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Tonight on my Big Show... | 0:00:10 | 0:00:13 | |
Ronan Keating plays Celebrity Send To All. | 0:00:13 | 0:00:15 | |
Fabulously funny Josh Widdicombe. | 0:00:15 | 0:00:19 | |
Jaw-dropping acrobatics from Chilly and Fly. | 0:00:19 | 0:00:22 | |
Music from pop sensation Jess Glynne, | 0:00:22 | 0:00:25 | |
and rock god Bryan Adams. | 0:00:25 | 0:00:27 | |
And who will be our Unexpected Star? | 0:00:27 | 0:00:31 | |
Ladies and gentlemen, it's the Big Show! | 0:00:33 | 0:00:38 | |
Please welcome your host, Michael McIntyre! | 0:00:38 | 0:00:42 | |
CHEERING | 0:00:42 | 0:00:44 | |
Yay! | 0:00:53 | 0:00:56 | |
Good evening, ladies and gentlemen... | 0:00:56 | 0:00:59 | |
..and welcome to the Big Show! | 0:01:01 | 0:01:05 | |
We have a wonderful show for you tonight. | 0:01:07 | 0:01:11 | |
There'll be big star performances, | 0:01:11 | 0:01:12 | |
big laughs and big surprises, oh, yes! | 0:01:12 | 0:01:15 | |
And of course, I'll be playing my favourite game of them all - | 0:01:15 | 0:01:19 | |
Celebrity Send To All. | 0:01:19 | 0:01:22 | |
Ah! Fancy a bit of that? | 0:01:22 | 0:01:24 | |
And as ever, one member of the public | 0:01:24 | 0:01:26 | |
will be getting the biggest surprise of their life | 0:01:26 | 0:01:28 | |
when they become our Unexpected Star Of The Show. | 0:01:28 | 0:01:33 | |
-AUDIENCE: -Oooooh! | 0:01:33 | 0:01:35 | |
I do live here in London, so it's very convenient for me, obviously, | 0:01:36 | 0:01:39 | |
to come out and perform here, and it's a beautiful theatre. | 0:01:39 | 0:01:42 | |
It's an absolute pleasure to be here. | 0:01:42 | 0:01:44 | |
Because recently I've been doing gigs abroad, which is new. | 0:01:44 | 0:01:47 | |
And for some reason, I'm Norway's biggest comedian - | 0:01:47 | 0:01:49 | |
ladies and gentlemen, you're looking at Norway's biggest comedian. | 0:01:49 | 0:01:52 | |
I don't know how that's happened. | 0:01:52 | 0:01:54 | |
I've never really been to Scandinavia before. | 0:01:54 | 0:01:56 | |
The hotel was just all minimalist, you know? | 0:01:56 | 0:01:59 | |
Everything was just what you needed, you know - | 0:01:59 | 0:02:02 | |
there's just a bed, and a sink, but it was good. | 0:02:02 | 0:02:04 | |
Because normally, hotels, they get very confusing now. | 0:02:04 | 0:02:07 | |
You never know where the light switch is for stuff. | 0:02:07 | 0:02:09 | |
They have these sensor lights now where you go in the bathroom | 0:02:09 | 0:02:12 | |
and it just comes on, and you think, "Oh, that's good." | 0:02:12 | 0:02:14 | |
But then you're on the loo and it goes off, | 0:02:14 | 0:02:17 | |
and you have to try and get it back on. | 0:02:17 | 0:02:18 | |
So you're doing... You're doing things you don't really want to be doing. | 0:02:18 | 0:02:22 | |
And it's been so long since I've stayed in a hotel | 0:02:23 | 0:02:25 | |
that just had a normal tap that you turn on and you turn off. | 0:02:25 | 0:02:28 | |
I couldn't work the taps - | 0:02:28 | 0:02:30 | |
I'm in this hotel room in Oslo trying to get water... | 0:02:30 | 0:02:33 | |
And I called maintenance and the guy just came up and went, | 0:02:37 | 0:02:41 | |
"You do this, you do that. Idiot." | 0:02:41 | 0:02:42 | |
So I was very happy to be in this quite simple hotel room in Norway. | 0:02:45 | 0:02:48 | |
And what I really liked was just one switch, one master switch | 0:02:48 | 0:02:51 | |
next to the door that controlled the whole room. | 0:02:51 | 0:02:53 | |
So I thought, "Oh, this is so easy." Because normally, | 0:02:53 | 0:02:55 | |
you've got to find the switch for different sections of the room, | 0:02:55 | 0:02:58 | |
Then the lamps next to the bed, you don't know if it's on the neck, | 0:02:58 | 0:03:01 | |
you start fiddling for the neck. | 0:03:01 | 0:03:03 | |
Or you look at the wire - is it on the wire? | 0:03:03 | 0:03:06 | |
It's not on the wire or the neck, is it the neck or the wire? | 0:03:06 | 0:03:09 | |
And then after about 20 minutes, "Oh, it's the stampy one. | 0:03:09 | 0:03:11 | |
"It's the stampy one!" | 0:03:11 | 0:03:13 | |
So I was so thrilled that just one light turned everything off, | 0:03:13 | 0:03:17 | |
one switch turned everything off. So I went... | 0:03:17 | 0:03:19 | |
And this was after my gig, I'd had a couple of drinks and it was late. | 0:03:19 | 0:03:22 | |
And I thought, "Oh, I'll just switch that off, bedtime." | 0:03:22 | 0:03:25 | |
And it's hard to get back to the bed now because it's dark. | 0:03:25 | 0:03:28 | |
So I'm sort of, I'm doing that walk | 0:03:28 | 0:03:30 | |
when you're expecting to hit something. | 0:03:30 | 0:03:32 | |
So I got into my bed, and unbeknownst to me - | 0:03:32 | 0:03:35 | |
I have no idea why this was there - | 0:03:35 | 0:03:37 | |
there was a switch behind the pillow | 0:03:37 | 0:03:40 | |
that also controlled the same lights. | 0:03:40 | 0:03:43 | |
So I lay in the bed, and then all the lights in the room went on. | 0:03:43 | 0:03:46 | |
I thought someone had come in. "Hello? Hello?! | 0:03:49 | 0:03:51 | |
"Is there somebody there? Hello! | 0:03:52 | 0:03:54 | |
"Oh, that's very peculiar." | 0:03:54 | 0:03:56 | |
So I went over to the door... | 0:03:56 | 0:03:59 | |
turned the light off, dark again, made my way slowly... | 0:03:59 | 0:04:04 | |
back to the bed... | 0:04:04 | 0:04:06 | |
Got myself in, lay... | 0:04:08 | 0:04:09 | |
As soon as my head hit the pillow, the lights went back on! | 0:04:09 | 0:04:13 | |
What on earth is going on? | 0:04:13 | 0:04:16 | |
So I marched back quite quickly. | 0:04:16 | 0:04:17 | |
I convinced myself it was some kind of sensor. | 0:04:17 | 0:04:20 | |
So this time I was very, very careful. | 0:04:20 | 0:04:23 | |
I slowly got in the bed and nothing happened, | 0:04:28 | 0:04:30 | |
I was like, "Oh, this is fine." | 0:04:30 | 0:04:32 | |
Rolled over, the light went on again. | 0:04:32 | 0:04:34 | |
So I phoned maintenance. Now, bear in mind, | 0:04:34 | 0:04:37 | |
this man at maintenance already thinks | 0:04:37 | 0:04:39 | |
I'm completely mental as a person. | 0:04:39 | 0:04:42 | |
So I call him, I'm lying there now in the light | 0:04:44 | 0:04:46 | |
and there's a knock at the door, I go, "Oh, thank you, | 0:04:46 | 0:04:48 | |
"thank you for coming." He said, "Is it taps again?" | 0:04:48 | 0:04:51 | |
"No, the taps are fine. | 0:04:51 | 0:04:52 | |
"Look, watch this, the lights keep going on, | 0:04:52 | 0:04:54 | |
"and I don't know why, there's something wrong. | 0:04:54 | 0:04:57 | |
"After a certain amount of time, they just go on. | 0:04:57 | 0:04:59 | |
"I'm going to show you, all right?" | 0:04:59 | 0:05:00 | |
So I turn the light off, | 0:05:00 | 0:05:01 | |
and I'm standing in the dark with this Norwegian man. | 0:05:01 | 0:05:04 | |
I'm like, "Follow me, come with me." | 0:05:04 | 0:05:07 | |
And I'm holding him a bit, "Come on, come with me. | 0:05:07 | 0:05:11 | |
"Come on, come with me. | 0:05:11 | 0:05:12 | |
"All right, are you there?" "Yes." | 0:05:14 | 0:05:18 | |
"Just stand there, I'm just going to get into the bed, OK?" | 0:05:18 | 0:05:22 | |
I lay in the bed and nothing happened, I'm just lying, | 0:05:24 | 0:05:27 | |
I'm lying in the dark. | 0:05:27 | 0:05:29 | |
And he just stood there and went, "Please let me go." | 0:05:29 | 0:05:34 | |
"All right, go!" So he went, he was knocking over furniture, | 0:05:34 | 0:05:37 | |
he made his way out of the door in the dark, | 0:05:37 | 0:05:39 | |
I rolled over and the lights went on! | 0:05:39 | 0:05:42 | |
Aaaggh! | 0:05:42 | 0:05:43 | |
Now it is time for my favourite game in the whole world. | 0:05:48 | 0:05:53 | |
Why, of course, it's Send To All! | 0:05:53 | 0:05:55 | |
CHEERING | 0:05:55 | 0:05:57 | |
This, of course, is where I take somebody's mobile phone | 0:05:57 | 0:06:02 | |
and send a text of my choosing and see what hilarious replies they get. | 0:06:02 | 0:06:06 | |
So let's find out who's in our royal Send To All box this week. | 0:06:06 | 0:06:10 | |
Why, it's Ronan Keating! | 0:06:10 | 0:06:12 | |
CHEERING | 0:06:12 | 0:06:14 | |
Yes! Oh, Ronan! What a legend! | 0:06:14 | 0:06:18 | |
-Is that your wife? -That's my wife Storm, yes. -Oh, hi. | 0:06:21 | 0:06:24 | |
-I didn't know you were there! Nice to see you. -You, too. | 0:06:24 | 0:06:27 | |
-Oh, great. -Hi. | 0:06:27 | 0:06:28 | |
You're really clutching her hand there, you look nervous. | 0:06:28 | 0:06:31 | |
I'm a little bit nervous! | 0:06:31 | 0:06:32 | |
That's very sweet, don't worry. Well, how are you? | 0:06:32 | 0:06:34 | |
-How's it all going? -Everything's good, | 0:06:34 | 0:06:36 | |
-new album out, so working on that. -Right, what's it called? | 0:06:36 | 0:06:39 | |
-Time Of My Life. -I love it, I love it already. | 0:06:39 | 0:06:42 | |
-Do you? -I heard that it's going to be | 0:06:42 | 0:06:44 | |
25 years since Boyzone, is that right? | 0:06:44 | 0:06:46 | |
Yeah, end of next year is kind of when it began, yeah. | 0:06:46 | 0:06:49 | |
Oh, 25! CHEERING | 0:06:49 | 0:06:51 | |
That's pretty crazy. | 0:06:51 | 0:06:52 | |
-It is, right? -But you look exactly the same. | 0:06:52 | 0:06:54 | |
-You do! -I'm not so sure. | 0:06:54 | 0:06:56 | |
I can see the way you said that, you were like, "I know I look good." | 0:06:56 | 0:06:59 | |
And you've been spending a lot of time in Australia, is that right? | 0:07:01 | 0:07:04 | |
Yeah, yeah, I'm working on The Voice in Australia. | 0:07:04 | 0:07:07 | |
Oh, the programme. Not your own. | 0:07:07 | 0:07:10 | |
No, no! Yeah! | 0:07:10 | 0:07:11 | |
"If I'm going to practise, I need to get a long way from here." | 0:07:11 | 0:07:14 | |
Anyway, can I confirm that you've got no idea | 0:07:16 | 0:07:19 | |
-what text I'm going to put into your phone? -Absolutely no idea. | 0:07:19 | 0:07:21 | |
-And you've not told anybody to expect a text... -Not one person. | 0:07:21 | 0:07:24 | |
..from you tonight. | 0:07:24 | 0:07:25 | |
OK, well, I need to get your phone from you. | 0:07:25 | 0:07:28 | |
And we've got this contraption here, | 0:07:28 | 0:07:30 | |
so if you could just pop the phone into the cushion, | 0:07:30 | 0:07:34 | |
-and I'll bring that down, here we go. -OK. | 0:07:34 | 0:07:37 | |
MUSIC: Life Is A Rollercoaster by Ronan Keating | 0:07:37 | 0:07:39 | |
# So don't fight it | 0:07:39 | 0:07:41 | |
AUDIENCE CLAPS ALONG | 0:07:41 | 0:07:44 | |
# Life is a roller coaster | 0:07:44 | 0:07:47 | |
# Just got to ride it... # | 0:07:47 | 0:07:49 | |
You got it? | 0:07:49 | 0:07:51 | |
# I need you... # | 0:07:51 | 0:07:54 | |
All right, all right. | 0:07:55 | 0:07:57 | |
Ladies and gentlemen, I am now in possession - | 0:07:57 | 0:07:59 | |
thank you very much - of Ronan Keating's mobile telephone! | 0:07:59 | 0:08:03 | |
CHEERING | 0:08:03 | 0:08:05 | |
OK, I'm going to pop it in there | 0:08:07 | 0:08:09 | |
and then this should hopefully pop up. | 0:08:09 | 0:08:11 | |
Oh, this is fun. | 0:08:11 | 0:08:13 | |
Fatify! | 0:08:14 | 0:08:16 | |
What is Fati... Baldify! | 0:08:18 | 0:08:20 | |
All of your apps are about looking worse. | 0:08:20 | 0:08:23 | |
My kids, my kids put them on. | 0:08:23 | 0:08:25 | |
How do you do...? | 0:08:25 | 0:08:27 | |
How do you do Fatify? | 0:08:27 | 0:08:28 | |
-Hit the camera. -Oh, hit the camera. | 0:08:28 | 0:08:30 | |
Yeah. | 0:08:30 | 0:08:32 | |
-And then I just press the middle bit? -Yeah. | 0:08:35 | 0:08:37 | |
MICHAEL SHRIEKS WITH LAUGHTER | 0:08:43 | 0:08:45 | |
That is so frightening, the way the eyes keep going. | 0:08:45 | 0:08:48 | |
Oh! Oh! | 0:08:48 | 0:08:51 | |
Oh, my... | 0:08:55 | 0:08:57 | |
What, so I've gotta do Baldify now. I'm sorry, I can't... | 0:08:59 | 0:09:02 | |
Oh, that was you! | 0:09:02 | 0:09:03 | |
That's Ronan, it's bald Ronan! | 0:09:04 | 0:09:07 | |
Oh! | 0:09:07 | 0:09:09 | |
That's... That's taken after the Christmas of 2023. | 0:09:09 | 0:09:14 | |
A little glimpse into the future, there. | 0:09:16 | 0:09:19 | |
Oh, wow, it's too fun. | 0:09:19 | 0:09:20 | |
Now it is time for me to play Send To All by sending a text message, | 0:09:20 | 0:09:24 | |
and we're just going to send it to his contacts | 0:09:24 | 0:09:27 | |
and we're going to see what replies he gets at the end of the show. | 0:09:27 | 0:09:31 | |
So we'll start with... | 0:09:31 | 0:09:33 | |
Feeling... | 0:09:33 | 0:09:34 | |
a little... | 0:09:34 | 0:09:36 | |
..insecure. | 0:09:37 | 0:09:39 | |
Do you... | 0:09:47 | 0:09:49 | |
still think... | 0:09:49 | 0:09:53 | |
I'm hot? | 0:09:53 | 0:09:54 | |
Ohhh! | 0:10:00 | 0:10:02 | |
I mean, Harry Styles... | 0:10:02 | 0:10:05 | |
..Bieber... | 0:10:06 | 0:10:08 | |
and that guy who plays Poldark? | 0:10:08 | 0:10:13 | |
Can I still... | 0:10:17 | 0:10:20 | |
compete... | 0:10:20 | 0:10:22 | |
..with these guys? | 0:10:23 | 0:10:25 | |
Let's sign it. How do you normally sign? | 0:10:29 | 0:10:32 | |
-I might say Ro sometimes. -Ro? | 0:10:32 | 0:10:34 | |
-Yeah, depending on who I'm sending it to. -R-O? -Yeah, Ro. | 0:10:34 | 0:10:37 | |
Ro. OK. | 0:10:37 | 0:10:39 | |
# Ro, Ro, Ro... | 0:10:41 | 0:10:43 | |
# Your boat... | 0:10:47 | 0:10:48 | |
# Gently down the stream... | 0:10:53 | 0:10:55 | |
# Merrily, merrily... # | 0:10:56 | 0:10:58 | |
Ro. No kiss? | 0:11:00 | 0:11:02 | |
Ro. I don't know. Do you think I should go with no signing? | 0:11:02 | 0:11:06 | |
AUDIENCE SHOUTS OUT | 0:11:06 | 0:11:09 | |
I'm sending it! | 0:11:09 | 0:11:10 | |
CHEERING | 0:11:10 | 0:11:12 | |
OK, all right. | 0:11:13 | 0:11:16 | |
Please, one more time, Ronan Keating, what a sport! | 0:11:16 | 0:11:19 | |
What a sport! | 0:11:19 | 0:11:21 | |
Thank you so much, | 0:11:21 | 0:11:23 | |
and we'll catch up with all your replies later in the show. | 0:11:23 | 0:11:28 | |
OK. Ladies and gentlemen, | 0:11:28 | 0:11:30 | |
I think it's time for a French-Canadian acrobatic duo | 0:11:30 | 0:11:33 | |
making their British television debut, what do you think? | 0:11:33 | 0:11:36 | |
CHEERING | 0:11:36 | 0:11:39 | |
Prepare to gasp in amazement | 0:11:39 | 0:11:41 | |
at the remarkable talents of Chilly and Fly! | 0:11:41 | 0:11:45 | |
CHEERING | 0:11:45 | 0:11:47 | |
MUSIC: In The Air by Morgan Page | 0:11:56 | 0:11:58 | |
HEARTBEAT THUMPS | 0:13:16 | 0:13:18 | |
MUSIC RESUMES | 0:13:36 | 0:13:38 | |
CHEERING | 0:13:58 | 0:14:01 | |
LAUGHTER | 0:14:10 | 0:14:12 | |
Chilly and Fly, ladies and gentlemen, Chilly and Fly! | 0:14:14 | 0:14:17 | |
Yay! | 0:14:23 | 0:14:25 | |
Amazing. Absolutely amazing, breathtaking, congratulations. | 0:14:25 | 0:14:28 | |
One more time, what about that? Chilly and Fly! | 0:14:28 | 0:14:31 | |
Oh! Thank you very much, brilliant! | 0:14:32 | 0:14:35 | |
Now, ladies and gentlemen, | 0:14:37 | 0:14:39 | |
we have some amazing stars on this stage tonight, | 0:14:39 | 0:14:42 | |
but one of our performers isn't actually at the theatre yet. | 0:14:42 | 0:14:46 | |
-AUDIENCE: -Oooooh! | 0:14:46 | 0:14:48 | |
That's because right now, they don't even know they're on the show. | 0:14:48 | 0:14:52 | |
You're going to love this. | 0:14:52 | 0:14:54 | |
Each week on the Big Show, | 0:14:54 | 0:14:55 | |
we're going to surprise a member of the public, | 0:14:55 | 0:14:58 | |
and they will be performing on this very stage | 0:14:58 | 0:15:01 | |
as our Unexpected Star Of The Show! | 0:15:01 | 0:15:04 | |
OK! | 0:15:06 | 0:15:08 | |
So this is Craig Haywood. | 0:15:08 | 0:15:12 | |
Oh, dear. There's Craig, Craig is a locksmith from Poole. | 0:15:12 | 0:15:16 | |
And we've called him out to the theatre tonight | 0:15:16 | 0:15:18 | |
to fix a broken lock. | 0:15:18 | 0:15:20 | |
Basically, he's going to come through into the back of the theatre | 0:15:22 | 0:15:26 | |
and we've mocked up a corridor that is a fake corridor, | 0:15:26 | 0:15:29 | |
that actually leads all the way to here. | 0:15:29 | 0:15:32 | |
And then I've got the last bit which we're going to fix on. | 0:15:32 | 0:15:35 | |
So he comes through the corridor and then there's a door here... | 0:15:35 | 0:15:38 | |
..which is locked! | 0:15:39 | 0:15:42 | |
So you really have to help here, you have to be totally quiet. | 0:15:44 | 0:15:48 | |
So he will be inside here trying to open this lock, | 0:15:48 | 0:15:50 | |
and then, of course, when he does open it, | 0:15:50 | 0:15:53 | |
you're all going to give him the biggest surprise of his life. | 0:15:53 | 0:15:56 | |
OK, you up for that? | 0:15:56 | 0:15:58 | |
CHEERING | 0:15:58 | 0:15:59 | |
Because later on, | 0:15:59 | 0:16:02 | |
he will then be performing, um... | 0:16:02 | 0:16:04 | |
at the end of the show, in, basically, a huge big production | 0:16:04 | 0:16:08 | |
that he obviously knows absolutely nothing about. | 0:16:08 | 0:16:11 | |
He's been set up by his boss Kim | 0:16:11 | 0:16:14 | |
and his wife Stacey, who I believe is here - Stacey? | 0:16:14 | 0:16:17 | |
Where are you, darling? Stacey? | 0:16:17 | 0:16:19 | |
There she is, Stace. I'm going to come down and chat to you. | 0:16:19 | 0:16:22 | |
Ladies and gentlemen, big round of applause for Stacey. | 0:16:22 | 0:16:25 | |
APPLAUSE | 0:16:25 | 0:16:27 | |
-Yes! Hello, Stacey, darling, nice to see you. -Hello, nice to meet you. | 0:16:27 | 0:16:31 | |
Stacey, everyone. Stace... CHEERING | 0:16:31 | 0:16:33 | |
You look very beautiful. | 0:16:33 | 0:16:35 | |
-So how are you? -I'm all right. | 0:16:35 | 0:16:37 | |
-A bit nervous. -Where does Craig think you are? | 0:16:37 | 0:16:40 | |
He thinks I'm at home. | 0:16:40 | 0:16:41 | |
So it's really going to be so many surprises just to see you here... | 0:16:41 | 0:16:45 | |
-Yeah. -..let alone to perform on the show. | 0:16:45 | 0:16:47 | |
-I know! -Is he a bit of a performer? | 0:16:47 | 0:16:50 | |
Is he a confident man, Craig? | 0:16:50 | 0:16:52 | |
-He can be, yes, especially as a locksmith. -Right. | 0:16:52 | 0:16:56 | |
-Thinks he's the best of the best. -He thinks he can get through any lock? | 0:16:56 | 0:16:59 | |
Yeah, yeah, he thinks he can do any lock. | 0:16:59 | 0:17:02 | |
So he sees himself like as the James Bond of locksmithing? | 0:17:02 | 0:17:05 | |
-Oh, yeah. Yeah. -All right. Ladies and gentlemen, thank you very much. | 0:17:05 | 0:17:09 | |
Stacey, who's set the whole thing up! | 0:17:09 | 0:17:12 | |
So Craig is on his way to the theatre right now | 0:17:16 | 0:17:19 | |
for the surprise of his life, and trust me, | 0:17:19 | 0:17:21 | |
his performance at the end of the show | 0:17:21 | 0:17:23 | |
is going to be truly spectacular | 0:17:23 | 0:17:25 | |
and will put his locksmith abilities to the ultimate test. | 0:17:25 | 0:17:29 | |
AUDIENCE WHOOPING | 0:17:29 | 0:17:31 | |
My next guest is a rock legend | 0:17:34 | 0:17:36 | |
who's topped the charts in over 40 countries. | 0:17:36 | 0:17:38 | |
His single Everything I Do, I Do It For You | 0:17:38 | 0:17:41 | |
was number one from when I was nine till when I was 22 years old. | 0:17:41 | 0:17:45 | |
Please welcome the absolutely fantastic - what a treat - | 0:17:45 | 0:17:48 | |
Bryan Adams is here! | 0:17:48 | 0:17:50 | |
CHEERING | 0:17:50 | 0:17:52 | |
# People believe what they wanna believe | 0:18:02 | 0:18:05 | |
# You gotta give thanks for what you're about to receive | 0:18:09 | 0:18:13 | |
# You mighta bit off more than you can chew | 0:18:16 | 0:18:20 | |
# Deep inside, stay true to you | 0:18:20 | 0:18:23 | |
# You got to do what you gotta do | 0:18:23 | 0:18:27 | |
# Yeah, do what you gotta do | 0:18:27 | 0:18:31 | |
# You got to do what you gotta do | 0:18:31 | 0:18:36 | |
# You might take a hit You might take a punch | 0:18:38 | 0:18:41 | |
# There ain't no such thing as a free lunch | 0:18:45 | 0:18:49 | |
# Nobody knows what you've been through | 0:18:52 | 0:18:56 | |
# Or what it's like to be in your shoes | 0:18:56 | 0:18:59 | |
# You got to do what you gotta do | 0:18:59 | 0:19:03 | |
# Yeah, do what you gotta do | 0:19:03 | 0:19:07 | |
# Ohhhhh! | 0:19:12 | 0:19:14 | |
# Do what you gotta do | 0:19:14 | 0:19:17 | |
# Do what you gotta do | 0:19:18 | 0:19:21 | |
# What goes around comes around | 0:19:21 | 0:19:25 | |
# Do what you gotta do | 0:19:25 | 0:19:28 | |
# You gotta keep both feet on the ground | 0:19:28 | 0:19:32 | |
# Do what you gotta do | 0:19:32 | 0:19:35 | |
# You mighta bit off more than you can chew | 0:19:35 | 0:19:39 | |
# Deep inside, stay true to you | 0:19:39 | 0:19:43 | |
# You got to do what you gotta do | 0:19:43 | 0:19:46 | |
# Yeah, do what you gotta do | 0:19:46 | 0:19:50 | |
# You got to do what you gotta do | 0:19:50 | 0:19:54 | |
# Do what you gotta do | 0:19:54 | 0:19:57 | |
# You gotta, you gotta, you gotta! # | 0:19:57 | 0:20:01 | |
CHEERING | 0:20:01 | 0:20:03 | |
# She said her love for me could never die | 0:20:25 | 0:20:30 | |
# But that'd change if she ever found out about you and I | 0:20:33 | 0:20:37 | |
# Oh, but her love is cold | 0:20:40 | 0:20:44 | |
# It wouldn't hurt her if she didn't know | 0:20:44 | 0:20:47 | |
# Cos when it gets too much | 0:20:48 | 0:20:51 | |
# I need to feel your touch | 0:20:52 | 0:20:54 | |
# I'm gonna run to you | 0:20:54 | 0:20:56 | |
# I'm gonna run to you | 0:20:58 | 0:21:00 | |
# Cos when the feeling's right I'm gonna run all night | 0:21:02 | 0:21:05 | |
# I'm gonna run to you | 0:21:05 | 0:21:08 | |
# Oh, I'm gonna run to you | 0:21:16 | 0:21:19 | |
# I'm gonna run to you | 0:21:20 | 0:21:22 | |
# Cos when the feeling's right I'm gonna run all night | 0:21:24 | 0:21:27 | |
# I'm gonna run to you | 0:21:27 | 0:21:30 | |
# I'm gonna run to you | 0:21:30 | 0:21:34 | |
# I'm gonna run to you | 0:21:39 | 0:21:41 | |
# Yeah! | 0:21:41 | 0:21:45 | |
# Run to you! # | 0:21:49 | 0:21:51 | |
Thank you! | 0:21:52 | 0:21:54 | |
CHEERING | 0:21:54 | 0:21:56 | |
The wonderful Bryan Adams! | 0:22:00 | 0:22:03 | |
Oh what a pleasure, what a treat! | 0:22:05 | 0:22:07 | |
Thank you so, so much for coming on. | 0:22:08 | 0:22:09 | |
Oh, what a pleasure. One more time, the legendary Bryan Adams! | 0:22:09 | 0:22:14 | |
CHEERING Come on! | 0:22:14 | 0:22:16 | |
MICHAEL SINGS: # The feeling's right, I'm gonna run all night | 0:22:16 | 0:22:20 | |
# I'm gonna run to you | 0:22:20 | 0:22:22 | |
# Yeah, I'm gonna run to you! # | 0:22:22 | 0:22:25 | |
Love that! | 0:22:25 | 0:22:27 | |
OK, ladies and gentlemen, very exciting news. | 0:22:28 | 0:22:31 | |
Craig, our Unexpected Star Of The Show, | 0:22:31 | 0:22:35 | |
is in the building - he's in the building, OK? | 0:22:35 | 0:22:38 | |
He's in our backstage office right now and I think we have live... | 0:22:39 | 0:22:43 | |
Can we go to him live? That's him live. | 0:22:43 | 0:22:44 | |
So there he is, Craig on the right, and that is - is that Kim, his boss? | 0:22:44 | 0:22:49 | |
So that on the left is Kim - his boss who's in on it - right? | 0:22:49 | 0:22:52 | |
And they're just chatting, aren't they? About locks and stuff. | 0:22:52 | 0:22:55 | |
Is he showing off now? Craig, he's like, | 0:22:55 | 0:22:57 | |
"I could probably open any lock, me, I've got it all. | 0:22:57 | 0:23:00 | |
"Seriously. See those shoelaces? | 0:23:00 | 0:23:01 | |
"I could undo 'em, do 'em up without you even knowing. | 0:23:01 | 0:23:04 | |
"In fact, I just did it now, did you see? Did you see? | 0:23:04 | 0:23:07 | |
"I did it with my left hand. | 0:23:07 | 0:23:08 | |
"You see the hand I'm banging? I did it with that hand. | 0:23:08 | 0:23:10 | |
"You did that to my foot that I'm wiggling right now?" | 0:23:10 | 0:23:13 | |
"Yes, I did, Kim. And you see that light over there? | 0:23:13 | 0:23:17 | |
"I just changed it, that's how fast I am." | 0:23:17 | 0:23:19 | |
Anyway, Craig will be called away shortly | 0:23:21 | 0:23:24 | |
to pick the lock of a door that is attached to the fake corridor. | 0:23:24 | 0:23:27 | |
So here we have our corridor, as I've mentioned. | 0:23:27 | 0:23:30 | |
Right, so he's going to come through here | 0:23:30 | 0:23:33 | |
and then he will find the door locked here. | 0:23:33 | 0:23:37 | |
There should be a camera picking me up here, can you see me there? | 0:23:37 | 0:23:40 | |
So here's the lock, here's the lock here, | 0:23:43 | 0:23:45 | |
so he's going to have to fiddle with this... Fiddle like that. | 0:23:45 | 0:23:48 | |
He's literally going to open it and that's what's going to happen. | 0:23:48 | 0:23:51 | |
CHEERING | 0:23:51 | 0:23:53 | |
Not only is Craig going to have to open this lock | 0:23:56 | 0:23:59 | |
using all his locksmith skills - | 0:23:59 | 0:24:01 | |
and be given the surprise of his life by seeing all you - | 0:24:01 | 0:24:03 | |
to find out he's on the show tonight, | 0:24:03 | 0:24:05 | |
but we're also going to surprise him with who set him up tonight | 0:24:05 | 0:24:08 | |
by giving him another challenge | 0:24:08 | 0:24:10 | |
to unpick this rather difficult-looking lock, | 0:24:10 | 0:24:13 | |
and inside Stacey... | 0:24:13 | 0:24:14 | |
Are you all right, Stacey? How are you doing in there? | 0:24:14 | 0:24:17 | |
Knock twice if you're OK. | 0:24:17 | 0:24:19 | |
Stacey, knock twice if you're OK. | 0:24:23 | 0:24:27 | |
Fantastic. | 0:24:27 | 0:24:28 | |
Right. | 0:24:29 | 0:24:31 | |
Oh, I forgot to lock the door, forgot! | 0:24:31 | 0:24:33 | |
HE LAUGHS | 0:24:33 | 0:24:36 | |
It was nearly the easiest job of his life! | 0:24:36 | 0:24:38 | |
All right, so I'm going to lock... I'm going to lock that door, | 0:24:41 | 0:24:44 | |
that's locked. | 0:24:44 | 0:24:46 | |
OK. | 0:24:46 | 0:24:48 | |
All right, we're ready, so I say we go and get him. | 0:24:48 | 0:24:51 | |
Let's go and get him, let's bring him up. | 0:24:51 | 0:24:53 | |
-Oh, here we go, here we go. -Hello. Sorry, | 0:24:53 | 0:24:55 | |
I know we've been a long, long time waiting, haven't we? | 0:24:55 | 0:24:58 | |
Are you the best man for the job, do you mind? | 0:24:58 | 0:25:01 | |
We've only brought, like, certain stuff with us, | 0:25:01 | 0:25:03 | |
so if I've got it, I'll do it, it's no problem. | 0:25:03 | 0:25:06 | |
All right. Sorry, if you wait here, I think... | 0:25:06 | 0:25:09 | |
he's going to be on his way anyway shortly. | 0:25:09 | 0:25:11 | |
-We'll come back for you. -Yeah, no worries. | 0:25:11 | 0:25:14 | |
-Thanks for this, much appreciated. -That's all right. | 0:25:14 | 0:25:16 | |
It happens all the time in this place, you know. | 0:25:16 | 0:25:19 | |
-I'd like to see how you do it, actually... -Not too much pressure! | 0:25:19 | 0:25:22 | |
Yeah, sorry for keeping you waiting, by the way. | 0:25:22 | 0:25:25 | |
-No, that's all right. -Right, here we go. | 0:25:25 | 0:25:28 | |
So it's just this lock here. | 0:25:29 | 0:25:32 | |
Yeah, I think it's that one. Yeah, that one just there, yeah. | 0:25:32 | 0:25:35 | |
-It's locked still, yeah. -OK. | 0:25:35 | 0:25:38 | |
Take a quick look at it. | 0:25:38 | 0:25:40 | |
-Is that your boss downstairs, is it? -Er, yeah. | 0:25:43 | 0:25:46 | |
-What's he like? Nice guy? -Yeah, he's cool. | 0:25:46 | 0:25:48 | |
-Yeah. -He is a nice guy. -Good. | 0:25:48 | 0:25:51 | |
Have a look at this! | 0:25:51 | 0:25:54 | |
-What are you doing exactly? -Er, just... | 0:25:54 | 0:25:57 | |
-trying to pick it. -Yeah, OK. | 0:25:57 | 0:25:59 | |
You've done it! Push that open for me. | 0:26:01 | 0:26:03 | |
CHEERING | 0:26:03 | 0:26:06 | |
How are you doing, Craig? It's Craig, our locksmith! | 0:26:14 | 0:26:17 | |
Go on, my son! Good to see you, Craigy. | 0:26:19 | 0:26:22 | |
Don't forget your tools, don't forget your tools! | 0:26:22 | 0:26:26 | |
What are you without your tools, Craig? | 0:26:28 | 0:26:31 | |
Craig, Craig, welcome. Obviously this is not a normal job. | 0:26:31 | 0:26:34 | |
No! | 0:26:34 | 0:26:36 | |
-We've played a little surprise on you. -Oh, really(?) | 0:26:36 | 0:26:39 | |
With the help... With the help of your mate Kim. There he is! | 0:26:39 | 0:26:42 | |
So, there's 2,000 people in this theatre, | 0:26:45 | 0:26:48 | |
we've got an amazing show tonight. | 0:26:48 | 0:26:50 | |
-So you had no idea about this? -Er, no. | 0:26:50 | 0:26:52 | |
So, tell me, Craig, how good a locksmith do you think you are? | 0:26:52 | 0:26:55 | |
Oh, right! You can't ask me that in front of 2,000 people. | 0:26:55 | 0:26:58 | |
Um...I do OK. | 0:26:58 | 0:27:00 | |
Could you get past any lock, do you think? | 0:27:00 | 0:27:02 | |
Has any lock defeated you? | 0:27:02 | 0:27:03 | |
Er...yeah, yeah. | 0:27:03 | 0:27:08 | |
Oops! | 0:27:08 | 0:27:09 | |
All right, so, a simple padlock. | 0:27:11 | 0:27:13 | |
-We've got another lock over here, you've got your tools. -OK. | 0:27:13 | 0:27:16 | |
So we've got a little bit of a problem with this. | 0:27:16 | 0:27:18 | |
Well, to be honest, it was delivered by accident, but, you know... | 0:27:18 | 0:27:21 | |
I just want to know what's in it. So, padlock, what do you think? | 0:27:21 | 0:27:24 | |
-Pretty standard, think you can get in there? -Yeah, I'll give it a go. | 0:27:24 | 0:27:27 | |
How long do you think it would take you to open? | 0:27:27 | 0:27:29 | |
-Got any bolt cutters? -Bolt cutters?! | 0:27:29 | 0:27:31 | |
Um...I don't know! | 0:27:32 | 0:27:34 | |
All right, good luck. Let's see if you can get that one open. | 0:27:36 | 0:27:39 | |
All right, let's give him a little bit of atmosphere | 0:27:39 | 0:27:42 | |
as we see Craig opening doors. | 0:27:42 | 0:27:44 | |
AUDIENCE CLAP There he goes. He's hard at work. | 0:27:44 | 0:27:46 | |
Look at that, got it all in here. | 0:27:46 | 0:27:49 | |
He's got things in his mouth, he's poking around. | 0:27:51 | 0:27:54 | |
There's sparks flying, ladies and gentlemen, | 0:27:56 | 0:27:59 | |
sparks are flying in the lock. | 0:27:59 | 0:28:01 | |
CHEERING | 0:28:05 | 0:28:07 | |
-Hello. -Hello! | 0:28:08 | 0:28:11 | |
It's your beautiful wife, Stacey. | 0:28:17 | 0:28:19 | |
There you go! | 0:28:19 | 0:28:21 | |
Ladies and gentlemen, it's Craig and Stacey! | 0:28:21 | 0:28:23 | |
OK. Stacey, if you'd like to take your seat back in the audience, | 0:28:24 | 0:28:27 | |
Craig, come with me. | 0:28:27 | 0:28:29 | |
OK, thank you! Well done. | 0:28:29 | 0:28:31 | |
OK, Craig, you've proved yourself as a top locksmith. | 0:28:33 | 0:28:36 | |
And we didn't just bring you here to open a few locks, | 0:28:36 | 0:28:39 | |
you're here to take part in | 0:28:39 | 0:28:40 | |
the ultimate challenge for any locksmith. | 0:28:40 | 0:28:43 | |
To hear what you're going to do tonight, Craig... | 0:28:43 | 0:28:45 | |
-OK. -..I'm going to pass you over | 0:28:45 | 0:28:47 | |
to one of the world's leading illusionists, Jamie Allan. | 0:28:47 | 0:28:50 | |
Craig, this is the ultimate escapology trick. | 0:28:52 | 0:28:55 | |
It's never been performed on British television. | 0:28:55 | 0:28:57 | |
That's why we chose you, Craig, | 0:28:57 | 0:28:59 | |
because only the James Bond of locksmiths | 0:28:59 | 0:29:02 | |
could attempt such a terrifying task. | 0:29:02 | 0:29:05 | |
You're going to have to use | 0:29:05 | 0:29:06 | |
all of your unparalleled lockpicking abilities | 0:29:06 | 0:29:09 | |
to free yourself before the spinning saws of doom | 0:29:09 | 0:29:12 | |
turn you into wafer-thin slices. | 0:29:12 | 0:29:16 | |
LAUGHTER | 0:29:22 | 0:29:24 | |
Is there any way we make it an easier trick? | 0:29:25 | 0:29:28 | |
Maybe just... If he can just open a door that's already open, | 0:29:30 | 0:29:34 | |
something like that? | 0:29:34 | 0:29:35 | |
I think you can do it, I think you can do it. | 0:29:35 | 0:29:38 | |
Do you think Craig can do this? | 0:29:38 | 0:29:39 | |
CHEERING Craig can do this. | 0:29:39 | 0:29:41 | |
All right, Craigy, all right. | 0:29:41 | 0:29:43 | |
-So you're going to go backstage, rehearse with Jamie, OK? -OK. | 0:29:43 | 0:29:47 | |
And you're going to come back at the end of the show | 0:29:47 | 0:29:49 | |
-to perform that trick for us. -All right. | 0:29:49 | 0:29:52 | |
All I have to ask you, Craigy - are you up for it? | 0:29:52 | 0:29:55 | |
-Yeah, I'm up for it. -Go on, then, Craig! | 0:29:55 | 0:29:57 | |
Ladies and gentlemen, it's our Unexpected Star Of The Show! | 0:29:57 | 0:30:01 | |
It's our locksmith, Craig! Brilliant. | 0:30:01 | 0:30:05 | |
OK, ladies and gentlemen, we have the wonderful Ronan Keating here | 0:30:08 | 0:30:13 | |
playing Send To All! | 0:30:13 | 0:30:15 | |
I wonder how it's going. | 0:30:18 | 0:30:19 | |
Do we know how many texts Ronan's got back so far? | 0:30:19 | 0:30:22 | |
LAUGHTER | 0:30:22 | 0:30:23 | |
Apparently some corkers, which is very exciting. | 0:30:23 | 0:30:26 | |
My next guest is quite simply one of my favourite comedians | 0:30:28 | 0:30:31 | |
and one of the hottest stand-ups in the country right now. | 0:30:31 | 0:30:34 | |
WHOOPING | 0:30:34 | 0:30:35 | |
And I'm so pleased to have him on my show tonight. | 0:30:35 | 0:30:38 | |
Please welcome star of The Last Leg and his own BBC sitcom, Josh... | 0:30:38 | 0:30:41 | |
It's the wonderful Josh Widdicombe! | 0:30:41 | 0:30:44 | |
Widdies! | 0:30:44 | 0:30:45 | |
MUSIC: Alright by Supergrass | 0:30:45 | 0:30:47 | |
CHEERING AND APPLAUSE | 0:30:47 | 0:30:50 | |
Hello. | 0:30:58 | 0:30:59 | |
WHOOPING | 0:30:59 | 0:31:00 | |
Yes. Yes, you're right to woo, yes. | 0:31:00 | 0:31:04 | |
Er, it's a genuine pleasure to be here. | 0:31:05 | 0:31:07 | |
It's lovely to be out of the house. It is. I try and... | 0:31:07 | 0:31:11 | |
Some people just laughing at the idea I ever leave the house. | 0:31:11 | 0:31:14 | |
But I do, I do. I eat out. | 0:31:14 | 0:31:16 | |
I had a situation in a restaurant... Have you had this recently? | 0:31:16 | 0:31:19 | |
I went in, I just got offered some free bread. | 0:31:19 | 0:31:22 | |
We went in, sat down and he went, um, "Here's the menus", | 0:31:22 | 0:31:25 | |
then he went, "Before you start, do you want some bread?" | 0:31:25 | 0:31:29 | |
"No. | 0:31:29 | 0:31:30 | |
"No, because I'm not a duck." | 0:31:30 | 0:31:32 | |
LAUGHTER | 0:31:32 | 0:31:35 | |
I mean, if I wanted some bread I'd be down at the pond with my mates. | 0:31:37 | 0:31:41 | |
I mean, how bad is the food on your menu? | 0:31:41 | 0:31:44 | |
"There's the menu, but I'd fill up on bread if I was you, mate, it's awful." | 0:31:44 | 0:31:48 | |
Then he came over, I thought he was going to take my order, | 0:31:48 | 0:31:51 | |
he said, "Do you want some more bread?" | 0:31:51 | 0:31:53 | |
Who's in the kitchen - Jesus? | 0:31:53 | 0:31:54 | |
Best bread in a restaurant - we all know it - naan bread. | 0:32:00 | 0:32:02 | |
Oh, I love naan bread - only in a restaurant. | 0:32:02 | 0:32:05 | |
Don't make the mistake I did a few weeks ago, | 0:32:05 | 0:32:08 | |
try and recapture the glory with a supermarket naan bread. | 0:32:08 | 0:32:12 | |
Who do they think they are kidding? | 0:32:12 | 0:32:14 | |
That is not and has never will be a naan bread. | 0:32:14 | 0:32:18 | |
If they brought one of them out in a restaurant, | 0:32:18 | 0:32:20 | |
"Sorry, is this a prank? Because I asked for a naan bread | 0:32:20 | 0:32:23 | |
"and you've brought me out a piece of futon." | 0:32:23 | 0:32:27 | |
And yes, I have tried sprinkling droplets of water on it! | 0:32:27 | 0:32:31 | |
It makes no difference! | 0:32:31 | 0:32:33 | |
There I am hunched over my tap with my supermarket naan bread, | 0:32:33 | 0:32:37 | |
splashing away like I'm trying to keep a beached whale alive. | 0:32:37 | 0:32:42 | |
It's like I'm waterboarding my naan bread for information. | 0:32:42 | 0:32:47 | |
"Tell me why poppadoms are so moreish!" | 0:32:47 | 0:32:50 | |
It just runs off - it's waterproof! | 0:32:50 | 0:32:53 | |
How have I got a bit of food that is both wet and dry at the same time? | 0:32:53 | 0:32:58 | |
I could use it as an edible umbrella. | 0:32:58 | 0:33:01 | |
I only do British holidays. I do. I don't like flying. | 0:33:03 | 0:33:06 | |
My parents will go on these foreign holidays. | 0:33:06 | 0:33:08 | |
My parents are the kind of people that will go abroad and then | 0:33:08 | 0:33:12 | |
get you presents from their holiday. | 0:33:12 | 0:33:14 | |
No-one wants this. | 0:33:14 | 0:33:16 | |
Last year they came back with a key ring that said "Morocco". | 0:33:17 | 0:33:21 | |
So every time I get my keys out I can go, "Oh, yeah. | 0:33:21 | 0:33:24 | |
"I haven't been to Morocco." | 0:33:24 | 0:33:27 | |
My dad will always buy these gifts. | 0:33:27 | 0:33:29 | |
I remember we went a few years ago on a family holiday to York. | 0:33:29 | 0:33:32 | |
We're there, he's buying all this stuff from the gift shop. | 0:33:32 | 0:33:35 | |
I said, "Why are you buying this tat?" He said, "Well, you know, | 0:33:35 | 0:33:37 | |
"we should buy people some things to show them we've been to York." | 0:33:37 | 0:33:42 | |
I said, "I think they'll believe us." | 0:33:42 | 0:33:44 | |
I don't think they're going to ask for evidence. | 0:33:48 | 0:33:51 | |
"Unless you've got a multicoloured rubber with the word 'York' on it | 0:33:51 | 0:33:54 | |
"I'm not buying that tall story." | 0:33:54 | 0:33:56 | |
What is this, a holiday or an alibi? | 0:33:56 | 0:34:00 | |
The main reason I don't go on holiday abroad, I don't like flying. | 0:34:00 | 0:34:03 | |
It terrifies me. I'm afraid of flying. | 0:34:03 | 0:34:05 | |
I don't know how people aren't afraid of flying. | 0:34:05 | 0:34:07 | |
About a year ago I was at an airport. All the flights were cancelled due to bad weather. | 0:34:07 | 0:34:11 | |
People were complaining! Why are you complaining? | 0:34:11 | 0:34:14 | |
Surely far worse would be | 0:34:14 | 0:34:16 | |
you turn up at the airport and the announcement comes... | 0:34:16 | 0:34:19 | |
and your flight is the only one that isn't cancelled. | 0:34:19 | 0:34:23 | |
"EasyJet Flight E4597 is going to have a go for it." | 0:34:23 | 0:34:27 | |
Tell you the announcement I hate. When you get on the flight, they go, | 0:34:35 | 0:34:38 | |
"Just so you know, we're about half an hour late taking off | 0:34:38 | 0:34:41 | |
"but don't worry, I'll try and make up a bit of time in the air." | 0:34:41 | 0:34:44 | |
I don't want to hear that. I'm scared enough as it is | 0:34:44 | 0:34:46 | |
without the news you're going to be speeding. | 0:34:46 | 0:34:50 | |
Might as well go, "Just so you know, we're a couple of hours behind | 0:34:50 | 0:34:54 | |
"but don't worry, I know a short cut across North Korean airspace." | 0:34:54 | 0:34:57 | |
"Who fancies the loop-the-loop? You only live once - let's do it!" | 0:35:00 | 0:35:04 | |
And the entertainment's not enough to distract you. | 0:35:05 | 0:35:07 | |
There's the films. The other option, isn't it, | 0:35:07 | 0:35:10 | |
watching that computerised map of your journey - who is that for? | 0:35:10 | 0:35:15 | |
"No, I'm not really into films. | 0:35:15 | 0:35:16 | |
"No, I think I'll just watch the satnav for the next six hours, yeah." | 0:35:16 | 0:35:20 | |
I don't need to know how far I am on my journey. | 0:35:20 | 0:35:23 | |
I tell you what - I'm going to get off when I land! | 0:35:23 | 0:35:27 | |
I'm not going to go, "Oh, I'm going over my house, I'll just jump out here." | 0:35:27 | 0:35:31 | |
There's all the pointless stats below - outside temperature. | 0:35:31 | 0:35:36 | |
Who cares? I'm in here! | 0:35:36 | 0:35:37 | |
Outside temperature, minus 20. "Oh, thank God I checked | 0:35:38 | 0:35:42 | |
"because I was going to nip out for a fag." | 0:35:42 | 0:35:45 | |
LAUGHTER | 0:35:45 | 0:35:46 | |
"Well, I'd better put my parka on before I go wing walking." | 0:35:49 | 0:35:53 | |
And then they turn the entertainment off as you're coming in to land. | 0:35:53 | 0:35:56 | |
They'll just turn it off. Why? | 0:35:56 | 0:35:58 | |
I'm sorry, it's a video player. | 0:35:58 | 0:36:00 | |
I refuse to accept the technology interferes. | 0:36:00 | 0:36:03 | |
"Oh, yeah, we're going to have to turn it off because it turns out | 0:36:03 | 0:36:06 | |
"the pause button is also the one that brings the wheels up and down." | 0:36:06 | 0:36:10 | |
"You don't want to happen what happened the other day - | 0:36:13 | 0:36:15 | |
"we came into land, someone pressed fast forward and we only took off again." | 0:36:15 | 0:36:18 | |
Er, you have been an absolute lovely audience. | 0:36:23 | 0:36:25 | |
It's a genuine honour to play this. It's... | 0:36:25 | 0:36:28 | |
CHEERING AND APPLAUSE | 0:36:28 | 0:36:30 | |
It's just so nice. Thank you very much. | 0:36:30 | 0:36:31 | |
Hope to see you again. Thank you very much. Cheers. Goodnight! | 0:36:31 | 0:36:35 | |
Widdies! Thanks, Joshy. | 0:36:35 | 0:36:39 | |
Josh Widdicombe, ladies and gentlemen! | 0:36:39 | 0:36:41 | |
We love Josh Widdicombe. | 0:36:41 | 0:36:43 | |
Stace, I've just seen Craig backstage | 0:36:46 | 0:36:48 | |
and he seems quite cool now, you know, he's settling in. | 0:36:48 | 0:36:51 | |
He seems very relaxed and he's been rehearsing | 0:36:51 | 0:36:53 | |
and I think we have some footage of Craig rehearsing there... | 0:36:53 | 0:36:58 | |
Well, there, he's showing him the lock. | 0:36:58 | 0:37:01 | |
Doesn't really look like they're rehearsing, | 0:37:01 | 0:37:03 | |
they're just chatting about, "So, how do you not open it again? | 0:37:03 | 0:37:06 | |
"You put it in there and then you twist it." | 0:37:06 | 0:37:09 | |
They're having a chat, | 0:37:09 | 0:37:10 | |
so basically all I can tell you is that they're on it. Craig is on it. | 0:37:10 | 0:37:13 | |
Anyway, Ronan, how are you? Are you enjoying the show tonight? | 0:37:13 | 0:37:16 | |
-I am loving the show. -It's fun, isn't it? -My jaw's hurting. | 0:37:16 | 0:37:18 | |
-Yay! -I can't stop laughing - it's terrible. -That's good, that's good. | 0:37:18 | 0:37:21 | |
So I am in possession of your phone. It's in my pocket. | 0:37:21 | 0:37:25 | |
Um, I don't know what replies you've got. | 0:37:25 | 0:37:27 | |
I want to experience this with you. | 0:37:27 | 0:37:29 | |
Let's remind everybody the text that I sent. | 0:37:29 | 0:37:32 | |
Well, we've sent it with the phone | 0:37:43 | 0:37:45 | |
and it's time to see what responses we got. | 0:37:45 | 0:37:49 | |
Ladies and gentlemen, Ronan Keating playing Celebrity Send To All. | 0:37:49 | 0:37:53 | |
CHEERING AND APPLAUSE | 0:37:53 | 0:37:55 | |
All right, we have had lots of replies. | 0:37:55 | 0:37:59 | |
Gerard Keating? | 0:37:59 | 0:38:01 | |
-My brother, yeah. -Your brother. | 0:38:01 | 0:38:03 | |
It's just an amazing text from your brother. | 0:38:03 | 0:38:05 | |
He literally texted... | 0:38:05 | 0:38:08 | |
"No." | 0:38:08 | 0:38:09 | |
It's great to get that level of family support. | 0:38:13 | 0:38:17 | |
"Am I hot? Feeling a bit insecure. Can I compete with these guys?" | 0:38:18 | 0:38:22 | |
"No." | 0:38:22 | 0:38:23 | |
Shane-o? | 0:38:25 | 0:38:27 | |
Shane from Boyzone, Shane-o, yeah. | 0:38:27 | 0:38:29 | |
He said, "It's borderline, bro..." | 0:38:29 | 0:38:32 | |
"but if you hang out with me a bit more I'll guarantee | 0:38:32 | 0:38:35 | |
"you'll stay cool and current." | 0:38:35 | 0:38:37 | |
They're so good because they're not really suspecting. | 0:38:41 | 0:38:44 | |
Is this the kind of text you'd normally send, that starts | 0:38:44 | 0:38:48 | |
with, "I'm feeling a bit insecure"? | 0:38:48 | 0:38:51 | |
-It's... -Oh, this is great. -It's a regular thing. | 0:38:51 | 0:38:54 | |
-Oh, my God. -Yeah. | 0:38:54 | 0:38:55 | |
Who's Amanda Abbington? | 0:38:55 | 0:38:57 | |
The actress, yeah. | 0:38:57 | 0:38:59 | |
She just texted, "Is this that guy from Westlife?" | 0:38:59 | 0:39:02 | |
Ouch! | 0:39:05 | 0:39:07 | |
APPLAUSE | 0:39:07 | 0:39:09 | |
I think she deserves a text back. | 0:39:12 | 0:39:14 | |
-Yeah. -"How very dare you!" | 0:39:14 | 0:39:17 | |
Yeah. | 0:39:20 | 0:39:21 | |
OK... Sam Burgess? | 0:39:21 | 0:39:24 | |
Yeah, the rugby player. | 0:39:24 | 0:39:25 | |
-Oh. -Yeah. -You're very well connected. -Thanks. | 0:39:25 | 0:39:28 | |
Well, Sam Burgess has given you three emojis of people crying with | 0:39:28 | 0:39:32 | |
laughter and then he's gone, "I'd say a solid eight out of ten." | 0:39:32 | 0:39:36 | |
-I'll take that from Sam. -He's going to take that. -Yeah. | 0:39:38 | 0:39:41 | |
He's going to take that from Sam. | 0:39:41 | 0:39:43 | |
Gary Keating, a relative? | 0:39:43 | 0:39:45 | |
-My brother, yeah. -There's your brother. | 0:39:45 | 0:39:47 | |
"Bieber and Poldark don't have a patch on you. | 0:39:47 | 0:39:50 | |
"Harry is a tough one, though." | 0:39:50 | 0:39:52 | |
Oh, that's lovely. | 0:39:58 | 0:40:00 | |
Oh, Matt Goss! | 0:40:00 | 0:40:03 | |
Oh, really? | 0:40:03 | 0:40:04 | |
-I love that you've got Matt Goss's number. -I love Matt! | 0:40:04 | 0:40:09 | |
# When will I, will I be famous? # | 0:40:09 | 0:40:13 | |
He's started with, "Brother, I think you meant to send this to someone else. LOL... | 0:40:14 | 0:40:19 | |
"But you're definitely hot, sweetheart." | 0:40:21 | 0:40:24 | |
Russell C. Who's Russell C? | 0:40:32 | 0:40:34 | |
-Russell Crowe. -Oh, God. | 0:40:34 | 0:40:36 | |
LAUGHTER | 0:40:36 | 0:40:37 | |
-Who's...? -That's Russell Crowe. | 0:40:37 | 0:40:39 | |
LAUGHTER AND CHEERING | 0:40:39 | 0:40:42 | |
Russell Crowe? Gladiator? | 0:40:42 | 0:40:45 | |
"My name is Maximus Aurelius Maximus..." | 0:40:46 | 0:40:49 | |
I really don't want... | 0:40:49 | 0:40:51 | |
"Father of a murdered son, son to a murdered father | 0:40:51 | 0:40:54 | |
"and I shall get my vengeance, Ronan Keating." | 0:40:54 | 0:40:56 | |
I... I really didn't want him to respond. | 0:40:57 | 0:41:00 | |
-Oh, nothing gets past Crowe. -Right. | 0:41:00 | 0:41:03 | |
"Ha-ha, someone's got your phone, mate." | 0:41:03 | 0:41:06 | |
Thank God, thank God! | 0:41:07 | 0:41:09 | |
"Yes, I have his phone. | 0:41:15 | 0:41:17 | |
"And my name is Maximus..." | 0:41:19 | 0:41:24 | |
-No. -"Father of a murdered son..." | 0:41:26 | 0:41:28 | |
Shall I send that? | 0:41:31 | 0:41:33 | |
-AUDIENCE: -Yes! | 0:41:33 | 0:41:35 | |
Right, that's gone to Russell Crowe. | 0:41:35 | 0:41:37 | |
All right, I think that's it unless anything comes through | 0:41:45 | 0:41:47 | |
while we were... Oh, yes, something has just come through. | 0:41:47 | 0:41:50 | |
HIGH-PITCHED: # She smiled at me on the subway, but she was with another man... # | 0:41:50 | 0:41:55 | |
James Blunt has just texted while I was standing here. | 0:41:55 | 0:41:58 | |
That's just come through. I just want to hold this phone all night. | 0:41:59 | 0:42:03 | |
OK, James Blunt says, "Ronan, you are the king." | 0:42:05 | 0:42:08 | |
WHOOPING | 0:42:08 | 0:42:10 | |
"They are all just cheap imitations of you. | 0:42:10 | 0:42:13 | |
"You will always..." It's not, it's not finished. | 0:42:15 | 0:42:18 | |
"You will always be number one. PS - we should be together." | 0:42:18 | 0:42:23 | |
LAUGHTER AND APPLAUSE | 0:42:23 | 0:42:26 | |
Ladies and gentlemen, absolutely truly amazing - | 0:42:29 | 0:42:32 | |
Ronan Keating playing Send To All. What about that? | 0:42:32 | 0:42:35 | |
CHEERING AND APPLAUSE | 0:42:35 | 0:42:37 | |
Oh, brilliant. Russell Crowe! | 0:42:37 | 0:42:40 | |
So, the time has come | 0:42:44 | 0:42:46 | |
for our unexpected star of the show to perform! | 0:42:46 | 0:42:50 | |
CHEERING AND APPLAUSE | 0:42:50 | 0:42:52 | |
Yes, it is locksmith Craig's big moment! | 0:42:52 | 0:42:56 | |
CHEERING AND APPLAUSE | 0:42:56 | 0:42:59 | |
Earlier tonight, as you may remember, | 0:43:01 | 0:43:03 | |
Craig came here to open a locked door | 0:43:03 | 0:43:06 | |
and he has agreed, heroically, to be our unexpected star of the show. | 0:43:06 | 0:43:11 | |
So I don't want to miss this, so I'm going to come into the audience | 0:43:11 | 0:43:14 | |
and join you, Stace, if that's OK. | 0:43:14 | 0:43:16 | |
I'm coming down, all right? | 0:43:16 | 0:43:17 | |
So do you think you can... Sorry, do you mind moving up | 0:43:17 | 0:43:20 | |
if you don't mind? I'll just... I'll just sit in here. | 0:43:20 | 0:43:22 | |
OK. Oh, well, there's a popcorn in here as well. | 0:43:22 | 0:43:25 | |
Oh, that's actually... | 0:43:25 | 0:43:26 | |
Do you want to help yourself? | 0:43:27 | 0:43:29 | |
Ladies and gentlemen, the time has come - | 0:43:29 | 0:43:31 | |
please welcome illusionist Jamie Allan tonight here | 0:43:31 | 0:43:34 | |
with our unexpected star of the show... It's Craig the locksmith! | 0:43:34 | 0:43:38 | |
CHEERING AND APPLAUSE | 0:43:38 | 0:43:41 | |
Craig, this is a trick I've wanted to try for a long time. | 0:43:46 | 0:43:49 | |
But I've never really had anybody with the right credentials to do it. | 0:43:51 | 0:43:55 | |
I'm going to lock you in place, Craig, between these two | 0:43:55 | 0:43:59 | |
industrial spinning buzz saws. | 0:43:59 | 0:44:02 | |
And they move into this box by means of these high-pressure air rams | 0:44:04 | 0:44:08 | |
and they do it in a little under ten seconds | 0:44:08 | 0:44:11 | |
and once they start, they will not stop. | 0:44:11 | 0:44:15 | |
So, Craig, you think you're the James Bond of locksmiths? | 0:44:16 | 0:44:21 | |
James Bond always escapes. | 0:44:21 | 0:44:23 | |
Let's see if you can. | 0:44:24 | 0:44:26 | |
CHEERING | 0:44:26 | 0:44:29 | |
DRAMATIC MUSIC | 0:44:29 | 0:44:32 | |
METAL GRINDS | 0:45:25 | 0:45:27 | |
CHEERING AND APPLAUSE | 0:45:38 | 0:45:41 | |
There he is! There he is! | 0:45:41 | 0:45:43 | |
Oh, what? | 0:45:52 | 0:45:54 | |
Ladies and gentlemen, please give it up for Craig, | 0:45:58 | 0:46:01 | |
our unexpected star of the show! | 0:46:01 | 0:46:03 | |
How on earth? How on earth?! | 0:46:03 | 0:46:06 | |
Stacey had her heart in her mouth when the things... | 0:46:06 | 0:46:09 | |
And she was talking to me about insurance and the will. | 0:46:09 | 0:46:13 | |
It was very, very stressful for us! | 0:46:13 | 0:46:15 | |
And, of course, huge thanks and congratulations - | 0:46:15 | 0:46:18 | |
Jamie Allan, ladies and gentlemen. What about that? | 0:46:18 | 0:46:21 | |
-Jamie, thank you so much. -Thank you. -Incredible. | 0:46:21 | 0:46:24 | |
And one more time, did you enjoy that, Craig? | 0:46:24 | 0:46:26 | |
Yeah, yeah. | 0:46:26 | 0:46:28 | |
You seem a lot more relaxed and you look so spectacular in this get-up. | 0:46:28 | 0:46:31 | |
I feel like Austin Powers in this suit. | 0:46:31 | 0:46:33 | |
Didn't he wear one the same colour? | 0:46:33 | 0:46:34 | |
Absolutely incredible. Did you enjoy the whole experience? | 0:46:34 | 0:46:37 | |
-Awesome, yeah, thanks very much for having me. -Amazing. | 0:46:37 | 0:46:39 | |
Well, what about that, ladies and gentlemen? Please... | 0:46:39 | 0:46:42 | |
CHEERING AND APPLAUSE What a fantastic sport. He's really been through it tonight. | 0:46:42 | 0:46:46 | |
One more time for the unexpected star of our show tonight - | 0:46:46 | 0:46:49 | |
it's Craig the locksmith! | 0:46:49 | 0:46:51 | |
CHEERING | 0:46:51 | 0:46:53 | |
And a huge thank you, ladies and gentlemen, to all my guests tonight. | 0:46:53 | 0:46:57 | |
Join me next week, where somebody else will be given the surprise | 0:46:57 | 0:47:00 | |
of their life and become the unexpected star of the show. | 0:47:00 | 0:47:03 | |
Another celebrity, of course, will be playing Send To All and there'll | 0:47:03 | 0:47:06 | |
be more fun and games with you, the audience, and star performances. | 0:47:06 | 0:47:09 | |
But right now, singing us out | 0:47:09 | 0:47:11 | |
is a multi-million single selling pop sensation. | 0:47:11 | 0:47:14 | |
It's the wonderful Jess Glynne! | 0:47:14 | 0:47:16 | |
CHEERING AND APPLAUSE | 0:47:16 | 0:47:19 | |
MUSIC: Ain't Got Far to Go by Jess Glynne | 0:47:21 | 0:47:25 | |
AUDIENCE CLAPS ALONG | 0:47:27 | 0:47:30 | |
# Birds fly, we turned finally free | 0:47:34 | 0:47:37 | |
# Patience lost, I began to lose me | 0:47:37 | 0:47:40 | |
# My advice would be, take a breath | 0:47:40 | 0:47:44 | |
# Close your eyes and take a step | 0:47:44 | 0:47:47 | |
# I wasn't scared I fought this on my own | 0:47:47 | 0:47:50 | |
# You pulled me down and I let you go | 0:47:50 | 0:47:53 | |
# I told you I would prove you wrong | 0:47:53 | 0:47:56 | |
# And now I'm here and I'm standing strong | 0:47:56 | 0:47:59 | |
# I know | 0:48:00 | 0:48:03 | |
# I know, I know | 0:48:03 | 0:48:04 | |
# I know | 0:48:04 | 0:48:06 | |
# I know, I know | 0:48:06 | 0:48:07 | |
# I know | 0:48:07 | 0:48:09 | |
# That I ain't got far to go, go, go | 0:48:10 | 0:48:13 | |
# Cos I spent forever waiting | 0:48:13 | 0:48:17 | |
# And it's no longer a dream | 0:48:17 | 0:48:20 | |
# And now I've landed on my feet | 0:48:20 | 0:48:23 | |
# And I ain't got far to go | 0:48:23 | 0:48:26 | |
# Oh-ho-ho-hold tight, rollercoaster, here we go | 0:48:26 | 0:48:30 | |
# Florida, Orlando, I ain't playing with you | 0:48:30 | 0:48:34 | |
# Day one, I said I'd go for me | 0:48:34 | 0:48:37 | |
# One box ticked, got a lot to beat | 0:48:37 | 0:48:40 | |
# I wasn't scared I fought this on my own | 0:48:40 | 0:48:43 | |
# You pulled me down and I let you go | 0:48:43 | 0:48:47 | |
# I told you I would prove you wrong | 0:48:47 | 0:48:50 | |
# And now I'm here and I'm standing strong, yeah | 0:48:50 | 0:48:53 | |
# I know | 0:48:54 | 0:48:56 | |
# I know, I know | 0:48:56 | 0:48:57 | |
# I know | 0:48:57 | 0:48:59 | |
# I know, I know | 0:48:59 | 0:49:01 | |
# I know | 0:49:01 | 0:49:02 | |
# That I ain't got far to go, go, go | 0:49:04 | 0:49:07 | |
# Cos I spent forever waiting | 0:49:07 | 0:49:10 | |
# And it's no longer a dream | 0:49:10 | 0:49:14 | |
# And now I've landed on my feet | 0:49:14 | 0:49:17 | |
# And I ain't got far to go | 0:49:17 | 0:49:19 | |
# I'm here to stay, I'm here to stay | 0:49:20 | 0:49:23 | |
-# Amen -Amen | 0:49:23 | 0:49:25 | |
-# Oh, amen -Amen | 0:49:25 | 0:49:27 | |
# And if I had to go back in time | 0:49:27 | 0:49:29 | |
-# I would just do it again -Again | 0:49:29 | 0:49:32 | |
-# Oh, again -Again | 0:49:32 | 0:49:33 | |
# Hey, hey, hey, I | 0:49:33 | 0:49:36 | |
# Hey, hey, hey, I | 0:49:36 | 0:49:38 | |
# I know | 0:49:38 | 0:49:39 | |
# I, I ain't got far to go | 0:49:39 | 0:49:41 | |
# Hey, hey, hey, I | 0:49:41 | 0:49:42 | |
# Hey, hey, hey, I | 0:49:42 | 0:49:44 | |
# I, I know | 0:49:44 | 0:49:46 | |
# I, I, I ain't got far to go | 0:49:46 | 0:49:47 | |
# I know | 0:49:47 | 0:49:49 | |
# I know, I know | 0:49:49 | 0:49:51 | |
# I know | 0:49:51 | 0:49:53 | |
# Oh, I know, I know | 0:49:53 | 0:49:54 | |
# I know | 0:49:54 | 0:49:56 | |
# That I ain't got far to go, go, go | 0:49:57 | 0:50:00 | |
# Cos I spent forever waiting | 0:50:00 | 0:50:04 | |
# And it's no longer a dream | 0:50:04 | 0:50:07 | |
# And now I've landed on my feet | 0:50:07 | 0:50:10 | |
# And I ain't got far to go, go, go | 0:50:10 | 0:50:13 | |
# Cos I spent forever waiting | 0:50:13 | 0:50:17 | |
# And it's no longer a dream | 0:50:17 | 0:50:21 | |
# And now I've landed on my feet | 0:50:21 | 0:50:23 | |
# And I ain't got far to go | 0:50:23 | 0:50:26 | |
# And, and I ain't | 0:50:26 | 0:50:28 | |
# And, and I, oh | 0:50:28 | 0:50:30 | |
# And, and I ain't | 0:50:30 | 0:50:31 | |
# And, and I, oh | 0:50:31 | 0:50:33 | |
# And, and I ain't | 0:50:33 | 0:50:35 | |
# And, and I, oh | 0:50:35 | 0:50:37 | |
# And I ain't got far to go, go, go. # | 0:50:37 | 0:50:41 | |
CHEERING AND APPLAUSE | 0:50:41 | 0:50:45 | |
Thank you. | 0:50:45 | 0:50:46 |