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Tonight on my Big Show, | 0:00:10 | 0:00:12 | |
Jamie Oliver plays Celebrity Send To All, | 0:00:12 | 0:00:14 | |
comedy from the hilarious Jack Whitehall, | 0:00:14 | 0:00:18 | |
music from megastar Sting, and from newcomer David Brent. | 0:00:18 | 0:00:24 | |
And who will be tonight's Unexpected Star of the Show? | 0:00:24 | 0:00:27 | |
All this and so much more. | 0:00:27 | 0:00:30 | |
'Ladies and gentlemen, it's the Big Show. | 0:00:33 | 0:00:37 | |
'Please welcome your host, Michael McIntyre.' | 0:00:37 | 0:00:40 | |
CHEERING AND APPLAUSE | 0:00:40 | 0:00:43 | |
THEME TUNE FROM "STRICTLY COME DANCING" | 0:00:43 | 0:00:47 | |
CHEERING AND APPLAUSE | 0:00:56 | 0:00:59 | |
Bravo! | 0:00:59 | 0:01:01 | |
Yes, hello, good evening, ladies and gentlemen. | 0:01:02 | 0:01:06 | |
And welcome to my Big Show. | 0:01:07 | 0:01:10 | |
Yay! | 0:01:13 | 0:01:15 | |
It's on. | 0:01:15 | 0:01:17 | |
Tonight, ladies and gentlemen, there will be big stars, | 0:01:17 | 0:01:20 | |
big laughs and big surprises. | 0:01:20 | 0:01:23 | |
CHEERING AND APPLAUSE | 0:01:23 | 0:01:25 | |
And thank you all for being here, because I know you want to be here. | 0:01:26 | 0:01:29 | |
I know you THINK you want to be here, but you don't really want to | 0:01:29 | 0:01:32 | |
be here, I don't think, because you're British. | 0:01:32 | 0:01:34 | |
British people would always rather be at home. | 0:01:34 | 0:01:37 | |
It doesn't matter where you are. Home is always better. | 0:01:37 | 0:01:41 | |
A good night for a British person is judged on how quickly they | 0:01:41 | 0:01:44 | |
managed to get home at the end of it. | 0:01:44 | 0:01:47 | |
"How was last night?" "It was amazing. | 0:01:47 | 0:01:49 | |
"We were home by 9.30." | 0:01:49 | 0:01:50 | |
People are so thrilled. | 0:01:50 | 0:01:52 | |
Even tonight you'll judge it... | 0:01:52 | 0:01:54 | |
You will get through the door and you'll check the watch. "What time is it?" | 0:01:54 | 0:01:58 | |
Anything before the hour will feel like a small victory. | 0:01:58 | 0:02:00 | |
Even if it's ten to one. "It's ten to one in the morning. | 0:02:00 | 0:02:04 | |
"Ooh! We've got ten minutes to do what we want. It's ten to one! Woohoo!" | 0:02:04 | 0:02:08 | |
APPLAUSE | 0:02:08 | 0:02:12 | |
What else is new? I want to have a little chat with you. | 0:02:13 | 0:02:17 | |
It's been on my mind and I feel that we should discuss certain | 0:02:17 | 0:02:20 | |
things that confuse me about chat, about the word "Chat." OK? | 0:02:20 | 0:02:25 | |
So there's chat and there's chit-chat. | 0:02:25 | 0:02:28 | |
What is the difference between chat and chit-chat? | 0:02:28 | 0:02:31 | |
Because people say, "Do you want a chat?" And you go, "Yeah, let's have a chat". | 0:02:31 | 0:02:34 | |
Or, "We had a chat earlier." "Shall we have a...?" "Thanks for the chat." | 0:02:34 | 0:02:37 | |
Or they go, "We had a chit-chat. We had some chit-chat." | 0:02:37 | 0:02:39 | |
What is the difference between a chat and a chit-chat? | 0:02:39 | 0:02:42 | |
Well, I can tell you. Obviously, it's chit. | 0:02:42 | 0:02:45 | |
LAUGHTER | 0:02:45 | 0:02:46 | |
But what is chit? What is chit? | 0:02:46 | 0:02:48 | |
How do you add the chit to the chat for it to become chit-chat? | 0:02:48 | 0:02:51 | |
Because people never have a chit is the point I'm making. | 0:02:51 | 0:02:53 | |
You never say to someone, "Have you got time for a chat?" | 0:02:53 | 0:02:56 | |
"No, but I could probably have a little chit." | 0:02:56 | 0:02:58 | |
LAUGHTER | 0:02:58 | 0:02:59 | |
"Let's have a chit. Because I don't think I could do a chat. | 0:02:59 | 0:03:02 | |
"Certainly not a chit-chat." What is a chit-chat? | 0:03:02 | 0:03:06 | |
Why are there these words that need another word to become one word? | 0:03:06 | 0:03:09 | |
Like nitty-gritty. What is nitty and what is gritty? | 0:03:09 | 0:03:11 | |
You get to the nitty-gritty. | 0:03:11 | 0:03:13 | |
Can you get to the nitty and not get to the gritty? | 0:03:13 | 0:03:16 | |
"I got to the gritty. I saw no nitty. Where was the nitty? | 0:03:16 | 0:03:20 | |
"I only saw gritty. | 0:03:20 | 0:03:22 | |
"We should chit about the nitty if we have time because I never saw | 0:03:22 | 0:03:25 | |
"the gritty." | 0:03:25 | 0:03:26 | |
Hurly-burly. What is hurly, what is burly? | 0:03:26 | 0:03:29 | |
Wishy-washy. | 0:03:29 | 0:03:31 | |
Fuddy-duddy. | 0:03:31 | 0:03:32 | |
Argy-bargy. | 0:03:32 | 0:03:33 | |
Itsy-bitsy. | 0:03:33 | 0:03:35 | |
Hodgepodge. | 0:03:35 | 0:03:36 | |
What is going on? | 0:03:36 | 0:03:37 | |
My favourite is hanky-panky. It is hanky-panky. | 0:03:37 | 0:03:41 | |
Because hanky-panky is something - I can only speak for men - | 0:03:41 | 0:03:44 | |
that all men can aspire to on a daily basis. | 0:03:44 | 0:03:47 | |
On a daily basis we hope that hanky-panky will happen. | 0:03:47 | 0:03:51 | |
But often we must make do | 0:03:53 | 0:03:55 | |
with hanky. | 0:03:55 | 0:03:56 | |
LAUGHTER AND APPLAUSE | 0:03:56 | 0:03:58 | |
OK, ladies and gentlemen, who wants to play Celebrity Send To All? | 0:04:07 | 0:04:12 | |
CHEERING AND APPLAUSE | 0:04:12 | 0:04:14 | |
So let's find out who is in our Send To All box this week. | 0:04:14 | 0:04:19 | |
Why, it's the world's best chef. | 0:04:19 | 0:04:23 | |
CHEERING AND APPLAUSE | 0:04:23 | 0:04:25 | |
It's Jamie Oliver, ladies and gentlemen. | 0:04:25 | 0:04:29 | |
Oh, Jamie. | 0:04:30 | 0:04:32 | |
Jamie, you're a true legend. I can't thank you enough for being here. | 0:04:32 | 0:04:36 | |
-Thank you. -How are you? -I'm really well. It's lovely to see you guys. | 0:04:36 | 0:04:39 | |
-It's brilliant. Great show. -Are you enjoying the show? | 0:04:39 | 0:04:41 | |
Yeah, I'm doing the catering later. Are you ready for it? | 0:04:41 | 0:04:44 | |
CHEERING AND APPLAUSE | 0:04:44 | 0:04:46 | |
What have you been up to, Jamie? | 0:04:46 | 0:04:48 | |
I've been working hard. It's Christmas. | 0:04:48 | 0:04:50 | |
Come on, it's my busiest time of year. | 0:04:50 | 0:04:52 | |
-You've got a new book coming out. -Yes, I have. | 0:04:52 | 0:04:54 | |
It's got the last 17 and a half years of Christmases. | 0:04:54 | 0:04:57 | |
Obviously you cook, you take on the burden of cooking. | 0:04:57 | 0:04:59 | |
Yeah, I cook for everyone at Christmas. | 0:04:59 | 0:05:01 | |
I delegate a few bits and pieces. | 0:05:01 | 0:05:03 | |
Is it just a family affair or can I come? | 0:05:03 | 0:05:05 | |
-Yeah, but the family is getting bigger. -Yes. -It's getting bigger... | 0:05:05 | 0:05:08 | |
You are sensationally fertile individual. | 0:05:08 | 0:05:11 | |
LAUGHTER | 0:05:11 | 0:05:13 | |
If you eat healthily you'll have a child every week. | 0:05:13 | 0:05:15 | |
This is the problem. I'll stick to the Turkey Twizzlers and struggle to conceive. | 0:05:15 | 0:05:20 | |
LAUGHTER | 0:05:20 | 0:05:22 | |
Amazingly fertile man. | 0:05:22 | 0:05:24 | |
CHEERING AND APPLAUSE | 0:05:24 | 0:05:25 | |
He's so fertile! | 0:05:25 | 0:05:27 | |
Be careful, ladies, don't go near that man. | 0:05:27 | 0:05:30 | |
Amazing, but listen, I can't thank you enough for being here and | 0:05:30 | 0:05:34 | |
-playing this game... -Thank you. -..which is a lot of fun. | 0:05:34 | 0:05:36 | |
How are you feeling about the prospect? | 0:05:36 | 0:05:38 | |
-Er... Awful. -Why? | 0:05:38 | 0:05:41 | |
-Genuinely...I'm so scared... -OK. | 0:05:41 | 0:05:44 | |
LAUGHTER | 0:05:44 | 0:05:46 | |
Don't worry, you're in absolutely safe hands. | 0:05:46 | 0:05:48 | |
My wife doesn't even have the code to this. | 0:05:48 | 0:05:50 | |
-I've taken it off just for this. -Thank you very much. -Shall I...? | 0:05:50 | 0:05:53 | |
Ladies and gentlemen, he's taken his code off for us tonight. | 0:05:53 | 0:05:57 | |
It's the fantastic Jamie Oliver playing Send To All. | 0:05:57 | 0:06:00 | |
CHEERING AND APPLAUSE | 0:06:00 | 0:06:02 | |
All right. | 0:06:02 | 0:06:03 | |
Hello. Stay back from Jamie, you could all get pregnant. | 0:06:03 | 0:06:06 | |
Be careful, girls, be careful. All right. | 0:06:06 | 0:06:10 | |
Here we go. Here comes the phone. | 0:06:10 | 0:06:12 | |
-AUDIENCE: -Whoo! -MUSIC: "Food Glorious Food" | 0:06:12 | 0:06:15 | |
Yeah! I'm now in possession, ladies and gentlemen, | 0:06:15 | 0:06:19 | |
of Jamie Oliver's mobile telephone. | 0:06:19 | 0:06:21 | |
APPLAUSE | 0:06:21 | 0:06:23 | |
Oh, Jamie. | 0:06:23 | 0:06:25 | |
Let's plug it in and then it'll come up. All right. So... | 0:06:26 | 0:06:29 | |
Yes, there it is, there it is. We're up and running. | 0:06:29 | 0:06:33 | |
Baby number three. | 0:06:33 | 0:06:35 | |
LAUGHTER | 0:06:35 | 0:06:37 | |
-All right. Can I look at your photos, is that all right? -If you want to. | 0:06:37 | 0:06:40 | |
The Olivers. Absolutely, totally adorable. | 0:06:40 | 0:06:43 | |
Oh, Jamie! | 0:06:43 | 0:06:44 | |
-AUDIENCE: -Aw! | 0:06:44 | 0:06:47 | |
So cute. | 0:06:47 | 0:06:48 | |
Not as cute. | 0:06:48 | 0:06:50 | |
-Pancakes on the go in the Oliver household. -Yeah. Birthday boy. -Amazing. Whoa! OK. | 0:06:52 | 0:06:56 | |
That's your wife Jools going into childbirth? | 0:06:56 | 0:06:58 | |
Yeah, I'm not sure she'd appreciate that one. | 0:06:58 | 0:07:00 | |
LAUGHTER | 0:07:00 | 0:07:03 | |
That's when she's in contractions. | 0:07:03 | 0:07:05 | |
"Make sure you put this on Saturday night TV. Promise me one thing. | 0:07:05 | 0:07:13 | |
"You make sure you take that photo. Take the photo... Argh! | 0:07:15 | 0:07:20 | |
"Argh! Argh! | 0:07:20 | 0:07:24 | |
"Take the... Take it of me now. Now. | 0:07:24 | 0:07:27 | |
"Send it to Michael McIntyre, at the BBC. | 0:07:27 | 0:07:33 | |
"Argh! Prime time!" | 0:07:33 | 0:07:36 | |
LAUGHTER | 0:07:36 | 0:07:38 | |
She seems very relaxed about the whole situation. | 0:07:38 | 0:07:42 | |
OK, let's get stuck into tonight's text. OK? | 0:07:42 | 0:07:44 | |
Absolutely beautiful. | 0:07:44 | 0:07:46 | |
-So, messages. -Oh, God. -We're going to do something a little bit different tonight. OK? | 0:07:46 | 0:07:51 | |
-We're actually going to send two texts. -Ouch. | 0:07:51 | 0:07:55 | |
The first text is as follows. | 0:07:55 | 0:07:58 | |
"Jools, babe... | 0:07:58 | 0:08:00 | |
"kids all fed but I'm starving." | 0:08:00 | 0:08:05 | |
LAUGHTER | 0:08:05 | 0:08:07 | |
"Can you pick me up... | 0:08:07 | 0:08:12 | |
"12 nuggets..." | 0:08:12 | 0:08:15 | |
LAUGHTER | 0:08:15 | 0:08:18 | |
"..a cheeseburger... | 0:08:22 | 0:08:24 | |
"..a choc milkshake... | 0:08:26 | 0:08:29 | |
-"and that..." -Oh, God. | 0:08:29 | 0:08:33 | |
"flurry thing..." | 0:08:33 | 0:08:35 | |
LAUGHTER "..I love?" | 0:08:35 | 0:08:38 | |
LAUGHTER | 0:08:38 | 0:08:40 | |
"XX." Right, we're going to send this text. | 0:08:42 | 0:08:45 | |
"Jools, babe, kids all fed and I'm starving. | 0:08:45 | 0:08:48 | |
"Can you pick me up 12 nuggets, a cheeseburger, | 0:08:48 | 0:08:50 | |
"a choc milkshake and that flurry thing I love?" | 0:08:50 | 0:08:53 | |
-Now, that text is going to be sent to everybody in Jamie's phone. -Oh, no! | 0:08:53 | 0:08:58 | |
And then I'm going to send another text. | 0:08:58 | 0:09:00 | |
-So that text is now being sent. -Oh, no! | 0:09:00 | 0:09:06 | |
Now we're going to follow it up quickly with this one. "Oops! Sorry!" | 0:09:06 | 0:09:11 | |
You've sent it already. | 0:09:11 | 0:09:12 | |
"That text wasn't meant for you! | 0:09:15 | 0:09:19 | |
"I need you to PROMISE..." - | 0:09:19 | 0:09:24 | |
in capitals - "..me... | 0:09:24 | 0:09:28 | |
"that you won't... | 0:09:28 | 0:09:30 | |
"tell anybody about it." | 0:09:30 | 0:09:34 | |
LAUGHTER | 0:09:34 | 0:09:36 | |
APPLAUSE | 0:09:36 | 0:09:39 | |
"Let me know! I'm panicking! Jamie." | 0:09:41 | 0:09:46 | |
So we're going with the accidental sent one to everybody and | 0:09:48 | 0:09:51 | |
then following it up with a personal, "Oops! Sorry! That text wasn't meant | 0:09:51 | 0:09:55 | |
"for you! I need you to PROMISE me that you won't tell anybody about it. | 0:09:55 | 0:09:58 | |
"Let me know! I'm panicking! Jamie." | 0:09:58 | 0:10:02 | |
Could be career curtains? | 0:10:02 | 0:10:03 | |
LAUGHTER | 0:10:03 | 0:10:05 | |
So we're now going to send the follow-up text. | 0:10:05 | 0:10:07 | |
Are we happy with the follow-up? | 0:10:07 | 0:10:09 | |
-AUDIENCE: -Yes! | 0:10:09 | 0:10:10 | |
That's gone. | 0:10:10 | 0:10:11 | |
APPLAUSE | 0:10:11 | 0:10:14 | |
Let's see how that plays out. Jamie, it's not so bad. | 0:10:14 | 0:10:17 | |
There's 20 years' worth of relationships on that phone | 0:10:17 | 0:10:20 | |
and I'm a little bit worried about a few of them. | 0:10:20 | 0:10:23 | |
I think you're an incredible sport for being here and allowing us to do this. | 0:10:26 | 0:10:29 | |
Ladies and gentlemen, the fantastic Jamie Oliver. What a great sport! What a man! | 0:10:29 | 0:10:34 | |
CHEERING AND APPLAUSE | 0:10:34 | 0:10:37 | |
Quite frankly, I don't think I've ever been more excited to | 0:10:40 | 0:10:43 | |
welcome anybody onto my show. | 0:10:43 | 0:10:45 | |
I'm such a huge fan of this man since I was a kid. | 0:10:45 | 0:10:48 | |
I mean, seriously, he's an absolute legend. | 0:10:48 | 0:10:51 | |
What more do I need to say than please welcome Sting! | 0:10:51 | 0:10:54 | |
CHEERING AND APPLAUSE | 0:10:54 | 0:10:58 | |
MUSIC: Message In A Bottle by Sting | 0:11:02 | 0:11:05 | |
# Just a castaway An island lost at sea-oh | 0:11:06 | 0:11:11 | |
# Another lonely day With no-one here but me-oh | 0:11:11 | 0:11:17 | |
# More loneliness than any man could bear | 0:11:18 | 0:11:23 | |
# Rescue me before I fall into despair | 0:11:25 | 0:11:30 | |
# I'll send an SOS to the world | 0:11:30 | 0:11:33 | |
-AUDIENCE: -# I'll send an SOS to the world | 0:11:33 | 0:11:36 | |
# I hope that someone gets my | 0:11:36 | 0:11:40 | |
# I hope that someone gets my | 0:11:40 | 0:11:42 | |
# I hope that someone gets my | 0:11:42 | 0:11:46 | |
# Message in a bottle Ooh | 0:11:46 | 0:11:49 | |
# A message in a bottle, yeah | 0:11:52 | 0:11:55 | |
# Walked out this morning I don't believe what I saw | 0:11:59 | 0:12:04 | |
# A hundred billion bottles washed up on the shore | 0:12:05 | 0:12:11 | |
# Seems I'm not alone in being alone | 0:12:11 | 0:12:15 | |
# A hundred billion castaways looking for a home | 0:12:17 | 0:12:23 | |
# I'll send an SOS to the world | 0:12:23 | 0:12:27 | |
# I'll send an SOS to the world | 0:12:27 | 0:12:30 | |
# I hope that someone gets my | 0:12:30 | 0:12:32 | |
# I hope that someone gets my | 0:12:32 | 0:12:35 | |
# I hope that someone gets my | 0:12:35 | 0:12:38 | |
# Message in a bottle, yeah | 0:12:38 | 0:12:42 | |
# Message in a bottle | 0:12:45 | 0:12:48 | |
# I'm sending out an SOS | 0:12:48 | 0:12:51 | |
# I'm sending out an SOS | 0:12:51 | 0:12:54 | |
# I'm sending out an SOS | 0:12:54 | 0:12:57 | |
-AUDIENCE: -# I'm sending out an SOS | 0:12:57 | 0:13:00 | |
-# Sending out -# Sending out an SOS | 0:13:00 | 0:13:03 | |
# I'm sending out an SOS | 0:13:03 | 0:13:07 | |
# I'm sending out an SOS | 0:13:07 | 0:13:10 | |
# I'm sending out an SOS | 0:13:10 | 0:13:13 | |
# Sending out an SOS | 0:13:13 | 0:13:15 | |
# Sending out an SOS | 0:13:15 | 0:13:18 | |
# I'm sending out an SOS | 0:13:18 | 0:13:21 | |
# I'm sending out an SOS | 0:13:21 | 0:13:27 | |
# He-oh-oh-oh-oh-oh-oh-oh-oh. # | 0:13:29 | 0:13:36 | |
CHEERING AND APPLAUSE | 0:13:36 | 0:13:40 | |
APPLAUSE DROWNS SPEECH | 0:13:44 | 0:13:48 | |
Thank you so much. Ladies and gentlemen, what about that? Sting. | 0:13:49 | 0:13:53 | |
Message in a Bottle. Amazing. | 0:13:53 | 0:13:57 | |
Just before you go, I just wanted to tell you, | 0:13:58 | 0:14:01 | |
which I probable shouldn't, about when I was a little boy in my bedroom. | 0:14:01 | 0:14:05 | |
LAUGHTER | 0:14:05 | 0:14:08 | |
-I used to try and impersonate one of your songs. -Mm-hmm. | 0:14:08 | 0:14:12 | |
It would be a dream if we could just go through this little section. | 0:14:12 | 0:14:15 | |
OK? So it's this bit. | 0:14:15 | 0:14:17 | |
It's from So Lonely. | 0:14:17 | 0:14:19 | |
It goes... | 0:14:19 | 0:14:21 | |
HIGH PITCHED: # I feel so lonely. # | 0:14:21 | 0:14:23 | |
Can I try? Any key. | 0:14:23 | 0:14:24 | |
I don't know anything about keys. Sorry. | 0:14:24 | 0:14:27 | |
LAUGHTER | 0:14:27 | 0:14:28 | |
I'm not a musician. Whatever key you want. | 0:14:28 | 0:14:31 | |
# You look as if you're going somewhere | 0:14:31 | 0:14:35 | |
-BOTH: -# So lonely So lonely | 0:14:35 | 0:14:38 | |
# So lonely So lonely | 0:14:38 | 0:14:41 | |
# I feel low I feel low | 0:14:41 | 0:14:43 | |
# I feel so low I feel low, low, low | 0:14:43 | 0:14:46 | |
# I feel low, low, low I feel low, low, low. # | 0:14:46 | 0:14:50 | |
APPLAUSE | 0:14:50 | 0:14:52 | |
Ladies and gentlemen, one more time, thank you so much for that, | 0:14:52 | 0:14:55 | |
an absolute legend! | 0:14:55 | 0:14:57 | |
It's Sting. Thank you. Really, really appreciate it. | 0:14:57 | 0:15:01 | |
Now, ladies and gentlemen, it is time to find out who is going | 0:15:03 | 0:15:06 | |
to be our Unexpected Star Of The Show. | 0:15:06 | 0:15:10 | |
CHEERING AND APPLAUSE | 0:15:10 | 0:15:11 | |
Yes. | 0:15:11 | 0:15:13 | |
So this is tonight's Unexpected Star. There he is. | 0:15:13 | 0:15:17 | |
His name is John Prescott, which is a little bit awkward. | 0:15:19 | 0:15:22 | |
LAUGHTER | 0:15:22 | 0:15:24 | |
He's 25 years old. | 0:15:24 | 0:15:26 | |
He's from Somerset and he works for the council. There he is. | 0:15:26 | 0:15:29 | |
John Prescott. Johnny. Now, John is a keen runner. | 0:15:29 | 0:15:34 | |
In fact earlier this very morning, he ran half a marathon for charity | 0:15:34 | 0:15:39 | |
and now he's come to London for what he thinks is | 0:15:39 | 0:15:42 | |
a photo shoot and an interview about his running, | 0:15:42 | 0:15:45 | |
but of course that is all lies, just so we can have some fun. | 0:15:45 | 0:15:48 | |
CHEERING AND APPLAUSE | 0:15:48 | 0:15:51 | |
He is really here because he loves to sing, and tonight if everything | 0:15:51 | 0:15:55 | |
goes to plan, he will become our Unexpected Star Of The Show. | 0:15:55 | 0:15:58 | |
He has been nominated by his dad, Jeff, and his fiancee, Jess, | 0:15:58 | 0:16:03 | |
who are both here, I believe, in the stalls. | 0:16:03 | 0:16:06 | |
So I'm going to come and have a chat with them. Where is Jeff? Jeff and Jess. Jeff and Jess. | 0:16:06 | 0:16:10 | |
Ladies and gentlemen, it's Jeff and Jess. There they are. Big night for him, big night. | 0:16:10 | 0:16:15 | |
APPLAUSE | 0:16:15 | 0:16:16 | |
So, tell me about your future husband. | 0:16:16 | 0:16:21 | |
-He does a lot for charity, and he loves singing. -Yes, he's a nice man. He loves singing. | 0:16:21 | 0:16:25 | |
He's been singing a lot for charity as well? | 0:16:25 | 0:16:27 | |
-Yeah, as much as he can. -What's the biggest gig he's played? | 0:16:27 | 0:16:29 | |
What kind of gigs are they? I'm worried we've got the wrong person. | 0:16:29 | 0:16:32 | |
He's not in Vegas, is he? | 0:16:32 | 0:16:33 | |
LAUGHTER | 0:16:33 | 0:16:35 | |
-300... -Very local. -300 people. -OK. So local gigs? -Yeah, local gigs. -Yes. | 0:16:35 | 0:16:38 | |
-So would this be a dream come true for him? -Very much so. | 0:16:38 | 0:16:40 | |
And Dad, how do you think he's going to react to tonight's surprise? | 0:16:40 | 0:16:43 | |
-He will be absolutely gobsmacked, to be honest with you. -Yeah. | 0:16:43 | 0:16:46 | |
So, ladies and gentlemen, | 0:16:46 | 0:16:48 | |
big hand for Jeff and Jess, John's dad and fiancee. | 0:16:48 | 0:16:53 | |
CHEERING AND APPLAUSE | 0:16:53 | 0:16:54 | |
I'll see you later on. Thank you so much. Thank you for nominating John. | 0:16:54 | 0:16:58 | |
So, John is coming to our fake shop at the back of the theatre, | 0:17:00 | 0:17:04 | |
and this is what it looked like earlier in the day, and tonight | 0:17:04 | 0:17:07 | |
we've transformed it into a photography studio, | 0:17:07 | 0:17:11 | |
so that is called Ted Star. See what we've done there? | 0:17:11 | 0:17:14 | |
So, Ted Star is a fake photographer, | 0:17:14 | 0:17:17 | |
and I think we can now go live next door. | 0:17:17 | 0:17:21 | |
So, that is the current state of play. | 0:17:21 | 0:17:23 | |
And that's John in the fluorescent! There he is. | 0:17:23 | 0:17:26 | |
LAUGHTER | 0:17:26 | 0:17:28 | |
-John isn't fully dressed! -Isn't this bonkers enough? -I know. | 0:17:28 | 0:17:31 | |
LAUGHTER Oh! | 0:17:31 | 0:17:33 | |
Whoa! That is such a dangerous...shot. | 0:17:33 | 0:17:36 | |
So we've zoomed in to save his modesty. OK, so that is John. | 0:17:39 | 0:17:44 | |
He's been running... Don't! | 0:17:44 | 0:17:46 | |
LAUGHTER | 0:17:46 | 0:17:47 | |
OK, so let's pull back, let's look at the rest of the room, | 0:17:47 | 0:17:50 | |
and let's see what's going on here. | 0:17:50 | 0:17:51 | |
So that is, that's Ted Star, can we get a shot of Ted, | 0:17:51 | 0:17:54 | |
our fake photographer? OK, that's Ted. | 0:17:54 | 0:17:56 | |
So you'll notice he's wearing his sort of groovy polo neck, | 0:17:56 | 0:17:59 | |
and that beanie hat is covering an earpiece, | 0:17:59 | 0:18:02 | |
and I can actually communicate with him. | 0:18:02 | 0:18:04 | |
So, Ted, if you can hear me, | 0:18:04 | 0:18:06 | |
-just point at that lady and go, "Looking good!" -Great. | 0:18:06 | 0:18:10 | |
Yeah, looking good. | 0:18:10 | 0:18:11 | |
LAUGHTER AND APPLAUSE | 0:18:11 | 0:18:13 | |
OK. Now, Ted's assistant there with the clipboard is Gemma. | 0:18:18 | 0:18:23 | |
Er, Gemma, if you can hear me, | 0:18:23 | 0:18:25 | |
can you pick your nose and just flick it? | 0:18:25 | 0:18:28 | |
LAUGHTER | 0:18:28 | 0:18:29 | |
APPLAUSE | 0:18:31 | 0:18:33 | |
All-powerful. | 0:18:33 | 0:18:34 | |
Just go... | 0:18:36 | 0:18:37 | |
Gemma, would you just go and let's have a quick chat with John, then, | 0:18:37 | 0:18:39 | |
and see how he's getting on, and have a chat with him. | 0:18:39 | 0:18:43 | |
Dangerous. | 0:18:43 | 0:18:44 | |
-OK, so you're, um, you're up next. -Fine. -So I think they're just... | 0:18:44 | 0:18:47 | |
-Can I just ask you...? -Um, can I just ask you...? | 0:18:47 | 0:18:50 | |
-Are you a politician? -Are you a politician? | 0:18:50 | 0:18:52 | |
LAUGHTER | 0:18:52 | 0:18:55 | |
Are you, are you joking? Are you...? You're not joking, are you? | 0:18:55 | 0:18:57 | |
It's just that your name rings a bell. | 0:18:57 | 0:18:59 | |
It's just your name rings a bell. | 0:18:59 | 0:19:01 | |
There was one called John Prescott. | 0:19:01 | 0:19:03 | |
-He punched a guy who threw an egg at him. -Right. -Yeah. | 0:19:03 | 0:19:06 | |
-And that wasn't you? -No, he's like 60, 70... | 0:19:06 | 0:19:09 | |
LAUGHTER | 0:19:09 | 0:19:11 | |
-So, are you a runner? Are you a runner? -And you're a runner? | 0:19:11 | 0:19:15 | |
-Yeah. -No, right. -When was the last time you ran? | 0:19:15 | 0:19:18 | |
Yeah, yeah, I'm not a politician, no. | 0:19:18 | 0:19:19 | |
-So, when was the last time you ran? -This morning. | 0:19:19 | 0:19:22 | |
-This morning? -This morning? -Yeah. | 0:19:22 | 0:19:24 | |
-That's... -What did you run? -What did you run? -Bristol half marathon. | 0:19:24 | 0:19:27 | |
-Bristol half marathon? -Yeah... -Why didn't you run the whole marathon? | 0:19:27 | 0:19:30 | |
So why...? | 0:19:30 | 0:19:32 | |
Why did you do that? Why didn't you run the whole marathon? | 0:19:32 | 0:19:34 | |
-LAUGHTER -Cos it's just the Bristol Half Marathon. | 0:19:34 | 0:19:37 | |
LAUGHTER | 0:19:37 | 0:19:40 | |
Did you not...? | 0:19:40 | 0:19:41 | |
I mean, like... What I mean is, were all the other runners | 0:19:41 | 0:19:44 | |
-running the whole thing and then you joined...? -LAUGHTER | 0:19:44 | 0:19:47 | |
No, it's... The event's called the Bristol Half Marathon... | 0:19:49 | 0:19:51 | |
OK, we should go over now. Let's go over now. | 0:19:51 | 0:19:53 | |
Let's go over, let's go over now, actually. OK. Um... | 0:19:53 | 0:19:57 | |
OK, Ted, if you could introduce yourself to John. | 0:19:57 | 0:20:00 | |
How are you, all right? | 0:20:00 | 0:20:01 | |
-This is my camera, introduce your camera. -This is my camera. | 0:20:01 | 0:20:04 | |
-Ask him to say hello to the camera. -Say hello to the camera. | 0:20:04 | 0:20:06 | |
Hello, camera. | 0:20:06 | 0:20:07 | |
LAUGHTER | 0:20:07 | 0:20:09 | |
So just tell him to relax, and just keep shooting and give him some instructions. | 0:20:09 | 0:20:13 | |
Maybe warm up, like pre-race, pre-race warm up. | 0:20:13 | 0:20:16 | |
As if you're like pre-race, like, warm up as you would pre-race. | 0:20:16 | 0:20:18 | |
Yeah, yeah. | 0:20:18 | 0:20:20 | |
CAMERA CLICKS AND LAUGHTER | 0:20:20 | 0:20:22 | |
-Beautiful. -Yeah. | 0:20:22 | 0:20:24 | |
That's great. Other side. | 0:20:24 | 0:20:26 | |
-Can I just ask you to jog on the spot? -OK, jog on the spot for me. | 0:20:27 | 0:20:30 | |
Jog on the spot. Imagine it's the Olympic Games. | 0:20:30 | 0:20:33 | |
-Imagine it's the Olympic Games for me. -OK. | 0:20:33 | 0:20:36 | |
-And you're winning. -And you're winning. | 0:20:36 | 0:20:38 | |
Great, lovely. Yeah, yeah. That's lovely. | 0:20:38 | 0:20:40 | |
Imagine you've just been overtaken by a Kenyan. | 0:20:40 | 0:20:44 | |
-Now... -LAUGHTER | 0:20:44 | 0:20:46 | |
Imagine you've just been overtaken by a Kenyan. | 0:20:46 | 0:20:48 | |
CAMERA CLICKS | 0:20:48 | 0:20:50 | |
LAUGHTER AND APPLAUSE | 0:20:50 | 0:20:52 | |
Now imagine it's the Commonwealth Games. | 0:20:54 | 0:20:57 | |
Now imagine it's the Commonwealth Games. | 0:20:57 | 0:20:59 | |
LAUGHTER | 0:20:59 | 0:21:01 | |
And now switch to the World Championships. | 0:21:01 | 0:21:04 | |
And now switch to the World Championships. | 0:21:04 | 0:21:06 | |
LAUGHTER | 0:21:06 | 0:21:07 | |
-Right, lovely, it's really good. -OK, brilliant. | 0:21:09 | 0:21:12 | |
-Now, Mo Farah has the Mobot, what are your initials? -So... | 0:21:12 | 0:21:14 | |
No, no, that's perfect. Lovely. Um... | 0:21:14 | 0:21:17 | |
-So, you know like Mo Farah has the Mobot? -Yeah. | 0:21:17 | 0:21:20 | |
-Yeah, so what are your initials? -JP. | 0:21:20 | 0:21:22 | |
JP, try and do a J with your body. | 0:21:22 | 0:21:24 | |
Try and do a J with your body for me. | 0:21:24 | 0:21:27 | |
LAUGHTER | 0:21:27 | 0:21:29 | |
-Just try it. Do a J. -Do a J for me. | 0:21:29 | 0:21:33 | |
LAUGHTER AND APPLAUSE | 0:21:33 | 0:21:35 | |
No, no, that's right. That's exactly the kind of thing I want. | 0:21:35 | 0:21:39 | |
OK... | 0:21:39 | 0:21:40 | |
CAMERA CLICKS AND LAUGHTER | 0:21:40 | 0:21:42 | |
-Lovely. -OK, now I want to do is a shot that I've done before. | 0:21:42 | 0:21:46 | |
-Now... -It's a forest run. | 0:21:46 | 0:21:47 | |
-So, we're going to do a shot, I've done this before... -It's a forest run. | 0:21:47 | 0:21:51 | |
It involves the wind machine, and I need my assistant, Gemma. | 0:21:51 | 0:21:53 | |
-Gemma, you're going to help me with this, aren't you? -Yeah. | 0:21:53 | 0:21:56 | |
-I need you running on the spot. -I need you running on the spot for me, | 0:21:56 | 0:21:58 | |
running on the spot for me, on your autumn run. And...one, two, three, autumn. | 0:21:58 | 0:22:04 | |
-LAUGHTER -Autumn. Yes, autumn. | 0:22:04 | 0:22:09 | |
-That is lovely, that is really good. -It's going really well. | 0:22:09 | 0:22:12 | |
-This is going really well. -These shots are great. | 0:22:12 | 0:22:14 | |
The shots are great, mate. Honestly. | 0:22:14 | 0:22:16 | |
-OK, last shot that I think I need... -OK... | 0:22:16 | 0:22:18 | |
You know when you have a drink in the race, when you take a drink? | 0:22:18 | 0:22:21 | |
This last shot, we're going to use is... | 0:22:21 | 0:22:23 | |
So you know when you're running, | 0:22:23 | 0:22:24 | |
and you grab a drink off the side...? | 0:22:24 | 0:22:26 | |
-Yeah. -Yeah? -So, jog, start jogging. -So start jogging for me. | 0:22:26 | 0:22:29 | |
-OK, that's lovely. -Gemma, pass the glass in. -And the glass in. | 0:22:29 | 0:22:32 | |
And take a little sip. Take a little sip, that's it, slowly. | 0:22:32 | 0:22:35 | |
-Keep jogging... -Keep jogging. | 0:22:35 | 0:22:37 | |
-Keep jogging and just hold that, look at it. -OK. | 0:22:37 | 0:22:39 | |
-Now throw it in your face. -Now throw it in your face. | 0:22:39 | 0:22:41 | |
-Just throw it in your face. -LAUGHTER | 0:22:41 | 0:22:44 | |
-Yes! -Yes, lovely. -APPLAUSE | 0:22:44 | 0:22:46 | |
That was brilliant. That looks great, that was a great shot. | 0:22:46 | 0:22:49 | |
That looks really good on camera. Keep jogging, keep jogging, | 0:22:49 | 0:22:52 | |
-it looks really good on camera. -Keep jogging, that's it. | 0:22:52 | 0:22:55 | |
-That's really good. -That's really good, mate. -All right. | 0:22:55 | 0:22:57 | |
What a great sport John is. Unbelievable. | 0:22:57 | 0:22:59 | |
WHOOPING AND APPLAUSE | 0:22:59 | 0:23:01 | |
MICHAEL LAUGHS | 0:23:01 | 0:23:02 | |
So, this is the corridor. | 0:23:02 | 0:23:04 | |
Erm, I'm going to show you, | 0:23:04 | 0:23:06 | |
so this is where he's going to be brought up | 0:23:06 | 0:23:08 | |
for his interview, Meeting Room Three. And I'll show you inside. | 0:23:08 | 0:23:12 | |
There's a camera picking me up here. You can all see me, yes? | 0:23:12 | 0:23:15 | |
-AUDIENCE: -Yes! | 0:23:15 | 0:23:17 | |
OK, so he's going to be taken down here, and he will have | 0:23:17 | 0:23:20 | |
no idea what's going on, and he'll go to Meeting Room Three. | 0:23:20 | 0:23:22 | |
Right, so there he is, it's happening. | 0:23:22 | 0:23:25 | |
Oh, my God, he's still going to be in those tiny shorts. | 0:23:25 | 0:23:28 | |
OK, let's bring him up. | 0:23:28 | 0:23:31 | |
Here we go. | 0:23:31 | 0:23:32 | |
All right, it's on. OK. | 0:23:34 | 0:23:35 | |
INDISTINCT VOICES | 0:23:35 | 0:23:37 | |
-How are you, man, are you all right? -I'm good, mate. You? | 0:23:38 | 0:23:41 | |
-Yeah, yeah, I'm good. Thank you. OK. -Everybody, ssh! | 0:23:41 | 0:23:43 | |
-Thanks for coming down today... -Here it goes. | 0:23:43 | 0:23:46 | |
Our offices are down here. | 0:23:46 | 0:23:48 | |
HE CLEARS HIS THROAT | 0:23:50 | 0:23:52 | |
Da-da-da... | 0:23:52 | 0:23:53 | |
So it's just in there. It's the meeting room. | 0:23:55 | 0:23:57 | |
Just pop your head in. He'll see it when you go in. | 0:23:57 | 0:23:59 | |
-All right, mate. -I'll come and grab you in a bit when it's finished. | 0:23:59 | 0:24:02 | |
-OK, see you in a bit. Good luck. -Cheers, mate. | 0:24:02 | 0:24:05 | |
CHEERING AND APPLAUSE | 0:24:07 | 0:24:11 | |
Whoa! | 0:24:22 | 0:24:23 | |
Ladies and gentlemen... | 0:24:23 | 0:24:26 | |
..it's our Unexpected Star of the Show - | 0:24:31 | 0:24:34 | |
John Prescott! | 0:24:34 | 0:24:36 | |
John... | 0:24:39 | 0:24:41 | |
Welcome, welcome! | 0:24:41 | 0:24:43 | |
I know! | 0:24:43 | 0:24:44 | |
I had no idea you were going to be wearing those shorts either. | 0:24:44 | 0:24:48 | |
I'm so sorry. | 0:24:48 | 0:24:51 | |
Please, preserve your modesty as I reveal to you, | 0:24:51 | 0:24:54 | |
you are... | 0:24:54 | 0:24:56 | |
You are in front of 2,000 people here. | 0:24:56 | 0:24:59 | |
John, over there you can see your dad, Jeff, your fiancee, Jess. | 0:24:59 | 0:25:04 | |
-They're all in on this surprise. -This is mental! | 0:25:04 | 0:25:07 | |
You were doing a little photography session next door. | 0:25:09 | 0:25:13 | |
Oh, no! No, no, no, no! | 0:25:13 | 0:25:17 | |
Let's go and have a look. Everybody, look up there. | 0:25:17 | 0:25:19 | |
There they all are. | 0:25:19 | 0:25:22 | |
Those people... | 0:25:26 | 0:25:28 | |
APPLAUSE | 0:25:28 | 0:25:29 | |
Ted is not a photographer. | 0:25:29 | 0:25:32 | |
Gemma is not his assistant. None of those people are real. | 0:25:32 | 0:25:35 | |
They're all actors here to have a little bit of fun tonight, | 0:25:35 | 0:25:37 | |
and to give you a special surprise, | 0:25:37 | 0:25:39 | |
because we understand you have a little bit of a hobby | 0:25:39 | 0:25:41 | |
-that you enjoy... -Oh, no! | 0:25:41 | 0:25:43 | |
..that might take place on stage. | 0:25:43 | 0:25:46 | |
-I've been told to stop doing that, actually. -Oh, OK. | 0:25:46 | 0:25:49 | |
Let's delay that decision. LAUGHTER | 0:25:49 | 0:25:52 | |
What is it you like to do, John? | 0:25:54 | 0:25:56 | |
-What would I like to do?! -What is it... | 0:25:56 | 0:25:58 | |
No, what is it that you like to do in your spare time? | 0:25:58 | 0:26:02 | |
I'm not chatting you up! | 0:26:02 | 0:26:04 | |
What do you enjoy doing... for hobbies?! | 0:26:07 | 0:26:10 | |
-I like to sing. -Ah... | 0:26:13 | 0:26:15 | |
Well... APPLAUSE | 0:26:16 | 0:26:19 | |
Well... | 0:26:19 | 0:26:22 | |
This is the reason you've been nominated | 0:26:22 | 0:26:25 | |
by your father and your fiancee, | 0:26:25 | 0:26:27 | |
because they wanted to give you this opportunity | 0:26:27 | 0:26:30 | |
to perform on this West End stage | 0:26:30 | 0:26:32 | |
for 2,500 incredibly supportive people that you have here tonight. | 0:26:32 | 0:26:35 | |
CHEERING AND APPLAUSE | 0:26:35 | 0:26:37 | |
Don't worry, we've got wardrobe, | 0:26:41 | 0:26:43 | |
we've got a whole production for you. | 0:26:43 | 0:26:46 | |
All... You don't have to wear that, don't worry at all. | 0:26:46 | 0:26:50 | |
All I need to ask you, John, is if you'll agree | 0:26:50 | 0:26:52 | |
to be our Unexpected Star of tonight's show. | 0:26:52 | 0:26:55 | |
-Of course, yeah. Let's do it! -Come on! | 0:26:55 | 0:26:58 | |
Come on, Johnny! Amazing - thank you so, so much. | 0:26:58 | 0:27:00 | |
OK, off you go this way. | 0:27:00 | 0:27:03 | |
Ladies and gentlemen, John Prescott, our Unexpected Star of the Show! | 0:27:03 | 0:27:07 | |
Yeah! | 0:27:10 | 0:27:11 | |
HE LAUGHS | 0:27:11 | 0:27:13 | |
He is so fun! | 0:27:13 | 0:27:15 | |
OK, I think he took it really well. | 0:27:17 | 0:27:19 | |
Can I just ask, actually, because it is a bit of a shock, | 0:27:19 | 0:27:22 | |
if I can ask if Dad... Jeff, could you just go...? | 0:27:22 | 0:27:25 | |
You're going to be taken round, and you're just going to be with him a bit, | 0:27:25 | 0:27:28 | |
because then he's going to go into rehearsals and stuff. | 0:27:28 | 0:27:30 | |
Get rid of them shorts for a start! | 0:27:30 | 0:27:32 | |
He's a bit nervous. But he's going to go and look after him. | 0:27:32 | 0:27:35 | |
OK, ladies and gentlemen, Jeff, John's father, has gone backstage | 0:27:37 | 0:27:40 | |
to be with John. | 0:27:40 | 0:27:42 | |
Now, let's actually bring John back on THIS stage. | 0:27:43 | 0:27:47 | |
John, can I ask you to come back? | 0:27:47 | 0:27:49 | |
Ladies and gentlemen, please welcome back John. | 0:27:49 | 0:27:51 | |
CHEERING AND APPLAUSE | 0:27:51 | 0:27:53 | |
John, I'm here to reveal a little bit of a twist. | 0:27:55 | 0:28:00 | |
While we were researching you with your father and your fiancee, | 0:28:01 | 0:28:06 | |
-we found out that your dad likes to sing too, doesn't he? -Yeah, yeah. | 0:28:06 | 0:28:10 | |
OK, well, we have a little bit of a surprise for him, | 0:28:10 | 0:28:14 | |
and he's just been working with us to surprise you, | 0:28:14 | 0:28:17 | |
and he's been very excited about that. | 0:28:17 | 0:28:19 | |
He's been taken away, and he thinks he's going to visit you | 0:28:19 | 0:28:22 | |
in the rehearsal room. | 0:28:22 | 0:28:23 | |
But what's actually going to happen, John, | 0:28:25 | 0:28:27 | |
is we're going to quickly change the door sign... | 0:28:27 | 0:28:30 | |
LAUGHTER | 0:28:30 | 0:28:32 | |
..and he's going to walk out and be another Unexpected Star of the Show! | 0:28:34 | 0:28:38 | |
APPLAUSE | 0:28:38 | 0:28:40 | |
All right. We've got to check the crew... | 0:28:40 | 0:28:43 | |
Get the team in to change everything in this corridor. | 0:28:43 | 0:28:46 | |
Get rid of all the running signs. | 0:28:46 | 0:28:48 | |
Here comes the carpet. | 0:28:48 | 0:28:49 | |
Drills are out, chaps, the drills! | 0:28:49 | 0:28:52 | |
This is fantastic. | 0:28:52 | 0:28:54 | |
All this will be on in the daytime in a DIY programme. | 0:28:54 | 0:28:57 | |
John, are you feeling all right? I know it's a lot to take in. | 0:28:59 | 0:29:01 | |
I tell you who's not feeling OK, that's the rest of his family. | 0:29:03 | 0:29:06 | |
They're thinking, "I'm not going up there." | 0:29:06 | 0:29:08 | |
OK, now, this is the fun bit. | 0:29:11 | 0:29:13 | |
So this, of course, was meeting room three... | 0:29:13 | 0:29:16 | |
LAUGHTER | 0:29:16 | 0:29:18 | |
..and now it is the Unexpected Star rehearsal room. | 0:29:19 | 0:29:22 | |
All right, so we've got all the crew in there, | 0:29:27 | 0:29:30 | |
and they're pretending to be busy. | 0:29:30 | 0:29:32 | |
They're just going to loiter there | 0:29:32 | 0:29:34 | |
as if this is deep within the theatre, OK? | 0:29:34 | 0:29:36 | |
So what I'm going to ask you to do... | 0:29:36 | 0:29:39 | |
HE LAUGHS | 0:29:39 | 0:29:40 | |
..is to do exactly the same. We're well versed in this now. Be completely quiet. | 0:29:40 | 0:29:44 | |
You're now part of this show! | 0:29:44 | 0:29:46 | |
And, of course, when Jeff comes out, | 0:29:46 | 0:29:48 | |
I mean, literally, go nuts again. Oh, my God! | 0:29:48 | 0:29:51 | |
We're just going to do this until everyone in the theatre... | 0:29:51 | 0:29:56 | |
There'll just be one person at the back, "Am I next? OK..." | 0:29:56 | 0:29:58 | |
OK, send him through, send him through. Shh, here we go. | 0:30:06 | 0:30:09 | |
So, basically our camera crew... | 0:30:09 | 0:30:12 | |
-Basically, we'll point you in the right direction. -OK. | 0:30:16 | 0:30:19 | |
It's just down here. | 0:30:19 | 0:30:21 | |
-If you just go through this door. -Right, OK. | 0:30:22 | 0:30:24 | |
-He'll be on the other side for you. -OK. | 0:30:24 | 0:30:27 | |
CHEERING AND APPLAUSE | 0:30:27 | 0:30:30 | |
What?! | 0:30:36 | 0:30:38 | |
What?! | 0:30:38 | 0:30:40 | |
What's happening here?! | 0:30:40 | 0:30:41 | |
It's Dad! | 0:30:43 | 0:30:44 | |
It's Dad! | 0:30:44 | 0:30:46 | |
It's Dad, | 0:30:48 | 0:30:49 | |
our Unexpected Unexpected Star of the Show! | 0:30:49 | 0:30:52 | |
Whoa, Dad! | 0:30:55 | 0:30:57 | |
-Now, Dad... -Yes?! | 0:30:57 | 0:30:58 | |
-..you know exactly why we're here tonight. -I certainly do. | 0:30:58 | 0:31:01 | |
-Why are we here tonight? -To hear John sing. | 0:31:01 | 0:31:03 | |
-To hear John sing. -That's right. | 0:31:03 | 0:31:05 | |
I'm afraid John's not going to be singing on his own tonight, Dad. | 0:31:05 | 0:31:09 | |
-Oh, no?! -It's time for a duet with your son John! | 0:31:09 | 0:31:12 | |
How do you feel about that? | 0:31:16 | 0:31:18 | |
Absolutely magnificent. | 0:31:20 | 0:31:22 | |
You're going to be our Unexpected Unexpected Star of tonight's show. | 0:31:22 | 0:31:25 | |
You are going to be duetting with your son over here. | 0:31:25 | 0:31:28 | |
-How do you feel about that, John? -I can't wait, I can't wait. | 0:31:28 | 0:31:31 | |
-OK. We have a whole production lined up for you... -Right. | 0:31:31 | 0:31:34 | |
..and you're going to go backstage. Of course, it is a duet, | 0:31:34 | 0:31:37 | |
and you're going to come out at the end of the show. | 0:31:37 | 0:31:40 | |
You've got till the end of the show to get ready. | 0:31:40 | 0:31:42 | |
How does it make you feel, this prospect? | 0:31:42 | 0:31:44 | |
-A bit daunting, but why not? -Let's do it! -Yeah! | 0:31:44 | 0:31:47 | |
Ladies and gentlemen, let's hear it for our Unexpected Stars | 0:31:48 | 0:31:52 | |
of tonight's show. It's John and Jeff! | 0:31:52 | 0:31:55 | |
CHEERING AND APPLAUSE | 0:31:55 | 0:31:56 | |
Yay! All right, off you go, guys. | 0:31:56 | 0:31:59 | |
I promise you, that's the last surprise. | 0:31:59 | 0:32:01 | |
I'll see you later! | 0:32:01 | 0:32:03 | |
All right, they'll be back at the end of the show for | 0:32:05 | 0:32:08 | |
a real show-stopping moment. | 0:32:08 | 0:32:09 | |
Now, ladies and gentlemen, please welcome the always magnificent... | 0:32:09 | 0:32:14 | |
Jack Whitehall's here! | 0:32:14 | 0:32:16 | |
Hello! | 0:32:23 | 0:32:25 | |
CHEERING AND APPLAUSE | 0:32:25 | 0:32:26 | |
Good evening, ladies and gentlemen. Are we well?! | 0:32:30 | 0:32:33 | |
How wonderful to be here! | 0:32:38 | 0:32:40 | |
Now, ladies and gentlemen, I'm going to tell you something | 0:32:40 | 0:32:42 | |
very exciting that happened to me the other day. | 0:32:42 | 0:32:45 | |
I'm on a plane... | 0:32:45 | 0:32:46 | |
On a plane and I look in front of me and the gentleman sat in front of me | 0:32:46 | 0:32:49 | |
is watching me on the in-flight entertainment system. | 0:32:49 | 0:32:53 | |
I was like, "I have made it. He's watching me at 30,000 feet. | 0:32:54 | 0:32:57 | |
"How cool is that? | 0:32:57 | 0:32:58 | |
"Better keep a low profile in case he comes over and asks for a selfie." | 0:32:58 | 0:33:02 | |
Five minutes later, I watched him turn me off, | 0:33:02 | 0:33:06 | |
-and put on the in-flight map. -LAUGHTER | 0:33:06 | 0:33:09 | |
How bad a review is that? | 0:33:11 | 0:33:13 | |
Here's a little bit of fun you can have in an airport. | 0:33:13 | 0:33:15 | |
A little prank you can play, all right? | 0:33:15 | 0:33:17 | |
Go to a fancy dress costume shop, hire yourself a pilot's outfit. | 0:33:17 | 0:33:21 | |
Get a real realistic pilot's outfit, sir, | 0:33:21 | 0:33:24 | |
then head down to your local airport, | 0:33:24 | 0:33:26 | |
sit in the bar, and get completely wasted. | 0:33:26 | 0:33:29 | |
LAUGHTER | 0:33:29 | 0:33:31 | |
Just watch people around you losing their minds. | 0:33:31 | 0:33:34 | |
-SLURRED SPEECH: -"Hey, where are you going? | 0:33:34 | 0:33:37 | |
"Ooh, that's my one! | 0:33:37 | 0:33:38 | |
"Don't worry, I know a short cut." | 0:33:38 | 0:33:42 | |
I get very scared on the plane, and they don't help us, do they? | 0:33:45 | 0:33:49 | |
Like, the safety demonstration, can we drop that already? | 0:33:49 | 0:33:51 | |
Why do we have to start every flight with their pantomime, entitled, | 0:33:51 | 0:33:55 | |
"The Horrific Ways You Could Die On This Flight"? | 0:33:55 | 0:33:58 | |
At least update it. Do you know what I mean? | 0:33:58 | 0:34:00 | |
I get the life jacket, the oxygen mask, but can I speak for us all | 0:34:00 | 0:34:03 | |
when I say, we have got the seatbelt fastening down. | 0:34:03 | 0:34:07 | |
Don't show us any of it. | 0:34:07 | 0:34:08 | |
We know, in 2016, that if something goes wrong with the plane, | 0:34:08 | 0:34:12 | |
we're dead, right? | 0:34:12 | 0:34:14 | |
Stop showing the emergency exits and the brace position. | 0:34:14 | 0:34:17 | |
In 2016, the safety demonstration on a plane | 0:34:17 | 0:34:19 | |
should be the air stewardess stood at the front, | 0:34:19 | 0:34:22 | |
showing us how we can use one hand to preserve our dental records | 0:34:22 | 0:34:25 | |
as we use another one to take out our phone | 0:34:25 | 0:34:27 | |
and furiously delete our internet history. | 0:34:27 | 0:34:30 | |
You do stuff on planes because there's a routine - | 0:34:33 | 0:34:35 | |
no-one questions it. | 0:34:35 | 0:34:36 | |
I'm the guy that questions it. | 0:34:36 | 0:34:38 | |
I was on a plane the other day. | 0:34:38 | 0:34:39 | |
I did something that I've done 100 times on a plane before - | 0:34:39 | 0:34:42 | |
lifting up the blind for takeoff and landing, | 0:34:42 | 0:34:44 | |
and for the first time ever, I decided that I would ask | 0:34:44 | 0:34:47 | |
why I had to do that. | 0:34:47 | 0:34:49 | |
It was a question that I regretted asking. | 0:34:49 | 0:34:52 | |
Cos I fact-checked this. | 0:34:52 | 0:34:53 | |
This is the genuine reason on the Civil Aviation website. | 0:34:53 | 0:34:57 | |
I asked the stewardess, "Why do I have to lift up the blind | 0:34:57 | 0:34:59 | |
"for takeoff or landing? She looked at me and went, | 0:34:59 | 0:35:02 | |
"Well, sir, if something were to go wrong with the engine, | 0:35:02 | 0:35:04 | |
"you are the pilot's eyes." | 0:35:04 | 0:35:06 | |
LAUGHTER | 0:35:06 | 0:35:09 | |
I beg your pardon?! | 0:35:10 | 0:35:11 | |
I'm not ready for that responsibility! | 0:35:11 | 0:35:14 | |
And no-one told me this when I purchased the ticket! | 0:35:15 | 0:35:18 | |
I was very much under the impression that I was travelling in the | 0:35:18 | 0:35:21 | |
capacity of passenger, not co-pilot! | 0:35:21 | 0:35:24 | |
Have I given off any kind of vibe that I'd be your guy | 0:35:24 | 0:35:27 | |
in that situation? Let's look at the evidence here - | 0:35:27 | 0:35:30 | |
one, I'm slightly drunk, | 0:35:30 | 0:35:32 | |
two, I've taken a sleeping pill, | 0:35:32 | 0:35:35 | |
and three, I just cried whilst watching Inside Out. | 0:35:35 | 0:35:38 | |
I'm not your guy. | 0:35:40 | 0:35:41 | |
What happens if I DO see something wrong with the engine? | 0:35:41 | 0:35:43 | |
Steam billowing out of it as we're nose-diving towards the ground. | 0:35:43 | 0:35:47 | |
How does that scenario pan out in your mind? | 0:35:47 | 0:35:50 | |
I'm meant to just amble up to the cockpit, am I? | 0:35:50 | 0:35:53 | |
Pop my head through the door, "Awfully sorry, gents, | 0:35:53 | 0:35:55 | |
"your eyes in the back here. | 0:35:55 | 0:35:57 | |
"I don't know whether you're aware of this, | 0:35:57 | 0:36:00 | |
"but one of the wings has fallen off. | 0:36:00 | 0:36:03 | |
"You might want to buckle up - | 0:36:03 | 0:36:04 | |
"I'll send someone through to show you how it's done." | 0:36:04 | 0:36:07 | |
APPLAUSE | 0:36:07 | 0:36:10 | |
Unfortunately, it's not just the plane, as well, where we experience | 0:36:17 | 0:36:20 | |
this slapdash attitude towards safety. | 0:36:20 | 0:36:23 | |
I was on a train the other day, and the train was on fire. | 0:36:23 | 0:36:27 | |
I was sat in my seat, and I looked over into the vestibule area, | 0:36:28 | 0:36:33 | |
and I saw some youths, and these youths had ripped out | 0:36:33 | 0:36:36 | |
the backs of some of the seats, | 0:36:36 | 0:36:38 | |
and they were putting them into a pile and setting light to it. | 0:36:38 | 0:36:42 | |
So I saw this, and I thought, | 0:36:42 | 0:36:44 | |
"I need to do something about that before it spreads to first class." | 0:36:44 | 0:36:48 | |
Wafting it back with my complimentary copy of The Times. | 0:36:50 | 0:36:53 | |
So I ran down the train, I found the ticket inspector. | 0:36:55 | 0:36:58 | |
I ran up to him. I was like, "Mate, the train is on fire!" | 0:36:58 | 0:37:01 | |
Anywhere else in the world, you say that to the ticket inspector - | 0:37:01 | 0:37:05 | |
the correct response is, "Stand back, we need to put that out." | 0:37:05 | 0:37:09 | |
Not in Britain. | 0:37:09 | 0:37:10 | |
I ran up to this guy. I was like, "Mate, the train is on fire!" | 0:37:10 | 0:37:13 | |
He went, "All right. | 0:37:13 | 0:37:14 | |
"There's no need to raise your voice!" | 0:37:14 | 0:37:17 | |
LAUGHTER | 0:37:17 | 0:37:18 | |
There is every need to raise my voice. | 0:37:18 | 0:37:21 | |
This is the exact scenario that raising your voice was designed for. | 0:37:21 | 0:37:25 | |
Put down that ticket machine, we have got a fire to fight! | 0:37:25 | 0:37:28 | |
All the other passengers are looking at me now thinking, | 0:37:28 | 0:37:31 | |
"Who is this guy? Is it a bird, is it a plane?" | 0:37:31 | 0:37:33 | |
No, they call me the train driver's eyes. Now, move! | 0:37:33 | 0:37:36 | |
I literally couldn't get his attention. | 0:37:37 | 0:37:39 | |
He couldn't care less. | 0:37:39 | 0:37:41 | |
I was like, "What am I going to do?" I thought quick. | 0:37:41 | 0:37:43 | |
What I told him caused him to turn from the fat controller | 0:37:43 | 0:37:47 | |
into the Dark Knight like that. | 0:37:47 | 0:37:50 | |
I was like, "Mate, one of the people setting fire to the train | 0:37:50 | 0:37:52 | |
"was travelling on an outdated Young Person's Railcard." | 0:37:52 | 0:37:55 | |
"Where is he?!" | 0:37:55 | 0:37:56 | |
Ladies and gentlemen, you've been an absolute delight. | 0:38:00 | 0:38:03 | |
Thank you very much. Goodnight! | 0:38:03 | 0:38:05 | |
CHEERING AND APPLAUSE | 0:38:05 | 0:38:08 | |
Jack Whitehall, ladies and gentlemen! | 0:38:10 | 0:38:12 | |
I really enjoyed that - it was awesome. | 0:38:12 | 0:38:15 | |
What about that?! | 0:38:15 | 0:38:17 | |
Now, ladies and gentlemen, the time has come. | 0:38:22 | 0:38:24 | |
It is time to find out what replies Jamie has received | 0:38:24 | 0:38:30 | |
from the texts I sent earlier into his phone. | 0:38:30 | 0:38:33 | |
Let's just remind ourselves of the texts that were sent. | 0:38:33 | 0:38:37 | |
The first text was: | 0:38:37 | 0:38:39 | |
So that was sent off. | 0:38:48 | 0:38:50 | |
I think people started responding to that one before I even sent | 0:38:50 | 0:38:53 | |
this one, the second text: | 0:38:53 | 0:38:55 | |
So, ladies and gentlemen, it's Jamie Oliver | 0:39:04 | 0:39:06 | |
playing Send To All! | 0:39:06 | 0:39:09 | |
So, we'll just go through 'em, Jamie, and see what happens. | 0:39:12 | 0:39:15 | |
Let's start off with, "Have you lost your mind?" from Kim. | 0:39:15 | 0:39:18 | |
Oh, my God! That's my American PR. | 0:39:18 | 0:39:20 | |
Your American PR. | 0:39:20 | 0:39:22 | |
AMERICAN ACCENT: Have you lost your mind? | 0:39:22 | 0:39:26 | |
That is so funny. | 0:39:26 | 0:39:27 | |
Americans, they're very serious... "Have you lost your mind?" | 0:39:27 | 0:39:30 | |
She's on the phone now to the whole of Hollywood - | 0:39:30 | 0:39:32 | |
"Jamie Oliver's lost his mind. | 0:39:32 | 0:39:34 | |
"He wants me to get him a McDonald's from LA. I don't understand." | 0:39:35 | 0:39:39 | |
Who's Rozzie Batch? | 0:39:41 | 0:39:43 | |
Ha! | 0:39:43 | 0:39:44 | |
OK, so she's one of my senior nutritionists that works for us. | 0:39:44 | 0:39:48 | |
Er... | 0:39:48 | 0:39:49 | |
OK. | 0:39:50 | 0:39:52 | |
She's gone, "Ha, ha, ha, ha, ha, ha, ha, ha, ha. Amazing." | 0:39:52 | 0:39:57 | |
Then she sent a photo. | 0:39:57 | 0:39:59 | |
"This was me and Lizzie on the McDonald's CCTV in Clapham | 0:39:59 | 0:40:03 | |
"at 3am this morning." | 0:40:03 | 0:40:04 | |
Can you see that? | 0:40:09 | 0:40:11 | |
And she's put the emoji of the zip shut. | 0:40:11 | 0:40:16 | |
OK, Dermot O'Leary. Just two words - "Watertight, brother." | 0:40:18 | 0:40:22 | |
Orlando Bloom. | 0:40:25 | 0:40:27 | |
Hollywood is calling. | 0:40:27 | 0:40:30 | |
"Hahaha, can she pick me up one of those flurry things too? | 0:40:30 | 0:40:33 | |
From Orlando. | 0:40:33 | 0:40:35 | |
-He's probably naked. -I think she probably would for him. | 0:40:35 | 0:40:38 | |
-"Flemyng iPhone"? -Jason Flemyng, the actor. | 0:40:40 | 0:40:43 | |
"Love you, chum, I'll get you a Flurry any time." | 0:40:43 | 0:40:46 | |
See, it's all man love. | 0:40:48 | 0:40:49 | |
"I realise you actually wanted a McFlurry. | 0:40:49 | 0:40:51 | |
"I'm on my way to yours now. Stay up." | 0:40:51 | 0:40:55 | |
Hurry up! I'm texting him back, "Hurry up." | 0:40:58 | 0:41:00 | |
LAUGHTER | 0:41:00 | 0:41:02 | |
He's en route! | 0:41:05 | 0:41:06 | |
-Did Jools get it? -Yeah. -What did she say? | 0:41:08 | 0:41:10 | |
All right, I can find Jools down here. | 0:41:10 | 0:41:13 | |
Oh, my goodness, does she not know what you're doing? | 0:41:13 | 0:41:16 | |
"Thought you were on a diet." | 0:41:17 | 0:41:19 | |
Oh, there's more, it's gold. | 0:41:21 | 0:41:23 | |
"I have that beef stew thing in the fridge, | 0:41:23 | 0:41:26 | |
"can put that on with some rice but don't be later than 10:00 | 0:41:26 | 0:41:29 | |
"cos I really want to go to sleep. | 0:41:29 | 0:41:31 | |
"I love you." | 0:41:31 | 0:41:33 | |
She was actually going to go and get this food! | 0:41:33 | 0:41:37 | |
And then she sent another text going, "Why are you panicking? Xxx" | 0:41:37 | 0:41:41 | |
And then she sent another text that says, "What's the fluffy thing?" | 0:41:41 | 0:41:46 | |
And a heart! You've got such a sweet relationship! | 0:41:48 | 0:41:52 | |
I've actually gone really red. | 0:41:52 | 0:41:53 | |
She was going to go and get all that stuff for you. "Jools, babe." | 0:41:53 | 0:41:58 | |
"I thought you were on a diet"! | 0:41:58 | 0:42:00 | |
-That's hilarious. -So sweet. | 0:42:02 | 0:42:04 | |
-Alfie Deyes. -Yeah, blogger, vlogger. -WHOOPING | 0:42:04 | 0:42:07 | |
Alfie Deyes, people know about Alfie Deyes. | 0:42:07 | 0:42:09 | |
"On my way to deliver it to you. Wait, only 12 nuggets? | 0:42:09 | 0:42:15 | |
"Last time you smashed 24." | 0:42:15 | 0:42:17 | |
CHEERING | 0:42:18 | 0:42:21 | |
"Smashed"! | 0:42:21 | 0:42:22 | |
I'm going again. "36 and hurry up." | 0:42:26 | 0:42:28 | |
-I've got the munchies. -So many people are coming round. | 0:42:31 | 0:42:34 | |
There's going to be so many nuggets in your house! | 0:42:36 | 0:42:38 | |
And poor Jools is sitting there with the stew going, | 0:42:38 | 0:42:41 | |
"I don't know what's happened to him. | 0:42:41 | 0:42:43 | |
"I don't know what's going on - I thought the stew would be enough. | 0:42:43 | 0:42:47 | |
"I've now got 192 nuggets and people we haven't spoken to in years." | 0:42:47 | 0:42:51 | |
Babyface - who's Babyface? | 0:42:56 | 0:42:57 | |
Dexter Fletcher, the actor. What did he say? | 0:42:57 | 0:43:00 | |
-GRUFFLY: -"What's going on, J?" | 0:43:00 | 0:43:02 | |
He's gone, "Ah, got you! I knew it." | 0:43:02 | 0:43:05 | |
"Fine, I'll keep your secret but you have to promise to come over | 0:43:06 | 0:43:09 | |
"in the week and cook my nan a curry." | 0:43:09 | 0:43:11 | |
MICHAEL LAUGHS | 0:43:11 | 0:43:13 | |
APPLAUSE | 0:43:13 | 0:43:14 | |
Oh, it's the funniest text. | 0:43:18 | 0:43:21 | |
From John Taxi. John Taxi? | 0:43:21 | 0:43:24 | |
Yeah, he just lives in the village. | 0:43:24 | 0:43:27 | |
-Back home in London? -In Essex, yeah. -He's from Essex? | 0:43:27 | 0:43:31 | |
If he knows, everyone knows, OK? | 0:43:31 | 0:43:32 | |
So John Taxi has said, | 0:43:35 | 0:43:37 | |
"I've screenshot it - it's on Twitter, mate. | 0:43:37 | 0:43:42 | |
"You just made me a millionaire." | 0:43:42 | 0:43:44 | |
What an absolutely wonderful Send To All. | 0:43:44 | 0:43:47 | |
Ladies and gentlemen, please, | 0:43:47 | 0:43:51 | |
all your love for the amazing Jamie Oliver! | 0:43:51 | 0:43:54 | |
CHEERING | 0:43:54 | 0:43:58 | |
What a fantastic sport. | 0:43:58 | 0:44:00 | |
Now, ladies and gentlemen, | 0:44:01 | 0:44:03 | |
it is time for a very special music performance. | 0:44:03 | 0:44:07 | |
Here performing a track from his debut album Life On The Road, | 0:44:07 | 0:44:12 | |
it's David Brent and Foregone Conclusion. | 0:44:12 | 0:44:15 | |
CHEERING | 0:44:15 | 0:44:18 | |
Yeah! | 0:44:20 | 0:44:22 | |
Big-time. | 0:44:28 | 0:44:30 | |
Fashion, innit? | 0:44:31 | 0:44:32 | |
This song is about the best town in the world. Yeah, Slough, yeah. | 0:44:34 | 0:44:40 | |
And everything in this song is factually accurate, | 0:44:40 | 0:44:43 | |
so you might learn summat. | 0:44:43 | 0:44:45 | |
Listen. Yeah? Hit it. | 0:44:45 | 0:44:47 | |
INTRO ON STRINGS PLAYS | 0:44:50 | 0:44:54 | |
# More convenient than a Tesco Express | 0:45:14 | 0:45:18 | |
# Close to Windsor but the property's less | 0:45:18 | 0:45:21 | |
# It keeps the businesses of Britain great | 0:45:21 | 0:45:24 | |
# It's got Europe's biggest trading estate | 0:45:24 | 0:45:28 | |
# It doesn't matter where you're from | 0:45:28 | 0:45:31 | |
# You want to work, then come along | 0:45:31 | 0:45:35 | |
# The station's just got a new floor | 0:45:35 | 0:45:38 | |
# And the motorway runs by your door | 0:45:38 | 0:45:43 | |
# And you know just where you're heading | 0:45:43 | 0:45:48 | |
# It's equidistant 'tween London and Reading | 0:45:48 | 0:45:54 | |
# Whoa, Slough | 0:45:55 | 0:45:56 | |
# Slough | 0:45:57 | 0:45:59 | |
# My kind of town | 0:45:59 | 0:46:01 | |
# I don't know how | 0:46:01 | 0:46:04 | |
# Anyone could put you down | 0:46:06 | 0:46:08 | |
# Whoa, Slough | 0:46:08 | 0:46:11 | |
# Slough | 0:46:11 | 0:46:12 | |
# My kind of town | 0:46:12 | 0:46:14 | |
# I don't know how | 0:46:14 | 0:46:17 | |
# Anyone could put you down | 0:46:19 | 0:46:22 | |
# To the west you've got Taplow and Bray | 0:46:22 | 0:46:25 | |
# You've got Hillingdon the other way | 0:46:25 | 0:46:29 | |
# It's a brilliant place to live and work | 0:46:29 | 0:46:32 | |
# It was in Bucks now officially it's Berks | 0:46:32 | 0:46:36 | |
# Don't believe what the critics say | 0:46:36 | 0:46:39 | |
# Like it's soulless and boring and grey | 0:46:39 | 0:46:42 | |
# See for yourself - what you waiting for? | 0:46:42 | 0:46:45 | |
# We're on the Bath Road - that's the A4 | 0:46:45 | 0:46:49 | |
# And you know just where you're heading | 0:46:51 | 0:46:54 | |
# It's equidistant 'tween London and Reading | 0:46:56 | 0:47:01 | |
# Whoa, Slough | 0:47:02 | 0:47:05 | |
# Slough | 0:47:05 | 0:47:06 | |
# My kind of town | 0:47:06 | 0:47:08 | |
# I don't know how | 0:47:08 | 0:47:12 | |
# Anyone could put you down | 0:47:13 | 0:47:15 | |
# Whoa, Slough | 0:47:15 | 0:47:18 | |
# Slough | 0:47:18 | 0:47:20 | |
# My kind of town | 0:47:20 | 0:47:22 | |
# I don't know how | 0:47:22 | 0:47:25 | |
# Anyone could put you down | 0:47:27 | 0:47:29 | |
# Whoa, Slough | 0:47:29 | 0:47:32 | |
# Slough | 0:47:32 | 0:47:34 | |
# My kind of town | 0:47:34 | 0:47:36 | |
# I don't know how | 0:47:36 | 0:47:39 | |
# Anyone could put you down | 0:47:40 | 0:47:44 | |
# Slough | 0:47:44 | 0:47:46 | |
# Slough | 0:47:50 | 0:47:52 | |
# Slough | 0:47:57 | 0:47:59 | |
# Whoa, Slough. # | 0:48:03 | 0:48:07 | |
CHEERING AND APPLAUSE | 0:48:12 | 0:48:15 | |
Yeah! | 0:48:15 | 0:48:16 | |
Ladies and gentlemen, David Brent and his band, Foregone Conclusion. | 0:48:23 | 0:48:31 | |
Unbelievable performance. What about that? | 0:48:33 | 0:48:36 | |
CHEERING | 0:48:36 | 0:48:40 | |
# Whoa, Slough... # | 0:48:40 | 0:48:41 | |
It's one of the catchiest songs in the world. OK. | 0:48:41 | 0:48:45 | |
Ladies and gentlemen, | 0:48:45 | 0:48:46 | |
earlier tonight we surprised John, who arrived for a photo shoot | 0:48:46 | 0:48:49 | |
at our fake photography studio next door to the theatre. | 0:48:49 | 0:48:52 | |
Then we surprised his dad, who thought he was just here to support | 0:48:52 | 0:48:55 | |
his son, but we had different ideas. | 0:48:55 | 0:48:58 | |
Let's see how their night has unfolded. | 0:48:58 | 0:49:00 | |
I had the most bonkers photo shoot. I had leaves thrown at me. | 0:49:02 | 0:49:06 | |
I had to chuck water in my face. I thought it was a dream. | 0:49:06 | 0:49:08 | |
I actually thought it was a dream. | 0:49:08 | 0:49:09 | |
I walked out and I thought I'd walked into a dream. | 0:49:09 | 0:49:12 | |
CHEERING | 0:49:12 | 0:49:14 | |
I was taken out supposedly to go and support John in his stage | 0:49:15 | 0:49:19 | |
performance and I end up on the stage myself. | 0:49:19 | 0:49:22 | |
Which is unreal. | 0:49:27 | 0:49:28 | |
And they're now going to take us off and do some choreography and sort | 0:49:28 | 0:49:32 | |
out the song. | 0:49:32 | 0:49:33 | |
-Probably change... -Those shorts... -As lovely as these are. | 0:49:36 | 0:49:41 | |
Well, it's double trouble today, we've got father and son. | 0:49:41 | 0:49:45 | |
I know all the words, but not necessarily in the right order. | 0:49:45 | 0:49:48 | |
-It's going to be fantastic. -You don't often get to sing with your dad. | 0:49:49 | 0:49:53 | |
To sing on a professional stage with professional people is | 0:49:53 | 0:49:56 | |
everybody's ambition. | 0:49:56 | 0:49:57 | |
Jeff, you're looking gorgeous. | 0:49:57 | 0:49:59 | |
It's not very often you live your dream, is it? | 0:49:59 | 0:50:01 | |
-And we're doing it tonight. -One of the luckiest guys alive right now! | 0:50:01 | 0:50:05 | |
If I'm singing and I'm singing at the wrong point, then you just | 0:50:05 | 0:50:08 | |
-sing over anyway, and that's fine. -Yeah. | 0:50:08 | 0:50:10 | |
-And then we'll work it out together. -We always do. -We always do. | 0:50:10 | 0:50:14 | |
-Yeah. And I'm so proud of you. -I'm so proud of you! | 0:50:14 | 0:50:16 | |
-It'll be great. -It'll be fantastic. | 0:50:17 | 0:50:19 | |
-We'll nail it. -We will. | 0:50:19 | 0:50:20 | |
Ladies and gentlemen, it is time for the performance of | 0:50:24 | 0:50:26 | |
our Unexpected Stars of the Show! | 0:50:26 | 0:50:29 | |
CHEERING | 0:50:29 | 0:50:31 | |
Please give all your love to father and son - | 0:50:31 | 0:50:34 | |
it's John and Jeff Prescott. | 0:50:34 | 0:50:36 | |
CHEERING | 0:50:36 | 0:50:38 | |
MUSIC: "Come Fly With Me" | 0:50:46 | 0:50:48 | |
# Come fly with me Let's fly, let's fly away... # | 0:50:49 | 0:50:54 | |
CHEERING | 0:50:54 | 0:50:56 | |
# If you can use some exotic booze | 0:50:56 | 0:51:00 | |
# There's a bar in far Bombay | 0:51:00 | 0:51:03 | |
# Come fly with me We'll fly, we'll fly away | 0:51:03 | 0:51:10 | |
# Come fly with me Let's float down to Peru... # | 0:51:10 | 0:51:15 | |
CHEERING | 0:51:15 | 0:51:17 | |
# In llama land there's a one-man band | 0:51:17 | 0:51:21 | |
# And he'll toot his flute for you | 0:51:21 | 0:51:25 | |
# Come fly with me Let's float down to the blue | 0:51:25 | 0:51:30 | |
# Once I get you up there | 0:51:31 | 0:51:34 | |
# Where the air is rarefied | 0:51:34 | 0:51:39 | |
# You will glide | 0:51:39 | 0:51:43 | |
# Starry-eyed | 0:51:43 | 0:51:45 | |
# Once I get you up there | 0:51:45 | 0:51:48 | |
BOTH: # I'll be holding you so near | 0:51:48 | 0:51:54 | |
# You may hear | 0:51:54 | 0:51:56 | |
# The angels cheer because we're together | 0:51:56 | 0:52:00 | |
# Weather-wise it's such a lovely day | 0:52:00 | 0:52:05 | |
# You just say the words and we'll beat the birds | 0:52:07 | 0:52:10 | |
# Down to Acapulco Bay | 0:52:10 | 0:52:14 | |
# It is perfect for a flying honeymoon, they say | 0:52:14 | 0:52:21 | |
# Come fly with me Let's fly, let's fly | 0:52:21 | 0:52:27 | |
# Pack up, let's fly away. # | 0:52:27 | 0:52:35 | |
And don't tell your mama! | 0:52:37 | 0:52:39 | |
CHEERING AND APPLAUSE | 0:52:39 | 0:52:47 | |
Ladies and gentlemen, | 0:52:57 | 0:52:58 | |
it's our Unexpected Stars of tonight's show, John and Jeff! | 0:52:58 | 0:53:03 | |
# Pack up, let's fly away. # | 0:53:03 | 0:53:07 | |
Guys, what... What has the last hour been like for you? | 0:53:07 | 0:53:12 | |
This is... | 0:53:12 | 0:53:14 | |
-It's amazing. -This is the most special day of my entire life. | 0:53:14 | 0:53:16 | |
-Honestly. -APPLAUSE | 0:53:16 | 0:53:20 | |
Lovely. Dad? | 0:53:20 | 0:53:22 | |
Yes, it's also the best day of my life, though... | 0:53:23 | 0:53:29 | |
when he turned up, that was very special as well. | 0:53:29 | 0:53:32 | |
And his twin sister, Natalie, who's down there. | 0:53:32 | 0:53:34 | |
No, you're right, you've got to get that out. Absolutely. | 0:53:34 | 0:53:37 | |
Listen, John and Jeff, you've been absolutely fantastic, | 0:53:37 | 0:53:40 | |
we've had so much fun having you here. | 0:53:40 | 0:53:42 | |
I am so glad that you've had such a wonderful time. | 0:53:42 | 0:53:44 | |
One more time, please, for our Unexpected Stars of tonight's show. | 0:53:44 | 0:53:48 | |
It's John and Jeff Prescott! | 0:53:48 | 0:53:50 | |
CHEERING AND APPLAUSE | 0:53:50 | 0:53:54 | |
We've still got time for one more treat! | 0:54:00 | 0:54:04 | |
Here, playing us out, it's the real Sting! | 0:54:04 | 0:54:08 | |
CHEERING | 0:54:08 | 0:54:10 | |
-MUSIC: -"I Can't Stop Thinking About You" by Sting | 0:54:16 | 0:54:20 | |
# White page An empty field of snow | 0:54:24 | 0:54:27 | |
# My room is 25 below | 0:54:27 | 0:54:30 | |
# This cold man chasing ghosts | 0:54:30 | 0:54:33 | |
# A road lies underneath the buried posts | 0:54:33 | 0:54:38 | |
# Dogs search the under forest | 0:54:38 | 0:54:41 | |
# We scour the empty streets | 0:54:41 | 0:54:43 | |
# The fact remains until we find you | 0:54:43 | 0:54:48 | |
# Our lives are incomplete | 0:54:48 | 0:54:52 | |
# Do I hear laughter through a veil of snow and ice? | 0:54:52 | 0:54:56 | |
# Where could you be on such a lonely winter's night? | 0:54:58 | 0:55:04 | |
# I can't stop thinking about you | 0:55:06 | 0:55:09 | |
# I can't stop wanting you this way | 0:55:09 | 0:55:12 | |
# I can't face living without you | 0:55:12 | 0:55:16 | |
# That's why I'm searching night and day | 0:55:16 | 0:55:19 | |
# This heart's a lonely hunter | 0:55:19 | 0:55:23 | |
# These hands are frozen fists | 0:55:23 | 0:55:26 | |
# I can't stop thinking about you | 0:55:26 | 0:55:29 | |
# I don't care if you exist | 0:55:29 | 0:55:33 | |
# Do I hear laughter from behind this veil of midnight? | 0:55:33 | 0:55:38 | |
# What are you hiding in the frozen heart of winter? | 0:55:40 | 0:55:45 | |
# Somewhere a church bell tolls | 0:55:47 | 0:55:48 | |
# I know you're close your scent's still warm | 0:55:50 | 0:55:53 | |
# Then the trail turns cold, cold, cold | 0:55:53 | 0:55:58 | |
# I can't stop thinking about you | 0:55:58 | 0:56:01 | |
# I can't stop wanting you this way | 0:56:01 | 0:56:04 | |
# I can't face living without you | 0:56:04 | 0:56:08 | |
# That's why I'm searching night and day | 0:56:08 | 0:56:11 | |
# This heart's a lonely hunter | 0:56:11 | 0:56:15 | |
# These hands are frozen fists | 0:56:15 | 0:56:18 | |
# I can't stop thinking about you | 0:56:18 | 0:56:21 | |
# I don't care if you exist | 0:56:21 | 0:56:25 | |
# Do I hear laughter in the silence of the snow? | 0:56:25 | 0:56:31 | |
# I know you're hiding in this frozen heart of winter | 0:56:32 | 0:56:37 | |
# The midnight church bell tolls | 0:56:38 | 0:56:42 | |
# I know you're close Your scent's still warm | 0:56:42 | 0:56:45 | |
# Then the trail turns cold, cold, cold | 0:56:45 | 0:56:50 | |
# I can't stop thinking about you | 0:56:50 | 0:56:53 | |
# I can't stop wanting you this way | 0:56:53 | 0:56:57 | |
# I can't face living without you | 0:56:57 | 0:57:00 | |
# That's why I'm searching night and day | 0:57:00 | 0:57:04 | |
# This heart's a lonely hunter | 0:57:04 | 0:57:07 | |
# These hands are frozen fists | 0:57:07 | 0:57:10 | |
# I can't stop thinking about you | 0:57:10 | 0:57:14 | |
# I don't care if you exist | 0:57:14 | 0:57:17 | |
# I can't stop thinking about you | 0:57:17 | 0:57:21 | |
# I can't stop wanting you this way | 0:57:21 | 0:57:24 | |
# I can't face living without you | 0:57:24 | 0:57:28 | |
# I can't stop wanting you. # | 0:57:28 | 0:57:34 | |
CHEERING AND APPLAUSE | 0:57:34 | 0:57:38 | |
If you know somebody you'd like to nominate | 0:57:45 | 0:57:47 | |
to be an Unexpected Star of the Show for the next series... | 0:57:47 | 0:57:50 | |
..or, in fact, want to nominate someone for ANY surprise... | 0:57:53 | 0:57:57 | |
This is the most embarrassing thing! | 0:57:57 | 0:57:59 | |
..please go to... | 0:57:59 | 0:58:01 | |
..for all the details. | 0:58:03 | 0:58:04 |