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Coming up on tonight's show... | 0:00:10 | 0:00:12 | |
Bruno Tonioli plays Celebrity Send To All... | 0:00:12 | 0:00:16 | |
there's astonishing acrobatics from Cirque du Soleil... | 0:00:16 | 0:00:20 | |
comedy from the hilarious Rob Beckett... | 0:00:20 | 0:00:23 | |
there's music from pop sensations Years And Years... | 0:00:23 | 0:00:26 | |
and who will be our latest Unexpected Star of the show? | 0:00:26 | 0:00:30 | |
Ladies and gentlemen, it's the Big Show. | 0:00:34 | 0:00:38 | |
Please welcome your host, Michael McIntyre! | 0:00:38 | 0:00:42 | |
CHEERING AND APPLAUSE | 0:00:42 | 0:00:44 | |
JAMES BOND THEME | 0:00:44 | 0:00:47 | |
CHEERING CONTINUES | 0:01:01 | 0:01:04 | |
Good evening, ladies and gentlemen! And welcome to my Big Show! | 0:01:07 | 0:01:13 | |
CHEERING | 0:01:13 | 0:01:15 | |
Oh, yes. We have a tremendous show for you tonight. | 0:01:15 | 0:01:20 | |
Are you up for that, ladies and gentlemen? | 0:01:20 | 0:01:22 | |
CHEERING | 0:01:22 | 0:01:23 | |
We have top-notch performances, plus the brave celebrity is here | 0:01:25 | 0:01:31 | |
to play my favourite game in the world - Send To All. | 0:01:31 | 0:01:34 | |
CHEERING | 0:01:34 | 0:01:36 | |
And, of course, one person will be getting the biggest surprise | 0:01:36 | 0:01:38 | |
of their life when they become our latest Unexpected Star of the show. | 0:01:38 | 0:01:43 | |
AUDIENCE: Ooooh! | 0:01:43 | 0:01:47 | |
OK, let's find out where we're all from, ladies and gentlemen. | 0:01:47 | 0:01:49 | |
Erm, where are... Londoners? Applaud if you're a Londoner. | 0:01:49 | 0:01:52 | |
CHEERING | 0:01:52 | 0:01:54 | |
Yeah? Very good. | 0:01:54 | 0:01:57 | |
Northerners? Northerners? | 0:01:57 | 0:01:59 | |
CHEERING | 0:01:59 | 0:02:01 | |
Yeah? Where are you from? | 0:02:01 | 0:02:03 | |
-Newcastle. -Newcastle? | 0:02:03 | 0:02:04 | |
GEORDIE ACCENT: Alreet, that's nice! | 0:02:04 | 0:02:06 | |
Well done in the football, it's going well, isn't it? | 0:02:06 | 0:02:10 | |
I'm sorry to do the accent. | 0:02:10 | 0:02:12 | |
Everywhere I go, I try to speak in the accent, do you know what I mean? | 0:02:12 | 0:02:15 | |
Irish, I'm not very good at this accent, but the Irish accent... | 0:02:15 | 0:02:18 | |
IRISH ACCENT: ..it seems quite jolly, doesn't it? | 0:02:18 | 0:02:21 | |
"Hello! How are you?" It's jolly. | 0:02:21 | 0:02:22 | |
As long as you're smiling, you can do a pretty good Irish accent, | 0:02:22 | 0:02:25 | |
but Northern Irish, these are right next door to them... | 0:02:25 | 0:02:28 | |
SOMBRE IRISH ACCENT: Suddenly, everything in the whole world | 0:02:28 | 0:02:31 | |
seems incredibly depressing to me right now. | 0:02:31 | 0:02:33 | |
How can your face be completely opposite to... | 0:02:33 | 0:02:35 | |
JOLLY: ..that, I'm over here! | 0:02:35 | 0:02:37 | |
SOMBRE: "But I'm right next door to you and..." | 0:02:37 | 0:02:39 | |
I don't understand how these accents can evolve like that. | 0:02:39 | 0:02:43 | |
Some evolution of accents, I understand, | 0:02:43 | 0:02:45 | |
like when you go west in England, when you head west, | 0:02:45 | 0:02:47 | |
you will hit, like, Bristol and they've got this West Country... | 0:02:47 | 0:02:50 | |
BRISTOL ACCENT: ..like that, they'll start talking like that. | 0:02:50 | 0:02:53 | |
"We're in Bristol now. We're a little bit busy, | 0:02:53 | 0:02:55 | |
"so we speak basically with this accent, | 0:02:55 | 0:02:57 | |
"but it's quite fast cos we're, like, a city, | 0:02:57 | 0:02:59 | |
"we've got things to do. | 0:02:59 | 0:03:00 | |
"We've, like, got businesses and that, right? | 0:03:00 | 0:03:02 | |
"We've got, like, a city centre." | 0:03:02 | 0:03:04 | |
Then you go to Devon. | 0:03:05 | 0:03:06 | |
You keep going west, you go to Devon and it's the same accent, | 0:03:06 | 0:03:09 | |
but it's a bit slower now. | 0:03:09 | 0:03:11 | |
SLOW BRISTOL ACCENT: We don't have quite as much going on here | 0:03:11 | 0:03:14 | |
as they do in the city of Bristol. | 0:03:14 | 0:03:16 | |
We're in Devon now, so we're just good to speak in the same accent, | 0:03:16 | 0:03:20 | |
but we'll just take our time with it because we've got more time, right? | 0:03:20 | 0:03:24 | |
By the time you get to Cornwall, it's just... | 0:03:24 | 0:03:27 | |
Uuuuurrrrr! | 0:03:27 | 0:03:29 | |
LAUGHTER AND APPLAUSE | 0:03:29 | 0:03:32 | |
You get a sense of the evolution. | 0:03:32 | 0:03:34 | |
The funnest accent for me is South African. | 0:03:35 | 0:03:38 | |
SOUTH AFRICAN ACCENT: The Seth Efrican accent | 0:03:38 | 0:03:40 | |
is quite a fun one to do, ya? | 0:03:40 | 0:03:42 | |
If you've got some time on your hends, | 0:03:42 | 0:03:45 | |
you can do the Seth Efrican accent on your own, ya? | 0:03:45 | 0:03:49 | |
As long as you make sure that every syllable that you say | 0:03:49 | 0:03:52 | |
has nothing to do with the syllable that comes | 0:03:52 | 0:03:54 | |
directly before the one you've just said. | 0:03:54 | 0:03:57 | |
You're pretty much doing a Seth Efrican accent. | 0:03:57 | 0:04:00 | |
AUSTRALIAN ACCENT: Australia's quite fun, OK? | 0:04:02 | 0:04:04 | |
A lot of Australians living over here in London, | 0:04:04 | 0:04:06 | |
they're pretty, you know, they talk quite fast as well. | 0:04:06 | 0:04:09 | |
They're pretty hyper, yeah? Cos they've come a long way, you know? | 0:04:09 | 0:04:12 | |
They're going to make the most of it. | 0:04:12 | 0:04:14 | |
It's like, you know, "It took me a day, I lost a day of my life | 0:04:14 | 0:04:17 | |
"to be here, so I'm going to make up for it now, OK?" | 0:04:17 | 0:04:20 | |
They find out where the decibel level is in the room... | 0:04:20 | 0:04:23 | |
LOUDLY: ..and we're going to go slightly above that, OK?! | 0:04:23 | 0:04:26 | |
That's how we're going to play it over here in London! | 0:04:26 | 0:04:29 | |
So when I went to Australia touring, I thought | 0:04:29 | 0:04:31 | |
it was going to be full of people doing this, | 0:04:31 | 0:04:33 | |
"Hello! Welcome to Australia!" but they're not like that at all. | 0:04:33 | 0:04:36 | |
The people who haven't left Australia are.. | 0:04:36 | 0:04:38 | |
SLOW AUSTRALIAN: ..the most relaxed people | 0:04:38 | 0:04:40 | |
I think I've ever come across. | 0:04:40 | 0:04:42 | |
They literally have all the time in the world to finish sentences. | 0:04:42 | 0:04:47 | |
I mean, we're 13 hours ahead. You're never going to catch up anyway. | 0:04:47 | 0:04:51 | |
LAUGHTER AND APPLAUSE | 0:04:51 | 0:04:52 | |
You can't go all the way over to Australia. | 0:04:55 | 0:04:56 | |
When you go to Australia, you have to stop off. | 0:04:56 | 0:04:58 | |
The plane can't even go that far, that's how far away it is, | 0:04:58 | 0:05:01 | |
so when I was touring, they said to me, | 0:05:01 | 0:05:03 | |
"Where do you want to go on the way for a stop off?" | 0:05:03 | 0:05:05 | |
And they give me these options and I went for Singapore. | 0:05:05 | 0:05:07 | |
I'd never been to Singapore, | 0:05:07 | 0:05:09 | |
and I went and they said, "Best to stay there for a few days | 0:05:09 | 0:05:11 | |
"and acclimatise," because the time difference is, like, | 0:05:11 | 0:05:14 | |
12 hours or something, so they said, "Stay in Singapore for three days | 0:05:14 | 0:05:17 | |
"and just get used to the time difference." And I couldn't do it. | 0:05:17 | 0:05:19 | |
I suffer very badly with jet lag. I couldn't sleep at all. | 0:05:19 | 0:05:23 | |
Now, you know, at the best of times I look Chinese. | 0:05:23 | 0:05:28 | |
With extreme jet lag, I was 100% Chinese. | 0:05:36 | 0:05:40 | |
I looked in the mirror in my Singapore hotel room | 0:05:40 | 0:05:42 | |
and I thought it was a window. | 0:05:42 | 0:05:44 | |
I was like, "What are you looking at? Who are you?" | 0:05:44 | 0:05:48 | |
I phoned reception - "There's a man just staring at me on his phone." | 0:05:48 | 0:05:52 | |
I literally couldn't sleep for about two nights. | 0:05:52 | 0:05:55 | |
Also, I wasn't feeling very well | 0:05:55 | 0:05:56 | |
because I sampled some of the local cuisine, | 0:05:56 | 0:05:59 | |
which was a mistake that I still suffer with a bit. | 0:05:59 | 0:06:02 | |
I had a seafood laksa, | 0:06:02 | 0:06:04 | |
which should have been called the "seafood bum re-laksa." | 0:06:04 | 0:06:08 | |
I can't tell you how badly I suffered. | 0:06:08 | 0:06:11 | |
So I was up for, like, two nights, completely jet-lagged. | 0:06:11 | 0:06:14 | |
I went down to reception to try and ask what time breakfast was | 0:06:14 | 0:06:16 | |
cos I couldn't stay up, I thought I might as well eat something, | 0:06:16 | 0:06:19 | |
so I went down to reception | 0:06:19 | 0:06:20 | |
and this Chinese woman on reception thought I was Chinese. | 0:06:20 | 0:06:22 | |
"Excuse me, what time is breakfast?" | 0:06:22 | 0:06:24 | |
And she starts speaking Chinese. I don't speak Chinese, | 0:06:24 | 0:06:26 | |
so I've no idea what she was saying, but she just went straight on. | 0:06:26 | 0:06:29 | |
HE SPEAKS MOCK CHINESE | 0:06:29 | 0:06:30 | |
I just went, "I'm not Chinese, I'm just jet-lagged. | 0:06:30 | 0:06:33 | |
"What time is breakfast?" | 0:06:33 | 0:06:35 | |
She starts laughing at me! "Ha-ha-ha!" | 0:06:35 | 0:06:37 | |
HE SPEAKS RAPID MOCK CHINESE | 0:06:37 | 0:06:40 | |
I was like, "Seriously, I'm not Chinese. Speak English to me!" | 0:06:40 | 0:06:43 | |
And she just went, "Your English accent is so good!" | 0:06:43 | 0:06:47 | |
I said, "That's because I've lived there for 38 years." | 0:06:48 | 0:06:51 | |
And she went, "Welcome home!" | 0:06:51 | 0:06:54 | |
LAUGHTER AND APPLAUSE | 0:06:54 | 0:06:55 | |
True story! | 0:06:57 | 0:06:59 | |
Now, it is time to find out who will become tonight's | 0:07:02 | 0:07:06 | |
Unexpected Star of the show. | 0:07:06 | 0:07:09 | |
CHEERING | 0:07:09 | 0:07:10 | |
Every week, we have been surprising a member of the public | 0:07:12 | 0:07:16 | |
who think they're coming to the theatre for work. | 0:07:16 | 0:07:19 | |
Now this is Shannon Taiwo. There he is, there's Shannon. | 0:07:19 | 0:07:24 | |
CHEERING | 0:07:24 | 0:07:25 | |
You've immediately warmed to him. | 0:07:25 | 0:07:28 | |
He is 21 years old, he lives in Kent, | 0:07:28 | 0:07:30 | |
where he works doing odd jobs as a handyman, | 0:07:30 | 0:07:33 | |
and this is him doing handyman stuff. | 0:07:33 | 0:07:36 | |
There he is, that's proof. | 0:07:36 | 0:07:38 | |
That's... What a handy man he is. | 0:07:38 | 0:07:40 | |
He prefers not to see where he's going. | 0:07:42 | 0:07:44 | |
Shannon thinks he's coming to the theatre tonight | 0:07:46 | 0:07:49 | |
for a simple removals job. | 0:07:49 | 0:07:51 | |
Of course, he's actually here for a very different reason. | 0:07:51 | 0:07:54 | |
It's Shannon's dream to perform on the West End stage... | 0:07:54 | 0:07:58 | |
-AUDIENCE: -Awww. -And I happen to have one here. | 0:07:58 | 0:08:00 | |
So, tonight... LAUGHTER | 0:08:00 | 0:08:02 | |
So, tonight, we're going to make his dream a reality | 0:08:02 | 0:08:05 | |
because Shannon is going to be our Unexpected Star of the show. | 0:08:05 | 0:08:09 | |
Are you up for that? | 0:08:09 | 0:08:11 | |
CHEERING | 0:08:11 | 0:08:12 | |
OK. | 0:08:12 | 0:08:13 | |
Shannon's friend Parisa is here in the audience tonight | 0:08:15 | 0:08:18 | |
and she's helped set this all up, so I'm going to chat to her. | 0:08:18 | 0:08:20 | |
Where are you, Parisa? | 0:08:20 | 0:08:21 | |
Ladies and gentlemen, let's needed for Parisa! | 0:08:21 | 0:08:25 | |
CHEERING | 0:08:25 | 0:08:26 | |
Hello, darling. Nice to meet you. What a pleasure. | 0:08:26 | 0:08:29 | |
-So, tell us about Shannon. -He loves performing. He doesn't stop singing. | 0:08:29 | 0:08:34 | |
We actually have to tell him to shut up sometimes | 0:08:34 | 0:08:36 | |
cos it's not the right time or place, but, yeah, he's amazing. | 0:08:36 | 0:08:39 | |
-He's so talented. -So he's basically always got his head on performing? | 0:08:39 | 0:08:43 | |
-Yeah, truly. He makes songs about sweeping the floor. -Amazing. | 0:08:43 | 0:08:46 | |
-He's brilliant. -Potatoes as well. | 0:08:46 | 0:08:47 | |
-Potatoes? -Yeah, he freestyles about potatoes a lot. | 0:08:47 | 0:08:50 | |
He freestyles about potatoes?! | 0:08:50 | 0:08:52 | |
He'll be at home, like, cooking and that | 0:08:52 | 0:08:54 | |
and all of a sudden he'll come up with a little rhyme | 0:08:54 | 0:08:57 | |
about potatoes or cutting something or another. Yeah, all the time. | 0:08:57 | 0:09:00 | |
The whole world's a stage, but he hasn't been given the stage yet. | 0:09:00 | 0:09:03 | |
-That's it. -Yeah. | 0:09:03 | 0:09:04 | |
And tell me about his history of trying to be a performer. | 0:09:04 | 0:09:07 | |
Yeah, he's tried to get on the West End quite a few times, | 0:09:07 | 0:09:10 | |
but he's had no success. | 0:09:10 | 0:09:11 | |
He even moved here, but he didn't get into anything, | 0:09:11 | 0:09:14 | |
then he had to come back home, back to a normal job, so... He loves it. | 0:09:14 | 0:09:17 | |
-It's difficult. -It is. -He tried to pursue his dream. -Yes. | 0:09:17 | 0:09:19 | |
But it's tough. And how do you think he's going to react, then, tonight? | 0:09:19 | 0:09:23 | |
I think he's going to be really overwhelmed, really you know, happy, | 0:09:23 | 0:09:26 | |
but I think you might get a bit emotional, so... | 0:09:26 | 0:09:28 | |
We all will as well. We're all going to get really emotional. | 0:09:28 | 0:09:31 | |
It sounds like he's been waiting for this moment. | 0:09:31 | 0:09:33 | |
Let's hear it for Parisa, ladies and gentlemen. | 0:09:33 | 0:09:35 | |
Darling, thank you so much. All right, it's on, it's on. | 0:09:35 | 0:09:38 | |
It's on! | 0:09:38 | 0:09:40 | |
OK, so Shannon is on his way to the theatre | 0:09:40 | 0:09:45 | |
right now for the biggest surprise of his life. | 0:09:45 | 0:09:48 | |
APPLAUSE | 0:09:48 | 0:09:50 | |
Now, let me tell you what's going to happen tonight. | 0:09:50 | 0:09:52 | |
So, he's going to arrive at the theatre. | 0:09:52 | 0:09:54 | |
He's going to wait down, we've got a job for him to do downstairs, | 0:09:54 | 0:09:57 | |
a removals job, then he's going to be sent to a store room | 0:09:57 | 0:10:01 | |
to get a box. | 0:10:01 | 0:10:03 | |
This storeroom is actually going to be right here where I am standing. | 0:10:03 | 0:10:07 | |
So, there is going to be a corridor here | 0:10:07 | 0:10:09 | |
that is going to extend onto the stage, | 0:10:09 | 0:10:11 | |
then there will be this room - | 0:10:11 | 0:10:12 | |
which is an incredibly authentic-looking storeroom - | 0:10:12 | 0:10:15 | |
there is going to be a box it and he is going to lift up the box. | 0:10:15 | 0:10:18 | |
When he lifts up the box, the shelves are going to collapse. | 0:10:18 | 0:10:21 | |
We are all going to watch this on the screen. | 0:10:21 | 0:10:23 | |
Then the walls of the storeroom are going to collapse here. | 0:10:23 | 0:10:28 | |
Then your responsibility is then to go from complete silence | 0:10:28 | 0:10:32 | |
to absolute mayhem as we really, really give him | 0:10:32 | 0:10:36 | |
an unexpected surprise moment. | 0:10:36 | 0:10:38 | |
Are you up for that, ladies and gentlemen? | 0:10:38 | 0:10:41 | |
CHEERING AND APPLAUSE | 0:10:41 | 0:10:42 | |
All right. | 0:10:42 | 0:10:43 | |
It's going to be fun, Parisa. | 0:10:43 | 0:10:47 | |
OK. Ladies and gentlemen, it is now time gasp in amazement | 0:10:47 | 0:10:52 | |
as I welcome from Cirque du Soleil's current hit show Amaluna, | 0:10:52 | 0:10:57 | |
it's the wonderful Romeo. | 0:10:57 | 0:11:00 | |
CHEERING AND APPLAUSE | 0:11:00 | 0:11:03 | |
MID-TEMPO MUSIC | 0:11:07 | 0:11:09 | |
AUDIENCE GASPS | 0:11:26 | 0:11:29 | |
CHEERING AND APPLAUSE | 0:11:29 | 0:11:31 | |
SLOW-TEMPO MUSIC | 0:11:40 | 0:11:42 | |
APPLAUSE | 0:12:36 | 0:12:38 | |
GASPING | 0:13:00 | 0:13:02 | |
CHEERING AND APPLAUSE | 0:13:30 | 0:13:32 | |
Romeo, ladies and gentlemen! | 0:13:40 | 0:13:44 | |
Romeo! | 0:13:44 | 0:13:45 | |
LAUGHTER AND CHEERING | 0:13:49 | 0:13:52 | |
Romeo, that was incredibly impressive. | 0:13:58 | 0:14:01 | |
I think we are all astounded at your skills on the pole, | 0:14:01 | 0:14:04 | |
but, of course, I have been waiting at the top of it the whole time. | 0:14:04 | 0:14:08 | |
I was wondering, Romeo, if you have the ability to do this. | 0:14:08 | 0:14:11 | |
Music, please. | 0:14:11 | 0:14:13 | |
SLOW-TEMPO MUSIC | 0:14:13 | 0:14:14 | |
CHEERING AND APPLAUSE | 0:14:23 | 0:14:25 | |
No hands, mate, no hands. | 0:14:29 | 0:14:32 | |
OK, bring me down, please. | 0:14:32 | 0:14:35 | |
Hang on, I'm stuck. | 0:14:35 | 0:14:37 | |
Hold on. Ow! I don't like it. | 0:14:37 | 0:14:38 | |
Hold on. No, I'm OK. | 0:14:38 | 0:14:40 | |
You don't need to help me, I know what I'm doing. | 0:14:40 | 0:14:43 | |
Thank you. Can we have the music, please, for the dismount? | 0:14:45 | 0:14:49 | |
SLOW-TEMPO MUSIC | 0:14:49 | 0:14:50 | |
CHEERING AND APPLAUSE | 0:14:55 | 0:14:58 | |
Romeo, ladies and gentlemen. | 0:15:03 | 0:15:06 | |
CHEERING | 0:15:06 | 0:15:08 | |
You can catch the show in London and Manchester later in the year. | 0:15:08 | 0:15:11 | |
One more time for the fantastic Romeo! | 0:15:11 | 0:15:14 | |
OK, I can tell you, Parisa, that Shannon has arrived | 0:15:21 | 0:15:26 | |
and is in the building. | 0:15:26 | 0:15:27 | |
I think we can see him arriving. | 0:15:29 | 0:15:32 | |
Here comes Shannon, who seems to be with a snooker referee. | 0:15:32 | 0:15:36 | |
There he is. There is Shannon. Is that Shannon? | 0:15:37 | 0:15:40 | |
-Yes. Shannon is in. Who is he with? -Adam, one of our friends. | 0:15:40 | 0:15:44 | |
Adam, who is in on it. | 0:15:44 | 0:15:46 | |
Yes. And he works with Shannon as well. | 0:15:46 | 0:15:48 | |
OK. He is in a room downstairs, and he has already getting to work. | 0:15:48 | 0:15:52 | |
There he is, removing... | 0:15:52 | 0:15:54 | |
There is my wife standing in the corner. | 0:15:54 | 0:15:56 | |
But the focus here is on Shannon. Let's see him complete this job. | 0:15:59 | 0:16:04 | |
Be the showman! Be the showman! | 0:16:04 | 0:16:07 | |
Be the showman. | 0:16:07 | 0:16:08 | |
CHEERING AND APPLAUSE | 0:16:08 | 0:16:09 | |
MICHAEL SCREAMS | 0:16:09 | 0:16:10 | |
He couldn't resist, Parisa, that's amazing. | 0:16:12 | 0:16:17 | |
He did the little thing. | 0:16:17 | 0:16:18 | |
He's born to be on the stage. | 0:16:18 | 0:16:21 | |
So let's bring out the corridor in the room. Let's do that. | 0:16:21 | 0:16:24 | |
The irony is we probably could have got Shannon to do this bit too. | 0:16:24 | 0:16:27 | |
So I'm going to have a look in it, all right? | 0:16:31 | 0:16:33 | |
I'm just going to get in it. | 0:16:33 | 0:16:34 | |
Right. Have I been picked up anywhere, yet? | 0:16:38 | 0:16:41 | |
CHEERING | 0:16:41 | 0:16:43 | |
This is the corridor where he is going to come through. | 0:16:43 | 0:16:48 | |
This says storeroom... Oh, hello. | 0:16:48 | 0:16:52 | |
So this will be the moment that picks Shannon up | 0:16:53 | 0:16:56 | |
when he goes into the room, OK? | 0:16:56 | 0:16:58 | |
So in we go into the storeroom, which... Ah! | 0:16:58 | 0:17:02 | |
It looks amazing. I don't know who is picking me up. Are you there? | 0:17:02 | 0:17:06 | |
Where are you? | 0:17:09 | 0:17:10 | |
CHEERING That one. OK. | 0:17:10 | 0:17:14 | |
So, as you can see, there are many cameras in here | 0:17:14 | 0:17:17 | |
to cover the moment. | 0:17:17 | 0:17:19 | |
It says CCTV. Can you...? Can you see where it says CCTV? | 0:17:19 | 0:17:24 | |
I wholly imagine that he will suddenly think | 0:17:24 | 0:17:27 | |
there's been an enormous level of theft of loo rolls | 0:17:27 | 0:17:31 | |
and cloths and towels. | 0:17:31 | 0:17:36 | |
The theatre have just... They've had a clamp-down, you know? | 0:17:36 | 0:17:40 | |
So that, hopefully, will explain the situation. | 0:17:40 | 0:17:42 | |
OK, so he will come in here and he will pick up this box, | 0:17:42 | 0:17:44 | |
which is quite heavy, and he is going to turn around | 0:17:44 | 0:17:47 | |
and then all of this is going to collapse, | 0:17:47 | 0:17:49 | |
these are going to collapse, | 0:17:49 | 0:17:50 | |
and he is going to have this huge, amazing moment. | 0:17:50 | 0:17:53 | |
All right, I will come back out and see you, | 0:17:53 | 0:17:54 | |
and then we will bring Shannon up. OK? All right. | 0:17:54 | 0:17:58 | |
We don't know how he is going to react, so I will take one of these. | 0:17:58 | 0:18:01 | |
All right, so I will just come out here. | 0:18:06 | 0:18:09 | |
We will do this. | 0:18:09 | 0:18:11 | |
I don't think a really need this, unless you need this, Parisa. OK. | 0:18:11 | 0:18:16 | |
Let's do it. Let's bring him up, let's bring him up. | 0:18:16 | 0:18:19 | |
Hello, fellas. I've got a couple of big boxes upstairs. | 0:18:19 | 0:18:22 | |
Can I grab someone strong to give me a hand? | 0:18:22 | 0:18:25 | |
-Yeah. -It's the same stuff again, just stuff we can bring down here. | 0:18:25 | 0:18:28 | |
-Yeah, that's fine. -Is that all right, do you mind? | 0:18:28 | 0:18:30 | |
Yeah, that's OK, don't worry about it. | 0:18:30 | 0:18:32 | |
Thanks, mate. | 0:18:32 | 0:18:33 | |
I reckon you'll be here probably one more hour, | 0:18:33 | 0:18:35 | |
maybe two hours, if that's all right. | 0:18:35 | 0:18:38 | |
Actually, cos you're the stronger man of the two, | 0:18:40 | 0:18:42 | |
just in there, in the shelf there's a big box that says "Fragile". | 0:18:42 | 0:18:46 | |
If you grab that one, I'll grab the other one and meet you down here. | 0:18:46 | 0:18:48 | |
-All right, just here, yeah? -Yeah, in that storeroom. | 0:18:48 | 0:18:51 | |
CHEERING AND APPLAUSE | 0:19:08 | 0:19:11 | |
Shannon! | 0:19:23 | 0:19:26 | |
Let me take that from you, Shannon. It's OK. | 0:19:29 | 0:19:34 | |
Welcome, Shannon. How are you? | 0:19:34 | 0:19:37 | |
It's Shannon, ladies and gentlemen, our Unexpected Star of the show. | 0:19:37 | 0:19:42 | |
Handyman Shannon! | 0:19:42 | 0:19:44 | |
Come and join me on the stage. | 0:19:44 | 0:19:47 | |
CHEERING | 0:19:51 | 0:19:53 | |
How are you feeling, Shannon? | 0:19:56 | 0:19:57 | |
I want to cry. | 0:19:57 | 0:20:00 | |
You can see out there is your friends. | 0:20:00 | 0:20:03 | |
I can tell you that Adam is also in on this. | 0:20:03 | 0:20:06 | |
There he is. Give us a wave, Adam. | 0:20:06 | 0:20:08 | |
CHEERING | 0:20:08 | 0:20:11 | |
Shannon, you may have sensed that this is not a real job | 0:20:13 | 0:20:16 | |
and if it is, you have made a mess of it. | 0:20:16 | 0:20:19 | |
Erm, Shannon, you are here on my show to hopefully be something | 0:20:22 | 0:20:26 | |
that we're calling the Unexpected Star of the show. | 0:20:26 | 0:20:30 | |
CHEERING AND APPLAUSE | 0:20:30 | 0:20:32 | |
So let me explain what's happening. | 0:20:34 | 0:20:37 | |
You are here to do a removals job, is that right? | 0:20:37 | 0:20:41 | |
-Mm. -How's that been going? | 0:20:41 | 0:20:43 | |
It was swell. | 0:20:43 | 0:20:44 | |
And we were actually watching you do a little bit of the removals. | 0:20:45 | 0:20:49 | |
There was boa that you took out that you started to, sort of, flutter. | 0:20:49 | 0:20:56 | |
Yeah, I like dressing up and stuff. | 0:20:56 | 0:21:00 | |
So you're a bit of a performer, aren't you, Shannon? | 0:21:00 | 0:21:04 | |
I like to sing, yeah. | 0:21:04 | 0:21:06 | |
-You enjoy singing. -Yeah. | 0:21:06 | 0:21:08 | |
So you have been set up by Parisa. There she is, lovely Parisa. | 0:21:08 | 0:21:12 | |
-She knows all about your love of singing and performing, so... -Hmm... | 0:21:18 | 0:21:23 | |
..what the plan is, with your consent, Shannon, | 0:21:23 | 0:21:26 | |
we've actually arranged a performance for you | 0:21:26 | 0:21:30 | |
at the end of the show on this stage for 2,500 people, so... | 0:21:30 | 0:21:36 | |
all I need to do is ask you if you are prepared tonight | 0:21:36 | 0:21:40 | |
to be our Unexpected Star of the show. | 0:21:40 | 0:21:42 | |
-Are you up for it, Shannon? -Yeah. | 0:21:42 | 0:21:44 | |
CHEERING AND APPLAUSE | 0:21:44 | 0:21:46 | |
OK. | 0:21:48 | 0:21:50 | |
At the end of the show, you will be taking part | 0:21:53 | 0:21:55 | |
in a huge musical spectacular performance | 0:21:55 | 0:21:59 | |
on this West End stage for everybody. | 0:21:59 | 0:22:02 | |
So, until we see him at the end of the show, | 0:22:02 | 0:22:04 | |
let's hear it for our Unexpected Star of the show, | 0:22:04 | 0:22:07 | |
Shannon! Amazing. | 0:22:07 | 0:22:10 | |
Off he goes to get ready. Go on, Shannon. | 0:22:11 | 0:22:15 | |
OK, now, ladies and gentlemen, | 0:22:19 | 0:22:21 | |
it is time for my favourite game of them all. | 0:22:21 | 0:22:24 | |
It is, of course, Send To All! | 0:22:24 | 0:22:26 | |
Yes. | 0:22:28 | 0:22:29 | |
So let's see who's in our Royal Send To All box this week. | 0:22:29 | 0:22:35 | |
It's Bruno Tonioli! | 0:22:35 | 0:22:36 | |
Bruno, ciao! | 0:22:36 | 0:22:39 | |
Ciao, bellissimo. | 0:22:39 | 0:22:41 | |
You do look amazing, Bruno. How are you? | 0:22:41 | 0:22:43 | |
I've been very good. | 0:22:43 | 0:22:44 | |
We did a fantastic tour with Strictly Come Dancing. | 0:22:44 | 0:22:47 | |
-All around the country. -Strictly - it's the biggest show on TV, Bruno. | 0:22:47 | 0:22:50 | |
-It's fantastic. -You must be very proud to be a part of that. | 0:22:50 | 0:22:53 | |
-I'm very proud. -We love it. Don't we love Bruno, we love Strictly? | 0:22:53 | 0:22:56 | |
Come on. Bruno is a legend. Bruno is a legend for being here tonight. | 0:22:56 | 0:22:59 | |
Now, Bruno, I just wanted to ask, | 0:22:59 | 0:23:03 | |
you did celebrate quite recently a bit of a milestone birthday. | 0:23:03 | 0:23:07 | |
-Is it OK if you tell us your age? -Yeah, of course. | 0:23:07 | 0:23:09 | |
I'm very proud to be 60. | 0:23:09 | 0:23:11 | |
CHEERING AND APPLAUSE | 0:23:11 | 0:23:13 | |
Bruno, you look absolutely amazing! | 0:23:17 | 0:23:19 | |
I'm still, you know... | 0:23:19 | 0:23:21 | |
What?! | 0:23:21 | 0:23:22 | |
There's no way that was your leg. | 0:23:22 | 0:23:24 | |
MICHAEL LAUGHS | 0:23:24 | 0:23:25 | |
That's absolutely extraordinary. | 0:23:25 | 0:23:27 | |
-OK, now, Bruno. -Yeah. | 0:23:27 | 0:23:28 | |
If you're ready to play Send To All, please can you hand over your phone? | 0:23:28 | 0:23:32 | |
We've got this contraption which will actually... | 0:23:32 | 0:23:36 | |
Have you seen this? | 0:23:36 | 0:23:37 | |
It's a delivery system. | 0:23:37 | 0:23:39 | |
There. | 0:23:39 | 0:23:41 | |
Oh, ladies and gentlemen, big round of applause. | 0:23:41 | 0:23:44 | |
Bruno's phone is no longer in his possession. | 0:23:44 | 0:23:48 | |
All right, brilliant. | 0:23:51 | 0:23:53 | |
Yay! | 0:23:53 | 0:23:54 | |
OK, all right. So, this is Bruno's mobile telephone. | 0:23:54 | 0:23:57 | |
This should hopefully come up... | 0:23:57 | 0:23:59 | |
Ah! CHEERING AND APPLAUSE | 0:24:01 | 0:24:03 | |
-OK. So these are your apps. -Yeah. | 0:24:06 | 0:24:08 | |
-Oh, Bruno... -What? | 0:24:08 | 0:24:09 | |
It's so predictable. | 0:24:09 | 0:24:11 | |
The Mail Online. I never miss a click. | 0:24:11 | 0:24:14 | |
-The walk of shame. -The news in the world. | 0:24:14 | 0:24:16 | |
-Wherever you are in the world... -Kim Kardashian's bottom. | 0:24:16 | 0:24:19 | |
..is there. | 0:24:19 | 0:24:20 | |
The Free Dictionary. This is good. | 0:24:22 | 0:24:24 | |
Do you use this in Strictly under the desk? | 0:24:24 | 0:24:26 | |
"You were...marvellous!" | 0:24:26 | 0:24:28 | |
I have to find a new word. | 0:24:28 | 0:24:31 | |
Brilliant! | 0:24:31 | 0:24:32 | |
OK. So this is... | 0:24:34 | 0:24:35 | |
-What is that? -These are your pictures. What have we got here? | 0:24:36 | 0:24:39 | |
Oh, that is... | 0:24:39 | 0:24:40 | |
LAUGHTER | 0:24:40 | 0:24:41 | |
CHEERING | 0:24:45 | 0:24:48 | |
What have you done?! | 0:24:52 | 0:24:54 | |
Well, I'm on holiday. | 0:24:54 | 0:24:55 | |
I'm just taking to the sea, look at me. | 0:24:55 | 0:24:58 | |
Ooh! | 0:24:58 | 0:24:59 | |
Artistic, ladies and gentlemen. | 0:24:59 | 0:25:02 | |
Old time. You know, this is old time classic, black and white. | 0:25:02 | 0:25:07 | |
Are you with someone here or did you set the timer? | 0:25:07 | 0:25:10 | |
-No, somebody took that picture, actually. -OK. | 0:25:10 | 0:25:13 | |
Oh, my God! Bruno! | 0:25:13 | 0:25:15 | |
-I can't believe... -Naked, again. | 0:25:15 | 0:25:18 | |
Who is that person? | 0:25:19 | 0:25:21 | |
Elaine Paige. A legend. | 0:25:21 | 0:25:23 | |
What is she doing with her hand? | 0:25:23 | 0:25:25 | |
I think it's time to write this text. | 0:25:28 | 0:25:30 | |
Let's get straight into the text. | 0:25:30 | 0:25:32 | |
I have a huge... | 0:25:32 | 0:25:37 | |
Yeah. | 0:25:37 | 0:25:38 | |
-..secret. -Oh, God. | 0:25:41 | 0:25:44 | |
..to tell you. As you know I just turned... | 0:25:44 | 0:25:50 | |
60. | 0:25:50 | 0:25:53 | |
The reason I look so fabulous for my age | 0:25:53 | 0:26:01 | |
is I am actually 47. | 0:26:01 | 0:26:06 | |
I lied. | 0:26:10 | 0:26:12 | |
Please tell me we can still be friends... | 0:26:14 | 0:26:21 | |
Oh, God! | 0:26:21 | 0:26:23 | |
It's so... My God! It's so... | 0:26:24 | 0:26:26 | |
..when this story breaks in | 0:26:26 | 0:26:32 | |
the Daily Mail tomorrow? | 0:26:32 | 0:26:36 | |
OK, so let's just go through this text. | 0:26:41 | 0:26:43 | |
Which is in huge writing, by the way. | 0:26:43 | 0:26:46 | |
You certainly text as if you're 60. | 0:26:46 | 0:26:49 | |
LAUGHTER AND APPLAUSE | 0:26:52 | 0:26:54 | |
"Let me get my glasses." | 0:26:54 | 0:26:56 | |
I have a huge secret to tell you. | 0:26:58 | 0:27:01 | |
As you know I just turned 60. | 0:27:01 | 0:27:04 | |
The reason I look so fabulous for my age is I am actually 47. | 0:27:04 | 0:27:09 | |
I lied. | 0:27:09 | 0:27:11 | |
Please tell me we can still be friends | 0:27:11 | 0:27:13 | |
when the story breaks in the Daily Mail tomorrow? | 0:27:13 | 0:27:16 | |
Well, all that remains for me to do is press that. | 0:27:18 | 0:27:21 | |
That's gone, ladies and gentlemen. That text has gone. | 0:27:21 | 0:27:24 | |
And a huge hand for Bruno. | 0:27:26 | 0:27:28 | |
I love Bruno. | 0:27:28 | 0:27:30 | |
Thank you, darling. | 0:27:32 | 0:27:34 | |
Ladies and gentlemen, | 0:27:36 | 0:27:37 | |
my next guest is a comedian at the very top of his game. | 0:27:37 | 0:27:40 | |
And it gives me great pleasure to have him on the show tonight. | 0:27:40 | 0:27:42 | |
I love this guy. You're going to love him. | 0:27:42 | 0:27:44 | |
It's the hilarious Mr Rob Beckett. Come on, Becksy! | 0:27:44 | 0:27:48 | |
APPLAUSE | 0:27:48 | 0:27:50 | |
Hello. | 0:27:53 | 0:27:54 | |
APPLAUSE | 0:27:54 | 0:27:56 | |
Thanks. | 0:27:56 | 0:27:57 | |
Goodnight! Thanks! | 0:27:58 | 0:28:01 | |
Oh, thank you very much. It's exciting, isn't it? | 0:28:01 | 0:28:03 | |
I've had a big year. Got married. | 0:28:03 | 0:28:05 | |
CHEERING | 0:28:05 | 0:28:07 | |
And I live with her. | 0:28:07 | 0:28:08 | |
CHEERING | 0:28:08 | 0:28:10 | |
Got to put a shift in early doors, ain't you? | 0:28:10 | 0:28:13 | |
No. A lot of responsibilities in the house. I'm head of recycling. | 0:28:13 | 0:28:16 | |
Yeah, big job for a big dog. | 0:28:18 | 0:28:20 | |
I'm not very good at it, though. | 0:28:21 | 0:28:23 | |
You know you're suppose to wash out all the jars | 0:28:23 | 0:28:25 | |
and pots then put them in the recycling? | 0:28:25 | 0:28:27 | |
I don't wash them out. And then I just put them in the normal bin. | 0:28:27 | 0:28:32 | |
And I know that's wrong, | 0:28:32 | 0:28:33 | |
but knowing it's wrong is the first step to getting it right, isn't it? | 0:28:33 | 0:28:36 | |
And also, at Canary Wharf, | 0:28:36 | 0:28:38 | |
they have their lights on 24 hours a day, seven days a week. | 0:28:38 | 0:28:41 | |
That's a bigger problem, isn't it? | 0:28:41 | 0:28:42 | |
I don't think the issue is my three Yazoos a week. | 0:28:42 | 0:28:45 | |
I can't do anything in the house. I'm useless at DIY. | 0:28:47 | 0:28:49 | |
I have to get me dad's mate round, he loves it. | 0:28:49 | 0:28:51 | |
One of those geezers who knows all the words. I don't know any. | 0:28:51 | 0:28:54 | |
He bangs on all the walls. | 0:28:54 | 0:28:55 | |
You know when they bang on all the walls, giving it... | 0:28:55 | 0:28:58 | |
Oh, that's a curtain, that. That is... | 0:28:58 | 0:29:00 | |
LAUGHTER | 0:29:00 | 0:29:02 | |
I'm not normally that bad at DIY. | 0:29:03 | 0:29:05 | |
"What you got behind there? Window. Classic." | 0:29:07 | 0:29:10 | |
I'm rubbish. He bangs on the walls going, | 0:29:11 | 0:29:14 | |
"Stud wall. Is that a stud wall?" | 0:29:14 | 0:29:16 | |
"I've got no idea what that means, mate." | 0:29:16 | 0:29:19 | |
"STUD WALL!" "Yeah, the volume weren't a problem. | 0:29:19 | 0:29:21 | |
"I can hear you, that's not the issue here." | 0:29:23 | 0:29:25 | |
"Stud wall. Is it a stud wall?" | 0:29:25 | 0:29:27 | |
"Stop keep saying it, I don't know what it means." | 0:29:27 | 0:29:29 | |
What do you mean a stud wall? It goes out with all the other walls? | 0:29:29 | 0:29:34 | |
Has he got a motorbike? Goes out with a cheerleader? | 0:29:34 | 0:29:37 | |
I'm very lucky to be married. | 0:29:39 | 0:29:41 | |
Let's be honest, I'm an odd-looking fella, aren't I? | 0:29:41 | 0:29:43 | |
I'm an acquired taste. Like Marmite or an oyster. | 0:29:43 | 0:29:48 | |
I don't know who made me, but I think they were taking the mick. | 0:29:49 | 0:29:53 | |
Must have been 4:45 on a Friday. | 0:29:53 | 0:29:55 | |
"Let's knock one more human out while we're here. | 0:29:55 | 0:29:57 | |
"What we got leftover?" | 0:29:57 | 0:29:59 | |
"Teeth for 11 people." | 0:30:00 | 0:30:03 | |
"Let's start there, work backwards, shall we? | 0:30:09 | 0:30:12 | |
"How's he looking?" "Hungry." | 0:30:12 | 0:30:14 | |
"Got a problem - he keeps falling over. | 0:30:16 | 0:30:18 | |
"He's too top heavy with the teeth. He keeps going." | 0:30:18 | 0:30:21 | |
"Hm, have you made him as wide as he is tall?" "Yes." | 0:30:21 | 0:30:25 | |
"Still keeps falling over. | 0:30:27 | 0:30:29 | |
"Oh. I'll tell you what, don't give him a neck." | 0:30:29 | 0:30:31 | |
And they didn't! | 0:30:31 | 0:30:33 | |
Who needs a neck, mate? Not me. | 0:30:34 | 0:30:36 | |
I can see you. Don't worry about that. | 0:30:37 | 0:30:39 | |
I'm head of holidays, another one of me jobs. | 0:30:41 | 0:30:45 | |
Went Iceland, got a deal. | 0:30:46 | 0:30:48 | |
Strangely cheap. | 0:30:48 | 0:30:50 | |
Almost like there was a catch. | 0:30:50 | 0:30:52 | |
And there was a catch. | 0:30:53 | 0:30:55 | |
Got to Iceland in December, four hours of sunlight per day. | 0:30:55 | 0:30:58 | |
Sun comes up at 11, goes by three. It's like a council worker. | 0:31:00 | 0:31:03 | |
Four hours! I couldn't chill out. | 0:31:11 | 0:31:13 | |
It's like being trapped in The Crystal Maze. It's stressful. | 0:31:13 | 0:31:16 | |
No, I was watching telly. Titanic come on, I got into that. | 0:31:16 | 0:31:19 | |
I missed Thursday. | 0:31:19 | 0:31:21 | |
Oh, it was freezing, -15, snow up to my knees, | 0:31:24 | 0:31:27 | |
I'm wading through it in my Reebok Classics. | 0:31:27 | 0:31:30 | |
Soaking wet feet, I don't get it. | 0:31:30 | 0:31:32 | |
They're leather upper, what's happening? | 0:31:32 | 0:31:34 | |
I went to a bar to get a drink. Barman's looking up. | 0:31:36 | 0:31:39 | |
Went, "What you doing here?" I went, "I want a drink, mate." | 0:31:39 | 0:31:41 | |
He went, "This is the worst snowstorm we've had for 60 years. | 0:31:41 | 0:31:44 | |
"Divvy over here has been wading through it. | 0:31:44 | 0:31:47 | |
"Wandering about, going, 'How do they live like this?' " | 0:31:49 | 0:31:51 | |
They don't, they go home. | 0:31:51 | 0:31:53 | |
Also went Dubai last year. | 0:31:56 | 0:31:58 | |
AUDIENCE: Oooh! | 0:31:58 | 0:31:59 | |
It is a bit, isn't it? Expensive - Dubai. | 0:31:59 | 0:32:01 | |
Not for me though, got a deal, didn't it? | 0:32:01 | 0:32:04 | |
Second and last holiday I was allowed to book. | 0:32:04 | 0:32:07 | |
Oh, it was cheap, mate, very cheap, strangely cheap. | 0:32:07 | 0:32:11 | |
Almost like there was a catch. | 0:32:11 | 0:32:13 | |
I don't know if you've been to Dubai in June. | 0:32:14 | 0:32:17 | |
Don't take a coat. | 0:32:20 | 0:32:22 | |
Get off the plane. It is 45 degrees and Ramadan. | 0:32:25 | 0:32:27 | |
I have never been so hot and thirsty in all my life. | 0:32:30 | 0:32:33 | |
45! I slow cook pork on 45! | 0:32:33 | 0:32:36 | |
I'm laying in it. | 0:32:39 | 0:32:41 | |
She's like, "What we doing for dinner? | 0:32:43 | 0:32:45 | |
"My left shoulder, by the looks of things." | 0:32:45 | 0:32:48 | |
Now I'm married I have to spend more time with the in-laws. | 0:32:48 | 0:32:50 | |
That's something you have to do, isn't it? | 0:32:50 | 0:32:52 | |
Spend time with the in-laws. | 0:32:52 | 0:32:53 | |
They're a bit posh, mine. I had to go ballet. | 0:32:53 | 0:32:55 | |
I went ballet. That was one of the worst nights of my life. | 0:32:55 | 0:32:59 | |
And I've been mugged. | 0:32:59 | 0:33:00 | |
Absolute joke, mate. | 0:33:05 | 0:33:06 | |
Nothing's happening in it, no talking, nothing, | 0:33:06 | 0:33:08 | |
just dancing, that's it. | 0:33:08 | 0:33:10 | |
The funniest thing I've ever heard in my life. It was so posh. | 0:33:10 | 0:33:13 | |
Two older ladies behind me chatting. | 0:33:13 | 0:33:15 | |
One says to the other, | 0:33:15 | 0:33:16 | |
"I think I'm going to get Giles a truffle cutter." | 0:33:16 | 0:33:19 | |
"Giles a truffle cutter." | 0:33:22 | 0:33:26 | |
I don't know where you get either of those things. | 0:33:26 | 0:33:28 | |
A Giles or a truffle cutter. | 0:33:28 | 0:33:31 | |
How small does he want his chocolates? | 0:33:31 | 0:33:33 | |
I don't even know where it is in the Argos catalogue to cut it out. | 0:33:40 | 0:33:43 | |
He must have a great life if all he needs is a truffle cutter. | 0:33:46 | 0:33:49 | |
He's probably not happy, is he? He's like us. | 0:33:49 | 0:33:51 | |
You think you've got it, but he always wants a little bit more, | 0:33:51 | 0:33:54 | |
he's probably at home furious like, "Seriously, guys! | 0:33:54 | 0:33:57 | |
"Where is my truffle cutter? | 0:33:58 | 0:34:00 | |
"Where is it? | 0:34:02 | 0:34:04 | |
"How do you expect me to cut my truffles? | 0:34:04 | 0:34:07 | |
"Scissors?! | 0:34:07 | 0:34:09 | |
"Are you mad, Cynthia?" | 0:34:09 | 0:34:11 | |
Good at posh face, ain't I? | 0:34:15 | 0:34:17 | |
All you need is horse teeth and an angle on it. | 0:34:18 | 0:34:20 | |
If you want to go full posh, though, | 0:34:21 | 0:34:23 | |
you've got to do the hair as well | 0:34:23 | 0:34:25 | |
and it's all there for everyone to see. | 0:34:25 | 0:34:28 | |
"Seriously, guys! | 0:34:28 | 0:34:30 | |
"This is not a joke. | 0:34:35 | 0:34:36 | |
"Where is my truffle cutter? | 0:34:38 | 0:34:40 | |
"Cynthia, answer me this. Have you ever eaten a truffle whole? | 0:34:41 | 0:34:45 | |
"No, because I cut them with my truffle cutter." | 0:34:45 | 0:34:49 | |
I'm Rob Beckett. See you later. | 0:34:49 | 0:34:52 | |
APPLAUSE AND CHEERING. | 0:34:53 | 0:34:56 | |
Rob! Come back here! | 0:34:57 | 0:35:00 | |
Stop! Come back here! | 0:35:00 | 0:35:03 | |
Rob Beckett, ladies and gentlemen. | 0:35:04 | 0:35:06 | |
CHEERING | 0:35:06 | 0:35:07 | |
Come on. That was brilliant. You enjoy that? Hilarious. | 0:35:07 | 0:35:11 | |
Hi, girls. I can't not look at you. What are you doing over there? | 0:35:16 | 0:35:19 | |
We love you, Michael! | 0:35:19 | 0:35:21 | |
This is such a rare event for me. What's that you've got? | 0:35:23 | 0:35:27 | |
Is that chalk or something? | 0:35:27 | 0:35:29 | |
It's so that you can rub it off | 0:35:29 | 0:35:30 | |
and love somebody else at any moment? | 0:35:30 | 0:35:32 | |
It feels loving but a little bit threatening. | 0:35:32 | 0:35:35 | |
It's a bit like, "We love you for now, | 0:35:35 | 0:35:37 | |
"OK, let's not make it permanent." | 0:35:37 | 0:35:39 | |
Why did you go for this outfit? | 0:35:39 | 0:35:40 | |
-We're superheroes. -We're superheroes. | 0:35:40 | 0:35:44 | |
OK, what's your superpower? | 0:35:44 | 0:35:46 | |
-To speak silly. -To speak silly. | 0:35:48 | 0:35:50 | |
Round of applause for the silly girls. I don't care. I don't care. | 0:35:50 | 0:35:53 | |
They love me. They love me! | 0:35:53 | 0:35:56 | |
Ladies and gentleman, what fun we're having here tonight. | 0:35:58 | 0:36:01 | |
I can tell you that Shannon has been rehearsing like mad backstage | 0:36:01 | 0:36:05 | |
for his big musical theatre spectacular. There he is. | 0:36:05 | 0:36:09 | |
There's Shannon getting stuck in. | 0:36:09 | 0:36:11 | |
Aren't we looking forward to his performance tonight | 0:36:11 | 0:36:13 | |
as our Unexpected Star of the show? | 0:36:13 | 0:36:15 | |
OK. | 0:36:17 | 0:36:19 | |
So, my next guests are a band whose debut album went straight to No.1 | 0:36:19 | 0:36:23 | |
last year. This year they were nominated for four Brit awards. | 0:36:23 | 0:36:27 | |
What a treat to have them here tonight. It's Years & Years! | 0:36:27 | 0:36:31 | |
CHEERING | 0:36:31 | 0:36:32 | |
# Oh-oh-oh! Oh-oh-oh! Oh-oh-oh! | 0:36:36 | 0:36:42 | |
# Oh-oh-oh! Oh-oh-oh! Oh-oh-oh! | 0:36:42 | 0:36:49 | |
# Oh, I must be tough | 0:36:51 | 0:36:54 | |
# I must behave | 0:36:54 | 0:36:55 | |
# I must keep fighting | 0:36:55 | 0:36:58 | |
# Don't give it up | 0:36:59 | 0:37:01 | |
# I want to keep us compromising | 0:37:01 | 0:37:05 | |
# Now open your arms and pray | 0:37:06 | 0:37:10 | |
# To the truth that you're denying | 0:37:10 | 0:37:14 | |
# And give in to the game | 0:37:14 | 0:37:17 | |
# To the sense that you've been hiding | 0:37:17 | 0:37:21 | |
# Now where are you taking me? | 0:37:21 | 0:37:23 | |
# I can't be blamed | 0:37:23 | 0:37:25 | |
# I want you to want me again | 0:37:25 | 0:37:28 | |
# Is it desire | 0:37:30 | 0:37:34 | |
# Or is it love that I'm feeling for you? | 0:37:34 | 0:37:37 | |
# I want desire | 0:37:37 | 0:37:41 | |
# Cos your love only gets me abused | 0:37:41 | 0:37:45 | |
# Oh-oh-oh! Oh-oh-oh! | 0:37:45 | 0:37:52 | |
# Jinxing that rush | 0:37:54 | 0:37:56 | |
# I need to show what you've been missing | 0:37:56 | 0:38:01 | |
# Give me your touch | 0:38:02 | 0:38:04 | |
# I hope your love is not forbidden | 0:38:04 | 0:38:09 | |
# Now wherever you're taking me | 0:38:09 | 0:38:11 | |
# I can't be blamed | 0:38:11 | 0:38:12 | |
# I want you to want me again | 0:38:12 | 0:38:16 | |
# Is it desire | 0:38:16 | 0:38:19 | |
# Or is it love that I'm feeling for you? | 0:38:19 | 0:38:23 | |
# I want desire | 0:38:23 | 0:38:27 | |
# Cos your love only gets me abused | 0:38:27 | 0:38:31 | |
# Is it desire | 0:38:31 | 0:38:34 | |
# Or is it love that I'm feeling for you? | 0:38:34 | 0:38:39 | |
# I want desire | 0:38:39 | 0:38:42 | |
# I wanna see what you're willing to lose | 0:38:42 | 0:38:46 | |
# Taking, pretending you're nothing but giving | 0:38:48 | 0:38:50 | |
# Making me lose my cool | 0:38:50 | 0:38:54 | |
# Faking my love game | 0:38:54 | 0:38:56 | |
# Baby, we're the same | 0:38:56 | 0:38:58 | |
# Heart turned from good to cruel | 0:38:58 | 0:39:02 | |
# You know that you've got me | 0:39:02 | 0:39:04 | |
# You've locked me down | 0:39:04 | 0:39:06 | |
# You tell me you want me | 0:39:06 | 0:39:08 | |
# Is it desire | 0:39:09 | 0:39:13 | |
# Or is it love that I'm feeling for you? | 0:39:13 | 0:39:17 | |
# I want desire | 0:39:17 | 0:39:21 | |
# Cos your love only gets me abused | 0:39:21 | 0:39:24 | |
# Is it desire | 0:39:24 | 0:39:28 | |
# Or is it love that I'm feeling for you? | 0:39:28 | 0:39:32 | |
# I want desire | 0:39:32 | 0:39:34 | |
# I wanna see what you're willing to lose | 0:39:34 | 0:39:39 | |
# What you're willing to lose | 0:39:39 | 0:39:41 | |
# Oh-oh-oh! Oh-oh-oh! | 0:39:41 | 0:39:45 | |
# What you're willing to lose | 0:39:45 | 0:39:46 | |
# Oh-oh-oh! Oh-oh-oh! | 0:39:46 | 0:39:48 | |
# What you're willing to lose | 0:39:48 | 0:39:51 | |
# Desire | 0:39:51 | 0:39:52 | |
# Oh-oh-oh! Oh-oh-oh! # | 0:39:52 | 0:39:56 | |
CHEERING | 0:39:56 | 0:39:58 | |
Years & Years, ladies and gentlemen! They're the boys! | 0:40:03 | 0:40:07 | |
They're the boys! Hello, nice to meet you. Michael. | 0:40:07 | 0:40:11 | |
Hello. Well done. Yay! | 0:40:11 | 0:40:12 | |
-Oh, that was fantastic! Did you enjoy that? -Yes. -Oh, that was cool. | 0:40:12 | 0:40:16 | |
We've got a very unfair audience. | 0:40:16 | 0:40:18 | |
Wasn't that fantastic? Sensational? | 0:40:18 | 0:40:20 | |
CHEERING | 0:40:20 | 0:40:21 | |
Years & Years! I love that outfit. | 0:40:21 | 0:40:23 | |
They're from the future, ladies and gentlemen. | 0:40:23 | 0:40:26 | |
Yeah! | 0:40:28 | 0:40:29 | |
# Is it desire? # | 0:40:29 | 0:40:32 | |
OK, earlier tonight, Bruno Tonioli agreed to hand over his phone | 0:40:35 | 0:40:40 | |
to me and I sent a text message to his contacts, so the text was... | 0:40:40 | 0:40:44 | |
-Well, Bruno, there have been some replies. -Oh, God. | 0:41:00 | 0:41:03 | |
Well, let's just go through them one by one. | 0:41:03 | 0:41:06 | |
Erm, Carol Hayes. Who's that? | 0:41:06 | 0:41:09 | |
Carol Hayes is an agent, a friend of mine, | 0:41:09 | 0:41:11 | |
and she knew me from the days | 0:41:11 | 0:41:13 | |
when I used to dance at a dance centre in Covent Garden. | 0:41:13 | 0:41:18 | |
She used to be the receptionist at the dance centre | 0:41:18 | 0:41:20 | |
and then she made a career for herself. | 0:41:20 | 0:41:22 | |
-And that's when she knew you? -Yeah. | 0:41:22 | 0:41:24 | |
She's just come with, "Who is this, please?" | 0:41:24 | 0:41:27 | |
-Hills. Who's Hills? -Oh, Hilary Shaw is a music business manager. | 0:41:30 | 0:41:36 | |
Right, well, she's very, very concerned. | 0:41:36 | 0:41:38 | |
"Bruno, I just received a text from you. I'm really confused. | 0:41:38 | 0:41:42 | |
"Is it really from you? Call me now. I'm home all evening." | 0:41:42 | 0:41:45 | |
She used to deal... She used to deal with pop stars, so, you know, panic. | 0:41:47 | 0:41:52 | |
-Yes. -We have to send her a text immediately. | 0:41:52 | 0:41:55 | |
Will send her text immediately. | 0:41:55 | 0:41:56 | |
-ITALIAN ACCENT: "I'm on my way over." -Oh! | 0:41:56 | 0:41:58 | |
OK, here's Gary Lineker. | 0:42:01 | 0:42:03 | |
CHEERING | 0:42:04 | 0:42:06 | |
Quite simple and to the point. "Ha-ha, daft idiot." | 0:42:06 | 0:42:09 | |
-That's my Gary. -Erm, oh, my God, you've got so many famous friends! | 0:42:13 | 0:42:17 | |
-Julien Macdonald, the fashion designer. -Oh, yeah, yeah, yeah. | 0:42:17 | 0:42:20 | |
OK. "LOL, I only thought you were a fabulous 40. | 0:42:20 | 0:42:23 | |
"Whatever the age, you look fabulous, darling." | 0:42:23 | 0:42:25 | |
-Two kisses, three biceps and one heart. -Oh. -Oh, Julien. -Nice Julien. | 0:42:25 | 0:42:32 | |
-Oh-h! -40! -Everyone loves you! | 0:42:32 | 0:42:35 | |
Kelly Hoppen. Dragon, Kelly Hoppen! | 0:42:35 | 0:42:38 | |
-She's not a dragon, she's a nice woman. -OK, you're right. | 0:42:38 | 0:42:42 | |
-She's not a dragon. -"Darling, I could not care how old you are. | 0:42:42 | 0:42:45 | |
"We love you, no matter what. Just ignore the press." | 0:42:45 | 0:42:48 | |
She is so brilliant. | 0:42:52 | 0:42:55 | |
-I'm going to text her back. -No. | 0:42:55 | 0:42:56 | |
ITALIAN ACCENT: "Also, my name isn't Bruno." | 0:42:56 | 0:42:59 | |
-You're going to... -LAUGHTER | 0:42:59 | 0:43:01 | |
You're going to get me into so much trouble. | 0:43:01 | 0:43:04 | |
-Oh, Gary Kemp. Gary Kemp. -Oh, Spandau Ballet. | 0:43:04 | 0:43:08 | |
-He's on to it, no-one gets past Kempy. -No. | 0:43:08 | 0:43:11 | |
"This is a joke, Bruno, surely?" Sad face. | 0:43:11 | 0:43:14 | |
I don't know why he said sad face, but anyway. He's... | 0:43:15 | 0:43:18 | |
-Kemp can't cope with it. -He's very smart. | 0:43:18 | 0:43:20 | |
He's pacing, "This must be a joke, this must be a joke. | 0:43:20 | 0:43:23 | |
"Which emoji shall I send? | 0:43:23 | 0:43:24 | |
"I'm going to send a sad face and see what happens." | 0:43:24 | 0:43:27 | |
-No, I think I actually might get back to him with... -No, no, don't. | 0:43:29 | 0:43:32 | |
-Just in none word, it's got to be... -No. -"True." | 0:43:32 | 0:43:35 | |
No, no. | 0:43:35 | 0:43:37 | |
Oh, no. | 0:43:40 | 0:43:41 | |
I think the bottom line here is exactly what I suspected, | 0:43:43 | 0:43:46 | |
Bruno, you're incredibly well loved by all these people | 0:43:46 | 0:43:49 | |
who also fully expected you to be lying. | 0:43:49 | 0:43:51 | |
Ladies and gentlemen, the wonderful, the fantastic, Bruno Tonioli! | 0:43:53 | 0:43:57 | |
Amazing! What a fantastic sport. | 0:43:59 | 0:44:02 | |
OK, ladies and gentlemen, the wait is over. | 0:44:02 | 0:44:06 | |
It is time for the performance of tonight's | 0:44:06 | 0:44:09 | |
Unexpected Star of the show! | 0:44:09 | 0:44:11 | |
Earlier tonight, | 0:44:14 | 0:44:15 | |
a handyman named Shannon came to do a removals job at the theatre | 0:44:15 | 0:44:18 | |
but he was really here so we could help him | 0:44:18 | 0:44:21 | |
fulfil his dream of performing on a West End stage. | 0:44:21 | 0:44:24 | |
And I will now introduce him. | 0:44:25 | 0:44:27 | |
Ladies and gentlemen, | 0:44:30 | 0:44:31 | |
my next guest is a singer who always delivers the goods. | 0:44:31 | 0:44:35 | |
Like the contents of his van, prepare to be moved. | 0:44:37 | 0:44:41 | |
Please give him cash in hand... sorry, a big hand, | 0:44:45 | 0:44:47 | |
singing Beauty School Dropout from the musical Grease, | 0:44:47 | 0:44:51 | |
it's our handyman, Shannon Taiwo! | 0:44:51 | 0:44:54 | |
CHEERING | 0:44:54 | 0:44:55 | |
# Your story sad to tell | 0:45:07 | 0:45:09 | |
# A teenage ne'er-do-well | 0:45:09 | 0:45:13 | |
# Most mixed up non-delinquent on the block | 0:45:13 | 0:45:21 | |
# Your future's so unclear now | 0:45:21 | 0:45:26 | |
# What's left of your career now? | 0:45:26 | 0:45:30 | |
# Can't even get a trade-in | 0:45:30 | 0:45:34 | |
# On your smock | 0:45:34 | 0:45:39 | |
# Da-dum-da-dum-da-dum! | 0:45:42 | 0:45:48 | |
# Beauty school dropout | 0:45:48 | 0:45:51 | |
# No graduation day for you | 0:45:51 | 0:45:54 | |
# Beauty school dropout | 0:45:54 | 0:45:57 | |
# Missed your midterms and flunked shampoo | 0:45:57 | 0:46:01 | |
# Well, at least you could have taken time | 0:46:01 | 0:46:04 | |
# To wash and clean your clothes up | 0:46:04 | 0:46:07 | |
# After spending all that dough | 0:46:07 | 0:46:10 | |
# To have the doctor fix your nose up | 0:46:10 | 0:46:13 | |
# Baby, don't sweat it Don't sweat it | 0:46:13 | 0:46:16 | |
# You're not cut out to hold a job | 0:46:16 | 0:46:20 | |
-# Better forget it -Forget it | 0:46:20 | 0:46:23 | |
# Who wants their hair done by a slob? | 0:46:23 | 0:46:26 | |
# Well, your bangs are curled your lashes whirled | 0:46:26 | 0:46:29 | |
# But still the world is cruel | 0:46:29 | 0:46:32 | |
# Wipe off that angel face and go back to high school! | 0:46:32 | 0:46:38 | |
# Baby, don't blow it | 0:46:39 | 0:46:41 | |
# Don't put my good advice to shame | 0:46:42 | 0:46:46 | |
# Baby, you know it | 0:46:46 | 0:46:48 | |
# Even dear Abby'd say the same! | 0:46:48 | 0:46:52 | |
# Well, I've called the shot, get off the pot | 0:46:52 | 0:46:55 | |
# I've really gotta fly! | 0:46:55 | 0:47:00 | |
# Gotta be going to that malt shop | 0:47:02 | 0:47:08 | |
# In the sky! # | 0:47:08 | 0:47:15 | |
CHEERING | 0:47:15 | 0:47:16 | |
-# Beauty school dropout -Beauty school dropout | 0:47:18 | 0:47:21 | |
# Go back to high school | 0:47:21 | 0:47:23 | |
-# Beauty school dropout -Beauty school dropout. # | 0:47:25 | 0:47:30 | |
CHEERING | 0:47:30 | 0:47:31 | |
Ladies and gentlemen, it's Shannon, the handyman! | 0:47:46 | 0:47:50 | |
Shannon, well done. | 0:47:53 | 0:47:55 | |
-Thanks very much. -Yeah, it was amazing. | 0:47:57 | 0:47:59 | |
Oh, what about that, ladies and gentlemen? | 0:47:59 | 0:48:02 | |
Oh! Has this day gone better than you imagined | 0:48:05 | 0:48:08 | |
when you came to the theatre tonight? | 0:48:08 | 0:48:10 | |
Oh, yeah. | 0:48:10 | 0:48:11 | |
Shannon! | 0:48:13 | 0:48:15 | |
Don't rub out my name and replace it with Shannon! | 0:48:16 | 0:48:19 | |
You're so fickle! | 0:48:21 | 0:48:23 | |
-OK, how are you feeling right now? -Amazing. Yeah, on top of the world. | 0:48:26 | 0:48:29 | |
Well, I have to say you've performed fantastically. You were supercool. | 0:48:29 | 0:48:33 | |
Ladies and gentlemen, it's tonight's Unexpected Star of the show, | 0:48:33 | 0:48:37 | |
Shannon Taiwo! | 0:48:37 | 0:48:40 | |
Yay, thank you so much. Brilliant. Amazing. What about that? | 0:48:41 | 0:48:45 | |
He did fantastically. | 0:48:45 | 0:48:46 | |
It's Eurovision next week, ladies and gentlemen, | 0:48:46 | 0:48:50 | |
so we'll be back in two weeks' time where someone else | 0:48:50 | 0:48:53 | |
will be getting the shock of their life | 0:48:53 | 0:48:55 | |
and become the Unexpected Star of the show, | 0:48:55 | 0:48:57 | |
another celebrity will be playing Send To All | 0:48:57 | 0:48:59 | |
and more unmissable star performances and audience fun. | 0:48:59 | 0:49:02 | |
See you then. Good night! Bravo! | 0:49:02 | 0:49:04 | |
If you know somebody who you'd like to nominate to be | 0:49:06 | 0:49:09 | |
an Unexpected Star of the show for the next series... | 0:49:09 | 0:49:11 | |
'..or in fact want to nominate someone for any surprise...' | 0:49:14 | 0:49:18 | |
We can now go live to your house. | 0:49:18 | 0:49:20 | |
It's a show home. | 0:49:20 | 0:49:21 | |
..please go to... | 0:49:23 | 0:49:24 | |
..for all the details. | 0:49:26 | 0:49:27 |