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Coming up on tonight's show, The One Show's wonderful Alex Jones | 0:00:10 | 0:00:14 | |
plays Celebrity Send To All. | 0:00:14 | 0:00:16 | |
The heavenly All Saints are back | 0:00:16 | 0:00:18 | |
and who will be our unexpected star of the show? | 0:00:18 | 0:00:23 | |
Ladies and gentlemen, it's The Big Show! | 0:00:26 | 0:00:31 | |
Please welcome your host, Michael McIntyre! | 0:00:31 | 0:00:35 | |
IRISH MUSIC PLAYS | 0:00:35 | 0:00:38 | |
Thank you very much! Good evening, ladies and gentlemen, | 0:00:52 | 0:00:56 | |
to my last Big Show of the series! | 0:00:56 | 0:00:58 | |
CHEERING AND APPLAUSE | 0:00:58 | 0:01:01 | |
Oh, we have had some wonderful performances over the past few weeks | 0:01:01 | 0:01:05 | |
and tonight will be no exception. | 0:01:05 | 0:01:08 | |
Plus, of course, another celebrity will be playing Send To All, | 0:01:08 | 0:01:12 | |
my favourite game. Yes, that sounds like fun. | 0:01:12 | 0:01:15 | |
CHEERING | 0:01:15 | 0:01:16 | |
And another member of the public will be getting the biggest surprise | 0:01:16 | 0:01:19 | |
of their life when they become our unexpected star of the show. | 0:01:19 | 0:01:24 | |
CHEERING | 0:01:24 | 0:01:25 | |
I love theatres and there are certain conventions of the theatre. | 0:01:29 | 0:01:32 | |
I love coming in the stage door. I love the wings. | 0:01:32 | 0:01:34 | |
These are called the wings, you go out of the wings, you know? | 0:01:34 | 0:01:37 | |
And also a big part of the theatre is encores at the end | 0:01:37 | 0:01:40 | |
of a show, you know. You always have an encore. I don't know why. | 0:01:40 | 0:01:43 | |
It's built into the show. They ask you, "Will you be doing an encore?" | 0:01:43 | 0:01:46 | |
They assume you hold jokes back. It's not like you do it again, even though it's French for "again". | 0:01:46 | 0:01:50 | |
You don't do it again, you come back and go, "Oh, yes, you love me." It's very awkward. | 0:01:50 | 0:01:53 | |
Even if they don't, you have to because they leave the lights, it's awful. | 0:01:53 | 0:01:57 | |
Anyway, so I just wanted to tell you this story | 0:01:57 | 0:01:59 | |
because I thought it was funny. I was doing this gig last year | 0:01:59 | 0:02:02 | |
in a lovely theatre called The Mayflower, in Southampton. | 0:02:02 | 0:02:05 | |
So I'd finished the show and I went, "Thank you very much." | 0:02:05 | 0:02:07 | |
And what you do at the end of the show is, I bow like this | 0:02:07 | 0:02:10 | |
and then I go off into the wings and then I just wait | 0:02:10 | 0:02:13 | |
behind the curtain here for a few... I count to ten and then they keep | 0:02:13 | 0:02:17 | |
cheering and then I come back and go, "Thank you very much." That's called an encore. | 0:02:17 | 0:02:20 | |
So I did this gig in Southampton where I went off, | 0:02:20 | 0:02:23 | |
but I got my bearings wrong and I didn't go all the way off, | 0:02:23 | 0:02:26 | |
so I did this whole, "Thank you, thank you so much," | 0:02:26 | 0:02:28 | |
and I just stood in the corner of the set. | 0:02:28 | 0:02:31 | |
LAUGHTER Incredibly creepy moment | 0:02:31 | 0:02:34 | |
for the whole audience, | 0:02:34 | 0:02:36 | |
who stopped applauding and I just looked round, realised. | 0:02:36 | 0:02:39 | |
It was like I'd run out of batteries | 0:02:39 | 0:02:41 | |
and then just shuffled in. | 0:02:41 | 0:02:44 | |
So let's hope things are a little bit more professional | 0:02:46 | 0:02:49 | |
than that tonight. | 0:02:49 | 0:02:51 | |
So look, I've got my new suit on, which... Well, I say my new suit, | 0:02:51 | 0:02:54 | |
this was actually tailored, um, to fit me and I... WOLF-WHISTLING | 0:02:54 | 0:02:58 | |
I'm not really breathing out, I'm breathing in. | 0:02:58 | 0:03:01 | |
It's right teetering on the edge. | 0:03:01 | 0:03:05 | |
I wore this suit at the end of last year and, um... Well, I don't know | 0:03:05 | 0:03:09 | |
what's happened to me, there appears to be some kind of bloating since it | 0:03:09 | 0:03:12 | |
was...it was measured. | 0:03:12 | 0:03:13 | |
Um, and I did a gig and I came out at the beginning of the show | 0:03:13 | 0:03:16 | |
and I raised my hands, like you do, you know, | 0:03:16 | 0:03:19 | |
showbizzy, like this, | 0:03:19 | 0:03:20 | |
going, "Good evening!" And I didn't realise that had happened. | 0:03:20 | 0:03:23 | |
I've got to be honest, the laughter, people were laughing so much, | 0:03:27 | 0:03:30 | |
I was storming the gig. | 0:03:30 | 0:03:32 | |
I thought, "I've never gone down so well! | 0:03:32 | 0:03:34 | |
"They're loving these jokes!" | 0:03:34 | 0:03:36 | |
Until I realised it was the jacket boobs that was their entertainment | 0:03:36 | 0:03:40 | |
and not the material at all. | 0:03:40 | 0:03:42 | |
Also I've become so lazy, we've all become so lazy. | 0:03:42 | 0:03:45 | |
I don't even go shopping for food any more, | 0:03:45 | 0:03:47 | |
I just order it on my laptop online on my ever increasing tummy, | 0:03:47 | 0:03:50 | |
just lying in bed going, "Bring me this food, bring me that food." | 0:03:50 | 0:03:53 | |
Then you click a time slot and they just show up at your house. | 0:03:53 | 0:03:56 | |
They're like, "Would you like me to bring it in?" | 0:03:56 | 0:03:58 | |
I'm like, "Ideally, can you feed me? I mean, what services do you offer?" | 0:03:58 | 0:04:02 | |
At least when you don't go to the supermarket, it means | 0:04:02 | 0:04:05 | |
you don't eat on the way round it, because I'm always too greedy. | 0:04:05 | 0:04:08 | |
We've all done this. You don't own it yet, you don't own the food, | 0:04:08 | 0:04:10 | |
but you consume it, and then you have that horrible moment of confession at the till | 0:04:10 | 0:04:14 | |
when you have to just present wrappers. "I'm terribly sorry, I had | 0:04:14 | 0:04:17 | |
"this Mars Bar. I have the packaging - can you get the information | 0:04:17 | 0:04:20 | |
"from the packaging? Because the Mars Bar itself is in my tummy, I ate it. | 0:04:20 | 0:04:24 | |
"I'll pay you back. I appear to have eaten this lasagne. Will I be very sick? | 0:04:24 | 0:04:28 | |
"It just looked so yummy on the photo." | 0:04:28 | 0:04:32 | |
"Would you like a bag, sir?" "I just need a bin. | 0:04:32 | 0:04:34 | |
"I've actually had a lot of food." | 0:04:34 | 0:04:37 | |
There are many different supermarket options. | 0:04:37 | 0:04:39 | |
I don't know where you shop. My wife likes to shop at Waitrose. | 0:04:39 | 0:04:42 | |
-It's the middle-class option. AUDIENCE: -Ooooh! | 0:04:42 | 0:04:45 | |
People are whooping Waitrose and what they're doing | 0:04:45 | 0:04:47 | |
is telling you that they can afford Waitrose, and they love to do it. | 0:04:47 | 0:04:50 | |
People who shop at Waitrose, they like to drop it into conversations - | 0:04:50 | 0:04:53 | |
"Sorry I'm late, I was just at WAITROSE," just so everybody knows that they can afford Waitrose. | 0:04:53 | 0:04:59 | |
Even though they sell basically all the same stuff as other | 0:04:59 | 0:05:02 | |
supermarkets, but they just put the prices up so people can feel | 0:05:02 | 0:05:05 | |
good about themselves because they're shopping at WAITROSE, yeah. | 0:05:05 | 0:05:09 | |
But they like to justify it, you know, the poshies, yeah. | 0:05:09 | 0:05:13 | |
Yeah, Waitrose, it's fabulous. The food is just wonderful, | 0:05:13 | 0:05:15 | |
you know. It's organic, it's beyond organic, you know. | 0:05:15 | 0:05:18 | |
The chickens, they, they just sacrifice themselves. | 0:05:18 | 0:05:21 | |
They just walk up... | 0:05:21 | 0:05:23 | |
They walk up to the main entrance. "Hi, this is my family and we just... | 0:05:23 | 0:05:26 | |
"I've brought some condiments. Do what you like, just take me, take me." | 0:05:31 | 0:05:35 | |
And I've never seen anybody return the trolley for the pound | 0:05:36 | 0:05:40 | |
in the car park in Waitrose - it's simply not worth it to them. | 0:05:40 | 0:05:43 | |
You see them coming out with their trollies, | 0:05:43 | 0:05:46 | |
looking for their Range Rovers, "Which one is mine? | 0:05:46 | 0:05:48 | |
"I think it's this one over here." | 0:05:48 | 0:05:50 | |
Oh, they pop the boot open as well. You see, once you've got | 0:05:50 | 0:05:53 | |
a certain amount of money, this, this and this, those days are | 0:05:53 | 0:05:56 | |
behind you. Now they have these keys and you push the key that closes | 0:05:56 | 0:06:00 | |
it, that locks it, and then one that opens it and then a boot one. | 0:06:00 | 0:06:03 | |
And people pop it open. They don't wait till they get to the car. The more posh you are, | 0:06:03 | 0:06:07 | |
the further away from the vehicle you pop the boot up. It can become quite treacherous | 0:06:07 | 0:06:11 | |
for other people walking in the car park because the boots start | 0:06:11 | 0:06:14 | |
flying up all over the place. People have to walk in single file. | 0:06:14 | 0:06:17 | |
"OK, kids, just follow me so we don't get hit by the boots." | 0:06:17 | 0:06:20 | |
People doing it at the till, people flying into airports going, "Oh, look, there's the car, | 0:06:20 | 0:06:24 | |
"better pop the boot open, easier to get the bags in." | 0:06:24 | 0:06:29 | |
So they get to the Range Rover, they unload their shopping | 0:06:29 | 0:06:31 | |
in the back and then they see the pound and they think, | 0:06:31 | 0:06:34 | |
"I should have that, that's money, but I can't. It's stuck." | 0:06:34 | 0:06:37 | |
And they realise, "I've got to go all the way over there | 0:06:37 | 0:06:39 | |
"and plug it in to the trolley train for a pound. All the way over | 0:06:39 | 0:06:43 | |
"there and back for a pound. | 0:06:43 | 0:06:45 | |
"But by the time I've got there and back the house would've made about 15 grand, | 0:06:45 | 0:06:50 | |
"so I don't really see the point." | 0:06:50 | 0:06:52 | |
So then they sort of do this push away, they do | 0:06:53 | 0:06:55 | |
the Waitrose posh push, they just pause and go, "Off you go. | 0:06:55 | 0:06:59 | |
"Goodbye!" | 0:07:04 | 0:07:05 | |
And then the trolley sort of rolls away | 0:07:06 | 0:07:08 | |
and then collides with another Range Rover that some other posh | 0:07:08 | 0:07:11 | |
person will go, "What's that doing there? Off you go." | 0:07:11 | 0:07:14 | |
There's normally someone from Aldi in the bushes. "I'll have that, thank you. | 0:07:16 | 0:07:20 | |
"Get me whole shopping done on that quid, idiots." | 0:07:24 | 0:07:27 | |
OK, now, ladies and gentlemen, it is time to play Celebrity Send To All! | 0:07:31 | 0:07:37 | |
Yes, it is. | 0:07:37 | 0:07:40 | |
CHEERING | 0:07:40 | 0:07:41 | |
OK, let's see who's in our Send To All box this week. | 0:07:41 | 0:07:45 | |
Why, it's the beautiful and talented and wonderful Alex Jones is here! | 0:07:45 | 0:07:51 | |
CHEERING AND APPLAUSE | 0:07:51 | 0:07:52 | |
Go on, Jonesy! | 0:07:55 | 0:07:56 | |
-Hiya, Michael. -How are you, Alex? | 0:07:56 | 0:07:59 | |
-Um, scared. -You're scared? -Yeah. | 0:07:59 | 0:08:01 | |
Yes, no, you shouldn't be. | 0:08:01 | 0:08:03 | |
Um, so who are you here with tonight, Alex? | 0:08:03 | 0:08:06 | |
My husband, Charlie, and Mum and Dad, Mary and Alan. | 0:08:06 | 0:08:09 | |
Oh, round of applause! Her husband Charlie and Mum and Dad are in town! | 0:08:09 | 0:08:13 | |
Wonderful. | 0:08:13 | 0:08:14 | |
So you and Charlie just got married quite recently? | 0:08:16 | 0:08:19 | |
-We did, yeah, New Year's Eve. -Oh. -All quite new. | 0:08:19 | 0:08:22 | |
-Well, very many congratulations from all of us. -Thank you. | 0:08:22 | 0:08:25 | |
-And thank you for agreeing to come on this show and hand over the phone. -Yes. | 0:08:25 | 0:08:28 | |
-And can I just confirm that nobody knows you're going to send a text tonight? -No. | 0:08:28 | 0:08:32 | |
-That no-one has been forewarned? -No. | 0:08:32 | 0:08:33 | |
OK, well, let's have some fun. | 0:08:33 | 0:08:35 | |
As you can see, in front of you is this contraption for bringing | 0:08:35 | 0:08:39 | |
the phone down to me. | 0:08:39 | 0:08:41 | |
-You just place it into the cushion and I'll wind it down. -OK. | 0:08:41 | 0:08:44 | |
OK, let's do this! | 0:08:44 | 0:08:46 | |
OK. | 0:08:46 | 0:08:47 | |
THE ONE SHOW THEME TUNE PLAYS | 0:08:48 | 0:08:51 | |
Very good singing. | 0:09:01 | 0:09:03 | |
HE LAUGHS | 0:09:03 | 0:09:04 | |
Have you got it? | 0:09:04 | 0:09:06 | |
Absolutely fabulous. | 0:09:06 | 0:09:07 | |
Ladies and gentlemen, I am now in possession of Alex Jones's mobile telephone! | 0:09:07 | 0:09:12 | |
AUDIENCE: Oooh! | 0:09:12 | 0:09:14 | |
Thank you, thank you, thank you. | 0:09:14 | 0:09:16 | |
So with a bit of luck, it should be supersized onto this big screen. | 0:09:16 | 0:09:21 | |
Oh! | 0:09:21 | 0:09:22 | |
AUDIENCE: Awww! | 0:09:22 | 0:09:23 | |
That is a beautiful animal. Who's that, Alex? | 0:09:25 | 0:09:28 | |
That is one of our hamsters. | 0:09:28 | 0:09:31 | |
-Very good. -Um, he's called Kiwi. | 0:09:31 | 0:09:34 | |
Oh, that's very sweet, so that's little Kiwi. | 0:09:34 | 0:09:36 | |
He's absolutely adorable and he is currently your screensaver | 0:09:36 | 0:09:39 | |
and this is how it all goes. | 0:09:39 | 0:09:42 | |
Oh, no. | 0:09:42 | 0:09:43 | |
You know what I was going to look at? Your alarms. | 0:09:44 | 0:09:47 | |
Because you probably... So this is your... | 0:09:47 | 0:09:50 | |
Oh, my God! | 0:09:50 | 0:09:52 | |
Oh, my God, Alex, you've been up at almost every hour of the night. | 0:09:53 | 0:09:59 | |
LAUGHTER | 0:09:59 | 0:10:00 | |
No! | 0:10:10 | 0:10:12 | |
This says 4.45 and 4.46, | 0:10:12 | 0:10:15 | |
so you've had to wake up at 4.46. | 0:10:15 | 0:10:19 | |
You looked at your previous alarms and went, "4.45. | 0:10:19 | 0:10:22 | |
"I'll need that minute, I'm going new, I'm going on a new one." | 0:10:22 | 0:10:25 | |
OK, so, this is a really fun phone. | 0:10:25 | 0:10:28 | |
-You've got a lot going on here. -What is, um, what's this one? | 0:10:28 | 0:10:32 | |
-What's that? -Masquerade. | 0:10:32 | 0:10:34 | |
-What is it? -Put your head in the middle, put your head in the middle. | 0:10:34 | 0:10:37 | |
-Oh, my God. -There you are. | 0:10:37 | 0:10:39 | |
LAUGHTER | 0:10:39 | 0:10:40 | |
What, what's just happened? | 0:10:40 | 0:10:42 | |
What on earth has just happened to my face? | 0:10:46 | 0:10:49 | |
Yeah, if you flick... | 0:10:51 | 0:10:53 | |
Whoooaargh! | 0:10:53 | 0:10:54 | |
Michael, slide it, there you are. | 0:10:56 | 0:10:58 | |
I can't believe that's just happened. | 0:11:06 | 0:11:09 | |
What's happened to me there? It's turned me into Leonardo DiCaprio. | 0:11:12 | 0:11:16 | |
I'd like to thank the Academy... I'd like to, er, not | 0:11:16 | 0:11:22 | |
thank my dentist. What on earth has happened to my teeth? | 0:11:22 | 0:11:25 | |
Whoooaargh! | 0:11:29 | 0:11:30 | |
Children, watch my big new show. | 0:11:32 | 0:11:35 | |
LAUGHTER | 0:11:35 | 0:11:37 | |
Oh, my God. I'm sorry, I'm going to do this for ever. | 0:11:41 | 0:11:45 | |
I don't think I can not do this... | 0:11:45 | 0:11:48 | |
for the rest of the show. | 0:11:48 | 0:11:49 | |
Ooh-ooh-ooh! | 0:11:56 | 0:11:58 | |
Ooh-ooh-ooh! Aaah! Aaah! | 0:12:01 | 0:12:03 | |
AAAH-AAAAH-AAAAAAH! | 0:12:03 | 0:12:07 | |
All right, I've got to stop this. I've got to stop but I can't stop. | 0:12:17 | 0:12:21 | |
I can't stop! | 0:12:21 | 0:12:24 | |
I CAN'T STOP! AAAAAGH! | 0:12:25 | 0:12:30 | |
All right, let's get back to this. That was way too much... | 0:12:36 | 0:12:39 | |
Alex, the fun in your life! | 0:12:39 | 0:12:42 | |
Um, all right, I'm going to send a text into your phone now. | 0:12:44 | 0:12:47 | |
Oh, be kind. | 0:12:47 | 0:12:49 | |
-"Hello..." I think - would you start a text with hello? -Hiya. | 0:12:49 | 0:12:51 | |
Oh, OK, hiya. Hiya! Are you an exclamation mark fan? | 0:12:51 | 0:12:55 | |
Well, probably comma. | 0:12:55 | 0:12:57 | |
Oh, sorry. | 0:12:57 | 0:12:59 | |
"Hiya, The One Show is doing an item on... | 0:13:02 | 0:13:08 | |
"..weird crushes." | 0:13:11 | 0:13:12 | |
LAUGHTER | 0:13:12 | 0:13:13 | |
-"This is..." -Oh, it's going to go to our producer! | 0:13:18 | 0:13:21 | |
"..really embarrassing... | 0:13:21 | 0:13:24 | |
"..but you are mine. | 0:13:25 | 0:13:29 | |
"How would you feel about me talking about it on the show?" | 0:13:31 | 0:13:34 | |
All right, let's read this through. | 0:13:37 | 0:13:39 | |
"Hiya, The One Show is doing an item on weird crushes. | 0:13:39 | 0:13:43 | |
"This is really embarrassing, but you are mine. | 0:13:43 | 0:13:46 | |
"How would you feel about me talking about it on the show?" | 0:13:46 | 0:13:49 | |
CHEERING | 0:13:51 | 0:13:53 | |
Audience, shall we do it? | 0:13:53 | 0:13:55 | |
-ALL: -Yeah! | 0:13:55 | 0:13:56 | |
All right, that's gone. | 0:13:56 | 0:13:58 | |
Oh, no! | 0:13:58 | 0:14:00 | |
CHEERING | 0:14:00 | 0:14:01 | |
Oh, my God. OK, a huge hand, ladies and gentlemen. | 0:14:03 | 0:14:07 | |
-Oh... -What wonderful fun and amazing sport - | 0:14:07 | 0:14:10 | |
Alex Jones, what about that? | 0:14:10 | 0:14:12 | |
CHEERING AND APPLAUSE Thank you so much. | 0:14:12 | 0:14:15 | |
Ladies and gentlemen, it's time to find out who is going to | 0:14:18 | 0:14:22 | |
be our last unexpected star of the show. | 0:14:22 | 0:14:26 | |
CHEERING AND APPLAUSE | 0:14:26 | 0:14:28 | |
Every week we've been surprising somebody who thinks they're coming to the theatre for work, | 0:14:30 | 0:14:34 | |
but they're actually going to be part of the show and be performing on this very stage. | 0:14:34 | 0:14:40 | |
-ALL: -Oooh! | 0:14:40 | 0:14:42 | |
Over the past few weeks we've had an unexpected star on every single show | 0:14:42 | 0:14:46 | |
and we can see a little bit of the highlights to get you in the mood for tonight's unexpected star. | 0:14:46 | 0:14:51 | |
This electrician is going to get the shock of his life! | 0:14:51 | 0:14:56 | |
AUDIENCE SQUEALS | 0:14:58 | 0:15:00 | |
Where is the, er... Where's the fault anyway? | 0:15:07 | 0:15:09 | |
LAUGHTER | 0:15:09 | 0:15:10 | |
# You give me | 0:15:10 | 0:15:12 | |
# Something... # | 0:15:12 | 0:15:14 | |
CHEERING | 0:15:16 | 0:15:18 | |
It's Craig, our locksmith! | 0:15:18 | 0:15:20 | |
Shannon thinks he's coming to the theatre tonight | 0:15:29 | 0:15:32 | |
for a simple removals job. | 0:15:32 | 0:15:34 | |
CHEERING | 0:15:36 | 0:15:40 | |
How are you feeling, Shannon? | 0:15:40 | 0:15:41 | |
I want to cry. | 0:15:41 | 0:15:43 | |
# Now I've called the shot | 0:15:43 | 0:15:45 | |
# Get off the pot | 0:15:45 | 0:15:47 | |
# I really gotta fly! # | 0:15:47 | 0:15:52 | |
CHEERING | 0:15:52 | 0:15:54 | |
-Oh, my God. -LAUGHTER | 0:15:54 | 0:15:56 | |
-Do you like singing? -What have you done? | 0:15:56 | 0:15:59 | |
# Too | 0:15:59 | 0:16:01 | |
# Darn | 0:16:01 | 0:16:04 | |
# Hot! # | 0:16:04 | 0:16:08 | |
I'll never, ever forget this. Thank you. | 0:16:08 | 0:16:11 | |
CHEERING | 0:16:12 | 0:16:13 | |
CHEERING DROWNS OUT SPEECH | 0:16:13 | 0:16:15 | |
I can't believe it. | 0:16:15 | 0:16:17 | |
Honestly, I can't... I feel like I'm in a dream. | 0:16:17 | 0:16:19 | |
THEY BOTH SING ELONGATED NOTE | 0:16:19 | 0:16:22 | |
CHEERING AND APPLAUSE | 0:16:26 | 0:16:28 | |
And, of course, they're all here tonight! | 0:16:32 | 0:16:35 | |
There they are, ladies and gentlemen. | 0:16:35 | 0:16:36 | |
It's hairdresser Natasha, locksmith Craig, | 0:16:36 | 0:16:39 | |
electrician Adam Heapy, | 0:16:39 | 0:16:42 | |
handyman Shannon, | 0:16:42 | 0:16:44 | |
and florist Laura. | 0:16:44 | 0:16:46 | |
Yay! | 0:16:46 | 0:16:47 | |
It's been truly amazing, | 0:16:49 | 0:16:51 | |
and you guys handled it so incredibly well, because... | 0:16:51 | 0:16:54 | |
Are you crying now, Laura? | 0:16:54 | 0:16:56 | |
Just a little. | 0:16:57 | 0:16:59 | |
It was... You know you nearly collapsed, you could see it, | 0:16:59 | 0:17:01 | |
your legs buckled slightly. | 0:17:01 | 0:17:02 | |
I know. Biggest shock of my life, but I can't thank you enough, | 0:17:02 | 0:17:05 | |
it was the most amazing experience. | 0:17:05 | 0:17:07 | |
Shall we do this again tonight? Are you up for it? | 0:17:08 | 0:17:11 | |
CHEERING | 0:17:11 | 0:17:12 | |
So, our final Unexpected Star of the show is Aaron Middleton. | 0:17:12 | 0:17:17 | |
Let's have a look. There he is. | 0:17:17 | 0:17:19 | |
There's Aaron, he's 30 years old and he's a plasterer. | 0:17:19 | 0:17:22 | |
He's coming to the theatre tonight, | 0:17:22 | 0:17:24 | |
thinking it's to do some plastering, | 0:17:24 | 0:17:27 | |
because we're, of course, in one of the oldest theatres in London, | 0:17:27 | 0:17:29 | |
so he thinks he's coming to look at a few cracks in our walls, | 0:17:29 | 0:17:32 | |
but, of course, that isn't the plan at all. | 0:17:32 | 0:17:34 | |
Aaron loves singing and playing the guitar. | 0:17:34 | 0:17:36 | |
He dreams of being a rock star | 0:17:36 | 0:17:38 | |
and having thousands of people hear him sing. | 0:17:38 | 0:17:40 | |
He gets his guitar out whenever he can | 0:17:40 | 0:17:42 | |
and when he's supposed to be working. | 0:17:42 | 0:17:44 | |
We have some footage, I believe, of him at work - | 0:17:44 | 0:17:46 | |
secretly filmed to prove the point, there he is. | 0:17:46 | 0:17:49 | |
# High in the trees | 0:17:49 | 0:17:51 | |
# I'm shining like a star... # | 0:17:51 | 0:17:54 | |
So there's the walls he's supposed to be plastering... | 0:17:54 | 0:17:59 | |
and he's performing. | 0:17:59 | 0:18:00 | |
So, there you go. There's proof. | 0:18:01 | 0:18:03 | |
That's Aaron, he's on his way to do some plastering, | 0:18:03 | 0:18:05 | |
but, really, he can't stop singing. | 0:18:05 | 0:18:06 | |
We're going to make his dream come true. | 0:18:06 | 0:18:08 | |
Are you up for that, ladies and gentlemen? | 0:18:08 | 0:18:10 | |
CHEERING | 0:18:10 | 0:18:12 | |
All right. Aaron was set up by his brother, Luke, | 0:18:12 | 0:18:14 | |
who is with him right now, | 0:18:14 | 0:18:16 | |
and also by his dad, Trevor, who should be in the audience. | 0:18:16 | 0:18:19 | |
Where are you, Trev? | 0:18:19 | 0:18:21 | |
Go on, Trev. There he is. | 0:18:21 | 0:18:23 | |
Ladies and gentlemen, let's hear it for Trevor! | 0:18:23 | 0:18:26 | |
CHEERING | 0:18:26 | 0:18:29 | |
Hello, Trev. You all right, mate? | 0:18:29 | 0:18:32 | |
Yes, thank you. | 0:18:32 | 0:18:33 | |
Good to meet you, Trev. How exciting is this? | 0:18:33 | 0:18:35 | |
Aaron is on his way. Can you tell the audience about Aaron? | 0:18:35 | 0:18:37 | |
Tell us about his love of performing. | 0:18:37 | 0:18:40 | |
Aaron has always been a performer. | 0:18:40 | 0:18:42 | |
Started playing musical instruments - | 0:18:42 | 0:18:45 | |
trumpet, keyboard, then he moved on to the guitar. | 0:18:45 | 0:18:49 | |
Oh, thank God for that. I was terribly worried. | 0:18:49 | 0:18:53 | |
Now he plays the spoons. | 0:18:53 | 0:18:55 | |
OK. | 0:18:55 | 0:18:57 | |
What's he done to pursue...? | 0:18:57 | 0:18:58 | |
Has he tried to pursue a career or is it more of a hobby? | 0:18:58 | 0:19:01 | |
He's been with friends in bands, but nothing too fantastic. | 0:19:01 | 0:19:07 | |
-But they went through the... -LAUGHTER | 0:19:07 | 0:19:10 | |
-But now he does his work, obviously. -Yeah. | 0:19:10 | 0:19:12 | |
-Because life kicks in. -Yeah, absolutely. | 0:19:12 | 0:19:15 | |
You dream and aspire to things, but long and the short of it... | 0:19:15 | 0:19:18 | |
Well, that's what this is about, Trev, | 0:19:18 | 0:19:20 | |
it's about giving people a moment. | 0:19:20 | 0:19:22 | |
You know, a moment that they've always dreamed about. | 0:19:22 | 0:19:24 | |
-Well, this is it, I think. -And to surprise him with it. | 0:19:24 | 0:19:26 | |
-Trevor, thank you so much for coming along. -No, thank you. | 0:19:26 | 0:19:29 | |
Ladies and gentlemen, it's Aaron's dad, Trev! Go on, Trev! | 0:19:29 | 0:19:33 | |
OK. | 0:19:33 | 0:19:34 | |
So what's going to happen, ladies and gentlemen - | 0:19:34 | 0:19:37 | |
I have to be honest with you, this is a particularly fun one - | 0:19:37 | 0:19:40 | |
we're going to build a corridor that extends from here, | 0:19:40 | 0:19:44 | |
except this is going to extend all the way, right where I'm standing. | 0:19:44 | 0:19:47 | |
In the corridor is going to be some pictures on the walls. | 0:19:47 | 0:19:50 | |
We're going to tell him that there is a big crack | 0:19:50 | 0:19:54 | |
hiding behind the picture, | 0:19:54 | 0:19:56 | |
which is something that we all do, of course. | 0:19:56 | 0:19:58 | |
The picture is going to be of me holding a microphone, like that, | 0:19:58 | 0:20:03 | |
and an audience behind. | 0:20:03 | 0:20:05 | |
In fact, it's going to be the exact view from behind the picture. | 0:20:05 | 0:20:09 | |
So I'm going to stand here, and you're all going to be in on it | 0:20:09 | 0:20:12 | |
and you're all going to stand up and be completely quiet, | 0:20:12 | 0:20:15 | |
and then he is going to come down the corridor, | 0:20:15 | 0:20:17 | |
lift the picture off, | 0:20:17 | 0:20:18 | |
and then that will reveal the real version of the picture. | 0:20:18 | 0:20:24 | |
I mean, seriously, we have a paramedic standing by, | 0:20:24 | 0:20:27 | |
because this is not just the shock of being on stage, | 0:20:27 | 0:20:29 | |
it's the shock of a photograph become reality. | 0:20:29 | 0:20:33 | |
It's going to be absolutely wonderful. | 0:20:36 | 0:20:39 | |
Are you up for that, ladies and gentlemen? | 0:20:39 | 0:20:41 | |
CHEERING All right. | 0:20:41 | 0:20:42 | |
My next guests have sold over 12 million records in the '90s, | 0:20:44 | 0:20:48 | |
and now they're back with their new single, This Is A War, | 0:20:48 | 0:20:51 | |
it's the heavenly All Saints! | 0:20:51 | 0:20:54 | |
CHEERING | 0:20:54 | 0:20:55 | |
THEY HUM MELODY | 0:21:12 | 0:21:14 | |
# You weren't holy, that face | 0:21:21 | 0:21:24 | |
# Written in the bad books | 0:21:24 | 0:21:26 | |
# Trouble all the way | 0:21:26 | 0:21:29 | |
# Just like a fighter | 0:21:29 | 0:21:33 | |
# Me, same story, same page | 0:21:33 | 0:21:35 | |
# I was a ladder searching for fame | 0:21:35 | 0:21:40 | |
# Together we burned brighter | 0:21:40 | 0:21:42 | |
# Looking for a battle, ready for the pain | 0:21:44 | 0:21:47 | |
# Knew it was a challenge, everything's a game | 0:21:47 | 0:21:50 | |
# Seemed easy | 0:21:50 | 0:21:52 | |
# Seemed so easy | 0:21:52 | 0:21:55 | |
# If I gotta fight for the right | 0:21:55 | 0:21:58 | |
# To be loved and to love | 0:21:58 | 0:22:00 | |
# Then this is a war | 0:22:00 | 0:22:02 | |
# If we can't be free | 0:22:05 | 0:22:07 | |
# You and me | 0:22:07 | 0:22:09 | |
# To be loved and to love | 0:22:09 | 0:22:11 | |
# Then what is this for? | 0:22:11 | 0:22:13 | |
# If this is a war | 0:22:17 | 0:22:19 | |
# You wasn't perfect | 0:22:21 | 0:22:22 | |
# Thought it was cool | 0:22:22 | 0:22:24 | |
# You were a bad boy straight out of the hood | 0:22:24 | 0:22:27 | |
# Yeah, it was all good | 0:22:28 | 0:22:30 | |
# You, a little tragic Me, a little bold | 0:22:32 | 0:22:35 | |
# Dangerous, ecstatic, we couldn't be told | 0:22:35 | 0:22:39 | |
# Together we were alone | 0:22:39 | 0:22:42 | |
# Looking for a battle, ready for the pain | 0:22:43 | 0:22:46 | |
# Knew it was a challenge | 0:22:46 | 0:22:47 | |
# Everything's a game | 0:22:47 | 0:22:49 | |
# Seemed easy | 0:22:49 | 0:22:51 | |
# Seemed so easy | 0:22:51 | 0:22:54 | |
# If I gotta fight for the right | 0:22:54 | 0:22:57 | |
# To be loved and to love | 0:22:57 | 0:22:59 | |
# Then this is a war | 0:22:59 | 0:23:01 | |
# If we can't be free | 0:23:05 | 0:23:07 | |
# You and me | 0:23:07 | 0:23:08 | |
# To be loved and to love | 0:23:08 | 0:23:11 | |
# Then what is this for? | 0:23:11 | 0:23:12 | |
# If this is a war | 0:23:16 | 0:23:18 | |
# Will the words ever make a change? | 0:23:18 | 0:23:22 | |
# We've come too far to turn back now | 0:23:22 | 0:23:26 | |
# Stronger together, we are one | 0:23:26 | 0:23:28 | |
# One world a million miles away | 0:23:29 | 0:23:34 | |
# Two hearts, one life | 0:23:34 | 0:23:36 | |
# One you and I | 0:23:36 | 0:23:39 | |
# If I gotta fight for the right | 0:23:39 | 0:23:42 | |
# To be loved and to love | 0:23:42 | 0:23:44 | |
# Then this is a war | 0:23:44 | 0:23:46 | |
# Tell me, tell me, tell me, tell me | 0:23:48 | 0:23:51 | |
# If we can't be free, you and me | 0:23:51 | 0:23:53 | |
# To be loved and to love | 0:23:53 | 0:23:56 | |
# Then what is this for? | 0:23:56 | 0:23:58 | |
# If this is a war. # | 0:24:02 | 0:24:04 | |
CHEERING AND APPLAUSE | 0:24:04 | 0:24:07 | |
All Saints, ladies and gentlemen! | 0:24:17 | 0:24:19 | |
Oh, darlings! | 0:24:19 | 0:24:21 | |
Ladies and gentlemen, wasn't that fantastic? | 0:24:23 | 0:24:25 | |
Now, girls, you have a new album, which is very exciting - | 0:24:25 | 0:24:28 | |
rave-reviewed album, what's that called? | 0:24:28 | 0:24:30 | |
-It's called Red Flag. -Red Flag, excellent. | 0:24:30 | 0:24:33 | |
The tour, you're going to do a tour? | 0:24:33 | 0:24:34 | |
We're on tour in October, yes. | 0:24:34 | 0:24:36 | |
-Welcome back. What about that? -Thank you. | 0:24:36 | 0:24:38 | |
Wasn't it nice to see them back? | 0:24:38 | 0:24:39 | |
One more time, ladies and gentlemen, for the fantastic All Saints! Yay! | 0:24:39 | 0:24:44 | |
CHEERING | 0:24:44 | 0:24:45 | |
Thanks, girls. | 0:24:47 | 0:24:48 | |
OK. I have news. | 0:24:51 | 0:24:53 | |
I've just heard that our Unexpected Star of tonight's show, Aaron, | 0:24:53 | 0:24:57 | |
is in the building. | 0:24:57 | 0:24:59 | |
We can show you the moment, Dad Trev, that he arrived. | 0:24:59 | 0:25:04 | |
Here he comes. | 0:25:04 | 0:25:05 | |
So, this is...Aaron? | 0:25:05 | 0:25:09 | |
Where is he? Which one is he? | 0:25:09 | 0:25:11 | |
-Is that him holding the thing? -That's him. | 0:25:11 | 0:25:13 | |
Oh, there he is, I recognise him from his photo. | 0:25:13 | 0:25:15 | |
Oh, my goodness, he looks like a plasterer! | 0:25:15 | 0:25:18 | |
That's one of the benefits of plastering, you don't really... | 0:25:19 | 0:25:23 | |
There's no laundry, just keep going, just keep going. | 0:25:23 | 0:25:26 | |
OK. So we've put him to work downstairs. | 0:25:26 | 0:25:28 | |
I think we can see him live. | 0:25:28 | 0:25:29 | |
Right, so that's Aaron, who is doing the actual plastering. | 0:25:31 | 0:25:35 | |
Who's that on the floor? Is that Luke? | 0:25:35 | 0:25:37 | |
Luke is more of a conductor of plastering. | 0:25:37 | 0:25:40 | |
He just wanders around. | 0:25:40 | 0:25:41 | |
Oh, no, Luke is actually getting stuck in now, is he? | 0:25:41 | 0:25:43 | |
It's like he heard me. | 0:25:43 | 0:25:45 | |
He's like, "No, I can show you that I can also plaster." | 0:25:45 | 0:25:47 | |
He uses his little tray there, | 0:25:47 | 0:25:49 | |
and he passes it over... | 0:25:49 | 0:25:52 | |
and then, actually, it's Aaron that does all the work. | 0:25:52 | 0:25:55 | |
No, he's tidying. | 0:25:55 | 0:25:56 | |
He moves that. That's brilliant. That needed moving. | 0:25:56 | 0:25:59 | |
That was dangerous. That's brilliant. | 0:25:59 | 0:26:01 | |
So thanks for standing there, Luke, blocking our view | 0:26:01 | 0:26:04 | |
of our Unexpected Star of the show. | 0:26:04 | 0:26:06 | |
Bringing back memories, guys? | 0:26:07 | 0:26:09 | |
So the corridor is set behind me. | 0:26:10 | 0:26:13 | |
I'm going to show you inside it, and I think you will marvel at... | 0:26:13 | 0:26:17 | |
Here's my friend. Hello! | 0:26:17 | 0:26:19 | |
OK. | 0:26:19 | 0:26:20 | |
So if you... Is this coming up on the big screen? | 0:26:20 | 0:26:22 | |
Can you see me on the screen? Yeah, all right. | 0:26:22 | 0:26:24 | |
Oh! You can see me there as well. | 0:26:24 | 0:26:26 | |
It's incredibly exciting. | 0:26:26 | 0:26:27 | |
Hello, hello. Hello, hello. | 0:26:27 | 0:26:30 | |
Yay! | 0:26:30 | 0:26:32 | |
OK. | 0:26:32 | 0:26:33 | |
So inside this corridor, come with me, here. | 0:26:33 | 0:26:36 | |
Oh, look, we've got a dust sheet for authenticity. | 0:26:36 | 0:26:38 | |
Dust sheeting. | 0:26:38 | 0:26:41 | |
Basically, what it does, it runs from backstage. | 0:26:41 | 0:26:43 | |
He'll have no idea that he's coming on to the stage. | 0:26:43 | 0:26:47 | |
As a little bit of fun, we've put up pictures of our Unexpected Stars. | 0:26:47 | 0:26:51 | |
There's Laura over there, who's sitting in our box tonight. | 0:26:51 | 0:26:55 | |
Of course, you've got Shannon during his performance. | 0:26:55 | 0:26:58 | |
So the irony of him passing through all the Unexpected Stars | 0:26:58 | 0:27:01 | |
should not be lost on any of you. | 0:27:01 | 0:27:03 | |
Here's Adam, of course, and there's Craig the locksmith, | 0:27:03 | 0:27:06 | |
that's after he escaped death. | 0:27:06 | 0:27:07 | |
So this is where we're going to tell him | 0:27:09 | 0:27:11 | |
that there's a crack behind here, but actually... | 0:27:11 | 0:27:14 | |
(it's going to be all of us!) LAUGHTER | 0:27:14 | 0:27:17 | |
So let me show you the picture. | 0:27:17 | 0:27:20 | |
So this is... | 0:27:20 | 0:27:22 | |
This is what I'm going to do... | 0:27:22 | 0:27:24 | |
LAUGHTER | 0:27:24 | 0:27:26 | |
So this is us. Right, that's me. | 0:27:27 | 0:27:31 | |
You might recognise me from the person standing above it. | 0:27:31 | 0:27:35 | |
That's going to be us. | 0:27:35 | 0:27:36 | |
As you can see, I think... | 0:27:36 | 0:27:38 | |
Yeah, we're on our feet and we're... Yeah, you're clapping. | 0:27:38 | 0:27:43 | |
There are people - hands above heads, | 0:27:43 | 0:27:45 | |
so that's the thing that we're going to re-enact. | 0:27:45 | 0:27:48 | |
Shall we do it quickly? Shall we have a quick look? | 0:27:48 | 0:27:50 | |
You stand up and go... That's it. | 0:27:50 | 0:27:53 | |
Here's for reference. All right. | 0:27:53 | 0:27:55 | |
Hands above your head, clapping, but freeze. Don't actually clap. | 0:27:55 | 0:27:59 | |
That's it, yeah. Yeah! | 0:27:59 | 0:28:00 | |
Stop it there. That's it. You have been the selected people | 0:28:00 | 0:28:03 | |
and you're frozen, and then I go there, all right. | 0:28:03 | 0:28:07 | |
LAUGHTER | 0:28:07 | 0:28:08 | |
Does it look the same? Have we...? | 0:28:08 | 0:28:11 | |
OK, good, all right. Let's get this on and let's do this. | 0:28:11 | 0:28:14 | |
OK, I'm going to pass this to this gentleman. | 0:28:14 | 0:28:17 | |
This is exciting, right? | 0:28:20 | 0:28:22 | |
There's no doubt, there's no doubt about it. | 0:28:22 | 0:28:24 | |
OK. (Let's bring him up. Let's do it.) | 0:28:24 | 0:28:28 | |
All right, fellas? | 0:28:28 | 0:28:30 | |
I know, I know where there's a dodgy wall if I can just... | 0:28:30 | 0:28:32 | |
Who was it I was showing? If I can just show you, do you mind? | 0:28:32 | 0:28:34 | |
Just come with me. How's that looking? Good? | 0:28:34 | 0:28:37 | |
Yeah, that's the other coat on now. | 0:28:37 | 0:28:38 | |
-Just in case, or are you all right? -All right, mate, no. | 0:28:38 | 0:28:40 | |
You should be all right. It's quite an easy look-at, to be fair. | 0:28:40 | 0:28:43 | |
-Yeah, that's all right. -Thanks, mate. | 0:28:43 | 0:28:45 | |
Just, you know, while we've got you down here, | 0:28:45 | 0:28:47 | |
we might as well get the most out of you, mightn't we, you know? | 0:28:47 | 0:28:50 | |
Yeah, it's kind of... It's almost a hole in the wall | 0:28:50 | 0:28:53 | |
rather than actually a crack, it's that bad. | 0:28:53 | 0:28:55 | |
It's just in here. Actually, could you do me a favour? | 0:28:57 | 0:29:00 | |
It's just that last picture, the Michael McIntyre. | 0:29:00 | 0:29:03 | |
Just lift that up, put it on the dust sheet. | 0:29:03 | 0:29:05 | |
I'm going to get Paul down here to have a look as well. | 0:29:05 | 0:29:07 | |
-What, it's under here? -That one there, yeah. | 0:29:07 | 0:29:09 | |
CHEERING | 0:29:12 | 0:29:14 | |
It's Aaron, ladies and gentlemen! | 0:29:33 | 0:29:36 | |
Our Unexpected Star of the show! | 0:29:36 | 0:29:38 | |
Come on, Aaron, come on out! | 0:29:43 | 0:29:46 | |
Ladies and gentlemen - Aaron! | 0:29:46 | 0:29:48 | |
CHEERING | 0:29:48 | 0:29:49 | |
Our Unexpected Star of the show! | 0:29:49 | 0:29:51 | |
Go on, Aaron. How are you? | 0:29:52 | 0:29:54 | |
Yeah, I'm all right, mate. I'm at work. | 0:29:54 | 0:29:57 | |
Yeah, not actually, that's not exactly the plan. | 0:29:57 | 0:29:59 | |
You might notice your parents sitting over there. | 0:29:59 | 0:30:02 | |
All right, Dad? | 0:30:04 | 0:30:05 | |
"All right, Dad?" | 0:30:05 | 0:30:07 | |
That is, of course, Dad Trev. | 0:30:08 | 0:30:09 | |
-So you've kind of been set up by your parents. -Yeah. | 0:30:09 | 0:30:13 | |
And, of course, Luke, there he is. | 0:30:13 | 0:30:15 | |
Before I explain what's happening, | 0:30:17 | 0:30:19 | |
talk me through what went through your head | 0:30:19 | 0:30:21 | |
when you took that picture off the wall. | 0:30:21 | 0:30:23 | |
I dunno, mate. I'm still trying to sink it in, really, | 0:30:23 | 0:30:25 | |
do you know what I mean? | 0:30:25 | 0:30:27 | |
Didn't expect to see you, mate, you know what I mean? | 0:30:27 | 0:30:29 | |
-No. -No. | 0:30:29 | 0:30:31 | |
-That was kind of the idea. -Yeah. | 0:30:31 | 0:30:32 | |
So the plan is, Aaron, we can tell by your outfit... | 0:30:35 | 0:30:38 | |
you are a plasterer. | 0:30:38 | 0:30:40 | |
Yeah, a messy one, it looks like, don't it? | 0:30:40 | 0:30:42 | |
Well, you didn't know you were going to be on TV. | 0:30:42 | 0:30:44 | |
No, I didn't know, no. | 0:30:44 | 0:30:46 | |
But you also enjoy something else, don't you? | 0:30:46 | 0:30:48 | |
I like playing guitar and that. | 0:30:48 | 0:30:50 | |
-Yeah, all right. -Yeah. | 0:30:50 | 0:30:51 | |
And that - singing as well? | 0:30:51 | 0:30:53 | |
-Well... -A bit of a sing-song? | 0:30:53 | 0:30:55 | |
It's more shouting in tune, really, but, yeah. | 0:30:55 | 0:30:57 | |
OK, but in tune, you're promising that? | 0:30:57 | 0:30:59 | |
-Yeah. Yeah, yeah. -OK, excellent. | 0:30:59 | 0:31:01 | |
Well, Aaron, tonight you're our Unexpected Star of the show, | 0:31:01 | 0:31:04 | |
which means that you will, with your consent, | 0:31:04 | 0:31:07 | |
-be performing on this very stage... -Mate... | 0:31:07 | 0:31:10 | |
CHEERING | 0:31:10 | 0:31:11 | |
..in front of 2,500 very supportive people. | 0:31:14 | 0:31:18 | |
CHEERING | 0:31:18 | 0:31:21 | |
MICHAEL LAUGHS | 0:31:21 | 0:31:23 | |
We've got a huge thing lined up - | 0:31:23 | 0:31:25 | |
literally a spectacular rock performance... | 0:31:25 | 0:31:27 | |
-Oh, really? -..at the end of the show. | 0:31:27 | 0:31:29 | |
You've got until the end of the show to rehearse and prepare. | 0:31:29 | 0:31:32 | |
-Yeah. -All that remains for me to do, Aaron, is to ask you... | 0:31:32 | 0:31:34 | |
Yeah. | 0:31:34 | 0:31:35 | |
-..if you're up for it? -Yeah, I'm up for it, Michael. | 0:31:35 | 0:31:37 | |
Will you be our Unexpected Star of the show? | 0:31:37 | 0:31:39 | |
-Of course I will, mate. -He's going to do it! | 0:31:39 | 0:31:41 | |
CHEERING Go on, Aaron! Well done. | 0:31:41 | 0:31:44 | |
We'll see you at the end of the show. One more time, please. | 0:31:44 | 0:31:46 | |
Aaron, our plasterer! Go on, Aaron! | 0:31:46 | 0:31:50 | |
CHEERING AND APPLAUSE | 0:31:50 | 0:31:51 | |
Amazing. | 0:31:56 | 0:31:57 | |
Ladies and gentlemen, what fun we're having here tonight. | 0:31:58 | 0:32:01 | |
I can tell you, Jonesie, that... How many texts have we had so far? | 0:32:01 | 0:32:04 | |
Oh, no. | 0:32:04 | 0:32:05 | |
Over 40 people have texted. | 0:32:05 | 0:32:06 | |
Oh, get off! Oh, no. | 0:32:06 | 0:32:11 | |
OK. You're comfortable up there, | 0:32:11 | 0:32:14 | |
and everyone's comfortable in their seats? | 0:32:14 | 0:32:16 | |
Are they comfortable seats? I was going to ask this. | 0:32:16 | 0:32:19 | |
I'm going to actually come in amongst you, if that's OK? | 0:32:19 | 0:32:21 | |
Don't worry, I'm... Don't panic, don't panic. | 0:32:21 | 0:32:24 | |
Cos I was going to ask people... | 0:32:24 | 0:32:27 | |
about, about... Oh, you're so terrified, you look terrified. | 0:32:27 | 0:32:31 | |
I can understand that, | 0:32:31 | 0:32:32 | |
cos I was on the stage and now I'm literally in your face. | 0:32:32 | 0:32:35 | |
I'm so sorry. Nice to see you. | 0:32:35 | 0:32:36 | |
Oh, my God. I'm touching you like an American evangelist or something. | 0:32:36 | 0:32:43 | |
You've got to pass out, you've got to pass out. | 0:32:43 | 0:32:46 | |
HE GIGGLES | 0:32:46 | 0:32:49 | |
Right, well, I've come into the audience to ask about being at home, | 0:32:49 | 0:32:52 | |
because I know people love to be at home and watch TV. | 0:32:52 | 0:32:54 | |
This is a TV show, | 0:32:54 | 0:32:56 | |
obviously people at home are watching it on the telly. | 0:32:56 | 0:32:58 | |
Hello, how are you? Watching on TV. They're comfortable | 0:32:58 | 0:33:01 | |
and they're watching it in the comfort of their own homes, | 0:33:01 | 0:33:03 | |
because people tend to have their favourite chair. | 0:33:03 | 0:33:06 | |
That's what I was going to ask the audience - | 0:33:06 | 0:33:08 | |
if anybody, just by way of applause, has, like, a favourite chair | 0:33:08 | 0:33:11 | |
that they always watch the telly in, favourite chair? | 0:33:11 | 0:33:14 | |
CHEERING AND APPLAUSE | 0:33:14 | 0:33:15 | |
It's almost everyone! | 0:33:15 | 0:33:17 | |
You have a favourite chair, darling? | 0:33:17 | 0:33:18 | |
Well, it's my bed, to be honest. | 0:33:18 | 0:33:21 | |
It's your bed. | 0:33:21 | 0:33:22 | |
OK. Just by way of applause, who prefers telly in bed? | 0:33:22 | 0:33:25 | |
Telly in bed? Yeah? CHEERING AND APPLAUSE | 0:33:25 | 0:33:28 | |
-You don't like telly in bed? -Not in bed, no. No. | 0:33:28 | 0:33:30 | |
-But you prefer watching telly... -In the lounge. | 0:33:30 | 0:33:32 | |
In the lounge, "The lounge", I love that. | 0:33:32 | 0:33:35 | |
-Where are you from, sir? -East Kilbride. | 0:33:35 | 0:33:37 | |
-Ah, fabulous, East Kilbride. -East Kilbride, near Glasgow. | 0:33:37 | 0:33:40 | |
-Lovely to see you, what's your name? -Brian. | 0:33:40 | 0:33:41 | |
-Brian. This is your wife? -Yeah, this is my wife Katherine. | 0:33:41 | 0:33:44 | |
-Yep, Katherine. -Hello, darling. This is the whole family here? | 0:33:44 | 0:33:47 | |
Oh, it's fun. So you prefer watching telly in the "lounge"? | 0:33:47 | 0:33:50 | |
But what do you do, sit on a chair or...? | 0:33:50 | 0:33:52 | |
-Oh, I've got a big comfy chair. -You've got a big comfy chair. | 0:33:52 | 0:33:55 | |
A big Chesterfield thing, it's wonderful. | 0:33:55 | 0:33:57 | |
Oh, you like that. What colour is it? | 0:33:57 | 0:33:58 | |
-Fantastic. Red. -Big red chair. -Yep. | 0:33:58 | 0:34:01 | |
Would it be this chair, Brian? | 0:34:01 | 0:34:04 | |
LAUGHTER | 0:34:04 | 0:34:05 | |
Could be. | 0:34:11 | 0:34:12 | |
Brian's had to put his glasses on. Brian, is that your chair? | 0:34:13 | 0:34:18 | |
That is my chair. | 0:34:18 | 0:34:20 | |
And where is that chair at the moment? | 0:34:20 | 0:34:22 | |
That's my living room. Yeah. | 0:34:22 | 0:34:24 | |
That's your living room, lounge, living room / lounge. | 0:34:24 | 0:34:27 | |
I quite like that prancing horse on the table. | 0:34:27 | 0:34:29 | |
Can I just ask, where was that camera? | 0:34:29 | 0:34:32 | |
I know you're panicking about what you've been doing in that chair, | 0:34:35 | 0:34:38 | |
but I can reassure you that all the footage | 0:34:38 | 0:34:41 | |
has been carefully viewed and deleted where necessary. | 0:34:41 | 0:34:45 | |
Brian's having the biggest panic attack of his life. | 0:34:48 | 0:34:52 | |
So I think we've got a shot from today of your living room. | 0:34:52 | 0:34:55 | |
Let's have a look at it. | 0:34:55 | 0:34:57 | |
Oh! Oh, Brian, Brian what, what's missing? | 0:34:57 | 0:35:00 | |
-What's gone? -Where's my chair?! | 0:35:00 | 0:35:03 | |
Where's Brian's chair? | 0:35:05 | 0:35:07 | |
Well, Brian, your chair's gone on a little bit of a journey, | 0:35:08 | 0:35:11 | |
as have you here, | 0:35:11 | 0:35:13 | |
because it turns out your chair likes telly as much as you. | 0:35:13 | 0:35:16 | |
Let's see what your chair's been up to, Brian. | 0:35:16 | 0:35:19 | |
News just in that Brian's chair went missing | 0:35:22 | 0:35:25 | |
from East Kilbride this morning, | 0:35:25 | 0:35:27 | |
and police have released the e-fit photo. | 0:35:27 | 0:35:29 | |
A police spokesman has issued the following warning - | 0:35:29 | 0:35:32 | |
if you see the chair, do not approach it and try it out | 0:35:32 | 0:35:36 | |
as it is extremely comfortable. | 0:35:36 | 0:35:38 | |
I'm afraid I've got some bad news... | 0:35:43 | 0:35:45 | |
What is it? | 0:35:45 | 0:35:46 | |
You might wanna sit down... | 0:35:47 | 0:35:50 | |
on Brian's chair. | 0:35:50 | 0:35:51 | |
Now, an unlikely skier from Scotland | 0:35:54 | 0:35:56 | |
has just been chosen to represent Great Britain | 0:35:56 | 0:35:59 | |
in the 2018 Winter Olympics. | 0:35:59 | 0:36:01 | |
Big news just in - | 0:36:07 | 0:36:08 | |
Manchester United have unveiled their new signing today, | 0:36:08 | 0:36:11 | |
he might be from East Kilbride, | 0:36:11 | 0:36:12 | |
but, as you can see, he's red through and through. | 0:36:12 | 0:36:15 | |
Congratulations, Brian's chair. Time for the weather now. | 0:36:15 | 0:36:20 | |
Hazy sunshine in the north, | 0:36:20 | 0:36:21 | |
with a strong chance of Brian's chair emerging. | 0:36:21 | 0:36:24 | |
Brian's chair will then move towards the south-east, | 0:36:24 | 0:36:26 | |
heading for the capital for the evening. | 0:36:26 | 0:36:29 | |
What are you doing back here? | 0:36:33 | 0:36:35 | |
Look, I've moved on now. | 0:36:35 | 0:36:38 | |
Who am I kidding? I still love you. | 0:36:38 | 0:36:39 | |
Let me sit on you one last time. | 0:36:39 | 0:36:41 | |
EASTENDERS THEME | 0:36:41 | 0:36:43 | |
Oh, yes, it's Brian's chair! | 0:36:46 | 0:36:48 | |
Brian... | 0:36:50 | 0:36:52 | |
I used to like you. | 0:36:52 | 0:36:55 | |
Brian, I'm sorry, I had nothing to do with this, | 0:36:55 | 0:36:57 | |
your chair has taken on a life of its own. | 0:36:57 | 0:37:00 | |
Brian, where's your chair? | 0:37:00 | 0:37:02 | |
We know where your chair is, Brian. | 0:37:03 | 0:37:05 | |
Brian, that's your chair! | 0:37:05 | 0:37:07 | |
Oh, yes, Brian! | 0:37:10 | 0:37:12 | |
You can watch the rest of the show in the comfort of your own chair. | 0:37:13 | 0:37:18 | |
We've got an usher over here | 0:37:18 | 0:37:19 | |
who is going to lead you to your favourite chair. There you go. | 0:37:19 | 0:37:23 | |
Ladies and gentlemen, it's Brian heading for his favourite chair! | 0:37:23 | 0:37:26 | |
CHEERING | 0:37:26 | 0:37:28 | |
Well done, Brian. | 0:37:28 | 0:37:31 | |
Well done. Off you go, Brian. There goes Brian. | 0:37:31 | 0:37:35 | |
OK. It is time, ladies and gentlemen, | 0:37:41 | 0:37:43 | |
to find out what texts Alex has received | 0:37:43 | 0:37:47 | |
as tonight's excellent sport in our Send To All box. | 0:37:47 | 0:37:51 | |
Ladies and gentlemen, Alex Jones. | 0:37:51 | 0:37:53 | |
CHEERING | 0:37:53 | 0:37:55 | |
OK, let's just recap what the text was that I sent into your phone. | 0:37:57 | 0:38:01 | |
The message was... | 0:38:01 | 0:38:02 | |
OK, let's go to Keith. Who's Keith? | 0:38:15 | 0:38:17 | |
-Accountant. -Brilliant. | 0:38:17 | 0:38:20 | |
Really straight to the point from your accountant. | 0:38:20 | 0:38:23 | |
He's just gone, he's just gone, | 0:38:23 | 0:38:24 | |
"Not a problem. I guess you need to get some counselling." | 0:38:24 | 0:38:28 | |
Oh, my gosh! | 0:38:33 | 0:38:34 | |
Keith, I mean Keith is in his 70s, isn't he? | 0:38:36 | 0:38:38 | |
OK, Sophie Olly Wine. What's that, who's that? | 0:38:40 | 0:38:44 | |
So Sophie is Olly who does the wine's wife. | 0:38:44 | 0:38:48 | |
Brilliant. | 0:38:48 | 0:38:50 | |
-Saturday Kitchen. -OK, well, this is a good one. | 0:38:50 | 0:38:53 | |
"Hiya, did you really mean | 0:38:53 | 0:38:57 | |
"that text for me?!?! | 0:38:57 | 0:39:01 | |
"If so, well, gosh, I'm flattered. | 0:39:01 | 0:39:03 | |
"Can I have a think? | 0:39:11 | 0:39:12 | |
"When do you need to know?" Double kiss. Wow. | 0:39:16 | 0:39:20 | |
Cat...amongst...pigeons. | 0:39:20 | 0:39:24 | |
Eleanor? All these girls getting back. | 0:39:24 | 0:39:27 | |
Oh, it's brilliant! | 0:39:27 | 0:39:28 | |
It's in Welsh. | 0:39:28 | 0:39:30 | |
Eleanor, Eleanor Gardner. | 0:39:30 | 0:39:31 | |
Yes, she's gone... | 0:39:31 | 0:39:33 | |
HE SPEAKS WELSH | 0:39:33 | 0:39:35 | |
"..jumpsuit monochrome suit..." | 0:39:44 | 0:39:46 | |
HE SPEAKS WELSH | 0:39:46 | 0:39:48 | |
"Kiss, kiss, kiss." | 0:39:54 | 0:39:56 | |
-No! -What? -It's really bad. | 0:39:56 | 0:39:58 | |
-Yeah. -What do you mean? | 0:39:58 | 0:39:59 | |
Yeah. | 0:39:59 | 0:40:01 | |
-That... -So she's saying, "I know the moment you fell in love with me, | 0:40:01 | 0:40:04 | |
"when you were wearing... | 0:40:04 | 0:40:06 | |
"..when you were wearing the monochrome jumpsuit, | 0:40:10 | 0:40:12 | |
"big love, mwah, El." | 0:40:12 | 0:40:15 | |
It sounds like she was having a laugh. | 0:40:15 | 0:40:17 | |
No, she's not that type. | 0:40:17 | 0:40:19 | |
She's quite serious. | 0:40:22 | 0:40:24 | |
OK, Liam flooring. | 0:40:26 | 0:40:28 | |
He's just said, "That's OK, Alex, you're mine. Feel free, Liam." | 0:40:28 | 0:40:32 | |
Awkward. | 0:40:32 | 0:40:33 | |
What did he do for you? He put... | 0:40:35 | 0:40:37 | |
-Um, he sanded the floor. -He sanded the floor? | 0:40:37 | 0:40:41 | |
He's not sanding the floor next time, is he, Charlie? | 0:40:41 | 0:40:45 | |
H from Steps, you've actually written... | 0:40:45 | 0:40:47 | |
H from Steps is in your phone. | 0:40:50 | 0:40:53 | |
And you, and you've actually put "H from Steps." | 0:40:53 | 0:40:56 | |
-I know it's not... -Surely if you're putting "H", | 0:40:56 | 0:40:59 | |
of all the people in the world to put into your contacts, | 0:40:59 | 0:41:01 | |
this is the easiest one. | 0:41:01 | 0:41:03 | |
You just simply put him under H, and you're done. | 0:41:03 | 0:41:07 | |
But you've had to specify H from Steps, | 0:41:07 | 0:41:10 | |
like you know other people called H. Like, if it just says H... | 0:41:10 | 0:41:14 | |
IMITATING ALEX: This could be one of a number of people. | 0:41:14 | 0:41:17 | |
"Hilarious! Clearly barking up the wrong tree there. | 0:41:17 | 0:41:21 | |
"Go ahead. Xxx." | 0:41:23 | 0:41:26 | |
Oh, Paul Hollywood. | 0:41:26 | 0:41:29 | |
CHEERING | 0:41:29 | 0:41:30 | |
Oh, the girls love that. | 0:41:30 | 0:41:32 | |
Oh, he... You know what? He is a bit of a crush, isn't he, Hollywood? | 0:41:32 | 0:41:36 | |
He probably gets texts like this every hour on the hour, | 0:41:36 | 0:41:41 | |
just about the time your alarm clock's waking you up, baby. | 0:41:41 | 0:41:44 | |
Oh, he's so flirty! He's just come in with, | 0:41:45 | 0:41:48 | |
"You cheeky monkey. | 0:41:48 | 0:41:50 | |
"LOL, no problem." | 0:41:52 | 0:41:54 | |
He just... He fully expects it, Hollywood. | 0:41:54 | 0:41:57 | |
APPLAUSE | 0:41:57 | 0:41:59 | |
OK, what an incredible sport. | 0:42:01 | 0:42:03 | |
Please give it up for the fantastic Alex Jones! | 0:42:03 | 0:42:06 | |
CHEERING | 0:42:06 | 0:42:08 | |
Right, ladies and gentlemen... | 0:42:12 | 0:42:14 | |
Oh! Let's check on Brian in his chair! There he is! | 0:42:14 | 0:42:17 | |
-Look at that! -Wahey! | 0:42:17 | 0:42:19 | |
How you doing? | 0:42:19 | 0:42:20 | |
-I'm... Oh, this is good. -You must be so comfortable. | 0:42:20 | 0:42:23 | |
Oh, this is so good. | 0:42:23 | 0:42:26 | |
Perfect. Brian's in his element. | 0:42:26 | 0:42:30 | |
Fabulous. | 0:42:30 | 0:42:31 | |
OK, the moment has arrived! | 0:42:31 | 0:42:34 | |
CHEERING | 0:42:34 | 0:42:36 | |
It is time for our Unexpected Star of the show's big moment. | 0:42:36 | 0:42:41 | |
Earlier tonight, Aaron came to the theatre | 0:42:41 | 0:42:43 | |
thinking he was here to do a job as a plasterer, | 0:42:43 | 0:42:46 | |
but, really, I was here to make his dreams | 0:42:46 | 0:42:48 | |
of being a rock and roll star come true. | 0:42:48 | 0:42:51 | |
And now I will introduce him. | 0:42:51 | 0:42:53 | |
My next guest is a rock singer who has had FIVE | 0:42:55 | 0:42:59 | |
sugars in his tea. | 0:42:59 | 0:43:00 | |
He's covered walls, he's covered ceilings, | 0:43:02 | 0:43:05 | |
but tonight he is covering a U2 classic. | 0:43:05 | 0:43:08 | |
Performing Still Haven't Found What I'm Looking For, | 0:43:08 | 0:43:11 | |
it's our Unexpected Star of the show - | 0:43:11 | 0:43:14 | |
go wild... In fact, we should chant his name like a rock star. | 0:43:14 | 0:43:17 | |
Aaron! Aaron! Aaron! | 0:43:17 | 0:43:19 | |
ALL CHANT "AARON" | 0:43:19 | 0:43:22 | |
It's Aaron Middleton, our Unexpected Star! | 0:43:22 | 0:43:25 | |
Plasterer, Aaron! | 0:43:25 | 0:43:27 | |
CHEERING AND APPLAUSE | 0:43:27 | 0:43:29 | |
# I have climbed the highest mountains | 0:43:38 | 0:43:42 | |
# I have run through the fields | 0:43:42 | 0:43:47 | |
# Only to be with you | 0:43:47 | 0:43:51 | |
# Only to be with you | 0:43:51 | 0:43:56 | |
# But I still haven't found | 0:43:56 | 0:44:01 | |
# What I'm looking for | 0:44:01 | 0:44:04 | |
# No, I still haven't found | 0:44:06 | 0:44:10 | |
# What I'm looking for | 0:44:10 | 0:44:14 | |
# I have spoke with the tongue of angels | 0:44:15 | 0:44:20 | |
# I have held the hand of a devil | 0:44:20 | 0:44:24 | |
# It was warm in the night | 0:44:24 | 0:44:27 | |
# I was cold as a stone | 0:44:28 | 0:44:32 | |
# But I still haven't found | 0:44:34 | 0:44:38 | |
# What I'm looking for | 0:44:38 | 0:44:41 | |
# I believe in the kingdom come | 0:44:43 | 0:44:48 | |
# Then all the colours will bleed into one | 0:44:48 | 0:44:52 | |
# Bleed into one | 0:44:52 | 0:44:55 | |
# But, yes, I'm still running | 0:44:57 | 0:44:59 | |
# You broke the bonds | 0:45:02 | 0:45:03 | |
# And you loosened the chains | 0:45:03 | 0:45:06 | |
# Carried the cross of my shame | 0:45:06 | 0:45:11 | |
# Oh, my shame | 0:45:11 | 0:45:16 | |
# You know I believe it | 0:45:16 | 0:45:19 | |
# But I still haven't found | 0:45:21 | 0:45:25 | |
# What I'm looking for | 0:45:25 | 0:45:28 | |
# But I still haven't found | 0:45:30 | 0:45:35 | |
# What I'm looking for. # | 0:45:35 | 0:45:39 | |
Thank you very much. | 0:45:39 | 0:45:40 | |
Amazing. | 0:45:43 | 0:45:44 | |
The strangest day at work I've ever had. | 0:45:49 | 0:45:53 | |
Ladies and gentlemen, our Unexpected Star of the show, | 0:45:53 | 0:45:55 | |
it's plasterer Aaron! | 0:45:55 | 0:45:57 | |
CHEERING AND APPLAUSE | 0:45:57 | 0:45:59 | |
That was amazing, it was fun. Well done, congratulations. | 0:45:59 | 0:46:03 | |
-Really, really brilliant. -Thank you very much. | 0:46:03 | 0:46:05 | |
Was it everything you hoped it would be? | 0:46:05 | 0:46:09 | |
Still trying to process it, to be honest, mate. | 0:46:09 | 0:46:11 | |
-So thanks for... -Well, amazing of you to sing that | 0:46:11 | 0:46:13 | |
and to turn it around. | 0:46:13 | 0:46:14 | |
Was that the biggest surprise of your life? | 0:46:14 | 0:46:16 | |
It was a big surprise, thank you very much. | 0:46:16 | 0:46:18 | |
He did well, didn't he, ladies and gentlemen? | 0:46:18 | 0:46:20 | |
CHEERING AND APPLAUSE Absolutely fantastic. | 0:46:20 | 0:46:23 | |
-Thank you. -Thank you so much. One more time, | 0:46:23 | 0:46:25 | |
it's our Unexpected Star of the show, sensational Aaron! | 0:46:25 | 0:46:29 | |
CHEERING | 0:46:29 | 0:46:31 | |
That's it, ladies and gentlemen, for tonight | 0:46:34 | 0:46:36 | |
and for the whole series. | 0:46:36 | 0:46:37 | |
A huge thank you to all of you, | 0:46:37 | 0:46:40 | |
to all my guests, and, of course, everyone who's performed on the show | 0:46:40 | 0:46:44 | |
and on the series. | 0:46:44 | 0:46:46 | |
Of course, a huge thank you | 0:46:46 | 0:46:48 | |
to all of our Unexpected Stars of the series - | 0:46:48 | 0:46:50 | |
there they are, amazing job, great to see you all. | 0:46:50 | 0:46:55 | |
If you'd like to nominate somebody to be the Unexpected Star | 0:46:55 | 0:46:58 | |
of the next series, | 0:46:58 | 0:47:00 | |
or in fact want to nominate somebody for any other surprises, | 0:47:00 | 0:47:03 | |
please go to... | 0:47:03 | 0:47:04 | |
..for all the details. | 0:47:06 | 0:47:08 | |
Thank you for watching. I'll be back later in the year | 0:47:09 | 0:47:11 | |
with another series with lots more big stars, | 0:47:11 | 0:47:13 | |
big laughs, and even bigger surprises, | 0:47:13 | 0:47:15 | |
but we have one final treat for you tonight, | 0:47:15 | 0:47:18 | |
to play us out, please welcome back to the stage All Saints! | 0:47:18 | 0:47:22 | |
CHEERING | 0:47:22 | 0:47:24 | |
MUSIC: Pure Shores | 0:47:26 | 0:47:28 | |
# I've crossed the deserts for miles | 0:47:36 | 0:47:38 | |
# Swam water for time | 0:47:38 | 0:47:41 | |
# Searching places to find | 0:47:41 | 0:47:43 | |
# A piece of something to call mine | 0:47:43 | 0:47:46 | |
# I'm coming | 0:47:46 | 0:47:48 | |
-# A piece of something to call mine -I'm coming, I'm coming | 0:47:48 | 0:47:53 | |
# Coming closer to you | 0:47:53 | 0:47:55 | |
# I've ran along many moors | 0:47:55 | 0:47:58 | |
# Walked through many doors | 0:47:58 | 0:48:00 | |
# The place where I want to be | 0:48:00 | 0:48:02 | |
-# Is the place I can call mine -I'm coming | 0:48:02 | 0:48:07 | |
-# Is the place I can call mine -I'm coming, I'm coming | 0:48:07 | 0:48:12 | |
# Coming closer to you | 0:48:12 | 0:48:13 | |
# I'm moving, I'm coming | 0:48:13 | 0:48:15 | |
# Can you hear what I hear? | 0:48:15 | 0:48:18 | |
# It's calling you, my dear | 0:48:18 | 0:48:20 | |
-# Out of reach -Take me to my beach | 0:48:20 | 0:48:24 | |
# I can hear it calling you | 0:48:24 | 0:48:27 | |
# I'm coming, not drowning | 0:48:27 | 0:48:30 | |
# Swimming closer to you | 0:48:30 | 0:48:33 | |
# Moving, coming | 0:48:33 | 0:48:37 | |
# Can you hear what I hear? | 0:48:37 | 0:48:40 | |
# Hear it out of reach | 0:48:40 | 0:48:43 | |
# I hear it calling you | 0:48:43 | 0:48:47 | |
# Swimming closer to you | 0:48:47 | 0:48:49 | |
# Many faces I have seen | 0:48:53 | 0:48:55 | |
# Many places I have been | 0:48:55 | 0:48:57 | |
# Walked the deserts Swam the shores | 0:48:57 | 0:49:00 | |
# Coming closer to you | 0:49:00 | 0:49:02 | |
# Many faces I have known | 0:49:02 | 0:49:05 | |
# Many way in which I've grown | 0:49:05 | 0:49:07 | |
# Moving closer on my own | 0:49:07 | 0:49:09 | |
# Coming closer to you | 0:49:09 | 0:49:11 | |
# I move it, I feel it | 0:49:11 | 0:49:14 | |
# Yeah-ay-ay | 0:49:14 | 0:49:16 | |
# I'm coming, not drowning | 0:49:16 | 0:49:18 | |
# I'm moving, I'm coming | 0:49:20 | 0:49:22 | |
# Can you hear what I hear? | 0:49:22 | 0:49:24 | |
# It's calling you, my dear | 0:49:24 | 0:49:27 | |
-# Out of reach -Take me to my beach | 0:49:27 | 0:49:31 | |
# I can hear it calling you | 0:49:31 | 0:49:34 | |
# I'm coming, not drowning | 0:49:34 | 0:49:36 | |
-# Swimming closer to you -Take me to my beach | 0:49:36 | 0:49:41 | |
# I'm moving. # | 0:49:41 | 0:49:43 | |
CHEERING | 0:49:43 | 0:49:45 |