Browse content similar to Episode 9. Check below for episodes and series from the same categories and more!
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This programme contains very strong language. | 0:00:02 | 0:00:06 | |
-You've contracted a rare and tedious reverse-ageing condition. -Oh, dear. No, that IS a blow. | 0:00:06 | 0:00:12 | |
Is there anything I can do? | 0:00:12 | 0:00:13 | |
Nothing. Absolutely nothing. | 0:00:13 | 0:00:16 | |
Although... | 0:00:16 | 0:00:17 | |
there IS an antidote. | 0:00:17 | 0:00:20 | |
Right. | 0:00:20 | 0:00:22 | |
And where can I get hold of this so-called antidote? | 0:00:22 | 0:00:25 | |
Superdrug? Boots? | 0:00:25 | 0:00:27 | |
Afraid it's not quite as easy as that. | 0:00:27 | 0:00:29 | |
And I'll tell you for why. Because it's Easter Monday | 0:00:29 | 0:00:33 | |
and none of chemists are open... | 0:00:33 | 0:00:36 | |
Cut! | 0:00:36 | 0:00:38 | |
Going again. | 0:00:38 | 0:00:39 | |
OK, guys. That was great, just felt a bit flat. | 0:00:39 | 0:00:42 | |
Just need to go quicker, yeah? Pace, pace, pace. | 0:00:42 | 0:00:44 | |
Nelson? | 0:00:44 | 0:00:45 | |
I am listening. I'm just trying to refocus. | 0:00:45 | 0:00:49 | |
Hello, Adam, how may I help you? | 0:00:51 | 0:00:53 | |
Also, it's more like "Benjamin Button!" Not "Benjamin Button." | 0:00:53 | 0:00:57 | |
"Benjamin Button!" Yeah? | 0:00:57 | 0:00:58 | |
Unbelievable. See that? | 0:01:00 | 0:01:02 | |
Line-readings he's giving me now. | 0:01:02 | 0:01:04 | |
Dick. | 0:01:04 | 0:01:05 | |
The reason that we're actually being so quiet | 0:01:05 | 0:01:08 | |
is cos we're on a soundstage in East London. | 0:01:08 | 0:01:10 | |
Nelson's filming a scene behind us right now. | 0:01:10 | 0:01:13 | |
So, yeah, welcome. Welcome to this celebratory look-back | 0:01:13 | 0:01:17 | |
at BBC3's critically-acclaimed cult smash-hit, Mongrels. | 0:01:17 | 0:01:21 | |
We're actually gonna see if we can get a word with Nelson now. | 0:01:21 | 0:01:25 | |
Can someone please get Miquita fucking Oliver off my fucking set, please?! | 0:01:25 | 0:01:31 | |
Thank you! | 0:01:31 | 0:01:32 | |
Maybe we'll try him later. | 0:01:34 | 0:01:36 | |
And...action. | 0:01:36 | 0:01:38 | |
Take an urban fox, an Afghan hound, a stray cat, a loudmouth pigeon, | 0:01:47 | 0:01:52 | |
and a sexually violent predator named Vince, | 0:01:52 | 0:01:56 | |
put them in a pub garden and you get a 24-carat nugget of pure TV gold. | 0:01:56 | 0:02:02 | |
Ladies, gentlemen, animals, welcome to our salute to Mongrels. | 0:02:02 | 0:02:08 | |
BOTH SCREAM | 0:02:20 | 0:02:22 | |
BLEEP dust! | 0:02:29 | 0:02:31 | |
Our Mongrels celebration kicks off, where else, | 0:02:31 | 0:02:35 | |
but with the immortal Nelson. | 0:02:35 | 0:02:37 | |
Over the course of 16 unforgettable episodes, he's established himself | 0:02:37 | 0:02:41 | |
as an iconic comedy character, on a par with David Brent. | 0:02:41 | 0:02:45 | |
OK, I'm not saying that. | 0:02:45 | 0:02:47 | |
Over the course of 16 unforgettable episodes, he's established himself | 0:02:47 | 0:02:52 | |
as an iconic comedy character on a par with Andy Millman from Extras. | 0:02:52 | 0:02:57 | |
# I want to break free | 0:02:57 | 0:03:00 | |
# I want to break free | 0:03:01 | 0:03:05 | |
# I want to break free... # | 0:03:05 | 0:03:07 | |
Bit of a pickle. The three-wheeler's broken down. We're on our way to a fancy dress party... | 0:03:07 | 0:03:12 | |
It's our island, we could do anything we want. | 0:03:12 | 0:03:15 | |
# I've got to break free... # | 0:03:15 | 0:03:18 | |
Nelson? | 0:03:18 | 0:03:19 | |
CANNED LAUGHTER | 0:03:19 | 0:03:20 | |
SCREAMS | 0:03:20 | 0:03:22 | |
This is Casino Royale. | 0:03:22 | 0:03:24 | |
Which is the bit from Quantum of Solace? | 0:03:24 | 0:03:26 | |
Champing. Champing. | 0:03:26 | 0:03:27 | |
Hi, I'm Nelson. I'm actually kind of a special fox. | 0:03:27 | 0:03:31 | |
So, Nelson. Tell us how you came to be involved in the show. | 0:03:31 | 0:03:35 | |
Well, it WAS competitive getting the part. Very. | 0:03:35 | 0:03:39 | |
Audition after audition after audition. | 0:03:39 | 0:03:42 | |
They heard everyone for the lead role. And I mean everyone. | 0:03:42 | 0:03:46 | |
I'm actually kind of a special fox. | 0:03:46 | 0:03:49 | |
For e.g. I'm a bloody good after dinner speaker. | 0:03:49 | 0:03:53 | |
Like, er, once I was going through, Kerry Katona's, er, bottle bin. | 0:03:53 | 0:03:57 | |
I say 'bottle bin', | 0:03:57 | 0:03:59 | |
more like 'bottle bank'! | 0:03:59 | 0:04:02 | |
Ha-ha. | 0:04:02 | 0:04:03 | |
No, but seriously, folks... | 0:04:03 | 0:04:05 | |
Anyway, try and soldier on here, | 0:04:05 | 0:04:07 | |
this other time, I was hanging out by Jimmy Carr's recycling bin. | 0:04:07 | 0:04:11 | |
Or, to give it's proper name, Michael McIntyre. | 0:04:11 | 0:04:15 | |
No, come on, seriously... | 0:04:15 | 0:04:18 | |
I'm actually kind of a special fox. | 0:04:18 | 0:04:20 | |
For example, I'm a bloody good after dinner speaker. | 0:04:20 | 0:04:24 | |
You know, like, once I was going through Kerry Katona's bottle bin... | 0:04:24 | 0:04:28 | |
Yep. OK. Thank you, Will. | 0:04:28 | 0:04:29 | |
-I think that's... You can... -Let me go again, I'm just getting into it, it's just the accent. | 0:04:29 | 0:04:34 | |
-It's a bit... -We don't need to hear anymore. | 0:04:34 | 0:04:36 | |
And, yeah, the very next day, my agent phoned. | 0:04:36 | 0:04:41 | |
I hadn't got it. | 0:04:41 | 0:04:42 | |
A circle-stroke? | 0:04:42 | 0:04:44 | |
I'm stroking you, you're stroking me! | 0:04:44 | 0:04:47 | |
-Fine, I'll try it. But you're wearing protection. -Oh! | 0:04:47 | 0:04:49 | |
But I won't feel anything. | 0:04:49 | 0:04:51 | |
I don't care. Now, just stroke me from behind. | 0:04:51 | 0:04:54 | |
We'll work on to my tummy. | 0:04:54 | 0:04:55 | |
Going anywhere nice on holidays? | 0:04:55 | 0:04:58 | |
Yeah, well, me and a couple of the guys, | 0:04:58 | 0:05:00 | |
from the bins near ASDA, we're talking about, erm... | 0:05:00 | 0:05:04 | |
a jigsawing holiday, but the thing is, you know, | 0:05:04 | 0:05:07 | |
with the way the euro is... I have to stop, he's doing my head in. | 0:05:07 | 0:05:10 | |
The cat's hands are itching like fuck! | 0:05:10 | 0:05:12 | |
What's the matter with him? | 0:05:16 | 0:05:17 | |
Unfortunately, things didn't quite work out for Will at the Beeb. | 0:05:17 | 0:05:22 | |
Long story short, he urinated in Alan Yentob's private lift. | 0:05:22 | 0:05:26 | |
So my agent phoned and I was like, "Eric Stoltz! | 0:05:26 | 0:05:28 | |
"Of course I can be drafted into the lead role at the last minute!" | 0:05:28 | 0:05:32 | |
Which brings us nicely on to your little catchphrases. | 0:05:32 | 0:05:34 | |
Catchphrases? | 0:05:34 | 0:05:36 | |
Lesley Grantham! I killed a man! | 0:05:37 | 0:05:41 | |
Russell Howard! What in the name of Marty Feldman happened to your eyes? | 0:05:41 | 0:05:44 | |
Sir Norman Foster! | 0:05:44 | 0:05:46 | |
Building work? Pete Townshend, what was I thinking? Jordy Chandler! | 0:05:46 | 0:05:50 | |
Morten Harket! Julian Lloyd Webber! | 0:05:50 | 0:05:53 | |
Magic Johnson, I think I've got rabies! Mark Fowler! | 0:05:53 | 0:05:56 | |
I don't have rabies. Rory McGrath! Gail Emms! Neil and Christine Hamilton! | 0:05:56 | 0:06:01 | |
Helen Mirren! George Ava! Sam Murnaghan! Horne and Corden! | 0:06:01 | 0:06:07 | |
Sir Robert Winston! Sir Anthony Hopkins! Harvey Keitel! | 0:06:07 | 0:06:10 | |
Captain Chesley Burnett "Sully" Sullenburg III! I can't do that! | 0:06:10 | 0:06:15 | |
Oh, those. Yeah, it's just something I do. | 0:06:16 | 0:06:18 | |
But, of course, there's more to Mongrels than that. | 0:06:18 | 0:06:21 | |
After all, Nelson would be nothing without his Marion. | 0:06:21 | 0:06:25 | |
Hello, madam. I'm a gas man, | 0:06:26 | 0:06:29 | |
as you can clearly see from my official hat. | 0:06:29 | 0:06:32 | |
MARION GRUNTS | 0:06:32 | 0:06:33 | |
Marion. | 0:06:33 | 0:06:34 | |
Marion. Marion. | 0:06:34 | 0:06:36 | |
Marion. Marion. | 0:06:36 | 0:06:37 | |
Marion. | 0:06:37 | 0:06:39 | |
Marion. | 0:06:39 | 0:06:40 | |
I, daughter of Dracula! | 0:06:40 | 0:06:42 | |
Apparently, she wasn't a vampire, just had these two pointy teeth. | 0:06:42 | 0:06:46 | |
SLOWLY LETS OUT SCREAM | 0:06:46 | 0:06:49 | |
Marion, Marion. | 0:06:49 | 0:06:50 | |
Marion. Marion. | 0:06:50 | 0:06:53 | |
I knew that. (I didn't know that.) | 0:06:53 | 0:06:55 | |
So I'm guessing now would be too late to introduce a safe word? | 0:06:55 | 0:07:01 | |
Marion. Marion. | 0:07:01 | 0:07:03 | |
Marion. | 0:07:03 | 0:07:04 | |
Nelson, I've just interfered with space-time continuum, | 0:07:04 | 0:07:08 | |
will you travel back to 1985 with me? | 0:07:08 | 0:07:10 | |
Thanks to this misfortunate sequence of events, | 0:07:10 | 0:07:13 | |
I have at last come to appreciate the true meaning of irony. | 0:07:13 | 0:07:16 | |
I am literally no closer to appreciating the true meaning of irony. | 0:07:16 | 0:07:20 | |
I'll see the sun set over those bins if it's the last thing... Marion. | 0:07:20 | 0:07:24 | |
Well, as I'm sure you're aware, I am a veteran of the stage. | 0:07:26 | 0:07:31 | |
When I was cast in the lead role as Marion, | 0:07:31 | 0:07:35 | |
I'd actually just come off the back of three years' touring | 0:07:35 | 0:07:39 | |
with the Royal Shakespeare Company. | 0:07:39 | 0:07:42 | |
To be or not to be, that is the question. | 0:07:42 | 0:07:48 | |
That is NOT the question. | 0:07:48 | 0:07:49 | |
Well, it is a question, but there are others. | 0:07:49 | 0:07:52 | |
Like, when's the interval? | 0:07:52 | 0:07:54 | |
Oh, man, I could eat the crap out of a Magnum. | 0:07:54 | 0:07:58 | |
It was great. | 0:07:58 | 0:07:59 | |
It meant I'd learnt my craft properly | 0:07:59 | 0:08:02 | |
BEFORE I made it onto the TV. | 0:08:02 | 0:08:04 | |
Unlike, say, the rest of the cast! | 0:08:04 | 0:08:08 | |
Not that that matters! Ha-ha. | 0:08:08 | 0:08:10 | |
There is a rumour that you're bitter | 0:08:10 | 0:08:12 | |
that the other animals came onto the show as their first gig, | 0:08:12 | 0:08:15 | |
whereas you'd spent your entire life touring regional theatres. | 0:08:15 | 0:08:19 | |
This! Always this! I'd like to know who started all this talk. | 0:08:19 | 0:08:23 | |
I mean, wha...what is it even based on? | 0:08:23 | 0:08:26 | |
Your DVD commentary. | 0:08:26 | 0:08:28 | |
I was drunk! | 0:08:28 | 0:08:29 | |
-The thing I find most amazing... -'God, he's crap. | 0:08:29 | 0:08:33 | |
'Ha! Look at him. He can't act for shit. | 0:08:33 | 0:08:36 | |
'"I'm Nelson, I talk like this. | 0:08:36 | 0:08:39 | |
'"Paul Whitehouse, I've got a catchphrase!" | 0:08:39 | 0:08:42 | |
'Because catchphrase comedy is so hot right now(!) | 0:08:42 | 0:08:46 | |
'Ugh, look at her. | 0:08:46 | 0:08:48 | |
'Jesus! She gives you nothing, you know? Nothing to play off. | 0:08:48 | 0:08:53 | |
'At least Trevor Eve has the talent to back up being such a shithead. | 0:08:53 | 0:08:57 | |
'Oh, here she comes. | 0:08:57 | 0:08:59 | |
'Wonder what kind of performance she's going to give THIS week. | 0:08:59 | 0:09:02 | |
'Oh, joy, she's going to shout every line like this | 0:09:02 | 0:09:06 | |
'because apparently when you shout, you're acting! | 0:09:06 | 0:09:10 | |
'Oh... can Marion get some more Malibu in here, please? | 0:09:10 | 0:09:14 | |
'Oy!' | 0:09:14 | 0:09:15 | |
Anyway, that's all behind us now. We're friends again. | 0:09:15 | 0:09:20 | |
Marion? Ha-ha-ha! | 0:09:20 | 0:09:22 | |
No, we don't socialise. | 0:09:22 | 0:09:23 | |
Wouldn't say we're friends...exactly. | 0:09:23 | 0:09:27 | |
He's a cock. | 0:09:27 | 0:09:29 | |
What? He is! | 0:09:29 | 0:09:30 | |
One character who IS universally loved, | 0:09:30 | 0:09:33 | |
both on and off screens, is the adorable Destiny. | 0:09:33 | 0:09:36 | |
In many ways, the First Lady of Mongrels. | 0:09:36 | 0:09:40 | |
Who's that? Is it me, is it me? | 0:09:40 | 0:09:43 | |
-Oi! -Oi! -Oi! -Oi! -Oi! | 0:09:43 | 0:09:46 | |
Whore! | 0:09:46 | 0:09:47 | |
Whore! Whore! | 0:09:47 | 0:09:49 | |
# I'm a bitch | 0:09:49 | 0:09:51 | |
# I'm a lover, I'm a child, I'm a mother... # | 0:09:51 | 0:09:54 | |
Because I'm worming. | 0:09:54 | 0:09:56 | |
What about me? What about my needs? | 0:09:56 | 0:09:58 | |
I do sit, stay, beg, left paw, right paw, heel, | 0:09:58 | 0:10:01 | |
wiggle ears - that's double. | 0:10:01 | 0:10:02 | |
SHOUTS UNINTELLIGIBLY | 0:10:02 | 0:10:05 | |
# Wouldn't want it any other way | 0:10:05 | 0:10:08 | |
# Ooh-ooh... # | 0:10:09 | 0:10:12 | |
Shut up! | 0:10:12 | 0:10:13 | |
And while Destiny's on-screen relationships have captured | 0:10:13 | 0:10:17 | |
the hearts of audiences worldwide, more recently it's been talk | 0:10:17 | 0:10:21 | |
of her behind-the-scenes romance that's really got people talking. | 0:10:21 | 0:10:25 | |
Oh, that! Yeah. | 0:10:25 | 0:10:27 | |
Well, there's definitely something going on in real life. | 0:10:27 | 0:10:31 | |
It's obvious, man. The way they fight on screen. | 0:10:31 | 0:10:33 | |
There's all kinds of tensions under the surface. | 0:10:33 | 0:10:36 | |
From what I can gather, he really likes her, | 0:10:36 | 0:10:38 | |
yeah, but she just don't feel the same way. | 0:10:38 | 0:10:40 | |
-It's Christine Bleakley and that bulldog-faced -BLEEP -from Daybreak all over again. | 0:10:40 | 0:10:45 | |
That's how I'm reading it anyways. | 0:10:45 | 0:10:47 | |
I wouldn't know. You'd have to ask them about that. | 0:10:47 | 0:10:50 | |
I don't understand the question. | 0:10:51 | 0:10:53 | |
Let me put it more bluntly. Is there anything going on between you? | 0:10:53 | 0:10:56 | |
What?! No! God! No. | 0:10:56 | 0:11:01 | |
No way. We're just mates. Aren't we, Gary? | 0:11:01 | 0:11:03 | |
Yep. Uh-huh. | 0:11:03 | 0:11:05 | |
-Nelson, tell us about your relationship with Destiny. -Well, | 0:11:06 | 0:11:11 | |
obviously, it's at the very centre of show. | 0:11:11 | 0:11:14 | |
And I think that's because there's a palpable sexual tension | 0:11:14 | 0:11:18 | |
between us - as performers. | 0:11:18 | 0:11:20 | |
Well, what are we waiting for? Let's go start the rest of our lives! | 0:11:26 | 0:11:31 | |
I love ya! And I have always... | 0:11:31 | 0:11:33 | |
Meant to say earlier, could you address all flirty/creepiness at the other me from now on? | 0:11:33 | 0:11:39 | |
-Kiss me. -You know the rules - not on the mouth. | 0:11:39 | 0:11:41 | |
Nelson, I am not single, you clown's foreskin! | 0:11:41 | 0:11:44 | |
You pretended you'd been sexually assaulted just so you'd get off walkies! | 0:11:44 | 0:11:48 | |
Yeah. This ends now. The end of us. | 0:11:48 | 0:11:53 | |
Not that there ever was or will be an us. | 0:11:53 | 0:11:58 | |
Never. Genuinely never. | 0:11:58 | 0:12:01 | |
Never. | 0:12:01 | 0:12:03 | |
Never. Never. | 0:12:03 | 0:12:06 | |
See, the reason it works so well | 0:12:06 | 0:12:08 | |
is because the audience believe in us as a couple. | 0:12:08 | 0:12:10 | |
They're rooting for us. | 0:12:10 | 0:12:12 | |
It doesn't work. The whole will-they-won't-they thing. Never has. | 0:12:12 | 0:12:16 | |
And the reason the audience don't care about it is | 0:12:16 | 0:12:19 | |
because there is NO possible way anyone would ever buy | 0:12:19 | 0:12:22 | |
that my character could go out with his. | 0:12:22 | 0:12:24 | |
It's not rocket science. You put a handsome guy with a good-looking girl, | 0:12:24 | 0:12:28 | |
people are going to want to see them together. | 0:12:28 | 0:12:30 | |
Don't get me wrong, I like him as an actor, great guy, yeah. | 0:12:30 | 0:12:34 | |
I'm sure there are loads of girls out there who'd just love to have Nelson as their asexual best friend. | 0:12:34 | 0:12:40 | |
But be serious for a second. Me? And him? | 0:12:40 | 0:12:43 | |
Why would ANYONE ever believe, even for a SINGLE second, | 0:12:43 | 0:12:48 | |
that I'd EVER contemplate going out.. | 0:12:48 | 0:12:51 | |
Sorry. I CAN hear you. | 0:12:51 | 0:12:54 | |
Yeah. Sorry. | 0:12:54 | 0:12:56 | |
(I'll tell you about it later.) | 0:12:56 | 0:12:59 | |
Then there's Kali. The fourth member of the gang. | 0:12:59 | 0:13:02 | |
How would you describe your character? | 0:13:02 | 0:13:05 | |
Me? I'm the brainy one, innit. | 0:13:05 | 0:13:07 | |
Oi though, Marion, how much that tyre cost? | 0:13:07 | 0:13:09 | |
Well, Kali, I believe it retails in the region of two... | 0:13:09 | 0:13:12 | |
Does that take into account 'inflation?' Bo! Brap-brap-brap! | 0:13:12 | 0:13:16 | |
Disrespect! Bo! Get in! Zing! One-nil Kali! Bull's-eye! | 0:13:16 | 0:13:22 | |
Owned! Gutted! Served! Played! | 0:13:22 | 0:13:24 | |
Boom-shack-a-lack-a-lack-a-lack-a! | 0:13:24 | 0:13:27 | |
Back of the net! Goal! Early bath! Relegated! | 0:13:27 | 0:13:31 | |
Brap-brap-brap! Jokes! Innit though! | 0:13:31 | 0:13:33 | |
Bitch! Slap! You got schooled, beeyatch! | 0:13:33 | 0:13:38 | |
OK, I'm done. | 0:13:38 | 0:13:39 | |
Every episode of Mongrels features a musical number. | 0:13:39 | 0:13:43 | |
Tell us a little something about the songs. | 0:13:43 | 0:13:45 | |
No. I refuse. | 0:13:45 | 0:13:48 | |
I refuse to be your linking device just so you can | 0:13:48 | 0:13:51 | |
get into a crappy montage of old songs from the last two series. | 0:13:51 | 0:13:55 | |
I think it's lazy, frankly. | 0:13:55 | 0:13:57 | |
I think clips shows are the last refuge of the scoundrel. | 0:13:57 | 0:14:01 | |
They are beneath contempt. | 0:14:01 | 0:14:03 | |
So, no, I would not like to say a little something about the songs! | 0:14:03 | 0:14:08 | |
Run VT. | 0:14:08 | 0:14:10 | |
# If you're uncomfortable with coming out | 0:14:10 | 0:14:13 | |
# Just listen to what I saysbian | 0:14:13 | 0:14:16 | |
# Whatever anyone thinks of gays | 0:14:16 | 0:14:19 | |
# Everyone loves a lesbian... # | 0:14:19 | 0:14:21 | |
# Could you even name one of his songs? | 0:14:21 | 0:14:25 | |
# The self-important little diva | 0:14:27 | 0:14:33 | |
# Gonna take a pick-axe to his pretty face | 0:14:33 | 0:14:36 | |
# I'm gonna murder Justin Bieber... # | 0:14:38 | 0:14:43 | |
# Breaking up is such a faff | 0:14:43 | 0:14:46 | |
# I can't stand awkward goodbyes | 0:14:46 | 0:14:48 | |
# Breaking up is such a faff | 0:14:48 | 0:14:51 | |
# I'll just sweat it out until she dies... # | 0:14:51 | 0:14:55 | |
# One day you're a paedo | 0:14:55 | 0:14:59 | |
# And you're my jailbait | 0:14:59 | 0:15:03 | |
# Next day you're my sweetheart | 0:15:03 | 0:15:07 | |
# And it's suddenly legal to mate... # | 0:15:07 | 0:15:12 | |
# Ugly women are beautiful too | 0:15:12 | 0:15:15 | |
# They're always sweet and trusting, even though they look disgusting | 0:15:15 | 0:15:19 | |
# Ugly women are beautiful too... # | 0:15:19 | 0:15:23 | |
# No-one's been stabbed here since Friday | 0:15:23 | 0:15:27 | |
# No-one's been strangled or maimed | 0:15:27 | 0:15:29 | |
# No-one's been stabbed here since Friday | 0:15:29 | 0:15:33 | |
# And you'll just love our new needle exchange. # | 0:15:33 | 0:15:36 | |
Key change! | 0:15:36 | 0:15:37 | |
# He anally invaded me as a publicity stunt | 0:15:44 | 0:15:47 | |
# I think we all agree | 0:15:47 | 0:15:50 | |
# He is a massive | 0:15:50 | 0:15:52 | |
# BLEEP. # | 0:15:52 | 0:15:57 | |
I'm a BLEEP. | 0:15:57 | 0:15:59 | |
Bitch! | 0:15:59 | 0:16:01 | |
Marion, how would you say | 0:16:01 | 0:16:03 | |
that you've handled the runaway success of Mongrels? | 0:16:03 | 0:16:08 | |
Well, I don't think of any of us knew the show was going to be so huge. | 0:16:08 | 0:16:12 | |
We're now watched in something like 30 territories. | 0:16:12 | 0:16:15 | |
Belarus, Turkey, Uganda... | 0:16:15 | 0:16:18 | |
Translated into Spanish, Italian, French. And ancient Latin. | 0:16:18 | 0:16:22 | |
For some reason. | 0:16:22 | 0:16:24 | |
Vultus er, is est forsit iens egredior totus nefas quod ut tamen, | 0:16:24 | 0:16:30 | |
haud permissum mihi perago, | 0:16:30 | 0:16:32 | |
animadverto ego reputo vos es versus plaga | 0:16:32 | 0:16:36 | |
quod ego cannot subsisto reputo super vos quod quis abyssus. | 0:16:36 | 0:16:41 | |
Sic usquam, etiam Vos can narro. | 0:16:41 | 0:16:44 | |
Vos operor animadverto ego sum a puella. | 0:16:44 | 0:16:46 | |
Oh meus deus haud! Ego did non animadverto ut! | 0:16:46 | 0:16:50 | |
Sic etiam, etiam, | 0:16:50 | 0:16:51 | |
basic fortuitus lesbianism vox illic. | 0:16:51 | 0:16:55 | |
Hey accidit. Vos teneo, formo es sic androgynous | 0:16:55 | 0:16:58 | |
illa dies plus nos members of bird prosapia, | 0:16:58 | 0:17:00 | |
-haud promptus genitor! -Etiam quod vere does non succurro. | 0:17:00 | 0:17:04 | |
Audio, ego teneo aliquantulus bird balineum inter angulus. | 0:17:04 | 0:17:08 | |
Operor vos somnium a imbibo? | 0:17:08 | 0:17:11 | |
-Iustus ut amicitia? -Certus. Amicitia. | 0:17:11 | 0:17:13 | |
And the Americans absolutely love us. | 0:17:13 | 0:17:17 | |
They cannot get enough. | 0:17:17 | 0:17:19 | |
Obviously audiences in the US don't get ALL the cultural references. | 0:17:19 | 0:17:23 | |
So that's when our writing team come up with clever little fixes. | 0:17:23 | 0:17:26 | |
Take for e.g. the now-legendary "Who's Paul Ross?" sequence. | 0:17:26 | 0:17:31 | |
Nelson, you do realise he's probably the runt of the litter? | 0:17:31 | 0:17:35 | |
And so what if he is? See, let me tell you about a runt of the litter. | 0:17:35 | 0:17:40 | |
Born a sickly little thing, | 0:17:40 | 0:17:42 | |
bullied by his siblings, parents didn't want to know. | 0:17:42 | 0:17:45 | |
Do you know who that little mongrel grew up to be? | 0:17:45 | 0:17:48 | |
-Who? -I'll tell you who - 'Stephen Baldwin'. | 0:17:48 | 0:17:51 | |
-Who's 'Stephen Baldwin'? -Ha-ha, good one. Who's 'Stephen Baldwin!' | 0:17:51 | 0:17:56 | |
-No seriously. Who's 'Stephen Baldwin?' -'Stephen Baldwin.' | 0:17:56 | 0:18:00 | |
-Who is he? -"Stephen Baldwin.' -Who's that? -'Stephen Baldwin.' | 0:18:00 | 0:18:02 | |
'Stephen Baldwin.' 'Stephen Baldwin.' | 0:18:02 | 0:18:05 | |
Yes! 'Stephen Baldwin.' For God's sake, this 'Stephen Baldwin.' | 0:18:05 | 0:18:09 | |
'Stephen Baldwin.' 'Stephen Baldwin.' | 0:18:09 | 0:18:11 | |
I don't believe this. There! That 'Stephen Baldwin.' | 0:18:11 | 0:18:14 | |
Now you can tell 'NBC' to take their seven million 'dollar' a year deal | 0:18:14 | 0:18:18 | |
and their golden handcuffs and stick 'em where the sun does not shine. | 0:18:18 | 0:18:22 | |
-You do realise he doesn't actually have phone? -'Baldwin' out. | 0:18:22 | 0:18:26 | |
And then of course, there's Vince - the fifth Mongrel. | 0:18:26 | 0:18:29 | |
By turns uncouth, savage, violent and painfully vulnerable, | 0:18:29 | 0:18:34 | |
author Will Self calls him "the most complicated fox in the history of television." | 0:18:34 | 0:18:39 | |
-Did you just call God a -BLEEP -? -No! | 0:18:39 | 0:18:43 | |
You ate your own babies?! | 0:18:51 | 0:18:54 | |
You know how it is, it's late, | 0:18:54 | 0:18:55 | |
you can't be arsed to go to the all-night garage, you've nothing in the fridge. | 0:18:55 | 0:18:59 | |
Vince, you've got Muller Rice!! | 0:18:59 | 0:19:03 | |
Well, yeah, but no spoons. | 0:19:03 | 0:19:05 | |
-BLEEP. -Sandra Bullock. | 0:19:05 | 0:19:07 | |
-And -BLEEP -your -BLEEP -fancy -BLEEP. | 0:19:07 | 0:19:10 | |
CONTINUOUS BLEEPING | 0:19:10 | 0:19:12 | |
-I want to smash his -BLEEP -teeth out! | 0:19:15 | 0:19:19 | |
SOBS: Stop using tool. | 0:19:19 | 0:19:21 | |
-BLEEP -me. That's jaunty. | 0:19:26 | 0:19:29 | |
That is jaunty. | 0:19:29 | 0:19:30 | |
-That is very -BLEEP -jaunty. | 0:19:30 | 0:19:33 | |
-As endearing as it may seem, Vince's great love of the word -BLEEP | 0:19:33 | 0:19:37 | |
has caused the show its fair share of trouble. | 0:19:37 | 0:19:40 | |
Well, yeah. I know I've caused a few problems in terms of merchandising. | 0:19:40 | 0:19:45 | |
-Cheer up, -BLEEP -! There's a new toy in town! | 0:19:47 | 0:19:52 | |
'New Cuddly Vince! It swears!' | 0:19:52 | 0:19:55 | |
CONTINUOUS BLEEP | 0:19:55 | 0:20:00 | |
'New Cuddly Vince!' | 0:20:00 | 0:20:02 | |
-Don't be a -BLEEP -! Buy me! | 0:20:02 | 0:20:06 | |
But then, that's the character. That's Vince. | 0:20:07 | 0:20:11 | |
That's the creature I have to inhabit. He's a beast of impulse. | 0:20:11 | 0:20:15 | |
Anyway, it's Simon I feel most sorry for. | 0:20:15 | 0:20:19 | |
-Simon? -You know. The Sign Zone guy. | 0:20:19 | 0:20:22 | |
Hold on. I smell chicken, and you know what I think | 0:20:22 | 0:20:27 | |
about chickens, don't cha?! | 0:20:27 | 0:20:29 | |
# They're not from this country they spread dem disease | 0:20:32 | 0:20:35 | |
# They look the same and wiggle their heads when they speak | 0:20:35 | 0:20:39 | |
# They lay loads of eggs to get free accommodation | 0:20:39 | 0:20:43 | |
-# -BLEEP -all the chickens dem the scourge of the nation! | 0:20:43 | 0:20:46 | |
-# -BLEEP -chickens # -BLEEP -'em back where they belong | 0:20:46 | 0:20:50 | |
-# -BLEEP -chickens, all the way to Hong Kong | 0:20:50 | 0:20:53 | |
# You get loads and loads all living under one roof | 0:20:57 | 0:21:00 | |
# They're no good at flying, people know the truth | 0:21:00 | 0:21:03 | |
# Channel 4 make documentaries with them all the time | 0:21:03 | 0:21:07 | |
# But no-one cares about the plight of the vulpine | 0:21:07 | 0:21:10 | |
-# -CLUCK! -chickens, -CLUCK! -'em back where they belong | 0:21:10 | 0:21:13 | |
-# -CLUCK! -chickens, -CLUCK! -'em all the way to Hong Kong | 0:21:13 | 0:21:18 | |
# All together now! | 0:21:18 | 0:21:19 | |
-# -HONK! -chickens -HONK! -'em back where they belong | 0:21:19 | 0:21:22 | |
-# -HONK! -chickens | 0:21:22 | 0:21:24 | |
-# -HONK! -'em all the way to Hong Kong | 0:21:24 | 0:21:26 | |
-# -BEEP-BEEP! -chickens -BEEP! -'em back where they belong | 0:21:26 | 0:21:29 | |
-# -BEEP-BEEP! -chickens | 0:21:29 | 0:21:31 | |
-# To actually -BLEEP -a chicken would be wrong. | 0:21:31 | 0:21:35 | |
-Vince there, with the immortal -BLEEP -Chickens. | 0:21:35 | 0:21:38 | |
Sure, the language may seem brutal, but the animal kingdom is a savage and unforgiving place. | 0:21:38 | 0:21:45 | |
Let's now pause for a moment to pay our respects to some Mongrels we've lost along the way. | 0:21:45 | 0:21:51 | |
MUSIC: "I Don't Want to Miss A Thing" Aerosmith | 0:21:51 | 0:21:55 | |
Happily, a small handful of very special animals have survived | 0:22:55 | 0:22:59 | |
long enough to establish themselves as much-loved members of the extended Mongrel family. | 0:22:59 | 0:23:06 | |
Animals like Morgan Freeman Lamb. | 0:23:06 | 0:23:09 | |
Anyway, Nelson, if you did the table plan, how come you stuck me with the freaks? | 0:23:09 | 0:23:13 | |
-Tim and Nobby and that stupid sheep what talks like Laurence Fishburne. -I happen to be a lamb, madam. | 0:23:13 | 0:23:19 | |
And I talk like Morgan goddamn Freeman! | 0:23:19 | 0:23:23 | |
And then of course, there's Tim, the German badger with the bad teeth | 0:23:23 | 0:23:27 | |
and the ever-so creepy obsession with his dear, sweet Mutti. | 0:23:27 | 0:23:33 | |
Oh, ja. Looks like meine dinner plans just changed. | 0:23:35 | 0:23:41 | |
More Pinot, Mutti? | 0:23:44 | 0:23:47 | |
-Timothy! -Stefanni! I thought you had pilates! | 0:23:49 | 0:23:54 | |
Guten abend, meine freundin! Lovely nacht for eine wandern! | 0:23:54 | 0:23:58 | |
-Do him! -My God, a Nazi Badger! | 0:23:58 | 0:24:01 | |
You think I'm a little camp, you should see Auschwitz. Galliano! | 0:24:01 | 0:24:06 | |
Ha-ha-ha-ha-ha-ha-ha-ha! | 0:24:06 | 0:24:08 | |
Please, that was many years ago. | 0:24:08 | 0:24:11 | |
And ze badgers were really not involved at a very high level. | 0:24:11 | 0:24:14 | |
-Ha! Ha! -Destiny! | 0:24:14 | 0:24:17 | |
Halt! Das ist blatant gay bashing. | 0:24:17 | 0:24:21 | |
-He's fine, he's not gay. -Oh! My mistake. As you were. | 0:24:21 | 0:24:27 | |
And yet, casting the small but pivotal role of Timothy Lange | 0:24:30 | 0:24:34 | |
provided the show's producers with one of the biggest headaches of all. | 0:24:34 | 0:24:39 | |
I know they had LOADS of trouble finding someone to play Tim. | 0:24:39 | 0:24:43 | |
They were casting at the height of the TB cull. | 0:24:43 | 0:24:45 | |
I remember reading in Screen International - | 0:24:45 | 0:24:48 | |
there was a shortage of short-legged, omnivorous members of the weasel family | 0:24:48 | 0:24:52 | |
who had the acting chops to pull off dramatic character roles. | 0:24:52 | 0:24:55 | |
After months of searching, they finally found an actor | 0:24:55 | 0:24:59 | |
with the screen presence required to play Tim. | 0:24:59 | 0:25:02 | |
And that's where the trouble started. | 0:25:02 | 0:25:05 | |
Ah! He wasn't German, for a start. | 0:25:05 | 0:25:08 | |
And that really is the absolute key to that role. | 0:25:08 | 0:25:12 | |
If I'm honest, that IS the role, | 0:25:12 | 0:25:15 | |
that's all it is - a funny German voice. | 0:25:15 | 0:25:19 | |
And suddenly, all the press and the forums are like, "Wow, Tim's amazing, | 0:25:19 | 0:25:22 | |
"Tim's this, Tim's that, breakout star!" Well, I'm sorry, but I'd like | 0:25:22 | 0:25:28 | |
to see HIM carry off a dramatically engaging B-story week in, week out! | 0:25:28 | 0:25:34 | |
No, it can be thankless, it can. | 0:25:34 | 0:25:37 | |
Can Marion get his miso in here, please?! | 0:25:37 | 0:25:41 | |
Director Adam Miller had always planned | 0:25:41 | 0:25:44 | |
to revoice Tim at a later date. | 0:25:44 | 0:25:47 | |
But we recorded all the scenes initially with his actual voice. | 0:25:47 | 0:25:50 | |
And I was all like, "Dave Prowse!" | 0:25:50 | 0:25:53 | |
Argh! I'm all kind of excited, when can we go back to Vince's place?! | 0:25:53 | 0:25:58 | |
Actually, I'm not going in today. My, um, glands are up. | 0:25:58 | 0:26:02 | |
No frigging way! Hope it's not the mumps. The silent killer. | 0:26:02 | 0:26:06 | |
Mumps isn't the silent killer! | 0:26:06 | 0:26:07 | |
Tim's the silent killer, aren't you, Tim? | 0:26:07 | 0:26:10 | |
WEST COUNTRY ACCENT: Actually, no. Might be thinking of someone else. | 0:26:13 | 0:26:17 | |
Oh, God. How embarrassing! | 0:26:17 | 0:26:20 | |
Sorry. Didn't mean to show you up there. | 0:26:20 | 0:26:22 | |
No, no. Totally my fault. Er... Salt! Salt's the silent killer. | 0:26:22 | 0:26:27 | |
Yes, yes, it is. It's fine, I get that a lot. | 0:26:27 | 0:26:31 | |
Anyway, love to the wife. | 0:26:31 | 0:26:33 | |
Nice man. Terrible drinking problem. | 0:26:33 | 0:26:36 | |
Did I know they were going to revoice me? | 0:26:36 | 0:26:39 | |
No. I bloody did not. Shabby. The whole thing. Very shabby. | 0:26:39 | 0:26:44 | |
Basically, they came to me last minute and they were like, "Can you do a German voice" | 0:26:44 | 0:26:49 | |
and I said, "Actually, Ich can, as it goes, | 0:26:49 | 0:26:52 | |
"I was raised on ein army base outside Dusseldorf, so I'm technically eine quarter Deutsch." | 0:26:52 | 0:26:58 | |
So, yeah. I do Tim. I really enjoy it. | 0:26:58 | 0:27:01 | |
Wow, that's incredible. | 0:27:01 | 0:27:03 | |
What can I say - I got a facility for voices. | 0:27:03 | 0:27:05 | |
Do you want to hear my impression of a Chinaman with his cock caught in his flies? | 0:27:05 | 0:27:09 | |
Actually, I think that's all we've got time for. | 0:27:09 | 0:27:12 | |
So, there it is. The real story behind a cultural phenomenon. | 0:27:12 | 0:27:15 | |
A show at the bleeding-edge of comedy. | 0:27:15 | 0:27:19 | |
A show never afraid to try something new. | 0:27:24 | 0:27:27 | |
I think we're onto a winner here, Vince. | 0:27:27 | 0:27:29 | |
Play it cool, son, nice and cool... | 0:27:29 | 0:27:33 | |
So it seems fitting that the last words should go to a character | 0:27:33 | 0:27:37 | |
whose irreverent spirit has come to define the world of Mongrels. | 0:27:37 | 0:27:42 | |
Marion, take it away. | 0:27:42 | 0:27:44 | |
Marion? Marion? | 0:27:45 | 0:27:48 | |
Marion? Marion? | 0:27:48 | 0:27:53 | |
Marion? | 0:27:53 | 0:27:54 | |
Marion? | 0:27:54 | 0:27:56 | |
Marion? | 0:27:56 | 0:27:58 | |
Marion! Marion! | 0:27:58 | 0:28:01 | |
Marion! | 0:28:01 | 0:28:03 | |
Marion! Marion! | 0:28:03 | 0:28:05 | |
Marion! Marion! | 0:28:05 | 0:28:08 | |
Marion! | 0:28:08 | 0:28:10 | |
Marion! | 0:28:10 | 0:28:11 | |
Can Marion get some more Malibu in here, please?! | 0:28:11 | 0:28:14 |