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Tonight on my Big Show... | 0:00:11 | 0:00:13 | |
..Ed Balls hands over his mobile phone to play Send To All. | 0:00:13 | 0:00:18 | |
There's music from Emeli Sande, | 0:00:18 | 0:00:20 | |
and hilarious comedy from Joe Lycett. | 0:00:20 | 0:00:23 | |
Introducing the Midnight Gameshow, | 0:00:23 | 0:00:26 | |
and, who will be tonight's Unexpected Star of the show? | 0:00:26 | 0:00:31 | |
Ladies and gentlemen, it's the Big Show! | 0:00:33 | 0:00:38 | |
Please welcome your host, Michael McIntyre. | 0:00:38 | 0:00:42 | |
CHEERING | 0:00:42 | 0:00:45 | |
Yay! | 0:00:56 | 0:00:57 | |
Hello! Hi! | 0:01:01 | 0:01:03 | |
Good evening, ladies and gentlemen. Hiya! | 0:01:03 | 0:01:06 | |
Good evening! And welcome to a brand-new series of my Big Show! | 0:01:08 | 0:01:13 | |
CHEERING | 0:01:13 | 0:01:15 | |
Yay! | 0:01:17 | 0:01:18 | |
So, over the next six weeks we will, of course, have big stars, | 0:01:18 | 0:01:23 | |
big laughs, | 0:01:23 | 0:01:25 | |
and big surprises! | 0:01:25 | 0:01:27 | |
Send To All is back! | 0:01:29 | 0:01:31 | |
We will also have the Unexpected Star of the show returning! | 0:01:34 | 0:01:38 | |
CHEERING | 0:01:38 | 0:01:40 | |
If that wasn't enough, | 0:01:40 | 0:01:42 | |
I'll be introducing also to you the Midnight Gameshow! | 0:01:42 | 0:01:46 | |
AUDIENCE: Oooh! | 0:01:46 | 0:01:48 | |
So, how did you get here tonight? | 0:01:50 | 0:01:51 | |
Who came by public transport? Public transport, people? | 0:01:51 | 0:01:54 | |
CHEERING | 0:01:54 | 0:01:55 | |
Oh, very good. Drivers? Drivers in the house? | 0:01:55 | 0:01:59 | |
CHEERING | 0:01:59 | 0:02:00 | |
I think British people are the best drivers in the world. | 0:02:00 | 0:02:03 | |
Yes, give yourselves a round of applause. | 0:02:03 | 0:02:06 | |
We can adjust to the different strengths of rain | 0:02:08 | 0:02:11 | |
with our windscreen wipers like nobody else on Earth. | 0:02:11 | 0:02:15 | |
There's one, that's the first level. One. | 0:02:15 | 0:02:18 | |
Sort of like a quite constant, not too fast, that's the first. | 0:02:18 | 0:02:21 | |
Little bit of light, light rain. | 0:02:21 | 0:02:23 | |
Let's go for one. Then you can go up to two. | 0:02:23 | 0:02:25 | |
Two is a little bit faster, it's not the maximum, you make the decision, | 0:02:25 | 0:02:28 | |
you're like, it's got a little bit stronger, | 0:02:28 | 0:02:30 | |
and I've decided to go to two. | 0:02:30 | 0:02:32 | |
Then the maximum, huge rain. | 0:02:32 | 0:02:33 | |
You can't even believe the rain. | 0:02:33 | 0:02:34 | |
I'm going all the way, I'm going all the way. | 0:02:34 | 0:02:37 | |
You can't even believe how hard they are working! | 0:02:37 | 0:02:39 | |
Everywhere but there, just that little bit at the bottom, | 0:02:39 | 0:02:42 | |
they can't reach that, | 0:02:42 | 0:02:43 | |
the frustrating little triangle at the bottom. | 0:02:43 | 0:02:45 | |
Work away. It's really raining, guys. | 0:02:45 | 0:02:48 | |
But our favourite speed, | 0:02:48 | 0:02:49 | |
and I think I speak for all of us when I say this, | 0:02:49 | 0:02:51 | |
I believe to be the intermittent setting. | 0:02:51 | 0:02:54 | |
There's something so fun about waiting as the rain builds on your | 0:02:54 | 0:02:58 | |
windscreen, not knowing whether you have made the right decision. | 0:02:58 | 0:03:01 | |
Should I go to one? Should I go to one? | 0:03:01 | 0:03:04 | |
It's blurring, it's smudging, I'm losing vision. | 0:03:04 | 0:03:08 | |
It's raining heavier. I'm going to hold on... Should I hold on? | 0:03:08 | 0:03:11 | |
I'm going to hold on! | 0:03:11 | 0:03:12 | |
Clear. | 0:03:12 | 0:03:13 | |
Oh! The thrill! | 0:03:13 | 0:03:15 | |
And the rebuild begins. | 0:03:15 | 0:03:17 | |
But our favourite button in the car, | 0:03:20 | 0:03:22 | |
and again I'll speak for all of us when I say this, | 0:03:22 | 0:03:24 | |
is the hazard warning light. | 0:03:24 | 0:03:25 | |
There's something very exciting about that little red triangle | 0:03:25 | 0:03:29 | |
in the corner, when you push it, when you become a hazard. | 0:03:29 | 0:03:31 | |
You think, "I'm a hazard!" You feel quite excited. | 0:03:31 | 0:03:33 | |
"I must warn everybody that I'm a hazard now. | 0:03:33 | 0:03:36 | |
"I've broken down." It starts flashing in the car, | 0:03:36 | 0:03:39 | |
and then everything's working, all the indicators. | 0:03:39 | 0:03:41 | |
"We're a hazard! Yes, I've done the right thing. | 0:03:41 | 0:03:44 | |
"I've done the right thing." | 0:03:44 | 0:03:45 | |
But we've interpreted the hazard in other times in our life. | 0:03:45 | 0:03:48 | |
A fun one is on the motorway when you hit traffic. | 0:03:48 | 0:03:50 | |
You're all going 80mph, then suddenly there's traffic, | 0:03:50 | 0:03:52 | |
you have to slow down. | 0:03:52 | 0:03:54 | |
"That was dangerous. I went from high-speed to nothing!" | 0:03:54 | 0:03:56 | |
But your thought is no longer with yourself. | 0:03:56 | 0:03:59 | |
Your thought is with everybody behind you. | 0:03:59 | 0:04:01 | |
"I must warn them! I must warn them of the danger that lies ahead! | 0:04:01 | 0:04:04 | |
"And I will use my hazard warning. | 0:04:04 | 0:04:06 | |
"Can you see me? Can you see that you must slow down?" | 0:04:06 | 0:04:09 | |
You're looking in your rear-view mirror... | 0:04:09 | 0:04:11 | |
"Have you clocked me yet, my friend?" | 0:04:11 | 0:04:13 | |
It's a lovely moment, they're like, "I see you! | 0:04:13 | 0:04:16 | |
"I shall warn the one behind. I'm warning!" | 0:04:16 | 0:04:18 | |
You even feel quite excited when you see it in the distance... | 0:04:19 | 0:04:22 | |
"Oh! We're working as a team! | 0:04:22 | 0:04:24 | |
"I'm coming, I'm coming!" | 0:04:24 | 0:04:25 | |
Also to thank people, that's a big thank you, isn't it? | 0:04:31 | 0:04:34 | |
That's the biggest thank you. | 0:04:34 | 0:04:35 | |
Sometimes you acknowledge them with your hand, | 0:04:35 | 0:04:37 | |
you flash if they're in front of you to thank them. | 0:04:37 | 0:04:40 | |
Letting people in in traffic is a big part. | 0:04:40 | 0:04:42 | |
Once you've decided to stop your life to let somebody in, | 0:04:42 | 0:04:44 | |
you see them edging, they're edging, and you're like, "Shall I?" | 0:04:44 | 0:04:47 | |
You contemplate it. "Shall I? | 0:04:47 | 0:04:49 | |
"Yes, I will, to allow the free flow of traffic, | 0:04:49 | 0:04:51 | |
"I will stop my life. Yes, you. You should come in. | 0:04:51 | 0:04:54 | |
"You can go first. | 0:04:54 | 0:04:56 | |
"Go on, off you go. Yes, I'm a very generous person. | 0:04:56 | 0:04:58 | |
"Only one! Only one!" | 0:04:58 | 0:05:01 | |
There's always some sneaky... | 0:05:02 | 0:05:04 | |
There's a sneaky one, that goes, "Oh, I might tag in." | 0:05:04 | 0:05:07 | |
"No, no, no, whoa! No tagging in, my friend. | 0:05:07 | 0:05:10 | |
"I am generous to the tune of one vehicle." | 0:05:10 | 0:05:13 | |
And they go, and you wait to be thanked. | 0:05:13 | 0:05:16 | |
You're burning a hole in their head. | 0:05:16 | 0:05:18 | |
"I stopped my life for this, I'm expecting some form of gratitude." | 0:05:18 | 0:05:22 | |
Sometimes it never comes. "I can't believe that! | 0:05:22 | 0:05:25 | |
"I regret my decision. I should never have let that rude person in." | 0:05:25 | 0:05:29 | |
Sometimes you try to overtake them, just to look at them, | 0:05:29 | 0:05:32 | |
"What is wrong with you?! | 0:05:32 | 0:05:34 | |
"Rude person!" | 0:05:34 | 0:05:36 | |
But the hazard thank you is the biggest thank you, | 0:05:36 | 0:05:39 | |
when someone lets you in. | 0:05:39 | 0:05:40 | |
You come in, they let you in, | 0:05:40 | 0:05:42 | |
and you can feel them burning a hole in your head, waiting for gratitude. | 0:05:42 | 0:05:46 | |
You're like, "You think I'm not grateful! | 0:05:46 | 0:05:49 | |
"You think I'm not grateful! | 0:05:49 | 0:05:50 | |
"But I am grateful! | 0:05:50 | 0:05:52 | |
"Just a little delay as I located the red triangle!" | 0:05:52 | 0:05:57 | |
You can't get more grateful than the hazard thank you. | 0:06:00 | 0:06:03 | |
Ladies and gentlemen, | 0:06:05 | 0:06:07 | |
it is time to play Send To All! | 0:06:07 | 0:06:10 | |
Yes, this is where I take a celebrity's mobile telephone | 0:06:14 | 0:06:17 | |
and send a text of our choosing to all the contacts in it | 0:06:17 | 0:06:20 | |
and we see what hilarious replies they get | 0:06:20 | 0:06:23 | |
towards the end of the show. | 0:06:23 | 0:06:25 | |
So, let's find out who is in our Send To All box this week. | 0:06:25 | 0:06:31 | |
Ladies and gentlemen, we have a gentleman from the political realm. | 0:06:31 | 0:06:36 | |
A gentleman that has been associated with politics, | 0:06:36 | 0:06:40 | |
but now he has moved into the show business stratosphere. | 0:06:40 | 0:06:45 | |
# Oppan Gangnam style... # | 0:06:46 | 0:06:48 | |
Ladies and gentlemen, please welcome, it's Ed Balls, Ballsy! | 0:06:50 | 0:06:54 | |
Yay! | 0:06:56 | 0:06:58 | |
Ed Balls is here! | 0:06:58 | 0:06:59 | |
Yay! How are you Ed Balls Ballsy? | 0:07:02 | 0:07:05 | |
Where's your wife? Where's Yvette? | 0:07:05 | 0:07:07 | |
Yvette is down at the conference in Brighton this weekend, so... | 0:07:07 | 0:07:10 | |
-Oh, the Labour Party conference? -Yes. -What's that like? | 0:07:10 | 0:07:13 | |
Personally, I'm very pleased to be here at the Michael McIntyre show. | 0:07:13 | 0:07:16 | |
Yay! | 0:07:16 | 0:07:17 | |
Me too! Me too! | 0:07:17 | 0:07:20 | |
Now, your life has changed so much, now you're cool, | 0:07:20 | 0:07:23 | |
because people in politics aren't so cool, you are cool. | 0:07:23 | 0:07:26 | |
I heard that you went to Glastonbury this year, is that right? | 0:07:26 | 0:07:29 | |
-I did, I did. -Well, that's the epitome of cool. | 0:07:29 | 0:07:32 | |
-How was it? -I actually really enjoyed it. | 0:07:32 | 0:07:34 | |
I saw the Jackson...Four, and they were really good. | 0:07:34 | 0:07:38 | |
The Jackson Four?! | 0:07:42 | 0:07:43 | |
Well... | 0:07:43 | 0:07:45 | |
I've got a lot of recorded stuff to catch up on, I haven't heard. | 0:07:45 | 0:07:48 | |
And you're a big fan of football as well? | 0:07:48 | 0:07:50 | |
-Yes. -Norwich, still affiliated? -Norwich City, yeah. | 0:07:50 | 0:07:52 | |
Championship football club, great history. | 0:07:52 | 0:07:54 | |
And Delia, of course, is the chairman. | 0:07:54 | 0:07:57 | |
-No, I'm the chairman. -You're the chairman of the club? | 0:07:57 | 0:07:59 | |
-I am the chairman of the football club. -You go to every game? | 0:07:59 | 0:08:02 | |
Every single game, home and away. I've supported it all my life. | 0:08:02 | 0:08:05 | |
I was born there, so it's a dream come true. | 0:08:05 | 0:08:07 | |
Ah! Thank you so, so much for being here. | 0:08:07 | 0:08:09 | |
I haven't asked you who you're with? | 0:08:09 | 0:08:12 | |
I am with Balshan, who's a very old friend of mine, | 0:08:12 | 0:08:14 | |
we've worked together for years, and her husband Joe, | 0:08:14 | 0:08:17 | |
-and big fans of yours, as of course I am. -That is a very good tactic. | 0:08:17 | 0:08:21 | |
So, if you would like to place your mobile telephone | 0:08:23 | 0:08:26 | |
into our little cushion there. | 0:08:26 | 0:08:28 | |
And of course, there's no prizes for guessing | 0:08:28 | 0:08:31 | |
what music we may have selected. | 0:08:31 | 0:08:33 | |
In fact, audience, we might as well have a mass Gangnam Style. | 0:08:33 | 0:08:37 | |
Ed, could you just teach us briefly the fundamentals of Gangnam style? | 0:08:37 | 0:08:41 | |
-So, first of all... -Yes, up you get. | 0:08:41 | 0:08:44 | |
Right, so the hands are slightly separated. Oh, and then up? | 0:08:45 | 0:08:48 | |
CHEERING | 0:08:48 | 0:08:51 | |
Off he goes. Wow! | 0:08:51 | 0:08:54 | |
OK. Everybody on their feet, why not? Let's do this. | 0:08:56 | 0:08:59 | |
If we're going to do it, do it properly. All right. | 0:08:59 | 0:09:02 | |
All right, here we go. | 0:09:04 | 0:09:05 | |
MUSIC: Gangnam Style by PSY | 0:09:05 | 0:09:09 | |
# Gangnam Style | 0:09:09 | 0:09:11 | |
# Gangnam Style | 0:09:13 | 0:09:14 | |
# He-e-e-e-y | 0:09:14 | 0:09:16 | |
# Sexy lady... # | 0:09:16 | 0:09:18 | |
MUSIC STOPS | 0:09:21 | 0:09:22 | |
CHEERING | 0:09:22 | 0:09:24 | |
All right, ladies and gentlemen, I am now in possession of Ed Balls's | 0:09:27 | 0:09:30 | |
mobile telephone. It is in my possession and I will treat it | 0:09:30 | 0:09:33 | |
with the respect that the man deserves. | 0:09:33 | 0:09:38 | |
There it is. | 0:09:38 | 0:09:41 | |
This is good. Reuters, the Guardian, the FT. A good range. The Economist. | 0:09:43 | 0:09:47 | |
-Good. -Very good. NatWest bank. | 0:09:47 | 0:09:50 | |
I won't go into your bank right now. | 0:09:50 | 0:09:52 | |
Ocado, quite middle-class, shop on-the-fly. | 0:09:52 | 0:09:56 | |
Oh, yes. There is a delivery. It's coming. | 0:09:56 | 0:10:00 | |
You've got some savings there. | 0:10:00 | 0:10:02 | |
Very good. More than you offered us when you were Shadow Chancellor. | 0:10:02 | 0:10:05 | |
Charlie Bingham, chicken korma. Fine green beans. | 0:10:09 | 0:10:13 | |
Yummy, yummy, yummy, Eddie. | 0:10:13 | 0:10:15 | |
Two salmon skinless mid tail fillets. Don't mind if I do! | 0:10:17 | 0:10:22 | |
That's the way. Cooking for one. | 0:10:22 | 0:10:24 | |
I'll save the other one, freeze it for tomorrow, yeah? | 0:10:24 | 0:10:27 | |
-You're a cook, aren't you? I can tell. -Yeah, | 0:10:29 | 0:10:32 | |
-and I do the Ocado shopping every week. -Well, how brave. | 0:10:32 | 0:10:36 | |
That's the most middle-class sentence I've ever heard. | 0:10:38 | 0:10:41 | |
"I'm absolutely exhausted. I do the Ocado shop online every week." | 0:10:41 | 0:10:46 | |
Do you mind, Ed, if I have a little look at your photos? | 0:10:46 | 0:10:50 | |
Cos that's always a bit of fun. | 0:10:50 | 0:10:51 | |
-AUDIENCE: -Whoo! | 0:10:51 | 0:10:54 | |
OK, all right. There's a lot of eating going on here. | 0:10:54 | 0:10:57 | |
A little bit of barbecuing. | 0:10:57 | 0:10:58 | |
Oh, OK. Has your shirt split open? | 0:10:58 | 0:11:02 | |
-Yeah, I should have edited these photos, really. -Yeah, that's... | 0:11:02 | 0:11:07 | |
I was on It Takes Two, and they said that you shouldn't wear a jacket. | 0:11:07 | 0:11:11 | |
You should come in leisurewear. I've never worn smart casual before. | 0:11:11 | 0:11:14 | |
I bought the shirt, which in retrospect was a mistake, | 0:11:14 | 0:11:17 | |
because it turned out to be what's called tailored fit, | 0:11:17 | 0:11:20 | |
which was totally bursting. I looked absolutely terrible and then | 0:11:20 | 0:11:24 | |
the wardrobe person ran on with a pair of scissors and cut my shirt | 0:11:24 | 0:11:27 | |
all the way up the back, and relaxed my front, which from behind | 0:11:27 | 0:11:30 | |
was quite exposed. | 0:11:30 | 0:11:33 | |
Most people call it "too small" but you've opted for "tailored fit". | 0:11:33 | 0:11:39 | |
OK, well, I think... Whoa! OK. | 0:11:40 | 0:11:43 | |
That is a... In fact, that is... | 0:11:45 | 0:11:49 | |
..I... I... | 0:11:53 | 0:11:58 | |
The audience are having so much fun | 0:11:58 | 0:12:00 | |
-I might just sit on this for a while. -On that one, you've got | 0:12:00 | 0:12:03 | |
-to zone in a bit. Can you do that... -Sure, I wouldn't mind that at all. | 0:12:03 | 0:12:06 | |
I think that's exactly what the viewers want. | 0:12:06 | 0:12:08 | |
In fact, I forgot we can zoom in. | 0:12:08 | 0:12:10 | |
-I'm going to go back to the other one. -No, no, no. | 0:12:10 | 0:12:13 | |
Come on. We might as well have some fun. | 0:12:13 | 0:12:15 | |
No, no, I'm kidding. You told me to zoom in. | 0:12:18 | 0:12:20 | |
No, no, I had a spray tan but I only had the top half. | 0:12:20 | 0:12:26 | |
-Oh, right, yes. -And that is the line. | 0:12:26 | 0:12:28 | |
That is good. And those tracksuit bottoms are.. | 0:12:28 | 0:12:32 | |
..shall we say... | 0:12:32 | 0:12:34 | |
..shall we say, "tailored fit"? | 0:12:34 | 0:12:37 | |
All right, well, thank you so much, Ed. | 0:12:42 | 0:12:45 | |
Please don't panic. | 0:12:45 | 0:12:47 | |
So the text I'm going to send in Ed Balls's phone is as follows. | 0:12:47 | 0:12:52 | |
"Just had new | 0:12:52 | 0:12:55 | |
"hot tub delivered. | 0:12:55 | 0:12:58 | |
"Yvette's at the party conference..." | 0:12:59 | 0:13:02 | |
LAUGHTER No, no, no, don't go there. | 0:13:02 | 0:13:05 | |
It's not there. Trust me, you'll like it. | 0:13:05 | 0:13:08 | |
"So I'm having | 0:13:08 | 0:13:12 | |
"a party | 0:13:12 | 0:13:15 | |
"of my own. | 0:13:15 | 0:13:18 | |
"Anton du Beke | 0:13:18 | 0:13:22 | |
"is here. | 0:13:22 | 0:13:23 | |
"Delia is doing canapes. | 0:13:25 | 0:13:29 | |
"And Stormzy is coming." | 0:13:33 | 0:13:35 | |
In brackets - this is fun, you'll like this. | 0:13:39 | 0:13:42 | |
"Met him at Glasto!" | 0:13:42 | 0:13:44 | |
"Top guy." | 0:13:48 | 0:13:50 | |
"Grab your swimsuit and get down here... | 0:13:55 | 0:13:59 | |
"..Gangnam style." | 0:13:59 | 0:14:01 | |
Hold on, I've spelt Stormzy wrong. Stormzy's coming, yeah? | 0:14:08 | 0:14:11 | |
-All right. How would you sign a text? -I think I would say... | 0:14:11 | 0:14:15 | |
"Best, Ed." | 0:14:15 | 0:14:18 | |
That's not a code? | 0:14:18 | 0:14:19 | |
You haven't said, "If I ever text you | 0:14:19 | 0:14:22 | |
" 'Best, Ed,' send in MI5"? | 0:14:22 | 0:14:27 | |
"Just had a new hot tub delivered. Yvette's at the party conference | 0:14:30 | 0:14:33 | |
"so I'm having a party of my own. Anton do Beck is here. | 0:14:33 | 0:14:35 | |
"Delia is doing canapes and Stormzy's coming. | 0:14:35 | 0:14:38 | |
"Met him at Glasto. Top guy. | 0:14:38 | 0:14:39 | |
"Grab your swimsuit and get down here, Gangnam style. Best, Ed." | 0:14:39 | 0:14:45 | |
That has... | 0:14:45 | 0:14:48 | |
It's party time at Ballsy's house! | 0:14:51 | 0:14:54 | |
Woohoo! | 0:14:54 | 0:14:57 | |
And, of course, we'll be finding out what hilarious replies Ed gets later | 0:14:57 | 0:15:03 | |
in the show. Ed Balls, Ballsy! | 0:15:03 | 0:15:05 | |
OK, thank you, thank you. | 0:15:07 | 0:15:09 | |
I am now absolutely delighted to introduce an incredibly phenomenally | 0:15:13 | 0:15:17 | |
talented singer and the winner indeed of this year's Brit Award | 0:15:17 | 0:15:21 | |
for the Best Female Solo Artist. | 0:15:21 | 0:15:25 | |
-AUDIENCE: -Whoo! | 0:15:25 | 0:15:27 | |
It is of course the wonderful Emeli Sande. | 0:15:27 | 0:15:30 | |
# Yeah-eah-eah | 0:15:44 | 0:15:48 | |
# Mm-hm-hm | 0:15:48 | 0:15:50 | |
# You are my starlight | 0:15:50 | 0:15:52 | |
# Your shine can brighten up the darkest night | 0:15:52 | 0:15:56 | |
# I'll follow you until the daylight | 0:15:56 | 0:16:00 | |
# Cos when you're close I know it's all right | 0:16:00 | 0:16:03 | |
# All right, all right, all right | 0:16:03 | 0:16:06 | |
# See, baby, you got it | 0:16:06 | 0:16:09 | |
# I got it, I got it, I got it, we got it | 0:16:09 | 0:16:13 | |
# No, baby, no, baby, no, baby, don't stop it | 0:16:13 | 0:16:17 | |
# We're taking off and the higher we go | 0:16:17 | 0:16:21 | |
# The harder I fall | 0:16:21 | 0:16:22 | |
# In love, in love | 0:16:22 | 0:16:24 | |
# I feel like I just found the one, the one | 0:16:24 | 0:16:28 | |
# Baby, now look what you done, you done | 0:16:28 | 0:16:32 | |
# You've lit up my life with your love, your love | 0:16:32 | 0:16:36 | |
# Your lo-o-o-o-ve | 0:16:36 | 0:16:38 | |
# Your lo-o-o-o-ve | 0:16:38 | 0:16:40 | |
# Your lo-o-o-o-ve | 0:16:40 | 0:16:42 | |
# I'm in love | 0:16:42 | 0:16:44 | |
# I'm in love | 0:16:44 | 0:16:46 | |
# You are my sunshine | 0:16:46 | 0:16:48 | |
# Broke through the clouds and now I kissed the sky | 0:16:48 | 0:16:53 | |
# Feels like I'm dreaming with open eyes | 0:16:53 | 0:16:56 | |
# Long as I'm with you I know I'm all right, all right, all right | 0:16:56 | 0:17:01 | |
# See, baby, you got it | 0:17:01 | 0:17:04 | |
# And I got it, I got it, I got it, we got it | 0:17:04 | 0:17:08 | |
# So no, baby, no, baby, no, baby, don't stop it | 0:17:08 | 0:17:12 | |
# We're taking off and the higher we go | 0:17:12 | 0:17:16 | |
# The harder I fall in love, in love | 0:17:16 | 0:17:20 | |
# I feel like I just found the one, the one | 0:17:20 | 0:17:24 | |
# Baby, now look what you done, you done | 0:17:24 | 0:17:28 | |
# You've lit up my life with your love, your love | 0:17:28 | 0:17:32 | |
# Your lo-o-o-o-ve | 0:17:32 | 0:17:34 | |
# Your lo-o-o-o-ve | 0:17:34 | 0:17:36 | |
# Your lo-o-o-o-ve | 0:17:36 | 0:17:38 | |
# I'm in love | 0:17:38 | 0:17:40 | |
# I'm in love | 0:17:40 | 0:17:42 | |
# You are my starlight | 0:17:42 | 0:17:44 | |
# Starlight, starlight | 0:17:44 | 0:17:46 | |
# Starlight | 0:17:46 | 0:17:48 | |
# Starlight, starlight | 0:17:48 | 0:17:50 | |
# Starlight | 0:17:50 | 0:17:52 | |
# Starlight, starlight | 0:17:52 | 0:17:54 | |
# Starlight, starlight | 0:17:54 | 0:17:57 | |
# In love, in love | 0:17:57 | 0:18:00 | |
# I feel like I just found the one, the one | 0:18:00 | 0:18:04 | |
# Baby, now look what you done, you done | 0:18:04 | 0:18:08 | |
# You've lit up my life with your love, your love | 0:18:08 | 0:18:12 | |
# Your lo-o-o-o-ve | 0:18:12 | 0:18:14 | |
# Your lo-o-o-o-ve | 0:18:14 | 0:18:16 | |
# Your lo-o-o-o-ve | 0:18:16 | 0:18:18 | |
# I'm in love | 0:18:18 | 0:18:19 | |
# I'm in love. # | 0:18:19 | 0:18:23 | |
CHEERING | 0:18:23 | 0:18:24 | |
Whoo! You're feeling it now! | 0:18:32 | 0:18:34 | |
That was amazing. That was so clubby. | 0:18:34 | 0:18:37 | |
Thank you so much for being on here. You're an absolute sensation. | 0:18:37 | 0:18:40 | |
-One more time for the fantastic, fabulous... What a voice! -Thank you. | 0:18:40 | 0:18:44 | |
What a voice! Emeli Sande! | 0:18:44 | 0:18:47 | |
Ballsy, were you up there, mate? | 0:18:51 | 0:18:54 | |
You can't just Gangnam, man. You've got to throw in some new moves. | 0:18:54 | 0:18:58 | |
Oh, he's up. Yeah! | 0:18:58 | 0:19:00 | |
CHEERING | 0:19:00 | 0:19:02 | |
If you're more comfortable, I can cut the back of your shirt. | 0:19:04 | 0:19:07 | |
Now, ladies and gentlemen, it is time to find out who is going to be | 0:19:09 | 0:19:12 | |
tonight's Unexpected Star of the show. | 0:19:12 | 0:19:16 | |
So let's meet tonight's Unexpected Star of this show. | 0:19:19 | 0:19:23 | |
So there she is. | 0:19:23 | 0:19:25 | |
It's Stella. She's a cattery owner from Dorset. | 0:19:25 | 0:19:28 | |
Stella is coming to our secret location, | 0:19:28 | 0:19:31 | |
which is adjacent to the theatre. | 0:19:31 | 0:19:32 | |
She thinks she's coming here with her daughter Shakira, to a cat cafe. | 0:19:32 | 0:19:38 | |
It's basically a cafe full of cats. | 0:19:38 | 0:19:41 | |
Let me show you what the room looked like earlier today. | 0:19:41 | 0:19:43 | |
This is actually right next to the theatre | 0:19:43 | 0:19:46 | |
and this is what it looks like now. | 0:19:46 | 0:19:47 | |
Cat's Show Business. | 0:19:47 | 0:19:49 | |
Everybody else in that cafe are actors, including the cats. | 0:19:51 | 0:19:56 | |
Everybody is in on this except for Stella, | 0:19:56 | 0:19:59 | |
because the real reason that Stella is here is because it's always been | 0:19:59 | 0:20:02 | |
her dream to perform on a West End stage, | 0:20:02 | 0:20:05 | |
but instead she devoted her life to motherhood and cats. | 0:20:05 | 0:20:09 | |
Unfortunately, not the musical! | 0:20:09 | 0:20:12 | |
I'm going to now go live to next door. | 0:20:12 | 0:20:15 | |
This is our cat cafe. | 0:20:15 | 0:20:17 | |
Now, there is Stella. She's there with her daughter Shakira. | 0:20:17 | 0:20:20 | |
So let me tell you all that's going happen. | 0:20:20 | 0:20:23 | |
So there's some photographs on the wall in the cafe, in the cat cafe, | 0:20:23 | 0:20:26 | |
where people have dressed up as cats, | 0:20:26 | 0:20:29 | |
with accessories and props and stuff, | 0:20:29 | 0:20:31 | |
so she's going to be asked to be taken around to this photo booth. | 0:20:31 | 0:20:35 | |
Now, this photo booth is actually going to be on this stage, | 0:20:35 | 0:20:39 | |
so she's going to be taken round | 0:20:39 | 0:20:41 | |
through a corridor where the props are, | 0:20:41 | 0:20:43 | |
come into a photo booth. She's going to sit down. In front of her | 0:20:43 | 0:20:47 | |
will be the camera and it's going to go, "Three, two, one." | 0:20:47 | 0:20:52 | |
She will obviously then be, I presume, smiling and then the wall | 0:20:52 | 0:20:56 | |
in front of her will collapse | 0:20:56 | 0:20:58 | |
and she will be here with us on this stage. Are you up for that? | 0:20:58 | 0:21:03 | |
CHEERING | 0:21:03 | 0:21:07 | |
I'm going to go into the audience and meet her family. We have Stuart and Heather, her mum and dad. | 0:21:07 | 0:21:11 | |
You down here? Ladies and gentlemen, Stella's parents. | 0:21:11 | 0:21:15 | |
Where are you? | 0:21:15 | 0:21:17 | |
Stuart, Heather. | 0:21:17 | 0:21:19 | |
-Hello, Stuart. Welcome. -Oh, thank you very much. | 0:21:19 | 0:21:22 | |
-So that is Stella there. -Yes. -In her cat cafe. | 0:21:22 | 0:21:24 | |
-Yes. -So she loves cats? | 0:21:24 | 0:21:26 | |
Oh, she loves cats. She's always liked animals, yes. | 0:21:26 | 0:21:28 | |
And why does she think here tonight? | 0:21:28 | 0:21:31 | |
She's on a lovely relaxing weekend with her daughter. | 0:21:31 | 0:21:35 | |
All right. Well, it's about to get a little bit more intense, | 0:21:35 | 0:21:38 | |
-this relaxing weekend. -I think so, yes. | 0:21:38 | 0:21:40 | |
Tell me about Stella and her singing. | 0:21:40 | 0:21:42 | |
Well, she's always been interested in music and she's been singing from | 0:21:42 | 0:21:45 | |
the earliest days, you know, from when she was very, very tiny. | 0:21:45 | 0:21:48 | |
Would she have performed for an audience like this ever? | 0:21:48 | 0:21:50 | |
Nothing of this scale, certainly not, no. | 0:21:50 | 0:21:52 | |
And how do you think she'll react to tonight's surprise? | 0:21:52 | 0:21:55 | |
I really haven't got a clue. | 0:21:55 | 0:21:58 | |
Thank you so, so much, Stuart, for nominating her. | 0:21:58 | 0:22:00 | |
Let's hope it's worked out. Ladies and gentlemen, | 0:22:00 | 0:22:02 | |
thank you very much to Stuart and Heather. It's Stella's parents. | 0:22:02 | 0:22:06 | |
So, what's going to happen now is we are going to have a little bit | 0:22:12 | 0:22:16 | |
of fun in that room and we'll see how much fun we can have, | 0:22:16 | 0:22:19 | |
so that she doesn't twig or, indeed, we don't let the cat out of the bag! | 0:22:19 | 0:22:26 | |
Two people in there have earpieces hidden and I can actually | 0:22:26 | 0:22:30 | |
communicate with them from this stage. | 0:22:30 | 0:22:32 | |
Sean - who is just clearing up that table - Sean, if you can hear me, | 0:22:32 | 0:22:36 | |
can you sniff your armpit and then say, meow? | 0:22:36 | 0:22:40 | |
Meow. | 0:22:42 | 0:22:43 | |
Look at Stella! Ooh! | 0:22:46 | 0:22:48 | |
If she's disturbed by that, wait till you see what we've got lined up! | 0:22:52 | 0:22:57 | |
OK, now, that's Jilly, that's lovely lady there. | 0:22:57 | 0:22:59 | |
Jilly, if you can hear me, | 0:22:59 | 0:23:00 | |
can you pick up that saucer of milk in front of you, | 0:23:00 | 0:23:03 | |
and lap it up like a cat? | 0:23:03 | 0:23:05 | |
SHE SLURPS | 0:23:06 | 0:23:08 | |
That's better. | 0:23:14 | 0:23:16 | |
OK, Sean. In your own time, can I ask you to tell the room about | 0:23:19 | 0:23:22 | |
your new vegetarian gourmet cat food? | 0:23:22 | 0:23:25 | |
And go around the room, asking them if anybody wants to try it. | 0:23:25 | 0:23:29 | |
Ladies and gentlemen, it obviously isn't a real cat food. | 0:23:29 | 0:23:32 | |
Just to let you know, we've launched a new vegetarian gourmet cat food, | 0:23:32 | 0:23:37 | |
so I'm just going to offer you a few samples as I go round the room. | 0:23:37 | 0:23:41 | |
By all means, help yourself. | 0:23:41 | 0:23:42 | |
It's great. It really is really good. | 0:23:44 | 0:23:46 | |
-It's all right. -Are you sure? | 0:23:46 | 0:23:48 | |
-Any takers? -Oh, yes. | 0:23:50 | 0:23:52 | |
-Say, "Yes, please." -Yes, please. -"I'd love some." -I'd love some. | 0:23:52 | 0:23:56 | |
Massive bite of that. Take a massive bite. | 0:23:56 | 0:23:59 | |
-Oh. Yum, yum. -Yum, yum! | 0:24:01 | 0:24:03 | |
-Say, "I love cat food." -I love cat food. | 0:24:03 | 0:24:06 | |
Thank you. | 0:24:06 | 0:24:08 | |
-Ask her how many cats has she got. -How many cats have you got at home? | 0:24:08 | 0:24:11 | |
-Jilly, say, "I've got seven cats." -I've got seven cats. | 0:24:11 | 0:24:14 | |
I love my cats but sometimes I've just got to get away from them. | 0:24:14 | 0:24:17 | |
I love my cats, but sometimes I've got to get away from them. | 0:24:17 | 0:24:20 | |
They've been arguing with each other over Brexit. | 0:24:20 | 0:24:23 | |
They've been arguing with each other over Brexit. | 0:24:23 | 0:24:27 | |
-Three are remain. -Three are remain. -Three are leave. -Three are leave. | 0:24:29 | 0:24:33 | |
-And one is on the fence. -And one's on the fence. | 0:24:33 | 0:24:36 | |
OK, now offer it to Stella's daughter Shakira. | 0:24:41 | 0:24:44 | |
-Oh, that's lovely. -Would you like to try some as well? | 0:24:44 | 0:24:46 | |
That's the best cat food I've ever tasted. | 0:24:46 | 0:24:48 | |
Best cat food I've ever tasted. | 0:24:48 | 0:24:51 | |
Now offer it to Stella. | 0:24:51 | 0:24:53 | |
-And for you, would you like to try some? -No, I'm fine, thank you. | 0:24:53 | 0:24:56 | |
-Are you sure? -Yeah, yeah. | 0:24:56 | 0:24:59 | |
-It's really good. -Say, "It's purr-fect!" | 0:24:59 | 0:25:02 | |
It's purr-fect. | 0:25:02 | 0:25:04 | |
She's going to go for it. She's going for it, she's going for it. | 0:25:04 | 0:25:07 | |
She's going for it. Oh, my God, | 0:25:07 | 0:25:08 | |
she's going to eat the cat food on television. | 0:25:08 | 0:25:11 | |
This is... Oh, my God!, she's just eaten the cat food! | 0:25:11 | 0:25:14 | |
She actually likes it. She likes the cat food! Oh, my God! | 0:25:16 | 0:25:20 | |
OK. | 0:25:20 | 0:25:23 | |
OK, all the actors, just carry on completely as normal now. | 0:25:23 | 0:25:26 | |
Just relax. So here is the fake room that Stella will be arriving in and | 0:25:26 | 0:25:30 | |
within it is our photo booth | 0:25:30 | 0:25:32 | |
so I am going to go round and have a look at it. OK, wait there, | 0:25:32 | 0:25:36 | |
I'm going to go and have a look at it and show you around. | 0:25:36 | 0:25:39 | |
You'll see it up on that screen. I'm going round. | 0:25:39 | 0:25:41 | |
All right. So here we go. Can you see me? | 0:25:41 | 0:25:44 | |
CHEERING | 0:25:44 | 0:25:46 | |
So here is... | 0:25:46 | 0:25:48 | |
..here's the photo booth. | 0:25:48 | 0:25:50 | |
Ah, right. It's called Kitty Cam. | 0:25:50 | 0:25:53 | |
You see, here is the camera, so hopefully, the plan is, | 0:25:53 | 0:25:57 | |
she'll be left in here and then three, two, one and then... | 0:25:57 | 0:26:01 | |
She will have no idea she is sitting in the middle of this theatre with | 0:26:01 | 0:26:06 | |
all of us. All right, let's do this. | 0:26:06 | 0:26:08 | |
OK, I think we're ready to bring her out. | 0:26:18 | 0:26:22 | |
-I'm going to come back for that. -OK. | 0:26:25 | 0:26:27 | |
Ladies, do you want to come with me? I'll take you around to Kitty Cam. | 0:26:27 | 0:26:30 | |
See you guys in a second. | 0:26:30 | 0:26:31 | |
Lock the door for the cat's safety. | 0:26:31 | 0:26:35 | |
They're on their way, they're on their way. | 0:26:35 | 0:26:37 | |
Completely quiet. | 0:26:37 | 0:26:40 | |
OK, we've got some props ready. | 0:26:40 | 0:26:44 | |
Grab yourself something. Get yourself a little hat on. | 0:26:44 | 0:26:48 | |
Dress her up. Fantastic. | 0:26:48 | 0:26:51 | |
Yeah, go for that. Perfect. You're ready. Come, follow me, Stella. | 0:26:51 | 0:26:54 | |
This way. | 0:26:54 | 0:26:55 | |
This is Kitty Cam. | 0:26:58 | 0:27:00 | |
Come on in. Just grab a seat there. | 0:27:00 | 0:27:04 | |
-OK, this is the camera here. So look into the camera. -Yeah. | 0:27:04 | 0:27:07 | |
Follow the instructions. Get the poses ready. | 0:27:07 | 0:27:10 | |
-I'll be back for you. Ready? -Yeah. -Off you go. | 0:27:10 | 0:27:14 | |
Welcome to Kitty Kam. Strike a pose. | 0:27:15 | 0:27:20 | |
Your perfect photo in three, two, one. | 0:27:20 | 0:27:25 | |
CHEERING AND APPLAUSE | 0:27:27 | 0:27:29 | |
Ladies and gentlemen... | 0:27:39 | 0:27:41 | |
..it's Stella! | 0:27:41 | 0:27:44 | |
How are you feeling, Stella? | 0:27:54 | 0:27:55 | |
I'm going to kill my daughter! | 0:27:57 | 0:27:59 | |
Well, there's plenty of people over here you might also want to kill. | 0:27:59 | 0:28:03 | |
There's the hit list. | 0:28:03 | 0:28:05 | |
It's your dad, your mum and your friends over there and, of course, | 0:28:05 | 0:28:10 | |
our audience, who have been watching and waiting for you next door. | 0:28:10 | 0:28:15 | |
Ladies and gentlemen, please welcome to the stage | 0:28:15 | 0:28:18 | |
our Unexpected Star of tonight's show, it's Stella! | 0:28:18 | 0:28:22 | |
CHEERING | 0:28:22 | 0:28:25 | |
Oh, golly. | 0:28:25 | 0:28:28 | |
I think you can see up there, this is your little cat cafe, | 0:28:28 | 0:28:32 | |
they're they are, Stella. | 0:28:32 | 0:28:34 | |
Oh, and Jilly's even still eating the cat food. | 0:28:34 | 0:28:37 | |
-She genuinely loves it. -I ate the cat food as well. | 0:28:37 | 0:28:40 | |
-Sorry, what was that? -I ate the cat food as well. -You what? | 0:28:40 | 0:28:43 | |
You ate the cat food? I can assure you, Stella, that WILL be on TV. | 0:28:43 | 0:28:46 | |
-Oh, my God! -Of course, that wasn't real cat food! | 0:28:46 | 0:28:50 | |
It was dog food! | 0:28:50 | 0:28:52 | |
So, Stella, how you feeling right now? | 0:28:55 | 0:28:58 | |
I'm a bit surreal. | 0:28:58 | 0:29:00 | |
-It feels very surreal. -It is very surreal. | 0:29:00 | 0:29:02 | |
-You know the show, you've seen this show? -I have. -Yeah. | 0:29:02 | 0:29:06 | |
-And now you're on it. -I know! | 0:29:06 | 0:29:09 | |
So you didn't suspect - look at those people up there. | 0:29:09 | 0:29:12 | |
As well as cats, which I know that you love, | 0:29:12 | 0:29:15 | |
what else do like doing, Stella? | 0:29:15 | 0:29:17 | |
-I like singing. -You enjoy singing. | 0:29:17 | 0:29:19 | |
-Yes. -Well, as you've seen the show, | 0:29:19 | 0:29:21 | |
you will be the star of this show. | 0:29:21 | 0:29:24 | |
You'll be closing this show tonight, if you are up for it. | 0:29:24 | 0:29:27 | |
Of course, we have 2,000 incredibly supportive people, | 0:29:27 | 0:29:32 | |
do we not? CHEERING | 0:29:32 | 0:29:34 | |
If you need more energy, I've got a little snack to keep you going. | 0:29:36 | 0:29:41 | |
That's for you, Stella. | 0:29:43 | 0:29:45 | |
Will you be our Unexpected Star of tonight's show? | 0:29:45 | 0:29:50 | |
-Yes. -She's up for it! | 0:29:50 | 0:29:53 | |
Ladies and gentlemen, | 0:29:53 | 0:29:55 | |
how very exciting. You were absolutely wonderful. | 0:29:55 | 0:29:57 | |
You were brilliant. Thank you so much. It's Stella, | 0:29:57 | 0:30:00 | |
our Unexpected Star of the show. | 0:30:00 | 0:30:02 | |
Thank you, Stella. | 0:30:02 | 0:30:03 | |
Oh, yes! | 0:30:06 | 0:30:07 | |
Now, ladies and gentlemen, it is time to play the Midnight Gameshow. | 0:30:09 | 0:30:14 | |
This is no ordinary gameshow, ladies and gentlemen. | 0:30:19 | 0:30:22 | |
The contestants in the Midnight Gameshow had no idea | 0:30:22 | 0:30:24 | |
they would be taking part. | 0:30:24 | 0:30:26 | |
They went to sleep safe and sound, tucked up in their beds, | 0:30:26 | 0:30:29 | |
only to be woken up in the dead of night by me and the camera crew | 0:30:29 | 0:30:34 | |
to answer a series of questions | 0:30:34 | 0:30:36 | |
while semiconscious in the Midnight Gameshow. | 0:30:36 | 0:30:40 | |
Yes, ladies and gentlemen, | 0:30:40 | 0:30:41 | |
this is the only gameshow where if you snooze... | 0:30:41 | 0:30:45 | |
-AUDIENCE: -You lose! | 0:30:45 | 0:30:47 | |
Tonight's contestant is Dean Buckmaster. | 0:30:47 | 0:30:51 | |
That's already funny, let's be honest! | 0:30:51 | 0:30:54 | |
Dean Buckmaster is a 42-year-old plumber and he was set up | 0:30:54 | 0:30:59 | |
by his wife Zoe - and Dean and Zoe are here. Where are you, Deano? | 0:30:59 | 0:31:04 | |
Hi! Yay! | 0:31:04 | 0:31:06 | |
Hi, Dean. Hi, Zoe. Dean and Zoe, everyone. Dean and Zoe. | 0:31:06 | 0:31:13 | |
So, what happened here is you were set up by Zoe. | 0:31:13 | 0:31:17 | |
-Yeah. -Right? So, Zoe, you basically gave us the keys to your home... | 0:31:17 | 0:31:22 | |
-Yeah. -..to break in in the night. Why would you do such a thing? | 0:31:22 | 0:31:26 | |
-Why did you set up Dean? -He's so laid-back and he's got | 0:31:26 | 0:31:29 | |
a really great sense of humour and I thought it would be really funny. | 0:31:29 | 0:31:32 | |
OK. And I understand also that the room wasn't quite big enough for our | 0:31:32 | 0:31:36 | |
cameras or something and you removed furniture in preparation, | 0:31:36 | 0:31:40 | |
-and did Dean notice? -No. | 0:31:40 | 0:31:42 | |
Dean, what do you remember of that night before the event? | 0:31:44 | 0:31:49 | |
Well, I thought it strange, her straightening her hair before bed. | 0:31:49 | 0:31:52 | |
Right. And I should just say, before we watch this as well, | 0:31:52 | 0:31:56 | |
that you have the creakiest staircase in the world, | 0:31:56 | 0:32:00 | |
which did not make this easy for us. | 0:32:00 | 0:32:03 | |
Ladies and gentlemen, let's enjoy Dean's Midnight Gameshow. | 0:32:03 | 0:32:08 | |
STAIRS CREAK | 0:32:38 | 0:32:39 | |
LAUGHTER | 0:32:42 | 0:32:44 | |
CREAKING CONTINUES | 0:32:58 | 0:33:02 | |
Dean! | 0:33:13 | 0:33:15 | |
Welcome to the Midnight Gameshow! | 0:33:18 | 0:33:23 | |
What is this? | 0:33:23 | 0:33:26 | |
Dean, I have to say, the bedside clock is ticking, | 0:33:26 | 0:33:30 | |
so we need to crack on as quickly as we can. | 0:33:30 | 0:33:33 | |
Hi, Zoe. You have Zoe to thank for this. | 0:33:33 | 0:33:36 | |
OK, so, Dean, let's kick you off with, | 0:33:36 | 0:33:40 | |
please can you name three fairground attractions? | 0:33:40 | 0:33:44 | |
-Question number one. -Roller coaster. | 0:33:44 | 0:33:47 | |
Very good. Cracking, well done, Dean. | 0:33:47 | 0:33:50 | |
We're off with the roller coaster. We need two more, Deano. | 0:33:50 | 0:33:52 | |
-Bumper cars. -Brilliant. | 0:33:52 | 0:33:54 | |
One more. | 0:33:54 | 0:33:56 | |
Bumper cars, roller coaster. | 0:33:57 | 0:34:01 | |
-The waltzer. -Correct. | 0:34:01 | 0:34:04 | |
Well done, Deano. | 0:34:04 | 0:34:05 | |
Now, from the Abba musical Mamma Mia, Deano, | 0:34:05 | 0:34:11 | |
please can you complete this lyric. | 0:34:11 | 0:34:14 | |
# You can dance | 0:34:14 | 0:34:17 | |
# You can jive | 0:34:17 | 0:34:18 | |
# Having the time of your life | 0:34:18 | 0:34:22 | |
# Ooh-oooh | 0:34:22 | 0:34:23 | |
# See that girl | 0:34:23 | 0:34:25 | |
# Watch that scene | 0:34:25 | 0:34:26 | |
# Diggin' the... | 0:34:26 | 0:34:28 | |
# Dancing queen. # | 0:34:28 | 0:34:29 | |
Brilliant! Well done. | 0:34:29 | 0:34:32 | |
Congratulations. OK, can I now ask you who is this? | 0:34:32 | 0:34:39 | |
That's Laa-Laa. | 0:34:46 | 0:34:48 | |
Correct answer. | 0:34:48 | 0:34:49 | |
Can I ask you now, | 0:34:52 | 0:34:54 | |
how would Laa-Laa say hello? | 0:34:54 | 0:34:58 | |
-Eh-oh! -You are absolutely on fire. You got them all right. | 0:34:58 | 0:35:03 | |
Thank you, Laa-Laa. Thank you. | 0:35:03 | 0:35:06 | |
Bye-bye! | 0:35:06 | 0:35:08 | |
Now, if I could welcome Bill. | 0:35:11 | 0:35:14 | |
Bill Oddie. | 0:35:14 | 0:35:15 | |
Hi, Bill. Bill of course can impersonate birds and Bill's | 0:35:19 | 0:35:24 | |
going to give you an example of that. | 0:35:24 | 0:35:26 | |
BILL WHISTLES | 0:35:26 | 0:35:29 | |
Which bird is that? | 0:35:32 | 0:35:33 | |
-Curlew. -Of course it is. | 0:35:33 | 0:35:36 | |
-Everybody knows that. -It's very late. | 0:35:36 | 0:35:38 | |
Now, I'm just going to give you a few birds and all Bill has to do | 0:35:38 | 0:35:42 | |
here is just identify them, so let's kick off with the top one. | 0:35:42 | 0:35:46 | |
HE CLUCKS | 0:35:46 | 0:35:49 | |
That's very good. Assuming it is a chicken. | 0:35:50 | 0:35:53 | |
It is a chicken. Congratulations. Let's move on. | 0:35:53 | 0:35:56 | |
-"My toe hurts, Betty. My toe hurts, Betty." -"My toe hurts, Betty". | 0:35:58 | 0:36:03 | |
This is a bird? | 0:36:03 | 0:36:05 | |
HE COOS That's very good. | 0:36:05 | 0:36:08 | |
-Oh, that's a dove. A dove pigeon? -Yes, congratulations. | 0:36:08 | 0:36:12 | |
We're nearly there. And we'll end on... | 0:36:12 | 0:36:15 | |
-HE MIMICS CLOCK TICKING -Cuckoo! | 0:36:15 | 0:36:18 | |
LAUGHTER | 0:36:18 | 0:36:20 | |
Cuckoo clock. I've answered it. | 0:36:20 | 0:36:23 | |
Stop the bedside clock and goodnight! | 0:36:23 | 0:36:26 | |
What time is it? | 0:36:42 | 0:36:43 | |
-Did it surprise you? -Flippin' did it? | 0:36:43 | 0:36:46 | |
I've got all hot and sweaty. | 0:36:46 | 0:36:49 | |
I can't believe you said, "My toe hurts! My toe hurts!" | 0:36:56 | 0:36:59 | |
-Oh, dear. -I don't even know the time. | 0:37:03 | 0:37:06 | |
Someone's nicked my phone. | 0:37:06 | 0:37:08 | |
LAUGHTER AND APPLAUSE | 0:37:10 | 0:37:12 | |
It's 3.09. I thought it was time to get up. | 0:37:13 | 0:37:18 | |
So what went through your mind at that moment? | 0:37:26 | 0:37:29 | |
I thought, one, "Who are all these people?" | 0:37:29 | 0:37:32 | |
And then you popped in, I thought, "Oh, I recognise you." | 0:37:32 | 0:37:35 | |
"My toe hurts, Betty." | 0:37:35 | 0:37:37 | |
-We need to talk about that. -It's the sound that a pigeon makes if you | 0:37:37 | 0:37:40 | |
listen closely, listen closely. | 0:37:40 | 0:37:43 | |
Bill Oddie was unaware of it. | 0:37:43 | 0:37:47 | |
Well, congratulations. I can reveal to you, Dean, | 0:37:47 | 0:37:51 | |
that you got every question right. What about that?! | 0:37:51 | 0:37:56 | |
Which means that you do win | 0:37:56 | 0:37:59 | |
our iconic golden Midnight Gameshow | 0:37:59 | 0:38:04 | |
Do Not Disturb sign, ladies and gentlemen. Treasure this. | 0:38:04 | 0:38:07 | |
-I will. -You're one of the few people to own such a thing and, of course, | 0:38:07 | 0:38:11 | |
I've got Laa-Laa here for you | 0:38:11 | 0:38:14 | |
to remember the occasion and I have also a cuckoo clock | 0:38:14 | 0:38:18 | |
with Bill Oddie's face on it. There you go. | 0:38:18 | 0:38:22 | |
Ladies and gentlemen, star of our Midnight Gameshow tonight, | 0:38:22 | 0:38:26 | |
it's Dean! And thank you to Zoe, too. Thank you, guys. Amazing! | 0:38:26 | 0:38:30 | |
Well done, Deano. | 0:38:30 | 0:38:32 | |
Up next, ladies and gentlemen is a phenomenally brilliant and hilarious | 0:38:36 | 0:38:39 | |
comedian. Please welcome the fantastic Mr Joe Lycett! | 0:38:39 | 0:38:43 | |
CHEERING AND APPLAUSE | 0:38:43 | 0:38:46 | |
Oh, lovely! | 0:38:48 | 0:38:50 | |
Hello. Hi, everyone. What a lovely introduction. | 0:38:50 | 0:38:55 | |
I'm from Birmingham. Anyone from Birmingham in? | 0:38:55 | 0:38:58 | |
-WHOOPING -Hello. I don't have the accent, cos I was born better. | 0:38:58 | 0:39:01 | |
Yes, I live with my mum and dad in quite a posh area of Birmingham. | 0:39:03 | 0:39:06 | |
We have a Waitrose. | 0:39:06 | 0:39:08 | |
You get the idea. I was outside the Waitrose the other day. | 0:39:08 | 0:39:10 | |
I saw a squirrel eating a croissant. | 0:39:10 | 0:39:14 | |
It's a bit much for me. We've got an Aldi now, as well. | 0:39:14 | 0:39:17 | |
That's caused upset in the local area, but I love it, | 0:39:17 | 0:39:19 | |
cos I like a place where you can buy a pint of milk and a wheelbarrow wheel in the same shop. | 0:39:19 | 0:39:24 | |
But I'm moving out. I've just bought a house - not in London, | 0:39:25 | 0:39:28 | |
cos I'm not a Russian oligarch, I've bought one in Birmingham. | 0:39:28 | 0:39:31 | |
People in London, they don't understand what it's like to live in Birmingham. Friends of mine | 0:39:31 | 0:39:35 | |
in London say, "What's it's like living in Birmingham?" | 0:39:35 | 0:39:37 | |
"Oh, the poverty. You wouldn't believe. I have to walk five miles | 0:39:37 | 0:39:40 | |
"to the nearest vegan restaurant. It's unbelievable." | 0:39:40 | 0:39:44 | |
These friends of mine, they've just bought a house in London in Lewisham. | 0:39:44 | 0:39:47 | |
If you don't know London, it's sort of quite south. | 0:39:47 | 0:39:49 | |
I like Lewisham, but it's not Central London. | 0:39:49 | 0:39:51 | |
£640,000 for a two-bed house they paid. | 0:39:51 | 0:39:54 | |
They were like, "Joe, move to London." | 0:39:54 | 0:39:56 | |
I said, "Let me just say what I'd get in Birmingham for £640,000." | 0:39:56 | 0:39:59 | |
Put it into Rightmove. The first thing that came up was a church! | 0:39:59 | 0:40:04 | |
For the same amount of money, you bought a two-bed. | 0:40:04 | 0:40:06 | |
So I bought a four-bed in an up-and-coming area of Birmingham, | 0:40:06 | 0:40:09 | |
whether it will up or come, I'm not sure. | 0:40:09 | 0:40:11 | |
£280,000. So a lot cheaper but it needs a lot of work doing to it. | 0:40:11 | 0:40:14 | |
It's a dump, basically, and my dad has taken over as project manager | 0:40:14 | 0:40:17 | |
and he's become an absolute cliche of a father. | 0:40:17 | 0:40:20 | |
Like, he'll go up to things like this, | 0:40:20 | 0:40:22 | |
he'll go up to just anything in the house and I see him go... | 0:40:22 | 0:40:26 | |
"Yeah." Won't tell me what's happened! | 0:40:26 | 0:40:28 | |
What were you doing? I don't understand. | 0:40:29 | 0:40:32 | |
There's an official reason why he's the project manager, | 0:40:32 | 0:40:34 | |
which is that I'm too busy. I'm too busy to do the works myself, | 0:40:34 | 0:40:37 | |
coordinate the works. The real reason is, I can't speak to tradesmen. Look at my nails. | 0:40:37 | 0:40:42 | |
I tried to speak to the electrician over WhatsApp. | 0:40:42 | 0:40:44 | |
He doesn't like an emoji. | 0:40:44 | 0:40:47 | |
So, yes, I was interested about the buying a house thing in London, | 0:40:47 | 0:40:51 | |
cos a friend of mine was trying to buy here. | 0:40:51 | 0:40:53 | |
He found somewhere on Gumtree. He was looking on Gumtree. | 0:40:53 | 0:40:55 | |
Did a bit of e-mailing back and forth with this girl on Gumtree, | 0:40:55 | 0:40:59 | |
realised pretty quickly that this was a scam so he sent all the e-mails he'd done already over to me | 0:40:59 | 0:41:03 | |
and just put in the subject line, "Do your absolute worst." | 0:41:03 | 0:41:07 | |
So the girl who was trying to advertise this property, | 0:41:07 | 0:41:10 | |
her name was Gemma, so I just started a fresh e-mail. I wrote, | 0:41:10 | 0:41:12 | |
"Hello, Gemma. I'm contacting you regarding the apartment listed on Gumtree. I'm interested in a viewing | 0:41:12 | 0:41:16 | |
"and wanted to arrange. Regards, Joe Lycett." | 0:41:16 | 0:41:19 | |
This is the reply that I got. | 0:41:19 | 0:41:20 | |
"Hello, Mr Joe. | 0:41:20 | 0:41:23 | |
"The flat is situation in the London Borough of Islington, | 0:41:23 | 0:41:26 | |
"a beautiful area with park and facilities." | 0:41:26 | 0:41:28 | |
I had a look on Google Maps for the nearest facilities. | 0:41:28 | 0:41:30 | |
They are Pentonville prison. | 0:41:30 | 0:41:34 | |
"In order to do the viewing, | 0:41:34 | 0:41:35 | |
"I would need to come to you from my residence in Stockholm. | 0:41:35 | 0:41:38 | |
"This is obviously very expensive for me, so I need assurance | 0:41:38 | 0:41:40 | |
"that you are interested and have available funding. | 0:41:40 | 0:41:43 | |
"I need you to pay a deposit of 220 US dollar, | 0:41:43 | 0:41:46 | |
"which you will have returned to you immediately on viewing. | 0:41:46 | 0:41:48 | |
"This is to be arranged by my trusted partner money2india.eu." | 0:41:48 | 0:41:53 | |
Seems legit! | 0:41:53 | 0:41:55 | |
"I would also need your current address to send documentation to. | 0:41:55 | 0:41:58 | |
"Please contact me to arrange. Thanks, Gemma." So I thought, | 0:41:58 | 0:42:00 | |
"I'll just start off with just a slightly weird reply." I replied, | 0:42:00 | 0:42:03 | |
"Hi, Gemma. Thanks for your speedy reply. | 0:42:03 | 0:42:06 | |
"What a coincidence that you are in Stockholm. | 0:42:06 | 0:42:08 | |
"I am on holiday there right now." | 0:42:08 | 0:42:10 | |
I wasn't, of course, - I was in my garden in Birmingham, | 0:42:10 | 0:42:13 | |
having a glass of Prosecco. | 0:42:13 | 0:42:14 | |
"Let's meet and discuss and arrange the viewing. | 0:42:14 | 0:42:17 | |
"My current address is 118 New Oxford St, London, WC1A 1HL. | 0:42:17 | 0:42:20 | |
That is the address of a Dorothy Perkins. | 0:42:20 | 0:42:23 | |
"Regards, Joe Lycett." She replied, | 0:42:23 | 0:42:25 | |
"Mr Joe, I am not currently in Stockholm, actually, | 0:42:25 | 0:42:28 | |
"but I'm on business for the next three weeks in Berlin. | 0:42:28 | 0:42:30 | |
"The best way to secure viewing is to pay the deposit using money2india.eu - thank you, Gemma." | 0:42:30 | 0:42:34 | |
So I thought, I'll just turn the weirdness up ever so slightly more. | 0:42:34 | 0:42:37 | |
"Guten Tag, Frau Gemma. That is so crazy! | 0:42:37 | 0:42:42 | |
"I just booked a holiday to Berlin next week. | 0:42:42 | 0:42:44 | |
"Where are you staying? I can't wait to meet you." I also put... | 0:42:44 | 0:42:47 | |
HE SPEAKS GERMAN | 0:42:47 | 0:42:48 | |
Which is German for "I know this is a scam." | 0:42:48 | 0:42:51 | |
"..thanks, Joe." | 0:42:51 | 0:42:53 | |
She didn't spot it. She replied, "Mr Joe, I will be very busy | 0:42:53 | 0:42:55 | |
"in Berlin and will not be able to see you. You must pay the deposit | 0:42:55 | 0:42:58 | |
"or I cannot secure the visit. Thank you, Gemma." So I left it | 0:42:58 | 0:43:01 | |
a couple of days and then I replied, "Gemma, I'm here. Where are you?" | 0:43:01 | 0:43:05 | |
And I have been to Berlin, about two years ago on a holiday, so I | 0:43:05 | 0:43:08 | |
attached this picture of me, just to give it a sense of realism, | 0:43:08 | 0:43:11 | |
you know. She replied, "Mr Joe, | 0:43:11 | 0:43:15 | |
"I am no longer in Berlin on business. If you would like viewing, you need to pay the deposit." | 0:43:15 | 0:43:19 | |
So I replied, "Gemma, what a pity. I suppose I will have to pay the deposit. I hope you don't mind, | 0:43:19 | 0:43:25 | |
"but I have an old friend who works at the FBI and I'm just going to ask | 0:43:25 | 0:43:28 | |
"him to do a quick check to make sure this isn't a scam. Thanks, Joe." | 0:43:28 | 0:43:31 | |
Very quick reply to that one. "Mr Joe, the property is no longer available, sadly, the viewing | 0:43:31 | 0:43:35 | |
"will not be possible. Please confirm you have received this." I didn't reply. Got another one. | 0:43:35 | 0:43:39 | |
"Mr Joe, did you receive my last e-mail?" I got quite a few of these, some of them quite manic in bold. | 0:43:39 | 0:43:45 | |
Really panicked. I left it another couple of days and I replied, | 0:43:45 | 0:43:49 | |
"Frau Gemma, | 0:43:49 | 0:43:51 | |
"in order to secure cancellation of the FBI check, | 0:43:51 | 0:43:54 | |
"I need you to pay me a deposit | 0:43:54 | 0:43:58 | |
"of 300 USD | 0:43:58 | 0:44:03 | |
"through my trusted partner, moneytoJoe.org." | 0:44:03 | 0:44:06 | |
Thank you so much for being so lovely. | 0:44:06 | 0:44:09 | |
Have a great the rest of your show. I was Joe Lycett. See you again. | 0:44:09 | 0:44:12 | |
CHEERING | 0:44:12 | 0:44:13 | |
Thank you so much. | 0:44:15 | 0:44:18 | |
Thank you. | 0:44:18 | 0:44:19 | |
The wonderful Joe Lycett! Ladies and gentlemen, Joe Lycett! | 0:44:19 | 0:44:22 | |
CHEERING | 0:44:22 | 0:44:24 | |
Now, ladies and gentlemen, | 0:44:27 | 0:44:29 | |
it is time to find out what replies Ed Balls has had. | 0:44:29 | 0:44:33 | |
It's time for Send To All. | 0:44:33 | 0:44:36 | |
OK. | 0:44:38 | 0:44:40 | |
So, let's just remind ourselves | 0:44:40 | 0:44:43 | |
of the text that I sent into Ed Balls's telephone. | 0:44:43 | 0:44:47 | |
All right, well, we're just going to crack on. | 0:45:08 | 0:45:12 | |
Jeremy Vine. | 0:45:12 | 0:45:14 | |
From BBC Radio 2. He's just opened with, | 0:45:14 | 0:45:18 | |
"Blimey! Is Delia in the hot tub? | 0:45:18 | 0:45:24 | |
"I'm finding my leopard print swimming shorts RIGHT NOW!" | 0:45:24 | 0:45:29 | |
There's a very seriously boring one from Charlie K. Who's Charlie K? | 0:45:32 | 0:45:35 | |
Charlie K is a councillor in Wakefield. | 0:45:35 | 0:45:38 | |
So he's northern, Charlie K? | 0:45:38 | 0:45:40 | |
-Yeah. Charlie Keith. -He just says, | 0:45:40 | 0:45:42 | |
"We'd love to, but just got back from Zakynthos, | 0:45:42 | 0:45:45 | |
"so me and Gracie are a bit travel weary. Best, mate. | 0:45:45 | 0:45:47 | |
"We'll ring you in the week. Take care. Thanks for the invite." | 0:45:47 | 0:45:52 | |
Dude, did you read the text? | 0:45:52 | 0:45:55 | |
"We're a bit weary." We're in hot tub with Delia and Stormzy! | 0:45:55 | 0:46:00 | |
And Anton du Beke. "Yeah, but as I said, I'm a bit travel weary." | 0:46:00 | 0:46:06 | |
-Charlie K. -June Cooper? | 0:46:06 | 0:46:09 | |
Is my mother-in-law. | 0:46:09 | 0:46:11 | |
All right, well, it's a great one. Your mother-in-law has texted, | 0:46:14 | 0:46:17 | |
"Your father-in-law is coming if Katya is there." | 0:46:17 | 0:46:21 | |
-Kevin Brennan? -A Cardiff MP. | 0:46:26 | 0:46:30 | |
So this is a Member of Parliament texting you. | 0:46:30 | 0:46:33 | |
"Ha! I'm at a conference with your wife. I suspect you might have been | 0:46:33 | 0:46:38 | |
"inviting someone else but don't worry, I won't tell her." | 0:46:38 | 0:46:42 | |
There's more, there's more. | 0:46:47 | 0:46:50 | |
"PS, Stormzy is awesome." | 0:46:50 | 0:46:53 | |
Completely fallen for it! | 0:46:56 | 0:46:59 | |
Nobody has questioned that you're having a hot tub party with Stormzy, | 0:46:59 | 0:47:04 | |
who you met at Glasto! | 0:47:04 | 0:47:08 | |
Oh, we've just arrived at Peter Mandelson. | 0:47:08 | 0:47:11 | |
Peter Mandelson. | 0:47:12 | 0:47:14 | |
He goes, "I'm grabbing my Lilo. | 0:47:14 | 0:47:16 | |
"It sounds much better than the Labour Party conference. | 0:47:16 | 0:47:20 | |
"Tell Anton I'm coming." | 0:47:20 | 0:47:22 | |
Ore. He was the winner of Strictly, was he? | 0:47:25 | 0:47:28 | |
Ore. Yeah. | 0:47:28 | 0:47:30 | |
-Ore Oduba. -Whoa! | 0:47:30 | 0:47:32 | |
-Ore? Is Ore a radio presenter? -Yeah. -Oh. Oh. | 0:47:32 | 0:47:37 | |
Oh. This has never happened before on this show. | 0:47:37 | 0:47:40 | |
Oh, balls! | 0:47:40 | 0:47:42 | |
Ore's text says, "Just read that out live on BBC Radio 2." | 0:47:44 | 0:47:49 | |
He's gone, "Like I said, see you shortly after 9pm. Big Love, buddy." | 0:47:57 | 0:48:02 | |
-And then the kissing one. -I'd better get home quick! | 0:48:02 | 0:48:05 | |
You actually might have to have this party! | 0:48:05 | 0:48:08 | |
You'll be in the Yellow Pages, going, | 0:48:08 | 0:48:10 | |
"I'm looking for a late-night hot tub delivery service. | 0:48:10 | 0:48:13 | |
"It's E Balls." | 0:48:13 | 0:48:16 | |
Your wife... She's texted three texts, the first one is, | 0:48:17 | 0:48:22 | |
"Seriously?" Then the next one is, | 0:48:22 | 0:48:24 | |
"Midlife crisis getting just a little out of hand now?" | 0:48:24 | 0:48:28 | |
Oh, my God! The third text from your wife, Yvette Cooper, reads, | 0:48:31 | 0:48:35 | |
"DO NOT get your mankini out." | 0:48:35 | 0:48:39 | |
-Rob Rinder? -Judge Rinder. -Oh, Judge Rinder! | 0:48:47 | 0:48:51 | |
Oh, we love Judge Rinder. | 0:48:51 | 0:48:53 | |
Judge Rinder has texted, "Ed, have you been drinking? | 0:48:53 | 0:48:58 | |
"I'm concerned. | 0:48:58 | 0:49:00 | |
"Much as I'd love to join for some hot tub action, | 0:49:00 | 0:49:04 | |
"I'm sure I'd ruin the entire vibe. | 0:49:04 | 0:49:07 | |
"I also have a verruca." | 0:49:07 | 0:49:09 | |
Oh, my God! A great one from Fi Glover. | 0:49:14 | 0:49:17 | |
Fi Glover's a radio broadcaster. | 0:49:17 | 0:49:19 | |
-Yes, Radio 4. -Oh, she's good. | 0:49:19 | 0:49:22 | |
Simple one liner. | 0:49:22 | 0:49:24 | |
"How we all wish you had become Chancellor." | 0:49:24 | 0:49:28 | |
Oh, that's brilliant. Wayne... | 0:49:35 | 0:49:39 | |
Wayne is the person who used to live next door to us. | 0:49:39 | 0:49:43 | |
-He's a Methodist vicar. -He's a Methodist vicar. | 0:49:43 | 0:49:47 | |
I've got to tell you, it's really good. | 0:49:47 | 0:49:52 | |
So the Methodist vicar who lives next door to you, | 0:49:52 | 0:49:55 | |
who's been invited to join you in a hot tub with Anton du Beke, | 0:49:55 | 0:49:59 | |
Stormzy, and Delia Smith has replied, | 0:49:59 | 0:50:03 | |
"I'll just finish writing my sermon then grab my towel." | 0:50:03 | 0:50:07 | |
How awesome is that? Thank you from all of us. | 0:50:12 | 0:50:16 | |
Ed Balls! What about that?! | 0:50:16 | 0:50:19 | |
That was sensational. | 0:50:19 | 0:50:21 | |
Ladies and gentlemen, earlier tonight | 0:50:27 | 0:50:30 | |
we surprised Stella in our entirely fake cat cafe next door to the | 0:50:30 | 0:50:38 | |
theatre. Let's have a little look at how she's been getting on since that | 0:50:38 | 0:50:42 | |
surprise earlier tonight. | 0:50:42 | 0:50:44 | |
I just thought it was a final surprise from my daughter | 0:50:48 | 0:50:51 | |
for a weekend away. We just went into this lovely little cat cafe, | 0:50:51 | 0:50:55 | |
which was absolutely brilliant. | 0:50:55 | 0:50:56 | |
I just can't believe they actually kept the secret from me completely. | 0:50:56 | 0:51:00 | |
-It's just mad. -Well done. -Thank you. | 0:51:00 | 0:51:04 | |
I'm Juliet. I'm going to be your vocal coach today. | 0:51:04 | 0:51:06 | |
Of all the unexpected stars, | 0:51:06 | 0:51:07 | |
I think Stella's been the most emotional. | 0:51:07 | 0:51:09 | |
She was crying and just felt a bit overwhelmed by the whole thing, | 0:51:09 | 0:51:13 | |
I think. | 0:51:13 | 0:51:15 | |
It's something that I've always dreamed of since I was 11 years old | 0:51:15 | 0:51:19 | |
and after all of these years I've waited, it's finally arrived. | 0:51:19 | 0:51:23 | |
The last hour has been magical, actually. | 0:51:25 | 0:51:27 | |
It's just been a whirlwind. | 0:51:27 | 0:51:28 | |
I thought I'd be on the train home by now. | 0:51:28 | 0:51:31 | |
I'm probably more nervous than she is. | 0:51:33 | 0:51:35 | |
She's amazing and I'm just in awe of her. | 0:51:35 | 0:51:38 | |
Ladies and gentlemen, it's our unexpected star of tonight's show, | 0:51:43 | 0:51:47 | |
it's Stella! | 0:51:47 | 0:51:49 | |
CHEERING | 0:51:49 | 0:51:50 | |
MUSIC: O Mio Babbino Caro | 0:51:53 | 0:51:56 | |
SHE SINGS IN ITALIAN | 0:52:10 | 0:52:14 | |
Ladies and gentlemen, it's our Unexpected Star of tonight's show, | 0:54:12 | 0:54:17 | |
Stella. What about that? Amazing. Amazing. | 0:54:17 | 0:54:21 | |
Come on, guys. Come on up. | 0:54:21 | 0:54:24 | |
Come on up. Come on, Shakira. Come on, Mum and Dad. | 0:54:24 | 0:54:28 | |
Very, very, very good. Come on, Dad. Don't back off. | 0:54:49 | 0:54:52 | |
It's show business! | 0:54:52 | 0:54:53 | |
Stella, how do you feel after that? | 0:54:55 | 0:54:57 | |
Oh, I'm still shaking, actually. I feel absolutely amazing. | 0:54:57 | 0:55:01 | |
What an incredible thing to go through. | 0:55:01 | 0:55:03 | |
Yes, from stroking cats in a cafe to standing on the stage. | 0:55:03 | 0:55:08 | |
-Let's not leave out eating cat food, Stella! -No. | 0:55:08 | 0:55:10 | |
But how's it been turning it around and rehearsing? | 0:55:10 | 0:55:13 | |
-It must have been like a whirlwind. -It's just been absolutely amazing. | 0:55:13 | 0:55:17 | |
It really has been a dream come true for me. Thank you so much. | 0:55:17 | 0:55:19 | |
Well, thank you so much. We loved it. | 0:55:19 | 0:55:22 | |
CHEERING It's Stella, ladies and gentlemen. | 0:55:22 | 0:55:25 | |
Fantastic. Brilliant. | 0:55:25 | 0:55:29 | |
Really sensational. | 0:55:29 | 0:55:31 | |
Ladies and gentlemen, | 0:55:33 | 0:55:34 | |
please give it up for everybody that's been on tonight. | 0:55:34 | 0:55:36 | |
We'll see you again next week for another Big Show. | 0:55:36 | 0:55:38 | |
Until then, thank you very much. Goodnight! | 0:55:38 | 0:55:41 |