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Tonight on my Big Show... | 0:00:10 | 0:00:12 | |
Olympic hero Rebecca Adlington plays Celebrity Send To All! | 0:00:12 | 0:00:16 | |
There's music from pop legend Rick Astley | 0:00:16 | 0:00:19 | |
and pop sensation Olly Murs. | 0:00:19 | 0:00:22 | |
There's comedy from rising star, Al Porter. | 0:00:22 | 0:00:25 | |
And who will be tonight's Unexpected Star of the show? | 0:00:25 | 0:00:29 | |
All this and so much more. | 0:00:29 | 0:00:33 | |
-ANNOUNCER: -Ladies and gentlemen, it's the Big Show! | 0:00:33 | 0:00:38 | |
Please welcome your host, Michael McIntyre! | 0:00:38 | 0:00:42 | |
CHEERING AND APPLAUSE | 0:00:42 | 0:00:44 | |
MICHAEL LAUGHS | 0:00:57 | 0:01:00 | |
APPLAUSE CONTINUES | 0:01:00 | 0:01:01 | |
Good evening, ladies and gentlemen and welcome...to my Big Show! | 0:01:01 | 0:01:07 | |
CHEERING AND APPLAUSE | 0:01:07 | 0:01:09 | |
Tonight we have an absolutely incredible | 0:01:11 | 0:01:14 | |
show for your entertainment. | 0:01:14 | 0:01:16 | |
WHOOPING AND APPLAUSE | 0:01:16 | 0:01:17 | |
We're going to have some big stars, big laughs and big surprises! Yay! | 0:01:19 | 0:01:23 | |
APPLAUSE | 0:01:23 | 0:01:24 | |
Now, I'm a comedian, I make jokes. | 0:01:27 | 0:01:29 | |
And when I see people in real life, sometimes I make a joke, | 0:01:29 | 0:01:32 | |
and, you know, I like those moments, cos they go, "Oh, that's funny! | 0:01:32 | 0:01:35 | |
"Oh, you're like, you're funny! You're funny in real life." | 0:01:35 | 0:01:38 | |
I made a joke in the airport and I thought it was funny, | 0:01:38 | 0:01:41 | |
and this woman, she just tutted and rolled her eyes at me. | 0:01:41 | 0:01:44 | |
Maybe it wasn't funny. I'm going to run it by you, OK? | 0:01:44 | 0:01:48 | |
I was in duty free. You know in duty free it's always | 0:01:48 | 0:01:51 | |
very weird, because they ask for your boarding pass, | 0:01:51 | 0:01:53 | |
which is always an odd situation when you're paying for something. | 0:01:53 | 0:01:56 | |
You know, you want... You're in the shop and you go, "Can I get this?" | 0:01:56 | 0:01:59 | |
And they go, "Can I see your boarding pass, please?" | 0:01:59 | 0:02:01 | |
You have to prove you're flying on an aeroplane, even though you're in an airport. | 0:02:01 | 0:02:04 | |
You have to go, "Yes, I am flying on an aeroplane." | 0:02:04 | 0:02:06 | |
I don't know what they're suggesting, you know, | 0:02:06 | 0:02:08 | |
what's the accusation here? | 0:02:08 | 0:02:10 | |
That I've driven to Gatwick Terminal North, | 0:02:10 | 0:02:13 | |
that I've parked in a long stay car park, | 0:02:13 | 0:02:15 | |
I've taken a shuttle bus to the terminal, | 0:02:15 | 0:02:18 | |
then I've breached the most stringent security measures there's ever been without a ticket to fly? | 0:02:18 | 0:02:23 | |
Just so I can visit this Pret A Manger? | 0:02:23 | 0:02:25 | |
Is that really what you think I've done? | 0:02:25 | 0:02:27 | |
LAUGHTER AND APPLAUSE | 0:02:27 | 0:02:29 | |
Do you have any idea how many Pret A Mangers I drove past | 0:02:29 | 0:02:35 | |
to get to this one? | 0:02:35 | 0:02:36 | |
No, no, not that one. I like the one at Gatwick! | 0:02:36 | 0:02:39 | |
LAUGHTER | 0:02:39 | 0:02:41 | |
So, anyway, I'm in this shop and I thought I'd buy my son | 0:02:42 | 0:02:44 | |
a little present, as a token of being away, you know, a gesture. | 0:02:44 | 0:02:47 | |
So, I'm in duty free and I got him this little plane, | 0:02:47 | 0:02:50 | |
just a little toy plane, you know, little cheap rubbish, but you know... | 0:02:50 | 0:02:53 | |
I put it on the counter and the woman said, | 0:02:53 | 0:02:55 | |
"Can I see your boarding pass?" | 0:02:55 | 0:02:57 | |
And I said, "I'm not getting on it." | 0:02:57 | 0:02:59 | |
LAUGHTER Now, that's not hilarious... | 0:02:59 | 0:03:01 | |
But it's not a tut and an eye roll, is it? | 0:03:01 | 0:03:04 | |
LAUGHTER AND APPLAUSE | 0:03:04 | 0:03:06 | |
Yeah, well, you're my people. | 0:03:06 | 0:03:09 | |
Now, they don't know how many parents we've got in here tonight | 0:03:11 | 0:03:14 | |
but long journeys are a lot better with children since the iPad. | 0:03:14 | 0:03:17 | |
IPads, they're a real game-changer for parents, | 0:03:17 | 0:03:19 | |
they're like little magical devices, aren't they? | 0:03:19 | 0:03:22 | |
That shut your children up at any time, day or night. | 0:03:22 | 0:03:25 | |
It's amazing, my eldest, he wakes up at around 5:30, | 0:03:25 | 0:03:27 | |
six o'clock in the morning, he runs into our bedroom, "Morning!" | 0:03:27 | 0:03:30 | |
I'm like, not for me and I just Frisbee an iPad. | 0:03:30 | 0:03:32 | |
Go on, off you go. | 0:03:32 | 0:03:33 | |
LAUGHTER | 0:03:33 | 0:03:34 | |
88% battery, I'll see you in at least two hours. | 0:03:34 | 0:03:37 | |
I'm going back to sleep. | 0:03:37 | 0:03:39 | |
Sit by the plug, charge it, I'll see you next Thursday. | 0:03:39 | 0:03:42 | |
They're so lucky, children of today, | 0:03:44 | 0:03:46 | |
they've got iPods and iPads and iPhones. In our day, we had I Spy. | 0:03:46 | 0:03:50 | |
How awful was our lives compared to the lives of our children? | 0:03:50 | 0:03:56 | |
How boring was I Spy? Something beginning with... | 0:03:56 | 0:04:00 | |
C. Is it car? | 0:04:00 | 0:04:02 | |
Yes, it is car. Dad, your turn. | 0:04:02 | 0:04:04 | |
How about if we include things inside the vehicle? | 0:04:04 | 0:04:08 | |
LAUGHTER | 0:04:08 | 0:04:09 | |
I played Thumb War with my son recently. | 0:04:09 | 0:04:12 | |
I said, "Do you want to play Thumb War?" He's 11, he's like, "Shall I download it?" | 0:04:12 | 0:04:15 | |
"No, you can't download Thumb War. | 0:04:15 | 0:04:17 | |
"This is a battle between my thumb and your thumb." | 0:04:17 | 0:04:19 | |
So I showed him how to play it. | 0:04:19 | 0:04:21 | |
You interlock your hands like this and you jockey for position. | 0:04:21 | 0:04:23 | |
You have to declare it, you can't just go straight into battle. | 0:04:23 | 0:04:26 | |
One, two, three, four, I declare... Thumb War! | 0:04:26 | 0:04:29 | |
Then you try and hold the other person's thumb down, | 0:04:29 | 0:04:31 | |
I thought I'd go easy on him cos I've got my big daddy thumb, he's got his little 11-year-old thumb, | 0:04:31 | 0:04:35 | |
but of course, I don't realise, he's been texting since he was born. | 0:04:35 | 0:04:38 | |
He was some kind of Thumb War ninja. | 0:04:38 | 0:04:41 | |
I couldn't even see his thumb moving. | 0:04:41 | 0:04:42 | |
IMITATES MACHINE-GUN FIRE | 0:04:42 | 0:04:44 | |
I just get beaten over and over again. Agh! Get off! Get back on the iPad! Ow! | 0:04:44 | 0:04:48 | |
LAUGHTER AND APPLAUSE | 0:04:48 | 0:04:52 | |
Now, ladies and gentlemen, it is time to find out | 0:04:54 | 0:04:58 | |
who will be tonight's Unexpected Star of the show. | 0:04:58 | 0:05:03 | |
CHEERING AND APPLAUSE | 0:05:03 | 0:05:05 | |
So, this is Verity Carlo. | 0:05:06 | 0:05:10 | |
There she is. That's Verity. CHEERING | 0:05:10 | 0:05:13 | |
She's a part-time barmaid and is now training to be a teacher. | 0:05:13 | 0:05:17 | |
She's coming to our fake shop front at the back of the theatre, | 0:05:17 | 0:05:21 | |
and this is what it looked like earlier today, | 0:05:21 | 0:05:23 | |
and this is what it is like now. | 0:05:23 | 0:05:25 | |
It's an art gallery. We've called it Framed. Hello! | 0:05:25 | 0:05:29 | |
LAUGHTER | 0:05:29 | 0:05:31 | |
And there's going to be an exhibition via an artist, | 0:05:31 | 0:05:34 | |
he's called "Rupet Dexta", | 0:05:34 | 0:05:36 | |
which is the best I could do to make an anagram out of Unexpected Star. | 0:05:36 | 0:05:39 | |
There are several letters missing. | 0:05:39 | 0:05:41 | |
LAUGHTER | 0:05:41 | 0:05:43 | |
So, she's working there tonight. | 0:05:43 | 0:05:45 | |
I'm going to show you around, actually, I think. | 0:05:45 | 0:05:47 | |
And she's been told that all the works of art, it's modern art, | 0:05:47 | 0:05:50 | |
everything's worth thousands of pounds, but actually, | 0:05:50 | 0:05:52 | |
it's worthless, nothing is worth anything... | 0:05:52 | 0:05:54 | |
LAUGHTER It's junk. | 0:05:54 | 0:05:57 | |
LAUGHTER | 0:05:57 | 0:05:58 | |
Those paintings there, | 0:05:58 | 0:05:59 | |
they've actually been done by three-year-olds. | 0:05:59 | 0:06:01 | |
Three-year-olds who aren't even particularly good at art, OK? | 0:06:01 | 0:06:05 | |
So these are... | 0:06:05 | 0:06:07 | |
LAUGHTER DROWNS SPEECH | 0:06:07 | 0:06:10 | |
They've all got really poncey names as well. | 0:06:10 | 0:06:13 | |
Yeah, this is called Deceased. | 0:06:13 | 0:06:15 | |
That's by Rupet Dexta, £2,000, the batteries. There's another... | 0:06:15 | 0:06:19 | |
LAUGHTER | 0:06:19 | 0:06:23 | |
It's junk! | 0:06:23 | 0:06:24 | |
APPLAUSE | 0:06:24 | 0:06:26 | |
All right. Do we have a picture of the black, the black painting? | 0:06:27 | 0:06:31 | |
All right, so here, it's just a painting that's black. | 0:06:31 | 0:06:35 | |
When he comes in, the artist, I'm going to get him to go mad | 0:06:35 | 0:06:39 | |
with, um, Verity, but it's the wrong way round, so... | 0:06:39 | 0:06:42 | |
LAUGHTER | 0:06:42 | 0:06:44 | |
APPLAUSE | 0:06:44 | 0:06:46 | |
But of course, I know that Verity loves to sing. | 0:06:49 | 0:06:52 | |
But she's only ever sung in the car, in the shower, | 0:06:52 | 0:06:55 | |
a little bit of karaoke, so her friends wanted to give her | 0:06:55 | 0:06:58 | |
a once-in-a-lifetime opportunity. | 0:06:58 | 0:07:00 | |
And I believe her fiance is here? | 0:07:00 | 0:07:03 | |
-AUDIENCE: -Ooh! -Mark? Where's Mark? | 0:07:03 | 0:07:06 | |
Hello, Mark. Look at you, Marky! | 0:07:06 | 0:07:08 | |
Ladies and gentlemen, say hi to Mark if you can see Mark. | 0:07:08 | 0:07:11 | |
CHEERING AND APPLAUSE | 0:07:11 | 0:07:14 | |
-So, Mark... -Yes? -You are Verity's fiance. -Yes. | 0:07:14 | 0:07:20 | |
So, tell me about Verity. | 0:07:20 | 0:07:22 | |
We got engaged two months ago, so, yeah, when we was on holiday, so... | 0:07:22 | 0:07:25 | |
-Yeah. -Very good. WHOOPING AND APPLAUSE | 0:07:25 | 0:07:27 | |
-All planned? You had the ring and everything? -All planned. | 0:07:27 | 0:07:30 | |
-All planned. -Everybody knew apart from her, obviously, so, yeah... | 0:07:30 | 0:07:33 | |
-Yeah, that's the best way to go about it. -Obviously. | 0:07:33 | 0:07:36 | |
How do you think she's going to react to all the fun we've lined up for her? | 0:07:36 | 0:07:40 | |
Yeah, she's going to be shocked. | 0:07:40 | 0:07:41 | |
So she's told you that she's coming to work...? | 0:07:41 | 0:07:43 | |
-Yeah, as a waitress for the evening, um, at an art gallery, so... -OK. | 0:07:43 | 0:07:47 | |
-And she's with her friend, Rachel, is that right? -Rachel. | 0:07:47 | 0:07:50 | |
Who's in on it, so she's... | 0:07:50 | 0:07:51 | |
-Rachel's been the main sort of planner for it. -OK. | 0:07:51 | 0:07:54 | |
-And I gather her parents are here, is that right? -Yeah, her mum and dad are here. -Mum and Dad? Hi, Dad. | 0:07:54 | 0:07:58 | |
Nice to see you, hi. How do you think Verity's going to perform? | 0:07:58 | 0:08:01 | |
-Do you think she's going to be able to handle it? -She's going to kill him. | 0:08:01 | 0:08:05 | |
All right, let's see how it goes. | 0:08:05 | 0:08:07 | |
Thank you so much for putting her forward for this. | 0:08:07 | 0:08:09 | |
Let's give a big round of applause for Mark and Verity's mum and dad! APPLAUSE AND CHEERING | 0:08:09 | 0:08:13 | |
All right. | 0:08:13 | 0:08:14 | |
It's on. | 0:08:17 | 0:08:19 | |
OK, so, I think we can go live to the art gallery now and see, | 0:08:19 | 0:08:24 | |
hopefully... | 0:08:24 | 0:08:25 | |
Oh! | 0:08:25 | 0:08:26 | |
Can you confirm that that is your future bride, Verity? | 0:08:26 | 0:08:31 | |
There she is? | 0:08:31 | 0:08:33 | |
OK. She looks like she's having the most boring day. | 0:08:33 | 0:08:37 | |
LAUGHTER | 0:08:37 | 0:08:38 | |
Now...in with her there is Gemma. | 0:08:39 | 0:08:41 | |
Gemma, if you can hear me, | 0:08:41 | 0:08:43 | |
take a crafty sip of that alcohol on the table there. | 0:08:43 | 0:08:46 | |
I'm just going to... | 0:08:46 | 0:08:48 | |
LAUGHTER | 0:08:48 | 0:08:50 | |
Look at Verity's face. | 0:08:51 | 0:08:53 | |
-You've got to, haven't you? -Love it. | 0:08:53 | 0:08:55 | |
That's just taken the edge off. | 0:08:55 | 0:08:58 | |
Gemma, ask Verity what she honestly thinks of the art? | 0:08:59 | 0:09:03 | |
What do you honestly think of all this art? | 0:09:03 | 0:09:06 | |
It's horrendous? | 0:09:08 | 0:09:09 | |
LAUGHTER | 0:09:13 | 0:09:14 | |
APPLAUSE | 0:09:15 | 0:09:17 | |
I agree. How much would you pay for that? | 0:09:19 | 0:09:21 | |
Gemma, why don't we nick the batteries and just say, | 0:09:35 | 0:09:38 | |
"Batteries not included." | 0:09:38 | 0:09:39 | |
Why don't we just nick the batteries and say, "Batteries not included." | 0:09:41 | 0:09:44 | |
I think that'll make it worth more. | 0:09:46 | 0:09:49 | |
Gemma, say, "Have you met the artist?" | 0:09:49 | 0:09:51 | |
-You've not met Rupert, have you? -No. | 0:09:51 | 0:09:53 | |
No. | 0:09:53 | 0:09:54 | |
-'He is...' -OK. I'll be honest now. -'..one of the most annoying...' | 0:09:54 | 0:09:57 | |
-He's one of the most annoying... -'..men, I've ever met.' | 0:09:57 | 0:10:01 | |
-Men, I've ever met. -In what sense? | 0:10:01 | 0:10:04 | |
'Completely embarrassing.' | 0:10:04 | 0:10:05 | |
-Just completely embarrassing. -'He thinks he's a character...' | 0:10:05 | 0:10:09 | |
Well, he thinks he's a character, right, but... | 0:10:09 | 0:10:12 | |
-'He's a joke.' -He's a joke. | 0:10:12 | 0:10:15 | |
-'He's just a wally.' -He's just a wally. | 0:10:16 | 0:10:18 | |
'Try not to laugh when you meet him.' | 0:10:18 | 0:10:20 | |
OK, seriously, try not to laugh when you meet him, OK? | 0:10:20 | 0:10:23 | |
I don't know, who knows? | 0:10:24 | 0:10:26 | |
Who knows? | 0:10:26 | 0:10:28 | |
OK, send in Rupert. | 0:10:28 | 0:10:30 | |
Oh! | 0:10:32 | 0:10:33 | |
Hi, I'm Rupert. | 0:10:35 | 0:10:37 | |
This is all me. | 0:10:37 | 0:10:40 | |
-Hi, there, we met. -Hello... Gemma. -Gemma, yeah. | 0:10:40 | 0:10:43 | |
-Hello. -Hi. -And...? | 0:10:43 | 0:10:44 | |
I'm Verity. | 0:10:44 | 0:10:46 | |
-Verity, a pleasure to meet you. And, you are? -Rachel. | 0:10:46 | 0:10:49 | |
-Rachel? -Yes. -Lovely. -Lovely to meet you. | 0:10:49 | 0:10:52 | |
Rupert, stare at the black painting and go, "Oh, no!" | 0:10:52 | 0:10:54 | |
Oh! | 0:10:56 | 0:10:57 | |
It's upside down. | 0:10:58 | 0:11:00 | |
This is upside down. | 0:11:00 | 0:11:02 | |
Fix it, fix it, I can't even look. | 0:11:04 | 0:11:07 | |
-I'm not even going to look. -I'm so sorry. | 0:11:07 | 0:11:09 | |
-It's such a big day for me. -Yeah, I know. | 0:11:09 | 0:11:12 | |
Please, please, just turn it the right way up. | 0:11:12 | 0:11:13 | |
It's upside down at the moment. Ladies, can you just do that. | 0:11:13 | 0:11:17 | |
Can you just sort it and turn it upside down. | 0:11:17 | 0:11:19 | |
It's all right, it's all right. It's going to be fine. Just breathe. | 0:11:19 | 0:11:22 | |
Don't worry. | 0:11:22 | 0:11:23 | |
If you turn it... | 0:11:23 | 0:11:26 | |
You can look. | 0:11:28 | 0:11:30 | |
OK, slowly walk over and say, "It's perfect". | 0:11:30 | 0:11:33 | |
No, no, no,... | 0:11:39 | 0:11:40 | |
That's perfect. | 0:11:42 | 0:11:44 | |
LAUGHTER | 0:11:44 | 0:11:45 | |
Thank you so much. | 0:11:45 | 0:11:47 | |
Can you ask, ask Verity, say, | 0:11:55 | 0:11:57 | |
"Honestly, what do you think of my work?" | 0:11:57 | 0:12:00 | |
Honestly, what do you think of my work? | 0:12:00 | 0:12:03 | |
It's very interesting. | 0:12:03 | 0:12:05 | |
I've never seen anything like it before. | 0:12:08 | 0:12:10 | |
That's my favourite piece. | 0:12:12 | 0:12:14 | |
-This? -Yes, it's very good. | 0:12:14 | 0:12:16 | |
This is, I think, a very powerful piece. | 0:12:16 | 0:12:20 | |
One of my favourites. | 0:12:20 | 0:12:21 | |
This is 18 months. | 0:12:21 | 0:12:23 | |
Say, "You're going to get your head together, I'll see you later." | 0:12:26 | 0:12:29 | |
If it's all right with you, | 0:12:29 | 0:12:30 | |
-I'm just going to get my head together... -Sure. | 0:12:30 | 0:12:33 | |
And bring in some of the work. | 0:12:33 | 0:12:34 | |
-'It's a very big night for me.' -Great. -It's a very important... | 0:12:34 | 0:12:37 | |
-'I thank you for being part of it.' -Thank you all for being part of it. | 0:12:37 | 0:12:40 | |
That's great. We're pleased to meet you. | 0:12:40 | 0:12:43 | |
-'Thank you.' -Thank you. | 0:12:43 | 0:12:46 | |
So now people are going to come to the exhibition and then we're | 0:12:56 | 0:12:58 | |
going to call her up to the stage to get some champagne | 0:12:58 | 0:13:01 | |
and then the walls will collapse and we're going to give her the biggest surprise of her life. | 0:13:01 | 0:13:05 | |
All I need you to do is be as quiet as you can when she's coming | 0:13:05 | 0:13:08 | |
up and then as soon as the walls come down, | 0:13:08 | 0:13:11 | |
you have to go completely nuts | 0:13:11 | 0:13:14 | |
to give her the maximum shock. | 0:13:14 | 0:13:17 | |
And, of course, I will immediately direct her towards her loved ones | 0:13:17 | 0:13:20 | |
so she can relax because she seems a little feisty. | 0:13:20 | 0:13:23 | |
LAUGHTER | 0:13:23 | 0:13:24 | |
I wondering whether she's just going to knock me out cold. | 0:13:24 | 0:13:27 | |
Right, we're all set. It's happening. | 0:13:31 | 0:13:33 | |
So... | 0:13:33 | 0:13:34 | |
This is our fake room. | 0:13:34 | 0:13:36 | |
So that is in there | 0:13:36 | 0:13:39 | |
and she's going to be sent up there to get more, I think, champagne. | 0:13:39 | 0:13:42 | |
That's the door that over there | 0:13:42 | 0:13:43 | |
and then those walls collapse and then we're going to give her | 0:13:43 | 0:13:46 | |
this amazing surprise. | 0:13:46 | 0:13:48 | |
OK, so let's bring her up. | 0:13:48 | 0:13:50 | |
Hello, everybody. Is it all right? | 0:13:50 | 0:13:53 | |
Rupert, thank you for coming down, much appreciated. | 0:13:53 | 0:13:55 | |
An absolute pleasure. It calls for a bit of champagne. | 0:13:55 | 0:13:58 | |
Can I just grab someone to... Do you just mind giving me a... | 0:13:58 | 0:14:00 | |
-I'm not very good at carrying stuff. -I'll give you a hand. Let's take a tray. | 0:14:00 | 0:14:03 | |
WHISPERS: She's coming, she's coming. So far, so good. | 0:14:03 | 0:14:06 | |
Shhhh. | 0:14:09 | 0:14:11 | |
Basically there's a few more people coming down | 0:14:11 | 0:14:13 | |
and I just think there's one person who's coming down | 0:14:13 | 0:14:17 | |
who's got quite a bit of money and they might want to buy something. | 0:14:17 | 0:14:21 | |
If we could turn it into a bit more of a gathering, | 0:14:21 | 0:14:23 | |
-a bit more of a party... -Mmm. | 0:14:23 | 0:14:25 | |
We might be all right. | 0:14:25 | 0:14:26 | |
So, yeah, if I get the champagne. | 0:14:27 | 0:14:30 | |
Ah, yeah, the tray's in here. | 0:14:33 | 0:14:34 | |
If you can just get one of them trays... We'll use that one. | 0:14:34 | 0:14:37 | |
And just fill that with a few flute glasses. | 0:14:37 | 0:14:39 | |
I'll just get the champagne, I'll be back in a minute. | 0:14:39 | 0:14:42 | |
CHEERING AND APPLAUSE | 0:14:45 | 0:14:47 | |
What?! | 0:14:47 | 0:14:50 | |
How did I get here? | 0:15:10 | 0:15:12 | |
Ladies and gentlemen, | 0:15:13 | 0:15:15 | |
it's our Unexpected Star Of The Show, Verity! | 0:15:15 | 0:15:17 | |
CHEERING AND APPLAUSE | 0:15:17 | 0:15:19 | |
Come on. | 0:15:21 | 0:15:22 | |
Come and join me. | 0:15:22 | 0:15:24 | |
Oh, dear, Verity, | 0:15:25 | 0:15:28 | |
look it's your fiance, Mark. | 0:15:28 | 0:15:31 | |
There's Mum and Dad. | 0:15:31 | 0:15:33 | |
Who did this? | 0:15:33 | 0:15:34 | |
Well, tonight, Verity... You've been working next-door? | 0:15:36 | 0:15:40 | |
Yeah. | 0:15:40 | 0:15:41 | |
-How's that been going? -Yeah, it was awful. | 0:15:41 | 0:15:43 | |
So, Verity, Rachel who's been in on this whole thing | 0:15:45 | 0:15:48 | |
has got in touch with us and said that you like singing. | 0:15:48 | 0:15:51 | |
There they all are. | 0:15:54 | 0:15:55 | |
None of those people are real. Er... | 0:15:55 | 0:15:58 | |
Oh, my God! | 0:15:58 | 0:16:00 | |
Rupert, as you may have guessed... | 0:16:00 | 0:16:02 | |
-He's ridiculous. -..is not an artist. | 0:16:02 | 0:16:05 | |
For God's sake, he was dreadful. | 0:16:05 | 0:16:07 | |
He's been putting you on the spot, and said, "What do you think?" | 0:16:07 | 0:16:10 | |
You said, "Interesting," | 0:16:10 | 0:16:12 | |
which I thought was the most polite way of saying... | 0:16:12 | 0:16:14 | |
-Terrible. -Terrible. | 0:16:14 | 0:16:16 | |
-So the plan is, Verity... -Mmm. | 0:16:17 | 0:16:19 | |
You would be taken backstage and you've got to the end of the | 0:16:19 | 0:16:23 | |
show to prepare a performance, quite an exciting performance. | 0:16:23 | 0:16:27 | |
It will be you on this stage for all these people singing. | 0:16:27 | 0:16:30 | |
2,000 people... | 0:16:33 | 0:16:35 | |
-My, God. -..who are very much rooting for you. | 0:16:35 | 0:16:37 | |
Verity, I just have to ask you to confirm. | 0:16:37 | 0:16:40 | |
Will you be tonight's Unexpected Star Of The Show. | 0:16:40 | 0:16:42 | |
-I'd love to be, thank you. -Yeah! | 0:16:42 | 0:16:44 | |
APPLAUSE | 0:16:44 | 0:16:47 | |
Ladies and gentlemen, it's Verity our Unexpected Star Of The Show! | 0:16:47 | 0:16:50 | |
Brilliant, thank you so much. | 0:16:50 | 0:16:53 | |
All right. | 0:16:53 | 0:16:55 | |
My next guest, ladies and gentlemen | 0:16:59 | 0:17:01 | |
is an '80s icon. | 0:17:01 | 0:17:03 | |
-AUDIENCE: -Whoo! | 0:17:03 | 0:17:05 | |
Who retired in 1993 having sold over 40 million records. | 0:17:05 | 0:17:10 | |
Now he is back with a number one album | 0:17:12 | 0:17:16 | |
and I love this new song and you're going to love it too. | 0:17:16 | 0:17:20 | |
It's Rick Astley, ladies and gentlemen! | 0:17:20 | 0:17:22 | |
CHEERING AND APPLAUSE | 0:17:22 | 0:17:25 | |
Here we go. | 0:17:31 | 0:17:33 | |
# If you're ever gonna make this work | 0:17:33 | 0:17:36 | |
# You gotta pick yourself up from out of the dirt | 0:17:38 | 0:17:42 | |
# You might need someone to give you a helping hand | 0:17:42 | 0:17:46 | |
# Show you what to do, make you understand | 0:17:46 | 0:17:51 | |
# Well you never thought that you would fall | 0:17:52 | 0:17:55 | |
# Now you're on your knees and you're about ready to crawl | 0:17:56 | 0:18:00 | |
# You need someone to rid you of your disease | 0:18:01 | 0:18:06 | |
# I'll tell you what to do, show you how to be | 0:18:06 | 0:18:10 | |
# If you pray with me | 0:18:10 | 0:18:12 | |
# On your knees under the willow trees | 0:18:12 | 0:18:15 | |
# And pray with me for what we need | 0:18:15 | 0:18:19 | |
# Might not be money, it might not be gold | 0:18:19 | 0:18:22 | |
# Let your love release your soul | 0:18:22 | 0:18:24 | |
# Come on and pray | 0:18:24 | 0:18:26 | |
# Won't you pray | 0:18:26 | 0:18:29 | |
# With me... | 0:18:29 | 0:18:30 | |
# Lordy, lordy, lordy | 0:18:32 | 0:18:34 | |
# Lordy, lordy, lordy | 0:18:37 | 0:18:39 | |
# There's electric in your veins | 0:18:40 | 0:18:43 | |
# It's burning you up and you can't stand the pain | 0:18:43 | 0:18:48 | |
# You need someone to listen to your fiction | 0:18:48 | 0:18:53 | |
# But ain't left doing just one more addiction | 0:18:53 | 0:18:57 | |
# If you pray with me | 0:18:57 | 0:19:00 | |
# On your knees under the willow trees | 0:19:00 | 0:19:03 | |
# And pray with me for what we need | 0:19:03 | 0:19:05 | |
# What we need, yeah | 0:19:05 | 0:19:07 | |
# It might not be money, it might not be gold | 0:19:07 | 0:19:10 | |
# Let your love release your soul | 0:19:10 | 0:19:12 | |
# Come on and pray, won't you pray with me | 0:19:12 | 0:19:17 | |
# Lordy, lordy, lordy | 0:19:19 | 0:19:22 | |
# Lordy, lordy, lordy | 0:19:24 | 0:19:27 | |
# Show me emotion, show me your pain | 0:19:27 | 0:19:31 | |
# Let it out so you can live again | 0:19:31 | 0:19:36 | |
# Share your emotion, share your pain | 0:19:36 | 0:19:40 | |
# Scream and shout so you can love again | 0:19:40 | 0:19:45 | |
# If you pray with me, yeah | 0:19:45 | 0:19:47 | |
# Gonna pray with me, won't you pray with me, yeah | 0:19:47 | 0:19:50 | |
# Pray with me for what we need | 0:19:50 | 0:19:54 | |
# Might not be money, might not be gold | 0:19:55 | 0:19:57 | |
# Let your love release your soul | 0:19:57 | 0:19:59 | |
# Pray, won't you pray | 0:19:59 | 0:20:03 | |
# With me | 0:20:03 | 0:20:06 | |
# On your knees under the willow trees | 0:20:06 | 0:20:09 | |
# And pray with me for what we need, yeah | 0:20:09 | 0:20:13 | |
# Might not be money, might not be gold | 0:20:13 | 0:20:15 | |
# Let your love release your soul | 0:20:15 | 0:20:18 | |
# Come on and pray | 0:20:18 | 0:20:20 | |
# Won't you pray | 0:20:20 | 0:20:23 | |
# With me | 0:20:23 | 0:20:25 | |
# Lordy, lordy, lordy | 0:20:25 | 0:20:28 | |
# Lordy, lordy, lordy. # | 0:20:31 | 0:20:34 | |
APPLAUSE AND CHEERING | 0:20:34 | 0:20:36 | |
Thank you! | 0:20:36 | 0:20:38 | |
# Pray with me... # | 0:20:43 | 0:20:44 | |
That is such a good song! | 0:20:44 | 0:20:46 | |
Instant classic! | 0:20:46 | 0:20:48 | |
CHEERING | 0:20:48 | 0:20:50 | |
Ladies and gentlemen, Rick Astley, come on. | 0:20:53 | 0:20:55 | |
CHEERING | 0:20:55 | 0:20:56 | |
Rick Astley. | 0:20:56 | 0:20:57 | |
# Pray with me... # | 0:20:57 | 0:20:59 | |
OK, ladies and gentlemen, | 0:21:02 | 0:21:04 | |
who wants to play Celebrity Send To All? | 0:21:04 | 0:21:07 | |
CHEERING | 0:21:07 | 0:21:09 | |
Yeah, this is where I take a celebrity's mobile phone and | 0:21:09 | 0:21:12 | |
send a text of my choosing to their contacts and see what | 0:21:12 | 0:21:15 | |
hilarious replies they get at the end of the show. | 0:21:15 | 0:21:18 | |
So let's see who's in our Send To All box this week. | 0:21:18 | 0:21:21 | |
Why it's double Olympic gold medal winning swimmer, Rebecca Adlington! | 0:21:21 | 0:21:26 | |
Come on, Bexsie! | 0:21:27 | 0:21:29 | |
She's a champion! | 0:21:29 | 0:21:31 | |
Hi, darling. | 0:21:33 | 0:21:35 | |
-How are you? -I'm good. How are you? | 0:21:35 | 0:21:37 | |
So, who are you here with tonight, Rebecca? | 0:21:37 | 0:21:39 | |
-My sister Laura and my mum Kay. -Lovely. | 0:21:39 | 0:21:41 | |
Welcome. Welcome along. | 0:21:41 | 0:21:43 | |
-I can't thank you enough for being here... -Thank you. | 0:21:43 | 0:21:45 | |
..and agreeing to play this, | 0:21:45 | 0:21:47 | |
which is a very fun game with no harm done. | 0:21:47 | 0:21:49 | |
Slightly scary. | 0:21:49 | 0:21:51 | |
-So, tell us about Rio. How was that? -Yes. | 0:21:51 | 0:21:54 | |
Cos we won more gold medals...or medals than ever before, | 0:21:54 | 0:21:57 | |
so we're proud. | 0:21:57 | 0:21:58 | |
It was amazing. The swimming team had the best ever Olympics...ever! | 0:21:58 | 0:22:02 | |
-That's good. -Which was amazing. | 0:22:02 | 0:22:04 | |
How was your swimming? Cos you did retire from swimming. | 0:22:06 | 0:22:09 | |
Do you allow yourself to swim? | 0:22:09 | 0:22:12 | |
-Yes. -What's it like when you swim, like, on holiday? | 0:22:12 | 0:22:15 | |
I pretend I can't swim. | 0:22:15 | 0:22:17 | |
-OK. -Like, if I get in the pool, I just kind of do, like, | 0:22:17 | 0:22:20 | |
-the head-up breaststroke, where I don't get my hair wet. -Yes. | 0:22:20 | 0:22:24 | |
Mums are very good at... | 0:22:24 | 0:22:25 | |
I think that should be an Olympic sport, | 0:22:25 | 0:22:28 | |
where it's not where who comes first, | 0:22:28 | 0:22:30 | |
it's who has the driest hair at the end. | 0:22:30 | 0:22:34 | |
OK. Let's have a big hand for Rebecca | 0:22:34 | 0:22:36 | |
for putting herself through this. | 0:22:36 | 0:22:39 | |
So... | 0:22:39 | 0:22:40 | |
..as you can see... | 0:22:41 | 0:22:43 | |
Is this for me to wear? | 0:22:43 | 0:22:45 | |
No. You pop your phone into the armband | 0:22:45 | 0:22:48 | |
and that's how you'll deliver it to me | 0:22:48 | 0:22:51 | |
and I will scoot down here... and bring it to me. | 0:22:51 | 0:22:54 | |
Thank you so much. | 0:22:54 | 0:22:56 | |
# Gold! | 0:22:56 | 0:22:57 | |
# Always believe in your soul | 0:22:57 | 0:23:00 | |
# You've got the power to know | 0:23:00 | 0:23:03 | |
# You're indestructible | 0:23:03 | 0:23:05 | |
# Always believe in | 0:23:05 | 0:23:08 | |
# You are gold | 0:23:08 | 0:23:09 | |
# Gold! # | 0:23:09 | 0:23:10 | |
I've got it. Ladies and gentlemen, | 0:23:10 | 0:23:12 | |
I am now in possession of Rebecca Adlington's mobile telephone. | 0:23:12 | 0:23:16 | |
There it is. Thank you. | 0:23:16 | 0:23:18 | |
All right. So, I plug this in here and, with a bit of fortune... | 0:23:18 | 0:23:23 | |
Yay! | 0:23:23 | 0:23:26 | |
Oh, who is that person? | 0:23:27 | 0:23:29 | |
My daughter Summer. | 0:23:29 | 0:23:31 | |
Aw. Summer, look at her, she's beautiful. | 0:23:31 | 0:23:33 | |
And you've named her after your favourite Olympics?! | 0:23:33 | 0:23:37 | |
Excellent. | 0:23:37 | 0:23:38 | |
Aw, adorable. | 0:23:38 | 0:23:40 | |
Let's see what apps you've got on here. What's this one? | 0:23:40 | 0:23:43 | |
It's the CCTV to my house. | 0:23:43 | 0:23:46 | |
LAUGHTER | 0:23:46 | 0:23:48 | |
Is it live? | 0:23:48 | 0:23:49 | |
-Yeah. So, if you press the plus... -Right. | 0:23:49 | 0:23:53 | |
..and press home, and then go to camera one. | 0:23:53 | 0:23:56 | |
All right, cam one. | 0:23:56 | 0:23:58 | |
Whoa! | 0:23:58 | 0:24:00 | |
Whoa! | 0:24:03 | 0:24:05 | |
What about that? | 0:24:05 | 0:24:06 | |
So, this is your car outside your house? | 0:24:06 | 0:24:10 | |
-And there's another car. -Yeah. -And this is the...clothesline. | 0:24:10 | 0:24:13 | |
That's the garden. | 0:24:13 | 0:24:15 | |
I've never seen anyone put a CCTV on their clothesline before. | 0:24:15 | 0:24:20 | |
Are you out having dinner and like, | 0:24:20 | 0:24:22 | |
"I'm just going to check the clothesline, see if they're dry"? | 0:24:22 | 0:24:26 | |
"That swimsuit looks about done. | 0:24:26 | 0:24:28 | |
"I'd better head home. I've got to do a few lengths." | 0:24:28 | 0:24:31 | |
If you double-tap them they go bigger, | 0:24:31 | 0:24:33 | |
-so if you double-tap one of them... -Double-tap... Oh! | 0:24:33 | 0:24:37 | |
Wow. You said that as if that was going to be | 0:24:37 | 0:24:40 | |
a very exciting moment for all of us. | 0:24:40 | 0:24:42 | |
OK. | 0:24:44 | 0:24:45 | |
So, we are going to pop a text into your phone, Rebecca, | 0:24:45 | 0:24:49 | |
and don't panic, it's absolutely fine, and the text is... | 0:24:49 | 0:24:54 | |
"OMG, | 0:24:54 | 0:24:56 | |
"Kim and Kanye.. | 0:24:56 | 0:25:00 | |
"..have asked me | 0:25:03 | 0:25:06 | |
"to be their live-in swimming teacher. | 0:25:06 | 0:25:15 | |
"And how weird is this? | 0:25:19 | 0:25:25 | |
"Kanye is insisting I..." | 0:25:26 | 0:25:30 | |
-How many gold medals have you got? -Two. | 0:25:30 | 0:25:34 | |
"..wear both medals... | 0:25:34 | 0:25:41 | |
"in every lesson. | 0:25:41 | 0:25:46 | |
"The money is amazing. | 0:25:47 | 0:25:50 | |
"What do you think?" | 0:25:55 | 0:25:57 | |
Kisses? Are you a kisser? | 0:25:57 | 0:25:59 | |
I do one big kiss, one little kiss. | 0:25:59 | 0:26:02 | |
All right, let's do that. | 0:26:02 | 0:26:03 | |
OK, this little dilemma will be presented to all that you know. | 0:26:03 | 0:26:08 | |
"OMG, Kim and Kanye have asked me | 0:26:08 | 0:26:09 | |
"to be their live-in swimming teacher. | 0:26:09 | 0:26:12 | |
"And how weird is this? | 0:26:12 | 0:26:13 | |
"Kanye is insisting I wear both my gold medals in every lesson. | 0:26:13 | 0:26:17 | |
"The money is amazing. What do you think?" | 0:26:17 | 0:26:20 | |
Shall I send that text? | 0:26:20 | 0:26:21 | |
-AUDIENCE: -Yes! | 0:26:21 | 0:26:23 | |
All right. That is...gone! | 0:26:23 | 0:26:27 | |
CHEERING | 0:26:27 | 0:26:29 | |
We will be catching up with Rebecca later on in the show | 0:26:29 | 0:26:32 | |
and see what responses she gets to these texts. | 0:26:32 | 0:26:35 | |
In the meantime, one more time for the fantastic sport | 0:26:35 | 0:26:38 | |
that is Rebecca Adlington, ladies and gentlemen! | 0:26:38 | 0:26:41 | |
Whoo! | 0:26:41 | 0:26:42 | |
All right. | 0:26:42 | 0:26:44 | |
So, ladies and gentlemen, | 0:26:44 | 0:26:47 | |
my next guest was the toast of this year's Edinburgh Festival. | 0:26:47 | 0:26:51 | |
It is my absolute pleasure to introduce him to you. | 0:26:51 | 0:26:54 | |
Please welcome the wonderful Al Porter! | 0:26:54 | 0:26:57 | |
-Al Porter's here. Come on, Al. -Hello. | 0:26:57 | 0:27:00 | |
Yes. | 0:27:02 | 0:27:03 | |
Hello. Thank you very much. Are we all well? | 0:27:03 | 0:27:06 | |
-AUDIENCE: -Yes! | 0:27:06 | 0:27:08 | |
Yes. This is amazing. My name is Al. | 0:27:08 | 0:27:10 | |
Thank you so much for having me in this beautiful theatre. | 0:27:10 | 0:27:13 | |
Just to set things clear, if anybody is wondering, looking at me, | 0:27:13 | 0:27:16 | |
you know, "Oh, is he? | 0:27:16 | 0:27:19 | |
"Isn't he?" | 0:27:19 | 0:27:20 | |
Obviously I am. | 0:27:20 | 0:27:22 | |
I'm from a council estate. | 0:27:22 | 0:27:25 | |
I am actually from a council estate. | 0:27:28 | 0:27:29 | |
The kind of estate I am from... I know I am overdressed, by the way, | 0:27:29 | 0:27:32 | |
but I think if you can't hide this, decorate it. | 0:27:32 | 0:27:35 | |
I'm from the kind of place where Father's Day is | 0:27:35 | 0:27:38 | |
a very mysterious day. | 0:27:38 | 0:27:40 | |
Father's Day in my estate is like Halloween. | 0:27:43 | 0:27:46 | |
Kids have to go door to door. | 0:27:46 | 0:27:49 | |
"Hiya, Dad. Hiya, Dad. Hiya, Dad. | 0:27:49 | 0:27:52 | |
"Mam, who else was on your list?" | 0:27:52 | 0:27:55 | |
I still live at home, I should say that. | 0:27:55 | 0:27:58 | |
I mean, I've wanted to live alone for the last two years, | 0:27:58 | 0:28:01 | |
but my parents just won't leave. | 0:28:01 | 0:28:03 | |
No, I'm making progress. I got my dad back smoking but... | 0:28:04 | 0:28:08 | |
Oh, he knows the difference between a house and a home, | 0:28:09 | 0:28:12 | |
I can tell you that. | 0:28:12 | 0:28:13 | |
A home is where he is going once I get him out of the house! | 0:28:13 | 0:28:17 | |
I like it, because my mam's a modern woman. | 0:28:18 | 0:28:21 | |
She's on Facebook. | 0:28:21 | 0:28:23 | |
My mother's on Facebook now. She doesn't know how to use it. | 0:28:23 | 0:28:26 | |
All she does is share inspirational quotes and missing dogs. | 0:28:26 | 0:28:30 | |
Usually at the same time, you know? | 0:28:30 | 0:28:32 | |
Just a lost Jack Russell telling you to never give up. | 0:28:32 | 0:28:36 | |
But it's nice. | 0:28:36 | 0:28:37 | |
I've picked up all of her habits cos I've lived there for too long. | 0:28:37 | 0:28:41 | |
"Leave a light on so it looks like somebody's in." | 0:28:41 | 0:28:43 | |
Recently I was in, watching the TV, with all of the lights off, | 0:28:43 | 0:28:47 | |
and I caught myself thinking, "Sugar! | 0:28:47 | 0:28:49 | |
"I better put a light on so it looks like somebody's in." | 0:28:49 | 0:28:52 | |
I was in! | 0:28:52 | 0:28:54 | |
What was I going to do if I'd left them all off but somebody broke in? | 0:28:54 | 0:28:58 | |
"Freeze!" "Oh, don't mind me, I'm out. | 0:28:58 | 0:29:01 | |
"I've been out for years." I mean... | 0:29:02 | 0:29:05 | |
I've always been very dramatic, by the way. Always camp. | 0:29:06 | 0:29:09 | |
When I came out, my parents said, "Al, you need to come in." | 0:29:09 | 0:29:12 | |
Oh, no, I have. | 0:29:12 | 0:29:14 | |
Like, very, very dramatic, you know? | 0:29:14 | 0:29:16 | |
Like, for example, I recently auditioned for Bond, | 0:29:16 | 0:29:19 | |
but didn't get it because they said, | 0:29:19 | 0:29:21 | |
"No, you're kind of less 007 and more, 'Ooh, 7'! " | 0:29:21 | 0:29:25 | |
I did driving lessons with my dad and he said, "Grab the clutch." | 0:29:27 | 0:29:30 | |
I said, "I left it in the house." | 0:29:30 | 0:29:33 | |
You don't have to remind me to look in the mirror, I can tell you that. | 0:29:33 | 0:29:36 | |
"Check your rear view." "I have, it's fabulous." | 0:29:36 | 0:29:39 | |
Very over the top always. | 0:29:39 | 0:29:41 | |
Actually, Irish people have done a wonderful thing, right? | 0:29:41 | 0:29:45 | |
We've taken the English language and we've mangled it | 0:29:45 | 0:29:49 | |
and minimised it to the point of meaning literally nothing. | 0:29:49 | 0:29:54 | |
My mam describes my dad as "fond of an auld pint", | 0:29:54 | 0:29:58 | |
as opposed to "a raging alcoholic". | 0:29:58 | 0:30:01 | |
My sister is "harmless". Had you ever heard that? | 0:30:03 | 0:30:05 | |
"Harmless" is an Irish euphemism for being a proper eejit. | 0:30:05 | 0:30:08 | |
You see, you're very straightforward people in England. | 0:30:08 | 0:30:11 | |
You go, "Mike, you're an idiot. Mike, you're an idiot." | 0:30:11 | 0:30:14 | |
In Ireland, we're like, "Oh, John? Ah, John's harmless, yeah. | 0:30:14 | 0:30:18 | |
"John's an energy-saver bulb. | 0:30:18 | 0:30:21 | |
"He's dim, but we wouldn't change him, do you know what I mean?" | 0:30:22 | 0:30:26 | |
My mate Sarah Ward is "harmless". | 0:30:27 | 0:30:29 | |
Sarah Ward had two kids by the time we left school. | 0:30:29 | 0:30:31 | |
We all used call her Maternity Ward. | 0:30:31 | 0:30:34 | |
Oh, stop. There were six girls pregnant in my A-level class. | 0:30:34 | 0:30:37 | |
I was the only one that wasn't a suspect. | 0:30:37 | 0:30:39 | |
Sarah had these kids with a fella called Glen. You want to see him. | 0:30:41 | 0:30:44 | |
I'd rather get up on a Monday. | 0:30:44 | 0:30:46 | |
I remember looking at the kids and then looking at Glen, | 0:30:46 | 0:30:49 | |
and she goes to me, "Them kids look nothing like me. | 0:30:49 | 0:30:51 | |
"I bet you he was cheating." | 0:30:51 | 0:30:53 | |
My brother is described as "happy". Have you ever heard that? | 0:30:55 | 0:30:58 | |
"Happy" means you're unemployed. | 0:30:58 | 0:31:00 | |
"Oh, Alan? Alan's a comedian and, Niall, sure Niall's happy." | 0:31:01 | 0:31:05 | |
My uncle who makes a dodgy pass at me every Christmas, | 0:31:05 | 0:31:08 | |
"He's a character." | 0:31:08 | 0:31:10 | |
Even my nana never tells people that I don't like girls. | 0:31:13 | 0:31:16 | |
She won't tell them. She just goes, "Oh, Alan? He's for the Church." | 0:31:16 | 0:31:20 | |
I'm not political, chickens. I'm not. | 0:31:24 | 0:31:26 | |
Honestly, chicken, the closest I ever got to being political | 0:31:26 | 0:31:29 | |
was when I was eight and my nana knitted me a ski mask for winter, | 0:31:29 | 0:31:34 | |
but by the time she was finished it was just a balaclava. | 0:31:34 | 0:31:39 | |
But I wouldn't take it off. You know when a child loves a costume? | 0:31:39 | 0:31:43 | |
Have you ever seen a distraught mother in a supermarket | 0:31:43 | 0:31:45 | |
and you go, "What's wrong with that woman?" | 0:31:45 | 0:31:47 | |
And then you look and she's being followed by a three-foot Spider-Man. | 0:31:47 | 0:31:51 | |
That was my mother, | 0:31:51 | 0:31:52 | |
being followed around by a miniature paramilitary republican. | 0:31:52 | 0:31:55 | |
There's a photo buried in my attic | 0:31:57 | 0:31:59 | |
of me sitting on Santa's lap in Santa's grotto wearing a balaclava. | 0:31:59 | 0:32:05 | |
"What would you like for Christmas?" | 0:32:05 | 0:32:08 | |
-STRONG IRISH ACCENT: -"A united Ireland, Santa. | 0:32:08 | 0:32:11 | |
"Am I on your naughty list? Cos you're on mine." | 0:32:11 | 0:32:15 | |
-NORMAL ACCENT: -This is my favourite thing that the Irish have minimised. | 0:32:15 | 0:32:19 | |
In the 1970s, oh, yeah, did we have riots up north, did we? | 0:32:19 | 0:32:24 | |
Did we have riots, did we? | 0:32:24 | 0:32:25 | |
"Not at all. We had a bit of trouble." | 0:32:25 | 0:32:29 | |
You've been a lovely audience. I'm Al Porter, thank you and good night. | 0:32:29 | 0:32:33 | |
Al Porter, ladies and gentlemen! | 0:32:33 | 0:32:36 | |
Yay! | 0:32:36 | 0:32:37 | |
Mwah! | 0:32:37 | 0:32:39 | |
Amazing. What about that? | 0:32:39 | 0:32:40 | |
One more time, the fantastic Al Porter. | 0:32:40 | 0:32:44 | |
Sorry. | 0:32:47 | 0:32:49 | |
What is it? | 0:32:49 | 0:32:50 | |
Your...your mum? | 0:32:50 | 0:32:52 | |
Your mother is in the audience. | 0:32:52 | 0:32:54 | |
You want me to say hello to your mother? | 0:32:54 | 0:32:56 | |
I'm trying to make a TV show. | 0:32:56 | 0:32:58 | |
OK. Where is she sitting? | 0:32:58 | 0:32:59 | |
I'll say hello to her, that's fine. ..Sorry, it's very annoying. | 0:32:59 | 0:33:02 | |
It's one of the producers. Where is she? Over this way? | 0:33:02 | 0:33:05 | |
Where is she? | 0:33:05 | 0:33:07 | |
OK, fine, I'm doing it. | 0:33:07 | 0:33:09 | |
Keep walking? All right, just tell me when to stop. | 0:33:09 | 0:33:12 | |
This is quite boring. | 0:33:12 | 0:33:14 | |
There's no way that's your mother. | 0:33:15 | 0:33:18 | |
I hope not. | 0:33:18 | 0:33:19 | |
You? | 0:33:19 | 0:33:21 | |
Hello. Do you know anybody working on tonight's show? | 0:33:21 | 0:33:23 | |
-No. -No? | 0:33:23 | 0:33:25 | |
Can you stand up for me? Sorry. | 0:33:25 | 0:33:28 | |
-Do you have children? -Yes. -What are their names? | 0:33:29 | 0:33:32 | |
-Rio and Zak. -OK. How old are they? | 0:33:32 | 0:33:34 | |
-Ten and seven. -OK. | 0:33:34 | 0:33:37 | |
Not here! | 0:33:37 | 0:33:39 | |
Really? | 0:33:39 | 0:33:41 | |
Oh. Where are they? | 0:33:41 | 0:33:42 | |
At home, I hope. | 0:33:42 | 0:33:44 | |
Rio and Zak? | 0:33:44 | 0:33:46 | |
Would this be Rio and Zak? | 0:33:46 | 0:33:48 | |
Oh, my God. | 0:33:48 | 0:33:51 | |
Uh... Yeah. | 0:33:51 | 0:33:53 | |
So, who's Rio and who's Zak? | 0:33:54 | 0:33:56 | |
-Rio's the older one. -OK. And that's little Zak? | 0:33:56 | 0:33:59 | |
They're so cute. | 0:33:59 | 0:34:01 | |
They couldn't be working on the show... | 0:34:01 | 0:34:03 | |
-How did you get that? -I know. | 0:34:03 | 0:34:05 | |
-And you are Sangeeta? -Yes. | 0:34:05 | 0:34:08 | |
Great. OK, Sangeeta. | 0:34:08 | 0:34:10 | |
This is very bizarre. | 0:34:10 | 0:34:12 | |
What have the boys been doing today? | 0:34:12 | 0:34:15 | |
They were watching a football match. | 0:34:15 | 0:34:17 | |
OK. | 0:34:17 | 0:34:18 | |
Let's have a look, actually, of what your boys have been up to, | 0:34:18 | 0:34:22 | |
helping me on the show today. | 0:34:22 | 0:34:25 | |
So, Michael, we've got some new producers coming to help us out. | 0:34:27 | 0:34:31 | |
Right. | 0:34:31 | 0:34:32 | |
-I'm Zak. -And I'm Rio. -Nice to meet you. Welcome. | 0:34:42 | 0:34:46 | |
I'm Michael, and this is the Big Show team. | 0:34:46 | 0:34:48 | |
OK, let's crack on. | 0:34:48 | 0:34:50 | |
We've had a look at the scripts, and we have a few notes. | 0:34:50 | 0:34:54 | |
This is... This is funny. | 0:35:01 | 0:35:02 | |
-This is funny stuff, isn't it? -Yeah. -Really good. | 0:35:02 | 0:35:05 | |
-Really strong. -Funny. -Really funny stuff. | 0:35:05 | 0:35:08 | |
Yeah. I think it'll work. | 0:35:08 | 0:35:09 | |
How about this? Knock-knock. | 0:35:09 | 0:35:11 | |
Who's there? | 0:35:11 | 0:35:12 | |
I'mma. | 0:35:12 | 0:35:13 | |
I'mma poo? | 0:35:13 | 0:35:15 | |
I'mma poo? | 0:35:19 | 0:35:21 | |
BOOMING VOICE: Good evening. NORMAL VOICE: No. | 0:35:25 | 0:35:28 | |
Come on, Michael. | 0:35:28 | 0:35:29 | |
Good evening! | 0:35:29 | 0:35:31 | |
-Ohh... -I mean, how hard is it? | 0:35:31 | 0:35:33 | |
Why can't you just say it right? Try again. | 0:35:33 | 0:35:36 | |
Good evening! | 0:35:36 | 0:35:38 | |
Is it too late to change the host? | 0:35:38 | 0:35:41 | |
Michael, that's not how Mummy does it. | 0:35:44 | 0:35:47 | |
No... | 0:35:47 | 0:35:48 | |
No, no, no. | 0:35:49 | 0:35:52 | |
I'm not sure... | 0:35:52 | 0:35:54 | |
Yes. | 0:35:54 | 0:35:56 | |
Perfect. | 0:35:59 | 0:36:00 | |
Wow. | 0:36:03 | 0:36:05 | |
Mummy? | 0:36:08 | 0:36:10 | |
Yay! | 0:36:10 | 0:36:12 | |
Oh, my God, I'm so embarrassed. | 0:36:18 | 0:36:22 | |
Ladies and gentlemen, give a big hand to Rio and Zak, | 0:36:24 | 0:36:27 | |
the Big Show's little producers! | 0:36:27 | 0:36:30 | |
Come on, let's go and say hi to them. | 0:36:35 | 0:36:37 | |
There you go. There's Mum. And where's Dad? Come on out, Dad! | 0:36:37 | 0:36:42 | |
Dad never got to go to the football. | 0:36:43 | 0:36:46 | |
Brilliant. Boys, did you enjoy your day? | 0:36:48 | 0:36:51 | |
-Yeah. -Was it fun? -Yes. | 0:36:51 | 0:36:53 | |
Pretty awesome? | 0:36:53 | 0:36:54 | |
All right. Enjoy the rest of the show, which you produced. | 0:36:54 | 0:36:57 | |
I suppose, just between us, there was an incredibly awkward moment | 0:36:57 | 0:37:00 | |
when you put all that make-up on me. | 0:37:00 | 0:37:02 | |
Daddy made a move. | 0:37:02 | 0:37:05 | |
Ladies and gentlemen, please give it up for Zak and Rio. | 0:37:05 | 0:37:08 | |
And Sangeeta! | 0:37:08 | 0:37:11 | |
Ladies and gentlemen, I am so excited to introduce my next guest. | 0:37:17 | 0:37:21 | |
He is a hugely talented, charming, | 0:37:21 | 0:37:24 | |
handsome man who has sold over 10 million records. | 0:37:24 | 0:37:28 | |
Please welcome Olly Murs! | 0:37:28 | 0:37:30 | |
CHEERING | 0:37:30 | 0:37:33 | |
# When I'm alone in the dark | 0:37:37 | 0:37:39 | |
# I paint a picture inside my mind | 0:37:39 | 0:37:43 | |
# Of all the things that I wanted | 0:37:45 | 0:37:47 | |
# But I never thought I would find | 0:37:47 | 0:37:50 | |
# And it blows my mind | 0:37:51 | 0:37:55 | |
# Because there you are | 0:37:55 | 0:37:58 | |
# By my side | 0:37:58 | 0:38:01 | |
# Maybe you know, maybe you don't | 0:38:01 | 0:38:03 | |
# But it's a question I have to ask | 0:38:03 | 0:38:07 | |
# I know we're young and we've got life | 0:38:09 | 0:38:11 | |
# But life always goes so fast | 0:38:11 | 0:38:15 | |
# But while you're mine | 0:38:16 | 0:38:19 | |
# Yeah, it feels like time's on our side | 0:38:19 | 0:38:24 | |
# Years and years, forever young | 0:38:25 | 0:38:29 | |
# Years and years, yet to come | 0:38:29 | 0:38:32 | |
# I take every second of every minute | 0:38:32 | 0:38:35 | |
# Long as you're in it, you know I'm winning | 0:38:35 | 0:38:38 | |
# Years and years we won't forget | 0:38:40 | 0:38:44 | |
# The time and place that we met | 0:38:44 | 0:38:47 | |
# And now I remember it all so clear | 0:38:47 | 0:38:51 | |
# You signed your name on my heart | 0:38:51 | 0:38:54 | |
# Saying you were here | 0:38:54 | 0:38:56 | |
# No, we're not at the end | 0:38:56 | 0:38:58 | |
# But we came close maybe once or twice | 0:38:58 | 0:39:01 | |
# We got burned but we learned not to listen to bad advice | 0:39:03 | 0:39:09 | |
# Now I know you're mine | 0:39:10 | 0:39:13 | |
# Cos it feels like time's on our side | 0:39:14 | 0:39:19 | |
# Years and years, forever young | 0:39:20 | 0:39:24 | |
# Years and years, yet to come | 0:39:24 | 0:39:27 | |
# I take every second of every minute | 0:39:27 | 0:39:30 | |
# As long as you're in it, you know I'm winning | 0:39:30 | 0:39:33 | |
# Years and years we won't forget | 0:39:35 | 0:39:39 | |
# The time and place that we met | 0:39:39 | 0:39:43 | |
# And I remember it all so clear | 0:39:43 | 0:39:46 | |
# You signed your name on my heart | 0:39:46 | 0:39:49 | |
# Saying you were here | 0:39:49 | 0:39:51 | |
# It doesn't matter where we go | 0:39:51 | 0:39:55 | |
# It's all I want, it's all I know | 0:39:55 | 0:39:58 | |
# This feeling's never, ever getting old | 0:39:58 | 0:40:03 | |
# It's all I know | 0:40:04 | 0:40:07 | |
# Oh-oh, oh-oh-oh-oh | 0:40:07 | 0:40:10 | |
# Know-oh-oh, oh-oh... # Come on! | 0:40:10 | 0:40:13 | |
CHEERING | 0:40:13 | 0:40:15 | |
# Years and years, forever young | 0:40:15 | 0:40:19 | |
# Years and years, yet to come | 0:40:19 | 0:40:22 | |
# I take every second of every minute | 0:40:22 | 0:40:25 | |
# As long as you're in it, I know I'm winning | 0:40:25 | 0:40:28 | |
# Years and years we won't forget | 0:40:31 | 0:40:34 | |
# The time and place that we met | 0:40:34 | 0:40:38 | |
# And I remember it all so clear | 0:40:38 | 0:40:41 | |
# You signed your name on my heart | 0:40:42 | 0:40:44 | |
# Saying you were here | 0:40:44 | 0:40:46 | |
# Years and years | 0:40:46 | 0:40:48 | |
# The night of our lives | 0:40:48 | 0:40:50 | |
# Years and years | 0:40:50 | 0:40:52 | |
# In the blink of an eye | 0:40:52 | 0:40:54 | |
# Years and years | 0:40:54 | 0:40:57 | |
# I know this love will last years and years. # | 0:40:57 | 0:41:02 | |
CHEERING AND APPLAUSE | 0:41:02 | 0:41:07 | |
Olly Murs! Mursy! | 0:41:11 | 0:41:14 | |
-Amazing. Come on! Let's have this! -Thank you. | 0:41:17 | 0:41:20 | |
What about that, ladies and gentlemen? | 0:41:20 | 0:41:22 | |
-What a legend Olly Murs is. -Thank you very much. | 0:41:22 | 0:41:24 | |
CHEERING | 0:41:24 | 0:41:26 | |
SOMEONE SNEEZES | 0:41:30 | 0:41:31 | |
LAUGHTER | 0:41:31 | 0:41:33 | |
What happened? What...? What happened? What...? | 0:41:33 | 0:41:36 | |
Why are you laughing? What happened? Was it a sneeze or something? | 0:41:36 | 0:41:40 | |
Somebody sneezed? | 0:41:40 | 0:41:41 | |
"Achoo!" Sneezing's weird. | 0:41:41 | 0:41:43 | |
You know what the weirdest bodily function is in my opinion? | 0:41:43 | 0:41:46 | |
It's yawning. Yawning. I want you to take a moment, | 0:41:46 | 0:41:48 | |
I want you to take a moment just to think about how weird yawning is. | 0:41:48 | 0:41:50 | |
Think about it, cos it doesn't do anything for you. | 0:41:50 | 0:41:53 | |
When you're tired, you yawn, but do you get a boost? | 0:41:53 | 0:41:55 | |
It's not like you have a... It's not like an espresso. | 0:41:55 | 0:41:58 | |
Think about... Just think... Cos we're so busy being human, | 0:41:58 | 0:42:00 | |
you don't stop to think how weird it is that, every once in a while, | 0:42:00 | 0:42:04 | |
your face, for no apparent reason, goes like this... | 0:42:04 | 0:42:07 | |
"Aaaahhh. | 0:42:07 | 0:42:08 | |
"Aaaaaaahhhhhh." | 0:42:09 | 0:42:11 | |
And, if you try to suppress it, you look even weirder. | 0:42:11 | 0:42:14 | |
"Hnghn... | 0:42:14 | 0:42:16 | |
"Hgngnnnrrr..." | 0:42:17 | 0:42:19 | |
And how weird is this? It's contagious! How weird is that?! | 0:42:20 | 0:42:24 | |
What is that even about? | 0:42:25 | 0:42:26 | |
How can it be contagious that one person does this - | 0:42:26 | 0:42:28 | |
"Aaahhh" - | 0:42:28 | 0:42:29 | |
and another person just goes, "Aaahhh," back to them? | 0:42:29 | 0:42:33 | |
Right. Earlier tonight, champion swimmer Rebecca Adlington | 0:42:36 | 0:42:39 | |
agreed to hand over her phone and I sent a text message to her contacts. | 0:42:39 | 0:42:44 | |
The message, of course, was... | 0:42:44 | 0:42:46 | |
"Big kiss, little kiss." | 0:42:58 | 0:43:00 | |
So let's see how everyone in your phone has responded to this. | 0:43:01 | 0:43:06 | |
Ooh, "Emma Flange"? Is that a real person? | 0:43:06 | 0:43:08 | |
She goes, "Shut up??" | 0:43:12 | 0:43:14 | |
Then new line, "Shut up??" | 0:43:14 | 0:43:16 | |
Then another line, "Shut up?? | 0:43:16 | 0:43:20 | |
"This is amazing news," on another line. | 0:43:20 | 0:43:22 | |
Then, on another line, "What the hell!!!! | 0:43:22 | 0:43:25 | |
"Oh, I'm so excited right now. 100% yes. Oh, my God!" | 0:43:25 | 0:43:29 | |
John Inverdale. Oh, he's not really playing. | 0:43:31 | 0:43:34 | |
"Was that meant for me?" | 0:43:34 | 0:43:35 | |
REBECCA LAUGHS | 0:43:35 | 0:43:37 | |
I'm just going to text him back, actually. "Yes, John... | 0:43:37 | 0:43:40 | |
"..I came to you first. | 0:43:42 | 0:43:43 | |
"I need an answer by tonight." | 0:43:47 | 0:43:48 | |
We'll send that out and see how that plays out. | 0:43:51 | 0:43:54 | |
OK, that's Inverdale. | 0:43:54 | 0:43:55 | |
Tim Kellaway. Who's that? Tim Kellaway? | 0:43:55 | 0:43:58 | |
-Yeah, a family friend. -Family friend? | 0:43:58 | 0:44:01 | |
"I wouldn't bother, you're already loaded anyway." | 0:44:01 | 0:44:04 | |
Ooh! Mark Foster! He's gone with, "You'll sink and need a lifeguard. | 0:44:08 | 0:44:14 | |
"I'll come and supervise, Baywatch-style." There you go. | 0:44:14 | 0:44:17 | |
Ah! Sir Chris Hoy?! That's very exciting. | 0:44:22 | 0:44:25 | |
Oh, Chris Hoyas got an excellent sense of humour. | 0:44:25 | 0:44:28 | |
He's started it with, "I ain't saying he's a gold digger..." | 0:44:28 | 0:44:32 | |
Pretty good. | 0:44:34 | 0:44:36 | |
CHEERING AND WHISTLING | 0:44:36 | 0:44:38 | |
Yeah, but then he's onto it, you see? | 0:44:40 | 0:44:44 | |
"I'm guessing that's you, Michael M. Say hi..." | 0:44:44 | 0:44:47 | |
AUDIENCE GROANS | 0:44:47 | 0:44:48 | |
"Say hi to Becky." | 0:44:48 | 0:44:50 | |
On your bike! | 0:44:50 | 0:44:51 | |
Ooh! Dean Cain? | 0:44:54 | 0:44:56 | |
Sorry, Superman has texted you? | 0:44:56 | 0:44:57 | |
OK, he's texted, "Live-in? | 0:45:00 | 0:45:03 | |
"And you wear your medals? | 0:45:03 | 0:45:05 | |
"Oh, that sounds like some kinky stuff. | 0:45:05 | 0:45:08 | |
"Take the money and run." | 0:45:12 | 0:45:14 | |
OK, who did I text? Oh, no, Inverdale. | 0:45:17 | 0:45:19 | |
Oh, he hasn't got back. | 0:45:19 | 0:45:21 | |
Don't leave me hanging, Invo. | 0:45:21 | 0:45:23 | |
Got to text him again! | 0:45:24 | 0:45:26 | |
The bubbles have come up - he's thinking! | 0:45:26 | 0:45:29 | |
The bubbles. The bubbles! I've got bubbles! | 0:45:29 | 0:45:32 | |
But sometimes people do bubbles and then you wait | 0:45:32 | 0:45:34 | |
and then they decide not to text. | 0:45:34 | 0:45:35 | |
You're like, "What happened? Why did you bail out?!" | 0:45:35 | 0:45:38 | |
Come on, Invo. Oh, he's bailed out of the bubbles! | 0:45:38 | 0:45:42 | |
AUDIENCE GROANS | 0:45:42 | 0:45:44 | |
I saw your bubbles, I know you were thinking. | 0:45:44 | 0:45:46 | |
I saw your thinking bubbles. | 0:45:51 | 0:45:53 | |
I know you're there. | 0:45:54 | 0:45:56 | |
Oh, no, he's just come in. | 0:45:58 | 0:45:59 | |
"I would insist on all the sessions being in Mansfield. | 0:45:59 | 0:46:03 | |
"Good for the local economy!" | 0:46:03 | 0:46:05 | |
LAUGHTER AND APPLAUSE | 0:46:05 | 0:46:08 | |
Oh, that was brilliant. Ladies and gentlemen, | 0:46:08 | 0:46:10 | |
please give a huge hand for the wonderful Rebecca Adlington! | 0:46:10 | 0:46:13 | |
Fabulous! Fabulous! | 0:46:13 | 0:46:16 | |
Oh... | 0:46:20 | 0:46:21 | |
Ladies and gentlemen, earlier tonight, | 0:46:22 | 0:46:24 | |
we gave Verity the biggest surprise of her life | 0:46:24 | 0:46:27 | |
when she became our Unexpected Star of the show. | 0:46:27 | 0:46:30 | |
She was next door, serving drinks at our fake art exhibition. | 0:46:30 | 0:46:34 | |
And now the time has nearly come for her to perform for us. | 0:46:34 | 0:46:38 | |
CHEERING | 0:46:38 | 0:46:40 | |
Let's have a little look at how the last hour has unfolded for Verity. | 0:46:40 | 0:46:47 | |
MUSIC: Dog Days Are Over by Florence + The Machine | 0:46:47 | 0:46:49 | |
So I thought I was working in an art gallery this evening, | 0:46:49 | 0:46:51 | |
and when he asked me to turn the picture around, | 0:46:51 | 0:46:54 | |
I didn't want to touch it because it had "£19,000" on the picture, | 0:46:54 | 0:46:57 | |
and then I couldn't get it straight. | 0:46:57 | 0:46:58 | |
Yeah, I wasn't happy about doing that! | 0:46:58 | 0:47:00 | |
SHE LAUGHS | 0:47:00 | 0:47:01 | |
The walls collapsed, and suddenly there's Michael McIntyre | 0:47:01 | 0:47:04 | |
and a huge audience in front of me. | 0:47:04 | 0:47:05 | |
Apparently, I'm the Unexpected Guest on the Michael McIntyre show. | 0:47:05 | 0:47:09 | |
I'm feeling all kinds of crazy. This is nuts. | 0:47:09 | 0:47:11 | |
We've got a little amount of time, so we're going to get you backstage, | 0:47:14 | 0:47:17 | |
meet the whole team, and rehearse. | 0:47:17 | 0:47:19 | |
Oh, God! I can't believe it's happening. | 0:47:19 | 0:47:22 | |
What's going on? | 0:47:22 | 0:47:23 | |
'Yeah, love the song, it's fantastic, and the band are amazing, | 0:47:23 | 0:47:26 | |
'and the dancers... Oh!' | 0:47:26 | 0:47:28 | |
I can't wait! | 0:47:28 | 0:47:29 | |
Nothing in my life is ever going to live up to this moment. | 0:47:34 | 0:47:37 | |
CHEERING AND APPLAUSE | 0:47:38 | 0:47:41 | |
OK, ladies and gentlemen, the time has come. | 0:47:41 | 0:47:45 | |
Please give all your love for our Unexpected Star of tonight's show. | 0:47:45 | 0:47:50 | |
It's Verity! | 0:47:50 | 0:47:52 | |
CHEERING AND APPLAUSE | 0:47:52 | 0:47:54 | |
MUSIC: Son Of A Preacher Man | 0:48:00 | 0:48:04 | |
# Billy Ray was a preacher's son | 0:48:11 | 0:48:13 | |
# And when his daddy would visit he'd come along | 0:48:13 | 0:48:16 | |
# When they gathered round and started talkin' | 0:48:16 | 0:48:18 | |
# That's when Billy would take me walkin' | 0:48:18 | 0:48:21 | |
# Through the back yard we'd go walkin' | 0:48:21 | 0:48:24 | |
# Then he'd look into my eyes | 0:48:24 | 0:48:26 | |
# Lord knows, to my surprise | 0:48:26 | 0:48:29 | |
# The only one who could ever reach me | 0:48:29 | 0:48:31 | |
# Was the son of a preacher man | 0:48:31 | 0:48:34 | |
# The only boy who could ever teach me | 0:48:34 | 0:48:37 | |
# Was the son of a preacher man | 0:48:37 | 0:48:39 | |
# Yes, he was, he was | 0:48:39 | 0:48:42 | |
# Ooh, yes, he was | 0:48:42 | 0:48:45 | |
# Bein' good isn't always easy | 0:48:50 | 0:48:52 | |
# No matter how hard I try | 0:48:52 | 0:48:55 | |
# When he started sweet-talkin' to me | 0:48:55 | 0:48:58 | |
# He'd come and tell me, "Everything is all right" | 0:48:58 | 0:49:00 | |
# He'd kiss and tell me, "Everything is all right" | 0:49:00 | 0:49:03 | |
# Can I get away again tonight? | 0:49:03 | 0:49:05 | |
# The only one who could ever reach me | 0:49:05 | 0:49:08 | |
# Was the son of a preacher man | 0:49:08 | 0:49:10 | |
# The only boy who could ever teach me | 0:49:10 | 0:49:13 | |
# Was the son of a preacher man | 0:49:13 | 0:49:15 | |
# Yes, he was, he was | 0:49:15 | 0:49:18 | |
# Oh, yes, he was Oh, yes, he was | 0:49:18 | 0:49:24 | |
# How well I remember | 0:49:24 | 0:49:26 | |
# The look that was in his eyes | 0:49:26 | 0:49:29 | |
# Stealin' kisses from me on the sly | 0:49:29 | 0:49:32 | |
# Takin' time to make time | 0:49:32 | 0:49:34 | |
# Tellin' me that he's all mine | 0:49:34 | 0:49:36 | |
# Learnin' from each other's knowin' | 0:49:36 | 0:49:39 | |
# Lookin' to see how much we've grown and | 0:49:39 | 0:49:42 | |
# The only one who could ever reach me | 0:49:42 | 0:49:44 | |
# Was the son of a preacher man | 0:49:44 | 0:49:47 | |
# The only boy who could ever teach me | 0:49:47 | 0:49:50 | |
# Was the son of a preacher man | 0:49:50 | 0:49:52 | |
# Yes, he was, he was | 0:49:52 | 0:49:55 | |
# Oh, yes! # | 0:49:57 | 0:50:04 | |
CHEERING AND APPLAUSE | 0:50:04 | 0:50:10 | |
Yay! | 0:50:10 | 0:50:12 | |
It's Verity, ladies and gentlemen! | 0:50:14 | 0:50:16 | |
CHEERING AND APPLAUSE | 0:50:16 | 0:50:18 | |
That was amazing. You belted that out! Go on, darlin'! | 0:50:18 | 0:50:23 | |
You gave it some! | 0:50:23 | 0:50:25 | |
That was amazing. How did that feel? | 0:50:25 | 0:50:26 | |
Oh, I feel AMAZING! Crazy. | 0:50:26 | 0:50:27 | |
-You've got a very powerful voice, Verity. -Oh, thank you. | 0:50:27 | 0:50:30 | |
That was amazing. Wasn't that amazing, ladies and gentlemen? | 0:50:30 | 0:50:33 | |
-CHEERING AND APPLAUSE -Thank you so much. | 0:50:33 | 0:50:35 | |
-That was incredible. -Aw, look at your hubby-to-be, so proud. -I know. | 0:50:36 | 0:50:40 | |
And your parents. You should be very proud. Absolutely sensational. | 0:50:40 | 0:50:44 | |
Thank you for coming. How have you enjoyed the whole experience? | 0:50:44 | 0:50:46 | |
Oh, it's just been the best day of my life, ever! | 0:50:46 | 0:50:49 | |
-Oh, you've handled so well. You're amazing. -Thanks, thank you. | 0:50:49 | 0:50:52 | |
That's what it's all about. | 0:50:52 | 0:50:54 | |
Ladies and gentlemen, our Unexpected Star of the show. | 0:50:54 | 0:50:57 | |
It's Verity! Yay! | 0:50:57 | 0:50:58 | |
CHEERING AND APPLAUSE | 0:50:58 | 0:51:00 | |
MUSIC: Son Of A Preacher Man | 0:51:00 | 0:51:04 | |
Ladies and gentlemen, thank you so much to my guests tonight. | 0:51:06 | 0:51:10 | |
The play is out with an all-time timeless classic, | 0:51:10 | 0:51:14 | |
it's Rick Astley! | 0:51:14 | 0:51:16 | |
CHEERING AND APPLAUSE | 0:51:16 | 0:51:19 | |
# We're no strangers to love | 0:51:23 | 0:51:27 | |
-# You know the rules and... -AUDIENCE: -..so do I... # | 0:51:27 | 0:51:31 | |
Come on, then! | 0:51:34 | 0:51:36 | |
# We're no strangers to love | 0:51:50 | 0:51:53 | |
-# You know the rules and... -AUDIENCE: -..so do I | 0:51:54 | 0:51:58 | |
# A full commitment's what I'm thinking of | 0:51:58 | 0:52:02 | |
# You wouldn't get this from any other guy | 0:52:02 | 0:52:06 | |
# I just wanna tell you how I'm feeling | 0:52:06 | 0:52:10 | |
# Gotta make you understand | 0:52:12 | 0:52:14 | |
# Never gonna give you up | 0:52:14 | 0:52:16 | |
# Never gonna let you down | 0:52:16 | 0:52:19 | |
# Never gonna run around and desert you | 0:52:19 | 0:52:23 | |
# Never gonna make you cry | 0:52:23 | 0:52:25 | |
# Never gonna say goodbye | 0:52:25 | 0:52:27 | |
# Never gonna tell a lie and hurt you | 0:52:27 | 0:52:32 | |
# We've known each other for so long | 0:52:32 | 0:52:35 | |
# Your heart's been aching but you're too shy to say it | 0:52:36 | 0:52:40 | |
# Inside we both know what's been going on | 0:52:40 | 0:52:45 | |
# We know the game and we're gonna play it | 0:52:45 | 0:52:49 | |
# And if you ask me how I'm feeling | 0:52:49 | 0:52:53 | |
# Don't tell me you're too blind to see | 0:52:53 | 0:52:57 | |
# Never gonna give you up | 0:52:57 | 0:52:59 | |
# Never gonna let you down | 0:52:59 | 0:53:01 | |
# Never gonna run around and desert you | 0:53:01 | 0:53:05 | |
# Never gonna make you cry | 0:53:05 | 0:53:07 | |
# Never gonna say goodbye | 0:53:07 | 0:53:10 | |
# Never gonna tell a lie and hurt you | 0:53:10 | 0:53:13 | |
# Never gonna give you up | 0:53:13 | 0:53:16 | |
# Never gonna let you down | 0:53:16 | 0:53:18 | |
# Never gonna run around and desert you | 0:53:18 | 0:53:22 | |
# Never gonna make you cry | 0:53:22 | 0:53:24 | |
# Never gonna say goodbye | 0:53:24 | 0:53:27 | |
# Never gonna tell a lie and hurt you... # | 0:53:27 | 0:53:30 | |
Sing them "oohs". | 0:53:30 | 0:53:31 | |
-# Ooh, give you up -Yeah! | 0:53:31 | 0:53:36 | |
# Ooh, give you up | 0:53:36 | 0:53:39 | |
# Never gonna give, never gonna give | 0:53:40 | 0:53:42 | |
-# Give you up -No, no | 0:53:42 | 0:53:44 | |
# Never gonna give, never gonna give | 0:53:44 | 0:53:46 | |
# Give you up | 0:53:46 | 0:53:47 | |
# We've known each other since 1987 | 0:53:48 | 0:53:53 | |
# Your heart's been aching but you're too shy to say it | 0:53:53 | 0:53:57 | |
# Inside we both know what's been going on | 0:53:57 | 0:54:01 | |
# We know the game and we're gonna play it | 0:54:01 | 0:54:06 | |
# And if you ask me how I'm feeling | 0:54:06 | 0:54:09 | |
# Don't tell me you're too blind to see | 0:54:10 | 0:54:13 | |
# Never gonna give you up | 0:54:13 | 0:54:15 | |
# Never gonna let you down | 0:54:15 | 0:54:17 | |
# Never gonna run around and desert you | 0:54:17 | 0:54:21 | |
# Never gonna make you cry | 0:54:21 | 0:54:24 | |
# Never gonna say goodbye | 0:54:24 | 0:54:26 | |
# Never gonna tell a lie and hurt you | 0:54:26 | 0:54:30 | |
# No, never gonna give you up | 0:54:30 | 0:54:32 | |
# I'm never gonna let you down | 0:54:32 | 0:54:35 | |
# Never gonna run around and desert you. # | 0:54:35 | 0:54:39 | |
CHEERING AND APPLAUSE | 0:54:39 | 0:54:42 | |
If you know somebody you'd like to nominate | 0:54:42 | 0:54:44 | |
to be an Unexpected Star of the show for the next series... | 0:54:44 | 0:54:47 | |
..or in fact want to nominate someone for ANY surprise... | 0:54:50 | 0:54:53 | |
-AUDIENCE: -Aww! | 0:54:53 | 0:54:54 | |
This is the most embarrassing thing! | 0:54:54 | 0:54:56 | |
..please go to... | 0:54:56 | 0:54:58 | |
..for all the details. | 0:55:00 | 0:55:02 |