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This programme contains some strong language | 0:00:02 | 0:00:07 | |
Heh-heh-heh-heh! | 0:00:10 | 0:00:12 | |
-ANNOUNCER: -Ladies and gentlemen, welcome to Mrs Brown's Boys! | 0:00:12 | 0:00:15 | |
-# She's Mrs Brown -Agnes | 0:00:15 | 0:00:18 | |
-# That's Mrs Brown -Agnes | 0:00:18 | 0:00:20 | |
# Oh, Mrs Brown. # | 0:00:20 | 0:00:23 | |
APPLAUSE | 0:00:23 | 0:00:26 | |
Oh, hello. | 0:00:26 | 0:00:27 | |
I just read in that that Neanderthal man wasn't erect for 300 years, | 0:00:29 | 0:00:33 | |
just like my Redser. | 0:00:33 | 0:00:34 | |
I see the ads for the... | 0:00:37 | 0:00:38 | |
these tablets you take and it says, | 0:00:38 | 0:00:40 | |
"If you get an erection for more than four hours, call the doctor." | 0:00:40 | 0:00:44 | |
If you're taking anything to get an erection for more than four hours, | 0:00:44 | 0:00:47 | |
CALL ME! | 0:00:47 | 0:00:48 | |
You don't know a good plumber, do you? | 0:00:52 | 0:00:54 | |
I'm trying to get a plumber. | 0:00:54 | 0:00:55 | |
I used to use the local fella, Uriah Mullan. | 0:00:55 | 0:00:59 | |
He went out of business when his wife found lipstick on his stopcock. | 0:00:59 | 0:01:02 | |
Tomango Red it was called, that's... Yeah, Tomango Red. | 0:01:04 | 0:01:08 | |
That's the kind of... The colour lipstick that, you know, | 0:01:08 | 0:01:10 | |
if you wear it, it looks beautiful, | 0:01:10 | 0:01:12 | |
but if you find it on your husband's collar, | 0:01:12 | 0:01:14 | |
it's the colour only a slut would wear. | 0:01:14 | 0:01:16 | |
-Oh, hello, boys. -Heya, Mammy. | 0:01:18 | 0:01:19 | |
-Hello, son. -Hi, Mammy. -Hello, Mrs Brown. | 0:01:24 | 0:01:26 | |
Cup of tea, love? | 0:01:26 | 0:01:27 | |
No, Mammy. Just dropped in to see | 0:01:27 | 0:01:29 | |
if I can have me dinner here this evening. | 0:01:29 | 0:01:30 | |
Maria's down at Foley's getting ready for that thing tonight. | 0:01:30 | 0:01:33 | |
-Of course you can, and I'm doing your favourite. -Oh. | 0:01:33 | 0:01:35 | |
Filet de poulet en croute. | 0:01:35 | 0:01:37 | |
Fuckin' chicken nuggets. | 0:01:38 | 0:01:39 | |
So who's the promotion for this week? | 0:01:41 | 0:01:42 | |
Oh, Hanley's Honey. | 0:01:42 | 0:01:44 | |
And what's the pitch? | 0:01:44 | 0:01:46 | |
Hanley's home hived honey, | 0:01:46 | 0:01:47 | |
hewn from homogenous horticulture by Hanley's own honey bees. | 0:01:47 | 0:01:51 | |
-BOTH: -# Hanley happy honey bees | 0:01:54 | 0:01:56 | |
# Buzz buzz happy honey bees | 0:01:56 | 0:01:57 | |
# Buzzing through the flowers and trees... # | 0:01:57 | 0:01:59 | |
-Do you want honey? -Oh, yes, please. | 0:01:59 | 0:02:01 | |
Hello, Bono. Hello, Mark. | 0:02:09 | 0:02:11 | |
Hiya, Ma. Oi, come on, yous two, buzz off. | 0:02:11 | 0:02:15 | |
First time we've heard that this week. | 0:02:16 | 0:02:18 | |
I heard that loads of times this week, Dermot. | 0:02:18 | 0:02:21 | |
-Any tea? -Oh, yes, love, of course. | 0:02:21 | 0:02:23 | |
Where... Where's Betty? | 0:02:25 | 0:02:26 | |
Stopped at the shop on our way. | 0:02:26 | 0:02:27 | |
Are you all right, Bono? | 0:02:27 | 0:02:30 | |
You don't look happy. | 0:02:30 | 0:02:31 | |
I'm not. Your eldest son's a dumbass. | 0:02:31 | 0:02:34 | |
Son, you watch your mouth. | 0:02:34 | 0:02:35 | |
GIGGLING | 0:02:35 | 0:02:37 | |
Oh, hello. Hello, new Rory. | 0:02:37 | 0:02:39 | |
-Hi, Mammy. -Hello, mother-in-law. | 0:02:39 | 0:02:43 | |
Do you want a cup of tea, love? | 0:02:47 | 0:02:48 | |
No, actually, I've come to see you, Rory. | 0:02:48 | 0:02:51 | |
LAUGHTER AND APPLAUSE | 0:02:53 | 0:02:56 | |
Sorry, he just explained that we've had all week to learn this, | 0:03:03 | 0:03:06 | |
but that was my fault. | 0:03:06 | 0:03:07 | |
Would you like a cup of tea, Rory? | 0:03:09 | 0:03:11 | |
No, I'm actually here to see you, Mark. | 0:03:11 | 0:03:13 | |
-Me? -Yeah. Betty asked us to babysit tonight, but we can't. | 0:03:13 | 0:03:17 | |
Dino's booked a table at Chef Ali's for our first anniversary. | 0:03:17 | 0:03:20 | |
BOTH: Oooh! | 0:03:20 | 0:03:22 | |
Oh, Rory. | 0:03:22 | 0:03:24 | |
-Oh, Dino. -Oh, Jesus. | 0:03:24 | 0:03:26 | |
-Will you tell her, Mark? -Sure. | 0:03:28 | 0:03:31 | |
Looks like I'm baby-sitting, so. | 0:03:31 | 0:03:32 | |
Yippee, yahoo. | 0:03:32 | 0:03:35 | |
All right, see yous. | 0:03:35 | 0:03:37 | |
Er, Dino, that's a really nice thing you're doing. Well done. | 0:03:37 | 0:03:40 | |
Oh, it's nothing. I'd bend over backwards for Rory. | 0:03:40 | 0:03:44 | |
You watch your fuckin' language. | 0:03:46 | 0:03:47 | |
Where are you going? | 0:03:50 | 0:03:52 | |
Toi-let. | 0:03:52 | 0:03:53 | |
-Is everything all right, love? -No. | 0:03:56 | 0:03:59 | |
I think me and Betty have made a big mistake. | 0:03:59 | 0:04:01 | |
I told you from the start, love, you married beneath yourself. | 0:04:01 | 0:04:04 | |
Me and Betty are very happily married. | 0:04:05 | 0:04:07 | |
And why wouldn't you be? She's a wonderful girl. | 0:04:07 | 0:04:09 | |
Best thing that ever happened to you. | 0:04:09 | 0:04:11 | |
I've always said that. | 0:04:11 | 0:04:12 | |
We are having a disagreement over Bono. | 0:04:13 | 0:04:15 | |
About what? | 0:04:15 | 0:04:16 | |
The school are having an under-13s disco next week | 0:04:16 | 0:04:19 | |
-and Bono wants to go. -That'll be fun. | 0:04:19 | 0:04:21 | |
He's too young, Ma. | 0:04:21 | 0:04:22 | |
He's 12! When is he going to be old enough for an under-13 disco? | 0:04:22 | 0:04:25 | |
When he's 12 years, 11 months and three weeks? | 0:04:25 | 0:04:28 | |
That's what Betty says, but it's not just age, Ma, | 0:04:28 | 0:04:30 | |
he's not ready for discos yet. | 0:04:30 | 0:04:32 | |
He'll be fine. And Betty doesn't say that, Betty goes... | 0:04:32 | 0:04:34 | |
MRS BROWN MUMBLES | 0:04:34 | 0:04:38 | |
He'll be fine. | 0:04:38 | 0:04:40 | |
I can remember when you wouldn't let Rory go to an 18s disco. | 0:04:40 | 0:04:43 | |
That was different. He was 36. | 0:04:43 | 0:04:45 | |
Hello, Betty. | 0:04:49 | 0:04:50 | |
-Hiya. Where's Bono? -He's in the toilet. | 0:04:50 | 0:04:52 | |
Are you going to Maria's thing tonight, Mrs Brown? | 0:04:52 | 0:04:54 | |
Well, everybody else is going. I might as well. | 0:04:54 | 0:04:58 | |
-Hiya, Winnie. -Oh, how are you all? | 0:04:58 | 0:05:00 | |
-How are you, Mrs McGoogan? -Oh, thanks, Mark. | 0:05:00 | 0:05:03 | |
Oh, Betty, are you and Mark going to this thing in Foley's tonight? | 0:05:03 | 0:05:07 | |
We are. Right, Bono, let's go. | 0:05:07 | 0:05:08 | |
-I'll be with yous now. -Who cares? | 0:05:08 | 0:05:11 | |
Are you going to correct him? | 0:05:12 | 0:05:14 | |
Sure. | 0:05:14 | 0:05:15 | |
Bono, it's "whom cares", not who. | 0:05:15 | 0:05:18 | |
Imagine Maria setting up this vigilante gang. | 0:05:21 | 0:05:24 | |
It's a community crime watch group, not vigilante. | 0:05:24 | 0:05:28 | |
I'll see yous later. | 0:05:28 | 0:05:30 | |
-See you, love. Oh, Mark! -Yeah? | 0:05:30 | 0:05:32 | |
Would you know a good plumber, love, for heating? | 0:05:32 | 0:05:34 | |
Mammy, I keep telling you, there's nothing wrong with your heating. | 0:05:34 | 0:05:36 | |
You have a cross draught. Just keep the kitchen door closed. | 0:05:36 | 0:05:40 | |
But if I close the door, | 0:05:40 | 0:05:41 | |
I can't see the sitting room and I can't see the front door. | 0:05:41 | 0:05:43 | |
OK, then, leave it with me. I'll fit a new door for you, all right? | 0:05:43 | 0:05:46 | |
Oh, thanks, love, you're very good. | 0:05:46 | 0:05:48 | |
Is your plumbing bad? | 0:05:50 | 0:05:51 | |
It's not too bad, but I want a new buckin' door. | 0:05:51 | 0:05:54 | |
-QUIETLY: -Shit. | 0:05:59 | 0:06:02 | |
-NORMAL TONE: -It's me, isn't it? -It is you, yes. -It is me? | 0:06:02 | 0:06:04 | |
-Yes, it is. Do you want me to tell you the line? -Yeah. | 0:06:04 | 0:06:07 | |
Oh. | 0:06:10 | 0:06:11 | |
Mark! No, I've got it, I've got it. | 0:06:17 | 0:06:19 | |
I was going to fucking write it down for you. | 0:06:19 | 0:06:21 | |
Mark seems very touchy. | 0:06:21 | 0:06:23 | |
It's just stuff at home. You know, parents and their children. | 0:06:23 | 0:06:27 | |
Ah, don't talk to me. | 0:06:27 | 0:06:28 | |
Sharon won't go and see Dr Flynn. | 0:06:28 | 0:06:30 | |
Sharon? Why, what's wrong? | 0:06:30 | 0:06:32 | |
Well, the last two weeks she's complained about her back, | 0:06:32 | 0:06:34 | |
but she won't go and it's very sore. | 0:06:34 | 0:06:37 | |
-Her back is very sore? -Mm. -I'm not surprised. | 0:06:37 | 0:06:40 | |
She spends a lot of time on it. | 0:06:40 | 0:06:42 | |
-Well, she says it's just a pulled muscle. -Oh. | 0:06:44 | 0:06:47 | |
She's always pulling muscles. | 0:06:47 | 0:06:48 | |
Yes, she is. | 0:06:52 | 0:06:54 | |
She says it's a waste of time going to the doctor. | 0:06:54 | 0:06:57 | |
Maybe she's right. | 0:06:58 | 0:07:00 | |
After all, who knows more about Sharon's body than Sharon? | 0:07:01 | 0:07:04 | |
Half the men in Finglas. | 0:07:08 | 0:07:10 | |
Now, as you all know, the church was vandalised last week. | 0:07:14 | 0:07:19 | |
They did a fair bit of damage, and that's just not on. | 0:07:19 | 0:07:22 | |
So Maria Brown here has suggested that we ask the Gardai | 0:07:22 | 0:07:25 | |
is there anything that we can do to assist them? | 0:07:25 | 0:07:27 | |
Thank you. Thank you all for coming tonight, | 0:07:30 | 0:07:32 | |
for crime, particularly lately, is on the rise. | 0:07:32 | 0:07:35 | |
We think there's just one man that's responsible, | 0:07:35 | 0:07:38 | |
but we don't have any leads. | 0:07:38 | 0:07:39 | |
Buzz, buzz. | 0:07:44 | 0:07:45 | |
Well, someone has to say it. | 0:07:47 | 0:07:49 | |
There's only two people in this bar that have been to prison. | 0:07:49 | 0:07:52 | |
Hey, Hannigan! Only one. | 0:07:52 | 0:07:54 | |
I've never been, and I'm not going back. | 0:07:54 | 0:07:57 | |
There'll be no finger pointing in here. | 0:07:59 | 0:08:01 | |
Garda, mention the Peeping Tom. | 0:08:02 | 0:08:05 | |
There's a good example. | 0:08:05 | 0:08:06 | |
Mrs Nicholson is being stalked by a Peeping Tom. | 0:08:06 | 0:08:09 | |
-Would you like to tell them, Mrs Nicholson? -Oh, certainly. | 0:08:10 | 0:08:13 | |
At 2300 hours on December the 28th, | 0:08:13 | 0:08:16 | |
full moon, clear skies, barometric pressure... | 0:08:16 | 0:08:20 | |
Oh, just get on with it for fuck's sake, Rambo. | 0:08:20 | 0:08:23 | |
Mother, just tell the story. | 0:08:23 | 0:08:25 | |
-Fine. I came out of the shower... -Naked? | 0:08:25 | 0:08:29 | |
No, Winnie, she was wearing a football jersey and oven gloves. | 0:08:29 | 0:08:33 | |
-What team? -Shut up. | 0:08:33 | 0:08:35 | |
Yes, I was naked. | 0:08:37 | 0:08:39 | |
From the corner of my eye, | 0:08:39 | 0:08:41 | |
I thought I saw the figure of a man at the window. | 0:08:41 | 0:08:44 | |
I walked towards the window, | 0:08:44 | 0:08:46 | |
-I heard a bush rustling... -Walk slower. | 0:08:46 | 0:08:49 | |
The person moved! | 0:08:52 | 0:08:55 | |
The plot thins. | 0:08:55 | 0:08:56 | |
Bravely, I went outside, and sure enough a man was there. | 0:08:57 | 0:09:02 | |
I don't have to tell you what he was doing. | 0:09:02 | 0:09:04 | |
Throwing up. | 0:09:04 | 0:09:05 | |
Let's get these people and beat the shit out of them. | 0:09:07 | 0:09:10 | |
SHOUTS OF AGREEMENT | 0:09:10 | 0:09:11 | |
No, no! This is not a vigilante group. | 0:09:11 | 0:09:14 | |
We don't want people thinking they're Gardai. | 0:09:14 | 0:09:16 | |
This is simply an awareness group. | 0:09:16 | 0:09:18 | |
-Exactly. -So what do we do? Do we set up patrols? | 0:09:18 | 0:09:21 | |
Do we carry baseball bats? | 0:09:21 | 0:09:23 | |
SHOUTS OF AGREEMENT | 0:09:23 | 0:09:25 | |
Now that's exactly what you don't do. | 0:09:25 | 0:09:27 | |
Do not carry any weapons. | 0:09:27 | 0:09:29 | |
It's not a patrol as such, but I have organised a schedule | 0:09:29 | 0:09:32 | |
of, er, walkabouts - three, four people to a group. | 0:09:32 | 0:09:35 | |
Well, there is a certain way. | 0:09:35 | 0:09:37 | |
Oh, I have this, Guard. | 0:09:37 | 0:09:38 | |
Now, you might see something | 0:09:38 | 0:09:40 | |
and, in any case, our presence there will deter these vandals | 0:09:40 | 0:09:43 | |
and we might stop this unknown man. | 0:09:43 | 0:09:45 | |
If you do see something that doesn't look right... | 0:09:45 | 0:09:47 | |
Stick 'em like a pig. | 0:09:47 | 0:09:49 | |
-Call the police. -Then stick 'em like a pig. | 0:09:50 | 0:09:53 | |
And the Gardai will also be putting up crime watch signs in your area. | 0:09:54 | 0:09:57 | |
What if we see a creepy-looking character? | 0:09:57 | 0:10:00 | |
Send him round to Hilary's house at 2300 hours. | 0:10:00 | 0:10:02 | |
You don't seem to be on board with this, Mrs Brown? | 0:10:04 | 0:10:06 | |
I'm torn. | 0:10:06 | 0:10:07 | |
A bicycle accident. | 0:10:07 | 0:10:09 | |
Your frou-frou. | 0:10:13 | 0:10:14 | |
Shut up. | 0:10:15 | 0:10:17 | |
On the one hand, I don't have a problem with we the proletariat | 0:10:18 | 0:10:23 | |
assisting the guardians of the state | 0:10:23 | 0:10:25 | |
with enforcing the legislation and the laws... | 0:10:25 | 0:10:28 | |
..but why can't we carry buckin' baseball bats? | 0:10:30 | 0:10:32 | |
QUIET! | 0:10:34 | 0:10:35 | |
Now if you'd like to sign up, | 0:10:36 | 0:10:37 | |
Maria will break you into groups and shifts. | 0:10:37 | 0:10:39 | |
Thank you. | 0:10:39 | 0:10:40 | |
-Let's just do it. -Right, let's go. | 0:10:45 | 0:10:47 | |
-Are you not having another one? -No, the baby-sitter has to go at 8 | 0:10:48 | 0:10:51 | |
and Maria looks like she'll be here for a while. | 0:10:51 | 0:10:53 | |
Are you coming? | 0:10:53 | 0:10:55 | |
No, you go on, I'm going to have another one. | 0:10:55 | 0:10:57 | |
Sharon, do you have a minute? | 0:11:10 | 0:11:13 | |
-How's that now, Ma? -Oh, Mark, that's beautiful. | 0:11:19 | 0:11:23 | |
Absolutely gorgeous. | 0:11:23 | 0:11:25 | |
It's lovely. Thank you, son. | 0:11:25 | 0:11:26 | |
Right, I have to go. | 0:11:26 | 0:11:28 | |
I've a new door, I've a new door! | 0:11:31 | 0:11:34 | |
Mind me good door! | 0:11:37 | 0:11:39 | |
-Very fancy. -Yeah, and it's nicer when it's closed, thank you. | 0:11:40 | 0:11:43 | |
Well, excuse me. | 0:11:46 | 0:11:48 | |
How did the date go last night? | 0:11:52 | 0:11:54 | |
I don't want to talk about it. | 0:11:54 | 0:11:57 | |
OK. | 0:11:57 | 0:11:58 | |
Men - such liars. | 0:11:58 | 0:12:01 | |
-Was he a liar? -I don't want to talk about it! | 0:12:01 | 0:12:04 | |
Fine. | 0:12:05 | 0:12:06 | |
What is dating supposed to be about? What, I ask? | 0:12:10 | 0:12:14 | |
I don't know, what? | 0:12:14 | 0:12:16 | |
A man takes a woman out because he wants sex. | 0:12:16 | 0:12:19 | |
If it wasn't for sex he'd go out with his mates. | 0:12:19 | 0:12:22 | |
Oh, but a woman can't mention that she feels the same | 0:12:22 | 0:12:25 | |
because we're not supposed to want it. | 0:12:25 | 0:12:27 | |
Oh, we're allowed to do it, | 0:12:27 | 0:12:30 | |
but not if we want it. | 0:12:30 | 0:12:33 | |
So we have to pretend we don't know they want it, | 0:12:33 | 0:12:35 | |
even though we're only there because we want it, | 0:12:35 | 0:12:37 | |
and if he says he wants it we have to pretend we don't do it | 0:12:37 | 0:12:40 | |
or we don't even know what it is! | 0:12:40 | 0:12:42 | |
-Do you want to talk about it? -NO! | 0:12:51 | 0:12:53 | |
-Hi, Winnie. -Ah, hiya, Cathy, love. | 0:12:57 | 0:13:00 | |
I need a man. | 0:13:01 | 0:13:04 | |
Well, don't look at me. | 0:13:04 | 0:13:06 | |
DOOR SLAMS | 0:13:06 | 0:13:07 | |
And certainly don't look at me. | 0:13:07 | 0:13:09 | |
What's wrong with her? | 0:13:11 | 0:13:12 | |
I don't want to talk about it. | 0:13:12 | 0:13:14 | |
-A new door, Agnes. -Yeah. | 0:13:16 | 0:13:19 | |
-Oh, very nice. -Well, you know. | 0:13:19 | 0:13:23 | |
You can see everything through that. | 0:13:23 | 0:13:26 | |
It's called glass. | 0:13:26 | 0:13:27 | |
You can see through this side too. | 0:13:31 | 0:13:33 | |
Don't wear it out, Winnie. | 0:13:38 | 0:13:39 | |
DOORBELL RINGS Winnie, get that door, will you? | 0:13:39 | 0:13:42 | |
It's probably the boys for the practice. | 0:13:42 | 0:13:44 | |
Oh, nice new door, Mrs Brown. | 0:13:44 | 0:13:47 | |
It's nothing. | 0:13:47 | 0:13:48 | |
Right, then, let's go through the handbook, shall we? | 0:13:48 | 0:13:51 | |
Rory and Dino, you two are going to be the protagonists... | 0:13:51 | 0:13:54 | |
Oh, be fair - let them be the Catholics. | 0:13:54 | 0:13:56 | |
The protagonists - the baddies. | 0:13:59 | 0:14:01 | |
Oh, the baddies. | 0:14:01 | 0:14:03 | |
For as long as I remember, I've always wanted to be a gangster. | 0:14:03 | 0:14:06 | |
-Come on, want to see my little friend? -Dino! | 0:14:06 | 0:14:11 | |
Hey, baby! Don't touch the merchandise. | 0:14:11 | 0:14:15 | |
RORY SQUEALS | 0:14:15 | 0:14:17 | |
I'm not playing any more. | 0:14:17 | 0:14:19 | |
Rory! | 0:14:20 | 0:14:22 | |
Rory! Want me to kiss it better? | 0:14:22 | 0:14:24 | |
OK. Grandad? | 0:14:27 | 0:14:29 | |
-Huh? -Come with me. -Oh. | 0:14:29 | 0:14:31 | |
Now, why don't you sit over here? | 0:14:32 | 0:14:35 | |
Now, you are going to be a drunk man looking for a fight. | 0:14:39 | 0:14:43 | |
-Oh. -Winnie, you go first. | 0:14:43 | 0:14:45 | |
-Oh. -Oh. | 0:14:45 | 0:14:46 | |
-You're on patrol... -Yeah. | 0:14:48 | 0:14:49 | |
..and you come across this drunk, abusive man. Go. | 0:14:49 | 0:14:51 | |
Right, OK. | 0:14:51 | 0:14:54 | |
# La-la la-la la la | 0:14:54 | 0:14:56 | |
# La-la la-la la la... # | 0:14:56 | 0:14:57 | |
Winnie! Winnie, you're Robocop, not buckin' Mary Poppins. | 0:14:57 | 0:15:00 | |
GRANDAD MUMBLES | 0:15:00 | 0:15:03 | |
It's a nice day, isn't it? | 0:15:03 | 0:15:05 | |
Piss off! | 0:15:05 | 0:15:07 | |
How was that? | 0:15:08 | 0:15:10 | |
For Christ's sake, let me at him. | 0:15:10 | 0:15:11 | |
Oh, no. Mother, your turn next. | 0:15:11 | 0:15:13 | |
OK, er, what does the handbook advise? | 0:15:13 | 0:15:17 | |
Oh, very good. | 0:15:17 | 0:15:19 | |
Very good. | 0:15:19 | 0:15:21 | |
Calmly approach and ask the subject to cease. | 0:15:21 | 0:15:24 | |
Mm... | 0:15:24 | 0:15:25 | |
You - I'll give you so many lefts, you'll be begging for a right. | 0:15:25 | 0:15:30 | |
Excuse me, sir. I would like you to cease this behaviour. | 0:15:30 | 0:15:35 | |
Very good. | 0:15:35 | 0:15:37 | |
Go away, you big ass nosy parker. | 0:15:37 | 0:15:40 | |
Uh-uh, thank you for playing. | 0:15:42 | 0:15:44 | |
Oh, Maria, tell me the truth - is it this dress? | 0:15:45 | 0:15:48 | |
-Get out of the way, let me at it. -Oh, um... | 0:15:48 | 0:15:50 | |
My turn, my turn, my turn. | 0:15:50 | 0:15:51 | |
-If the subject does not stop... -Yeah, yeah, yeah, yeah. | 0:15:51 | 0:15:54 | |
-..or you fear for your safety... -Yeah, yeah. -..call the police. -Yeah, blah-blah, blah-blah! | 0:15:54 | 0:15:58 | |
Come on, who wants to fight me? | 0:15:58 | 0:16:00 | |
I'll take yous all on. | 0:16:00 | 0:16:03 | |
Come on, who wants to fight? | 0:16:03 | 0:16:05 | |
Come on. Come on, I'll... | 0:16:05 | 0:16:08 | |
-ON RADIO: -Hello, good afternoon and you're very welcome to Live Line. | 0:16:16 | 0:16:19 | |
Time to talk to Joe. Well, as you've just heard on the news headlines, | 0:16:19 | 0:16:22 | |
it's budget day today. How does it affect you? | 0:16:22 | 0:16:25 | |
Does it make your life any easier? | 0:16:25 | 0:16:27 | |
Phone or text us here on the Live Line and let us know. | 0:16:27 | 0:16:30 | |
We have a caller on the line, it's... | 0:16:30 | 0:16:33 | |
I'm sorry, is it Annie? | 0:16:33 | 0:16:34 | |
MRS BROWN ON RADIO: Hello? | 0:16:34 | 0:16:36 | |
I'm sorry, it's not Annie, it's anonymous. | 0:16:36 | 0:16:38 | |
I'll just call you Anon. Are you there? | 0:16:38 | 0:16:40 | |
-Hello? -I'm here, I'm here, Anon. Well, what's on your mind? | 0:16:40 | 0:16:43 | |
-We're talking about the budget. -I don't have a budgie. | 0:16:43 | 0:16:46 | |
All right, if you're not on about the budget, what is it? | 0:16:49 | 0:16:51 | |
Sex, Joe, I'm talking about sex. | 0:16:51 | 0:16:54 | |
Careful now, Anon, this is an afternoon show, | 0:16:54 | 0:16:56 | |
your personal needs are not up for discussion. | 0:16:56 | 0:16:58 | |
Oh, shit, it's not me. I have a dildo. No, it's... | 0:16:58 | 0:17:01 | |
It's my daughter, Joe. She needs a man. | 0:17:04 | 0:17:06 | |
Really? And what's stopping her? | 0:17:06 | 0:17:08 | |
Well, she's, I think she's frigid-ed...frigid-id, frigid... | 0:17:09 | 0:17:13 | |
She's very difficult, Joe. You see, Joe, my daughter, she's... | 0:17:14 | 0:17:17 | |
Oh, please, don't mention her real name. | 0:17:17 | 0:17:19 | |
Oh, of course not. Let's call her... | 0:17:19 | 0:17:22 | |
Kathy with a K. | 0:17:22 | 0:17:23 | |
Mammy?! | 0:17:27 | 0:17:29 | |
-Well, well, maybe all she needs is a bit of attention. -Mammy! | 0:17:29 | 0:17:33 | |
I'll tell you what. | 0:17:33 | 0:17:34 | |
We here at Live Line will send her out a nice bouquet of flowers. | 0:17:34 | 0:17:37 | |
-Mammy! -That might cheer her up. | 0:17:37 | 0:17:40 | |
You're very kind, Joe. That will definitely cheer her up. | 0:17:40 | 0:17:43 | |
-Send them to... -No. No... | 0:17:43 | 0:17:45 | |
..Cathy Brown, 92 James Larkin Court, Finglas. | 0:17:45 | 0:17:50 | |
Jesus. | 0:17:50 | 0:17:51 | |
No. | 0:17:54 | 0:17:56 | |
Sorry, Grandad. | 0:18:03 | 0:18:04 | |
Get out. | 0:18:14 | 0:18:17 | |
Now! | 0:18:17 | 0:18:19 | |
Oh, hello. | 0:18:29 | 0:18:31 | |
-You. -Me? | 0:18:31 | 0:18:33 | |
You announced to the nation that I can't get a man?! | 0:18:33 | 0:18:36 | |
I don't know what you're talking about. | 0:18:36 | 0:18:38 | |
You were on the radio talking to Joe Duffy. | 0:18:38 | 0:18:41 | |
What? I don't, listen, me on the rad... How...? This... Maybe. | 0:18:41 | 0:18:46 | |
Talking about my personal life. | 0:18:46 | 0:18:49 | |
I was talking about budgies. | 0:18:49 | 0:18:51 | |
DOORBELL RINGS | 0:18:51 | 0:18:52 | |
Delivery for Cathy Brown? | 0:18:56 | 0:18:58 | |
That's me. | 0:18:58 | 0:18:59 | |
Thank you. | 0:19:01 | 0:19:02 | |
DOORBELL RINGS | 0:19:05 | 0:19:06 | |
I believe you're looking for a man. | 0:19:10 | 0:19:12 | |
Get lost! | 0:19:13 | 0:19:14 | |
Nice scarf, Winnie. | 0:19:20 | 0:19:21 | |
Mm. Thanks, Agnes. | 0:19:21 | 0:19:24 | |
I got it in Guiney's today. They had a great sale on there. | 0:19:24 | 0:19:28 | |
-Oh, right. -I saw a lovely dress that would really suit you. | 0:19:28 | 0:19:32 | |
But they didn't have it in an extra... Your size. | 0:19:32 | 0:19:36 | |
Hi, Mrs McGoogan. Hello, Mrs Brown. | 0:19:38 | 0:19:41 | |
You two will be on the second shift patrol today. | 0:19:41 | 0:19:44 | |
I hope you're not drinking too much. | 0:19:45 | 0:19:47 | |
Er, who's our third? | 0:19:50 | 0:19:52 | |
-Oh, my mother. -Hilary? -Yeah. | 0:19:52 | 0:19:54 | |
That's nice. | 0:19:56 | 0:19:57 | |
She'll call over to yours later. | 0:19:59 | 0:20:01 | |
I can't wait. | 0:20:01 | 0:20:02 | |
Here, come on, Winnie. We'd better go and get ready for this patrol. | 0:20:03 | 0:20:06 | |
I'm a bit nervous, Agnes. | 0:20:06 | 0:20:08 | |
Out on the streets in the dark, | 0:20:08 | 0:20:10 | |
we might get attacked by a wild animal. | 0:20:10 | 0:20:12 | |
Winnie, you're in Finglas, not Africa. | 0:20:12 | 0:20:15 | |
You're hardly going to meet a ten-foot snake. | 0:20:15 | 0:20:17 | |
Ten-foot snake! | 0:20:20 | 0:20:22 | |
SHE SCOFFS | 0:20:22 | 0:20:24 | |
Snakes don't have feet. | 0:20:24 | 0:20:26 | |
I was getting me hair done when it came on the radio. | 0:20:28 | 0:20:30 | |
I have to be honest, Cathy, when she said your name, I laughed. | 0:20:30 | 0:20:34 | |
It's not funny. | 0:20:34 | 0:20:36 | |
I've been answering the door all day | 0:20:36 | 0:20:38 | |
to the biggest collection of weirdos. | 0:20:38 | 0:20:41 | |
Here, Buster called five times. | 0:20:41 | 0:20:43 | |
Oh, here, look, I'd better go over to yours, | 0:20:45 | 0:20:47 | |
get your mother's patrol under way. Are yous coming? | 0:20:47 | 0:20:50 | |
You go on, we'll follow you down. | 0:20:50 | 0:20:52 | |
OK. | 0:20:52 | 0:20:53 | |
Do you know what? Maybe I should go. | 0:20:55 | 0:20:58 | |
Ah, you'll have another one. Sharon, two more. | 0:21:00 | 0:21:03 | |
GROANING | 0:21:03 | 0:21:05 | |
Mrs Brown, are you ready? | 0:21:10 | 0:21:12 | |
Winnie, come on! | 0:21:19 | 0:21:20 | |
What the hell? | 0:21:28 | 0:21:29 | |
We are ready to fight crime. | 0:21:29 | 0:21:31 | |
You can't go on patrol dressed as Bananaman. | 0:21:34 | 0:21:37 | |
And who are you supposed to be? | 0:21:37 | 0:21:38 | |
I think I'm a banana. | 0:21:38 | 0:21:40 | |
Well, I'm glad my mother is going with you two. | 0:21:41 | 0:21:43 | |
She might bring a bit of sanity to it all. | 0:21:43 | 0:21:45 | |
I'm here! | 0:21:48 | 0:21:50 | |
Mother, have you gone mad? | 0:21:54 | 0:21:55 | |
Mm? | 0:21:55 | 0:21:56 | |
You're not Charlie's Angels. | 0:21:56 | 0:21:59 | |
Go and change and put on something warm. | 0:21:59 | 0:22:01 | |
Now. | 0:22:03 | 0:22:04 | |
Hey, love. Has Mammy gone on patrol yet? | 0:22:08 | 0:22:11 | |
No. The Avengers are in getting changed. | 0:22:11 | 0:22:14 | |
Listen, don't let them go out. | 0:22:14 | 0:22:16 | |
-Why? -Buster has an idea. | 0:22:16 | 0:22:18 | |
-Listen, Cathy, do me a favour, will you? -Yeah, if I can. | 0:22:22 | 0:22:25 | |
I'm going straight to a club tonight, | 0:22:25 | 0:22:27 | |
so I won't get to the night safe. | 0:22:27 | 0:22:28 | |
Will you bring that back to your house | 0:22:28 | 0:22:30 | |
-and I'll get it off you in the morning? -Sure. | 0:22:30 | 0:22:32 | |
Are we right, people? Have yous no homes to go to? | 0:22:32 | 0:22:34 | |
Goodnight. | 0:22:37 | 0:22:38 | |
KEYS JANGLE | 0:22:46 | 0:22:47 | |
DOOR UNLOCKS | 0:22:48 | 0:22:49 | |
EERIE MUSIC | 0:22:53 | 0:22:55 | |
ALL: Surprise! | 0:23:27 | 0:23:29 | |
# For he's a jolly good fellow For he's a jolly good fellow | 0:23:30 | 0:23:34 | |
# For he's a jolly good fellow | 0:23:34 | 0:23:37 | |
# And so say all of us. # | 0:23:37 | 0:23:39 | |
CHEERING | 0:23:39 | 0:23:40 | |
-What's going on here? -Has there been a crime committed? | 0:23:40 | 0:23:43 | |
Not at all, this is a going away party for Hannigan here. | 0:23:43 | 0:23:45 | |
He's leaving Finglas, isn't that right? | 0:23:45 | 0:23:48 | |
Er, yes, I am. | 0:23:48 | 0:23:50 | |
And you're not coming back, am I right? | 0:23:50 | 0:23:52 | |
No, never. | 0:23:52 | 0:23:53 | |
Well, let's get the party started. | 0:23:53 | 0:23:56 | |
Not you. You'd better hurry up or you'll miss your flight. | 0:23:58 | 0:24:01 | |
Move. | 0:24:01 | 0:24:02 | |
Jog on the spot for me, Grandad. | 0:24:11 | 0:24:13 | |
OK, stop. Can you touch your toes? | 0:24:15 | 0:24:19 | |
I can't even touch me willy. | 0:24:19 | 0:24:20 | |
Winnie, mind me door, don't scratch the feckin' door. | 0:24:27 | 0:24:30 | |
Oh, hello, Dr Flynn. | 0:24:30 | 0:24:33 | |
Oh, hello, Mrs Brown. | 0:24:33 | 0:24:35 | |
Er, I've had a good look at Grandad and as far as I can see... | 0:24:35 | 0:24:37 | |
Is he dying? | 0:24:37 | 0:24:39 | |
-No. -Not interested. | 0:24:39 | 0:24:41 | |
Ah. | 0:24:41 | 0:24:43 | |
Don't mind her, Dr Flynn. What's the news? | 0:24:43 | 0:24:46 | |
I don't think he's taking his medication at night. | 0:24:46 | 0:24:49 | |
Leave it with me, Dr Flynn, I'll make sure. | 0:24:49 | 0:24:51 | |
And what about you? | 0:24:51 | 0:24:52 | |
Me? What do you mean? | 0:24:52 | 0:24:55 | |
I believe you might be, um... | 0:24:55 | 0:24:57 | |
..available? | 0:24:59 | 0:25:00 | |
-Seriously? -I'm sorry. I have to go. | 0:25:01 | 0:25:04 | |
Bye! | 0:25:05 | 0:25:06 | |
Oh, that's my little girl. | 0:25:09 | 0:25:12 | |
Yes, I am. But you'd better take your tablets. | 0:25:12 | 0:25:15 | |
DOORBELL RINGS | 0:25:15 | 0:25:17 | |
More men? | 0:25:17 | 0:25:19 | |
Leave this to me, Cathy. | 0:25:19 | 0:25:21 | |
Well, hello, boys. | 0:25:32 | 0:25:35 | |
I'm Cathy Brown. | 0:25:35 | 0:25:37 | |
Just going for a lie down. | 0:25:47 | 0:25:49 | |
Thanks, Grandad. | 0:25:49 | 0:25:51 | |
Close the door, please. Gently. | 0:25:52 | 0:25:55 | |
Thank you. | 0:25:55 | 0:25:57 | |
Who was that at the front door? | 0:25:57 | 0:25:58 | |
I think that might've been the last of any men callers. | 0:25:58 | 0:26:01 | |
-Hiya, Mammy. -Hello, Dermot. | 0:26:03 | 0:26:05 | |
-Would you like a cup of tea, son? -No, Mammy. | 0:26:05 | 0:26:07 | |
I just dropped around to say great job last night. | 0:26:07 | 0:26:09 | |
Hannigan won't show his face in Finglas again. | 0:26:09 | 0:26:11 | |
No, son, great job, you, last night. | 0:26:11 | 0:26:13 | |
Well, actually, it was Buster's idea. | 0:26:13 | 0:26:16 | |
Well, it was a great idea, Buster. Well done. | 0:26:16 | 0:26:18 | |
-Tell her about my other idea. -No. | 0:26:18 | 0:26:20 | |
Just go, go. | 0:26:22 | 0:26:23 | |
Wait, wait. Wait, wait. Wait, no, wait, no, don't go yet. | 0:26:23 | 0:26:26 | |
Don't go yet. No, no, no, no, no. | 0:26:26 | 0:26:29 | |
Get back in there, bees. Cathy, watch this. Do it. | 0:26:30 | 0:26:34 | |
-We did it, Ma. -Do the song. | 0:26:35 | 0:26:38 | |
Hang on. | 0:26:40 | 0:26:41 | |
BOTH: # Hanley happy honey bees | 0:26:47 | 0:26:49 | |
# Buzz buzz happy honey bees | 0:26:49 | 0:26:51 | |
# Buzzing through the flowers and trees | 0:26:51 | 0:26:53 | |
-# Do you want honey? # -Oh, yes, please. | 0:26:53 | 0:26:55 | |
-Are you OK in there, Bono? -Yeah, I'm fine. | 0:27:21 | 0:27:24 | |
Well, do they fit? | 0:27:24 | 0:27:25 | |
I think so. | 0:27:25 | 0:27:27 | |
-Hello, Betty. -Hiya. | 0:27:29 | 0:27:31 | |
I hope he was no trouble for you, Mrs Brown. | 0:27:31 | 0:27:33 | |
Are you kidding me? I'd mind him all day every day. | 0:27:33 | 0:27:36 | |
Bono, your mammy and daddy are here. | 0:27:36 | 0:27:38 | |
Oooh. | 0:27:38 | 0:27:39 | |
Look at you. | 0:27:41 | 0:27:42 | |
I know. Granny bought it for me at the sales. | 0:27:42 | 0:27:44 | |
You're very good, Mammy. Thanks. | 0:27:44 | 0:27:46 | |
Well, I wanted him to look well, you know, for his first disco. | 0:27:46 | 0:27:49 | |
-Disco? -Yes. | 0:27:49 | 0:27:51 | |
Remember, you said you were going to drop him off at the disco tonight | 0:27:51 | 0:27:54 | |
and pick him up at the disco. | 0:27:54 | 0:27:56 | |
Did you, Daddy? Did you really say I could go to the disco? | 0:27:56 | 0:27:59 | |
Of course. You can't miss the first disco in the school. | 0:27:59 | 0:28:02 | |
Thanks, Dad. | 0:28:02 | 0:28:04 | |
But I will be picking you up. | 0:28:04 | 0:28:06 | |
But, Dad... | 0:28:06 | 0:28:07 | |
..what if I get lucky? | 0:28:07 | 0:28:08 | |
Get out to the car, you. | 0:28:13 | 0:28:14 | |
-Thanks, Mammy. -Oh, it's no trouble. | 0:28:17 | 0:28:19 | |
But don't do it again. | 0:28:19 | 0:28:20 | |
It's so hard not to interfere. | 0:28:25 | 0:28:27 | |
You know, when you're... When you have your babies, | 0:28:28 | 0:28:31 | |
you're an apprentice mother with apprentice children. | 0:28:31 | 0:28:33 | |
And then as soon as you get to know the job, | 0:28:33 | 0:28:35 | |
they feck off and marry someone else. | 0:28:35 | 0:28:37 | |
That's why we make wonderful grandparents - | 0:28:37 | 0:28:40 | |
cos we know the job. | 0:28:40 | 0:28:42 | |
You remember when you had your first child and if they got a splinter, | 0:28:42 | 0:28:45 | |
straight down to emergency. | 0:28:45 | 0:28:46 | |
The second child, | 0:28:46 | 0:28:47 | |
if he came in with a stake through his heart, put a plaster on it. | 0:28:47 | 0:28:51 | |
No, I am never interfering in my family's life again. | 0:28:54 | 0:28:57 | |
Goodnight, Mammy! | 0:28:57 | 0:28:59 | |
Except for her. | 0:28:59 | 0:29:00 | |
Grandad, did you take your tablets? | 0:29:03 | 0:29:05 | |
-No. -Where are they? | 0:29:05 | 0:29:07 | |
In the drawer beside the sink. | 0:29:07 | 0:29:08 | |
Jesus! | 0:29:12 | 0:29:13 | |
You bastard! | 0:29:17 | 0:29:18 | |
That's not feckin' funny. Where are they? | 0:29:19 | 0:29:21 | |
Behind the toaster, I think. | 0:29:21 | 0:29:24 | |
Oh, jeez, that was close. | 0:29:31 | 0:29:33 | |
Now number three. | 0:29:33 | 0:29:35 | |
Jesus, what's that? A spider! | 0:29:38 | 0:29:40 | |
A feckin' spid... A spider! | 0:29:40 | 0:29:41 | |
Grandad, it's a spider! It's a spider! | 0:29:41 | 0:29:43 | |
Look at me feckin' door! | 0:29:47 | 0:29:49 | |
Payback! | 0:29:55 | 0:29:57 | |
Goodnight! | 0:30:00 | 0:30:02 | |
# Say hello to the queen of Dublin town | 0:30:02 | 0:30:07 | |
# As the best mum of all | 0:30:08 | 0:30:11 | |
# She wears the crown | 0:30:11 | 0:30:13 | |
# Mother hen watching all her chicks | 0:30:14 | 0:30:17 | |
# A sassy old lady full of tricks | 0:30:17 | 0:30:20 | |
# It's a safe bet she'd never let life get her down | 0:30:20 | 0:30:26 | |
-# She's Mrs Brown -Agnes | 0:30:26 | 0:30:29 | |
-# That's Mrs Brown -Agnes | 0:30:29 | 0:30:32 | |
# Oh, Mrs Brown. # | 0:30:32 | 0:30:34 | |
Heh-heh-heh-heh! | 0:30:37 | 0:30:38 |