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Tonight on my Big Show, | 0:00:11 | 0:00:13 | |
Danny Dyer hands over his blower in Send To All. | 0:00:13 | 0:00:16 | |
There's a surprise visit from Gary Barlow. | 0:00:16 | 0:00:20 | |
Comedy from Russell Kane and music from chart sensations Clean Bandit. | 0:00:20 | 0:00:26 | |
And who will be tonight's unexpected star of the show? | 0:00:26 | 0:00:30 | |
Ladies and gentlemen, it's the Big Show. | 0:00:34 | 0:00:38 | |
Please welcome your host, Michael McIntyre! | 0:00:38 | 0:00:42 | |
Hey-hey! Woohoo! | 0:00:56 | 0:00:59 | |
APPLAUSE | 0:00:59 | 0:01:02 | |
Well, hello, good evening. | 0:01:02 | 0:01:05 | |
That's very kind. Yay! | 0:01:05 | 0:01:08 | |
And welcome to my Big Show! | 0:01:08 | 0:01:13 | |
CHEERING | 0:01:13 | 0:01:15 | |
We're going to have, of course, big stars, big laughs, | 0:01:18 | 0:01:22 | |
and even bigger surprises! | 0:01:22 | 0:01:26 | |
We will be playing my favourite game in the whole wide world, | 0:01:28 | 0:01:31 | |
which would be Send To All, ladies and gentlemen, it's a good one. | 0:01:31 | 0:01:34 | |
And of course we'll be surprising another Unexpected Star Of The Show! | 0:01:36 | 0:01:41 | |
So thank you for coming here. | 0:01:46 | 0:01:47 | |
Thank you for... Thank you for spending a little bit of time | 0:01:47 | 0:01:50 | |
away from your mobile phones, | 0:01:50 | 0:01:51 | |
because I know it's a little tense in the modern world. | 0:01:51 | 0:01:54 | |
I don't know what happens to chargers. | 0:01:54 | 0:01:55 | |
Everybody gets a charger with their phone. | 0:01:55 | 0:01:57 | |
Why do households always end up with one charger in the kitchen? | 0:01:57 | 0:02:00 | |
That everybody fights and steals? | 0:02:00 | 0:02:02 | |
There's no love in homes any more. | 0:02:02 | 0:02:04 | |
People will steal power now! | 0:02:04 | 0:02:07 | |
You put your phone on charge and leave it for a period of time, | 0:02:07 | 0:02:10 | |
you come back after a few hours, expecting it to be on 80, 90, 100%. | 0:02:10 | 0:02:15 | |
Your phone is just next to the charger | 0:02:15 | 0:02:17 | |
and somebody else in the house is on the charger. | 0:02:17 | 0:02:21 | |
And they defend it. | 0:02:22 | 0:02:23 | |
All about the battery life. | 0:02:23 | 0:02:25 | |
"You've stolen. Why did you take my phone off the charger?" | 0:02:25 | 0:02:28 | |
"You were on 62! And I was only on 14." | 0:02:28 | 0:02:31 | |
I don't remember announcing to the house, | 0:02:33 | 0:02:35 | |
"Guys, keep an eye on my phone. | 0:02:35 | 0:02:37 | |
"Soon as I hit 62, that's enough for me, that's going to be enough for me." | 0:02:37 | 0:02:40 | |
People cannot cope. When your phone runs out of battery, | 0:02:42 | 0:02:44 | |
it's like your life is over. "How am I going to live? | 0:02:44 | 0:02:46 | |
"How am I going to live, I've got no power. | 0:02:46 | 0:02:48 | |
"My phone's dead. My phone's dead." | 0:02:48 | 0:02:50 | |
You suddenly miss all these things. | 0:02:50 | 0:02:52 | |
"I can't look up on Google. | 0:02:52 | 0:02:54 | |
"I can't look at photos. | 0:02:54 | 0:02:55 | |
"I can't receive calls. | 0:02:55 | 0:02:56 | |
"I don't know what I'm going to do. | 0:02:56 | 0:02:58 | |
"The maps, I might need the maps. "I don't know what to do." | 0:02:58 | 0:03:01 | |
But it wasn't so long ago, OK, | 0:03:01 | 0:03:02 | |
many people in this room will remember this, | 0:03:02 | 0:03:04 | |
that we used to not have mobile phones. | 0:03:04 | 0:03:07 | |
And it wasn't such a panic when we left the house. | 0:03:07 | 0:03:10 | |
We didn't used to leave the house and go, | 0:03:10 | 0:03:12 | |
"Oh, I don't think I can leave all this stuff behind, I might need it. | 0:03:12 | 0:03:15 | |
"Can you open the boot? I'm going to need to bring all my encyclopaedias, | 0:03:15 | 0:03:18 | |
"I might need to look something up. | 0:03:18 | 0:03:21 | |
"I am going to bring some board games, is that all right? | 0:03:21 | 0:03:23 | |
"I'm going to take some board games. | 0:03:23 | 0:03:26 | |
"Every photograph I've ever taken, I'm going to take all of those. | 0:03:26 | 0:03:30 | |
"My A to Z, my Ordnance Survey map, | 0:03:30 | 0:03:33 | |
"all my record collection, my entire... | 0:03:33 | 0:03:36 | |
"I'll need the back seat as well. | 0:03:36 | 0:03:38 | |
"All right, I'll take that compass, oh, and the torch. | 0:03:38 | 0:03:42 | |
"That's fine. I'm coming out." | 0:03:42 | 0:03:45 | |
We don't need those things! | 0:03:45 | 0:03:48 | |
OK, ladies and gentlemen, who wants to play Send To All? | 0:03:51 | 0:03:55 | |
Let's find out who is in our Send To All box this week. | 0:04:00 | 0:04:06 | |
Ladies and gentlemen, it's the first time that the Big Show | 0:04:06 | 0:04:11 | |
has had genuine royalty in the royal box. | 0:04:11 | 0:04:14 | |
Please welcome... | 0:04:15 | 0:04:17 | |
FANFARE | 0:04:23 | 0:04:26 | |
It's Edward III's great, great, great, great, great, great, great | 0:04:27 | 0:04:33 | |
great, great, great, great, great, great, great, | 0:04:33 | 0:04:37 | |
great, great, great, great, great, | 0:04:37 | 0:04:41 | |
great grandson, Danny Dyer! | 0:04:41 | 0:04:43 | |
APPLAUSE | 0:04:43 | 0:04:47 | |
Go on, Danny! | 0:04:47 | 0:04:49 | |
Lap it up! | 0:04:49 | 0:04:51 | |
The big man's in town. | 0:04:53 | 0:04:56 | |
How does it feel, Danny? | 0:04:56 | 0:04:58 | |
-Good. -Feel all right up there? -Finally in the old royal box. | 0:04:58 | 0:05:01 | |
Suits you, mate. | 0:05:01 | 0:05:03 | |
Your Highness, who have you brought with you tonight to join you? | 0:05:03 | 0:05:07 | |
My mother, Christine. | 0:05:07 | 0:05:08 | |
Come on, Christine. Welcome, Christine. | 0:05:08 | 0:05:10 | |
My daughter, Dani. | 0:05:10 | 0:05:12 | |
Dani Dyer Junior! Hello, darling! | 0:05:12 | 0:05:14 | |
Hold up, hold up. Charlotte, ladies and gentlemen. | 0:05:16 | 0:05:20 | |
It's the Dyers, ladies and gentlemen! | 0:05:20 | 0:05:22 | |
Danny, how are you? | 0:05:24 | 0:05:26 | |
-How's it all going? -Well, sir. Yeah, lovely. | 0:05:26 | 0:05:28 | |
So, this royal thing, how's that been? | 0:05:28 | 0:05:31 | |
People are struggling with it, I get the odd curtsy now and again. | 0:05:31 | 0:05:34 | |
But I am royalty, I am 197th to the throne, so, you know, | 0:05:35 | 0:05:39 | |
if there was a bit of an accident in Westminster Abbey, | 0:05:39 | 0:05:42 | |
then I would be king. | 0:05:42 | 0:05:43 | |
-Right. -I think if Donald Trump can be president, why can't I be king? | 0:05:43 | 0:05:47 | |
Let's be fair. | 0:05:47 | 0:05:48 | |
CHEERING | 0:05:48 | 0:05:51 | |
How's EastEnders, Danny? | 0:05:54 | 0:05:55 | |
-How's that going? -Yeah, it's going really well. | 0:05:55 | 0:05:57 | |
We're just filming some depressing stuff at the moment. | 0:05:57 | 0:06:00 | |
Oh. That's EastEnders, though. | 0:06:00 | 0:06:02 | |
That's EastEnders, though. Yeah, no, it's all going very well, | 0:06:02 | 0:06:04 | |
you know, I love it there, I love running the Vic. | 0:06:04 | 0:06:06 | |
Well, we love you in it and we love that you're here | 0:06:06 | 0:06:09 | |
-and putting yourself up for this. -Thank you. | 0:06:09 | 0:06:12 | |
How do you feel about the prospect of handing over | 0:06:12 | 0:06:14 | |
your mobile phone tonight, Danny? | 0:06:14 | 0:06:16 | |
It's a nutty old thing, innit, really? | 0:06:16 | 0:06:18 | |
To just give some random geezer your phone. | 0:06:20 | 0:06:22 | |
Well, excuse me. | 0:06:22 | 0:06:23 | |
No, I don't know. I don't know, listen, | 0:06:26 | 0:06:27 | |
I don't know what you're going to text, do I, for a start? | 0:06:27 | 0:06:30 | |
-Yeah, that's true. -I don't know what mood they're all in. | 0:06:30 | 0:06:33 | |
Yeah. So, Danny, all I'd like you to do | 0:06:33 | 0:06:35 | |
is to place your mobile phone into this contraption here, | 0:06:35 | 0:06:39 | |
if you can reach. | 0:06:39 | 0:06:40 | |
-Here we go. -Thanks very much. | 0:06:40 | 0:06:41 | |
All right. This is... | 0:06:41 | 0:06:43 | |
And then I'll just bring that down. | 0:06:43 | 0:06:44 | |
# Roll out the barrel | 0:06:44 | 0:06:47 | |
# We'll have a barrel of fun | 0:06:47 | 0:06:50 | |
# Roll out the barrel | 0:06:50 | 0:06:54 | |
# Let's have a song of good cheer | 0:06:54 | 0:06:57 | |
# Now's the time to roll the barrel, one more | 0:06:57 | 0:07:00 | |
# Cos the gang's all here! # | 0:07:00 | 0:07:03 | |
Yay! Very good. Thank you, Danny. | 0:07:06 | 0:07:08 | |
I've got your blower. | 0:07:08 | 0:07:10 | |
OK, so I'm going to plug this in. | 0:07:10 | 0:07:13 | |
Yes! | 0:07:13 | 0:07:14 | |
Who is this lovely person? | 0:07:16 | 0:07:18 | |
That's my little Sunnie, that's my middle child. | 0:07:18 | 0:07:21 | |
So, what have we got here? There's a few apps knocking around here, | 0:07:21 | 0:07:24 | |
Football Strike, a bit of Scrabble. | 0:07:24 | 0:07:26 | |
How often are we playing Scrabble, Danny? | 0:07:26 | 0:07:28 | |
I don't mind a little game of Scrabble now and again, yeah. | 0:07:28 | 0:07:30 | |
Do you play with yourself or...? | 0:07:30 | 0:07:32 | |
-Do you play Scrabble with other...? -Now and again. -Is it pass and play? | 0:07:35 | 0:07:37 | |
It depends, if I've got someone round, | 0:07:37 | 0:07:39 | |
I'll have a little pass and play or... | 0:07:39 | 0:07:41 | |
A bit of pass and play. | 0:07:41 | 0:07:42 | |
You've got the ads on there, that's annoying, isn't it? | 0:07:42 | 0:07:45 | |
-I don't know how to take them off. -You've got to pay for it, Danny. | 0:07:45 | 0:07:47 | |
You've got to pay. | 0:07:47 | 0:07:49 | |
Oh, yeah, a bit of Spotify. | 0:07:51 | 0:07:52 | |
Oh, these are... What? | 0:07:52 | 0:07:55 | |
Foreigner? Oh, Foreigner, what was their great hit? | 0:07:55 | 0:07:58 | |
-I want to... -I Want To Know What Love Is. | 0:07:58 | 0:08:00 | |
I want you to show me. | 0:08:00 | 0:08:03 | |
Danny, I'm a little bit confused about what's going on in the Dyer household here. | 0:08:03 | 0:08:08 | |
APPLAUSE | 0:08:08 | 0:08:10 | |
Photos maybe, a few photos in here. | 0:08:13 | 0:08:15 | |
Yeah, I've got a few smudges in there, yeah. | 0:08:15 | 0:08:17 | |
There's some funny photos already. | 0:08:17 | 0:08:18 | |
What's this? | 0:08:18 | 0:08:20 | |
-What's this one, Danny? -I turned 40 this year | 0:08:20 | 0:08:22 | |
and I thought I need to start growing up a little bit | 0:08:22 | 0:08:25 | |
and so I thought I would get into gardening. | 0:08:25 | 0:08:27 | |
I thought, I know what I'll do, I'll start pulling up some weeds, | 0:08:27 | 0:08:30 | |
I don't know if they were weeds, right? | 0:08:30 | 0:08:31 | |
Anyway, as I've bent down, that, right, | 0:08:31 | 0:08:34 | |
done me right in the eyeball. | 0:08:34 | 0:08:37 | |
I had to have time off work, I mean, I was bang in trouble. | 0:08:40 | 0:08:43 | |
Have you got a picture of it? | 0:08:43 | 0:08:45 | |
Is it on the phone? | 0:08:45 | 0:08:46 | |
-Yeah, look at the state of me. -Oh, right! | 0:08:46 | 0:08:49 | |
Oh, that is so fun. | 0:08:53 | 0:08:55 | |
So, this is the result of your attempt at gardening. | 0:08:55 | 0:08:58 | |
Terrible, terrible. I had to go to work and tell them. | 0:08:58 | 0:09:00 | |
A week I was out of the game, Michael, a week! | 0:09:00 | 0:09:02 | |
Were people in the week saying, "Oi, Danny, had a bit of a tear up?" | 0:09:02 | 0:09:05 | |
And you're going, "No, I've taken up 'orticulture, mate." | 0:09:05 | 0:09:07 | |
This looks like an amazing photo. | 0:09:09 | 0:09:11 | |
What's that one about, Danny? | 0:09:11 | 0:09:13 | |
I was getting followed around by some weird geezer with a camera | 0:09:13 | 0:09:15 | |
so I thought if he followed me, I thought I'll follow him. | 0:09:15 | 0:09:18 | |
That's a good idea. There you go. | 0:09:20 | 0:09:23 | |
It's a reverse paparazzi shot. | 0:09:23 | 0:09:25 | |
OK, I think a bit of drumming going on. | 0:09:26 | 0:09:29 | |
Yeah, the worst Christmas present I ever bought. | 0:09:29 | 0:09:32 | |
It's annoying, isn't it? | 0:09:32 | 0:09:33 | |
Noisy, very, very noisy. | 0:09:33 | 0:09:35 | |
All right. I think it might be, it might be time... | 0:09:35 | 0:09:38 | |
I made a little telly stand, didn't I? | 0:09:38 | 0:09:40 | |
-I made it with my bare hands. -You built that? | 0:09:40 | 0:09:42 | |
No, I got it out of IKEA, didn't I? | 0:09:42 | 0:09:44 | |
It does look IKEA. | 0:09:46 | 0:09:48 | |
OK, time to put the text into the telephone. | 0:09:51 | 0:09:56 | |
So, what we're going to do for this text | 0:09:56 | 0:09:58 | |
is we're actually going to send a photo with it, | 0:09:58 | 0:10:01 | |
so in order to take this photo, | 0:10:01 | 0:10:03 | |
we have a table that maybe we would find in your house. | 0:10:03 | 0:10:06 | |
So, the photo is going to be of this, of this letter, | 0:10:06 | 0:10:11 | |
ladies and gentlemen. | 0:10:11 | 0:10:12 | |
So that photo, it's from Downing Street. | 0:10:12 | 0:10:15 | |
Take a picture of that. All right. | 0:10:15 | 0:10:17 | |
So, that photo, it's from Downing Street, Danny. | 0:10:17 | 0:10:21 | |
It says, "Dear Danny Dyer," yeah? | 0:10:21 | 0:10:23 | |
"The Prime Minister of the United Kingdom of Great Britain | 0:10:23 | 0:10:25 | |
"and Northern Ireland has asked me to inform you that she proposes | 0:10:25 | 0:10:28 | |
"to submit your name to Her Majesty the Queen so that she may graciously | 0:10:28 | 0:10:32 | |
"approve your appointment as a knight of the realm." | 0:10:32 | 0:10:34 | |
Yeah, I love that all day long, go on. | 0:10:38 | 0:10:39 | |
We're going to send that photo with this message. | 0:10:39 | 0:10:44 | |
"This just came special delivery. | 0:10:44 | 0:10:48 | |
"Arise SIR..." | 0:10:49 | 0:10:51 | |
We'll go for capitals there. | 0:10:51 | 0:10:52 | |
"..DANNY DYER. | 0:10:52 | 0:10:56 | |
"This has totally done my nut." | 0:10:56 | 0:11:01 | |
Put spun, spun me nut. | 0:11:03 | 0:11:06 | |
This is... Yes! Thank you! | 0:11:06 | 0:11:07 | |
I knew you would play ball. | 0:11:07 | 0:11:09 | |
"This has totally spun me..." | 0:11:09 | 0:11:12 | |
Yeah, like that, M-E? | 0:11:12 | 0:11:14 | |
-Yeah, yeah, spun me nut, yeah. -Spun me nut. | 0:11:14 | 0:11:16 | |
"It's an honour," yeah? | 0:11:16 | 0:11:19 | |
I don't know if I'd use full stops, to be honest with you. | 0:11:19 | 0:11:25 | |
Yeah? | 0:11:25 | 0:11:27 | |
All right, all right. I'm not proud of it. | 0:11:27 | 0:11:29 | |
We're going to roll this into one sentence. | 0:11:29 | 0:11:32 | |
"It's...an honour..." | 0:11:32 | 0:11:34 | |
-Yeah? -Yeah, go on. | 0:11:34 | 0:11:36 | |
"But will... | 0:11:36 | 0:11:37 | |
"it damage... | 0:11:37 | 0:11:41 | |
"my hard man image?" | 0:11:41 | 0:11:42 | |
-Right? -Oh, dear. | 0:11:44 | 0:11:46 | |
Next one. "I trust your opinion, mate. | 0:11:46 | 0:11:49 | |
"Shall I accept, or tell them... | 0:11:49 | 0:11:53 | |
"to jog on?" | 0:11:53 | 0:11:55 | |
Put "my love". "I trust your opinion, my love." | 0:11:58 | 0:12:01 | |
Because I say that to geezers and birds, so... | 0:12:01 | 0:12:03 | |
OK. "My love..." | 0:12:03 | 0:12:04 | |
And put, instead of a kiss, the Hammers, in the emoji thing. | 0:12:04 | 0:12:07 | |
-Oh, yeah? -There's two... | 0:12:07 | 0:12:09 | |
-That's it, put the Hammers. -West Ham Hammers? | 0:12:09 | 0:12:11 | |
-Oh, Hammers, all right. -There you go. | 0:12:11 | 0:12:12 | |
All right, Danny - well, you've been so helpful, | 0:12:12 | 0:12:14 | |
maybe I could ask you to read this, give it full Danny Dyer, | 0:12:14 | 0:12:17 | |
-see how it sounds. -Right, this just came special delivery. | 0:12:17 | 0:12:20 | |
Arise, Sir Danny Dyer. | 0:12:20 | 0:12:21 | |
This has totally spun me nut, it's an honour, | 0:12:21 | 0:12:23 | |
but will it damage my hard man image? | 0:12:23 | 0:12:25 | |
I trust your opinion, my love. | 0:12:25 | 0:12:27 | |
Shall I accept, or should I tell them to jog on? | 0:12:27 | 0:12:29 | |
That's good! | 0:12:29 | 0:12:31 | |
It's a good one! And that's going with the letter. | 0:12:31 | 0:12:35 | |
Shall we send that, ladies and gentlemen? | 0:12:35 | 0:12:37 | |
To everybody in Danny's phone! | 0:12:37 | 0:12:39 | |
All right. That... | 0:12:39 | 0:12:41 | |
has... | 0:12:41 | 0:12:43 | |
Ooh... | 0:12:43 | 0:12:44 | |
You can see it! | 0:12:44 | 0:12:46 | |
Yay! | 0:12:48 | 0:12:50 | |
All right, absolutely sensational! | 0:12:50 | 0:12:52 | |
We will find out how people reply to this incredible news | 0:12:52 | 0:12:56 | |
that Danny has received. | 0:12:56 | 0:12:57 | |
One more time, you're absolutely amazing. | 0:12:57 | 0:13:00 | |
Thank you. Thank you so, so much for doing this. | 0:13:00 | 0:13:03 | |
Danny Dyer, ladies and gentlemen, what a legend! | 0:13:03 | 0:13:05 | |
APPLAUSE | 0:13:05 | 0:13:08 | |
Now, ladies and gentleman, | 0:13:10 | 0:13:11 | |
it is time to find out who will be | 0:13:11 | 0:13:13 | |
tonight's unexpected Star Of The Show! | 0:13:13 | 0:13:15 | |
Every week on the Big Show, | 0:13:21 | 0:13:22 | |
we surprise an ordinary member of the public | 0:13:22 | 0:13:25 | |
with an extraordinary talent and give them the opportunity | 0:13:25 | 0:13:28 | |
to perform right here on this very stage. | 0:13:28 | 0:13:31 | |
So, let's meet tonight's Unexpected Star. | 0:13:31 | 0:13:35 | |
This is the unbelievably adorable Anush. | 0:13:35 | 0:13:40 | |
He's from Surrey. | 0:13:40 | 0:13:42 | |
He is 11 years old, ladies and gentlemen. | 0:13:42 | 0:13:45 | |
He's been nominated by his parents, and you're in the audience, | 0:13:45 | 0:13:48 | |
and I'm going to come and have a chat. | 0:13:48 | 0:13:50 | |
I'm coming in! | 0:13:50 | 0:13:52 | |
Ladies and gentlemen, it's Anush's parents! | 0:13:52 | 0:13:54 | |
APPLAUSE | 0:13:54 | 0:13:56 | |
Now, how are you, how are you both, excited? | 0:13:58 | 0:14:01 | |
Fantastic. I can't even speak, actually. | 0:14:01 | 0:14:03 | |
-You can't speak. -I'm speechless. | 0:14:03 | 0:14:04 | |
Yesterday, you went out for a local Italian, didn't you? | 0:14:04 | 0:14:07 | |
-That's right. -And what happened then? | 0:14:07 | 0:14:09 | |
I think we went there, Michael was dressed as a waiter, | 0:14:09 | 0:14:13 | |
Anush did not know about it at all. | 0:14:13 | 0:14:15 | |
I was not Michael yesterday, was I, I was...? | 0:14:15 | 0:14:17 | |
-No, Mario. -I was Mario. | 0:14:17 | 0:14:19 | |
Yeah! | 0:14:19 | 0:14:20 | |
-Yeah, you were Mario. -The restaurant was full of actors. | 0:14:21 | 0:14:25 | |
-Yeah. Completely. -Everything was fake. | 0:14:25 | 0:14:28 | |
-Except for Anush. -Yeah. | 0:14:28 | 0:14:29 | |
Let's take a look at how that panned out for you guys and Anush. | 0:14:29 | 0:14:34 | |
This was yesterday lunchtime. | 0:14:34 | 0:14:36 | |
Calamari fritti. Yeah. That one... | 0:14:36 | 0:14:40 | |
Yeah. | 0:14:40 | 0:14:42 | |
And then the risotto, the seafood risotto. | 0:14:42 | 0:14:45 | |
# When the moon hits your eye like a big pizza pie | 0:14:52 | 0:14:55 | |
# That's amore | 0:14:55 | 0:14:58 | |
# Amore | 0:14:58 | 0:15:01 | |
# When you walk in a dream | 0:15:01 | 0:15:04 | |
# And you know you're not dreaming | 0:15:04 | 0:15:10 | |
# That's amore! # | 0:15:10 | 0:15:16 | |
APPLAUSE | 0:15:16 | 0:15:20 | |
She's my sister. | 0:15:22 | 0:15:24 | |
# When the moon hits your eye like a big pizza pie | 0:15:34 | 0:15:39 | |
# That's amore | 0:15:39 | 0:15:42 | |
# When you walk in a dream | 0:15:43 | 0:15:47 | |
# And you know you're still dreaming | 0:15:47 | 0:15:49 | |
# Signore... # | 0:15:49 | 0:15:54 | |
Will you marry me? | 0:15:57 | 0:15:58 | |
Yes. | 0:15:58 | 0:16:00 | |
CHEERING | 0:16:00 | 0:16:02 | |
Bravo, bravo, bravo! | 0:16:02 | 0:16:04 | |
Bravo, bravo, bravo! I'm sorry. | 0:16:05 | 0:16:07 | |
Thank you! Champagne! | 0:16:07 | 0:16:11 | |
Champagne! Champagne! | 0:16:11 | 0:16:14 | |
Congratulations, thank you. | 0:16:14 | 0:16:16 | |
Twice! | 0:16:16 | 0:16:18 | |
-With a banjo. -Zuppa for you. Zuppa. -Thank you. -Thank you. | 0:16:26 | 0:16:30 | |
And very fresh calamari. | 0:16:30 | 0:16:34 | |
-Thank you. -This was swimming late last night. | 0:16:34 | 0:16:36 | |
Now, please... | 0:16:37 | 0:16:39 | |
Oh, my God! | 0:16:43 | 0:16:44 | |
-Swimming... -Can I have some chickpeas? | 0:16:46 | 0:16:49 | |
Oh, it looks disgusting. | 0:16:51 | 0:16:52 | |
Oh, there's something inside. | 0:16:52 | 0:16:53 | |
-Oh, good...! -It's a watch! | 0:16:53 | 0:16:56 | |
Massimo, my watch, what I...? | 0:16:59 | 0:17:03 | |
Massimo. | 0:17:03 | 0:17:04 | |
HE GASPS | 0:17:04 | 0:17:06 | |
Oh! I so sorry! | 0:17:09 | 0:17:11 | |
Oh, I sorry, it's, er... | 0:17:12 | 0:17:14 | |
Cos I was... Oh, so sorry! | 0:17:14 | 0:17:17 | |
I get you a... | 0:17:17 | 0:17:19 | |
Please. | 0:17:19 | 0:17:21 | |
It's my watch. Oh, no, this a Rolex. | 0:17:21 | 0:17:23 | |
Take it, take it, please, for... | 0:17:27 | 0:17:29 | |
It's better. Thank you. | 0:17:29 | 0:17:32 | |
Sorry. I so... | 0:17:32 | 0:17:34 | |
Sorry. | 0:17:34 | 0:17:35 | |
Oh, my God! | 0:17:35 | 0:17:37 | |
I was going to eat it! | 0:17:37 | 0:17:39 | |
Nice music, though. | 0:17:41 | 0:17:43 | |
Stacey! Stacey Solomano! | 0:18:17 | 0:18:18 | |
Oh! | 0:18:18 | 0:18:19 | |
HE SCREAMS | 0:18:19 | 0:18:21 | |
From the... | 0:18:21 | 0:18:22 | |
The Queen of Jungle! X Factor! | 0:18:22 | 0:18:25 | |
Loose Women, Loose Women! Loose Women, please. | 0:18:25 | 0:18:28 | |
Come in, favourite... Best table. | 0:18:28 | 0:18:31 | |
No. No. | 0:18:31 | 0:18:32 | |
This is best table. Move. | 0:18:32 | 0:18:33 | |
It's for Stacey. | 0:18:33 | 0:18:35 | |
Please, it's OK. Buongiorno, please. | 0:18:36 | 0:18:38 | |
It's OK. It's go... | 0:18:38 | 0:18:40 | |
Oh! Massimo! | 0:18:40 | 0:18:42 | |
Massimo, cheese. | 0:18:42 | 0:18:43 | |
Thank you. Please. | 0:18:45 | 0:18:47 | |
-Thank you. -Menus. | 0:18:47 | 0:18:49 | |
Thank you. Thank you. | 0:18:54 | 0:18:57 | |
Stacey. | 0:19:06 | 0:19:07 | |
-Stacey. -Mm? -You want to see, er, some fun? | 0:19:07 | 0:19:11 | |
-You want to see fun? -Yeah, OK. | 0:19:11 | 0:19:12 | |
I practise this many times. | 0:19:12 | 0:19:14 | |
Just pull the... | 0:19:14 | 0:19:16 | |
Oh, wow! Oh, wow! | 0:19:16 | 0:19:18 | |
I try! | 0:19:18 | 0:19:21 | |
And it's going to go very, very quick. You going to film it for me? | 0:19:21 | 0:19:24 | |
Brilliant. Only when hear it is... | 0:19:24 | 0:19:26 | |
Sst. | 0:19:26 | 0:19:28 | |
And everything will be here. | 0:19:28 | 0:19:29 | |
OK? You ready for this? | 0:19:29 | 0:19:31 | |
Massimo! | 0:19:36 | 0:19:37 | |
Nothing to see here! Sorry. | 0:19:37 | 0:19:40 | |
Massimo... Please no filming! | 0:19:43 | 0:19:45 | |
No! | 0:19:45 | 0:19:46 | |
Please. Stacey, I sorry. | 0:19:46 | 0:19:49 | |
-Please. -That was... -You promise, OK. | 0:19:49 | 0:19:50 | |
-It was close! -It will come back. | 0:19:50 | 0:19:52 | |
-Everything OK. -I hope so. | 0:19:52 | 0:19:54 | |
Oh! Sorry. | 0:19:54 | 0:19:55 | |
Do you...? You know Stacey singer? | 0:19:55 | 0:19:57 | |
-Yeah. -You like singing? | 0:19:57 | 0:19:58 | |
-Yeah. -How much you like singing? | 0:19:58 | 0:20:00 | |
A lot. | 0:20:00 | 0:20:02 | |
You like to sing? You have a good voice, because I know this, | 0:20:02 | 0:20:05 | |
-you know why? -Why? -Because Mama and Papa, they tell me this. | 0:20:05 | 0:20:09 | |
Because we are all here to surprise you. | 0:20:09 | 0:20:12 | |
Because of course I am not the worst waiter in the world. | 0:20:12 | 0:20:15 | |
I'm going to peel my face off. | 0:20:16 | 0:20:18 | |
-What?! -Whoa. | 0:20:18 | 0:20:20 | |
This is very scary for some people. | 0:20:20 | 0:20:23 | |
What is going on? | 0:20:23 | 0:20:25 | |
Oh, my God! This is not even my own hair! | 0:20:25 | 0:20:28 | |
What is happening? | 0:20:29 | 0:20:31 | |
What is even happening here? | 0:20:31 | 0:20:33 | |
What...? Who is this person? | 0:20:33 | 0:20:35 | |
Who is this? | 0:20:36 | 0:20:37 | |
Who is this person? | 0:20:37 | 0:20:39 | |
What's happening?! | 0:20:41 | 0:20:44 | |
It is indeed! | 0:20:44 | 0:20:47 | |
Anush, we're all here because your mum and dad | 0:20:47 | 0:20:49 | |
think you're absolutely amazing, | 0:20:49 | 0:20:51 | |
and they want you to come and sing on my TV show, | 0:20:51 | 0:20:54 | |
Michael McIntyre's Big Show, tomorrow night. | 0:20:54 | 0:20:58 | |
Are you joking? | 0:20:58 | 0:20:59 | |
I am not joking. | 0:20:59 | 0:21:00 | |
It's all for you, Anush... | 0:21:00 | 0:21:01 | |
-Can I have the wig? -You can...! | 0:21:01 | 0:21:04 | |
You can...! You can... Erm, you will be something | 0:21:04 | 0:21:06 | |
called the Unexpected Star Of The Show. | 0:21:06 | 0:21:08 | |
-Yes, I've watched it. -You've watched it. | 0:21:08 | 0:21:11 | |
Anush, will you be the unexpected star of my TV show tomorrow night? | 0:21:11 | 0:21:14 | |
-Yes. -Anush - are you up for it? | 0:21:14 | 0:21:16 | |
-Yeah. -You want to do it tomorrow night? | 0:21:16 | 0:21:18 | |
He's going to do it! | 0:21:18 | 0:21:20 | |
Yeah! | 0:21:20 | 0:21:21 | |
It's Anush! Yay! | 0:21:22 | 0:21:26 | |
What a funny guy! | 0:21:28 | 0:21:31 | |
Aw! What a character Anush is! | 0:21:33 | 0:21:37 | |
He obviously had a lot of fun. | 0:21:37 | 0:21:38 | |
That Gordon Ramsay line is funnier than anything | 0:21:38 | 0:21:42 | |
you'll see probably for the rest of this series! | 0:21:42 | 0:21:44 | |
All right, well, we're going to meet him. | 0:21:44 | 0:21:46 | |
We'll see how he does. It's a huge night for him. | 0:21:46 | 0:21:48 | |
Thank you so, so much for nominating him. | 0:21:48 | 0:21:50 | |
-Thank you. -Ladies and gentlemen, it's Anush's parents! | 0:21:50 | 0:21:52 | |
APPLAUSE | 0:21:52 | 0:21:54 | |
All right, it's all set, so let's meet him. | 0:21:54 | 0:21:58 | |
Ladies and gentlemen, | 0:22:01 | 0:22:02 | |
please welcome tonight's Unexpected Star Of The Show, it's Anush! | 0:22:02 | 0:22:08 | |
Yeah! | 0:22:16 | 0:22:20 | |
It's Anush, what a little champion! Oh! | 0:22:20 | 0:22:22 | |
Hey, there! Nice to see you! | 0:22:25 | 0:22:27 | |
-Anush. -Yes. | 0:22:27 | 0:22:29 | |
How are you feeling? | 0:22:29 | 0:22:31 | |
Wonderful. | 0:22:31 | 0:22:33 | |
And how was yesterday, how was lunch? | 0:22:33 | 0:22:35 | |
Erm, yeah, it was good, I didn't really eat much, but... | 0:22:35 | 0:22:39 | |
Tomato soup with a side of watch was nice as well. | 0:22:41 | 0:22:44 | |
Oh, really?! | 0:22:44 | 0:22:45 | |
And so, it was a big shock, big surprise. | 0:22:47 | 0:22:49 | |
-Yeah. -But have you felt nervous or excited about tonight? | 0:22:49 | 0:22:52 | |
Er, first I was feeling nervous, but when I went through it, | 0:22:52 | 0:22:56 | |
I got more confident. | 0:22:56 | 0:22:57 | |
And what you've got to remember about all these people, | 0:22:57 | 0:22:59 | |
they're so behind you, and they're just willing you to do well. | 0:22:59 | 0:23:02 | |
APPLAUSE 100%. | 0:23:02 | 0:23:05 | |
All right. So, you're going to go and get changed. | 0:23:05 | 0:23:08 | |
-Yeah. -And get ready. | 0:23:08 | 0:23:09 | |
-Yeah. -And perform for us tonight on this stage. | 0:23:09 | 0:23:11 | |
-Yes. -Ladies and gentlemen, | 0:23:11 | 0:23:12 | |
it's the absolutely wonderful and adorable Anush! | 0:23:12 | 0:23:15 | |
Come on, Anush! | 0:23:15 | 0:23:17 | |
APPLAUSE Thank you so much! | 0:23:17 | 0:23:20 | |
See you later, well done. | 0:23:20 | 0:23:22 | |
Ladies and gentlemen, now, it gives me great pleasure | 0:23:25 | 0:23:27 | |
to welcome the Grammy Award-winning pop sensations | 0:23:27 | 0:23:31 | |
whose videos have had over 2.7 billion views online! | 0:23:31 | 0:23:36 | |
It is the absolutely sensational... | 0:23:36 | 0:23:39 | |
Clean Bandit are here! | 0:23:39 | 0:23:40 | |
APPLAUSE | 0:23:40 | 0:23:42 | |
# I know you're out in Cabo | 0:23:56 | 0:23:58 | |
Hanging with your brother | 0:23:58 | 0:23:59 | |
# Wishin' that I was your bottle | 0:23:59 | 0:24:01 | |
# So I could be close to your lips again | 0:24:01 | 0:24:04 | |
# I know you didn't call your parents | 0:24:04 | 0:24:06 | |
# And tell them that we ended | 0:24:06 | 0:24:08 | |
# Cos you know that they'd be offended | 0:24:08 | 0:24:10 | |
# Did you not wanna tell them it's the end | 0:24:10 | 0:24:13 | |
# And I know we're not supposed to talk | 0:24:13 | 0:24:17 | |
# But I'm getting ahead of myself | 0:24:17 | 0:24:20 | |
# I get scared when we're not | 0:24:20 | 0:24:22 | |
# Cos I'm scared you're with somebody else | 0:24:22 | 0:24:24 | |
# So I guess that it's gone | 0:24:24 | 0:24:26 | |
# And I just keep lying to myself | 0:24:26 | 0:24:29 | |
# I can't believe it | 0:24:29 | 0:24:32 | |
# I, I miss you, yeah | 0:24:32 | 0:24:36 | |
# I miss you | 0:24:36 | 0:24:38 | |
# I miss you, yeah, I miss you | 0:24:38 | 0:24:41 | |
# Oh, I do | 0:24:41 | 0:24:43 | |
# I miss you, yeah | 0:24:43 | 0:24:45 | |
# I miss you | 0:24:45 | 0:24:47 | |
# Though I'm tryin' not to right now | 0:24:47 | 0:24:51 | |
# You weren't a fan of pictures | 0:24:59 | 0:25:01 | |
# So I hardly ever took 'em | 0:25:01 | 0:25:03 | |
# Got them saved in my mind from the bedroom | 0:25:03 | 0:25:05 | |
# So that way I can't forget your skin | 0:25:05 | 0:25:08 | |
# So I saved all the texts | 0:25:08 | 0:25:10 | |
# All of the best over the years | 0:25:10 | 0:25:12 | |
# Just to remind myself | 0:25:12 | 0:25:15 | |
# Of how good it is or was | 0:25:15 | 0:25:18 | |
# And I know we're not supposed to talk | 0:25:18 | 0:25:21 | |
# But I'm getting ahead of myself | 0:25:21 | 0:25:24 | |
# I get scared when we're not | 0:25:24 | 0:25:26 | |
# Cos I'm scared you're with somebody else | 0:25:26 | 0:25:28 | |
# So I guess that it's gone | 0:25:28 | 0:25:31 | |
# And I just keep lying to myself | 0:25:31 | 0:25:34 | |
# I can't believe it | 0:25:34 | 0:25:36 | |
# I, I miss you, yeah | 0:25:36 | 0:25:39 | |
# I miss you | 0:25:39 | 0:25:42 | |
# I miss you, yeah, I miss you | 0:25:42 | 0:25:45 | |
# Oh, I do | 0:25:45 | 0:25:46 | |
# I miss you, yeah, I miss you | 0:25:46 | 0:25:50 | |
# Though I'm tryin' not to right now | 0:25:50 | 0:25:55 | |
# So I saved all the texts | 0:26:04 | 0:26:06 | |
# All of the best over the years | 0:26:06 | 0:26:08 | |
# Just to remind myself of how good it is | 0:26:08 | 0:26:13 | |
# Yeah, I saved all the texts off of my ex | 0:26:13 | 0:26:15 | |
# Minus the tears | 0:26:15 | 0:26:17 | |
# Just to remind myself | 0:26:17 | 0:26:20 | |
# Of how good it is or was | 0:26:20 | 0:26:22 | |
# Cos I miss you, yeah | 0:26:22 | 0:26:25 | |
# I miss you | 0:26:25 | 0:26:27 | |
# I miss you, yeah, I miss you | 0:26:27 | 0:26:31 | |
# Oh, I do | 0:26:31 | 0:26:32 | |
# I miss you, yeah, I miss you | 0:26:32 | 0:26:35 | |
# Though I'm tryin' not to right now | 0:26:37 | 0:26:39 | |
# I can't help it, I just | 0:26:39 | 0:26:42 | |
# Though I'm tryin' not to right now | 0:26:54 | 0:26:57 | |
# How? I can't help it, I just. # | 0:26:57 | 0:27:00 | |
APPLAUSE Clean Bandit, ladies and gentlemen! | 0:27:00 | 0:27:04 | |
Hi, how are you? Nice to see you! | 0:27:06 | 0:27:08 | |
Hi, girls! Yay! | 0:27:08 | 0:27:10 | |
Oh, that was absolutely sensational! | 0:27:10 | 0:27:12 | |
Can I just also reassure viewers at home | 0:27:12 | 0:27:15 | |
that no zebras were harmed in the creation of these costumes! | 0:27:15 | 0:27:20 | |
Wonderful and glorious, | 0:27:20 | 0:27:21 | |
Clean Bandit, ladies and gentlemen, what about that? | 0:27:21 | 0:27:25 | |
Brilliant! Thank you, my friend! | 0:27:27 | 0:27:29 | |
Now, ladies and gentlemen, I'm here to ask you, | 0:27:33 | 0:27:36 | |
if we have karaoke fans in the house. | 0:27:36 | 0:27:40 | |
Please applaud if in your life if you have enjoyed karaoke. | 0:27:40 | 0:27:44 | |
Karaoke! | 0:27:44 | 0:27:46 | |
CHEERING So many karaoke fans, come on! | 0:27:46 | 0:27:51 | |
I have never done karaoke in my life, and I've always wanted to. | 0:27:51 | 0:27:54 | |
But no-one ever invited me to karaoke. | 0:27:54 | 0:27:56 | |
So, seeing as it's my show... | 0:27:56 | 0:27:58 | |
..we're going to have a little bit of karaoke. | 0:28:02 | 0:28:04 | |
Please sing along with me. | 0:28:04 | 0:28:06 | |
It's my first time. Everybody, please. | 0:28:06 | 0:28:08 | |
You know this one. | 0:28:08 | 0:28:10 | |
# Got a fist of pure emotion | 0:28:10 | 0:28:13 | |
# Got a head of shattered dreams | 0:28:13 | 0:28:16 | |
# Got to leave it | 0:28:16 | 0:28:17 | |
# Got to leave it all behind now... # | 0:28:17 | 0:28:21 | |
Come on! | 0:28:21 | 0:28:22 | |
# Whatever I said | 0:28:22 | 0:28:23 | |
# Whatever I did, I didn't mean it | 0:28:23 | 0:28:27 | |
# I just want you back for good | 0:28:27 | 0:28:30 | |
# Want you back, want you back | 0:28:30 | 0:28:32 | |
# Want you back for good... # | 0:28:32 | 0:28:34 | |
All right, round of applause for everybody! | 0:28:34 | 0:28:36 | |
Good start! | 0:28:36 | 0:28:38 | |
APPLAUSE | 0:28:38 | 0:28:41 | |
So, I need to know if we have other karaoke fans in the house. | 0:28:41 | 0:28:47 | |
Do we have other...? Are you, sir, a karaoke fan? | 0:28:47 | 0:28:50 | |
No. | 0:28:50 | 0:28:53 | |
Erm, madam, do you like a bit of...? | 0:28:53 | 0:28:55 | |
-No! -I see what's happening here. | 0:28:55 | 0:28:58 | |
You're trying to deny it. | 0:28:58 | 0:28:59 | |
Do you like karaoke, my friend? | 0:28:59 | 0:29:01 | |
-No. -No. | 0:29:01 | 0:29:02 | |
You're worried that I'm going to make you sing. | 0:29:02 | 0:29:05 | |
-Do you like karaoke? -No. -No? You don't like karaoke? | 0:29:05 | 0:29:08 | |
-Have you ever done karaoke? -Once. | 0:29:08 | 0:29:11 | |
You did karaoke once? When was that? | 0:29:11 | 0:29:14 | |
-Erm, recently, last week. -Last week? Where was that? -In Manchester. | 0:29:14 | 0:29:18 | |
Right. Where was that exactly? | 0:29:18 | 0:29:20 | |
I can't remember the name of the pub. | 0:29:20 | 0:29:22 | |
You can't remember the name of the pub. Let me jog your memory. | 0:29:22 | 0:29:25 | |
Was it this pub? | 0:29:28 | 0:29:30 | |
Is that the pub...Ashleigh? | 0:29:33 | 0:29:35 | |
-It was. -Can you stand up, please, for me, Ashleigh? | 0:29:36 | 0:29:39 | |
So, I've just heard the news, ladies and gentlemen, | 0:29:39 | 0:29:41 | |
that Ashleigh has only performed karaoke once. | 0:29:41 | 0:29:46 | |
Do you remember what you sung? | 0:29:47 | 0:29:49 | |
Erm, Take That. | 0:29:49 | 0:29:50 | |
-Take That. -Yeah. -What a coincidence, that's what I was singing. | 0:29:50 | 0:29:53 | |
-Yeah. -I wonder... | 0:29:53 | 0:29:56 | |
I wonder how we could find out how well you might have sung Take That. | 0:29:56 | 0:30:02 | |
Please don't tell me we were secretly filming you | 0:30:02 | 0:30:06 | |
doing your one and only karaoke? | 0:30:06 | 0:30:08 | |
To find out exactly how well, Ashleigh, you may have sung that, | 0:30:08 | 0:30:12 | |
who better to compare it against than the person I believe | 0:30:12 | 0:30:16 | |
is the very best at Take That karaoke. | 0:30:16 | 0:30:19 | |
Please welcome Gary Barlow! | 0:30:19 | 0:30:21 | |
APPLAUSE | 0:30:21 | 0:30:23 | |
Gary Barlow, ladies and gentlemen! | 0:30:23 | 0:30:26 | |
Oh, Ashleigh! Hi, Gary! | 0:30:30 | 0:30:33 | |
Good evening. | 0:30:33 | 0:30:34 | |
-This is Ashleigh. -Hi, Ashleigh. | 0:30:34 | 0:30:37 | |
-Hi. -How are you? | 0:30:37 | 0:30:39 | |
-I'm good. -Shocked? | 0:30:39 | 0:30:40 | |
Ashleigh's only done karaoke once. | 0:30:40 | 0:30:43 | |
It was in Manchester last weekend, | 0:30:43 | 0:30:44 | |
and she sung one of your wonderful songs. | 0:30:44 | 0:30:47 | |
-Really? -And tonight, she's going to be duetting that performance... | 0:30:47 | 0:30:50 | |
..with your wonderful self. | 0:30:53 | 0:30:55 | |
OK, Ashleigh, are you ready for this? | 0:30:57 | 0:30:59 | |
So, please, singing Greatest Day, | 0:30:59 | 0:31:02 | |
it's Gary Barlow, featuring Ashleigh! | 0:31:02 | 0:31:06 | |
Take it away! | 0:31:06 | 0:31:07 | |
# Today this could be, | 0:31:12 | 0:31:15 | |
# The greatest day of our lives | 0:31:15 | 0:31:19 | |
# Today this could be | 0:31:19 | 0:31:23 | |
# The greatest day of our lives | 0:31:23 | 0:31:27 | |
# Oh | 0:31:27 | 0:31:29 | |
# When the world comes alive | 0:31:29 | 0:31:33 | |
# And the world comes alive | 0:31:33 | 0:31:37 | |
# And the world comes alive | 0:31:37 | 0:31:41 | |
# Oh, oh, oh | 0:31:41 | 0:31:45 | |
# Stay close to me. # | 0:31:45 | 0:31:46 | |
Ashleigh, ladies and gentlemen! | 0:31:46 | 0:31:48 | |
Well done, well done. | 0:31:48 | 0:31:51 | |
OK. How did she do, Gary? | 0:31:53 | 0:31:55 | |
With just a little bit more work, she could get there. | 0:31:55 | 0:31:59 | |
A little bit more work, a little workshopping! | 0:31:59 | 0:32:01 | |
Now what I need to tell the whole audience here, ladies and gentlemen, | 0:32:01 | 0:32:04 | |
is that certain members of this audience are starting to panic. | 0:32:04 | 0:32:07 | |
Because they too may have frequented the Millstone pub in Manchester. | 0:32:09 | 0:32:13 | |
And of course by saying that, | 0:32:13 | 0:32:16 | |
I'm talking to you, Freddie. | 0:32:16 | 0:32:18 | |
Hey, Freddie. | 0:32:22 | 0:32:23 | |
Lovely to meet you. | 0:32:25 | 0:32:27 | |
Freddie, judging by that reaction, | 0:32:29 | 0:32:31 | |
you've forgotten that you were in the Millstone pub in Manchester. | 0:32:31 | 0:32:34 | |
Oh, no, I haven't! | 0:32:34 | 0:32:35 | |
You didn't forget that? | 0:32:35 | 0:32:37 | |
That's just come back to you. | 0:32:37 | 0:32:39 | |
It has now. | 0:32:39 | 0:32:40 | |
Ladies and gentlemen, singing Rule The World, | 0:32:40 | 0:32:44 | |
it's Gary Barlow featuring Freddie. | 0:32:44 | 0:32:47 | |
APPLAUSE | 0:32:47 | 0:32:50 | |
# Yeah, you and me | 0:32:53 | 0:32:55 | |
# We can ride on a star | 0:32:55 | 0:32:57 | |
# If you stay with me, girl | 0:32:57 | 0:33:00 | |
# We can rule the world | 0:33:00 | 0:33:03 | |
# Yeah, you and me | 0:33:03 | 0:33:06 | |
# We can light up the sky | 0:33:06 | 0:33:09 | |
# If you stay by my side | 0:33:09 | 0:33:11 | |
# We can rule the world | 0:33:11 | 0:33:15 | |
# Stars are out tonight | 0:33:15 | 0:33:18 | |
# They're lighting up the skies tonight. # | 0:33:18 | 0:33:22 | |
Good performance! | 0:33:22 | 0:33:23 | |
Gary, how was that sounding to you? | 0:33:23 | 0:33:26 | |
Amazing. | 0:33:26 | 0:33:28 | |
I forgot it was so high, that one. | 0:33:28 | 0:33:30 | |
Well, if only we had more of those. | 0:33:32 | 0:33:36 | |
If only someone else in this audience... | 0:33:37 | 0:33:40 | |
..if only someone else went to the Millstone. | 0:33:43 | 0:33:45 | |
It's Jack, ladies and gentlemen! | 0:33:45 | 0:33:48 | |
APPLAUSE | 0:33:48 | 0:33:50 | |
And here you are, Jack, singing the absolute classic Never Forget, | 0:33:51 | 0:33:56 | |
it's Gary Barlow featuring Jack, take it away. | 0:33:56 | 0:34:00 | |
# At night I see the hand that reminds me of the stand that I make | 0:34:02 | 0:34:09 | |
# The facts of reality | 0:34:09 | 0:34:13 | |
# Never forget where you're coming from | 0:34:13 | 0:34:17 | |
# Never pretend that it's all real | 0:34:17 | 0:34:22 | |
# Someday soon this will be someone else's dream | 0:34:22 | 0:34:29 | |
# Someone else's dream. # | 0:34:31 | 0:34:33 | |
Absolutely, good. | 0:34:37 | 0:34:38 | |
HE MIMICS TUNELESS SINGING | 0:34:38 | 0:34:42 | |
What about that one, Gary? | 0:34:45 | 0:34:46 | |
Another high one. | 0:34:46 | 0:34:48 | |
Another high one! | 0:34:48 | 0:34:50 | |
Well, ah, what a night that was. | 0:34:50 | 0:34:53 | |
What a... You weren't there, were you, sir? | 0:34:53 | 0:34:55 | |
-No. -You weren't there. | 0:34:55 | 0:34:57 | |
You know for a fact that you weren't there. | 0:34:57 | 0:34:59 | |
Pauline. | 0:35:00 | 0:35:02 | |
Pauline - what we're about to witness, Pauline, | 0:35:05 | 0:35:08 | |
is some of the best footage of anything I've ever seen. | 0:35:08 | 0:35:12 | |
Ladies and gentlemen, it's Pauline. | 0:35:13 | 0:35:15 | |
APPLAUSE | 0:35:15 | 0:35:17 | |
Pauline... | 0:35:19 | 0:35:20 | |
-Hello! -How are you? | 0:35:20 | 0:35:22 | |
-I'm well. -You all right? -Mm. | 0:35:22 | 0:35:24 | |
Say hi to Gary. | 0:35:24 | 0:35:25 | |
-Hello, Gary. -Hi. | 0:35:25 | 0:35:26 | |
Pauline - your karaoke was so good... | 0:35:26 | 0:35:31 | |
-No. No! -..we've broken it up into sections. | 0:35:31 | 0:35:33 | |
So, singing Could It Be Magic... | 0:35:35 | 0:35:38 | |
Oh, God! | 0:35:38 | 0:35:39 | |
-And I've got to be honest... -It's not! | 0:35:39 | 0:35:41 | |
..it's magic. | 0:35:41 | 0:35:43 | |
Please welcome Gary Barlow... | 0:35:43 | 0:35:45 | |
and Pauline! | 0:35:45 | 0:35:46 | |
APPLAUSE | 0:35:46 | 0:35:48 | |
# I could love you | 0:35:48 | 0:35:51 | |
# Yeah, build my world around you | 0:35:51 | 0:35:55 | |
# Never leave you till my life is done | 0:35:55 | 0:36:00 | |
OK, come on! | 0:36:00 | 0:36:01 | |
# Could it be magic now | 0:36:01 | 0:36:03 | |
# Come, come | 0:36:03 | 0:36:06 | |
# Come into my arms | 0:36:06 | 0:36:09 | |
# Let me feel the wonder of all of you. # | 0:36:09 | 0:36:15 | |
APPLAUSE | 0:36:15 | 0:36:18 | |
Sorry, no, no. Don't for a moment think that's it, Pauline. | 0:36:18 | 0:36:23 | |
Pauline, before we watch this next footage, | 0:36:24 | 0:36:26 | |
can I just confirm that you've got... | 0:36:26 | 0:36:28 | |
Have you got your bag with you tonight? | 0:36:28 | 0:36:30 | |
-Oh, no! -Oh. Well, that's good that you've got that close by tonight. | 0:36:30 | 0:36:34 | |
Play on, Gary. | 0:36:34 | 0:36:36 | |
It's Gary and Pauline! | 0:36:36 | 0:36:38 | |
# Oh, could this be the magic at last | 0:36:38 | 0:36:44 | |
# Sun, sun | 0:36:44 | 0:36:46 | |
Me bag! Me bag! | 0:36:46 | 0:36:47 | |
# Baby take me | 0:36:47 | 0:36:49 | |
Get me bag! | 0:36:49 | 0:36:51 | |
# High up on a hillside | 0:36:51 | 0:36:54 | |
# High up where the stallion meets the sun... # | 0:36:54 | 0:36:59 | |
And dance! | 0:36:59 | 0:37:02 | |
APPLAUSE | 0:37:02 | 0:37:05 | |
Will you watch me bag! Me bag! | 0:37:08 | 0:37:11 | |
Me bag! Me bag! | 0:37:11 | 0:37:13 | |
# Now, now... # | 0:37:15 | 0:37:18 | |
APPLAUSE | 0:37:18 | 0:37:21 | |
You've been so brilliant, thank you. | 0:37:21 | 0:37:24 | |
Pauline! Absolutely fantastic. All right, | 0:37:24 | 0:37:29 | |
well, what... | 0:37:29 | 0:37:32 | |
Well done for dealing with that extraordinary surprise. | 0:37:32 | 0:37:35 | |
I have to say, | 0:37:35 | 0:37:36 | |
anybody else, even if by accident you've been in the Millstone pub | 0:37:36 | 0:37:39 | |
in Manchester, we have no more footage. | 0:37:39 | 0:37:41 | |
Just out of interest, has anybody else ever sung Take That, | 0:37:41 | 0:37:45 | |
Take That karaoke? | 0:37:45 | 0:37:47 | |
-Never. -No? Take That karaoke? | 0:37:47 | 0:37:48 | |
-Never. -Never. Take That kara... | 0:37:48 | 0:37:50 | |
You've never sung Take That karaoke? | 0:37:50 | 0:37:52 | |
-N-no. -Never. And your wife has never... | 0:37:52 | 0:37:54 | |
-No. -No? You've never sung karaoke? | 0:37:54 | 0:37:56 | |
Take That? | 0:37:56 | 0:37:58 | |
Once. | 0:38:00 | 0:38:02 | |
Oh! The truth comes out! | 0:38:02 | 0:38:04 | |
You've sung it once. | 0:38:04 | 0:38:05 | |
When was that? | 0:38:05 | 0:38:07 | |
-When was that? -Er, when were we away? | 0:38:07 | 0:38:09 | |
-About eight week ago. -Where were you? | 0:38:09 | 0:38:12 | |
-Mallorca. -Mallorca? | 0:38:12 | 0:38:13 | |
OK, well, you're safe, because, I'm sorry, you know, | 0:38:15 | 0:38:17 | |
there's no way we went to Mallorca. | 0:38:17 | 0:38:20 | |
Where was it, though, in Mallorca? | 0:38:20 | 0:38:22 | |
Betty's Bar in Cala Egos. | 0:38:26 | 0:38:28 | |
Oh, Betty's Bar! | 0:38:28 | 0:38:31 | |
Oh, dear! Oh, dear, Tony! | 0:38:37 | 0:38:40 | |
Tony and Andrea, if you don't mind, can I ask you to stand up? | 0:38:40 | 0:38:44 | |
Thank you so much. | 0:38:44 | 0:38:46 | |
I hope you had a lovely holiday. | 0:38:46 | 0:38:49 | |
Good holiday in Mallorca? | 0:38:50 | 0:38:51 | |
-Fantastic. -Lovely holiday? | 0:38:51 | 0:38:53 | |
-Quality. -How was the weather, weather good? | 0:38:53 | 0:38:55 | |
-Weather good? -OK. -Bit burnt, didn't you? | 0:38:55 | 0:38:58 | |
-Got a bit burnt? -Yes, a bit burnt. | 0:38:58 | 0:39:00 | |
A bit burnt. A bit of sunstroke may have kicked in. | 0:39:00 | 0:39:02 | |
Ladies and gentlemen, singing Rule The World, | 0:39:05 | 0:39:09 | |
it's Gary Barlow, and Tony and Andrea in Mallorca! | 0:39:09 | 0:39:13 | |
# You've saved my soul | 0:39:16 | 0:39:19 | |
# Don't leave me now | 0:39:19 | 0:39:22 | |
# Don't leave me now | 0:39:22 | 0:39:25 | |
# Oh | 0:39:25 | 0:39:27 | |
-HE STUMBLES: -# You, me... | 0:39:27 | 0:39:29 | |
# Ride on a star | 0:39:29 | 0:39:31 | |
# You can stay with me, girl | 0:39:31 | 0:39:34 | |
-OUT OF TUNE: -# You rule my world! | 0:39:34 | 0:39:38 | |
# You, me... | 0:39:38 | 0:39:40 | |
# Ride on a star | 0:39:41 | 0:39:43 | |
# If you stay by my side | 0:39:43 | 0:39:46 | |
# Rule my world! | 0:39:46 | 0:39:50 | |
# Ooh! # | 0:39:51 | 0:39:53 | |
Tony and Andrea, ladies and gentlemen! Thank you so, so much. | 0:39:54 | 0:39:58 | |
Thank you, Andrea, that was brilliant. | 0:39:58 | 0:40:00 | |
Well done, well done. | 0:40:00 | 0:40:01 | |
You're never safe. You're never safe! | 0:40:01 | 0:40:03 | |
Please, give it up for all our karaoke singers! | 0:40:03 | 0:40:06 | |
And, of course, the absolutely sensational and legendary, | 0:40:09 | 0:40:12 | |
it's Gary Barlow! | 0:40:12 | 0:40:13 | |
-Oh, my God! Nearly a full smacker from Barlow! -Thank you. | 0:40:19 | 0:40:23 | |
Wasn't Gary absolutely sensational? | 0:40:23 | 0:40:25 | |
What a surprise! | 0:40:25 | 0:40:26 | |
Gary, now, listen, the news is that the band, this musical, | 0:40:29 | 0:40:32 | |
I've heard it's absolutely sensational. | 0:40:32 | 0:40:34 | |
Absolutely, and also we've just extended for another year, | 0:40:34 | 0:40:37 | |
so it's going really, really well. | 0:40:37 | 0:40:39 | |
-Amazing. -So, keep your diaries open. | 0:40:39 | 0:40:41 | |
Put it in your diaries, put it in all of your diaries, it's happening. | 0:40:41 | 0:40:44 | |
And of course, all of you karaoke singers have been invited personally | 0:40:44 | 0:40:48 | |
by Gary to join him on his brand-new solo tour, special guests. | 0:40:48 | 0:40:53 | |
You're all invited! You're all coming! | 0:40:53 | 0:40:56 | |
-See you there, everyone! -Next week, Gary Barlow, on tour. | 0:40:56 | 0:40:59 | |
Please come along - just don't sing! | 0:40:59 | 0:41:01 | |
OK. | 0:41:01 | 0:41:03 | |
You're coming. Don't forget your bag! | 0:41:03 | 0:41:07 | |
Ladies and gentlemen, one more time for all our karaoke singers, | 0:41:07 | 0:41:09 | |
and of course the fantastic... That was so brilliant, so funny. | 0:41:09 | 0:41:12 | |
Thank you. Gary Barlow, ladies and gentlemen! | 0:41:12 | 0:41:14 | |
MUSIC: Relight My Fire by Take That | 0:41:14 | 0:41:17 | |
OK, ladies and gentlemen, I am now totally thrilled to introduce | 0:41:20 | 0:41:24 | |
an award-winning and hilarious stand-up comedian. | 0:41:24 | 0:41:27 | |
I absolutely love this guy. I'm thrilled to have him on my show. | 0:41:27 | 0:41:29 | |
Please welcome the fantastic Mr Russell Kane is here! | 0:41:29 | 0:41:32 | |
Go on, Kaney! | 0:41:32 | 0:41:34 | |
I don't know if there's any single people in the room. Any single...? | 0:41:42 | 0:41:45 | |
-CHEERING -Right. OK. | 0:41:45 | 0:41:47 | |
Particularly single ladies, because I know you love stuff like this. | 0:41:47 | 0:41:50 | |
I'm a bit old, yeah, and at the last minute, | 0:41:50 | 0:41:52 | |
I've discovered the secret for happiness. | 0:41:52 | 0:41:53 | |
All the things we tie ourselves up in knots. | 0:41:53 | 0:41:55 | |
You see, you have to be the same religion, | 0:41:55 | 0:41:57 | |
you have to be the same race, same language. | 0:41:57 | 0:41:59 | |
You have to have a lot in common. All nonsense, right? | 0:41:59 | 0:42:01 | |
There's only one thing that matters, and when I say this, | 0:42:01 | 0:42:04 | |
you'll look back at all your relationships that didn't work. | 0:42:04 | 0:42:06 | |
Attuned energies, opposite energy types. | 0:42:06 | 0:42:10 | |
Every happy couple in this room is comprised of one of each. | 0:42:10 | 0:42:13 | |
One, an intense, one like me, | 0:42:13 | 0:42:15 | |
bouncing out of bed with loads of energy at 6am. | 0:42:15 | 0:42:17 | |
Never late, always paying the bills on time. | 0:42:17 | 0:42:19 | |
"Is it a traffic jam? I don't think so, we'll get there, | 0:42:19 | 0:42:21 | |
"we'll get past it anyway. I'll clean the dishwasher, | 0:42:21 | 0:42:23 | |
"then I'll take the kids to school." One of those. | 0:42:23 | 0:42:26 | |
And sat next to you will be a "Life's too short, chill out, man, | 0:42:26 | 0:42:29 | |
"what are you getting so stressed for? | 0:42:29 | 0:42:31 | |
"Seriously! Be like me, I went to Thailand when I was 18, | 0:42:31 | 0:42:34 | |
"I don't do stress. I don't pay bills, | 0:42:34 | 0:42:36 | |
"I leave them for other people to worry about instead. | 0:42:36 | 0:42:39 | |
"Oh, is it a traffic jam? Doesn't matter, we can play a word game. | 0:42:39 | 0:42:41 | |
"Kill some time." | 0:42:41 | 0:42:43 | |
Are you a couple? | 0:42:44 | 0:42:45 | |
Who's the chilled out one out of the two of you? | 0:42:45 | 0:42:47 | |
I can just tell. Look at the eyes. | 0:42:47 | 0:42:49 | |
Half-closed, relaxed. | 0:42:49 | 0:42:51 | |
He's just sat there thinking, "What's going to happen now? | 0:42:51 | 0:42:53 | |
"Is the camera going to come on me? Might be a quite a long queue on the | 0:42:53 | 0:42:56 | |
"way out, it's 2,000 people in here, what about our parking, | 0:42:56 | 0:42:59 | |
"how do we get home? What time's the last train?" Everything! | 0:42:59 | 0:43:01 | |
She's just sat there going, | 0:43:01 | 0:43:02 | |
"Look at all the lights and colours and sounds!" | 0:43:02 | 0:43:05 | |
Bed. Sleep. | 0:43:09 | 0:43:11 | |
Is there anything more irritating than people | 0:43:11 | 0:43:13 | |
who can fall asleep anywhere, any time? | 0:43:13 | 0:43:15 | |
Do you know what, sometimes at a festival, I fall asleep against | 0:43:15 | 0:43:18 | |
the techno-speaker, just rock to sleep like that. | 0:43:18 | 0:43:20 | |
I'm not an insomniac. I need perfect conditions for sleep. | 0:43:22 | 0:43:27 | |
There'll be half this room. Don't be shy in supporting me, yeah? | 0:43:27 | 0:43:30 | |
Half... I need perfect conditions, I need 20 degrees Celsius, | 0:43:30 | 0:43:33 | |
blackout curtain, complete silence. If I hear a pin drop, | 0:43:33 | 0:43:36 | |
"Oh, I'm going to think about interest rates till 6am." | 0:43:36 | 0:43:38 | |
I'm gone. "What if it goes up a full 1%?" | 0:43:38 | 0:43:41 | |
Panic attack till 5am. | 0:43:41 | 0:43:42 | |
And who do we marry? | 0:43:44 | 0:43:45 | |
Who do we live with and sleep next to? | 0:43:45 | 0:43:47 | |
You, the easy sleepers. | 0:43:47 | 0:43:48 | |
We're cursed to see this face. | 0:43:49 | 0:43:51 | |
D'you know how many times you've had a fist hovering over that face? | 0:43:55 | 0:43:58 | |
You can sleep. | 0:44:00 | 0:44:01 | |
You can sleep forever if you like! D'you want to sleep forever?! | 0:44:01 | 0:44:05 | |
Nothing stops these people falling asleep. | 0:44:08 | 0:44:10 | |
Nothing! "Oh, my God, I'm going to being made redundant, | 0:44:10 | 0:44:12 | |
there's no way I'm going to be able to..." No difference! | 0:44:12 | 0:44:15 | |
You've lost your job, have a bit of self-respect, where's your insomnia? | 0:44:17 | 0:44:20 | |
Nothing wakes these people! Nothing! | 0:44:21 | 0:44:24 | |
"There was a storm last night." "Was there storm?!" | 0:44:24 | 0:44:27 | |
"A tree came through the window." "Oh, yeah!" | 0:44:28 | 0:44:31 | |
They don't recline a seat that can be reclined. | 0:44:36 | 0:44:40 | |
The cockiness of it. | 0:44:40 | 0:44:42 | |
The eight-hour drive, London to Edinburgh. | 0:44:42 | 0:44:44 | |
Put the seat back. No need. | 0:44:44 | 0:44:45 | |
The annoying dead bird head bobbing around with a string of dribble. | 0:44:47 | 0:44:51 | |
Never waking, not even at the service station. | 0:44:51 | 0:44:54 | |
-"Oh, are we in Edinburgh already? It went so quickly." -Did it?! | 0:44:54 | 0:44:57 | |
With me driving, Muggy Mugden? | 0:44:58 | 0:45:00 | |
Lindsey's my partner - I know, I'm married to a woman... | 0:45:02 | 0:45:04 | |
Surprise, I like girls! | 0:45:04 | 0:45:06 | |
Who'd have thought it? | 0:45:07 | 0:45:09 | |
Me and Lindsey, never, can't do romantic movies. | 0:45:09 | 0:45:12 | |
Can't. We can't. I've spent money... | 0:45:12 | 0:45:14 | |
Has anyone got one of the projector screens that come down? | 0:45:14 | 0:45:16 | |
I spent money on blackout curtains to get it as dark as possible. | 0:45:16 | 0:45:19 | |
Can't watch it. Can't. Even in the afternoon. D'you know why? | 0:45:19 | 0:45:22 | |
"Please leave a lamp on? Can we leave a lamp on before | 0:45:22 | 0:45:24 | |
"we put the movie on?" Why? "Because if you don't leave a lamp on, | 0:45:24 | 0:45:26 | |
"I'll fall asleep during the film." | 0:45:26 | 0:45:28 | |
Are you a budgie? Is that how basic your biology is? | 0:45:28 | 0:45:33 | |
That simply being in darkness causes you to lose consciousness? | 0:45:34 | 0:45:38 | |
"Oh, no, the light's gone out, I'll fall asleep till my millet arrives." | 0:45:38 | 0:45:41 | |
Thanks very much. | 0:45:41 | 0:45:43 | |
Then I catch her sneaking sleep in, that winds me up. | 0:45:43 | 0:45:46 | |
"Admit it! You're falling asleep." | 0:45:46 | 0:45:48 | |
"I'm not." "Admit it, and we won't argue." | 0:45:48 | 0:45:51 | |
Right? She does lizard blinks. | 0:45:51 | 0:45:53 | |
Have you ever seen those? The person pretending | 0:45:53 | 0:45:55 | |
they're not falling asleep. They do a long blink, and... | 0:45:55 | 0:45:57 | |
sneak in a bit of sleep with it. | 0:45:57 | 0:45:59 | |
"It was a lizard blink!" | 0:46:03 | 0:46:05 | |
"I saw it!" "It wasn't!" Right, and I do a punishment rewind. | 0:46:05 | 0:46:08 | |
"We'll watch that scene again." | 0:46:08 | 0:46:10 | |
"We will watch that scene again until you absorb it." | 0:46:10 | 0:46:13 | |
Oh, what a catch I am, girls, I know! | 0:46:15 | 0:46:17 | |
D'you know the worst thing these people do? | 0:46:18 | 0:46:21 | |
They don't get up for a wee in the night! | 0:46:21 | 0:46:24 | |
How are you doing it, you camel-bladdered freaks?! | 0:46:24 | 0:46:27 | |
How are you doing it, you asbestos-torsoed weirdos?! | 0:46:27 | 0:46:31 | |
I did an experiment, sir. | 0:46:32 | 0:46:34 | |
I drunk nothing all day, thimble of Horlicks before I went to bed. | 0:46:34 | 0:46:37 | |
Made no difference. | 0:46:37 | 0:46:39 | |
Still, 2am jet of wee, | 0:46:39 | 0:46:41 | |
4am, jet of wee, 6am.... | 0:46:41 | 0:46:42 | |
I don't know if any of the girls are aware of this, | 0:46:42 | 0:46:44 | |
but sometimes I'm so tired, I do a sit-down wee whilst crying. | 0:46:44 | 0:46:47 | |
"I can't stop thinking about interest rates - what if they go up? | 0:46:50 | 0:46:53 | |
"It's good for savers, but not for homeowners..." | 0:46:53 | 0:46:55 | |
Lindsey, no difference. | 0:46:57 | 0:46:59 | |
Midnight - "I'll have a gallon of Ribena." | 0:46:59 | 0:47:01 | |
12 hours' sleep, power whizz. | 0:47:03 | 0:47:04 | |
Ladies and gentlemen, thank you very much for listening! | 0:47:14 | 0:47:17 | |
I've been Russell Kane! Goodnight! | 0:47:17 | 0:47:19 | |
Kaney! | 0:47:22 | 0:47:23 | |
That's a really cool story! | 0:47:24 | 0:47:27 | |
Russell Kane, ladies and gentlemen! | 0:47:27 | 0:47:29 | |
Yay! | 0:47:29 | 0:47:31 | |
OK. It's time to find out what replies Danny Dyer | 0:47:36 | 0:47:40 | |
has got on his mobile phone. | 0:47:40 | 0:47:42 | |
Are you ready to play Send To All? | 0:47:42 | 0:47:44 | |
CHEERING | 0:47:44 | 0:47:46 | |
OK. So, earlier tonight, | 0:47:47 | 0:47:49 | |
this is the message that I sent into Danny's phone. | 0:47:49 | 0:47:52 | |
I took a photo on your phone and sent it with the text of | 0:47:52 | 0:47:56 | |
an official letter from Downing Street, | 0:47:56 | 0:47:59 | |
inviting you on behalf of the Queen to become a knight of the realm. | 0:47:59 | 0:48:04 | |
And with that photograph was this text. | 0:48:04 | 0:48:07 | |
Hammer emoji. | 0:48:21 | 0:48:23 | |
Yes! Well, that has gone. | 0:48:25 | 0:48:27 | |
And I think we should just crack on, and I'll just go through them | 0:48:27 | 0:48:31 | |
-one by one. -Yeah. -So, Danny Boy...? | 0:48:31 | 0:48:33 | |
He played my on-screen son, Lee. | 0:48:33 | 0:48:35 | |
-Oh, he's opened with the word "mental". -Men'al. | 0:48:35 | 0:48:38 | |
"Not buying it, though. | 0:48:38 | 0:48:39 | |
"Love you, Pop, but only a nutcase would knight ya." | 0:48:39 | 0:48:42 | |
That's a funny one! Triple kiss. | 0:48:50 | 0:48:52 | |
Oh, Example...? Is that the rapper? | 0:48:52 | 0:48:55 | |
-Yeah, yeah, he's... -The rapper Example. | 0:48:55 | 0:48:58 | |
"Can't go wrong, mate. Free use of her castles." | 0:48:58 | 0:49:01 | |
-Proper geezer. -You've got funny friends! | 0:49:04 | 0:49:06 | |
Er, Uncle Pete...? | 0:49:06 | 0:49:08 | |
Yeah, my uncle, Pete. | 0:49:08 | 0:49:09 | |
LAUGHTER | 0:49:09 | 0:49:11 | |
Classic! | 0:49:13 | 0:49:14 | |
"Dan, you can't say no. | 0:49:16 | 0:49:18 | |
"Your image as a hard man will not be affected. | 0:49:18 | 0:49:21 | |
"It will be an honour to accept any award for your achievements. | 0:49:21 | 0:49:25 | |
-"Much love, Mucker." -Aw. | 0:49:25 | 0:49:26 | |
That's so sweet. | 0:49:26 | 0:49:28 | |
That is so sweet. | 0:49:28 | 0:49:30 | |
Oh! | 0:49:30 | 0:49:32 | |
I want you to be knighted now! | 0:49:34 | 0:49:36 | |
OK, Tolo. Who's Tolo? | 0:49:37 | 0:49:39 | |
-Brother-in-law. -Brother-in-law. | 0:49:39 | 0:49:41 | |
"What hard man image, LOL?! | 0:49:41 | 0:49:42 | |
"That is serious. | 0:49:45 | 0:49:46 | |
"Is there any day which is normal for you? | 0:49:46 | 0:49:49 | |
"But what a massive achievement. | 0:49:49 | 0:49:51 | |
"Next you're going to tell me you're going in the jungle." | 0:49:51 | 0:49:55 | |
It's like that's above a knighthood! | 0:49:55 | 0:49:57 | |
"By the way, I've got four tickets from Alan for the Swansea game. | 0:49:59 | 0:50:02 | |
"But not VIP." | 0:50:02 | 0:50:03 | |
"Not VIP?! I'm a sir." | 0:50:06 | 0:50:09 | |
How fun! How amazing that everybody, apart from your on-screen son, | 0:50:12 | 0:50:17 | |
-thinks you're going to be Sir Danny Dyer! -I know! | 0:50:17 | 0:50:20 | |
It's the letter! | 0:50:20 | 0:50:21 | |
Oh, Alan Carr! | 0:50:21 | 0:50:23 | |
Alan Carr! | 0:50:23 | 0:50:25 | |
Alan's gone... HE IMITATES ALAN CARR: "Oh, my God. Really?! | 0:50:25 | 0:50:28 | |
"They're having a laugh. | 0:50:28 | 0:50:29 | |
"No, seriously they must be having a laugh! | 0:50:29 | 0:50:31 | |
"No offence, love, but really...? | 0:50:31 | 0:50:34 | |
"Surely it's a wind-up. | 0:50:35 | 0:50:37 | |
"No offence, love, but really?!" | 0:50:37 | 0:50:39 | |
It's Alan Carr! Good one. | 0:50:40 | 0:50:43 | |
Go on, Al! | 0:50:43 | 0:50:44 | |
All right, Large Ed. Who's...? | 0:50:46 | 0:50:48 | |
-It's my brother. -It's your brother, OK. | 0:50:48 | 0:50:50 | |
Got a massive head. | 0:50:50 | 0:50:51 | |
He has, he has. | 0:51:05 | 0:51:07 | |
OK. He's gone, "Ha-ha, as if you'd ever turn your nose up at that. | 0:51:07 | 0:51:11 | |
"And what hard man image?! | 0:51:11 | 0:51:12 | |
"You couldn't punch your way out of a wet paper bag!" | 0:51:12 | 0:51:15 | |
Oh, my God, that's so funny. | 0:51:19 | 0:51:21 | |
OK, I'm not even going to ask you because I've fallen for this before, | 0:51:21 | 0:51:24 | |
what this person does. Stuart Removal. | 0:51:24 | 0:51:26 | |
I presume he is a removal man. | 0:51:26 | 0:51:28 | |
Very good removal man as well. | 0:51:28 | 0:51:30 | |
OK! Stuart Removal has said, "Hi, mate, it's Stu, who moved you. | 0:51:30 | 0:51:36 | |
"I think you sent me this by mistake. | 0:51:38 | 0:51:40 | |
"And don't worry, I'm trustworthy, mate. | 0:51:40 | 0:51:42 | |
"But just check that you haven't sent it to anyone else, | 0:51:42 | 0:51:45 | |
"because in the wrong hands, well, I don't have to tell you." | 0:51:45 | 0:51:48 | |
Oh, Jimmy Carr's popped in... | 0:51:52 | 0:51:54 | |
"You can't mug off the Queen. | 0:51:54 | 0:51:56 | |
"Accept it, you Cockney legend." | 0:52:02 | 0:52:04 | |
Natalie Cassidy from EastEnders. | 0:52:06 | 0:52:08 | |
"Oh, Danny! | 0:52:08 | 0:52:10 | |
"I think it's amazing. | 0:52:10 | 0:52:12 | |
"Are you sure it's not a wind-up? | 0:52:12 | 0:52:13 | |
"If no-one is having you on, you've got to go for it, my boy. | 0:52:15 | 0:52:19 | |
"That is the nuts. | 0:52:19 | 0:52:20 | |
"Blimey, first Brexit, now Dyer's getting a knighthood!" | 0:52:20 | 0:52:24 | |
I think that is, without a doubt, one of my favourite ever | 0:52:31 | 0:52:35 | |
Send To Alls. No-one has been a better sport than you, Danny. | 0:52:35 | 0:52:37 | |
-Thank you. -Thank you so, so much for being here. | 0:52:37 | 0:52:40 | |
Ladies and gentlemen, the fantastic Mr Danny Dyer! | 0:52:40 | 0:52:43 | |
What a legend! | 0:52:43 | 0:52:44 | |
Fantastic! Well done, Danny. | 0:52:44 | 0:52:47 | |
OK. Yesterday, ladies and gentlemen, we surprised our Unexpected Star, | 0:52:48 | 0:52:53 | |
11-year-old Anush, at his local Italian restaurant. | 0:52:53 | 0:52:57 | |
Since then, with the help of our team, | 0:52:57 | 0:53:00 | |
he's been preparing for the performance of his young life. | 0:53:00 | 0:53:04 | |
Let's find out how Anush has been getting on since then. | 0:53:04 | 0:53:08 | |
So, we went to this restaurant, this waiter comes, | 0:53:10 | 0:53:14 | |
and he was acting very, very weird. | 0:53:14 | 0:53:16 | |
Then he pulled off the face and it was Michael McIntyre. | 0:53:16 | 0:53:19 | |
I was speechless, I didn't know what to do. | 0:53:19 | 0:53:22 | |
Hi, Anush, how are you? | 0:53:22 | 0:53:23 | |
I think Anush is handling everything really well. | 0:53:23 | 0:53:26 | |
It's quite a tiring song for him, it's quite high, | 0:53:26 | 0:53:28 | |
so we're trying not to push his vocal too much. | 0:53:28 | 0:53:30 | |
I'm going to do the song in front of all those people. | 0:53:30 | 0:53:33 | |
So long as I can't see their faces, I'm happy. | 0:53:33 | 0:53:36 | |
LAUGHTER | 0:53:36 | 0:53:37 | |
Hide your faces! | 0:53:37 | 0:53:39 | |
Please give him all your love on the biggest, and latest, | 0:53:41 | 0:53:44 | |
night of his life. | 0:53:44 | 0:53:46 | |
It's Anush! | 0:53:46 | 0:53:47 | |
# When... # | 0:54:05 | 0:54:08 | |
CHEERING AND APPLAUSE | 0:54:08 | 0:54:10 | |
# I had you | 0:54:10 | 0:54:17 | |
# I treated you bad | 0:54:17 | 0:54:24 | |
# And wrong, my dear | 0:54:24 | 0:54:26 | |
# And, girl, since | 0:54:26 | 0:54:30 | |
# Since you went away | 0:54:30 | 0:54:34 | |
# Don't you know, I sit around | 0:54:34 | 0:54:39 | |
# With my head hanging down | 0:54:39 | 0:54:44 | |
# And I wonder | 0:54:44 | 0:54:47 | |
# Who's lovin' you | 0:54:47 | 0:54:50 | |
# I, I, I, I | 0:54:52 | 0:54:57 | |
# Should have never ever | 0:55:04 | 0:55:09 | |
# Ever made you cry | 0:55:09 | 0:55:12 | |
# And, girl, since | 0:55:12 | 0:55:15 | |
# Since you've been gone | 0:55:15 | 0:55:20 | |
# Don't you know, I sit around | 0:55:20 | 0:55:25 | |
# With my head hanging down | 0:55:25 | 0:55:30 | |
# And I wonder | 0:55:30 | 0:55:33 | |
# Who's lovin' you | 0:55:33 | 0:55:38 | |
# Life without love | 0:55:38 | 0:55:44 | |
# Is oh so lonely | 0:55:44 | 0:55:48 | |
# I don't think, I don't think | 0:55:49 | 0:55:52 | |
# I'm gonna make it | 0:55:52 | 0:55:56 | |
# All my life, all my life, yeah | 0:55:56 | 0:56:01 | |
# Belongs to you only | 0:56:01 | 0:56:05 | |
# Come on and take it, girl | 0:56:07 | 0:56:11 | |
# Come on and take it, because | 0:56:11 | 0:56:14 | |
# All | 0:56:14 | 0:56:19 | |
# All I can do | 0:56:23 | 0:56:25 | |
# All I can do since you've been gone is cry | 0:56:25 | 0:56:30 | |
# Don't you know, I sit around | 0:56:31 | 0:56:36 | |
# With my head hanging down | 0:56:36 | 0:56:40 | |
# And I wonder | 0:56:40 | 0:56:43 | |
# Who's | 0:56:43 | 0:56:48 | |
# Lovin' you | 0:56:48 | 0:56:54 | |
# I, I, I | 0:56:59 | 0:57:02 | |
# I do, oh, yeah | 0:57:02 | 0:57:06 | |
# I, I wonder | 0:57:09 | 0:57:13 | |
# Who lovin' you-ooh. # | 0:57:16 | 0:57:22 | |
Oh, Anush! Well, well, well, well, well done! | 0:57:38 | 0:57:43 | |
Ladies and gentlemen, our Unexpected Star of tonight's show, Anush! | 0:57:43 | 0:57:46 | |
What a talent! | 0:57:46 | 0:57:47 | |
-How do you feel after that, Anush? -I don't know. | 0:57:51 | 0:57:54 | |
That was crazy. Did you enjoy it, did you feel relaxed? | 0:57:54 | 0:57:56 | |
-A lot, yeah. -Have you ever heard a noise like that? | 0:57:56 | 0:57:59 | |
No! | 0:57:59 | 0:58:01 | |
Embarrassingly, neither have I! | 0:58:01 | 0:58:03 | |
That is what we call bringing the house down. | 0:58:05 | 0:58:07 | |
That was sensational. | 0:58:07 | 0:58:09 | |
Go to bed. | 0:58:09 | 0:58:10 | |
You're amazing. Thank you, Anush. | 0:58:12 | 0:58:14 | |
One more time for our Unexpected Star. Anush! | 0:58:14 | 0:58:16 | |
Thank you! | 0:58:16 | 0:58:17 | |
Ladies and gentlemen, thank you to all the performers that we've had on | 0:58:22 | 0:58:24 | |
here tonight. | 0:58:24 | 0:58:26 | |
Thank you so much for coming! Goodnight! | 0:58:26 | 0:58:28 | |
Bye-bye! | 0:58:28 | 0:58:29 | |
If you know somebody you'd like to nominate to be | 0:58:33 | 0:58:35 | |
an Unexpected Star Of The Show for the next series, | 0:58:35 | 0:58:38 | |
or in fact want to nominate someone for any surprise, | 0:58:38 | 0:58:41 | |
please go to bbc.co.uk/bigshow for all the details. | 0:58:41 | 0:58:45 |