0:44:13 | |
Oh, my God, there's a classic. | 0:44:13 | 0:44:15 | |
"Farmer Clive." | 0:44:15 | 0:44:17 | |
-Oh, my God! -I'm assuming he's a farmer. -Yeah. | 0:44:19 | 0:44:24 | |
How do you know Farmer Clive? | 0:44:24 | 0:44:26 | |
-Because I was at this party... -Yes. | 0:44:26 | 0:44:28 | |
..and, um, in the country, and... | 0:44:28 | 0:44:33 | |
I was going to surprise my husband and buy him some sheep. | 0:44:33 | 0:44:37 | |
-As you do. -As you do. -When you're an international pop star. | 0:44:38 | 0:44:42 | |
-Yeah. -Surprise him with some sheep. | 0:44:42 | 0:44:43 | |
Yeah, so we got chatting, so I took his number. Oh, no! | 0:44:43 | 0:44:46 | |
-So you've only met him once... -So he thinks I want to massage... | 0:44:46 | 0:44:49 | |
-..and it was about the possible purchase of some sheep. -Yeah. | 0:44:49 | 0:44:53 | |
He's a farmer, he's called Clive and he's in your phone. | 0:44:53 | 0:44:56 | |
"I'm permanently in the lambing shed at the moment | 0:44:56 | 0:44:58 | |
"so it'd have to be on a straw bale." | 0:44:58 | 0:45:01 | |
LAUGHTER AND APPLAUSE | 0:45:01 | 0:45:03 | |
Oh, my God. Oh, my God! | 0:45:03 | 0:45:06 | |
Oh, my God. | 0:45:09 | 0:45:11 | |
I'm going to text him back - "I'm on my way." | 0:45:13 | 0:45:16 | |
No, I'm not, I'm not, I'm not. | 0:45:16 | 0:45:19 | |
All right, ladies and gentlemen, | 0:45:19 | 0:45:21 | |
Geri has a very busy couple of months ahead of her. | 0:45:21 | 0:45:23 | |
APPLAUSE | 0:45:23 | 0:45:25 | |
Thank you so much. Ladies and gentlemen, Geri Horner! | 0:45:25 | 0:45:28 | |
Very good. | 0:45:28 | 0:45:31 | |
What a fantastic sport, always so much fun. | 0:45:31 | 0:45:34 | |
OK, ladies and gentlemen, the time has come for the performance | 0:45:34 | 0:45:41 | |
of our unexpected star of the show! | 0:45:41 | 0:45:44 | |
Earlier tonight, as you know, | 0:45:46 | 0:45:48 | |
Natasha came here thinking she was going to cut somebody's hair | 0:45:48 | 0:45:52 | |
but little did she know we were going to surprise her | 0:45:52 | 0:45:54 | |
and give her literally the shock of her life | 0:45:54 | 0:45:56 | |
and she's agreed to take part in the performance at the end of the show | 0:45:56 | 0:46:00 | |
because singing is her passion, it's her dream. | 0:46:00 | 0:46:02 | |
Well, now the time has come. | 0:46:02 | 0:46:04 | |
I'm going to introduce her like I introduce all of the acts. | 0:46:04 | 0:46:08 | |
LAUGHTER | 0:46:08 | 0:46:11 | |
Ladies and gentlemen, it gives me great pleasure to introduce | 0:46:11 | 0:46:15 | |
a singer who has produced a string of number ones. | 0:46:15 | 0:46:19 | |
Unfortunately, they've all been haircuts. | 0:46:19 | 0:46:21 | |
Here tonight, duetting with the legendary Michael Ball, | 0:46:23 | 0:46:27 | |
it's our unexpected star of the show, hairdresser Natasha! | 0:46:27 | 0:46:32 | |
CHEERING AND APPLAUSE | 0:46:32 | 0:46:35 | |
MUSIC: The Prayer | 0:46:35 | 0:46:39 | |
# I pray you'll be our eyes... # | 0:46:55 | 0:46:59 | |
CHEERING AND APPLAUSE | 0:46:59 | 0:47:01 | |
# And watch us where we go | 0:47:01 | 0:47:05 | |
# And help us to be wise | 0:47:07 | 0:47:12 | |
# In times when we don't know | 0:47:13 | 0:47:20 | |
# Let this be our prayer | 0:47:20 | 0:47:24 | |
# When we lose our way | 0:47:26 | 0:47:33 | |
# Lead us to a place | 0:47:35 | 0:47:38 | |
# Guide us with your grace | 0:47:38 | 0:47:43 | |
-# To a place where we'll be safe. # -APPLAUSE | 0:47:43 | 0:47:49 | |
# BOTH: Sognamo un mondo senza piu violenza | 0:47:51 | 0:47:59 | |
# Un mondo di giustizia e di speranza | 0:47:59 | 0:48:05 | |
# Ognuno dia la mano al suo vicino | 0:48:05 | 0:48:14 | |
# Simbolo di pace e di fraternita | 0:48:14 | 0:48:23 | |
# La forza che ci da | 0:48:23 | 0:48:26 | |
# We ask that life be kind | 0:48:26 | 0:48:29 | |
# E il desiderio che | 0:48:29 | 0:48:31 | |
# And watch us from above | 0:48:31 | 0:48:34 | |
# Ognuno trovi amore | 0:48:34 | 0:48:37 | |
# We hope each soul will find | 0:48:37 | 0:48:40 | |
# Intorno e dentro a se | 0:48:40 | 0:48:43 | |
# Another soul to love | 0:48:43 | 0:48:46 | |
# Let this be our prayer | 0:48:46 | 0:48:50 | |
# Let this be our prayer | 0:48:51 | 0:48:53 | |
# Just like every child | 0:48:53 | 0:48:56 | |
# Just like every child | 0:48:56 | 0:49:01 | |
# Needs to find a place | 0:49:03 | 0:49:08 | |
# Guide us with your grace | 0:49:08 | 0:49:12 | |
# To a place where we'll be safe | 0:49:12 | 0:49:19 | |
# E la fede che | 0:49:20 | 0:49:24 | |
# Hai acceso in noi | 0:49:26 | 0:49:31 | |
# Sento che ci salvera. # | 0:49:33 | 0:49:48 | |
CHEERING AND APPLAUSE | 0:49:48 | 0:49:52 | |
Natasha! | 0:50:06 | 0:50:07 | |
Ladies and gentlemen, our unexpected star of the show, Natasha. | 0:50:19 | 0:50:22 | |
What about that? | 0:50:22 | 0:50:24 | |
CHEERING | 0:50:24 | 0:50:26 | |
And a huge thank you to Michael Ball too. Wow. | 0:50:26 | 0:50:30 | |
-Darling, that was unbelievable. -Thank you. | 0:50:32 | 0:50:35 | |
-Bally, come on! That was fantastic. -Thank you. -How do you feel? | 0:50:35 | 0:50:41 | |
I'm shaking like a leaf. I hope it sounded all right. | 0:50:41 | 0:50:44 | |
CHEERING | 0:50:44 | 0:50:45 | |
Oh, well, how was it? How was it? It was breathtaking. | 0:50:45 | 0:50:49 | |
I couldn't hear, I was just singing whatever. | 0:50:49 | 0:50:51 | |
LAUGHTER | 0:50:51 | 0:50:53 | |
Hoping for the best. | 0:50:53 | 0:50:54 | |
That was Italian, or was that gibberish? I don't know. | 0:50:54 | 0:50:57 | |
I don't know how she did it, to be honest. I mean, | 0:50:57 | 0:50:59 | |
the shock of that happening and then to walk out and have to perform | 0:50:59 | 0:51:02 | |
like that. When we got backstage she was so keen to learn, | 0:51:02 | 0:51:05 | |
-so willing to get stuck in and she's got... -You only get one chance, you only get one chance. | 0:51:05 | 0:51:09 | |
After that performance, you'll get more than one chance. | 0:51:09 | 0:51:12 | |
-Oh, I hope so. -It's a beautiful voice. | 0:51:12 | 0:51:14 | |
Oh, that really was something. | 0:51:14 | 0:51:16 | |
This could be the beginning of something very special! | 0:51:16 | 0:51:19 | |
I can't believe it. | 0:51:19 | 0:51:21 | |
Natasha, you were so, so fantastic. Thank you so, so much. | 0:51:21 | 0:51:25 | |
-Thank you to Michael. -Thank you. | 0:51:25 | 0:51:26 | |
And please, ladies and gentlemen, one more time, | 0:51:26 | 0:51:28 | |
-she's been spectacular. -Take a bow. -Take a bow. | 0:51:28 | 0:51:31 | |
It's our unexpected star of the show, Natasha! | 0:51:31 | 0:51:34 | |
APPLAUSE | 0:51:34 | 0:51:35 | |
And the fantastic Michael Ball. | 0:51:35 | 0:51:37 | |
A huge thank you to all of my guests tonight, ladies and gentlemen. | 0:51:43 | 0:51:46 | |
Join me next week. We'll be playing Send To All with another celebrity | 0:51:46 | 0:51:50 | |
and of course there'll be another unexpected star of the show. | 0:51:50 | 0:51:52 | |
Until then, thank you very much. Good night, bravo, thank you! | 0:51:52 | 0:51:55 | |
Subtitles by Ericsson | 0:52:00 | 0:52:03 |