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Tonight on my Big Show... | 0:00:10 | 0:00:12 | |
Dragon Peter Jones plays Celebrity Send To All, | 0:00:12 | 0:00:16 | |
hilarious comedy from Romesh Ranganathan, | 0:00:16 | 0:00:19 | |
flamenco-dancing brothers Los Vivancos, | 0:00:19 | 0:00:22 | |
the legend that is Rod Stewart | 0:00:22 | 0:00:26 | |
and who will be our Unexpected Star? | 0:00:26 | 0:00:30 | |
-ANNOUNCER: -Ladies and gentlemen it's the Big Show! | 0:00:34 | 0:00:38 | |
Please welcome your host, Michael McIntyre! | 0:00:38 | 0:00:43 | |
THUD! | 0:00:43 | 0:00:44 | |
KNOCKING | 0:00:45 | 0:00:47 | |
GLASS BREAKING | 0:00:51 | 0:00:52 | |
Oh, yes! | 0:00:54 | 0:00:56 | |
Good evening, hello, hi. | 0:00:57 | 0:01:00 | |
You all right? | 0:01:00 | 0:01:02 | |
Good evening, ladies and gentlemen, and welcome to my Big Show! | 0:01:02 | 0:01:06 | |
That's what's happening. | 0:01:06 | 0:01:09 | |
So we have a fantastic show for you this evening - are you up for that? | 0:01:12 | 0:01:17 | |
CHEERING AND APPLAUSE | 0:01:17 | 0:01:19 | |
I'll be playing my favourite game of them all, | 0:01:22 | 0:01:24 | |
-Celebrity Send To All - yes, mm. AUDIENCE: -Ooh! | 0:01:24 | 0:01:27 | |
And as ever, one person will be getting | 0:01:28 | 0:01:31 | |
the biggest surprise of their life, | 0:01:31 | 0:01:33 | |
when we find out who will be our latest Unexpected Star of the show. | 0:01:33 | 0:01:38 | |
-AUDIENCE: -Ooh! | 0:01:38 | 0:01:41 | |
This really is a magnificent theatre. | 0:01:41 | 0:01:42 | |
I should say hello to everybody at the top - are you OK up there? | 0:01:42 | 0:01:46 | |
CHEERING Yes! | 0:01:46 | 0:01:48 | |
You're not in the best seats. | 0:01:48 | 0:01:50 | |
Is there...can everybody see? Is there any....? | 0:01:50 | 0:01:52 | |
-GALLERY: -No! -LAUGHTER | 0:01:52 | 0:01:54 | |
That's not gone well. You liked that, didn't you? | 0:01:56 | 0:01:59 | |
Look how smug you're looking right now. | 0:01:59 | 0:02:01 | |
"Well, I did get here early enough and I took my seat in the stalls." | 0:02:03 | 0:02:07 | |
A lot of these old theatres, | 0:02:08 | 0:02:10 | |
they have restricted-view seating that they sell. | 0:02:10 | 0:02:12 | |
I don't know, first of all, why those seats are there. | 0:02:12 | 0:02:14 | |
Why do they do that? | 0:02:14 | 0:02:15 | |
Who sees a pillar in a theatre and just thinks, | 0:02:15 | 0:02:17 | |
"We'll just put a seat behind there and sell it on the cheap." | 0:02:17 | 0:02:22 | |
Do people feel pleased with getting a bargain? | 0:02:22 | 0:02:24 | |
"I went out last night to the theatre, | 0:02:24 | 0:02:25 | |
"I saw The Lion, The Witch... | 0:02:25 | 0:02:27 | |
"I never saw the wardrobe, but I did get a great deal on the tickets. | 0:02:27 | 0:02:30 | |
"I saw Snow White and I counted four dwarves, four out of seven, | 0:02:30 | 0:02:34 | |
"that's good enough for me." | 0:02:34 | 0:02:36 | |
The weather's getting nicer, have you noticed? | 0:02:37 | 0:02:40 | |
It's got springy, it's got a bit springy. | 0:02:40 | 0:02:41 | |
I've started watching the weather forecast again | 0:02:41 | 0:02:44 | |
cos I don't watch it in the winter. | 0:02:44 | 0:02:45 | |
I don't see the point. | 0:02:45 | 0:02:46 | |
Who watches the weather forecast? It's so boring. | 0:02:46 | 0:02:49 | |
"It's going to be 4, and then 6 in the afternoon", | 0:02:49 | 0:02:52 | |
and people watch this, going, "That's exciting, | 0:02:52 | 0:02:55 | |
"we should go out in the afternoon, it's going to be 6." | 0:02:55 | 0:02:57 | |
But I'm watching it again cos it's getting quite fun, | 0:02:57 | 0:02:59 | |
but they do tell you things you don't need to know - | 0:02:59 | 0:03:02 | |
like, I need to know if it's going to be windy, | 0:03:02 | 0:03:04 | |
I need to know the speed of the wind, obviously. | 0:03:04 | 0:03:06 | |
I don't think I need to know the direction. | 0:03:06 | 0:03:08 | |
Why do they tell us the direction? | 0:03:08 | 0:03:09 | |
"It's going to be a stiff north-easterly breeze." | 0:03:09 | 0:03:13 | |
I'm not sailing to work, I really don't care. | 0:03:13 | 0:03:15 | |
Are people leaving slightly later? | 0:03:17 | 0:03:18 | |
"Oh, with a tailwind, | 0:03:18 | 0:03:20 | |
"I'll get there in half the time, this is fantastic!" | 0:03:20 | 0:03:22 | |
Are people walking around with compasses? | 0:03:22 | 0:03:24 | |
"Well, they got that wrong." | 0:03:24 | 0:03:26 | |
And I think it's about time they stop with the pressure. | 0:03:28 | 0:03:30 | |
Nobody knows what pressure is on the weather. | 0:03:30 | 0:03:35 | |
Nobody has any idea what it means | 0:03:35 | 0:03:37 | |
but they keep telling us about the pressure - | 0:03:37 | 0:03:39 | |
"There's going to be some high pressure coming in here, | 0:03:39 | 0:03:41 | |
"and later in the week, there's going to be low pressure." | 0:03:41 | 0:03:44 | |
We just go, "Oh, I don't care." | 0:03:44 | 0:03:45 | |
No-one's changed their plans according to the pressure, | 0:03:45 | 0:03:48 | |
No-one's ever shown up - | 0:03:48 | 0:03:50 | |
"Sorry I'm late, I got stuck in the pressure." | 0:03:50 | 0:03:52 | |
We don't know what it means. | 0:03:52 | 0:03:53 | |
I tell you, though, the weather's no good | 0:03:57 | 0:03:58 | |
if you live in Scotland or Northern Ireland, | 0:03:58 | 0:04:00 | |
cos at the end of every weather forecast, they always go, | 0:04:00 | 0:04:03 | |
"except Scotland and Northern Ireland. | 0:04:03 | 0:04:06 | |
"You won't be getting any nice weather at all, | 0:04:06 | 0:04:08 | |
"you'll have what you're used to - rain and misery." | 0:04:08 | 0:04:10 | |
The weather's terrible there. | 0:04:10 | 0:04:11 | |
I lived in Scotland for about a year. | 0:04:11 | 0:04:13 | |
You know when it gets cold here in England | 0:04:13 | 0:04:16 | |
and you can see your breath, you know, | 0:04:16 | 0:04:17 | |
because it's rare, so you comment on it, you know... | 0:04:17 | 0:04:20 | |
HE EXHALES "Oh! Oh, darling, look..." | 0:04:20 | 0:04:22 | |
HE EXHALES | 0:04:22 | 0:04:23 | |
"It's cold - look, children, you can see my breath, it's cold." | 0:04:23 | 0:04:26 | |
HE EXHALES "You do it..." | 0:04:26 | 0:04:28 | |
It's a novelty. | 0:04:28 | 0:04:30 | |
In Scotland, it's like that every day. | 0:04:30 | 0:04:32 | |
They actually freak out when they can't see their breath. | 0:04:32 | 0:04:34 | |
They panic when they're on holiday, they wake each other up in the night - | 0:04:34 | 0:04:37 | |
SCOTTISH ACCENT: "Oh, sorry, Ken. | 0:04:37 | 0:04:39 | |
"I thought you were dead. | 0:04:39 | 0:04:40 | |
"I didn't see anything coming out of your face. | 0:04:42 | 0:04:45 | |
"It's so disconcerting here with the temperatures in Lanzarote." | 0:04:45 | 0:04:49 | |
APPLAUSE | 0:04:51 | 0:04:53 | |
Now it is time for my favourite game in the whole wide world - | 0:04:56 | 0:05:00 | |
it's Send To All! | 0:05:00 | 0:05:02 | |
Of course...this is where I take somebody's mobile telephone - | 0:05:02 | 0:05:07 | |
a celebrity, indeed - | 0:05:07 | 0:05:08 | |
and I send a text of my choosing to their contacts | 0:05:08 | 0:05:11 | |
and then we see what hilarious replies they get | 0:05:11 | 0:05:13 | |
at the end of the show. | 0:05:13 | 0:05:15 | |
So let's see who's in our Celebrity Send To All box this week. | 0:05:15 | 0:05:19 | |
Why, it's none other... | 0:05:19 | 0:05:22 | |
than Dragons Den's... | 0:05:22 | 0:05:24 | |
Peter Jones is here! Jonesy! | 0:05:24 | 0:05:27 | |
CHEERING AND APPLAUSE Oh, Jonesy. | 0:05:27 | 0:05:30 | |
Michael... | 0:05:30 | 0:05:32 | |
Lovely to see you. Thank you so, so much for being here. | 0:05:32 | 0:05:36 | |
Are you all right? Enjoying the show? | 0:05:36 | 0:05:38 | |
I'm all right - I brought my mum here today. | 0:05:38 | 0:05:40 | |
Aw! APPLAUSE | 0:05:40 | 0:05:42 | |
-Hello, hi, Mum. -Hello. -Nice to see you. -A special treat. | 0:05:42 | 0:05:48 | |
It was slightly tactical as well, cos I knew | 0:05:48 | 0:05:50 | |
you wouldn't be horrible to me if I brought my mum here. | 0:05:50 | 0:05:52 | |
-And who's this gentleman? -And this is my father, David. | 0:05:54 | 0:05:56 | |
APPLAUSE | 0:05:56 | 0:05:58 | |
Nice to meet you, Mum and Dad, what a pleasure. | 0:05:58 | 0:06:00 | |
Ladies and gentlemen, Peter Jones has brought his parents. | 0:06:00 | 0:06:02 | |
Wow. | 0:06:03 | 0:06:05 | |
You are a fantastic sport for agreeing to do this. | 0:06:05 | 0:06:09 | |
You are very successful, Peter, we can't deny that. | 0:06:09 | 0:06:11 | |
You're in this TV show where you invest in businesses, | 0:06:11 | 0:06:14 | |
so how many businesses are you now involved in? | 0:06:14 | 0:06:16 | |
We've got 28 at the moment, yeah. | 0:06:16 | 0:06:18 | |
That's amazing, to have 28 businesses. | 0:06:18 | 0:06:21 | |
OK, but you're a very modest and very wonderful person | 0:06:23 | 0:06:26 | |
and I know you personally | 0:06:26 | 0:06:27 | |
and I'm so grateful for you coming here and doing this | 0:06:27 | 0:06:29 | |
and I hope we can remain friends after tonight. | 0:06:29 | 0:06:32 | |
PETER LAUGHS | 0:06:32 | 0:06:34 | |
So what I'm going to do, Peter, is I would like to confirm with you, | 0:06:34 | 0:06:38 | |
you have no idea the text that I'm going to send into your phone, | 0:06:38 | 0:06:40 | |
you don't know the text I'm going to write. | 0:06:40 | 0:06:42 | |
-Not at all. -You haven't told anybody in your phone | 0:06:42 | 0:06:46 | |
to expect a text of any kind? | 0:06:46 | 0:06:48 | |
Well, thank you for doing that. | 0:06:48 | 0:06:49 | |
So if I could ask you to place your mobile | 0:06:49 | 0:06:52 | |
into this contraption here, which is... It's a delivery system. | 0:06:52 | 0:06:57 | |
If I'm honest, it looks like... | 0:06:57 | 0:06:59 | |
Oh, my goodness, you've brought a lot of coats. | 0:06:59 | 0:07:01 | |
It's not that cold - how many coats do you need? | 0:07:03 | 0:07:07 | |
APPLAUSE | 0:07:11 | 0:07:13 | |
"What time's the show start? What's the forecast say?" | 0:07:19 | 0:07:23 | |
All right - so, here we have this contraption, | 0:07:27 | 0:07:29 | |
which, if I'm honest, it looks like some of the junk | 0:07:29 | 0:07:32 | |
people come into Dragons Den with. | 0:07:32 | 0:07:34 | |
This probably would just make the montage bit - | 0:07:35 | 0:07:37 | |
"Earlier tonight on Dragons Den, | 0:07:37 | 0:07:39 | |
"we had this contraption for bringing phones downstairs." | 0:07:39 | 0:07:42 | |
All right, here we go, it's coming...coming down here, | 0:07:44 | 0:07:46 | |
there we go. | 0:07:46 | 0:07:47 | |
Ladies and gentlemen, I am now in possession | 0:07:47 | 0:07:50 | |
of Peter Jones' phone, Jonesy! | 0:07:50 | 0:07:54 | |
He's my favourite Dragon! | 0:07:54 | 0:07:55 | |
So, apparently, this should pop up on the screen, uh...now! | 0:07:58 | 0:08:02 | |
Yeah! | 0:08:02 | 0:08:05 | |
Oh, Peter, you look so tense - don't worry, you're in safe hands. | 0:08:05 | 0:08:10 | |
Brain... Oh, this classic, look at that one up there! | 0:08:10 | 0:08:13 | |
Brain Games. | 0:08:13 | 0:08:15 | |
We're all looking at this going, | 0:08:15 | 0:08:17 | |
"We should get these apps cos it might make us really rich." | 0:08:17 | 0:08:20 | |
These are the apps of a rich man. | 0:08:22 | 0:08:25 | |
Doodle Jump? What on earth is Doodle Jump? | 0:08:25 | 0:08:28 | |
-You have to keep jumping... -Can I play Doodle Jump? | 0:08:28 | 0:08:30 | |
What do I do? | 0:08:30 | 0:08:32 | |
Yeah, that's it! | 0:08:32 | 0:08:33 | |
What do I do? | 0:08:34 | 0:08:36 | |
Turn it! Turn it! | 0:08:36 | 0:08:37 | |
That's it, that's it. | 0:08:37 | 0:08:39 | |
Oh, game over! | 0:08:41 | 0:08:42 | |
APPLAUSE | 0:08:42 | 0:08:44 | |
Oh, wow. | 0:08:44 | 0:08:45 | |
Oh, look, it's got advertising - | 0:08:45 | 0:08:47 | |
you couldn't even be bothered to pay for the full game. | 0:08:47 | 0:08:49 | |
PETER LAUGHS | 0:08:49 | 0:08:52 | |
Classic Jonesy - unbelievable. | 0:08:52 | 0:08:55 | |
Oh, photos that...that seems like that would be... | 0:08:56 | 0:08:59 | |
Oh, my God. | 0:08:59 | 0:09:00 | |
What's that, Jonesy? Where's that? | 0:09:02 | 0:09:04 | |
That's my house in Barbados. | 0:09:04 | 0:09:06 | |
-Oh. AUDIENCE: -Ooh! | 0:09:06 | 0:09:08 | |
"Hi, Peter, where are you?" "Er, just Doodle Jumping in Barbs." | 0:09:09 | 0:09:13 | |
Peter, most people, when they're on holiday, | 0:09:15 | 0:09:17 | |
take photos of other people on holiday with them, | 0:09:17 | 0:09:21 | |
they don't just walk around going, | 0:09:21 | 0:09:23 | |
"I own that, brilliant." | 0:09:23 | 0:09:24 | |
PETER LAUGHS | 0:09:24 | 0:09:26 | |
Oh, my God! | 0:09:30 | 0:09:31 | |
There's nothing wrong with that picture, apart from the fact... | 0:09:37 | 0:09:40 | |
Who's taking it? Who's taking that picture? | 0:09:40 | 0:09:44 | |
I think Tara, my other half, took it | 0:09:44 | 0:09:45 | |
to...to try and get me in the gym. | 0:09:45 | 0:09:47 | |
Right. | 0:09:47 | 0:09:49 | |
I think you're looking pretty good, Peter. | 0:09:49 | 0:09:51 | |
I suspect you took that yourself on a timer. | 0:09:51 | 0:09:54 | |
PETER LAUGHS | 0:09:54 | 0:09:56 | |
I think you spent quite a long time | 0:09:56 | 0:09:59 | |
setting the phone up against the sun lounger | 0:09:59 | 0:10:02 | |
and then obviously, when you got on the lilo, | 0:10:02 | 0:10:04 | |
it started going in the wrong direction. | 0:10:04 | 0:10:07 | |
You had to time it just right - "Here it comes." | 0:10:07 | 0:10:10 | |
Good old Jonesy. | 0:10:13 | 0:10:14 | |
Oh, my goodness, what's... Who's that? | 0:10:14 | 0:10:17 | |
-Oh... -Is that you?! | 0:10:17 | 0:10:19 | |
-That's me. -Oh, my God! | 0:10:19 | 0:10:20 | |
MICHAEL LAUGHS | 0:10:20 | 0:10:22 | |
Oh, my God - is this Undercover Boss? | 0:10:22 | 0:10:25 | |
Yeah, no, so... What this was | 0:10:25 | 0:10:26 | |
was me going into Jessops when I first bought it. | 0:10:26 | 0:10:29 | |
Your life is absolutely sensational! | 0:10:29 | 0:10:31 | |
So you went in there, dressed as a person. | 0:10:31 | 0:10:33 | |
Yeah, so I went three hours with prosthetics to try, | 0:10:33 | 0:10:35 | |
-so people wouldn't recognise me... -Right. | 0:10:35 | 0:10:37 | |
..and we filmed it undercover to see what it would be like | 0:10:37 | 0:10:40 | |
to, sort of, work in the store. | 0:10:40 | 0:10:41 | |
And how was it? | 0:10:41 | 0:10:43 | |
It was a massive experience but the worst thing | 0:10:43 | 0:10:45 | |
was that so many people recognised me. | 0:10:45 | 0:10:47 | |
-People recognised you? -And I... | 0:10:47 | 0:10:49 | |
Yeah, they recognised you as a Hairy Biker. | 0:10:49 | 0:10:50 | |
I look at that and I think I'd recognise myself as well, which is sad. | 0:10:50 | 0:10:53 | |
Oh, I love this. There's a lot of fun in your life. | 0:10:53 | 0:10:56 | |
Ant and Dec? Ant and Dec?! | 0:10:56 | 0:11:00 | |
-What's this about? -This was about... | 0:11:00 | 0:11:01 | |
This was a thing that pitched on Dragons Den called Tangle Teeze. | 0:11:01 | 0:11:05 | |
-Right. -And I said, | 0:11:05 | 0:11:06 | |
"It's not going to work, it's just not going to work", | 0:11:06 | 0:11:09 | |
and they text me saying, "It's not going to work?" | 0:11:09 | 0:11:11 | |
It's sold about £30 million worth of products. | 0:11:11 | 0:11:13 | |
What does it do? | 0:11:14 | 0:11:16 | |
It untangles your hair. | 0:11:16 | 0:11:17 | |
And they...they use it? Ant and Dec...? | 0:11:17 | 0:11:19 | |
No, they...they bought it and text it to me. | 0:11:19 | 0:11:21 | |
-Oh, wow. -Sent the picture to tease me. | 0:11:21 | 0:11:23 | |
GEORDIE ACCENT: "Oh, look at that - | 0:11:23 | 0:11:25 | |
"let's tease Peter Jones about Tangle Teeze." | 0:11:25 | 0:11:27 | |
"I can't believe he didn't invest in this." | 0:11:29 | 0:11:32 | |
All right - here we go, ladies and gentlemen. | 0:11:34 | 0:11:36 | |
This is the text I'm putting into Peter Jones' phone | 0:11:36 | 0:11:39 | |
and, let's be honest, whatever happens tonight, | 0:11:39 | 0:11:41 | |
he's going to be OK. | 0:11:41 | 0:11:42 | |
The options of where Peter can hide are... | 0:11:44 | 0:11:47 | |
Well, he can go to his house in Barbados | 0:11:47 | 0:11:50 | |
or he can put full prosthetics on and be a hairy biker in Jessops. | 0:11:50 | 0:11:54 | |
All right, let's open with this... | 0:11:56 | 0:11:59 | |
"Not gonna lie, | 0:11:59 | 0:12:01 | |
"I've had a few drinks..." | 0:12:01 | 0:12:03 | |
Oh, God. Oh, no. | 0:12:05 | 0:12:09 | |
I think that sets us up nicely for the rest of it. | 0:12:09 | 0:12:14 | |
"Just closed a ridiculously big deal." | 0:12:14 | 0:12:19 | |
You're going to like this, Pete, you are going to LOVE this. | 0:12:19 | 0:12:22 | |
"Time to...share the wealth. | 0:12:22 | 0:12:25 | |
"10k..." | 0:12:29 | 0:12:31 | |
AUDIENCE GASPS | 0:12:31 | 0:12:33 | |
"..for the first... | 0:12:33 | 0:12:35 | |
"..ten people..." | 0:12:37 | 0:12:39 | |
CHEERING | 0:12:39 | 0:12:41 | |
PETER'S MUM LAUGHS | 0:12:45 | 0:12:46 | |
You're my mum! | 0:12:46 | 0:12:48 | |
"..who give me a good reason..." | 0:12:48 | 0:12:50 | |
"..why they should have the money. | 0:12:53 | 0:12:59 | |
"PJ x." | 0:12:59 | 0:13:01 | |
Oh, you know what? It says you've had a few drinks | 0:13:01 | 0:13:04 | |
so I'm going to do the accidental "C" instead of a kiss. | 0:13:04 | 0:13:07 | |
LAUGHTER AND APPLAUSE | 0:13:07 | 0:13:09 | |
MICHAEL LAUGHS | 0:13:14 | 0:13:16 | |
That is gold. | 0:13:16 | 0:13:18 | |
Peter, is it worse than you thought? | 0:13:18 | 0:13:20 | |
Yeah, it's pretty bad. | 0:13:20 | 0:13:23 | |
It's £100,000, Michael. | 0:13:24 | 0:13:26 | |
-That is, that is 100, yes... -Yeah. -No, wow, well done. | 0:13:26 | 0:13:30 | |
Ladies and gentlemen, shall I send this text? | 0:13:31 | 0:13:34 | |
-AUDIENCE: -Yes! | 0:13:34 | 0:13:35 | |
Oh, God, it's going. | 0:13:36 | 0:13:38 | |
It's gone. | 0:13:40 | 0:13:41 | |
Ladies and gentlemen, Peter Jones, what an amazing sport. | 0:13:41 | 0:13:44 | |
Look at that - thank you so, so much. | 0:13:44 | 0:13:47 | |
We'll catch up with Peter later on and see what replies we get. | 0:13:47 | 0:13:51 | |
OK, my next guests are performing | 0:13:51 | 0:13:54 | |
for the very first time ever on British television. | 0:13:54 | 0:13:57 | |
-AUDIENCE: -Whoo! | 0:13:57 | 0:13:59 | |
They are seven sexy flamenco-dancing brothers | 0:13:59 | 0:14:04 | |
who hail from Espana | 0:14:04 | 0:14:05 | |
and don't have a shirt between them. | 0:14:05 | 0:14:08 | |
CHEERING AND WHISTLING | 0:14:08 | 0:14:10 | |
It's something for the mums - | 0:14:10 | 0:14:13 | |
Los Vivancos! | 0:14:13 | 0:14:14 | |
DANCE BEAT | 0:14:19 | 0:14:21 | |
ELECTRONIC DANCE MUSIC | 0:15:09 | 0:15:12 | |
CHEERING AND APPLAUSE | 0:16:27 | 0:16:30 | |
Los Vivancos, ladies and gentlemen! | 0:16:36 | 0:16:39 | |
Marvellous! Thank you so much, incredible. | 0:16:40 | 0:16:44 | |
And I would like to take this opportunity, | 0:16:44 | 0:16:47 | |
ladies and gentlemen, to say that I have a revelation. | 0:16:47 | 0:16:50 | |
I am not Michael. | 0:16:51 | 0:16:54 | |
I am Miguel. | 0:16:54 | 0:16:56 | |
SPANISH ACCENT: For years, I have been masquerading | 0:16:57 | 0:17:00 | |
as a Chinese comedian. | 0:17:00 | 0:17:03 | |
But the truth is I am your brother. | 0:17:04 | 0:17:09 | |
MUSIC PLAYS | 0:17:12 | 0:17:13 | |
THEY CLAP IN TIME | 0:17:14 | 0:17:16 | |
CHEERING AND APPLAUSE | 0:17:26 | 0:17:30 | |
HE PUFFS FRANTICALLY | 0:17:30 | 0:17:32 | |
HE COUGHS AND SPLUTTERS | 0:17:36 | 0:17:37 | |
Los Vivancos, ladies and gentlemen! | 0:17:37 | 0:17:40 | |
OK - right, ladies and gentlemen, it is time to find out | 0:17:45 | 0:17:49 | |
who is tonight's Unexpected Star of the show! | 0:17:49 | 0:17:53 | |
Yes, every week on the Big Show, | 0:17:56 | 0:17:58 | |
we have surprised a member of the public | 0:17:58 | 0:18:01 | |
who think they're coming to the theatre for work, | 0:18:01 | 0:18:04 | |
but are actually here to perform. | 0:18:04 | 0:18:06 | |
This is Adam Heapy. | 0:18:06 | 0:18:09 | |
He is an electrician | 0:18:11 | 0:18:12 | |
and he thinks he is coming to the theatre tonight | 0:18:12 | 0:18:16 | |
to fix an electrical fault. | 0:18:16 | 0:18:18 | |
But that's not the plan at all, ladies and gentlemen, | 0:18:18 | 0:18:21 | |
because Adam is known to his friends, family and colleagues | 0:18:21 | 0:18:24 | |
as the Singing Electrician. | 0:18:24 | 0:18:25 | |
HE LIP-SYNCS | 0:18:25 | 0:18:28 | |
His dream is to be a singer. | 0:18:28 | 0:18:31 | |
Well, tonight, we're going to make Adam's dream come true | 0:18:31 | 0:18:34 | |
because he's not coming here to mend a spotlight, | 0:18:34 | 0:18:37 | |
he's here to perform in one. | 0:18:37 | 0:18:39 | |
Yay! | 0:18:39 | 0:18:40 | |
APPLAUSE | 0:18:40 | 0:18:42 | |
So here's what's going to happen. | 0:18:43 | 0:18:46 | |
Adam is on his way to the theatre right now. | 0:18:46 | 0:18:48 | |
When he gets here, he'll be lead into what he thinks | 0:18:48 | 0:18:51 | |
is a room with an electrical problem, | 0:18:51 | 0:18:53 | |
but is actually a fake corridor | 0:18:53 | 0:18:56 | |
built from the outside all the way through | 0:18:56 | 0:18:58 | |
and then we're going to put a last bit on it here | 0:18:58 | 0:19:00 | |
and he's literally going to walk out thinking... | 0:19:00 | 0:19:03 | |
..thinking that this is the room. | 0:19:06 | 0:19:09 | |
I mean, this electrician is going to get | 0:19:09 | 0:19:11 | |
the SHOCK of his life, ladies and gentlemen. | 0:19:11 | 0:19:13 | |
OK - this has all been set up with the help of his wife Emma. | 0:19:17 | 0:19:20 | |
Emma, are you here? Emma? Emma, darling... | 0:19:20 | 0:19:23 | |
Yay, Emma! I'm coming to see you, Emma. | 0:19:23 | 0:19:25 | |
-Hi, Emma, darling. -Hi. | 0:19:27 | 0:19:28 | |
-Hi, hello, Michael - nice to meet you. -Hello. | 0:19:28 | 0:19:30 | |
Tell us all about Adam. | 0:19:30 | 0:19:32 | |
He's an electrician, he sings everywhere - | 0:19:32 | 0:19:35 | |
he sings in the bath, he sings with the kids, | 0:19:35 | 0:19:37 | |
he sings at football, he sings in the van, | 0:19:37 | 0:19:40 | |
he sings at work...everywhere. | 0:19:40 | 0:19:42 | |
-Has he got a good voice? -Really good voice. | 0:19:42 | 0:19:44 | |
-In that you, you agree with that. -Yes. | 0:19:44 | 0:19:45 | |
It's not just him, cos sometimes in the bath, cos of the echo, | 0:19:45 | 0:19:48 | |
you can think you've got a good voice, but it's not so amazing. | 0:19:48 | 0:19:51 | |
No, he is... He's good. | 0:19:51 | 0:19:52 | |
So what does he like to sing? | 0:19:52 | 0:19:54 | |
He sings a lot of James Morrison, Paolo Nutini, | 0:19:54 | 0:19:56 | |
-Craig David, at the minute. -Do you think he'll relish | 0:19:56 | 0:19:59 | |
performing for this many people? | 0:19:59 | 0:20:00 | |
Oh, he will... He'll love it. | 0:20:00 | 0:20:02 | |
Well, that's what we're hoping for. Amazing. | 0:20:02 | 0:20:04 | |
All right, this is very exciting. Lovely to meet you, Emma. | 0:20:04 | 0:20:06 | |
-Thank you. -It's Emma, Adam's wife! | 0:20:06 | 0:20:09 | |
Yes! I'll see you later. | 0:20:09 | 0:20:11 | |
All right, guys, it's on, it's on. | 0:20:11 | 0:20:14 | |
OK - well, I can tell you that Adam is on his way | 0:20:15 | 0:20:19 | |
but then again, he is an electrician, so... | 0:20:19 | 0:20:22 | |
Well, let's be honest, all men, | 0:20:23 | 0:20:25 | |
all men here are qualified to a certain degree as electricians. | 0:20:25 | 0:20:29 | |
Um...I count myself amongst you | 0:20:29 | 0:20:31 | |
when...when a fuse goes in the house, | 0:20:31 | 0:20:33 | |
when the power goes, you know. | 0:20:33 | 0:20:35 | |
My wife's watching the telly there's a blackout, she turns to me. | 0:20:35 | 0:20:38 | |
I can't see her at first, but I know she's looking at me | 0:20:38 | 0:20:42 | |
with that look that says, "Darling, you're the man, | 0:20:42 | 0:20:44 | |
"you should be able to handle this situation." | 0:20:44 | 0:20:47 | |
And, er...well, we all do the same thing, I think - | 0:20:47 | 0:20:50 | |
we go to the fuse box and we open it | 0:20:50 | 0:20:52 | |
and we pray that one of the switches is in the off position... | 0:20:52 | 0:20:58 | |
..and if it is, we feel pretty confident | 0:20:59 | 0:21:01 | |
we can handle the situation. | 0:21:01 | 0:21:03 | |
HE CLICKS That's basically it. | 0:21:03 | 0:21:05 | |
APPLAUSE | 0:21:08 | 0:21:10 | |
OK, ladies and gentlemen - | 0:21:10 | 0:21:12 | |
my next guest is a bona fide music god. | 0:21:12 | 0:21:17 | |
-AUDIENCE: -Whoo! | 0:21:17 | 0:21:19 | |
He's sold a staggering 200 million records and counting. | 0:21:19 | 0:21:25 | |
He also holds the record for the number of times | 0:21:27 | 0:21:30 | |
he's said to the hairdresser, "Same again." | 0:21:30 | 0:21:33 | |
Oh, ladies and gentlemen, give it up for the sensational... | 0:21:35 | 0:21:39 | |
Mr Rod Stewart's here! | 0:21:39 | 0:21:41 | |
CHEERING AND APPLAUSE | 0:21:41 | 0:21:43 | |
MUSIC: Hold The Line by Rod Stewart | 0:21:48 | 0:21:51 | |
# Hold on We just have to hold on | 0:21:58 | 0:22:01 | |
# We don't have to cry | 0:22:01 | 0:22:04 | |
# No, not tonight | 0:22:04 | 0:22:06 | |
# I know lately everything seems crazy | 0:22:07 | 0:22:11 | |
# People walking by | 0:22:11 | 0:22:14 | |
# Just getting by | 0:22:14 | 0:22:16 | |
# And I just wanna rest my head | 0:22:17 | 0:22:20 | |
# With roses, and lay down in my bed | 0:22:22 | 0:22:25 | |
# They say heaven can wait | 0:22:27 | 0:22:30 | |
# You and I, we'll survive | 0:22:31 | 0:22:35 | |
# Sometimes we're lost and astray | 0:22:35 | 0:22:38 | |
# And our hope's far away | 0:22:38 | 0:22:40 | |
# Hold the line | 0:22:40 | 0:22:42 | |
# We'll survive | 0:22:43 | 0:22:45 | |
# So let's just smile through the pain | 0:22:45 | 0:22:48 | |
# Through the heartache and pain | 0:22:48 | 0:22:50 | |
# Hold the line Hold the line | 0:22:50 | 0:22:54 | |
# Oh, yeah! | 0:22:57 | 0:22:58 | |
# Hold the line Hold the line | 0:22:59 | 0:23:04 | |
# All right | 0:23:04 | 0:23:05 | |
# Slow down We just have to slow down | 0:23:07 | 0:23:11 | |
# Hours are coming fast | 0:23:11 | 0:23:13 | |
# Way too fast | 0:23:13 | 0:23:16 | |
# Another grey day | 0:23:16 | 0:23:18 | |
# Technicolour "save me" | 0:23:18 | 0:23:21 | |
# Painted in the sky | 0:23:21 | 0:23:23 | |
# We're alive | 0:23:23 | 0:23:25 | |
# And I just wanna rest my head | 0:23:26 | 0:23:30 | |
# And lay down with roses in my bed | 0:23:31 | 0:23:34 | |
# They say heaven can wait | 0:23:36 | 0:23:40 | |
# You and I, we'll survive | 0:23:40 | 0:23:45 | |
# Sometimes we're lost and astray | 0:23:45 | 0:23:48 | |
# And our hope's far away | 0:23:48 | 0:23:50 | |
# Hold the line | 0:23:50 | 0:23:52 | |
# We'll survive | 0:23:52 | 0:23:54 | |
# So let's just smile through the rain | 0:23:54 | 0:23:57 | |
# Through the heartache and pain | 0:23:57 | 0:24:00 | |
# Hold the line | 0:24:00 | 0:24:02 | |
# We'll survive | 0:24:02 | 0:24:04 | |
# Oh, yeah | 0:24:04 | 0:24:05 | |
# Hold the line | 0:24:09 | 0:24:11 | |
# We'll survive... # | 0:24:11 | 0:24:13 | |
Here we go, now. | 0:24:13 | 0:24:14 | |
Whoohoo! | 0:24:19 | 0:24:20 | |
# Hold on We just have to hold on | 0:24:24 | 0:24:28 | |
# Now's the time to cry | 0:24:28 | 0:24:30 | |
# Oh, not tonight | 0:24:30 | 0:24:33 | |
# I know lately everything seems crazy | 0:24:33 | 0:24:37 | |
# People walking by | 0:24:37 | 0:24:40 | |
# Just getting by | 0:24:40 | 0:24:42 | |
# Sometimes we're lost and astray | 0:24:42 | 0:24:45 | |
# And our hope's far away | 0:24:45 | 0:24:47 | |
-# Hold the line -Hold the line | 0:24:47 | 0:24:50 | |
# We'll survive | 0:24:50 | 0:24:52 | |
# So let's just walk through the rain | 0:24:52 | 0:24:54 | |
# Through the heartache and pain | 0:24:54 | 0:24:57 | |
# Hold the line | 0:24:57 | 0:24:59 | |
# We'll survive | 0:24:59 | 0:25:02 | |
# We'll survive Oh, yeah | 0:25:02 | 0:25:07 | |
# We'll survive, we'll survive | 0:25:07 | 0:25:11 | |
# Hold the line. # | 0:25:11 | 0:25:14 | |
CHEERING AND APPLAUSE | 0:25:14 | 0:25:15 | |
Rod Stewart, ladies and gentlemen, c'mon! | 0:25:19 | 0:25:24 | |
Oh, good Lord! | 0:25:24 | 0:25:26 | |
Oh, thank you so much, Rod, such a big pleasure. | 0:25:26 | 0:25:30 | |
Oh, my God, Rod Stewart! | 0:25:30 | 0:25:32 | |
You're my favourite, thank you so much. | 0:25:33 | 0:25:36 | |
Rod Stewart, c'mon, Rod Stewart. Oh! | 0:25:36 | 0:25:39 | |
# Ta da da da da da, walk the line... # | 0:25:41 | 0:25:45 | |
OK. Ladies and gentlemen, now it is time... | 0:25:45 | 0:25:48 | |
What the...? | 0:25:48 | 0:25:50 | |
LAUGHTER | 0:25:50 | 0:25:52 | |
Oh! | 0:25:59 | 0:26:02 | |
Oh, God, don't you ever, don't you ever, do that to me again. | 0:26:02 | 0:26:05 | |
Just because I prefer the headset doesn't mean you need to do that. | 0:26:06 | 0:26:10 | |
LAUGHTER | 0:26:10 | 0:26:12 | |
A little bit of me hoped it was Rod. | 0:26:16 | 0:26:19 | |
OK, so let me just say that, um, Peter, | 0:26:22 | 0:26:24 | |
it must be awful not being with your phone. | 0:26:24 | 0:26:26 | |
I mean, when I've lost my phone for just a few minutes, | 0:26:26 | 0:26:29 | |
the tension, it must be excruciating. You're doing | 0:26:29 | 0:26:31 | |
amazingly well and I can confirm there have been some texts, that's all. | 0:26:31 | 0:26:35 | |
I don't know them because I want to enjoy them with you. | 0:26:35 | 0:26:38 | |
But I do know that over 30 people have already texted. | 0:26:38 | 0:26:42 | |
LAUGHTER | 0:26:42 | 0:26:44 | |
So that's all still to come. | 0:26:44 | 0:26:47 | |
All right, I've got news. | 0:26:48 | 0:26:51 | |
I've got news, Em. | 0:26:51 | 0:26:53 | |
Adam, our Unexpected Star of the show, is in the building. | 0:26:53 | 0:26:56 | |
CHEERING | 0:26:56 | 0:26:58 | |
Apparently we've got footage of him arriving. | 0:26:58 | 0:27:01 | |
Oh, my God, there he is. | 0:27:01 | 0:27:04 | |
Is that Adam? | 0:27:04 | 0:27:06 | |
-Is that Adam, can you see Adam? -Yeah. | 0:27:06 | 0:27:08 | |
That's him there, with his workmate Steve who is in on it. | 0:27:08 | 0:27:12 | |
-Yeah. -OK, as I explained earlier, this is Adam, of course, | 0:27:12 | 0:27:16 | |
he's an electrician who dreams of being a singer. | 0:27:16 | 0:27:19 | |
He thinks he's come to the theatre to do a job, but really | 0:27:19 | 0:27:22 | |
he's going to be performing for all of us on this very stage tonight. | 0:27:22 | 0:27:27 | |
He is now in an office backstage waiting to be taken to | 0:27:27 | 0:27:29 | |
where our "fault" is. | 0:27:29 | 0:27:31 | |
Is he reading his manual on how to be an electrician? | 0:27:31 | 0:27:35 | |
LAUGHTER | 0:27:35 | 0:27:36 | |
So there he is with Steve who seems, | 0:27:36 | 0:27:38 | |
I think, almost too relaxed about the situation. | 0:27:38 | 0:27:41 | |
I think Steve obviously knew he was going to be on camera... | 0:27:41 | 0:27:45 | |
Apart from... | 0:27:45 | 0:27:47 | |
It looks like he's been rehearsing this... | 0:27:47 | 0:27:50 | |
I think earlier today Steve was lying in front of the mirror | 0:27:52 | 0:27:55 | |
working out his sexiest pose. | 0:27:55 | 0:27:56 | |
I'm not sure he had enough time to nail it. | 0:27:58 | 0:28:02 | |
LAUGHTER | 0:28:02 | 0:28:04 | |
I mean, that is not a natural... | 0:28:04 | 0:28:06 | |
OK, it's obvious who's in on it and that's Steve, | 0:28:08 | 0:28:10 | |
the creepy-sitting guy on the left. | 0:28:10 | 0:28:12 | |
LAUGHTER | 0:28:12 | 0:28:14 | |
Oh, he seems to be laughing at my joke! | 0:28:14 | 0:28:16 | |
Wait a minute. | 0:28:16 | 0:28:18 | |
HE LAUGHS | 0:28:18 | 0:28:21 | |
I'm on fire tonight. | 0:28:21 | 0:28:22 | |
He can't hear me. | 0:28:24 | 0:28:25 | |
No, Adam is obviously reading something hilarious. | 0:28:25 | 0:28:28 | |
OK, so very soon Adam will walk down this corridor. He's no | 0:28:28 | 0:28:31 | |
idea it's a fake corridor and what lies on the other side of the door. | 0:28:31 | 0:28:36 | |
So let's go and have a look, | 0:28:36 | 0:28:37 | |
there are cameras that should pick me up inside it. | 0:28:37 | 0:28:40 | |
I can't tell you how, how authentic this looks. | 0:28:40 | 0:28:44 | |
So here I am inside the corridor and... | 0:28:45 | 0:28:49 | |
LAUGHTER AND APPLAUSE | 0:28:52 | 0:28:55 | |
Good, all right. So here we go. | 0:28:55 | 0:28:57 | |
You can't see a lot of it, but I can tell you that it's very much | 0:28:57 | 0:29:00 | |
in keeping with the rest of the theatre backstage, filthy. | 0:29:00 | 0:29:05 | |
LAUGHTER | 0:29:05 | 0:29:07 | |
So that comes through here and then this door will be shut, | 0:29:07 | 0:29:10 | |
there's another camera here... | 0:29:10 | 0:29:12 | |
It's like an intercom, isn't it? | 0:29:14 | 0:29:16 | |
It's me, darling, hello. Hello, sorry I'm late. | 0:29:16 | 0:29:19 | |
HE LAUGHS | 0:29:19 | 0:29:21 | |
Although sometimes you don't see the whole of someone's head. Who is it? | 0:29:21 | 0:29:24 | |
I've got a delivery. | 0:29:26 | 0:29:27 | |
HE LAUGHS | 0:29:27 | 0:29:29 | |
So let's do it. | 0:29:29 | 0:29:31 | |
I think this is one of the most exciting things I've ever done. | 0:29:31 | 0:29:35 | |
OK, so let's get him up, he thinks he's going to come here to fix | 0:29:35 | 0:29:38 | |
an electrical fault on the other side of the door. | 0:29:38 | 0:29:40 | |
Let's bring him up, shh! | 0:29:40 | 0:29:41 | |
-Hello again, sorry forgot to get you to sign in, do you mind signing in? -Not at all. | 0:29:41 | 0:29:45 | |
Actually, do you mind coming with me and having a look at that fault? | 0:29:45 | 0:29:48 | |
Do you mind, just have a quick look? | 0:29:48 | 0:29:49 | |
-Take that with you. -OK. | 0:29:49 | 0:29:51 | |
-Does it make all sense, yeah? -Yeah. -It does, I'm just having a little read through. | 0:29:51 | 0:29:55 | |
I'll leave that with you, I'll come back for you in a minute. | 0:29:55 | 0:29:57 | |
-Yeah, no problems. -I'll just show you ahead. | 0:29:57 | 0:29:59 | |
I haven't got many tools with me. | 0:29:59 | 0:30:01 | |
It's OK, I don't think it needs a lot, I think it's quite easy. | 0:30:01 | 0:30:03 | |
So where did you come from? | 0:30:03 | 0:30:05 | |
AUDIENCE LAUGH | 0:30:05 | 0:30:07 | |
..Oh, right so you've come a bit of a distance, haven't you? | 0:30:07 | 0:30:10 | |
Yeah, it's not too bad, it's like... | 0:30:10 | 0:30:12 | |
Yeah, yeah. And traffic was good? | 0:30:12 | 0:30:15 | |
Yeah, Sunday, glorious, we try and work on weekends... | 0:30:15 | 0:30:18 | |
Actually, I'm just going to get your mate, | 0:30:18 | 0:30:20 | |
if you just follow these signs, see that three and four? | 0:30:20 | 0:30:22 | |
-Go to dressing room four and I'll meet you there. -OK. | 0:30:22 | 0:30:25 | |
I'll only be a couple of minutes. | 0:30:25 | 0:30:26 | |
-Yeah. -Is that all right? | 0:30:26 | 0:30:28 | |
-Yeah, cool. -Back in a minute. | 0:30:28 | 0:30:30 | |
AUDIENCE SCREAMS AND CHEERS | 0:30:36 | 0:30:39 | |
There he is! | 0:30:55 | 0:30:57 | |
It's Heapy! | 0:30:59 | 0:31:01 | |
Adam Heapy's here! | 0:31:01 | 0:31:03 | |
Oh, I haven't even done my hair! | 0:31:04 | 0:31:06 | |
Oh, you're Adam. Welcome, welcome to my show. | 0:31:08 | 0:31:11 | |
I feel like I need to move this. | 0:31:11 | 0:31:13 | |
No, no, it's OK. Keep the tools. | 0:31:13 | 0:31:16 | |
How are you doing, Adam? | 0:31:16 | 0:31:18 | |
-Not bad. -How are you feeling right now? | 0:31:18 | 0:31:20 | |
-Bit shocked, a bit shocked. -Yeah... | 0:31:20 | 0:31:22 | |
Where is the...where is the fault anyway? | 0:31:22 | 0:31:24 | |
-No, the lights seem to be working. -God, I'm happy. | 0:31:24 | 0:31:27 | |
Um, so you may have spotted, you've got Team Heapy over here, | 0:31:27 | 0:31:30 | |
There they are. Friends and family and of course your lovely wife Emma. | 0:31:30 | 0:31:34 | |
Well done. | 0:31:34 | 0:31:36 | |
Who... Who has actually, set you up | 0:31:36 | 0:31:38 | |
and of course Sexy Steve is also, | 0:31:38 | 0:31:41 | |
in on it, there he is. | 0:31:41 | 0:31:43 | |
LAUGHTER AND APPLAUSE | 0:31:43 | 0:31:47 | |
-OK, so you are hopefully... -Right. | 0:31:50 | 0:31:53 | |
..with your consent! Going to be something called the unexpected | 0:31:53 | 0:31:56 | |
star of our show because I understand that as well as being an | 0:31:56 | 0:32:00 | |
electrician you have a passion for something else, | 0:32:00 | 0:32:03 | |
-what might that be? -Erm, a bit of singing. | 0:32:03 | 0:32:05 | |
-You like to sing, don't you, Adam? -I like a sing song, yeah. | 0:32:05 | 0:32:08 | |
And have you ever performed in public before singing? | 0:32:08 | 0:32:10 | |
Erm, in front of Mum and Dad once upon a time. | 0:32:10 | 0:32:13 | |
Right, so that's an audience of two? | 0:32:13 | 0:32:15 | |
-Pretty big audience. -That's amazing. | 0:32:15 | 0:32:18 | |
So beyond that, do you fancy yourself as maybe | 0:32:18 | 0:32:20 | |
performing in front of an audience? | 0:32:20 | 0:32:22 | |
Yeah. | 0:32:22 | 0:32:23 | |
Go on! | 0:32:23 | 0:32:24 | |
CHEERING | 0:32:24 | 0:32:27 | |
Well, I just happen to have one here! | 0:32:27 | 0:32:29 | |
So we'll send you backstage and you have until the end of the show. | 0:32:29 | 0:32:32 | |
We've got a team of people who are going to help you rehearse and get ready for this performance. | 0:32:32 | 0:32:36 | |
We are so rooting for you, aren't we? | 0:32:36 | 0:32:38 | |
CHEERING | 0:32:38 | 0:32:40 | |
Ladies and gentlemen, please give it up for Adam, | 0:32:40 | 0:32:44 | |
our Unexpected Star of the show! | 0:32:44 | 0:32:46 | |
Grab your tools, this way. | 0:32:48 | 0:32:50 | |
HE LAUGHS | 0:32:50 | 0:32:52 | |
There you go. Adam, ladies and gentlemen. | 0:32:52 | 0:32:54 | |
All right. Ladies and gentlemen, | 0:32:56 | 0:32:59 | |
when I found out I was going to be making this show my next guest was | 0:32:59 | 0:33:03 | |
one of the first names I wanted to perform. | 0:33:03 | 0:33:05 | |
He's a comedian rightly becoming a huge star, | 0:33:05 | 0:33:08 | |
I absolutely love this man and you will too, | 0:33:08 | 0:33:11 | |
please welcome the fabulous... | 0:33:11 | 0:33:12 | |
Romesh Ranganathan's here, go on, Rom. | 0:33:12 | 0:33:15 | |
Hello. | 0:33:28 | 0:33:31 | |
AUDIENCE: Hello! | 0:33:31 | 0:33:32 | |
Thank you, correct response. | 0:33:32 | 0:33:34 | |
Erm, I'm very excited to be here, a little bit underdressed, | 0:33:34 | 0:33:37 | |
but you know, I'm here for the talent, mate, not the looks. | 0:33:37 | 0:33:41 | |
I am currently having some issues with my wife, to be honest with you. | 0:33:42 | 0:33:45 | |
I mean, I love her very much, | 0:33:45 | 0:33:47 | |
but we're having an argument because I don't want to | 0:33:47 | 0:33:50 | |
take our kids swimming and I don't know if that's a problem for anyone | 0:33:50 | 0:33:53 | |
else. It's not because I don't want to take them swimming, it's because | 0:33:53 | 0:33:56 | |
I don't want to take my top off in public, do you know what I mean? | 0:33:56 | 0:34:00 | |
I've got... my torso is rank - I think it's fair to say. | 0:34:00 | 0:34:03 | |
I said to my wife, "I do not want to take these kids swimming, | 0:34:05 | 0:34:07 | |
"I don't want to take my top off," you know what she said to me? | 0:34:07 | 0:34:10 | |
"Just wear a T-shirt." | 0:34:10 | 0:34:12 | |
Oh, yeah, that'll distract any attention, won't it? | 0:34:13 | 0:34:15 | |
One moron in the corner of the pool, wet T-shirt clinging to his torso... | 0:34:15 | 0:34:20 | |
"Just find this helps me glide through the water, yeah." | 0:34:23 | 0:34:26 | |
Unbelievable. My mum's always having a go at me about it, | 0:34:28 | 0:34:31 | |
"You're fatty fatty!" Right, and... | 0:34:31 | 0:34:33 | |
Horrible, this woman. I said to her, "I've lost some weight" | 0:34:36 | 0:34:38 | |
and she goes to me, "Yes, but turn to the side...." | 0:34:38 | 0:34:41 | |
"Disgusting!" Right? | 0:34:42 | 0:34:44 | |
I've got a hang up about it. I think | 0:34:46 | 0:34:48 | |
sort of my level of unattractiveness and my putting on weight is | 0:34:48 | 0:34:52 | |
one of the main reasons I've never cheated on my wife. | 0:34:52 | 0:34:54 | |
It's not the number one reason, the number one reason is | 0:34:58 | 0:35:00 | |
because I love her very much but a close second... | 0:35:00 | 0:35:04 | |
is lack of opportunity. | 0:35:04 | 0:35:06 | |
I've got three children, erm, massively regret it... I... | 0:35:10 | 0:35:13 | |
But what can you do? | 0:35:13 | 0:35:15 | |
You've just got to go, "I'm never going to be happy now, just..." | 0:35:15 | 0:35:19 | |
My wife looks after our three children, that's her main job, | 0:35:21 | 0:35:24 | |
that's what she does and it's 2016 | 0:35:24 | 0:35:26 | |
but my wife still feels like she's got to justify herself to me. | 0:35:26 | 0:35:30 | |
I don't understand why, I know how difficult it is to look after those children. | 0:35:30 | 0:35:35 | |
I spent two hours with them when she went out shopping once, right? | 0:35:35 | 0:35:40 | |
It was like a triple-pronged attack on my sanity, all right? | 0:35:40 | 0:35:44 | |
It's like they planned it, it was like one of them went, | 0:35:44 | 0:35:47 | |
"OK, you go over there and take a poo in that corner, | 0:35:47 | 0:35:49 | |
"you take a wee in that corner and I'm just going to get | 0:35:49 | 0:35:52 | |
"butt-naked for no reason." | 0:35:52 | 0:35:53 | |
I go to the cinema a lot, I go to the cinema, | 0:35:56 | 0:35:58 | |
I go to the cinema on my own, but I think popcorn's a rip off, right? | 0:35:58 | 0:36:01 | |
It's not just the fact that it's expensive, | 0:36:01 | 0:36:04 | |
it's the fact that they price it incrementally in a way that | 0:36:04 | 0:36:08 | |
you are forced to buy more of it than you'd ever want or need, right? | 0:36:08 | 0:36:11 | |
And they treat it like rubbish. | 0:36:11 | 0:36:13 | |
They don't care about it until it comes to you paying for it. | 0:36:13 | 0:36:16 | |
You go up to the counter, | 0:36:16 | 0:36:17 | |
and I'll say, "I'll have a... I'll have a medium popcorn, | 0:36:17 | 0:36:19 | |
"I'll have one of those little boxes, there." | 0:36:19 | 0:36:21 | |
And they go, "Certainly, sir, that will be £5.80." | 0:36:21 | 0:36:25 | |
£5.80? | 0:36:26 | 0:36:28 | |
"It's all over the floor, mate, right?" | 0:36:28 | 0:36:30 | |
"You're wiping your forehead with it as you serve me. | 0:36:34 | 0:36:37 | |
"I just saw you fill the cabinet with it from your trousers, right? | 0:36:37 | 0:36:40 | |
"There's wheelbarrows full of it all around us. | 0:36:40 | 0:36:43 | |
"The foyer is made of it and you're telling me it's £5.80?" | 0:36:43 | 0:36:47 | |
"Well, yes, it is, sir, | 0:36:47 | 0:36:48 | |
"but, for an extra 20p... | 0:36:48 | 0:36:52 | |
"you can have ten times the amount of popcorn." | 0:36:52 | 0:36:56 | |
"How am I buying medium, then, mate? There's absolutely no way. | 0:36:56 | 0:36:59 | |
"I'm locked in. I can't buy medium now. | 0:36:59 | 0:37:01 | |
"I'm strapped in, mate, give me the rucksack." | 0:37:01 | 0:37:03 | |
There's no way I can buy medium now cos I don't want to be | 0:37:03 | 0:37:08 | |
that idiot that walks into the theatre with a medium | 0:37:08 | 0:37:10 | |
and everyone else is going "Oh, my God, look at this moron. | 0:37:10 | 0:37:13 | |
"He got the medium. It's only 20p more, idiot. | 0:37:13 | 0:37:15 | |
"I'm swimming through popcorn like Scrooge McDuck, over here." | 0:37:15 | 0:37:19 | |
CHEERING | 0:37:22 | 0:37:25 | |
Oh. | 0:37:27 | 0:37:28 | |
I went to Sri Lanka to try and get in touch with my culture, right? | 0:37:28 | 0:37:32 | |
And the problem that I've got, which is... | 0:37:32 | 0:37:34 | |
I can't speak the language, right? | 0:37:34 | 0:37:36 | |
But I look like I definitely should be able to, right? | 0:37:36 | 0:37:39 | |
So I'd walk through the streets of Sri Lanka and someone would | 0:37:39 | 0:37:42 | |
-come up to me and go... -HE IMITATES SRI LANKAN LANGUAGE | 0:37:42 | 0:37:45 | |
And I'll say, "I'm really sorry, mate, I barely understand Geordie." | 0:37:45 | 0:37:48 | |
I mean, there's... | 0:37:48 | 0:37:49 | |
One of my uncles introduced me to his wife. | 0:37:53 | 0:37:55 | |
He brought over, sort of, this slightly portly woman, | 0:37:55 | 0:37:57 | |
and he said to me, "Romesh, this is my wife." | 0:37:57 | 0:37:59 | |
I said, "Sweet." | 0:37:59 | 0:38:01 | |
And then he went..."Fat, no?" | 0:38:01 | 0:38:03 | |
And then I looked at his wife, | 0:38:05 | 0:38:06 | |
and she's going, "Yeah, yeah, yeah, I'm fat, fat, fat, fat, fat, fat." | 0:38:06 | 0:38:09 | |
And then I realised my mum's not horrible - | 0:38:09 | 0:38:11 | |
they're all horrible, mate. | 0:38:11 | 0:38:13 | |
That's just... That's how it is. | 0:38:13 | 0:38:14 | |
Ladies and gentlemen, thank you so much. | 0:38:14 | 0:38:16 | |
You've been absolutely amazing. | 0:38:16 | 0:38:17 | |
I've been Romesh Ranganathan, goodnight! | 0:38:17 | 0:38:19 | |
CHEERING AND WHISTLING Romesh Ranganathan! Rom! | 0:38:19 | 0:38:22 | |
Come on, Rom! | 0:38:22 | 0:38:24 | |
Amazing. Thank you so much. Incredible. | 0:38:24 | 0:38:27 | |
Ladies and gentlemen, the fantastic Romesh Ranganathan. | 0:38:27 | 0:38:31 | |
You do, Rom-Rom! We love Rom! | 0:38:31 | 0:38:33 | |
So, let's see how our unexpected star is getting on. | 0:38:37 | 0:38:41 | |
The word is quite positive. | 0:38:41 | 0:38:44 | |
He's not freaking out and he will be here very shortly | 0:38:44 | 0:38:47 | |
with his performance as our Unexpected Star of the show! | 0:38:47 | 0:38:51 | |
CHEERING Go on, Adam. | 0:38:51 | 0:38:55 | |
OK, Peter. LAUGHTER | 0:38:55 | 0:38:58 | |
It is time, ladies and gentlemen, to find out | 0:38:58 | 0:39:01 | |
what texts Peter has received as tonight's excellent sport | 0:39:01 | 0:39:06 | |
in our Send To All box. | 0:39:06 | 0:39:08 | |
Ladies and gentlemen, Peter Jones. | 0:39:08 | 0:39:09 | |
CHEERING AND APPLAUSE | 0:39:09 | 0:39:12 | |
OK, earlier on, I sent the following text... | 0:39:12 | 0:39:17 | |
"Kiss, | 0:39:30 | 0:39:33 | |
"C." LAUGHTER | 0:39:33 | 0:39:36 | |
Well, Peter let's have a look at what's gone on here. | 0:39:36 | 0:39:39 | |
So, I don't know, let's just start at the top. Erm... | 0:39:39 | 0:39:42 | |
Richard Griffin. | 0:39:42 | 0:39:44 | |
That's just a friend. | 0:39:44 | 0:39:45 | |
Just a friend. Oh, he's really sweet. | 0:39:45 | 0:39:47 | |
This guy just says, "Go to sleep and give it to charity in the morning." | 0:39:47 | 0:39:52 | |
APPLAUSE Oh, that's brilliant. | 0:39:52 | 0:39:56 | |
OK, erm, Andy Mudge? | 0:39:56 | 0:39:58 | |
-Another friend. -Another friend, OK. -I've known him since I was... | 0:39:58 | 0:40:01 | |
"Sounds good. Not sure if this message is meant for us, | 0:40:01 | 0:40:03 | |
"please confirm." | 0:40:03 | 0:40:05 | |
Nobody wants any money so far - | 0:40:11 | 0:40:13 | |
-this is good news for you, Peter. -This is very good news. -Erm... | 0:40:13 | 0:40:15 | |
Rob Williams. | 0:40:15 | 0:40:17 | |
Oh, my God, it's Robbie Williams. | 0:40:17 | 0:40:18 | |
-Is that Robbie Williams? -Robbie, yeah. | 0:40:18 | 0:40:20 | |
OK, well, he's gone, "Please stop drunk-texting me. | 0:40:20 | 0:40:24 | |
"I love you, mate, but it's getting embarrassing. RW." | 0:40:24 | 0:40:27 | |
Oh, come on! | 0:40:31 | 0:40:33 | |
Jonathan Ross has come in, ladies and gentlemen. | 0:40:34 | 0:40:37 | |
"Ha-ha. Congrats. My dog needs new glasses." | 0:40:37 | 0:40:40 | |
Yeah, I love the way the comedians are getting in there. | 0:40:42 | 0:40:45 | |
Oh, my God, | 0:40:48 | 0:40:50 | |
who is the biggest celebrity of them all? | 0:40:50 | 0:40:53 | |
It's David Beckham. | 0:40:53 | 0:40:54 | |
-AUDIENCE: -Ooh! | 0:40:54 | 0:40:57 | |
Oh, my, God, I didn't know you were friends with David Beckham. | 0:40:57 | 0:40:59 | |
-I'm worried, now, what he's put. -LAUGHTER | 0:40:59 | 0:41:02 | |
You're friends with David Beckham? | 0:41:02 | 0:41:04 | |
Well, I wouldn't call it friends. I know him - we know each other. | 0:41:04 | 0:41:07 | |
-How long have you known him? -About ten years. | 0:41:07 | 0:41:09 | |
Ten years? And you've got each other's numbers? It's amazing. | 0:41:09 | 0:41:12 | |
Well, he's gone, "Who's this?" | 0:41:12 | 0:41:14 | |
LAUGHTER | 0:41:14 | 0:41:16 | |
APPLAUSE | 0:41:16 | 0:41:19 | |
Erm, OK, Alan Shearer. | 0:41:21 | 0:41:23 | |
"Well, I've kept our little secret quiet for a long time now. | 0:41:23 | 0:41:27 | |
"How about we make it 20K?" | 0:41:27 | 0:41:29 | |
-That's... -Oh. -LAUGHTER | 0:41:29 | 0:41:31 | |
That's from Alan Shearer, ladies and gentlemen. | 0:41:31 | 0:41:34 | |
-This text is gold! -No... -WOLF-WHISTLING AND APPLAUSE | 0:41:34 | 0:41:37 | |
Oh, fellow Dragon Deborah Meaden, ladies and gentlemen, | 0:41:38 | 0:41:42 | |
-Deborah Meaden. AUDIENCE: -Ooh! | 0:41:42 | 0:41:44 | |
"This can't be you. | 0:41:44 | 0:41:45 | |
"Someone must have got a hold of your phone, you are..." | 0:41:45 | 0:41:48 | |
MICHAEL LAUGHS | 0:41:48 | 0:41:50 | |
"You are... You are far too tight to give..." | 0:41:50 | 0:41:52 | |
This is brilliant. | 0:41:54 | 0:41:56 | |
"You are far too tight to give up any of your profit - I should know. | 0:41:56 | 0:42:00 | |
"Double kiss." | 0:42:00 | 0:42:03 | |
Ladies and gentlemen, what a fantastic sport, | 0:42:03 | 0:42:05 | |
the legendary Peter Jones. CHEERING AND APPLAUSE | 0:42:05 | 0:42:07 | |
-Brilliant. -Thank you. Thank you, Michael. -Are you OK, Mum and Dad? | 0:42:07 | 0:42:10 | |
-Yeah. -Yes. -Oh, well done. | 0:42:10 | 0:42:12 | |
Thank you very much. | 0:42:12 | 0:42:14 | |
Oh... | 0:42:14 | 0:42:17 | |
Ladies and gentlemen, it's the moment we've all been waiting for. | 0:42:17 | 0:42:20 | |
It has arrived. CHEERING | 0:42:20 | 0:42:23 | |
Yes, it's time for a very special performance from | 0:42:23 | 0:42:26 | |
our Unexpected Star of the show! | 0:42:26 | 0:42:28 | |
CHEERING | 0:42:28 | 0:42:31 | |
Earlier tonight, we asked an electrician called Adam | 0:42:31 | 0:42:34 | |
to come to the theatre and fix a simple electrical fault, | 0:42:34 | 0:42:37 | |
but there was no fault at all - we just wanted to give Adam | 0:42:37 | 0:42:40 | |
the surprise of his life, and we did that, | 0:42:40 | 0:42:42 | |
because tonight on the Big Show... CHEERING | 0:42:42 | 0:42:44 | |
..we're giving him the chance to fulfil his dream of being a singer. | 0:42:44 | 0:42:49 | |
He's had barely any time to rehearse but now the time has come. | 0:42:49 | 0:42:53 | |
CHEERING | 0:42:53 | 0:42:56 | |
Ladies and gentlemen, my next guest has sold no records worldwide. | 0:43:00 | 0:43:04 | |
He hasn't had a number one in any country | 0:43:06 | 0:43:09 | |
but he has had several number twos in the last half hour. | 0:43:09 | 0:43:13 | |
Performing James Morrison's You Give Me Something, | 0:43:18 | 0:43:22 | |
it's our Unexpected Star of the show. | 0:43:22 | 0:43:25 | |
Go wild, ladies and gentlemen, for the singing electrician Adam Heapy! | 0:43:25 | 0:43:31 | |
CHEERING | 0:43:31 | 0:43:34 | |
MUSIC: You Give Me Something by James Morrison | 0:43:34 | 0:43:37 | |
# You only stay with me in the morning... # | 0:43:43 | 0:43:47 | |
CHEERING AND APPLAUSE | 0:43:47 | 0:43:49 | |
# You only hold me when I sleep | 0:43:49 | 0:43:53 | |
# And I was meant to tread the water | 0:43:54 | 0:43:58 | |
# Oh | 0:43:58 | 0:43:59 | |
# But now I've gotten in too deep... # | 0:43:59 | 0:44:03 | |
CHEERING | 0:44:03 | 0:44:05 | |
# For every piece of me that wants you... | 0:44:05 | 0:44:09 | |
# Oh... # THE AUDIENCE CLAPS ALONG | 0:44:09 | 0:44:11 | |
# Another piece pops away | 0:44:11 | 0:44:15 | |
# Well | 0:44:15 | 0:44:16 | |
# You give me something | 0:44:16 | 0:44:20 | |
# That makes me scared, all right | 0:44:20 | 0:44:22 | |
# This could be nothing | 0:44:22 | 0:44:25 | |
# But I'm willing to give it a try | 0:44:25 | 0:44:28 | |
# Please give me something | 0:44:28 | 0:44:31 | |
# Because someday I might know my heart... # | 0:44:31 | 0:44:37 | |
CHEERING | 0:44:37 | 0:44:39 | |
# You only waited up for hours... # | 0:44:39 | 0:44:42 | |
WOLF-WHISTLING | 0:44:42 | 0:44:44 | |
# Just to spend a little time alone with me | 0:44:44 | 0:44:48 | |
# I said I never bought you flowers | 0:44:50 | 0:44:55 | |
# Oh | 0:44:55 | 0:44:56 | |
# Cos I can't work out what they mean... # | 0:44:56 | 0:44:59 | |
CHEERING AND APPLAUSE | 0:44:59 | 0:45:01 | |
# I never thought that I'd love someone | 0:45:01 | 0:45:06 | |
# Oh, no | 0:45:06 | 0:45:07 | |
# That was someone else's dream | 0:45:07 | 0:45:11 | |
# Well | 0:45:11 | 0:45:12 | |
# You give me something | 0:45:12 | 0:45:16 | |
# That makes me scared, all right | 0:45:16 | 0:45:18 | |
# This could be nothing | 0:45:18 | 0:45:22 | |
# But I'm willing to give it a try | 0:45:22 | 0:45:24 | |
# Please give me something | 0:45:24 | 0:45:27 | |
# Cos someday I might | 0:45:27 | 0:45:30 | |
-# Please give me something -Something | 0:45:30 | 0:45:33 | |
# That makes me scared, all right | 0:45:33 | 0:45:35 | |
-# This could be nothing -This could be nothing | 0:45:35 | 0:45:38 | |
# But I'm willing to give it a try | 0:45:38 | 0:45:41 | |
-# Please give me something -Please give me something | 0:45:41 | 0:45:44 | |
-# Cos someday I might know my heart -Know my heart... # | 0:45:44 | 0:45:50 | |
CHEERING | 0:45:50 | 0:45:52 | |
# Oh, my heart Know my heart | 0:45:52 | 0:45:55 | |
# Know my heart. # | 0:45:55 | 0:45:57 | |
CHEERING AND WHISTLING | 0:45:57 | 0:46:05 | |
CHEERING CONTINUES | 0:46:07 | 0:46:13 | |
Thank you, that was amazing. | 0:46:13 | 0:46:15 | |
Absolutely fantastic. A few... MICHAEL LAUGHS | 0:46:17 | 0:46:20 | |
Congratulations. Did you enjoy that? | 0:46:20 | 0:46:22 | |
-That was unbelievable. -Oh, that was amazing. -That was fantastic. | 0:46:22 | 0:46:25 | |
And what an amazingly appreciative audience. Fantastic. | 0:46:25 | 0:46:28 | |
And the fantastic James Morrison creeping up! | 0:46:28 | 0:46:30 | |
CHEERING | 0:46:30 | 0:46:33 | |
Obviously not a fan of other people singing his songs. | 0:46:33 | 0:46:36 | |
"What's going on here?" | 0:46:36 | 0:46:38 | |
Erm, OK, so, erm, how's it been? | 0:46:39 | 0:46:44 | |
How's the whole experience been for you? | 0:46:44 | 0:46:46 | |
-Blown away. -Yeah? | 0:46:46 | 0:46:48 | |
Erm, it was just fantastic, start to finish. | 0:46:48 | 0:46:50 | |
-And you had absolutely no idea. -No idea at all. | 0:46:50 | 0:46:53 | |
What's these clothes? Are these your clothes? | 0:46:53 | 0:46:55 | |
I'm coming home with them - they're free. | 0:46:55 | 0:46:57 | |
I've had a touch. I love the shoes. | 0:46:57 | 0:47:00 | |
They look really good on you. They suit you. | 0:47:00 | 0:47:03 | |
A little bit of suede, why not? | 0:47:03 | 0:47:06 | |
Please thank, one more time, Adam Heapy, | 0:47:06 | 0:47:08 | |
who lost a massive electrical contract tonight, don't forget. | 0:47:08 | 0:47:11 | |
-Gutted(!) -He thought he was going to be in, | 0:47:11 | 0:47:13 | |
and he's set for the year at the theatres in London, | 0:47:13 | 0:47:16 | |
but we've fulfilled his dream instead. | 0:47:16 | 0:47:18 | |
One more time for the fantastic Adam Heapy | 0:47:18 | 0:47:20 | |
and, of course, James Morrison, | 0:47:20 | 0:47:22 | |
a huge thank you as well. CHEERING | 0:47:22 | 0:47:24 | |
Thank you so much, guys. Brilliant. See you in a bit. | 0:47:24 | 0:47:27 | |
Go on, Heapy! | 0:47:27 | 0:47:29 | |
MUSIC: You Give Me Something by James Morrison | 0:47:29 | 0:47:34 | |
Join me next week, | 0:47:34 | 0:47:35 | |
where somebody else will be given the surprise of their life | 0:47:35 | 0:47:38 | |
and become the Unexpected Star of the show. | 0:47:38 | 0:47:41 | |
Another celebrity, of course, will be playing Send To All | 0:47:41 | 0:47:43 | |
in our Send To All box, | 0:47:43 | 0:47:45 | |
but we've still got time for one more performance. | 0:47:45 | 0:47:47 | |
You've already heard him tonight performing with our Unexpected Star | 0:47:47 | 0:47:50 | |
and now, playing us out with his new single, | 0:47:50 | 0:47:52 | |
I Need You Tonight, please welcome the phenomenal Mr James Morrison! | 0:47:52 | 0:47:57 | |
CHEERING | 0:47:57 | 0:47:59 | |
MUSIC: Need You Tonight by James Morrison | 0:48:00 | 0:48:04 | |
# Need you tonight Need you, need you tonight | 0:48:04 | 0:48:07 | |
-# Yeah, I need you tonight, yeah -All right | 0:48:07 | 0:48:11 | |
# Oh, I tell myself that I can be the stronger man | 0:48:11 | 0:48:15 | |
# That I know I can be | 0:48:15 | 0:48:19 | |
# But I can't help feel the burden of my weakness | 0:48:19 | 0:48:23 | |
# When you're away from me | 0:48:23 | 0:48:27 | |
-# Falling down -Falling down | 0:48:27 | 0:48:30 | |
# It's easy | 0:48:30 | 0:48:31 | |
# Falling down | 0:48:31 | 0:48:34 | |
# I know I've got to carry on | 0:48:36 | 0:48:38 | |
# But it's so hard to wait so long for you | 0:48:38 | 0:48:42 | |
# And I need you tonight | 0:48:42 | 0:48:47 | |
# I need you to come on and save my life | 0:48:47 | 0:48:51 | |
# I'm trying to hold on | 0:48:51 | 0:48:55 | |
# I kill every second since you've been gone | 0:48:55 | 0:48:59 | |
# Oh | 0:48:59 | 0:49:00 | |
# Stuck here in darkness | 0:49:00 | 0:49:02 | |
# Hole where my heart is | 0:49:02 | 0:49:04 | |
# Without you, I can't make it right | 0:49:04 | 0:49:07 | |
# I need you tonight | 0:49:07 | 0:49:11 | |
# Yes, I do | 0:49:11 | 0:49:15 | |
# Well, I'm staring at the bottom of another glass | 0:49:16 | 0:49:20 | |
# I'm feeling empty now | 0:49:20 | 0:49:24 | |
# I close my eyes and think of you | 0:49:24 | 0:49:27 | |
# It's all that I can do to fill the space somehow | 0:49:27 | 0:49:32 | |
-# I'm calling out -Calling out | 0:49:32 | 0:49:35 | |
# Can you hear me calling out to you? | 0:49:35 | 0:49:41 | |
# And I'm cold and shaking, baby | 0:49:41 | 0:49:42 | |
# Come and take me from this hell that I've been living through | 0:49:42 | 0:49:48 | |
# And I need you tonight | 0:49:48 | 0:49:52 | |
# I need you to come on and save my life | 0:49:52 | 0:49:56 | |
# I'm trying to hold on | 0:49:56 | 0:50:00 | |
# I kill every second since you've been gone, | 0:50:00 | 0:50:04 | |
# Oh | 0:50:04 | 0:50:05 | |
# Stuck here in darkness | 0:50:05 | 0:50:07 | |
# Hole where my heart is | 0:50:07 | 0:50:09 | |
# Without you, I can't make it right | 0:50:09 | 0:50:12 | |
# I need you tonight | 0:50:12 | 0:50:16 | |
# Yes, I do | 0:50:16 | 0:50:20 | |
# Need you tonight | 0:50:21 | 0:50:25 | |
# I need you to come on and save my life | 0:50:25 | 0:50:29 | |
# Oh | 0:50:29 | 0:50:30 | |
# Stuck here in darkness | 0:50:30 | 0:50:32 | |
# Hole where my heart is | 0:50:32 | 0:50:34 | |
# Without you, I can't make it right | 0:50:34 | 0:50:37 | |
# And I need you tonight | 0:50:37 | 0:50:41 | |
# Yes, I do | 0:50:41 | 0:50:44 | |
# Come on, sing it | 0:50:44 | 0:50:45 | |
# Oh, I need you tonight | 0:50:45 | 0:50:47 | |
# Need you, need you tonight | 0:50:47 | 0:50:49 | |
# Yeah, I need you tonight | 0:50:49 | 0:50:51 | |
# Yeah | 0:50:51 | 0:50:54 | |
# Oh, I need you tonight | 0:50:54 | 0:50:56 | |
# Need you, need you tonight | 0:50:56 | 0:50:58 | |
# Yeah, I need you tonight | 0:50:58 | 0:51:00 | |
# Need you, need you tonight. # | 0:51:00 | 0:51:03 | |
CHEERING | 0:51:03 | 0:51:05 | |
Thank you very much. | 0:51:05 | 0:51:07 |