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Coming up on tonight's show... | 0:00:11 | 0:00:13 | |
Football pundit Robbie Savage braves Celebrity Send To All. | 0:00:13 | 0:00:18 | |
We've got mind magic from Colin Cloud. | 0:00:18 | 0:00:21 | |
There's a sensational performance from the beautiful | 0:00:21 | 0:00:24 | |
Katherine Jenkins | 0:00:24 | 0:00:26 | |
and who will be our Unexpected Star of the show? | 0:00:26 | 0:00:31 | |
Ladies and gentlemen, it's the Big Show! | 0:00:34 | 0:00:38 | |
Please welcome your host, Michael McIntyre! | 0:00:38 | 0:00:41 | |
CHEERING AND APPLAUSE | 0:00:41 | 0:00:44 | |
Oh! | 0:00:59 | 0:01:01 | |
What? What? | 0:01:01 | 0:01:04 | |
Good evening, ladies and gentlemen, | 0:01:07 | 0:01:09 | |
and welcome to my Big Show! | 0:01:09 | 0:01:13 | |
CHEERING AND APPLAUSE | 0:01:13 | 0:01:15 | |
Oh, yes. | 0:01:15 | 0:01:16 | |
We actually have a fantastic show for you this evening. | 0:01:18 | 0:01:22 | |
Are you up for that? Oh, good lord. | 0:01:22 | 0:01:25 | |
There'll be big star performances, big laughs and big surprises! | 0:01:26 | 0:01:30 | |
Oh, yes! | 0:01:30 | 0:01:31 | |
We will also be playing my favourite game of them all, | 0:01:32 | 0:01:35 | |
Celebrity Send To All. | 0:01:35 | 0:01:37 | |
Oh, yes. | 0:01:39 | 0:01:40 | |
And of course, one person will be getting the biggest surprise | 0:01:40 | 0:01:43 | |
of their life when they become our latest Unexpected Star of the show. | 0:01:43 | 0:01:47 | |
CHEERING AND APPLAUSE | 0:01:47 | 0:01:49 | |
How are we? Are you all right at the top? | 0:01:50 | 0:01:52 | |
Let's say hi to you - how are you? | 0:01:52 | 0:01:54 | |
CHEERING | 0:01:54 | 0:01:56 | |
Yeah. I was actually going to ask, who's got binoculars on their seat? | 0:01:56 | 0:02:00 | |
CHEERING | 0:02:00 | 0:02:01 | |
It's not a good sign, is it? | 0:02:01 | 0:02:03 | |
LAUGHTER | 0:02:03 | 0:02:04 | |
Some people see better than other people. | 0:02:04 | 0:02:06 | |
You can see who sees better than other people if they have glasses or don't have glasses. | 0:02:06 | 0:02:10 | |
I have contact lenses. I'm short-sighted. Some people are long-sighted. | 0:02:10 | 0:02:13 | |
Well, short-sighted means you struggle to see in the distance. | 0:02:13 | 0:02:17 | |
That, I think, is better. That's my one. | 0:02:17 | 0:02:19 | |
Long-sighted people, they can see fine, | 0:02:19 | 0:02:21 | |
actually quite well in the distance, but they can't see in their face. | 0:02:21 | 0:02:24 | |
They need glasses to read. So right in front of their face. | 0:02:24 | 0:02:27 | |
That must be very frustrating, | 0:02:27 | 0:02:29 | |
because they can see fine over there. | 0:02:29 | 0:02:31 | |
How have they lived their lives? Do people come up to them, like, | 0:02:31 | 0:02:33 | |
"I don't know you. Get out of my face. What are you doing? Seriously, why? | 0:02:33 | 0:02:37 | |
"Go on, keep walking. Get away from me. I do not know you. | 0:02:37 | 0:02:39 | |
"Go on, off you go. No, keep going. | 0:02:39 | 0:02:41 | |
"Sorry, stop. I do know you. Come back. | 0:02:41 | 0:02:44 | |
"It's just that I'm long-sighted." | 0:02:44 | 0:02:46 | |
LAUGHTER | 0:02:46 | 0:02:48 | |
I've literally had the same prescription for my glasses | 0:02:48 | 0:02:51 | |
my whole life. I'm minus 3.25. And when I need glasses, | 0:02:51 | 0:02:54 | |
I break them, or new contact lenses, I just get the same prescription. | 0:02:54 | 0:02:57 | |
Haven't been back to the optician since I was a kid. | 0:02:57 | 0:02:59 | |
I just go with that, because it works, know what I mean? | 0:02:59 | 0:03:01 | |
It works. Also, I don't want to go to the optician. | 0:03:01 | 0:03:03 | |
I don't know what it's like nowadays, | 0:03:03 | 0:03:05 | |
but I remember it being so, so boring, so confusing. | 0:03:05 | 0:03:07 | |
I didn't know quite what was going on. | 0:03:07 | 0:03:09 | |
They would show you, like, a green circle and a red circle. | 0:03:09 | 0:03:12 | |
And they'd give you this lens, which was the same on both sides - | 0:03:12 | 0:03:16 | |
you could see it was the same - and they'd go, | 0:03:16 | 0:03:18 | |
"Just focus on the green circle and the red circle. | 0:03:18 | 0:03:21 | |
"Is it clearer one or two? Is it clearer one or two? | 0:03:21 | 0:03:25 | |
"One, two. One, two." | 0:03:25 | 0:03:30 | |
LAUGHTER | 0:03:33 | 0:03:34 | |
"I'm sorry, I don't know what you're asking me. | 0:03:36 | 0:03:38 | |
"I'm trying so hard to help you. | 0:03:38 | 0:03:40 | |
"It's the same. I think it's the same." | 0:03:40 | 0:03:41 | |
"Just focus on the green circle and the red circle. | 0:03:41 | 0:03:44 | |
"Is it clearer one or two?" | 0:03:44 | 0:03:45 | |
"I don't know. Shall we say one and move on with our lives?" | 0:03:45 | 0:03:48 | |
LAUGHTER | 0:03:48 | 0:03:50 | |
The only bit that was remotely fun is the letters. | 0:03:50 | 0:03:52 | |
You know, with the eye chart for the letters. | 0:03:52 | 0:03:54 | |
So they have a big letter and then they have rows of smaller letters. | 0:03:54 | 0:03:57 | |
The big one is just there to start you off, you know. | 0:03:57 | 0:03:59 | |
To get you into it, you know, to give you some confidence. | 0:03:59 | 0:04:02 | |
Everyone can see that one. It's very rare... | 0:04:02 | 0:04:04 | |
That one's there to test you're literate. | 0:04:04 | 0:04:07 | |
"I don't do letters, can I have animals?" | 0:04:07 | 0:04:10 | |
So they put that one there to just get you into it, | 0:04:10 | 0:04:12 | |
and most people start off with confidence. "H," they go. | 0:04:12 | 0:04:15 | |
"Yeah, I'm off! Let's go. Let's do this. | 0:04:15 | 0:04:18 | |
"H! Am I right or am I right?" | 0:04:18 | 0:04:21 | |
LAUGHTER | 0:04:21 | 0:04:22 | |
"OK, I'm seeing V, G, | 0:04:22 | 0:04:24 | |
"I'm getting a Q. I'm thinking B." | 0:04:24 | 0:04:26 | |
You feel really good about yourself as you race through them. | 0:04:26 | 0:04:28 | |
"Yeah, Y. These are the easy ones, baby. I'm onto this." | 0:04:28 | 0:04:32 | |
And then when you get to one you can't see... You can't see it. | 0:04:32 | 0:04:34 | |
This is the key moment of the eye test. | 0:04:34 | 0:04:36 | |
This is the reason you booked the eye test. | 0:04:36 | 0:04:38 | |
It's the reason the optician trained in optometry. | 0:04:38 | 0:04:41 | |
So that you could at this moment go, | 0:04:41 | 0:04:43 | |
"Oh!" No, not "O". That probably confuses things. | 0:04:43 | 0:04:46 | |
LAUGHTER | 0:04:46 | 0:04:48 | |
You go, "Stop! I can't see. | 0:04:48 | 0:04:51 | |
"Help. I can't see that one. | 0:04:51 | 0:04:53 | |
"Please can you help me now? That's why I'm here. | 0:04:53 | 0:04:56 | |
"I could see the one before, which I think was an F, | 0:04:56 | 0:04:59 | |
"but this one, I'm completely in the dark. | 0:04:59 | 0:05:01 | |
"Will you give me glasses and help me? | 0:05:01 | 0:05:03 | |
"Help me, please. Only you can help me. | 0:05:03 | 0:05:05 | |
"It's why I've come to you in this home of vision. | 0:05:05 | 0:05:08 | |
"Help me now." | 0:05:08 | 0:05:11 | |
Oh, but we don't do that. | 0:05:11 | 0:05:12 | |
No, we choose to guess the letter. | 0:05:12 | 0:05:15 | |
LAUGHTER | 0:05:15 | 0:05:17 | |
Which completely defeats the purpose. | 0:05:17 | 0:05:20 | |
It's not a game show. You don't win the glasses. | 0:05:20 | 0:05:23 | |
LAUGHTER | 0:05:23 | 0:05:24 | |
But you're there, sort of straining, going, "Er... T?" | 0:05:24 | 0:05:28 | |
There's no point in straining! | 0:05:28 | 0:05:30 | |
Just relax. It's not like you're going to get it right and go, | 0:05:30 | 0:05:33 | |
"It turns out, darling, I don't need glasses. | 0:05:33 | 0:05:35 | |
"I just need to squint and lean for the rest of my life. | 0:05:35 | 0:05:39 | |
"If I lean like that, I can see everything so much better. | 0:05:39 | 0:05:42 | |
"I got it. I got T, and I didn't even know it was a T! | 0:05:43 | 0:05:45 | |
"I'll drive, I'll drive, it should be fine." | 0:05:45 | 0:05:48 | |
LAUGHTER | 0:05:48 | 0:05:50 | |
It must've happened in history that someone has accidentally | 0:05:52 | 0:05:55 | |
guessed all the letters correctly. | 0:05:55 | 0:05:57 | |
"You tell me they're letters in front of me? OK, well, let's say B. | 0:05:57 | 0:06:01 | |
"Shall we say, er, X? | 0:06:01 | 0:06:03 | |
"And the final - is there one more, you say? | 0:06:04 | 0:06:06 | |
"OK, let's go for G." "You have 20/20 vision." | 0:06:06 | 0:06:09 | |
"Really? Who said that? | 0:06:09 | 0:06:11 | |
"Is there somebody else in the room with me?" | 0:06:11 | 0:06:13 | |
LAUGHTER AND APPLAUSE | 0:06:13 | 0:06:16 | |
OK, ladies and gentlemen, it is now time | 0:06:20 | 0:06:23 | |
for me to play my favourite game of them all - | 0:06:23 | 0:06:26 | |
why, it's Celebrity Send To All! | 0:06:26 | 0:06:29 | |
Yay! | 0:06:29 | 0:06:30 | |
This is where I take someone's mobile phone | 0:06:32 | 0:06:34 | |
and send a text of my choosing to all their contacts, | 0:06:34 | 0:06:37 | |
and then we see what hilarious replies they get. So let's see | 0:06:37 | 0:06:40 | |
who's in our royal Send To All box this week. | 0:06:40 | 0:06:43 | |
Why, it's football pundit and former Welsh international football star - | 0:06:43 | 0:06:48 | |
it's Robbie Savage! | 0:06:48 | 0:06:50 | |
CHEERING AND APPLAUSE Yes! Ha-ha! | 0:06:50 | 0:06:53 | |
My man. | 0:06:54 | 0:06:55 | |
-How are you? -Fine, thank you. You? | 0:06:55 | 0:06:57 | |
-Yeah. -Good. -So who are you here with, Robbie? | 0:06:57 | 0:07:00 | |
My friends Jake and Bill. | 0:07:00 | 0:07:02 | |
-Jake and Bill. They're just - they're your mates? -Yes. | 0:07:02 | 0:07:05 | |
OK, good. So, listen, you're on BT Sport, | 0:07:05 | 0:07:09 | |
Match of the Day - are you enjoying that? | 0:07:09 | 0:07:11 | |
-5 Live. -5 Live. And who do you actually support? | 0:07:11 | 0:07:15 | |
I support Wrexham. | 0:07:15 | 0:07:17 | |
You support Wrexham? What, seriously? | 0:07:17 | 0:07:19 | |
Well, that's where I'm from. | 0:07:19 | 0:07:20 | |
We shouldn't forget that in your heyday | 0:07:20 | 0:07:22 | |
you were an incredible footballer yourself. | 0:07:22 | 0:07:24 | |
Played for Manchester United, played for Leicester, played for Wales. | 0:07:24 | 0:07:27 | |
Let's have a look at your highlights. | 0:07:27 | 0:07:30 | |
LAUGHTER | 0:07:30 | 0:07:32 | |
APPLAUSE | 0:07:35 | 0:07:36 | |
I've got to say, I look all right, actually. | 0:07:41 | 0:07:44 | |
First of all, thank you so much for being here. | 0:07:44 | 0:07:46 | |
I'm very grateful for you putting yourself through this. | 0:07:46 | 0:07:49 | |
Can I just confirm that you've not told anybody | 0:07:49 | 0:07:51 | |
-to expect a text from you? -No. -So nobody's expecting a text. -No. | 0:07:51 | 0:07:53 | |
OK, ladies and gentlemen, big round of applause. What a great sport. | 0:07:53 | 0:07:56 | |
CHEERING AND APPLAUSE Robbie Savage is here. I'm really grateful to you. | 0:07:56 | 0:07:59 | |
So if you'd like to place your mobile telephone | 0:07:59 | 0:08:03 | |
into this contraption, the cushion there, I'm going to get it down, | 0:08:03 | 0:08:06 | |
but just for a bit of fun, I'm going to practise some of my own | 0:08:06 | 0:08:09 | |
footballing skills as the phone comes down. | 0:08:09 | 0:08:11 | |
So I'm just going to keep heading it. Just throw it back to my head | 0:08:11 | 0:08:14 | |
and I'll see how I do. All right, here we go. | 0:08:14 | 0:08:17 | |
MUSIC: Match Of The Day Theme | 0:08:17 | 0:08:20 | |
This is going really well! | 0:08:25 | 0:08:27 | |
Wow. | 0:08:32 | 0:08:33 | |
Ladies and gentlemen, I am now in possession | 0:08:33 | 0:08:36 | |
of Robbie Savage's mobile phone! | 0:08:36 | 0:08:37 | |
CHEERING | 0:08:37 | 0:08:38 | |
Thank you, Robbie. | 0:08:38 | 0:08:40 | |
Brilliant. | 0:08:40 | 0:08:42 | |
All right, so I'm going to plug it into this huge phone. | 0:08:42 | 0:08:46 | |
Should pop up. Yay, there it is! | 0:08:46 | 0:08:49 | |
CHEERING AND APPLAUSE | 0:08:49 | 0:08:51 | |
Who are these beautiful people? This is your wife and children? | 0:08:52 | 0:08:55 | |
-Yes. -All right, so let's see what's on this phone. | 0:08:55 | 0:08:58 | |
All the classics, I can already see them. Sky Go, yes, why not? | 0:08:58 | 0:09:02 | |
BBC Sport. | 0:09:02 | 0:09:03 | |
Erm, what's Z Meditations? | 0:09:03 | 0:09:06 | |
Bah... | 0:09:06 | 0:09:07 | |
PING | 0:09:10 | 0:09:11 | |
LAUGHTER | 0:09:11 | 0:09:13 | |
What, is that it? | 0:09:14 | 0:09:16 | |
-SOOTHING VOICE FROM PHONE: -Find a quiet and comfortable place | 0:09:16 | 0:09:18 | |
where you can sit down and meditate. | 0:09:18 | 0:09:21 | |
-You can also lie down. -LAUGHTER | 0:09:21 | 0:09:24 | |
But it's important not to fall asleep. | 0:09:24 | 0:09:27 | |
Now close your eyes and breathe gently. | 0:09:27 | 0:09:32 | |
-Was that it? I just find a comfortable place? -Yeah. | 0:09:34 | 0:09:38 | |
PING | 0:09:38 | 0:09:39 | |
Find a quiet and comfortable place... | 0:09:43 | 0:09:44 | |
I've done that! | 0:09:44 | 0:09:46 | |
..where you can sit down and meditate. | 0:09:46 | 0:09:49 | |
You can also lie down. But it's important not to fall asleep. | 0:09:49 | 0:09:53 | |
LAUGHTER | 0:09:53 | 0:09:55 | |
Now, close your eyes | 0:09:55 | 0:09:58 | |
and breathe gently. | 0:09:58 | 0:10:00 | |
Robbie, why have you got this?! | 0:10:00 | 0:10:03 | |
No idea! I don't know. | 0:10:03 | 0:10:05 | |
-You don't remember getting this? -No. -Don't pretend! You're just embarrassed in front of... | 0:10:05 | 0:10:09 | |
As you're sitting down, | 0:10:09 | 0:10:10 | |
pay attention to your body's reaction to the chair, | 0:10:10 | 0:10:14 | |
-the temperature... -What? Temperature? | 0:10:14 | 0:10:17 | |
-..the pressure... -The pressure? | 0:10:17 | 0:10:18 | |
-..and the texture. -The texture? | 0:10:18 | 0:10:20 | |
The texture of what? | 0:10:20 | 0:10:22 | |
LAUGHTER | 0:10:22 | 0:10:24 | |
Is this some creepy seduction thing? | 0:10:24 | 0:10:26 | |
LAUGHTER | 0:10:26 | 0:10:29 | |
All right, Robbie, I really have no idea what's going on in your life... | 0:10:29 | 0:10:32 | |
During meditation | 0:10:32 | 0:10:34 | |
-it's normal to feel itchy... -Itchy? | 0:10:34 | 0:10:37 | |
..discomfort, or even slight pains. | 0:10:37 | 0:10:40 | |
-LAUGHTER -So use this opportunity | 0:10:40 | 0:10:43 | |
and focus on the reaction of your body | 0:10:43 | 0:10:46 | |
and settle in to a comfortable position. | 0:10:46 | 0:10:49 | |
LAUGHTER | 0:10:49 | 0:10:51 | |
Robbie, this is the most unexpected thing I've ever found. | 0:10:54 | 0:10:59 | |
All right, let's have a quick look at your photos. | 0:10:59 | 0:11:02 | |
Oh, it's you with your... You've got very cool-looking - | 0:11:02 | 0:11:05 | |
are they twins? Are the boys twins? | 0:11:05 | 0:11:07 | |
No, Charlie and Freddie. He's 12 and Freddie's nine. | 0:11:07 | 0:11:10 | |
So they're not twins. | 0:11:10 | 0:11:11 | |
LAUGHTER | 0:11:11 | 0:11:13 | |
Er, what? OK, that's you pointing at your nose. | 0:11:15 | 0:11:18 | |
Um... | 0:11:18 | 0:11:19 | |
Do you only take photos of yourself? | 0:11:19 | 0:11:21 | |
LAUGHTER | 0:11:21 | 0:11:23 | |
Oh, for God's sake. What's going... | 0:11:23 | 0:11:25 | |
Where are you here, Robster? | 0:11:25 | 0:11:26 | |
I was in, um, Greece. | 0:11:26 | 0:11:29 | |
Is that the colour of the court, or did you fall over a lot? | 0:11:29 | 0:11:32 | |
LAUGHTER | 0:11:32 | 0:11:34 | |
OK. | 0:11:37 | 0:11:38 | |
What's going on here? Is this a before and after? | 0:11:38 | 0:11:41 | |
Yes, I was on a diet. | 0:11:41 | 0:11:43 | |
And why have you got the iPhone backpack? | 0:11:43 | 0:11:45 | |
LAUGHTER | 0:11:45 | 0:11:48 | |
OK, that's you back in Greece. There's more iPhoning, | 0:11:54 | 0:11:57 | |
That's you, your own face. | 0:11:57 | 0:11:59 | |
There's your kids. There's a vanity... | 0:11:59 | 0:12:01 | |
There's a level of vanity. What the...? | 0:12:01 | 0:12:03 | |
LAUGHTER | 0:12:03 | 0:12:05 | |
WHOOPING AND WOLF WHISTLES | 0:12:05 | 0:12:07 | |
Do you meditate and look at pictures of yourself? | 0:12:07 | 0:12:11 | |
This is during the itchy section of the meditation. | 0:12:12 | 0:12:15 | |
"It is normal to feel itchy due to meditation." | 0:12:17 | 0:12:20 | |
So, right, let's get into your texts here. | 0:12:21 | 0:12:24 | |
The text I'm going to send is... | 0:12:24 | 0:12:27 | |
"I had a really weird | 0:12:27 | 0:12:32 | |
"dream last night..." | 0:12:32 | 0:12:36 | |
Oh... | 0:12:36 | 0:12:37 | |
"..that me and you..." | 0:12:38 | 0:12:41 | |
Oh, no. | 0:12:41 | 0:12:42 | |
"..were presenting Match Of The Day | 0:12:42 | 0:12:47 | |
"together, | 0:12:47 | 0:12:50 | |
"naked." | 0:12:50 | 0:12:51 | |
LAUGHTER | 0:12:51 | 0:12:53 | |
APPLAUSE | 0:12:53 | 0:12:55 | |
"What do you think | 0:12:57 | 0:13:00 | |
"it means?" | 0:13:00 | 0:13:02 | |
LAUGHTER | 0:13:02 | 0:13:03 | |
How would you sign a text, Robbie? | 0:13:07 | 0:13:09 | |
I'd put a kiss. | 0:13:09 | 0:13:10 | |
-One kiss? -Yeah. -OK, let's just go through this text. | 0:13:10 | 0:13:13 | |
"I had a really weird dream last night that me and you | 0:13:13 | 0:13:16 | |
"were presenting Match Of The Day together naked. | 0:13:16 | 0:13:18 | |
"What do you think it means?" | 0:13:18 | 0:13:19 | |
Let's send that to everybody in Robbie's phone. ROBBIE GROANS | 0:13:19 | 0:13:22 | |
Shall we do it? CHEERING | 0:13:22 | 0:13:24 | |
And... | 0:13:24 | 0:13:26 | |
that has gone! | 0:13:26 | 0:13:28 | |
Yay! | 0:13:28 | 0:13:30 | |
Ladies and gentlemen, a huge hand | 0:13:30 | 0:13:33 | |
for the vainest meditator on earth - | 0:13:33 | 0:13:36 | |
it's Robbie Savage! | 0:13:36 | 0:13:38 | |
CHEERING AND APPLAUSE | 0:13:38 | 0:13:39 | |
We'll be finding who's texted back later on in the show. | 0:13:39 | 0:13:42 | |
Pass me the ball, I'm going to... C'mon, let's have it. | 0:13:46 | 0:13:48 | |
God, look at the pressure, yeah. Instant control. | 0:13:48 | 0:13:51 | |
LAUGHTER AND WHOOPING | 0:13:51 | 0:13:53 | |
Oh, oh, oh, he's still going. He's still... | 0:13:54 | 0:13:56 | |
Oh, whoa. Whoa, whoa, whoa. | 0:13:56 | 0:13:58 | |
Wah! Wah! | 0:13:58 | 0:14:00 | |
Whoa, whoa! | 0:14:00 | 0:14:01 | |
SHOUTS AND WHISTLES FROM AUDIENCE | 0:14:03 | 0:14:05 | |
CHEERING AND APPLAUSE | 0:14:05 | 0:14:08 | |
Not bad! | 0:14:08 | 0:14:09 | |
Whoo! | 0:14:11 | 0:14:12 | |
OK, my next guest is a mind magician. | 0:14:14 | 0:14:17 | |
-AUDIENCE: -Oooooh! | 0:14:17 | 0:14:19 | |
He is known as the real life Sherlock Holmes. | 0:14:19 | 0:14:23 | |
-AUDIENCE: -Oooooh! | 0:14:23 | 0:14:25 | |
Prepare to be amazed, ladies and gentlemen, by the wonderful... | 0:14:25 | 0:14:29 | |
Mr Colin Cloud is here! Colin Cloud! | 0:14:29 | 0:14:32 | |
CHEERING AND APPLAUSE | 0:14:32 | 0:14:34 | |
Good evening, ladies and gentlemen. Are you well? | 0:14:37 | 0:14:40 | |
CHEERING | 0:14:40 | 0:14:42 | |
Good. Can I ask you all now, please, | 0:14:42 | 0:14:44 | |
to stand up for me on your feet? | 0:14:44 | 0:14:47 | |
Thank you, thank you, thank you. | 0:14:47 | 0:14:49 | |
So now that you are all standing, | 0:14:49 | 0:14:51 | |
listen very carefully. | 0:14:51 | 0:14:53 | |
I want you all now to think of a simple colour, any colour. | 0:14:53 | 0:14:58 | |
And if you are thinking of red, | 0:14:58 | 0:15:00 | |
sit back down. | 0:15:00 | 0:15:01 | |
Good, if you are still standing, think of a simple shape. | 0:15:01 | 0:15:04 | |
And if you are thinking of a circle, sit back down. | 0:15:04 | 0:15:08 | |
If you are sitting down right now, you'll be pleased to know | 0:15:08 | 0:15:11 | |
the way that you think is what's called "normal". | 0:15:11 | 0:15:14 | |
LAUGHTER | 0:15:14 | 0:15:16 | |
If, on the other hand, you are still standing, | 0:15:16 | 0:15:19 | |
you'll be pleased to know you're harder to influence | 0:15:19 | 0:15:21 | |
and cannot think of colours or shapes very quickly. | 0:15:21 | 0:15:24 | |
LAUGHTER | 0:15:24 | 0:15:25 | |
With this in mind, then, I wonder if you can help with this. | 0:15:25 | 0:15:28 | |
Er... Lady right here, | 0:15:28 | 0:15:30 | |
in the white dress with the black spots. | 0:15:30 | 0:15:32 | |
-Yes, you. What's your name? -Oh, Claudette. | 0:15:32 | 0:15:34 | |
-Claudette. -Yeah. -Claudette, you remain standing. | 0:15:34 | 0:15:37 | |
Everyone else sit back down. OK. | 0:15:37 | 0:15:39 | |
-Claudette? -Yes? | 0:15:39 | 0:15:41 | |
-We have never met before? -Never. -Genuinely never met, | 0:15:41 | 0:15:44 | |
and you have no idea exactly what I'm about to do to you. | 0:15:44 | 0:15:47 | |
Good! Do me a favour - not out loud, in your head, right now, | 0:15:47 | 0:15:51 | |
think about the name of the very first person you ever kissed. | 0:15:51 | 0:15:54 | |
Don't say their name, think of it. | 0:15:54 | 0:15:56 | |
And please Claudette a huge round of applause | 0:15:56 | 0:15:59 | |
as she makes her way up to the stage. Claudette, up you come. | 0:15:59 | 0:16:03 | |
APPLAUSE | 0:16:03 | 0:16:04 | |
Hi, Claudette. I will not embarrass you, OK, Claudette? | 0:16:06 | 0:16:08 | |
Come right this way. | 0:16:08 | 0:16:10 | |
Now, Claudette, thank you so much for helping. | 0:16:10 | 0:16:13 | |
Claudette, can I ask you please to hold two hands straight out | 0:16:13 | 0:16:16 | |
in front of you like this? | 0:16:16 | 0:16:17 | |
We'll avoid the microphone for a second. Good. | 0:16:17 | 0:16:19 | |
Imagine there is a computer keyboard right there, | 0:16:19 | 0:16:22 | |
and now imagine you are typing. So don't move your fingers, | 0:16:22 | 0:16:25 | |
but imagine you are typing this person's first name. | 0:16:25 | 0:16:28 | |
Just the first name, OK? | 0:16:28 | 0:16:30 | |
Think about where it took place as well. | 0:16:30 | 0:16:32 | |
Perfect. And in your mind, imagine typing the first letter, | 0:16:32 | 0:16:35 | |
just the first letter, OK? | 0:16:35 | 0:16:37 | |
Good. Imagine typing the second letter. | 0:16:37 | 0:16:39 | |
Good. And the next le... Is the third letter an S? | 0:16:39 | 0:16:43 | |
-Yes. -Yes, good, OK. Still warming up, still warming up. | 0:16:43 | 0:16:46 | |
Just think... I want you to keep your eyes open, | 0:16:46 | 0:16:48 | |
but pout your lips like you're about to kiss this person. | 0:16:48 | 0:16:51 | |
Do this... | 0:16:51 | 0:16:52 | |
LAUGHTER | 0:16:52 | 0:16:54 | |
Very natural. | 0:16:57 | 0:16:58 | |
Keeping look at me. Just pout, just pout. | 0:16:58 | 0:17:00 | |
Stay right there. Stay there, stay there. | 0:17:00 | 0:17:03 | |
HE SNIFFS | 0:17:03 | 0:17:04 | |
Were you eating pizza before you came here? | 0:17:05 | 0:17:08 | |
-Yeah! -Yes! Right. | 0:17:08 | 0:17:09 | |
-LAUGHTER -OK. | 0:17:09 | 0:17:11 | |
You can put your hands back down. | 0:17:11 | 0:17:12 | |
I think, if I'm right... In your mind, count the number of letters | 0:17:12 | 0:17:16 | |
in this person's name. Don't say it, think it. Do you have it? | 0:17:16 | 0:17:19 | |
Just the first name. Got it? | 0:17:19 | 0:17:21 | |
So weird - you thought four but you counted there are five. | 0:17:21 | 0:17:23 | |
Five letters, yeah? OK. | 0:17:23 | 0:17:25 | |
Next time don't move your fingers, OK? That, er... | 0:17:25 | 0:17:28 | |
Dead giveaway. | 0:17:28 | 0:17:29 | |
If I'm right, then the kiss, it must've taken place outside, | 0:17:29 | 0:17:32 | |
from the way that you were picturing it. Yes? | 0:17:32 | 0:17:34 | |
I was going to say under something, like an archway | 0:17:34 | 0:17:36 | |
-but not quite an archway. -Yeah. -Yes? | 0:17:36 | 0:17:38 | |
-Were you imagining maybe this was under a bridge? -Yes! | 0:17:38 | 0:17:40 | |
Yes! Is that what you were thinking? OK, but these guys might just think | 0:17:40 | 0:17:43 | |
you're playing along, so I'm going to have to show them first, OK? | 0:17:43 | 0:17:46 | |
In a loud voice - please don't say this - | 0:17:46 | 0:17:48 | |
into that microphone, Claudette, tell us what is the first name | 0:17:48 | 0:17:51 | |
of the person you had your first kiss with? | 0:17:51 | 0:17:53 | |
Into that microphone, nice and loud and clear. | 0:17:53 | 0:17:55 | |
Basil. | 0:17:55 | 0:17:57 | |
-CHEERING AND APPLAUSE -Basil indeed, Claudette! | 0:17:57 | 0:17:59 | |
Thank you so much. Wonderful. | 0:17:59 | 0:18:01 | |
You can head back to your seat down here, OK? | 0:18:01 | 0:18:04 | |
Thank you again, Claudette. | 0:18:04 | 0:18:05 | |
Thank you very much for your time. | 0:18:09 | 0:18:11 | |
Ladies and gentlemen, Colin Cloud! | 0:18:13 | 0:18:15 | |
Colin Cloud! | 0:18:15 | 0:18:16 | |
Colin! Obviously I can't let you go without us talking, | 0:18:18 | 0:18:21 | |
-because I've never seen you perform before. -Yes. | 0:18:21 | 0:18:23 | |
-And that's blown my mind. -Good. | 0:18:23 | 0:18:25 | |
Cos I also kissed Basil under a bridge. | 0:18:25 | 0:18:28 | |
LAUGHTER | 0:18:28 | 0:18:29 | |
So is there any chance you could do something with me? | 0:18:29 | 0:18:33 | |
CHEERING | 0:18:33 | 0:18:35 | |
Er... Pull up two hands like this. | 0:18:35 | 0:18:37 | |
-Imagine you were... -Don't do the one where you say I've just had pizza, | 0:18:37 | 0:18:40 | |
cos that's always. | 0:18:40 | 0:18:41 | |
LAUGHTER | 0:18:41 | 0:18:43 | |
LAUGHTER | 0:18:44 | 0:18:46 | |
Crisps. But, er... | 0:18:47 | 0:18:48 | |
HE SNIFFS | 0:18:48 | 0:18:50 | |
Hummus crisps. | 0:18:50 | 0:18:52 | |
What the... How would you know that? | 0:18:52 | 0:18:53 | |
Yes? | 0:18:53 | 0:18:55 | |
Ladies and gentlemen, absolutely sensational - | 0:18:55 | 0:18:57 | |
the mind-blowing Colin Cloud. What about that? | 0:18:57 | 0:19:01 | |
CHEERING AND APPLAUSE | 0:19:01 | 0:19:03 | |
Claudette, what happened to Basil? | 0:19:05 | 0:19:07 | |
Basil's watching this at home. | 0:19:09 | 0:19:11 | |
LAUGHTER | 0:19:11 | 0:19:12 | |
Can you imagine Basil? He's probably still under the bridge. | 0:19:12 | 0:19:15 | |
"She said she'd be back in five minutes. I'm still here!" | 0:19:15 | 0:19:19 | |
Oh. And what about now - are you married and everything? | 0:19:19 | 0:19:22 | |
No. | 0:19:22 | 0:19:23 | |
Basil! | 0:19:23 | 0:19:24 | |
LAUGHTER | 0:19:24 | 0:19:26 | |
I'll make an appeal for you. | 0:19:26 | 0:19:28 | |
Basil, if you're watching, please get in touch with the show. | 0:19:28 | 0:19:32 | |
I have Claudette here. | 0:19:32 | 0:19:34 | |
She's single, she's available, she had a pizza earlier, | 0:19:34 | 0:19:37 | |
and she wants to meet with you. | 0:19:37 | 0:19:39 | |
That's all the information I know, Claudette. | 0:19:39 | 0:19:42 | |
CHEERING AND APPLAUSE | 0:19:42 | 0:19:43 | |
Come on, Basil! | 0:19:43 | 0:19:45 | |
Oh, it'd be so fun! Oh. | 0:19:45 | 0:19:47 | |
We have an incredible show for you tonight, | 0:19:49 | 0:19:51 | |
packed with top-notch, wonderful entertainment. | 0:19:51 | 0:19:54 | |
But I would like to tell you that one of the stars of tonight's show | 0:19:54 | 0:19:58 | |
doesn't even know they're going to be on the show tonight. | 0:19:58 | 0:20:02 | |
-AUDIENCE: -Oooooh! | 0:20:02 | 0:20:04 | |
That's because one member of the public will become | 0:20:04 | 0:20:07 | |
our Unexpected Star of the show! | 0:20:07 | 0:20:10 | |
CHEERING | 0:20:10 | 0:20:11 | |
This is Laura Thornton. | 0:20:12 | 0:20:15 | |
There she is. She's a florist, and she runs a small shop | 0:20:15 | 0:20:18 | |
in Gloucestershire with her husband John. | 0:20:18 | 0:20:21 | |
And this is her actually hard at work being a florist. | 0:20:21 | 0:20:24 | |
Laura thinks she's coming to the theatre tonight | 0:20:24 | 0:20:27 | |
to deliver a bouquet of flowers. | 0:20:27 | 0:20:31 | |
But that's not why she's coming here at all. | 0:20:31 | 0:20:34 | |
I know there's more to Laura than meets the eye. | 0:20:34 | 0:20:37 | |
She dreams, ladies and gentlemen, of being a singer, | 0:20:37 | 0:20:40 | |
and tonight we're going to give her that chance to perform | 0:20:40 | 0:20:44 | |
on this very stage for you tonight. | 0:20:44 | 0:20:46 | |
CHEERING AND APPLAUSE | 0:20:46 | 0:20:47 | |
Now, Laura's brother Stephen has helped set this up, | 0:20:49 | 0:20:52 | |
and apparently Stephen's in the audience. Stephen, where are you? | 0:20:52 | 0:20:55 | |
Stevo! Ladies and gentlemen, let's hear it for Stephen. | 0:20:55 | 0:20:58 | |
CHEERING AND APPLAUSE Yes. | 0:20:58 | 0:21:00 | |
-Stephen, how lovely to meet you. -How you doing? You all right? | 0:21:02 | 0:21:04 | |
I'm very good. Tell us a bit about Laura. | 0:21:04 | 0:21:06 | |
Tell us about her work as a florist. | 0:21:06 | 0:21:08 | |
So she's been humbly working away as a florist in the Cotswolds | 0:21:08 | 0:21:11 | |
for a number of years now. She's also been singing | 0:21:11 | 0:21:13 | |
-a little bit on the side as well. -OK. | 0:21:13 | 0:21:15 | |
She's been doing lots of little gigs in pubs and local clubs | 0:21:15 | 0:21:18 | |
-and things around there. -Right. | 0:21:18 | 0:21:19 | |
She's got some good old influences as well - | 0:21:19 | 0:21:21 | |
she likes Ella Fitzgerald, | 0:21:21 | 0:21:24 | |
Elkie Brooks, Randy Crawford, | 0:21:24 | 0:21:25 | |
and, you know, more recently, Adele, Paloma Faith... | 0:21:25 | 0:21:30 | |
-Brilliant. -But she cannot imagine... | 0:21:30 | 0:21:31 | |
I feel like you're giving me a Christmas list. I'll do my best! | 0:21:31 | 0:21:34 | |
-It's her passion? -Yes, absolutely. | 0:21:34 | 0:21:36 | |
But she's a florist and she thinks she's coming here tonight | 0:21:36 | 0:21:39 | |
-to deliver this wedding bouquet. -Yeah. | 0:21:39 | 0:21:41 | |
-And would you say she has a good voice? -I think she's incredible, yeah. | 0:21:41 | 0:21:44 | |
-What's the largest audience she's performed in front of before? -Probably about 35 people. | 0:21:44 | 0:21:48 | |
-35 people. -So, yeah. -LAUGHTER | 0:21:48 | 0:21:50 | |
That's amazing. Well, we've got 2,500 people in here tonight. | 0:21:50 | 0:21:53 | |
Let's see how that goes. Let's hear it for Stephen. | 0:21:53 | 0:21:55 | |
Thank you so much. CHEERING AND APPLAUSE | 0:21:55 | 0:21:58 | |
Wow. Wow! | 0:21:58 | 0:22:00 | |
35 people. | 0:22:00 | 0:22:02 | |
This is going to be a step up. | 0:22:02 | 0:22:04 | |
All right, well, Laura is on her way at this very moment. | 0:22:05 | 0:22:10 | |
It's going to be the biggest surprise of her life, | 0:22:10 | 0:22:12 | |
and of course, if she agrees, she will then be fulfilling | 0:22:12 | 0:22:15 | |
her dream in a truly amazing, show stopping performance | 0:22:15 | 0:22:18 | |
at the end of the show. But right now she's on her way to the theatre | 0:22:18 | 0:22:21 | |
with a bunch of flowers, completely oblivious | 0:22:21 | 0:22:24 | |
to how that's going to play out. | 0:22:24 | 0:22:25 | |
OK, right. | 0:22:25 | 0:22:27 | |
Sorry, I should tell you, just between us, | 0:22:27 | 0:22:30 | |
that when I introduce an act | 0:22:30 | 0:22:32 | |
I have to do it from a position. | 0:22:32 | 0:22:34 | |
So I just... I feel the need to say that, | 0:22:34 | 0:22:36 | |
cos otherwise you would've thought | 0:22:36 | 0:22:38 | |
that was an odd thing, that I suddenly... | 0:22:38 | 0:22:40 | |
LAUGHTER | 0:22:40 | 0:22:41 | |
I have a mark on the... | 0:22:41 | 0:22:42 | |
Cos sometimes I can't find it, and I look for it, | 0:22:42 | 0:22:45 | |
and I don't want you thinking, "He's just gone mad." | 0:22:45 | 0:22:48 | |
Every once in a while I'll just suddenly go... | 0:22:48 | 0:22:50 | |
LAUGHTER | 0:22:50 | 0:22:52 | |
CHEERING AND APPLAUSE | 0:22:54 | 0:22:56 | |
Ladies and gentlemen, my next guest | 0:22:56 | 0:22:59 | |
is a Welsh classical singing sensation. | 0:22:59 | 0:23:02 | |
Here with the song she is singing in honour | 0:23:02 | 0:23:05 | |
of the British armed forces, | 0:23:05 | 0:23:07 | |
it's the divine Katherine Jenkins. | 0:23:07 | 0:23:09 | |
CHEERING AND APPLAUSE | 0:23:09 | 0:23:11 | |
# I | 0:23:17 | 0:23:20 | |
# I wish you could swim | 0:23:20 | 0:23:24 | |
# Like the dolphins | 0:23:26 | 0:23:30 | |
# Like dolphins can swim | 0:23:30 | 0:23:34 | |
# No, nothing | 0:23:36 | 0:23:39 | |
# Nothing will keep us together | 0:23:39 | 0:23:45 | |
# We can beat them | 0:23:45 | 0:23:50 | |
# For ever and ever | 0:23:50 | 0:23:55 | |
# We can be heroes | 0:23:55 | 0:23:59 | |
# Just for one day | 0:23:59 | 0:24:05 | |
# Guns, they shot above our heads | 0:24:07 | 0:24:14 | |
# And we kissed | 0:24:16 | 0:24:19 | |
# As though nothing could fail | 0:24:19 | 0:24:24 | |
# No, nothing | 0:24:26 | 0:24:28 | |
# Nothing will drive them away | 0:24:28 | 0:24:34 | |
# We can beat them | 0:24:35 | 0:24:39 | |
# Forever and ever | 0:24:39 | 0:24:44 | |
# We can be heroes | 0:24:45 | 0:24:49 | |
# Just for one day | 0:24:49 | 0:24:54 | |
# We can be heroes | 0:24:55 | 0:24:59 | |
# Just for one day | 0:24:59 | 0:25:03 | |
-# We can be heroes -Just for one day | 0:25:04 | 0:25:14 | |
# We can be heroes | 0:25:15 | 0:25:20 | |
# Just for one day | 0:25:20 | 0:25:23 | |
-# We can be heroes -Just for one day | 0:25:23 | 0:25:33 | |
# We can be heroes | 0:25:35 | 0:25:40 | |
# Just for one day | 0:25:42 | 0:25:46 | |
# Just for one day | 0:25:47 | 0:25:51 | |
# Just for one day. # | 0:25:52 | 0:25:58 | |
CHEERING AND APPLAUSE | 0:26:00 | 0:26:03 | |
Oh! Katherine Jenkins, what about that? | 0:26:08 | 0:26:12 | |
Oh, darling. | 0:26:12 | 0:26:14 | |
Amazing. | 0:26:14 | 0:26:16 | |
Beautiful, fantastic. | 0:26:16 | 0:26:18 | |
Now, tell me about - this song is going to be on an album | 0:26:18 | 0:26:21 | |
-for the Queen. -An album that, er... I guess in honour of the Queen. | 0:26:21 | 0:26:24 | |
It's her 90th birthday this year. | 0:26:24 | 0:26:26 | |
-That was really... That last note is quite sensational. -Thank you. | 0:26:26 | 0:26:29 | |
-How do you keep your voice like that? -I don't know. | 0:26:29 | 0:26:32 | |
-Lots of water. -I loved it where you ramped up for it. | 0:26:32 | 0:26:35 | |
HE SINGS A HIGH NOTE | 0:26:35 | 0:26:36 | |
-It was amazing. -You're really good! | 0:26:36 | 0:26:38 | |
What about when the doctor goes, "Say 'ah'"? | 0:26:38 | 0:26:40 | |
Do you like to mess with them a little bit? "Say 'ah'." | 0:26:40 | 0:26:42 | |
HE SINGS A HIGH NOTE | 0:26:42 | 0:26:43 | |
LAUGHTER | 0:26:43 | 0:26:45 | |
SHE SINGS A HIGH NOTE | 0:26:45 | 0:26:46 | |
That was absolutely fantastic. That was really beautiful. | 0:26:46 | 0:26:49 | |
-Thank you for having me. -One more time. -Thank you. | 0:26:49 | 0:26:51 | |
Wonderful Katherine Jenkins. Go on, Katherine. Amazing. | 0:26:51 | 0:26:55 | |
# Just for one day. # | 0:26:58 | 0:27:01 | |
There's still so much to come on the show, ladies and gentlemen. | 0:27:03 | 0:27:06 | |
Texts have been flying in on Robbie Savage's phone. | 0:27:06 | 0:27:09 | |
He's here playing Send To All. | 0:27:09 | 0:27:11 | |
And I can tell you that from the whole series so far, Robbie, | 0:27:11 | 0:27:16 | |
we have not had a response like we've had to this dream text. | 0:27:16 | 0:27:20 | |
I don't even know how long it's going to take to get through them. | 0:27:20 | 0:27:23 | |
There's over 60 texts. | 0:27:23 | 0:27:25 | |
I haven't seen them, I've just heard... | 0:27:25 | 0:27:28 | |
I've heard about a couple. | 0:27:28 | 0:27:29 | |
It's gold. You don't want to miss that, OK? | 0:27:29 | 0:27:31 | |
All right, Laura, our florist from Gloucestershire - | 0:27:33 | 0:27:37 | |
well, she's in the building, OK? | 0:27:37 | 0:27:39 | |
She's in an office right now downstairs, | 0:27:39 | 0:27:41 | |
where I think we can see live footage of her waiting. | 0:27:41 | 0:27:44 | |
There she is. That is Laura. | 0:27:44 | 0:27:47 | |
And is that her husband John? Is that right, Steve? | 0:27:47 | 0:27:50 | |
That's her husband John, who looks really cool, I have to say. | 0:27:50 | 0:27:53 | |
LAUGHTER | 0:27:53 | 0:27:54 | |
It's so funny, this, cos he knows he's actually going to be on TV | 0:27:54 | 0:27:58 | |
and he's gone for this all silk outfit. | 0:27:58 | 0:28:01 | |
LAUGHTER | 0:28:01 | 0:28:02 | |
Unbelievable. To be honest, | 0:28:03 | 0:28:05 | |
she looks a bit glamorous as well, Steve! | 0:28:05 | 0:28:08 | |
She thinks she's coming for dinner later on, | 0:28:08 | 0:28:10 | |
-so she's dressed up a bit as well. -Oh, she's dressed for... | 0:28:10 | 0:28:12 | |
And does John think he's having dinner with Il Divo? | 0:28:12 | 0:28:15 | |
LAUGHTER | 0:28:15 | 0:28:17 | |
OK. Oh, she's grabbing her... | 0:28:17 | 0:28:19 | |
Oh, she's preparing them. They look very good. | 0:28:19 | 0:28:21 | |
That's the bouquet. She's here to deliver those. | 0:28:21 | 0:28:24 | |
All right, now, because her husband John, | 0:28:24 | 0:28:27 | |
or "Jean", as he probably prefers to be called tonight... | 0:28:27 | 0:28:30 | |
LAUGHTER | 0:28:30 | 0:28:32 | |
..is with her - and it's not his moment at all, is it, Steve? | 0:28:32 | 0:28:36 | |
On the way up, | 0:28:36 | 0:28:37 | |
he's apparently going to have to excuse himself and go to the loo | 0:28:37 | 0:28:42 | |
so that he's not part of this moment. | 0:28:42 | 0:28:44 | |
So there's quite a lot that has to fall into place. | 0:28:44 | 0:28:46 | |
So John has to go to the loo, | 0:28:46 | 0:28:48 | |
and then she will be alone to walk up here, | 0:28:48 | 0:28:50 | |
and I think she's been told to knock on the door. | 0:28:50 | 0:28:52 | |
You really have to be quiet, cos them I'm going to go... | 0:28:52 | 0:28:55 | |
they'll take my mic down so it doesn't sound like | 0:28:55 | 0:28:57 | |
I've got the best voice projection. | 0:28:57 | 0:28:59 | |
BOOMING: "Come in!" | 0:28:59 | 0:29:01 | |
If I say something silly, don't laugh. | 0:29:02 | 0:29:04 | |
Cos I'm tempted to go, "Enter!" | 0:29:04 | 0:29:07 | |
Or something, but don't laugh. Don't laugh. | 0:29:07 | 0:29:09 | |
LAUGHTER | 0:29:09 | 0:29:11 | |
Or, "Give me a minute! Give me a minute!" | 0:29:11 | 0:29:13 | |
LAUGHTER | 0:29:13 | 0:29:15 | |
So get your laughing out of your system now, all right? | 0:29:15 | 0:29:17 | |
OK, are we ready, ladies and gentlemen? | 0:29:17 | 0:29:19 | |
Are we ready to get Laura up here? CHEERING | 0:29:19 | 0:29:22 | |
All right, total silence. Let's do this, and of course, | 0:29:22 | 0:29:25 | |
when she does come through the door, | 0:29:25 | 0:29:27 | |
give her the maximum, the maximum moment possible. | 0:29:27 | 0:29:30 | |
WHISPERING: Let's bring her up. Let's do this. OK. | 0:29:30 | 0:29:32 | |
-Hello, gang. -Hi, there. | 0:29:32 | 0:29:34 | |
He's ready for you. Alex is ready. | 0:29:34 | 0:29:36 | |
-Do you want to... Which one's yours? -This one. -Them ones? | 0:29:36 | 0:29:38 | |
-This one's mine. -Come along, yeah. | 0:29:38 | 0:29:40 | |
Is there anywhere I can use the toilet? | 0:29:40 | 0:29:42 | |
Oh, yeah, of course. It's on the way anyway. | 0:29:42 | 0:29:44 | |
I should've shown you on the way in, shouldn't I? | 0:29:44 | 0:29:46 | |
If you just want to go there and go to the toilet, | 0:29:48 | 0:29:50 | |
if we just crack on up, I'll come back for you, if that's all right? | 0:29:50 | 0:29:53 | |
-Yeah, OK. -Yeah, I'll be a few seconds. -OK. Thanks. | 0:29:53 | 0:29:56 | |
Is it for a bride or for the groom, or...? | 0:29:56 | 0:29:58 | |
-The bride. -I don't know anything about flowers, you can tell. | 0:29:58 | 0:30:01 | |
-Definitely not for the groom! -Not for the groom, OK. | 0:30:01 | 0:30:04 | |
So if you just go down at the end of the corridor, that's his office. | 0:30:08 | 0:30:11 | |
-OK. -Just give it a knock and wait there for him. | 0:30:11 | 0:30:13 | |
-I'll go and get your friend. -OK. | 0:30:13 | 0:30:15 | |
Come in. | 0:30:21 | 0:30:22 | |
CHEERING AND APPLAUSE | 0:30:23 | 0:30:26 | |
INAUDIBLE | 0:30:28 | 0:30:30 | |
It's Laura! | 0:30:36 | 0:30:37 | |
Ladies and gentlemen, Laura Thornton's here! | 0:30:40 | 0:30:42 | |
Oh, good lord. | 0:30:46 | 0:30:48 | |
Laura, darling, how are you? | 0:30:48 | 0:30:51 | |
A little bit terrified. | 0:30:52 | 0:30:54 | |
LAUGHTER | 0:30:54 | 0:30:56 | |
Oh, my God. Laura, you've already noticed your brother Steve | 0:30:56 | 0:30:59 | |
over there, who has helped set you up tonight. | 0:30:59 | 0:31:02 | |
You're on my show, Laura, as the Unexpected Star of the show! | 0:31:02 | 0:31:06 | |
CHEERING AND APPLAUSE | 0:31:06 | 0:31:08 | |
Now, Laura, would you like to explain | 0:31:10 | 0:31:12 | |
why you think you're here tonight? | 0:31:12 | 0:31:15 | |
I thought I was delivering a wedding bouquet. | 0:31:15 | 0:31:17 | |
What's actually happening, Laura, is we understand | 0:31:17 | 0:31:20 | |
that as well as being a florist, you have a passion. | 0:31:20 | 0:31:22 | |
-What might that be? -Oh, singing. | 0:31:22 | 0:31:24 | |
-Do you think it might be singing? -Oh, my God. | 0:31:24 | 0:31:27 | |
-Do you enjoy singing? -What have you done? | 0:31:27 | 0:31:29 | |
LAUGHTER | 0:31:29 | 0:31:31 | |
-What have you done? -How much do you enjoy singing, Laura? | 0:31:31 | 0:31:33 | |
-I... I quite enjoy singing. -Yeah? | 0:31:33 | 0:31:35 | |
LAUGHTER | 0:31:35 | 0:31:37 | |
OK, well, tonight, with the help of Steve, | 0:31:37 | 0:31:40 | |
and of course your gorgeous husband John... | 0:31:40 | 0:31:43 | |
who's still in the toilet, unfortunately. | 0:31:43 | 0:31:45 | |
LAUGHTER | 0:31:45 | 0:31:48 | |
Oh, there he is! | 0:31:48 | 0:31:49 | |
CHEERING AND APPLAUSE | 0:31:49 | 0:31:51 | |
He said when we were getting ready tonight... | 0:31:51 | 0:31:53 | |
-And now you know why. -Yeah, now I know. | 0:31:53 | 0:31:56 | |
And he made some interesting decisions. So, um... | 0:31:56 | 0:31:59 | |
-So this is the plan - we're going to take you backstage. -Yeah. | 0:31:59 | 0:32:02 | |
And we're going to rehearse with you, | 0:32:02 | 0:32:05 | |
and you're going to take part in a very big singing performance | 0:32:05 | 0:32:08 | |
at the end of tonight's show. WHOOPING FROM AUDIENCE | 0:32:08 | 0:32:10 | |
-OK. -If you're up for that. What do you think, Laura? | 0:32:10 | 0:32:13 | |
-Are you up for that? -I think I've got to be up for it. -I think she is! | 0:32:13 | 0:32:16 | |
CHEERING AND APPLAUSE | 0:32:16 | 0:32:18 | |
And just to say that all of us here, | 0:32:19 | 0:32:21 | |
we're all rooting for you, aren't we? We're all rooting for Laura. | 0:32:21 | 0:32:24 | |
Fantastic. Ladies and gentlemen, Laura, | 0:32:24 | 0:32:27 | |
our Unexpected Star of the show! | 0:32:27 | 0:32:30 | |
CHEERING AND APPLAUSE | 0:32:30 | 0:32:32 | |
She was really freaked out. | 0:32:41 | 0:32:43 | |
LAUGHTER She was really freaked out. | 0:32:43 | 0:32:45 | |
These are beautiful. | 0:32:45 | 0:32:47 | |
Ah. I'm going to give them to you, Claudette. | 0:32:48 | 0:32:52 | |
CHEERING AND APPLAUSE | 0:32:52 | 0:32:54 | |
Only, darling, if you promise me | 0:32:57 | 0:33:00 | |
that when you marry Basil, | 0:33:00 | 0:33:03 | |
you'll be holding these as you walk down the aisle. | 0:33:03 | 0:33:07 | |
Basil, she's ready, she's got the... | 0:33:07 | 0:33:09 | |
Just bring the rings and it's on! It's on, Baz! | 0:33:09 | 0:33:11 | |
I feel... I'm slightly... | 0:33:13 | 0:33:14 | |
Basil's at home with his wife and she's going, "You dare, Baz! | 0:33:14 | 0:33:19 | |
"I'll have you, Baz!" | 0:33:22 | 0:33:24 | |
Right, Robbie Savage, ladies and gentlemen, | 0:33:28 | 0:33:31 | |
let's hear it for a wonderful sport, Robbie Savage! | 0:33:31 | 0:33:34 | |
I have your phone here. | 0:33:34 | 0:33:35 | |
CHEERING AND APPLAUSE | 0:33:35 | 0:33:37 | |
Earlier tonight, I put a text into Robbie's phone, and the text was... | 0:33:37 | 0:33:42 | |
"I had a really weird dream last night | 0:33:42 | 0:33:45 | |
"that me and you were presenting Match of the Day together naked. | 0:33:45 | 0:33:48 | |
"What do you think it means?" | 0:33:48 | 0:33:51 | |
Well, that got sent into your phone | 0:33:51 | 0:33:53 | |
and amazingly, I think everybody you've ever known has texted back. | 0:33:53 | 0:33:57 | |
Let's see. Al Shearer. | 0:33:59 | 0:34:01 | |
I presume that's England sensation and legend Alan Shearer? | 0:34:01 | 0:34:05 | |
OK. He just put, "You're a weirdo, that's what." | 0:34:05 | 0:34:08 | |
LAUGHTER | 0:34:08 | 0:34:11 | |
Who's AP? | 0:34:16 | 0:34:17 | |
Sir AP McCoy. | 0:34:17 | 0:34:18 | |
AP McCoy? So he's just gone with, | 0:34:18 | 0:34:21 | |
"I hope you meant to send that to Gabby Logan and not me." | 0:34:21 | 0:34:24 | |
Let's see. This is from F Flintoff, | 0:34:29 | 0:34:32 | |
which I presume is the great England Ashes legend himself, | 0:34:32 | 0:34:36 | |
he's gone with, "The weirdest part..." | 0:34:36 | 0:34:39 | |
This is brilliant! | 0:34:39 | 0:34:41 | |
"The weirdest part isn't me, or being naked, | 0:34:43 | 0:34:46 | |
"it's you actually presenting Match of the Day!" | 0:34:46 | 0:34:49 | |
LAUGHTER | 0:34:49 | 0:34:52 | |
Who's Quags? | 0:34:58 | 0:34:59 | |
-One of my best friends from Wales. -One of your best friends from Wales. | 0:34:59 | 0:35:03 | |
"Hello, Geez. Trust the family are well, mate. Interesting one. | 0:35:03 | 0:35:07 | |
"To dream of a close friend can mean you missing him. | 0:35:07 | 0:35:10 | |
"There are various meanings for being naked..." | 0:35:10 | 0:35:14 | |
He's obviously Googled this! | 0:35:14 | 0:35:15 | |
No, it says here, | 0:35:17 | 0:35:18 | |
"Let me look it up and do some research on it, Geez. | 0:35:18 | 0:35:21 | |
"You on Match of the Day I can understand...", | 0:35:23 | 0:35:26 | |
This is amazing! | 0:35:26 | 0:35:27 | |
"Me, I'm no-one, which makes it intriguing. | 0:35:27 | 0:35:31 | |
"Let me have a look at it." | 0:35:31 | 0:35:33 | |
"Have you dreamed of me or being naked before?" | 0:35:33 | 0:35:36 | |
Then he's texted back... | 0:35:39 | 0:35:41 | |
"Geez, some research suggests that being naked is an insecurity thing | 0:35:41 | 0:35:47 | |
"and you feel you are not in control. | 0:35:47 | 0:35:50 | |
"Is all OK with the family and the job?" | 0:35:50 | 0:35:54 | |
Quagy! | 0:35:56 | 0:35:58 | |
He's gone and done his research! | 0:35:59 | 0:36:01 | |
Oh, Quags is a good friend. | 0:36:03 | 0:36:05 | |
Oh, Phillip Rocco. Who's Phillip Rocco? | 0:36:05 | 0:36:07 | |
Um... | 0:36:07 | 0:36:09 | |
I bought a watch off him. | 0:36:09 | 0:36:10 | |
Phillip Rocco is a burglar? | 0:36:16 | 0:36:18 | |
-You bought a watch off him?! -Yeah. | 0:36:21 | 0:36:24 | |
He's just said, "Tough one, this." | 0:36:24 | 0:36:26 | |
Oh, and he's started with great emojis of the thinking person. | 0:36:26 | 0:36:30 | |
He's gone for five thoughts. "Tough one this. | 0:36:30 | 0:36:33 | |
"I think it means you're possibly overworking. | 0:36:33 | 0:36:35 | |
"I've just asked my missus what she thinks it means | 0:36:35 | 0:36:38 | |
"and she was more gutted that it wasn't her | 0:36:38 | 0:36:40 | |
"presenting Match of the Day naked with you! | 0:36:40 | 0:36:43 | |
"PS, was we completely naked? | 0:36:44 | 0:36:47 | |
"Or were we wearing watches?" | 0:36:48 | 0:36:50 | |
LAUGHTER | 0:36:50 | 0:36:52 | |
That's a great text! | 0:36:52 | 0:36:54 | |
Harry, who's Harry? | 0:36:58 | 0:37:00 | |
Harry Judd, I done Strictly with Harry. | 0:37:00 | 0:37:03 | |
Oh, Harry Judd. | 0:37:03 | 0:37:04 | |
"It means you're dreaming about me naked...again!" | 0:37:04 | 0:37:07 | |
Um, this is quite funny. | 0:37:08 | 0:37:10 | |
We've actually got one from former head of the BBC, Danny Cohen. | 0:37:10 | 0:37:13 | |
Danny Cohen, of course, knows all about this gag, | 0:37:13 | 0:37:17 | |
he hasn't twigged at all! | 0:37:17 | 0:37:19 | |
"I'm very worried about this message." | 0:37:19 | 0:37:21 | |
And then he put, "Very worried." | 0:37:21 | 0:37:23 | |
"You must be missing me. Shall we have lunch sometime?" | 0:37:24 | 0:37:27 | |
I'm gonna text him back, "Only if you're naked!" | 0:37:29 | 0:37:32 | |
LAUGHTER | 0:37:32 | 0:37:34 | |
I'm sending that. That's gone. | 0:37:36 | 0:37:38 | |
Oh, good one from Ian Wright. | 0:37:40 | 0:37:42 | |
Ian Wright! Ian writes just three words, | 0:37:42 | 0:37:45 | |
"You fancy me". | 0:37:45 | 0:37:46 | |
LAUGHTER AND APPLAUSE | 0:37:46 | 0:37:50 | |
You fancy me! | 0:37:52 | 0:37:54 | |
OK... | 0:37:54 | 0:37:55 | |
Oh, my God, he's got back to me. Danny Cohen just got back to me! | 0:37:55 | 0:38:00 | |
"Very troubling." | 0:38:00 | 0:38:02 | |
He's so troubled. | 0:38:05 | 0:38:07 | |
I'm naked now. | 0:38:09 | 0:38:11 | |
Can I FaceTime you? | 0:38:15 | 0:38:17 | |
Can I FaceTime you? | 0:38:20 | 0:38:22 | |
Oh, my God, it's got those dots that say he's thinking of his response! | 0:38:22 | 0:38:26 | |
Oh, no, he's got back. Danny Cohen's just got back. | 0:38:30 | 0:38:32 | |
He's said, "I'm calling the police."! | 0:38:32 | 0:38:35 | |
LAUGHTER | 0:38:35 | 0:38:37 | |
Ladies and gentlemen, that was absolutely fantastic, Robbie Savage! | 0:38:40 | 0:38:44 | |
Thank you, Robbie. That was really good fun. That was awesome! | 0:38:44 | 0:38:47 | |
Go on, Robbie! | 0:38:47 | 0:38:49 | |
CHEERING | 0:38:49 | 0:38:51 | |
Ladies and gentlemen, it's time for the performance | 0:38:51 | 0:38:55 | |
of our Unexpected Star of the Show! | 0:38:55 | 0:38:58 | |
Earlier tonight, Laura, a florist from Gloucestershire, | 0:39:01 | 0:39:06 | |
came to the theatre thinking she was simply delivering some flowers | 0:39:06 | 0:39:10 | |
as part of her work, | 0:39:10 | 0:39:11 | |
but little did she know she was set up by her brother Steve, | 0:39:11 | 0:39:16 | |
and her husband John, so that she can perform on this very stage, | 0:39:16 | 0:39:20 | |
and sing to you tonight to make her dream come true. | 0:39:20 | 0:39:23 | |
She's been rehearsing like mad backstage, | 0:39:23 | 0:39:25 | |
and it's time for her to take centre stage. | 0:39:25 | 0:39:28 | |
Ladies and gentlemen, my next guest has sold millions of flowers... | 0:39:28 | 0:39:33 | |
In fact, there isn't an artist worldwide who's sold more CDs... | 0:39:33 | 0:39:39 | |
Sorry, seeds. | 0:39:39 | 0:39:40 | |
From jasmine to jazz, she's top of the poppies, | 0:39:42 | 0:39:45 | |
it's our singing florist, Laura! | 0:39:45 | 0:39:47 | |
CHEERING AND APPLAUSE | 0:39:47 | 0:39:50 | |
# It's too darn hot | 0:40:09 | 0:40:10 | |
# It's too darn hot | 0:40:11 | 0:40:13 | |
# I'd like to sup with my baby tonight | 0:40:14 | 0:40:19 | |
# Refill my cup with my baby tonight | 0:40:20 | 0:40:24 | |
# I'd like to sup with my baby tonight | 0:40:26 | 0:40:29 | |
# Refill my cup with my baby tonight | 0:40:29 | 0:40:32 | |
# But, brother, we'll only get fighting tonight | 0:40:32 | 0:40:35 | |
# Cos it's too darn hot | 0:40:35 | 0:40:37 | |
# It's too darn hot | 0:40:38 | 0:40:39 | |
# It's too darn hot | 0:40:41 | 0:40:43 | |
# I'd like to coo with my baby tonight | 0:40:44 | 0:40:48 | |
# And pitch the woo with my baby tonight | 0:40:49 | 0:40:54 | |
# I'd like to coo with my baby tonight | 0:40:55 | 0:40:58 | |
# And pitch the woo with my baby tonight | 0:40:58 | 0:41:01 | |
# But, brother, we'll only get fighting tonight | 0:41:01 | 0:41:04 | |
# Cos it's too darn hot | 0:41:04 | 0:41:06 | |
# According to the Kinsey Report | 0:41:07 | 0:41:10 | |
# Every average man I know | 0:41:10 | 0:41:13 | |
# Much prefers to woo his lovie at night | 0:41:13 | 0:41:16 | |
# When the temperature is low | 0:41:16 | 0:41:18 | |
# And when the thermometer goes way up | 0:41:19 | 0:41:21 | |
# And the weather is sizzling hot | 0:41:21 | 0:41:24 | |
# Mister pants for romance says not | 0:41:24 | 0:41:28 | |
# Cos it's too, too, too darn hot | 0:41:28 | 0:41:32 | |
# It's too darn hot | 0:41:32 | 0:41:36 | |
# It's too darn hot | 0:41:36 | 0:41:41 | |
# It's too darn hot | 0:41:42 | 0:41:46 | |
# It's too darn hot | 0:41:48 | 0:41:52 | |
# It's too | 0:41:54 | 0:41:57 | |
# Darn | 0:41:57 | 0:42:00 | |
# Hot! # | 0:42:00 | 0:42:09 | |
CHEERING AND APPLAUSE | 0:42:12 | 0:42:17 | |
Thank you so much. | 0:42:17 | 0:42:19 | |
It's Laura, ladies and gentlemen! | 0:42:22 | 0:42:25 | |
Brilliant, well done, congratulations. | 0:42:27 | 0:42:29 | |
That was sensational. | 0:42:29 | 0:42:31 | |
Oh, what about that? Come on, Laura! | 0:42:31 | 0:42:33 | |
Wow! Wow. | 0:42:33 | 0:42:35 | |
These are for you, thank you so much. | 0:42:35 | 0:42:38 | |
-How did that feel? -Fantastic. | 0:42:38 | 0:42:40 | |
-Was that amazing? -Amazing, amazing. I loved it, thank you so much. | 0:42:40 | 0:42:43 | |
I'll never ever forget this, thank you. | 0:42:43 | 0:42:45 | |
Thank you, well done. | 0:42:45 | 0:42:47 | |
Thank you, thank you for coming. You were sensational. | 0:42:47 | 0:42:50 | |
One more time please for our singing florist Laura. | 0:42:50 | 0:42:53 | |
There we go. | 0:42:53 | 0:42:54 | |
CHEERING | 0:42:54 | 0:42:55 | |
Too darn hot! | 0:42:55 | 0:42:57 | |
If you know somebody you'd like to nominate | 0:43:03 | 0:43:05 | |
to be an Unexpected Star of the Show for the next series... | 0:43:05 | 0:43:09 | |
..or in fact, want to nominate someone for any surprise... | 0:43:10 | 0:43:14 | |
We can now go live to your house. | 0:43:14 | 0:43:16 | |
Shut up! | 0:43:16 | 0:43:18 | |
Please go to: | 0:43:21 | 0:43:23 | |
Join me next week for the last Big Show of the series. | 0:43:26 | 0:43:30 | |
One more person will be getting the shock of their life | 0:43:30 | 0:43:33 | |
to become our Unexpected Star of the Show, | 0:43:33 | 0:43:35 | |
another brave celebrity will be playing "Send To All", | 0:43:35 | 0:43:38 | |
and we'll have loads more unmissable star performances and audience fun. | 0:43:38 | 0:43:42 | |
Until then, thank you very much. | 0:43:42 | 0:43:44 | |
Good night! Bravo! | 0:43:44 | 0:43:45 |