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Tonight on my Big Christmas Show - | 0:00:10 | 0:00:13 | |
Aled Jones plays Celebrity Send To All. | 0:00:13 | 0:00:17 | |
Michael Ball and Alfie Boe bring the house down. | 0:00:17 | 0:00:20 | |
There's festive fun from Nan | 0:00:20 | 0:00:22 | |
and Kevin. | 0:00:22 | 0:00:25 | |
And who will be our Christmas Unexpected Star of the show? | 0:00:25 | 0:00:29 | |
All this and SO much more! | 0:00:29 | 0:00:32 | |
Good evening, ladies and gentlemen, | 0:00:34 | 0:00:36 | |
and welcome to the Big Christmas Show! | 0:00:36 | 0:00:41 | |
CHEERING AND APPLAUSE | 0:00:41 | 0:00:44 | |
MUSIC: Rockin' Around The Christmas Tree by Brenda Lee | 0:00:44 | 0:00:48 | |
# Rockin' around the Christmas tree | 0:00:48 | 0:00:50 | |
# Have a happy holiday | 0:00:50 | 0:00:53 | |
# Everyone dancin' merrily | 0:00:55 | 0:00:57 | |
# In the new old-fashioned way. # | 0:00:57 | 0:01:03 | |
Please welcome your host, Michael McIntyre! | 0:01:03 | 0:01:07 | |
CHEERING AND APPLAUSE | 0:01:07 | 0:01:10 | |
Good evening! Hello! | 0:01:10 | 0:01:13 | |
Good evening, ladies and gentlemen, | 0:01:15 | 0:01:17 | |
and welcome to my Big Christmas Show! | 0:01:17 | 0:01:21 | |
Hey-hey! | 0:01:21 | 0:01:24 | |
Oh, yes, tonight, ladies and gentlemen, | 0:01:24 | 0:01:29 | |
there will be big Christmas stars... | 0:01:29 | 0:01:32 | |
AUDIENCE WHOOPS ..big Christmas laughs... | 0:01:32 | 0:01:35 | |
AUDIENCE CHEERS ..and big Christmas games! | 0:01:35 | 0:01:38 | |
AUDIENCE OOHS | 0:01:38 | 0:01:41 | |
Christmas Eve - what a fantastic, exciting time. | 0:01:41 | 0:01:45 | |
It's probably the most exciting time, isn't it, Christmas Eve? | 0:01:45 | 0:01:48 | |
It's all about to happen. It's all about to happen. | 0:01:48 | 0:01:52 | |
One more sleep. One more sleep till Christmas. | 0:01:52 | 0:01:56 | |
Have you got children? Applaud if you've got children. | 0:01:56 | 0:01:59 | |
APPLAUSE | 0:01:59 | 0:02:02 | |
They'll be so excited tonight, won't they? One more sleep. | 0:02:02 | 0:02:05 | |
"Get some sleep." You're desperate to get them to sleep. | 0:02:05 | 0:02:07 | |
"Just get to sleep. Big day tomorrow. | 0:02:07 | 0:02:09 | |
"Big day. Get some sleep." | 0:02:09 | 0:02:11 | |
Once, my children woke up, both of them - | 0:02:11 | 0:02:14 | |
they must have woken each other up - | 0:02:14 | 0:02:16 | |
and came down for Christmas before I'd even gone to sleep. | 0:02:16 | 0:02:19 | |
It was still Christmas Eve. They went, "It's Christmas!" | 0:02:19 | 0:02:23 | |
I was like, "No, it isn't. It's 10.15. Go back to bed!" | 0:02:23 | 0:02:26 | |
My wife, of course, was asleep because she's tired. | 0:02:26 | 0:02:30 | |
She works hard. She's a mother and that is very, very difficult, | 0:02:30 | 0:02:34 | |
especially at Christmas. | 0:02:34 | 0:02:36 | |
She tends to fall asleep before me because I'm not tired. | 0:02:36 | 0:02:38 | |
I'm up watching the telly. | 0:02:38 | 0:02:40 | |
I don't know what goes on in your relationships. | 0:02:40 | 0:02:42 | |
Sometimes you sleep at the same time which is very rare. | 0:02:42 | 0:02:44 | |
There tends to be some cuddling. | 0:02:44 | 0:02:46 | |
It's how it's supposed to be, isn't it? Cuddling. "Love you." | 0:02:46 | 0:02:48 | |
Have to reassure there's love still in the marriage. "I love you." | 0:02:48 | 0:02:52 | |
You're very much cuddling each other but your arm is trapped. | 0:02:52 | 0:02:55 | |
You realise you can't sleep like that. | 0:02:55 | 0:02:56 | |
There comes a time when you have to go, "As much as I love you, | 0:02:56 | 0:02:59 | |
"darling, I need to remove my arm. It's trapped. Sorry." | 0:02:59 | 0:03:03 | |
You have to roll away to a sleeping position | 0:03:03 | 0:03:06 | |
which, really, is as far apart from each other as it's possible to get. | 0:03:06 | 0:03:10 | |
"I love you, but now it is time for me to roll away for sleep." | 0:03:10 | 0:03:14 | |
To be honest, she normally initiates the roll away. | 0:03:14 | 0:03:17 | |
"OK, that's enough. Go on, off you go, darling. I'm tired. | 0:03:17 | 0:03:21 | |
"Over to your side now. Over to your side." | 0:03:21 | 0:03:24 | |
As you get quite old, you actually roll away | 0:03:24 | 0:03:26 | |
and then you go down the corridor to your new room. | 0:03:26 | 0:03:29 | |
That is a depressing development in the relationship. | 0:03:30 | 0:03:34 | |
APPLAUSE | 0:03:34 | 0:03:37 | |
She tends to go to sleep before me and I watch the telly, | 0:03:37 | 0:03:40 | |
so I'm an observer of a sleeping person, my wife, | 0:03:40 | 0:03:43 | |
and I have to say it's very odd how we always start off the night | 0:03:43 | 0:03:46 | |
in the perfect sleeping position, don't we? | 0:03:46 | 0:03:48 | |
We always start as we hope to go on. Head on the pillow, duvet comes in. | 0:03:48 | 0:03:52 | |
It's the perfect sleeping position | 0:03:52 | 0:03:54 | |
cos during the night your body goes into every position | 0:03:54 | 0:03:56 | |
you can get actually get it in, but you don't start like that. | 0:03:56 | 0:04:00 | |
You don't go, "Good night, darling" and immediately go... | 0:04:00 | 0:04:03 | |
You start perfectly. I watch, I see how the perfect position dismantles | 0:04:03 | 0:04:07 | |
cos I'm watching the telly. My wife says good night. | 0:04:07 | 0:04:09 | |
She goes to sleep in a perfect position. | 0:04:09 | 0:04:11 | |
Within moments, the leg comes down here. | 0:04:11 | 0:04:14 | |
Mouth sort of flops open. | 0:04:15 | 0:04:19 | |
The arm's up here. | 0:04:19 | 0:04:22 | |
Breathing on me. | 0:04:22 | 0:04:23 | |
Even though I've seen her brushing her teeth 10-15 minutes earlier, | 0:04:23 | 0:04:26 | |
her breath is already slightly on the turn. | 0:04:26 | 0:04:28 | |
I'm wedging pillows in front of her face. | 0:04:30 | 0:04:33 | |
Sometimes at the beginning, she does that weird jolting thing | 0:04:33 | 0:04:35 | |
that nobody quite knows what it is. | 0:04:35 | 0:04:38 | |
She'll suddenly just wake herself up. | 0:04:38 | 0:04:40 | |
"Oh! Oh! | 0:04:40 | 0:04:41 | |
"Michael!" | 0:04:43 | 0:04:44 | |
"Are you all right, darling?" | 0:04:44 | 0:04:45 | |
"Oh, that was so weird. Oh! | 0:04:45 | 0:04:47 | |
"I thought I was falling. I thought I was falling." | 0:04:47 | 0:04:50 | |
"Well, you're not falling, darling. | 0:04:50 | 0:04:52 | |
"If anything, you're too much on my side. | 0:04:52 | 0:04:53 | |
"You should be closer to the wall. Go back to sleep, darling." | 0:04:53 | 0:04:56 | |
"I love you." And off she goes into a perfect position, but then, | 0:04:56 | 0:04:59 | |
within moments, she drops off, the leg comes back out... | 0:04:59 | 0:05:02 | |
And mumbling, as well. I don't know who she's talking to. | 0:05:04 | 0:05:07 | |
She mumbles in her sleep. It's not a language, not English. | 0:05:07 | 0:05:09 | |
HE MUMBLES | 0:05:09 | 0:05:12 | |
She argues with herself in tongues. | 0:05:12 | 0:05:14 | |
"I don't... Wha-wha!? | 0:05:14 | 0:05:15 | |
"You come at me with that? Wha?" | 0:05:15 | 0:05:17 | |
HE MUMBLES "Really?!" | 0:05:17 | 0:05:21 | |
Sometimes her eyes pop open in my face. | 0:05:21 | 0:05:24 | |
It's like a horror movie. I look over and she's like... | 0:05:24 | 0:05:27 | |
"Are you awake, darling?" | 0:05:30 | 0:05:32 | |
"Wha? Wha?" HE MUMBLES | 0:05:32 | 0:05:37 | |
The only time she smiles sweetly, and I regret saying this, | 0:05:39 | 0:05:42 | |
is when the night farts kick in. | 0:05:42 | 0:05:44 | |
Now look, can I say that my wife is a very prim and proper person | 0:05:44 | 0:05:48 | |
and she hasn't actually farted in the daytime | 0:05:48 | 0:05:51 | |
in the 17 years we've been together, | 0:05:51 | 0:05:54 | |
and it's a record we're both very proud of. | 0:05:54 | 0:05:57 | |
But I'm here to tell you, unfortunately, | 0:05:57 | 0:05:59 | |
her night record is not nearly as strong. | 0:05:59 | 0:06:02 | |
It's biology. They HAVE to pop out. | 0:06:03 | 0:06:06 | |
It tends to be when I'm watching telly | 0:06:06 | 0:06:08 | |
and she reacts to them, as well. | 0:06:08 | 0:06:09 | |
HE MUMBLES, FARTS | 0:06:09 | 0:06:11 | |
"Oh!" | 0:06:11 | 0:06:12 | |
HE FARTS, CHUCKLES | 0:06:14 | 0:06:17 | |
I don't know what she'd eaten the other night, | 0:06:23 | 0:06:26 | |
but it was like a fireworks display. | 0:06:26 | 0:06:28 | |
It sort of built to a finale. | 0:06:28 | 0:06:31 | |
She was like... FARTS | 0:06:31 | 0:06:33 | |
"Oh!" | 0:06:33 | 0:06:35 | |
RAPID FARTS | 0:06:35 | 0:06:38 | |
Then one big one and she woke herself up! "Oh! | 0:06:40 | 0:06:43 | |
"What was that, Michael? There was a bang!" | 0:06:43 | 0:06:46 | |
"Darling, go back to sleep. Everything's fine." | 0:06:46 | 0:06:48 | |
"Seriously, what was that? Oh, my God, why is the window open? | 0:06:48 | 0:06:52 | |
"What's been going on here? | 0:06:52 | 0:06:53 | |
"What time is it? It was a bang. | 0:06:55 | 0:06:56 | |
"I heard a bang, Michael. Why is the lamp on the floor? | 0:06:56 | 0:06:59 | |
"Why are you holding the Febreze? What's been going on?" | 0:07:01 | 0:07:04 | |
APPLAUSE | 0:07:06 | 0:07:08 | |
Of course, I've got to get my wife something nice. | 0:07:11 | 0:07:14 | |
Lot of husbands in here. "What we going to get our wives?" | 0:07:14 | 0:07:18 | |
I've been with my wife 17 years. | 0:07:18 | 0:07:20 | |
No surprises she's not interested any more. | 0:07:20 | 0:07:22 | |
I say to her, "Have you got any hints for Christmas? Any hints?" | 0:07:22 | 0:07:25 | |
She gives me very, very specific instructions. | 0:07:25 | 0:07:28 | |
"There are these shoes... Write it down. ..these shoes I like. | 0:07:28 | 0:07:32 | |
"It's called ballet pump, OK? Write it down. It's a ballet pump." | 0:07:32 | 0:07:35 | |
"What's that?" | 0:07:35 | 0:07:36 | |
"Doesn't matter. Write it down. It's a dusty pink." | 0:07:36 | 0:07:39 | |
"You don't want a normal pink?" | 0:07:39 | 0:07:40 | |
"Just write it down. I'll write down the name of the shop. | 0:07:40 | 0:07:43 | |
"This is the name of the shop, OK? | 0:07:43 | 0:07:45 | |
"There's a woman there. It's in Marylebone. Write it down! | 0:07:45 | 0:07:48 | |
"Ask for Helen. I've actually put it aside. It's paid for. | 0:07:48 | 0:07:53 | |
"All you have to do, Michael... Look at me. ..is pick it up, OK?" | 0:07:53 | 0:07:57 | |
Christmas Day is just her opening presents going, "Correct. | 0:07:57 | 0:08:02 | |
"Correct." APPLAUSE | 0:08:02 | 0:08:05 | |
No more surprises. | 0:08:05 | 0:08:07 | |
Ladies and gentlemen, | 0:08:09 | 0:08:10 | |
who would like to play Christmas Celebrity Send To All? | 0:08:10 | 0:08:14 | |
CHEERING AND APPLAUSE | 0:08:14 | 0:08:16 | |
So, this is, of course, where I take a celebrity's mobile phone | 0:08:19 | 0:08:22 | |
and send a text of my choosing to their contacts and see what | 0:08:22 | 0:08:25 | |
hilarious replies they get at the end of the show, | 0:08:25 | 0:08:27 | |
so let's find out who's in our Christmas Send To All box. | 0:08:27 | 0:08:31 | |
Well, who would you rather have at Christmas than the divine... | 0:08:31 | 0:08:38 | |
It's Aled Jones! | 0:08:38 | 0:08:40 | |
CHEERING AND APPLAUSE | 0:08:40 | 0:08:44 | |
Can it be more Christmassy? | 0:08:44 | 0:08:47 | |
-No! -How are you, Aled? -I'm good. How are you? -So nice to see you. | 0:08:47 | 0:08:50 | |
-Really nice... Merry Christmas. -Merry Christmas to you, Aled. | 0:08:50 | 0:08:53 | |
-You ARE Christmas. -Thanks. -Have you got a Christmas album at Christmas? | 0:08:53 | 0:08:57 | |
Of course I have, with my younger self. | 0:08:57 | 0:09:00 | |
-With your younger self? -Yeah. | 0:09:00 | 0:09:01 | |
A 12-year-old Aled Jones singing with a 45-year-old Aled Jones. | 0:09:01 | 0:09:04 | |
-How very exciting. -Yeah. -Who are you here with tonight? | 0:09:04 | 0:09:07 | |
Some fella who's been following me around since I was 14. | 0:09:07 | 0:09:10 | |
CHEERING AND APPLAUSE | 0:09:10 | 0:09:12 | |
Ladies and gentlemen, it's the Snowman! | 0:09:12 | 0:09:14 | |
CHEERING | 0:09:14 | 0:09:16 | |
Oh, Aled, I can't imagine a more Christmassy scene | 0:09:16 | 0:09:21 | |
than looking at you in the box with the Snowman. | 0:09:21 | 0:09:25 | |
Is there any way we can make it more Christmassy in there? | 0:09:25 | 0:09:28 | |
-Yay! -CHEERING AND APPLAUSE | 0:09:28 | 0:09:32 | |
MUSIC: Walking In The Air by Aled Jones | 0:09:32 | 0:09:35 | |
-SINGS FALSETTO -# We're walking in the air | 0:09:36 | 0:09:40 | |
# We're floating in the moonlit sky. # | 0:09:41 | 0:09:46 | |
CHEERING AND APPLAUSE Yeah! | 0:09:46 | 0:09:50 | |
That's done it for me. That's tipped me over the edge. | 0:09:50 | 0:09:54 | |
I've got Christmasitis. | 0:09:54 | 0:09:57 | |
I've never been more Christmassy! | 0:09:57 | 0:10:00 | |
I can not thank you enough for being here covered in snow with the | 0:10:00 | 0:10:05 | |
-Snowman... -I'd do anything for you. -..and playing Send To All with me. | 0:10:05 | 0:10:08 | |
Aled, all I need to ask is for you to place your mobile phone | 0:10:08 | 0:10:12 | |
-into the Celebrity Send To All cushion. -OK. | 0:10:12 | 0:10:14 | |
I wonder what music they've selected to get this down tonight? | 0:10:14 | 0:10:19 | |
MUSIC: Walking In The Air by Aled Jones | 0:10:19 | 0:10:22 | |
LAUGHTER | 0:10:22 | 0:10:24 | |
# We're floating in the moonlit sky. # | 0:10:24 | 0:10:29 | |
Yay! APPLAUSE | 0:10:29 | 0:10:32 | |
Oh, Aled, thank you so much. | 0:10:32 | 0:10:35 | |
I am now in possession of Aled Jones's HUGE mobile phone. | 0:10:35 | 0:10:39 | |
-You've got a big one. -Thank you. | 0:10:39 | 0:10:41 | |
OK, so, I'm going to plug this phone in here. | 0:10:43 | 0:10:47 | |
Yeah! There you are. | 0:10:47 | 0:10:49 | |
WELSH ACCENT: 'It's Aled Jones' phone, innit?' | 0:10:49 | 0:10:51 | |
So, these are very lovely people. Who's on the front there? | 0:10:53 | 0:10:57 | |
That's my daughter Emilia and my son Lucas. | 0:10:57 | 0:10:59 | |
-Aw. Right, photos, is that OK? -Oh, no. | 0:10:59 | 0:11:03 | |
Oh, this is a lovely Christmassy picture. Who's this little guy? | 0:11:03 | 0:11:05 | |
-That's my dog, Cubby. -Cubby? -Yeah. -Hi, Cubs. | 0:11:05 | 0:11:09 | |
Erm... LAUGHTER | 0:11:09 | 0:11:12 | |
-You're an elf? -Yeah, I like dressing up as an elf. | 0:11:12 | 0:11:15 | |
OK, this is an awkward seduction technique. | 0:11:15 | 0:11:18 | |
Mrs Jones in the shower while you're getting ready? | 0:11:19 | 0:11:22 | |
"You'll like this, love. | 0:11:22 | 0:11:24 | |
"Because it's a special night for us, I've taken my socks off!" | 0:11:24 | 0:11:27 | |
LAUGHTER | 0:11:27 | 0:11:30 | |
"Happy anniversary, darling." | 0:11:30 | 0:11:32 | |
OK, Aled, thank you so, so much for being here and giving me your phone. | 0:11:33 | 0:11:37 | |
It is time to put the text in, and it's a nice one. | 0:11:37 | 0:11:40 | |
-Now, Aled, you are an incredibly wholesome lovely person. -Here we go. | 0:11:40 | 0:11:44 | |
-You are, though, aren't you? -Not really. I'm just normal. | 0:11:44 | 0:11:46 | |
You're normal but you're Classic FM and you're a lovely man. | 0:11:46 | 0:11:51 | |
You're the perfect Christmas guest, | 0:11:51 | 0:11:52 | |
but you've got a little bit of a wild side. | 0:11:52 | 0:11:56 | |
At least that's how it's about to look. | 0:11:56 | 0:11:59 | |
So, the text I'm going to send from Aled's phone is, | 0:11:59 | 0:12:03 | |
"I may be having some kind of midlife crisis..." | 0:12:03 | 0:12:09 | |
Oh, no! | 0:12:09 | 0:12:11 | |
"..but I've decided to get a tattoo in the morning. | 0:12:13 | 0:12:21 | |
-"I'm thinking..." -Oh, no! | 0:12:24 | 0:12:28 | |
"..either classic Welsh dragon... | 0:12:28 | 0:12:31 | |
"..Aled in Chinese..." | 0:12:33 | 0:12:36 | |
LAUGHTER | 0:12:36 | 0:12:39 | |
"..or the Snowman." | 0:12:41 | 0:12:44 | |
LAUGHTER AND APPLAUSE | 0:12:45 | 0:12:48 | |
"Need advice on any other ideas..." | 0:12:48 | 0:12:54 | |
Oh, no! | 0:12:54 | 0:12:56 | |
"..and where to put it." | 0:12:56 | 0:12:58 | |
LAUGHTER | 0:12:58 | 0:13:01 | |
-How would you sign a text, Aled? -Just Al. -With a kiss, I think. | 0:13:01 | 0:13:05 | |
Yeah, a kiss probably. Why am I telling you this? | 0:13:05 | 0:13:08 | |
You're about to ask everybody in your phone the following - | 0:13:09 | 0:13:12 | |
"I may be having some kind of midlife crisis, | 0:13:12 | 0:13:15 | |
"but I've decided to get a tattoo in the morning. | 0:13:15 | 0:13:18 | |
"I'm thinking either classic Welsh dragon, | 0:13:18 | 0:13:20 | |
"Aled in Chinese or the Snowman. | 0:13:20 | 0:13:23 | |
"Need advice on any other ideas and where to put it." | 0:13:23 | 0:13:27 | |
-Shall I send that to everybody in Aled Jones's phone? -No! | 0:13:27 | 0:13:30 | |
-AUDIENCE: -Yes! | 0:13:30 | 0:13:31 | |
A-a-a-a-a-a-nd that's gone, ladies and gentlemen! | 0:13:31 | 0:13:35 | |
-It's a fun one! It's fun. -Yeah. | 0:13:36 | 0:13:38 | |
APPLAUSE | 0:13:38 | 0:13:41 | |
All right, we will be back later on to see what responses Aled gets, | 0:13:41 | 0:13:45 | |
but one more time, for Mr Christmas himself, | 0:13:45 | 0:13:48 | |
the adorable and wonderful, what a fantastic sport, | 0:13:48 | 0:13:51 | |
it's Aled Jones, ladies and gentlemen! | 0:13:51 | 0:13:53 | |
CHEERING AND APPLAUSE Thank you so much. | 0:13:53 | 0:13:56 | |
Time now for a very special performance | 0:13:58 | 0:14:01 | |
from two of the greatest voices to grace the stage. | 0:14:01 | 0:14:04 | |
-AUDIENCE: -Ooh! | 0:14:04 | 0:14:06 | |
Please welcome musical theatre royalty, | 0:14:06 | 0:14:09 | |
it's Michael Ball and Alfie Boe! | 0:14:09 | 0:14:12 | |
CHEERING AND APPLAUSE | 0:14:12 | 0:14:16 | |
# When you wish upon a star | 0:14:31 | 0:14:37 | |
# Makes no difference who you are | 0:14:38 | 0:14:44 | |
# Anything your heart desires | 0:14:44 | 0:14:50 | |
# Will come to you | 0:14:50 | 0:14:56 | |
# If your heart is in your dreams | 0:14:57 | 0:15:03 | |
# No request is too extreme | 0:15:04 | 0:15:09 | |
# When you wish upon a star | 0:15:09 | 0:15:14 | |
# As dreamers do | 0:15:14 | 0:15:18 | |
# Fate is kind | 0:15:19 | 0:15:24 | |
# She brings to those who love | 0:15:25 | 0:15:31 | |
# The sweet fulfilment of | 0:15:31 | 0:15:35 | |
-BOTH: -# Their secret longing | 0:15:35 | 0:15:42 | |
# Like a bolt out of the blue | 0:15:43 | 0:15:49 | |
# Fate steps in and sees you through | 0:15:49 | 0:15:55 | |
# When you wish upon a star | 0:15:55 | 0:16:00 | |
# Your dreams come true | 0:16:00 | 0:16:06 | |
# Fate is kind | 0:16:18 | 0:16:23 | |
# She brings to those who love | 0:16:25 | 0:16:30 | |
# The sweet fulfilment of | 0:16:31 | 0:16:35 | |
# Their secret longing | 0:16:35 | 0:16:41 | |
# Like a bolt out of the blue | 0:16:43 | 0:16:49 | |
# Fate steps in and sees you through | 0:16:49 | 0:16:57 | |
# When you wish upon a star | 0:16:57 | 0:17:02 | |
# Your dreams | 0:17:02 | 0:17:06 | |
# Come | 0:17:06 | 0:17:10 | |
# True. # | 0:17:10 | 0:17:16 | |
CHEERING AND APPLAUSE | 0:17:22 | 0:17:27 | |
Ladies and gentlemen, Michael Ball and Alfie Boe. | 0:17:34 | 0:17:37 | |
It's Boe and Ball. | 0:17:37 | 0:17:40 | |
Look at that. Absolutely sensational. | 0:17:40 | 0:17:44 | |
Listen, it's Christmas, guys. | 0:17:44 | 0:17:46 | |
It's Christmas Eve and I was just wondering if there was any chance | 0:17:46 | 0:17:50 | |
that we could try and sing something Christmassy, | 0:17:50 | 0:17:53 | |
because how often do you have three incredible voices on the same stage? | 0:17:53 | 0:17:57 | |
LAUGHTER | 0:17:57 | 0:17:59 | |
-Any chance, guys? -Absolutely. | 0:17:59 | 0:18:02 | |
CHEERING | 0:18:02 | 0:18:04 | |
I've got something cued up. | 0:18:04 | 0:18:05 | |
It's one of my favourites, so let's see how it goes. | 0:18:05 | 0:18:08 | |
MUSIC: The Little Drummer Boy | 0:18:10 | 0:18:13 | |
-BOTH: -# Come, they told me, pa-rum-pum-pum-pum | 0:18:24 | 0:18:29 | |
# Pa-pa-pum-pum | 0:18:29 | 0:18:31 | |
# A new born King to see, pa-rum-pum-pum-pum | 0:18:31 | 0:18:36 | |
# Ra-pa-pum-pum | 0:18:36 | 0:18:39 | |
# Our finest gifts we bring, pa-rum-pum-pum-pum | 0:18:39 | 0:18:43 | |
# Ra-pa-pa-pa-pa, pum-pum | 0:18:43 | 0:18:46 | |
# To lay before the King | 0:18:46 | 0:18:48 | |
-ALL: -# Pa-rum-pum-pum-pum | 0:18:48 | 0:18:50 | |
# Ra-pa-pum-pum | 0:18:50 | 0:18:52 | |
# Ra-pa-pum-pum | 0:18:52 | 0:18:55 | |
# Peace on earth | 0:18:58 | 0:19:01 | |
# Can it be? | 0:19:01 | 0:19:03 | |
CHEERING AND APPLAUSE | 0:19:03 | 0:19:05 | |
# Years from now | 0:19:05 | 0:19:08 | |
# Perhaps we'll see | 0:19:08 | 0:19:10 | |
# See the day of glory | 0:19:12 | 0:19:19 | |
# See the day when men of goodwill live in peace | 0:19:19 | 0:19:27 | |
# Live in peace again. # | 0:19:27 | 0:19:29 | |
CHEERING AND APPLAUSE | 0:19:29 | 0:19:33 | |
# Pa-rum-pum-pum-pum. # | 0:19:33 | 0:19:36 | |
CHEERING AND APPLAUSE | 0:19:36 | 0:19:38 | |
Guys? Ra-pa-pum, where have you gone? | 0:19:42 | 0:19:45 | |
Good luck with the new album, guys. Ra-pa-pum, goodbye! | 0:19:50 | 0:19:53 | |
One more time, what an absolute treat to have them here, | 0:19:55 | 0:19:57 | |
Ball and Boe! | 0:19:57 | 0:19:59 | |
CHEERING AND APPLAUSE | 0:19:59 | 0:20:02 | |
Now it is time to find out who is going to be tonight's | 0:20:02 | 0:20:05 | |
Unexpected Christmas Star of the show! | 0:20:05 | 0:20:09 | |
APPLAUSE | 0:20:09 | 0:20:13 | |
So, tonight, we're not going to surprise one person. | 0:20:13 | 0:20:17 | |
We're going to surprise 21 people. | 0:20:17 | 0:20:20 | |
So, let me tell you about tonight's | 0:20:22 | 0:20:25 | |
Unexpected Christmas Stars of the show. | 0:20:25 | 0:20:27 | |
So, they are the Forth Valley Choir. | 0:20:27 | 0:20:30 | |
They've come all the way down from Scotland, and there they are. | 0:20:30 | 0:20:33 | |
They're all NHS nurses. | 0:20:33 | 0:20:36 | |
CHEERING AND APPLAUSE | 0:20:36 | 0:20:40 | |
The choir think they are coming here tonight to audition for | 0:20:40 | 0:20:43 | |
a Christmas concert, but of course, that's not really why they're here. | 0:20:43 | 0:20:47 | |
As well as caring for people all day, | 0:20:47 | 0:20:49 | |
these hard-working nurses regularly raise money for local | 0:20:49 | 0:20:52 | |
charities and hospitals, but tonight is for them. | 0:20:52 | 0:20:56 | |
CHEERING AND APPLAUSE | 0:20:56 | 0:20:59 | |
The nurses have been nominated by their boss Angela, who is here, | 0:20:59 | 0:21:04 | |
I believe, in the audience and I can chat with Angela now. | 0:21:04 | 0:21:07 | |
Angela, where are you? Hi, Ange. | 0:21:07 | 0:21:08 | |
I'm coming down, Ange. I'm coming down. | 0:21:08 | 0:21:11 | |
-Darling Angela, how are you? -I'm very well, thank you. | 0:21:13 | 0:21:15 | |
-Lovely to meet you. -And lovely to meet you. | 0:21:15 | 0:21:18 | |
So, you work at the Forth Valley? | 0:21:18 | 0:21:19 | |
Yeah, I'm the director of nursing in NHS Forth Valley, | 0:21:19 | 0:21:23 | |
which is the pretty bit in Scotland between Edinburgh and Glasgow. | 0:21:23 | 0:21:26 | |
SCOTTISH ACCENT: 'Oh, the pretty bit, eh? It's beautiful. | 0:21:26 | 0:21:29 | |
'I love the pretty bit! Little corridor of beauty.' | 0:21:29 | 0:21:32 | |
-It's lovely! Absolutely beautiful. -Fabulous. | 0:21:32 | 0:21:36 | |
-Tell me about your girls. What are they like? -They're incredible. | 0:21:36 | 0:21:38 | |
They came together to celebrate nursing and to do something | 0:21:38 | 0:21:43 | |
together to support one another, | 0:21:43 | 0:21:44 | |
to give something back to those that we care for and serve every day | 0:21:44 | 0:21:48 | |
-in Scotland. -They're lovely, lovely people. | 0:21:48 | 0:21:51 | |
-Be good to them, Michael. -What do you mean be good to them?! | 0:21:51 | 0:21:54 | |
-Please. -What do you think I'm going to do to the nurses?! | 0:21:54 | 0:21:58 | |
What have you heard? | 0:21:58 | 0:22:00 | |
Just even speaking in that accent might be quite scary for us. | 0:22:00 | 0:22:04 | |
LAUGHTER AND APPLAUSE | 0:22:04 | 0:22:07 | |
SCOTTISH ACCENT: 'I cannae stop doing it. That's the problem, eh?' | 0:22:08 | 0:22:12 | |
-Thank you so much for helping us organise this. -Thanks for having us. | 0:22:12 | 0:22:15 | |
I hope it's going to be a wonderful treat for them and for all of us. | 0:22:15 | 0:22:18 | |
A lovely Christmas surprise. | 0:22:18 | 0:22:19 | |
Ladies and gentlemen, let's hear it for Angela from the Forth Valley! | 0:22:19 | 0:22:22 | |
APPLAUSE Brilliant. Lovely to meet you. | 0:22:22 | 0:22:25 | |
OK, so, let me tell you about the plan tonight. | 0:22:25 | 0:22:29 | |
They think they are coming to an office of a leading events company | 0:22:29 | 0:22:32 | |
called Big Show Events right next door, | 0:22:32 | 0:22:34 | |
but, of course, that's all not real. | 0:22:34 | 0:22:36 | |
Let me show you what the shop front looked like before. | 0:22:36 | 0:22:38 | |
That's it earlier today and now it is the Big Show Events, yeah! | 0:22:38 | 0:22:46 | |
They think they're going there to audition to be a choir in | 0:22:46 | 0:22:49 | |
a Christmas production, but they have no idea what it is. | 0:22:49 | 0:22:52 | |
So, what's going to happen is | 0:22:52 | 0:22:53 | |
they're going to be asked to come round here. | 0:22:53 | 0:22:55 | |
It's going to have to be in two batches. | 0:22:55 | 0:22:57 | |
So, the first batch of nurses is going to come up, | 0:22:57 | 0:22:59 | |
about ten of them, and they're going to be told to audition. | 0:22:59 | 0:23:02 | |
They're going to be led down the side of the theatre, | 0:23:02 | 0:23:05 | |
but they don't know it's the theatre, | 0:23:05 | 0:23:06 | |
in through a corridor all the way on to this stage, | 0:23:06 | 0:23:09 | |
or nearly on to this stage, cos what we have is an enormous, fake lift. | 0:23:09 | 0:23:14 | |
So, the lift is going to be here. They're going to get into the lift. | 0:23:14 | 0:23:18 | |
The doors are going to close behind them, | 0:23:18 | 0:23:20 | |
and, yes, you guessed it, the doors at the other side open | 0:23:20 | 0:23:23 | |
and all of you will be on the other side | 0:23:23 | 0:23:25 | |
and it'll be a lift full of very surprised nurses. | 0:23:25 | 0:23:30 | |
All right, Ange? | 0:23:30 | 0:23:32 | |
APPLAUSE | 0:23:32 | 0:23:34 | |
I think we can actually go live to the Big Show Events company | 0:23:34 | 0:23:39 | |
next door and see what's going on. | 0:23:39 | 0:23:41 | |
Oh, my God, they're all there waiting for the event. | 0:23:41 | 0:23:45 | |
So, I can tell you that we have a gentleman called Richard | 0:23:47 | 0:23:50 | |
who's outside and he is going to pretend to be | 0:23:50 | 0:23:55 | |
a vocal coach and he's going to gather up the girls and have | 0:23:55 | 0:23:58 | |
a little bit of fun with them | 0:23:58 | 0:24:00 | |
because I can actually communicate with Richard from the stage. | 0:24:00 | 0:24:03 | |
So, let's send Richard in to gather up all the girls. | 0:24:03 | 0:24:07 | |
-Here comes Richard. -Hello. | 0:24:09 | 0:24:10 | |
-Hello, everybody. -I'm Richard. I'm a vocal coach. | 0:24:10 | 0:24:13 | |
Hello, I'm the vocal coach. Hello. Richard. Hello. | 0:24:13 | 0:24:16 | |
-Hello, girls. -Hello, girls. -ALL: -Hi. | 0:24:16 | 0:24:19 | |
-Where are you all from? -Where are you all from? | 0:24:19 | 0:24:21 | |
-ALL: -Scotland. | 0:24:21 | 0:24:22 | |
Just before, I have all you nurses here... | 0:24:22 | 0:24:24 | |
While I've got you all here... | 0:24:24 | 0:24:26 | |
I'm sorry to say it's unprofessional. | 0:24:26 | 0:24:27 | |
..I'm sorry to say this is quite unprofessional... | 0:24:27 | 0:24:29 | |
..but I've got a little bit of a sore throat. | 0:24:29 | 0:24:31 | |
..I've got a sore throat. | 0:24:31 | 0:24:33 | |
-Can anyone feel my glands? -Can someone feel my glands? | 0:24:33 | 0:24:36 | |
THEY LAUGH | 0:24:36 | 0:24:38 | |
Oh, here we go. | 0:24:38 | 0:24:39 | |
-Not bad. -Not bad? -Not bad. -I'll take that. | 0:24:42 | 0:24:45 | |
OK, girls, let's start with some vocal exercises. | 0:24:47 | 0:24:50 | |
We're going to do some face massages now. | 0:24:50 | 0:24:52 | |
Just massage your face and open up your muscles. | 0:24:52 | 0:24:55 | |
-RICHARD REPEATS That's good. -Lovely. | 0:24:55 | 0:24:58 | |
And if you could just go... HE SINGS A SCALE | 0:24:58 | 0:25:02 | |
-RICHARD SINGS A SCALE -At the same time. | 0:25:02 | 0:25:06 | |
ALL SING A SCALE | 0:25:06 | 0:25:10 | |
-That's very, very good. That's excellent. -That's excellent. | 0:25:10 | 0:25:14 | |
OK, you're all warmed up. What I'm going to do now... | 0:25:14 | 0:25:17 | |
-OK, thank you. -..is I'm going to point to you... | 0:25:17 | 0:25:20 | |
Now I'm going to point to you... | 0:25:20 | 0:25:22 | |
..and I want you to do an impression, | 0:25:22 | 0:25:24 | |
verbally and physically, of the animal that I say. | 0:25:24 | 0:25:28 | |
HE REPEATS | 0:25:28 | 0:25:30 | |
-Just to warm up your vocal cords. -Just to warm up your vocal cords. | 0:25:30 | 0:25:33 | |
So, pick someone randomly and just say "dog". | 0:25:33 | 0:25:35 | |
So, let's start with dog. | 0:25:35 | 0:25:37 | |
Woof-woof! | 0:25:37 | 0:25:39 | |
-OK, cat. -Good. OK, cat. | 0:25:40 | 0:25:43 | |
Meow! Meow! | 0:25:43 | 0:25:46 | |
-Good, excellent. Gorilla? -Gorilla. | 0:25:46 | 0:25:50 | |
Ooh-ooh-ooh! | 0:25:50 | 0:25:51 | |
-Very good. -Excellent. -Dolphin. -Cool. Dolphin. | 0:25:51 | 0:25:55 | |
SHE MEWS | 0:25:56 | 0:25:59 | |
THEY LAUGH | 0:25:59 | 0:26:02 | |
Lovely. | 0:26:05 | 0:26:06 | |
-Lovely, good. -OK, and then, all together, slug. | 0:26:08 | 0:26:11 | |
All together, slug! | 0:26:11 | 0:26:13 | |
LAUGHTER AND APPLAUSE | 0:26:13 | 0:26:18 | |
OK, that's brilliant. Let's leave it there. Just carry on. | 0:26:20 | 0:26:23 | |
-Do some scales with them. -So, we'll just do some scales. | 0:26:23 | 0:26:27 | |
So, we'll start on... | 0:26:27 | 0:26:29 | |
HE HUMS A NOTE | 0:26:29 | 0:26:31 | |
That's our nurses, ladies and gentlemen. | 0:26:31 | 0:26:33 | |
They look like fun, don't they? APPLAUSE | 0:26:33 | 0:26:37 | |
OK. | 0:26:37 | 0:26:38 | |
This is our lift, ladies and gentlemen. | 0:26:40 | 0:26:42 | |
AUDIENCE WHOOPS | 0:26:42 | 0:26:44 | |
OK, so, it has a capacity of 12 people, | 0:26:44 | 0:26:47 | |
so we're going to bring up, I think, ten and then 11 | 0:26:47 | 0:26:50 | |
and then we're going to surprise them in two groups. | 0:26:50 | 0:26:52 | |
But I'm going to show you round the lift first. Open! | 0:26:52 | 0:26:55 | |
Yes, it opened for me. | 0:26:55 | 0:26:57 | |
When people come into the lift, | 0:26:59 | 0:27:01 | |
you know there's that button that you press to hold it open, | 0:27:01 | 0:27:04 | |
and then there's one to close it? | 0:27:04 | 0:27:06 | |
Do you ever pretend you're doing the open one and do the other one? | 0:27:07 | 0:27:10 | |
"Oh, sorry. Sorry." | 0:27:10 | 0:27:12 | |
LAUGHTER | 0:27:12 | 0:27:15 | |
So, this is the lift. Come and have a look up here. Look, exit this way. | 0:27:15 | 0:27:19 | |
Oh, they're closing. | 0:27:19 | 0:27:21 | |
OK, so, I'm now inside the lift. Very authentic here. | 0:27:22 | 0:27:26 | |
This'll tell them where they're going. | 0:27:26 | 0:27:27 | |
Of course, they're not going anywhere. | 0:27:27 | 0:27:29 | |
And this is where they come into the lift. Doors are opening there. | 0:27:29 | 0:27:32 | |
So, when the lift doors are closed, have a look at this. | 0:27:32 | 0:27:35 | |
-LIFT: -'Doors closing.' -That's my voice. | 0:27:35 | 0:27:38 | |
Look, it's very authentic. We've got lights and everything. | 0:27:40 | 0:27:44 | |
There's a fire thing that may or may not have a camera in it. | 0:27:44 | 0:27:46 | |
I think it does. Very good. Doors open, they get into the lift. | 0:27:46 | 0:27:51 | |
So, if these doors open, | 0:27:51 | 0:27:52 | |
you'll see their point of view and look at all of you. | 0:27:52 | 0:27:55 | |
CHEERING AND APPLAUSE Yeah, OK. | 0:27:55 | 0:27:58 | |
Very exciting. And, of course, when that moment happens, | 0:28:00 | 0:28:05 | |
it is your responsibility to give them an enormous Christmas welcome. | 0:28:05 | 0:28:10 | |
-OK, you up for that? AUDIENCE: -Yes! | 0:28:10 | 0:28:12 | |
All right, let's bring up the first batch | 0:28:12 | 0:28:17 | |
of Forth Valley nurses. | 0:28:17 | 0:28:20 | |
-Hey, gang, it's happening. Yeah! -NURSES CHEER | 0:28:20 | 0:28:24 | |
Right, I can't take all of you. You've mentioned this, haven't you? | 0:28:24 | 0:28:27 | |
So, I just need the first half, if I can. | 0:28:27 | 0:28:30 | |
Who wants to come with me now? | 0:28:30 | 0:28:32 | |
Follow me. So, if you lead at the back. Come with me, guys. | 0:28:32 | 0:28:36 | |
Get some fresh air. | 0:28:39 | 0:28:42 | |
(Remember to be very quiet as they come up.) | 0:28:42 | 0:28:44 | |
OK, I'll just get the lift door for you. | 0:28:49 | 0:28:51 | |
In you get, yeah. | 0:28:56 | 0:28:58 | |
Keep on coming, ladies. That's OK. | 0:28:58 | 0:29:01 | |
Air-conditioned here, though, isn't it? | 0:29:03 | 0:29:05 | |
THEY CHAT | 0:29:05 | 0:29:10 | |
Is everyone in there? OK, so, if you just press floor two. | 0:29:10 | 0:29:13 | |
Close. | 0:29:13 | 0:29:15 | |
THEY CHAT | 0:29:15 | 0:29:21 | |
Floor two. | 0:29:21 | 0:29:22 | |
CHEERING AND APPLAUSE | 0:29:26 | 0:29:29 | |
Come over here. | 0:29:42 | 0:29:44 | |
Welcome. Welcome, welcome, welcome. | 0:29:49 | 0:29:53 | |
Don't be alarmed. | 0:29:53 | 0:29:56 | |
Over there, you'll see Ange over there. There's Angie! | 0:29:56 | 0:29:59 | |
So, girls, let me explain what's happening. | 0:30:03 | 0:30:05 | |
This is my Christmas television show. | 0:30:05 | 0:30:07 | |
-You've been set up by Angie there from the hospital. -Love you! | 0:30:08 | 0:30:15 | |
-You've come down today from the Forth Valley, is that right? -Yes. | 0:30:16 | 0:30:20 | |
-And you think you're here for...? -An audition. | 0:30:20 | 0:30:23 | |
Right. | 0:30:24 | 0:30:26 | |
I've got news for you, girls. | 0:30:26 | 0:30:28 | |
You've got the part. | 0:30:28 | 0:30:30 | |
CHEERING AND APPLAUSE | 0:30:30 | 0:30:34 | |
Let's call up the other nurses now. | 0:30:38 | 0:30:40 | |
Everybody has to be completely quiet. | 0:30:40 | 0:30:42 | |
Hey, gang. Ready? We all ready? | 0:30:42 | 0:30:45 | |
Yeah, come on through, come on through. | 0:30:45 | 0:30:48 | |
Sorry about the delay. | 0:30:48 | 0:30:49 | |
You know what's really funny, is that every single week, | 0:30:49 | 0:30:52 | |
there's a paramedic who actually waits side-of-stage. | 0:30:52 | 0:30:56 | |
But I think, with your qualifications, | 0:30:56 | 0:30:58 | |
you should have this covered. | 0:30:58 | 0:31:00 | |
(Here they come. Ssh!) | 0:31:03 | 0:31:06 | |
I just want to make sure I've got everyone. | 0:31:09 | 0:31:11 | |
Get in, gang. Squeeze over. | 0:31:13 | 0:31:16 | |
Let me get this door open for you. | 0:31:16 | 0:31:18 | |
There you go. | 0:31:21 | 0:31:22 | |
CHEERING AND APPLAUSE | 0:31:22 | 0:31:25 | |
What? What? | 0:31:35 | 0:31:38 | |
Ladies and gentlemen, it's our Unexpected Stars of tonight's show, | 0:31:39 | 0:31:43 | |
the Forth Valley nurses! | 0:31:43 | 0:31:46 | |
Yeah! | 0:31:46 | 0:31:50 | |
Girls, let me explain what's happening because this must | 0:31:52 | 0:31:55 | |
be very shocking. You have been surprised. | 0:31:55 | 0:31:57 | |
Look over there at lovely Angela sitting in the audience. | 0:31:57 | 0:32:00 | |
-There's Angie. -Hi, girls! | 0:32:00 | 0:32:03 | |
Angela has helped organise this big surprise for you. | 0:32:05 | 0:32:09 | |
You may have noticed it's my Christmas TV show. | 0:32:09 | 0:32:12 | |
The nation are watching, | 0:32:12 | 0:32:14 | |
and you are going to be our Unexpected Stars of tonight's show. | 0:32:14 | 0:32:18 | |
-I gather you perform together in a choir, is that right? -Yes. -Yes? | 0:32:18 | 0:32:23 | |
-Yes. -You like to sing together? -Yes, very much so. | 0:32:23 | 0:32:26 | |
-And you think you're here for an audition? -Yes. | 0:32:26 | 0:32:29 | |
You will be closing tonight's show, singing a beautiful Christmas song | 0:32:29 | 0:32:33 | |
for all of us here tonight in the theatre. | 0:32:33 | 0:32:35 | |
2,000 people in the Theatre Royal in Drury Lane, and, of course, | 0:32:35 | 0:32:38 | |
the millions of people watching at home. | 0:32:38 | 0:32:40 | |
You up for that? | 0:32:40 | 0:32:42 | |
CHEERING AND APPLAUSE | 0:32:42 | 0:32:45 | |
-All right. How you feeling? -Wonderful. -Wonderful. | 0:32:48 | 0:32:52 | |
-Were you watching us earlier? -Yes, we were. | 0:32:52 | 0:32:54 | |
Yeah, yeah. | 0:32:56 | 0:32:58 | |
HE IMPERSONATES A GORILLA | 0:32:58 | 0:33:00 | |
LAUGHTER | 0:33:00 | 0:33:03 | |
The dolphin was good. The dolphin. | 0:33:08 | 0:33:10 | |
-You were the dolphin? -Yes! | 0:33:14 | 0:33:17 | |
HE IMPERSONATES A DOLPHIN | 0:33:17 | 0:33:20 | |
OK, we'll see you later on. Ladies and gentlemen, it's our nurses. | 0:33:21 | 0:33:25 | |
We'll see you later on. CHEERING AND APPLAUSE | 0:33:25 | 0:33:29 | |
Off you go this way. We'll get you sorted out. | 0:33:31 | 0:33:34 | |
See you later on, girls. See you later on. | 0:33:34 | 0:33:37 | |
No, don't go that way. | 0:33:37 | 0:33:39 | |
I thought you took a present! | 0:33:39 | 0:33:41 | |
I thought she'd nicked one of the presents! | 0:33:46 | 0:33:48 | |
SCOTTISH ACCENT: 'I'll have that, yeah. | 0:33:48 | 0:33:50 | |
'I'm down in London. These cameras aren't rolling, are they?' | 0:33:50 | 0:33:53 | |
LAUGHTER AND APPLAUSE | 0:33:53 | 0:33:56 | |
What a cheek! | 0:33:56 | 0:33:58 | |
I turn around and she's under the tree. | 0:33:58 | 0:34:00 | |
'That one looks my size. I'm having that.' | 0:34:00 | 0:34:03 | |
APPLAUSE | 0:34:05 | 0:34:09 | |
It is now time for some Christmas fun. | 0:34:09 | 0:34:13 | |
AUDIENCE WHOOPS | 0:34:13 | 0:34:15 | |
You, the audience, are going to compete against each other | 0:34:15 | 0:34:21 | |
in what we're calling the Big Show Christmas Games! | 0:34:21 | 0:34:25 | |
APPLAUSE | 0:34:25 | 0:34:29 | |
The audience is in four sections. | 0:34:31 | 0:34:34 | |
Each section of this audience is going to be represented by | 0:34:34 | 0:34:37 | |
a competitor in our Christmas Games. | 0:34:37 | 0:34:40 | |
So, first off, I'm actually going to come into the stalls | 0:34:40 | 0:34:43 | |
and I'm going to find one person | 0:34:43 | 0:34:45 | |
who would like to play the games tonight. | 0:34:45 | 0:34:48 | |
Hold the line, I'm coming down. | 0:34:48 | 0:34:50 | |
-OK, your hand is up. What's your name? -Julie. -Hi, Julie. -Hello. | 0:34:53 | 0:34:57 | |
-Your hat's fallen off. You're very excitable. -Nervous. | 0:34:57 | 0:35:00 | |
You're dancing to a song I can't hear. | 0:35:00 | 0:35:02 | |
-I'm nervous. -What do you do when you're nervous? -Salsa. | 0:35:04 | 0:35:07 | |
-What's your name? -My name's Noreen. | 0:35:10 | 0:35:13 | |
-Hi, Noreen. -Hello. -Where are you from, Noreen? -From Woking. | 0:35:13 | 0:35:16 | |
-Why should I pick you, Noreen? -Because I'm very, very naughty. | 0:35:16 | 0:35:21 | |
I think the stalls want her. AUDIENCE CHEERS | 0:35:21 | 0:35:25 | |
Come on, let's go. | 0:35:25 | 0:35:27 | |
Noreen's going to play the game. | 0:35:27 | 0:35:29 | |
OK, Noreen, I'm going to ask you to just head off over here, | 0:35:34 | 0:35:37 | |
some people waiting, and they're going to get you in your tracksuit | 0:35:37 | 0:35:40 | |
and then you'll be competing later on. | 0:35:40 | 0:35:42 | |
Ladies and gentlemen, for the stalls, it's Noreen! | 0:35:42 | 0:35:45 | |
APPLAUSE | 0:35:45 | 0:35:47 | |
OK, so that is Noreen who's playing for you down here in the stalls. | 0:35:47 | 0:35:51 | |
Let's find out who's playing for the rest of the theatre. | 0:35:51 | 0:35:54 | |
Representing the royal circle... | 0:35:54 | 0:35:56 | |
APPLAUSE AND BOOS | 0:35:56 | 0:36:00 | |
I feel a bit mad about this. It is a man who hates Christmas. | 0:36:00 | 0:36:04 | |
It's real-life Scrooge, | 0:36:04 | 0:36:06 | |
Philip Atkinson from Buckinghamshire. | 0:36:06 | 0:36:08 | |
APPLAUSE | 0:36:08 | 0:36:12 | |
Welcome, Philip. | 0:36:12 | 0:36:13 | |
So, Philip, what is it that you don't like about Christmas? | 0:36:13 | 0:36:16 | |
-Predictable. -Yes, that's certainly the case. | 0:36:16 | 0:36:18 | |
-Boring. -Boring. -Socks. -Yeah. | 0:36:18 | 0:36:22 | |
-Shower gel. -Yeah, you're not keen on Christmas. -It's awful. | 0:36:24 | 0:36:28 | |
I'm sorry to the royal circle, but give him all your love. | 0:36:28 | 0:36:32 | |
APPLAUSE | 0:36:32 | 0:36:34 | |
Right, so that's Philip. | 0:36:34 | 0:36:36 | |
It is good news, I have to say, for the grand circle. | 0:36:36 | 0:36:39 | |
Representing you is the opposite of Philip. | 0:36:39 | 0:36:43 | |
It's Christmas-obsessed, super-organised mum, Hayley Black! | 0:36:43 | 0:36:49 | |
Go on, Hayley! APPLAUSE | 0:36:49 | 0:36:52 | |
Yay! It's Hayley! | 0:36:52 | 0:36:56 | |
-Christmas is something that you love? -Can't get enough of it. | 0:36:56 | 0:36:59 | |
I think we've got some pictures of you enjoying Christmas, Hayley. | 0:36:59 | 0:37:03 | |
Talk us through that one. | 0:37:03 | 0:37:05 | |
I sort of turned up at work dressed as a cracker. | 0:37:05 | 0:37:07 | |
You went to work dressed as a cracker? | 0:37:07 | 0:37:09 | |
-Was anybody else in fancy dress? -No. | 0:37:09 | 0:37:10 | |
That's what I like about you, Hayley. | 0:37:10 | 0:37:13 | |
-This is the outside of your house. -It is. | 0:37:13 | 0:37:15 | |
APPLAUSE | 0:37:15 | 0:37:18 | |
Playing for the grand circle and the gold team, it's Hayley. | 0:37:18 | 0:37:22 | |
APPLAUSE | 0:37:22 | 0:37:25 | |
Now, finally, for you lot at the top, | 0:37:25 | 0:37:29 | |
it's Olympian Lewis Smith! | 0:37:29 | 0:37:31 | |
CHEERING AND APPLAUSE | 0:37:31 | 0:37:33 | |
Yeah! | 0:37:33 | 0:37:35 | |
-How are you? Congratulations. -Thank you very much. | 0:37:40 | 0:37:43 | |
-You've got a multitude of Olympic medals. -I've got a few, yeah. | 0:37:43 | 0:37:46 | |
-From the last three Olympics. -Yeah. | 0:37:46 | 0:37:50 | |
Thank you so much for being here. Merry Christmas. | 0:37:50 | 0:37:52 | |
Playing for the balcony, the red team. | 0:37:52 | 0:37:57 | |
And playing for the stalls, it's Noreen! | 0:37:57 | 0:37:59 | |
# Rockin' around the Christmas tree | 0:37:59 | 0:38:02 | |
# At the Christmas party hop. # | 0:38:02 | 0:38:05 | |
All right. | 0:38:05 | 0:38:07 | |
Let's get started and play our first Christmas game. | 0:38:08 | 0:38:12 | |
Right, listen very carefully. | 0:38:12 | 0:38:13 | |
Over here, we have some Christmas lights | 0:38:13 | 0:38:17 | |
that are in a horrifically tangled situation. | 0:38:17 | 0:38:21 | |
So, you have to untangle the lights, then you have to wrap them round | 0:38:21 | 0:38:24 | |
your individual trees, and then you have to classically climb | 0:38:24 | 0:38:28 | |
underneath the three and switch on the plug. | 0:38:28 | 0:38:31 | |
And when I say underneath the tree, | 0:38:31 | 0:38:32 | |
it's going to be right underneath it here, | 0:38:32 | 0:38:34 | |
so you have to climb under and, of course, don't try this game at home. | 0:38:34 | 0:38:38 | |
To demonstrate the game properly, | 0:38:38 | 0:38:41 | |
please welcome the nation's favourite teenager, | 0:38:41 | 0:38:45 | |
Kevin Patterson! | 0:38:45 | 0:38:47 | |
APPLAUSE | 0:38:47 | 0:38:49 | |
Kevin, are you there? Kevin? | 0:38:49 | 0:38:51 | |
-I'm coming! -Come on out, Kev. | 0:38:51 | 0:38:53 | |
CHEERING AND APPLAUSE | 0:38:55 | 0:38:59 | |
Kev, get off your phone. | 0:39:02 | 0:39:05 | |
-Urgh! -Turn it off. | 0:39:05 | 0:39:07 | |
-Urgh! -Kevin, turn it off. | 0:39:07 | 0:39:09 | |
Oh, what is your problem? | 0:39:09 | 0:39:13 | |
You can't be on your phone, Kevin. | 0:39:13 | 0:39:15 | |
-BELLOWS: -Don't shout at me! | 0:39:15 | 0:39:18 | |
Urgh, urgh, urgh, it's so unfair! | 0:39:19 | 0:39:23 | |
I HATE you! | 0:39:23 | 0:39:25 | |
Kevin, why are you walking like a zombie? | 0:39:26 | 0:39:30 | |
-Can't you walk properly? -At least I don't walk like you. | 0:39:30 | 0:39:32 | |
"Oh, I've got a man drawer!" | 0:39:32 | 0:39:34 | |
CHEERING AND APPLAUSE | 0:39:34 | 0:39:37 | |
Kevin...I remember when I was a teenager. | 0:39:37 | 0:39:41 | |
How long have you been a teenager now? | 0:39:41 | 0:39:43 | |
Feels like 22 years. | 0:39:46 | 0:39:48 | |
LAUGHTER | 0:39:48 | 0:39:50 | |
Merry Christmas. Bought your mum a present yet? | 0:39:50 | 0:39:52 | |
-Yeah, course I have. Yeah, yeah, yeah. -What you get her? | 0:39:52 | 0:39:55 | |
Fifa 17. | 0:39:55 | 0:39:56 | |
-And what about your dad? -Spare controller. | 0:39:58 | 0:40:01 | |
And what about you, Kevin? What do you want for Christmas? | 0:40:01 | 0:40:03 | |
Oh, I really need a new phone. | 0:40:03 | 0:40:04 | |
I so need a new phone! | 0:40:04 | 0:40:07 | |
I've got to have a new phone! | 0:40:07 | 0:40:09 | |
I want a new phone! | 0:40:09 | 0:40:10 | |
Just... I actually have bought you a Christmas present. | 0:40:10 | 0:40:13 | |
-What? -Yeah, I got you a present. -Oh. | 0:40:13 | 0:40:15 | |
-I got you one. Here it is, under the tree. -Oh. | 0:40:15 | 0:40:18 | |
-Kevin, from all of us to you. -Oh. Thank you very much. | 0:40:18 | 0:40:21 | |
-Oh. -AUDIENCE MEMBER: -Aw! | 0:40:21 | 0:40:24 | |
Oh. | 0:40:25 | 0:40:27 | |
Thank you very much. | 0:40:27 | 0:40:28 | |
-Kevin, what have you done? What are you doing? -What? | 0:40:30 | 0:40:33 | |
You've got to smash the screen, haven't you? | 0:40:33 | 0:40:35 | |
I'm a teenager - it's the law! | 0:40:37 | 0:40:40 | |
Kevin, are you going to help me demonstrate this game | 0:40:42 | 0:40:44 | |
that we're about to play with our competitors? | 0:40:44 | 0:40:46 | |
Urgh! I am not your slave! | 0:40:46 | 0:40:49 | |
-OK, stop texting and help me. -Urgh! -Just for one second. Come on, Kevin. | 0:40:51 | 0:40:54 | |
-OK! -All right, come on. | 0:40:54 | 0:40:56 | |
There are the lights here, Kev, all right? | 0:40:56 | 0:40:59 | |
So, you've got to try and untangle the lights. | 0:40:59 | 0:41:01 | |
-Want to give that a go? -Urgh! | 0:41:01 | 0:41:03 | |
You're... You're doing well, Kevin. | 0:41:07 | 0:41:10 | |
Aren't I? Sarcastic emoji. | 0:41:10 | 0:41:12 | |
I think you're doing a really good job, though. | 0:41:14 | 0:41:16 | |
Oh, thanks very much. | 0:41:16 | 0:41:18 | |
So bored, I'm in a coma-faced emoji. | 0:41:18 | 0:41:21 | |
I hate you! | 0:41:22 | 0:41:24 | |
Kevin, ladies and gentlemen! APPLAUSE | 0:41:27 | 0:41:31 | |
Now that we're clear on the rules, | 0:41:31 | 0:41:33 | |
let's reveal the game. | 0:41:33 | 0:41:36 | |
-AUDIENCE: -Ooh! | 0:41:36 | 0:41:39 | |
Yeah! | 0:41:39 | 0:41:41 | |
OK, so if you would like to take your positions | 0:41:41 | 0:41:44 | |
in front of your colour-coded tree. | 0:41:44 | 0:41:46 | |
CHEERING | 0:41:46 | 0:41:48 | |
Once I pop my party popper, you must race. | 0:41:48 | 0:41:51 | |
Play! | 0:41:51 | 0:41:53 | |
MUSIC: Merry Christmas Everyone by Shakin' Stevens | 0:41:54 | 0:41:58 | |
Oh! We've got a winner! | 0:42:23 | 0:42:25 | |
So close. | 0:42:29 | 0:42:30 | |
Darling. Darling. | 0:42:30 | 0:42:32 | |
Darling. | 0:42:32 | 0:42:34 | |
Darling. Darling. | 0:42:34 | 0:42:36 | |
Darling, it's OK. It's over. Louis won. | 0:42:36 | 0:42:40 | |
Ladies and gentlemen, our champion representing the balcony, | 0:42:40 | 0:42:43 | |
Louis Smith. | 0:42:43 | 0:42:45 | |
CHEERING AND APPLAUSE | 0:42:45 | 0:42:48 | |
Congratulations all round. Well done. | 0:42:48 | 0:42:50 | |
Now, ladies and gentlemen, it is time to find out what replies | 0:42:53 | 0:42:56 | |
Aled Jones has received this evening in tonight's | 0:42:56 | 0:43:00 | |
Christmas Celebrity Send To All! | 0:43:00 | 0:43:03 | |
So, let's just remind ourselves of the text that I sent from Aled's | 0:43:04 | 0:43:08 | |
phone earlier tonight, which was... | 0:43:08 | 0:43:10 | |
So...the replies have been flooding in. | 0:43:28 | 0:43:31 | |
Let's have a look at what's happened. | 0:43:31 | 0:43:34 | |
-OK, Sam... Who's Sam? -Have I texted Sam? | 0:43:34 | 0:43:37 | |
-No, I did. -Oh, yeah, you did. | 0:43:37 | 0:43:40 | |
He's my boss at Classic FM. | 0:43:40 | 0:43:42 | |
-AUDIENCE: -Ooh! | 0:43:42 | 0:43:44 | |
Well, that explains how he's opened the text. | 0:43:44 | 0:43:47 | |
Your boss at Classic FM has opened with, | 0:43:48 | 0:43:51 | |
"In the morning?! You're on air at 9am. | 0:43:51 | 0:43:55 | |
"That'll be a very early appointment." | 0:43:58 | 0:44:00 | |
Then he's gone on, | 0:44:00 | 0:44:02 | |
"I'd go for a flying snowman spread across both butt cheeks. | 0:44:02 | 0:44:07 | |
"It'll be a thing of beauty." | 0:44:10 | 0:44:12 | |
What a lovely idea, with the...! | 0:44:12 | 0:44:14 | |
You fancy that, Snowman? | 0:44:18 | 0:44:20 | |
OK, that was a great text. | 0:44:22 | 0:44:24 | |
We can end there, if you like. | 0:44:24 | 0:44:26 | |
Doctor Hilary. | 0:44:26 | 0:44:28 | |
-Is that Doctor Hilary from the telly? -Yeah. | 0:44:28 | 0:44:30 | |
-Doctor Hilary Jones? -Yeah. | 0:44:30 | 0:44:32 | |
-I think he's texted that Welsh word that goes on forever. -What? | 0:44:32 | 0:44:35 | |
-Llanfairpwllgwyngyllgogerychwyrndrob wllllantysiliogogogoch. -Yes. | 0:44:35 | 0:44:39 | |
CHEERING | 0:44:39 | 0:44:42 | |
Oh, no. He's basically... | 0:44:43 | 0:44:45 | |
I didn't read the text. | 0:44:45 | 0:44:46 | |
He said, "The word..." | 0:44:46 | 0:44:48 | |
Llanfairpwllgwyngyllgogerychwyrndrob wllllantysiliogogogoch. | 0:44:48 | 0:44:51 | |
"..on your willy." | 0:44:51 | 0:44:53 | |
There's more. | 0:44:56 | 0:44:57 | |
"I could do this for you under local anaesthetic... | 0:44:57 | 0:45:01 | |
"..in red ink, Doctor H." | 0:45:03 | 0:45:05 | |
That is a great text! | 0:45:05 | 0:45:07 | |
Hilary Jones, how dare you! | 0:45:08 | 0:45:11 | |
Oh, that is brilliant. | 0:45:12 | 0:45:15 | |
-Louis Chivers. -Louise Chivers, yeah. -Who is Louise Chivers? | 0:45:15 | 0:45:18 | |
-She's just a friend. -Just a friend. | 0:45:18 | 0:45:20 | |
"Was this text meant for me or your therapist?" | 0:45:20 | 0:45:23 | |
-OK, Laura Tobin. -Yeah. She's a weather girl. | 0:45:26 | 0:45:29 | |
"This is the best idea I've ever heard. | 0:45:29 | 0:45:31 | |
"Why not have microwave in Welsh? | 0:45:31 | 0:45:34 | |
"Best word ever." | 0:45:34 | 0:45:36 | |
Microwave in Welsh is popty ping. | 0:45:36 | 0:45:39 | |
-No! -Yes. | 0:45:39 | 0:45:41 | |
No! | 0:45:41 | 0:45:42 | |
So, the ping is the sound that the microwave... | 0:45:42 | 0:45:45 | |
-Are you joking?! -Popty is oven and so it's oven ping. | 0:45:45 | 0:45:49 | |
-Oven that pings. Popty ping. -Popty ping | 0:45:49 | 0:45:52 | |
WELSH ACCENT: 'I'm absolutely ravenous. | 0:45:52 | 0:45:54 | |
'Put some chips in the popty ping, innit?' | 0:45:54 | 0:45:56 | |
-Anthea? -That's Anthea Turner. | 0:46:01 | 0:46:03 | |
Anthea Turner. | 0:46:03 | 0:46:04 | |
"But you've already got the dragon." Do you? | 0:46:04 | 0:46:07 | |
No, I don't have the dragon! | 0:46:07 | 0:46:09 | |
She says, "But you've already got the dragon, I've seen it." | 0:46:09 | 0:46:11 | |
-She hasn't. -"You know where to put that snowman and his carrot. | 0:46:11 | 0:46:14 | |
"Lot's of love, Anth." | 0:46:16 | 0:46:18 | |
She's brilliant. | 0:46:18 | 0:46:19 | |
We're not going to get this done, are we, tonight? | 0:46:19 | 0:46:21 | |
Er, no, I'm going through every single one of them. Erm... | 0:46:21 | 0:46:24 | |
-Oh, no, sorry, you meant the tattoo! -I did, yeah! | 0:46:24 | 0:46:27 | |
That would be such a brilliant end to the show! | 0:46:27 | 0:46:29 | |
If some guy comes in, zzz... | 0:46:29 | 0:46:32 | |
COCKNEY ACCENT: 'What was the name of that Welsh town, mate? | 0:46:33 | 0:46:37 | |
'I'm in a rush. Can we just do Cardiff?' | 0:46:37 | 0:46:39 | |
Helen Hand. | 0:46:41 | 0:46:43 | |
I can't remember who Helen Hand is. | 0:46:43 | 0:46:45 | |
Helen Hand, who he can't remember, has texted, "It will be painful. | 0:46:45 | 0:46:49 | |
"Where are you getting the tattoo done - question." | 0:46:49 | 0:46:52 | |
She's actually written the word question. | 0:46:52 | 0:46:54 | |
"Question. Do you want everyone to see it? | 0:46:54 | 0:46:58 | |
"And will you like it in 20 years' time? | 0:46:58 | 0:47:00 | |
"If you get bigger, the tattoo will get bigger | 0:47:00 | 0:47:04 | |
"and misshapen. | 0:47:04 | 0:47:06 | |
"Good luck. Let me know how you get on. | 0:47:06 | 0:47:08 | |
"Send a pic. Double kiss. Helen Hand." | 0:47:08 | 0:47:12 | |
-AUDIENCE: -Ooh! -She sounds great. | 0:47:12 | 0:47:14 | |
She is all over this and fully expecting you to put on weight. | 0:47:16 | 0:47:20 | |
Yeah. | 0:47:20 | 0:47:21 | |
Apparently... | 0:47:21 | 0:47:23 | |
I've just heard she's your make-up artist. | 0:47:23 | 0:47:25 | |
LAUGHTER | 0:47:25 | 0:47:28 | |
No, not my make-up artist. | 0:47:28 | 0:47:29 | |
I've known her for quite a while and I have worked with her, yeah. | 0:47:29 | 0:47:32 | |
-OK. -Oh, man. I'm not going to have any friends left, am I? | 0:47:32 | 0:47:35 | |
She's given you a lot of advice. | 0:47:35 | 0:47:37 | |
It doesn't matter. You're not losing friends you can't remember, Aled! | 0:47:37 | 0:47:41 | |
And we'll end on Lorraine Kelly. | 0:47:41 | 0:47:44 | |
Lovely Lorraine Kelly. | 0:47:46 | 0:47:48 | |
Simple two-liner - "A dragon on your bum, then send me a photo." | 0:47:48 | 0:47:52 | |
Brilliant. | 0:47:55 | 0:47:57 | |
Ladies and gentlemen, what a legend and a great sport. | 0:47:57 | 0:48:00 | |
What fun we've had with him tonight in our Christmas Send To All. | 0:48:00 | 0:48:03 | |
Aled Jones! | 0:48:03 | 0:48:05 | |
And don't forget the Snowman! | 0:48:06 | 0:48:08 | |
CHEERING | 0:48:08 | 0:48:10 | |
All right, that was awesome. | 0:48:11 | 0:48:13 | |
OK, it is time for our second Christmas event. | 0:48:13 | 0:48:18 | |
It's the Christmas Games, ladies and gentlemen! | 0:48:18 | 0:48:21 | |
So, please welcome back our competitors. | 0:48:22 | 0:48:25 | |
Christmas Eve, of course, it is a time | 0:48:30 | 0:48:32 | |
where the fridge is at its fullest. | 0:48:32 | 0:48:35 | |
You can't even believe how full it is. | 0:48:35 | 0:48:38 | |
We've all had the moment when you open the fridge on Christmas Eve | 0:48:38 | 0:48:41 | |
and it blows you away. "Oh! I've never seen the fridge so full!" | 0:48:41 | 0:48:45 | |
So, outside of the theatre is a car. | 0:48:46 | 0:48:50 | |
In the boot are the remaining two shopping bags. | 0:48:50 | 0:48:53 | |
Your job is to fill the fridge up with all the food. | 0:48:53 | 0:48:58 | |
And here's the key part! | 0:48:58 | 0:48:59 | |
The door must close. | 0:48:59 | 0:49:02 | |
It's time to play Christmas Eve Fridge. | 0:49:03 | 0:49:06 | |
And here to demonstrate this game for us, | 0:49:08 | 0:49:11 | |
please welcome a grandmother from East London, Joannie Taylor. | 0:49:11 | 0:49:15 | |
-It's Nan! -Ah-ha-ha-ha! | 0:49:15 | 0:49:18 | |
Hello! Hello! | 0:49:18 | 0:49:21 | |
Ah-ah-ah-ah! | 0:49:21 | 0:49:23 | |
Ah! | 0:49:23 | 0:49:26 | |
Ah-ha-ha-ha! | 0:49:26 | 0:49:28 | |
Do you need help? Do you need help, Nan? | 0:49:28 | 0:49:30 | |
I... Oh, look who it is, it's my favourite. Ah-ah-ah-ah! | 0:49:30 | 0:49:33 | |
-Hi, Nan. Do you need some help? -No, darling! -Can I...? | 0:49:33 | 0:49:35 | |
-You go over there... No, darling. -Do you want me to help you? | 0:49:35 | 0:49:38 | |
-You've got enough to do, don't ya? -You don't want me to help? | 0:49:38 | 0:49:41 | |
No! Don't bother helping me, will ya? | 0:49:41 | 0:49:44 | |
-God help us. -Welcome, Nan. | 0:49:45 | 0:49:48 | |
-Welcome. -Ah-ah-ah-ah! | 0:49:48 | 0:49:50 | |
-CHEERING Welcome. -Hello! | 0:49:50 | 0:49:53 | |
Ah-ah-ah-ah! | 0:49:53 | 0:49:55 | |
You're a good boy, you are. | 0:49:55 | 0:49:56 | |
You're a good boy. | 0:49:56 | 0:49:58 | |
-Are you enjoying the show, Nan? -Oh, I love it, sweetheart. | 0:49:58 | 0:50:00 | |
When you came out and you popped out of that box, didn't you? | 0:50:00 | 0:50:04 | |
And it was just a classic Christmas, wasn't it? | 0:50:04 | 0:50:07 | |
Cos there is always one present that's disappointing. | 0:50:07 | 0:50:09 | |
Ah-ah-ah-ah! | 0:50:09 | 0:50:11 | |
-Look who we've got, Nan. -Who's that? | 0:50:12 | 0:50:15 | |
-We've got Aled Jones here and the Snowman. -Is that Aled Jones? | 0:50:15 | 0:50:17 | |
I got a very strange text from Aled. | 0:50:17 | 0:50:20 | |
Very strange text - something about a tattoo. | 0:50:23 | 0:50:25 | |
I tell you what, darling, | 0:50:25 | 0:50:27 | |
across your forehead, say, "Yes, I am Aled Jones. | 0:50:27 | 0:50:29 | |
"No, I'm not going to bleeding well sing We're Walking On The Air." | 0:50:29 | 0:50:32 | |
Ah-ah-ah-ah! | 0:50:32 | 0:50:34 | |
-All right, now, Nan... -Right. | 0:50:34 | 0:50:36 | |
-Now, you're here to demonstrate the game. -My fridge. | 0:50:36 | 0:50:39 | |
Come over here. This is the fridge game, | 0:50:39 | 0:50:41 | |
so they're going to fill the fridge, | 0:50:41 | 0:50:43 | |
and I understand that you filled this fridge earlier... | 0:50:43 | 0:50:46 | |
I did, darling, that's it. | 0:50:46 | 0:50:47 | |
..to show the competitors how it's done. | 0:50:47 | 0:50:50 | |
Yeah. Here you are, look at that. Here, look at that. | 0:50:50 | 0:50:53 | |
-AUDIENCE: -Ooh! -That. | 0:50:53 | 0:50:55 | |
So, that is the Christmas Eve Fridge. | 0:50:55 | 0:50:57 | |
That's what we're looking for, sweetheart. | 0:50:57 | 0:50:59 | |
And that is perfectly packed by Nan. | 0:50:59 | 0:51:01 | |
There's a fridge cam there. | 0:51:01 | 0:51:02 | |
Look, Nan, you can see... | 0:51:02 | 0:51:04 | |
And it is... Ah-ah-ah-ah! | 0:51:04 | 0:51:06 | |
-Look, I've got... -That's us gazing in the fridge, Nan. | 0:51:07 | 0:51:10 | |
-It is, innit? -Midnight snack. | 0:51:10 | 0:51:12 | |
That's all it is for you, innit, a snack? | 0:51:12 | 0:51:14 | |
So...round of applause for Nan. APPLAUSE | 0:51:17 | 0:51:21 | |
So, what's...what's going to happen is outside | 0:51:21 | 0:51:25 | |
the competitors are... Out... | 0:51:25 | 0:51:27 | |
Nan, are you all right? Nan? | 0:51:27 | 0:51:29 | |
What? Yeah, no, I... | 0:51:29 | 0:51:31 | |
Yeah, no, I'm checking it's safe. | 0:51:31 | 0:51:33 | |
A few last-minute touches. | 0:51:33 | 0:51:34 | |
You've got to go outside, you've got to grab the bags from the car, | 0:51:34 | 0:51:38 | |
-and your... -(Don't need nothing, do it?) | 0:51:38 | 0:51:40 | |
Don't need nothing, do it? | 0:51:40 | 0:51:42 | |
Oh, look... | 0:51:43 | 0:51:46 | |
All right? Oh, hello, what? | 0:51:46 | 0:51:48 | |
-Nan, are you OK? -I'm rearranging it. | 0:51:48 | 0:51:51 | |
Ladies and gentlemen, it's Nan! | 0:51:51 | 0:51:53 | |
Good luck, darlings! Good luck. | 0:51:53 | 0:51:56 | |
So, competitors, let's have a look at your empty fridges. | 0:51:58 | 0:52:03 | |
-AUDIENCE: -Ooh! | 0:52:05 | 0:52:09 | |
We'll show you the cars. | 0:52:09 | 0:52:11 | |
Along here... | 0:52:15 | 0:52:17 | |
RYTHMIC CLAPPING | 0:52:17 | 0:52:21 | |
So... | 0:52:22 | 0:52:24 | |
Here we are. I've got my popper to start the game. | 0:52:24 | 0:52:27 | |
What you have to remember is the fridge must close. | 0:52:27 | 0:52:30 | |
-Are you ready? -Yeah. | 0:52:30 | 0:52:31 | |
We're all ready? Let's...play the game! | 0:52:31 | 0:52:34 | |
MUSIC: I Wish It Could Be Christmas Everyday by Wizzard | 0:52:34 | 0:52:40 | |
In first place is Hayley! | 0:52:40 | 0:52:42 | |
Hayley's taken an early lead. | 0:52:42 | 0:52:44 | |
Hayley is flying! | 0:52:44 | 0:52:46 | |
Hayley is flying for the circle. | 0:52:46 | 0:52:48 | |
Up goes Louis in third place. | 0:52:50 | 0:52:52 | |
Come on, Noreen, hurry up! | 0:52:52 | 0:52:55 | |
Right, fill your fridges. | 0:52:56 | 0:52:57 | |
Hayley's all over this. | 0:52:59 | 0:53:01 | |
So much to go in! | 0:53:01 | 0:53:03 | |
He's down! | 0:53:03 | 0:53:05 | |
Is there too much?! | 0:53:06 | 0:53:08 | |
Hayley's eating the food! | 0:53:08 | 0:53:10 | |
It looks Louis has got... Look at that turkey on its end! | 0:53:10 | 0:53:13 | |
HE SCREAMS | 0:53:15 | 0:53:17 | |
Oh! Louis is...! | 0:53:22 | 0:53:25 | |
He's got to shut it! It's got to stay shut! | 0:53:25 | 0:53:27 | |
SHOUTING | 0:53:28 | 0:53:32 | |
Stop, stop, stop! | 0:53:33 | 0:53:35 | |
Come on, shut! | 0:53:38 | 0:53:40 | |
INDISTINCT SPEECH | 0:53:41 | 0:53:43 | |
Yes! | 0:53:46 | 0:53:48 | |
CHEERING | 0:53:48 | 0:53:51 | |
CHANTING | 0:53:51 | 0:53:55 | |
It's Hayley in the grand circle! | 0:53:55 | 0:53:57 | |
Thanks, guys. | 0:53:59 | 0:54:00 | |
Off you go. Amazing. Merry Christmas! | 0:54:00 | 0:54:04 | |
Right, earlier tonight, ladies and gentlemen, | 0:54:07 | 0:54:09 | |
21 nurses thought they were here to audition for a Christmas concert, | 0:54:09 | 0:54:14 | |
that is until we surprised them with the news that they were to | 0:54:14 | 0:54:18 | |
become our unexpected Christmas stars of tonight's show. | 0:54:18 | 0:54:21 | |
Now, let's have a little look at how the last hour has unfolded for them. | 0:54:21 | 0:54:26 | |
We thought we were coming for an audition. | 0:54:27 | 0:54:29 | |
We were hoping we were going to get the job! | 0:54:29 | 0:54:31 | |
-LAUGHTER -And we got it! | 0:54:31 | 0:54:33 | |
We were put in a lift and then the doors opened, | 0:54:34 | 0:54:37 | |
and all you saw was a sea of faces. | 0:54:37 | 0:54:40 | |
It was just like a dream. | 0:54:40 | 0:54:42 | |
Never in a million years did any of us think that | 0:54:42 | 0:54:46 | |
this was going to happen. | 0:54:46 | 0:54:48 | |
CHATTER | 0:54:48 | 0:54:50 | |
Hi, ladies. Come on in. | 0:54:51 | 0:54:53 | |
I think they do such an important job. | 0:54:53 | 0:54:55 | |
They're the people that we can't do without when we need them, | 0:54:55 | 0:54:58 | |
so actually to see them onstage and celebrate them is fantastic. | 0:54:58 | 0:55:00 | |
THEY SING | 0:55:00 | 0:55:02 | |
LAUGHTER | 0:55:02 | 0:55:05 | |
It's the first time I've sat down for a while. | 0:55:07 | 0:55:09 | |
THEY SING | 0:55:09 | 0:55:11 | |
It is nice to be pampered. | 0:55:11 | 0:55:13 | |
An unusual experience. | 0:55:13 | 0:55:15 | |
There are two things that we are all passionate about | 0:55:17 | 0:55:20 | |
and that's loving people and caring about them, | 0:55:20 | 0:55:22 | |
and music, and we're getting to do it on a stage like this | 0:55:22 | 0:55:25 | |
and at Christmas time. What else could you ask for? | 0:55:25 | 0:55:27 | |
Please welcome the Forth Valley Nurses Choir! | 0:55:30 | 0:55:34 | |
CHEERING | 0:55:34 | 0:55:38 | |
# I'm dreaming | 0:55:49 | 0:55:53 | |
# Of a white Christmas | 0:55:53 | 0:56:00 | |
# Just like the ones I used to know | 0:56:00 | 0:56:08 | |
# May your days be merry | 0:56:10 | 0:56:16 | |
# And bright | 0:56:16 | 0:56:21 | |
# And may all your Christmases | 0:56:21 | 0:56:28 | |
# Be white | 0:56:28 | 0:56:32 | |
# I'm dreaming | 0:56:34 | 0:56:39 | |
# Of a white Christmas | 0:56:39 | 0:56:46 | |
# Just like the ones I used to know | 0:56:47 | 0:56:54 | |
# May the tree tops glisten | 0:56:56 | 0:57:02 | |
# And children listen | 0:57:02 | 0:57:08 | |
# To hear sleigh bells | 0:57:08 | 0:57:13 | |
# In the snow | 0:57:13 | 0:57:18 | |
# I'm dreaming | 0:57:20 | 0:57:24 | |
# Of a white Christmas | 0:57:24 | 0:57:32 | |
# With every Christmas card | 0:57:32 | 0:57:36 | |
# I write | 0:57:36 | 0:57:41 | |
# May your days be merry | 0:57:41 | 0:57:47 | |
# And bright | 0:57:47 | 0:57:52 | |
# And may all your Christmases | 0:57:52 | 0:58:01 | |
# Be white. # | 0:58:01 | 0:58:08 | |
CHEERING | 0:58:10 | 0:58:12 | |
Girls! Girls! | 0:58:16 | 0:58:19 | |
HE SHOUTS EXCITEDLY | 0:58:19 | 0:58:24 | |
Yes! | 0:58:26 | 0:58:29 | |
Ladies and gentlemen, the stars of tonight's show, | 0:58:29 | 0:58:32 | |
the Forth Valley Choir! | 0:58:32 | 0:58:34 | |
Whoo! | 0:58:35 | 0:58:38 | |
Merry Christmas! | 0:58:38 | 0:58:39 |