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This programme contains some strong language and adult humour. | 0:00:02 | 0:00:07 | |
Hi, I'm Jamie Laing and I'm from Made In Chelsea, | 0:00:07 | 0:00:09 | |
but today, I'm starring in my own cop drama. | 0:00:09 | 0:00:12 | |
I have to solve a murder. I don't know any of the suspects | 0:00:12 | 0:00:15 | |
and I don't know anything that is going to happen to me. | 0:00:15 | 0:00:18 | |
Wish me good luck. I'm off to Successville. | 0:00:18 | 0:00:20 | |
Welcome to Successville. A town full of celebrities. | 0:00:25 | 0:00:30 | |
Sometimes the famous faces who live here break the law. | 0:00:30 | 0:00:33 | |
And when they do, I'm here to take them down. | 0:00:33 | 0:00:36 | |
I'm DI Sleet. | 0:00:38 | 0:00:40 | |
The D is for Detective, not Deborah, | 0:00:40 | 0:00:42 | |
because there's no such thing as a Deborah Inspector. | 0:00:42 | 0:00:46 | |
I eat crime. I drink justice, and I shit myself. | 0:00:46 | 0:00:51 | |
It was Thursday. | 0:00:57 | 0:00:58 | |
I knew it was Thursday | 0:00:58 | 0:00:59 | |
because the calendar on my desk said it was Friday. | 0:00:59 | 0:01:02 | |
I run a day fast so I stay one step ahead of the bad guys. | 0:01:02 | 0:01:06 | |
Sleet? What's all this about you | 0:01:06 | 0:01:08 | |
filing a report about me to HR for bullying? | 0:01:08 | 0:01:11 | |
Ah, it's just at times you can be something of a hard-on, Chief. | 0:01:11 | 0:01:14 | |
Yes, but at times, Sleet, you can be a cat's dick-hole. | 0:01:14 | 0:01:18 | |
How dare you? How fucking dare you, after all I've done for you? | 0:01:18 | 0:01:22 | |
I'm gonna take this report, roll it into a sausage | 0:01:22 | 0:01:24 | |
and shove it up your arse! | 0:01:24 | 0:01:26 | |
Will you at least grease me up this time, sir? | 0:01:26 | 0:01:28 | |
Oh, God. I've got you a new recruit. | 0:01:28 | 0:01:30 | |
Young man, inside, quick as you can. | 0:01:30 | 0:01:32 | |
-Hello. -Hello. | 0:01:32 | 0:01:34 | |
This is DI Sleet. He's gonna be breaking you in. | 0:01:34 | 0:01:37 | |
This is Jamie Laing. He hasn't got a fucking clue what's going on. | 0:01:37 | 0:01:40 | |
Sleet's gonna show you the ropes. Is that all right? | 0:01:40 | 0:01:43 | |
I'm not imposing on you too much now, am I? | 0:01:43 | 0:01:44 | |
-That's fine, sir. -Bell-end! | 0:01:44 | 0:01:46 | |
Hi. | 0:01:46 | 0:01:47 | |
So, daddy's little princess doesn't want a pony any more. | 0:01:49 | 0:01:53 | |
He wants to be a real-life policeman. | 0:01:53 | 0:01:55 | |
-Is that right? -Yeah, I do, I do. That's why I'm here. | 0:01:55 | 0:01:58 | |
I want to be a policeman. | 0:01:58 | 0:02:00 | |
-You excited? -I'm very excited. | 0:02:00 | 0:02:02 | |
Take a seat. | 0:02:02 | 0:02:03 | |
SLEET SIGHS | 0:02:04 | 0:02:05 | |
-You like to laugh, do you? -No. I don't like to laugh. | 0:02:11 | 0:02:15 | |
I mean, I laugh when I feel uncomfortable. | 0:02:15 | 0:02:17 | |
Do you like to party? | 0:02:17 | 0:02:19 | |
Um, yes. | 0:02:19 | 0:02:20 | |
Best party you ever went to, tell me about it. | 0:02:20 | 0:02:22 | |
It was a Neverland theme party but it was more like, | 0:02:22 | 0:02:25 | |
um, fairy tales. | 0:02:25 | 0:02:27 | |
-Were there girls there? -There were girls there, and you had to... | 0:02:27 | 0:02:30 | |
Did you, as the Americans may say, "make out"? | 0:02:30 | 0:02:34 | |
I think I probably would've. | 0:02:34 | 0:02:35 | |
How did it go down? | 0:02:35 | 0:02:36 | |
-I mean, it went down OK. I... -Show me. | 0:02:36 | 0:02:38 | |
Show me how you did it. | 0:02:40 | 0:02:42 | |
Usual police protocol. | 0:02:42 | 0:02:43 | |
Use this as her lips. | 0:02:43 | 0:02:44 | |
Like this. OK? | 0:02:46 | 0:02:49 | |
So you line up for the kiss. | 0:02:49 | 0:02:50 | |
Did you say anything before you kissed her? | 0:02:50 | 0:02:52 | |
No, I don't think I did. I think I just went for the kiss. | 0:02:52 | 0:02:55 | |
HE LAUGHS | 0:02:58 | 0:02:59 | |
Oh, God. | 0:02:59 | 0:03:00 | |
-This is... -How long did the kiss go on for? | 0:03:02 | 0:03:05 | |
Show me. Was there tongues? | 0:03:06 | 0:03:08 | |
There was a bit of tongue. | 0:03:08 | 0:03:09 | |
Then...I must see this. | 0:03:09 | 0:03:12 | |
OK. | 0:03:12 | 0:03:13 | |
-Oh. -So sorry to interrupt you, Sleet. | 0:03:17 | 0:03:19 | |
I was just wondering if you could get round | 0:03:19 | 0:03:22 | |
to getting your useless arse in gear and solving a murder?! | 0:03:22 | 0:03:26 | |
God, will they never stop killing? | 0:03:26 | 0:03:28 | |
Bruno Tonioli, somebody's got to him. | 0:03:28 | 0:03:30 | |
-The restaurateur? -Yes. The restaurateur. | 0:03:30 | 0:03:32 | |
Quick as you can, boys. I'll be watching you. | 0:03:32 | 0:03:34 | |
-If you screw this up, I'll knock your bollocks off. Yes? -Yes. | 0:03:34 | 0:03:37 | |
Good. | 0:03:37 | 0:03:39 | |
Chop chop. | 0:03:39 | 0:03:40 | |
So, kid, this is it. To your feet. | 0:03:40 | 0:03:43 | |
Let's go solve a crime! | 0:03:44 | 0:03:47 | |
We'll work on your kissing on the way. | 0:03:49 | 0:03:51 | |
We headed to Bruno Tonioli's restaurant. It was a big deal. | 0:03:56 | 0:04:00 | |
Laing was popping his cherry on his first crime scene. | 0:04:00 | 0:04:04 | |
Head of Ballistics, Taylor Swift, was already there. | 0:04:04 | 0:04:07 | |
Your first crime scene, kid. | 0:04:13 | 0:04:16 | |
Sleet, it's been a while. | 0:04:16 | 0:04:18 | |
Oh, hi, Taylor. | 0:04:18 | 0:04:19 | |
Who's this guy? | 0:04:19 | 0:04:21 | |
Oh, this is Jamie Laing. He's a sweet, young innocent. | 0:04:21 | 0:04:23 | |
I'm bringing him into a whole world of hurt and pain. | 0:04:23 | 0:04:26 | |
Oh, you're good at that, aren't you? | 0:04:26 | 0:04:27 | |
Seriously, watch this guy, OK? Cos he'll lead you on, and then, pfff! | 0:04:27 | 0:04:31 | |
Oh, we only had two sexes. | 0:04:31 | 0:04:33 | |
-What are you laughing at? -Nothing. | 0:04:33 | 0:04:35 | |
-It's time we started looking at this murder scene. -Yeah. | 0:04:35 | 0:04:39 | |
Look. The trajectory of the blood and the brain matter suggests | 0:04:39 | 0:04:41 | |
-that the murderer, whoever he was... -Or she. | 0:04:41 | 0:04:43 | |
-Whoever he or she was.. -Or they. | 0:04:43 | 0:04:45 | |
-Whoever he or she or they was... -Or were. -OK. | 0:04:45 | 0:04:48 | |
Whoever he or she or they was or were, | 0:04:48 | 0:04:51 | |
was or were sitting right here. | 0:04:51 | 0:04:53 | |
OK, kid, it's time you got inside the mind of a murderer. | 0:04:53 | 0:04:57 | |
Park your caboose down there. | 0:04:57 | 0:04:59 | |
(I like it when you talk like this.) | 0:04:59 | 0:05:01 | |
Try and keep your knickers on, Swift. | 0:05:01 | 0:05:03 | |
Now what do you see, evidence-wise? | 0:05:04 | 0:05:06 | |
-So we have euro notes. -Oh, euros. | 0:05:06 | 0:05:08 | |
Euros. Do you remember that time we went to Paris once? | 0:05:08 | 0:05:11 | |
He, like, took me along the Champs-Elysees. | 0:05:11 | 0:05:13 | |
We went for, like, a beautiful dinner, | 0:05:13 | 0:05:15 | |
and then he took me to the Eiffel Tower, and he bummed me. | 0:05:15 | 0:05:18 | |
SLEET CHORTLES | 0:05:18 | 0:05:19 | |
-He bummed you? -Mm-hm. | 0:05:19 | 0:05:20 | |
I didn't take her to Paris or the Champs-Elysees. | 0:05:20 | 0:05:23 | |
Don't write this down. Why would you write that down? | 0:05:23 | 0:05:26 | |
It's not evidence. It's not about the case. | 0:05:26 | 0:05:27 | |
It's just about a bit of bumming. | 0:05:27 | 0:05:29 | |
JAMIE LAUGHS | 0:05:29 | 0:05:31 | |
What else is there, kid? | 0:05:31 | 0:05:32 | |
We have cigarettes. | 0:05:32 | 0:05:34 | |
Ah, okey dokey, we have a smoky. | 0:05:34 | 0:05:36 | |
We have a receipt. | 0:05:36 | 0:05:38 | |
-What's on the receipt? Read it out. -A green salad. | 0:05:38 | 0:05:42 | |
Do it in an Italian accent, so we can set the mood. | 0:05:42 | 0:05:44 | |
A green salad... | 0:05:44 | 0:05:47 | |
HE LAUGHS | 0:05:47 | 0:05:49 | |
-EXAGGERATED ITALIAN ACCENT: -Bruno Tonioli, a green salad, | 0:05:49 | 0:05:54 | |
spaghetti carbonara... | 0:05:54 | 0:05:55 | |
..penne al forno... | 0:05:57 | 0:06:00 | |
HE LAUGHS | 0:06:00 | 0:06:01 | |
..ah, tiramisu... | 0:06:01 | 0:06:03 | |
..grapple pie, a cheesecake, a glass of house-a red. | 0:06:07 | 0:06:11 | |
OK, kid. You now should be inside the mind of a killer. | 0:06:11 | 0:06:14 | |
-What car do you drive? -I don't drive. | 0:06:14 | 0:06:16 | |
No, you're the murderer - not you. | 0:06:16 | 0:06:18 | |
This is in the mind of the murderer. | 0:06:18 | 0:06:19 | |
-What car do you drive? -A Fiat. | 0:06:19 | 0:06:22 | |
-Colour? -Red. | 0:06:22 | 0:06:23 | |
I mean the guy who did it. | 0:06:23 | 0:06:25 | |
HE LAUGHS | 0:06:25 | 0:06:26 | |
Italian-looking. | 0:06:30 | 0:06:31 | |
If you ask me, this has all the markings of a gangland hit. | 0:06:31 | 0:06:34 | |
There are only two units that could have pulled this off | 0:06:34 | 0:06:36 | |
in this town, OK? And that is Harry Styles' gang, | 0:06:36 | 0:06:39 | |
and the Carr twins, Alan and Jimmy. | 0:06:39 | 0:06:41 | |
Write it down. | 0:06:41 | 0:06:42 | |
What about his wife? | 0:06:42 | 0:06:43 | |
Oh, Darcey Bussell? No. | 0:06:43 | 0:06:45 | |
She left him two months ago for Adrian Chiles. | 0:06:45 | 0:06:47 | |
-She always liked a bad boy, did Darcey. OK, kid? -Yeah. | 0:06:47 | 0:06:51 | |
It's time to go investigate. | 0:06:51 | 0:06:53 | |
You ready to see the seedy, | 0:06:53 | 0:06:54 | |
disgusting underbelly of Successville? | 0:06:54 | 0:06:57 | |
See you soon, Taylor. Come on, kid. | 0:06:57 | 0:06:59 | |
Goodbye, sir. | 0:06:59 | 0:07:01 | |
'Swift had served us up a selection of suspects.' | 0:07:01 | 0:07:04 | |
First on the menu, the notorious Carr brothers, Jimmy and Alan. | 0:07:04 | 0:07:07 | |
Businessmen, wine pedlars, killers, question mark? | 0:07:07 | 0:07:11 | |
The Carr brothers, Jimmy and Alan. | 0:07:12 | 0:07:15 | |
Alan's the brains of the outfit. | 0:07:16 | 0:07:18 | |
Sharp as a tack. | 0:07:18 | 0:07:19 | |
Jimmy is loco, like a steam train. | 0:07:19 | 0:07:23 | |
He's bat-shit crazy, you dig? | 0:07:23 | 0:07:24 | |
I dig. Can they hear us? | 0:07:24 | 0:07:27 | |
No, this is completely soundproof. You could say anything you want. | 0:07:27 | 0:07:31 | |
Hey, Jimmy, you're a big, stupid wally brain. | 0:07:31 | 0:07:33 | |
THEY LAUGH Say something. | 0:07:33 | 0:07:35 | |
You got a stupid coat on! Ha-ha-ha! | 0:07:37 | 0:07:39 | |
-That's not an insult, is it? -OK. Er... | 0:07:41 | 0:07:44 | |
..You, er... | 0:07:47 | 0:07:48 | |
-Think, come on. -I mean, you... | 0:07:48 | 0:07:51 | |
Hey, hey, Alan, you look like a frog! | 0:07:51 | 0:07:53 | |
-Yeah, you look like a bird! -What?! | 0:07:54 | 0:07:56 | |
What? You said an animal, so I copied you. | 0:07:56 | 0:07:59 | |
You don't copy me, kid. | 0:07:59 | 0:08:00 | |
What we need is a safe word, should things turn doomtastic in there. | 0:08:00 | 0:08:05 | |
Table. | 0:08:06 | 0:08:07 | |
No, not table. You can't use that, it's a bit stupid. | 0:08:07 | 0:08:10 | |
Sleet. | 0:08:10 | 0:08:11 | |
No, don't say that, you'll say my name loads in there anyway. | 0:08:11 | 0:08:14 | |
I've got the perfect one. | 0:08:14 | 0:08:16 | |
-What? -Earwig. | 0:08:16 | 0:08:18 | |
-Earwig? -Earwig. | 0:08:18 | 0:08:20 | |
-Why earwig? -It's a good, old-fashioned word | 0:08:20 | 0:08:22 | |
that's close to my brain and my heart. | 0:08:22 | 0:08:24 | |
We're just gonna enjoy ourselves. Right, Laing, let's do this. | 0:08:24 | 0:08:28 | |
Thanks for popping down, boys. It's just a few questions. | 0:08:36 | 0:08:39 | |
I don't have to answer no questions. This is harassment. | 0:08:39 | 0:08:42 | |
I'm a respectable businessman. | 0:08:42 | 0:08:44 | |
Listen, Carr, someone had pumped Tonioli with a 42-calibre fork. | 0:08:44 | 0:08:48 | |
Perhaps someone left him a hail of bullets as a tip. | 0:08:48 | 0:08:51 | |
Or perhaps someone had a score to settle! You're quiet, Jimmy. | 0:08:51 | 0:08:54 | |
What you looking at? | 0:08:58 | 0:09:00 | |
MANIC, BRAYING LAUGHTER | 0:09:03 | 0:09:05 | |
No. Jimmy. | 0:09:08 | 0:09:09 | |
I hear you were Tonioli's wine supplier! | 0:09:12 | 0:09:15 | |
For a while. | 0:09:15 | 0:09:16 | |
We visited a few vineyards last weekend, and I sell a bit on. | 0:09:16 | 0:09:20 | |
What happened? | 0:09:20 | 0:09:21 | |
He got a better offer. | 0:09:21 | 0:09:22 | |
Really? Like what? | 0:09:22 | 0:09:24 | |
HE HONKS | 0:09:24 | 0:09:28 | |
Well, that is a good offer. How could you compete? | 0:09:28 | 0:09:30 | |
So Tonioli gets a new guy, | 0:09:30 | 0:09:32 | |
and you're left with crate upon crate of crappy wine. | 0:09:32 | 0:09:35 | |
Must have made you mad, Carr. | 0:09:35 | 0:09:38 | |
Business is business, Sleet. | 0:09:38 | 0:09:39 | |
So be it. | 0:09:39 | 0:09:41 | |
Would you two be able to put your fingers in your ears | 0:09:41 | 0:09:44 | |
so I can talk to my partner in private? | 0:09:44 | 0:09:46 | |
OK, listen. | 0:09:48 | 0:09:49 | |
I'm going to take Alan out of the room, rough him up a bit, | 0:09:49 | 0:09:53 | |
ask him some questions. I'm going to leave you in here with Jimmy. | 0:09:53 | 0:09:56 | |
-Leave, you mean? -Yes, with Jimmy. | 0:09:56 | 0:09:57 | |
Why you leaving me with Jimmy? Look at him. | 0:09:57 | 0:09:59 | |
-You scared of him? Look at him. -I'm not scared of him, no. | 0:09:59 | 0:10:02 | |
He's a freak. He's a loser. | 0:10:02 | 0:10:03 | |
-I know he's a loser. -He's weak. Are you weak or are you strong? | 0:10:03 | 0:10:06 | |
I'm strong. Like a wrecking ball. | 0:10:06 | 0:10:08 | |
I like it. | 0:10:08 | 0:10:10 | |
Don't leave any stone unturned. | 0:10:10 | 0:10:12 | |
-You ready? -Ready. | 0:10:12 | 0:10:14 | |
Good boy. Hey, Alan? Unplug 'em. Follow me. | 0:10:14 | 0:10:17 | |
Let's me and you go for a chat outside. | 0:10:17 | 0:10:19 | |
Right, I'm gonna ask you some questions. | 0:10:23 | 0:10:26 | |
And I want you to answer honestly and truthfully. | 0:10:26 | 0:10:30 | |
Where were you at the time of the murder? | 0:10:30 | 0:10:33 | |
HE HONKS | 0:10:33 | 0:10:35 | |
I'll ask you again. Jimmy, where were you at the time of the murder? | 0:10:35 | 0:10:39 | |
HE HONKS | 0:10:39 | 0:10:43 | |
Last time. | 0:10:43 | 0:10:45 | |
Jimmy, where were you at the time of the murder? | 0:10:45 | 0:10:49 | |
Shhh! | 0:10:49 | 0:10:51 | |
DEEPER LAUGHTER | 0:10:52 | 0:10:54 | |
Sit down. | 0:10:54 | 0:10:55 | |
LAUGHTER INTENSIFIES | 0:10:55 | 0:10:57 | |
EARWIG! | 0:10:57 | 0:10:58 | |
LAUGHTER BECOMES MANIC PANTING | 0:10:58 | 0:11:00 | |
EARWIG! Sleet! | 0:11:00 | 0:11:02 | |
LAUGHTER BECOMES HYSTERICAL | 0:11:02 | 0:11:04 | |
Sleet! Sleet! Earwig?! | 0:11:04 | 0:11:08 | |
You're treating me like a prize plonker, Carr. | 0:11:08 | 0:11:10 | |
Tell me, where were you on the night of Tonioli's murder? | 0:11:10 | 0:11:14 | |
I was at home, washing my hair. | 0:11:14 | 0:11:17 | |
Yeah. Head, pit or pubic? | 0:11:17 | 0:11:19 | |
I refuse to answer that question without my lawyer present. | 0:11:19 | 0:11:22 | |
Well, you ain't gonna get no lawyer. | 0:11:22 | 0:11:24 | |
Sleet! Earwig! | 0:11:24 | 0:11:26 | |
JIMMY YELLS MANICALLY | 0:11:26 | 0:11:28 | |
Earwig, Sleet! | 0:11:28 | 0:11:31 | |
HE GASPS MANICALLY | 0:11:31 | 0:11:33 | |
Let's see how your brother's getting on. | 0:11:33 | 0:11:36 | |
What are you doing? | 0:11:39 | 0:11:40 | |
Sleet, what the hell...? I called "earwig"! | 0:11:40 | 0:11:42 | |
I couldn't hear you. Sorry, kid. | 0:11:42 | 0:11:43 | |
What do you mean? It's the safe word and you didn't come! | 0:11:43 | 0:11:47 | |
-What's all this crap? -He had it with him. | 0:11:47 | 0:11:49 | |
You let him here with this? | 0:11:49 | 0:11:51 | |
I didn't let him in here with this! He was in here with this. | 0:11:51 | 0:11:53 | |
JIMMY LAUGHS | 0:11:53 | 0:11:54 | |
Hey, shut up! | 0:11:54 | 0:11:56 | |
You get any evidence? What the hell's that? | 0:11:56 | 0:11:58 | |
Why do you have that with you? What is it? | 0:11:58 | 0:12:01 | |
A Barbie. | 0:12:01 | 0:12:02 | |
Damn it, kid! | 0:12:03 | 0:12:04 | |
If you're not going to charge us, we'll be going. | 0:12:04 | 0:12:08 | |
Be on your way, you pair of punks. Get outta here! | 0:12:08 | 0:12:11 | |
Come on, Jim. Home time. | 0:12:11 | 0:12:14 | |
JIMMY LAUGHS SOFTLY | 0:12:14 | 0:12:15 | |
Get outta here, you smarmy little shitbag. | 0:12:15 | 0:12:18 | |
We're no closer to the end, but this case is just getting exciting. | 0:12:18 | 0:12:22 | |
Let's go! | 0:12:22 | 0:12:24 | |
Laing had lost his wiener up against the Carrs. | 0:12:24 | 0:12:26 | |
I had to hope he could find it, ASAP. | 0:12:26 | 0:12:29 | |
Up next, one Darcey Bussell, Bruno's jilted wife. | 0:12:29 | 0:12:33 | |
It was time for Jamie to go undercover, with a new alias - | 0:12:33 | 0:12:37 | |
Arty Boocamp. | 0:12:37 | 0:12:38 | |
-"Arty Boocamp?" -Arty Boocamp. Like "boot camp", but no T. Boocamp. | 0:12:38 | 0:12:44 | |
Now listen, go in there, earn her trust, | 0:12:44 | 0:12:45 | |
have a good time with her. Make Papa proud. | 0:12:45 | 0:12:47 | |
-Oh, hello, stranger! -Hi. | 0:12:56 | 0:12:58 | |
What's a nice gentleman like you doing in a terrible joint like this? | 0:12:58 | 0:13:02 | |
Ah, I came for a drink. | 0:13:02 | 0:13:04 | |
Oh, darling, you'll have to wait. The service is terrible. | 0:13:04 | 0:13:06 | |
-What's your name, darling? -I'm Arty Boocamp. | 0:13:06 | 0:13:09 | |
Arty Boocamp. How nice to meet you, darling. What a pleasure! | 0:13:09 | 0:13:14 | |
And where are you from, Arty Boocamp? | 0:13:14 | 0:13:15 | |
I'm from the north, but I have a southern accent. | 0:13:15 | 0:13:18 | |
How lovely, darling. How wonderful. And what do you do, Arty Boocamp? | 0:13:18 | 0:13:21 | |
I buy and sell exotic fruit. | 0:13:21 | 0:13:24 | |
Really, darling? | 0:13:24 | 0:13:25 | |
Like papaya and...starfruit. | 0:13:25 | 0:13:28 | |
Have you ever had starfruit? | 0:13:28 | 0:13:30 | |
-Who hasn't had a starfruit? -I know! | 0:13:30 | 0:13:32 | |
-Where do you sell them, darling? -What is your name? | 0:13:32 | 0:13:34 | |
-I'm Darcey, darling. -You're Darcey? -That's right. | 0:13:34 | 0:13:36 | |
-You're very beautiful. -Oh. | 0:13:36 | 0:13:38 | |
-Can I get you both a drink? -Yes... | 0:13:38 | 0:13:40 | |
(Jamie, it's me.) | 0:13:40 | 0:13:41 | |
Two whisky sours, please, darling. | 0:13:41 | 0:13:43 | |
And for you, sir? | 0:13:43 | 0:13:44 | |
I will have the same. | 0:13:44 | 0:13:45 | |
Oh, thank you, darling. | 0:13:45 | 0:13:47 | |
Four whisky sours it is. | 0:13:47 | 0:13:48 | |
-So where do you live? -I think she likes you, darling! | 0:13:49 | 0:13:52 | |
-I think she does, too. -Did you see? -I did see! | 0:13:52 | 0:13:54 | |
Oh, how exciting. | 0:13:54 | 0:13:55 | |
-Are you married? -Oh, darling, I was married. | 0:13:55 | 0:13:57 | |
It's such a sad thing to talk about marriage, isn't it? | 0:13:57 | 0:14:00 | |
-What was your husband's name? -Oh, you won't know him, darling. | 0:14:00 | 0:14:03 | |
-What was his name? -Bruno. -Bruno? -Bruno Tonioli. | 0:14:03 | 0:14:06 | |
-I don't know him. -Oh, he was a terrible man. | 0:14:06 | 0:14:08 | |
-Oh, thank you, darling. -Why was he so...? Thank you. | 0:14:08 | 0:14:11 | |
(Ask more questions.) | 0:14:11 | 0:14:12 | |
Tracey, I'll leave you a tip, darling. Leave it there for you. | 0:14:12 | 0:14:14 | |
-That's very kind of you. -Thank you, Tracey. -Yes. | 0:14:14 | 0:14:17 | |
I hope you're both having a good time. | 0:14:17 | 0:14:20 | |
But not too much of a good time that you forget why you're here. | 0:14:20 | 0:14:23 | |
Oh, well, I'd never forget why I'm here, Tracey. | 0:14:23 | 0:14:25 | |
If you know what I mean. | 0:14:25 | 0:14:27 | |
So, tell me. Where were you when your poor husband was murdered? | 0:14:27 | 0:14:31 | |
Oh, hello, Tracey! | 0:14:31 | 0:14:32 | |
I can't seem to stay away. | 0:14:32 | 0:14:34 | |
-Oh, what's that over there? -Well, I don't know, Tracey. | 0:14:34 | 0:14:37 | |
Listen. You better get your arse in gear. | 0:14:37 | 0:14:39 | |
We're up against the clock here, OK? | 0:14:39 | 0:14:41 | |
(I'm trying to.) | 0:14:41 | 0:14:42 | |
Quick, kiss me. | 0:14:42 | 0:14:43 | |
I have that effect. It's a curse. | 0:14:47 | 0:14:49 | |
So tell me, how come you use euros? | 0:14:49 | 0:14:51 | |
Oh, just travelling round Europe all the time, darling. | 0:14:51 | 0:14:54 | |
I can't tell the difference between europes and poundens. | 0:14:54 | 0:14:57 | |
And so, are you sad? So do you miss Bruno? | 0:14:57 | 0:14:59 | |
Were you guys happy? Did you love him? | 0:14:59 | 0:15:01 | |
I loved him in my own way, darling, but I don't think he loved me. | 0:15:01 | 0:15:04 | |
Well, who shot Bruno? | 0:15:04 | 0:15:05 | |
Well, darling, the million-dollar question, I suppose. | 0:15:05 | 0:15:08 | |
I don't know. I'm just drinking until the pain goes away. | 0:15:08 | 0:15:11 | |
Were you there when he was shot? | 0:15:11 | 0:15:12 | |
Don't you find alcohol makes everything seem better? | 0:15:12 | 0:15:14 | |
It feels like you're in a dream world when you drink. | 0:15:14 | 0:15:17 | |
Darling, you really are a poet. It's like Ted Hughes is here. | 0:15:17 | 0:15:19 | |
-We are in a dream. -I'm sorry to interrupt once more. | 0:15:19 | 0:15:21 | |
Oh, Tracey, that lipstick really suits you. | 0:15:21 | 0:15:23 | |
Thank you very much. | 0:15:23 | 0:15:26 | |
Um, there is a car waiting outside for you. | 0:15:26 | 0:15:28 | |
-There is? -Yes. I think you better be on your way. | 0:15:28 | 0:15:31 | |
The barman said your sort aren't welcome here. | 0:15:31 | 0:15:34 | |
Oh, I didn't realise. Oh, darling. Take care, Mr Boocamp. | 0:15:35 | 0:15:40 | |
-It was a pleasure. -It was a real pleasure meeting you. | 0:15:40 | 0:15:43 | |
-Au revoir, darling. -Au revoir. | 0:15:43 | 0:15:44 | |
Proud of yourself? | 0:15:47 | 0:15:48 | |
I never said that Arty Boocamp was a complete prick, did I? | 0:15:48 | 0:15:51 | |
The car's been running for 40 minutes, Laing! | 0:15:51 | 0:15:54 | |
'Our final suspects were Harry Styles, Niall Horan | 0:15:54 | 0:15:57 | |
'and the One Direction mob. | 0:15:57 | 0:15:58 | |
'A change of clothes and a stiff coffee later, I hatched a plan | 0:15:58 | 0:16:02 | |
'so Laing could infiltrate their gang - shebang!' | 0:16:02 | 0:16:05 | |
Hockey up a perch, kid. | 0:16:05 | 0:16:07 | |
-You ready for this? -I'm ready for it. | 0:16:10 | 0:16:12 | |
This is Harry Styles and his gang. | 0:16:12 | 0:16:15 | |
They're as lethal as they are ugly. | 0:16:15 | 0:16:17 | |
-He's a madman. -Mm-hm. | 0:16:17 | 0:16:19 | |
You'll be able to hear everything I say through that wire. | 0:16:19 | 0:16:23 | |
Repeat everything I say. | 0:16:23 | 0:16:26 | |
-Repeat everything I say. -No, not now, | 0:16:26 | 0:16:27 | |
when you've got the earpiece and you're in there. | 0:16:27 | 0:16:29 | |
-That's when you repeat everything I say. OK? -OK. | 0:16:29 | 0:16:32 | |
You need to be tough in there, kid. | 0:16:32 | 0:16:33 | |
And we think it's all right on my first day to go in there? | 0:16:33 | 0:16:36 | |
-What, are you scared? -No, I'm not scared... | 0:16:36 | 0:16:38 | |
Well, do you want me to send you down | 0:16:38 | 0:16:39 | |
to plant some flowers at the roundabout? | 0:16:39 | 0:16:41 | |
-No, I... -Do you know what I did on my first day? | 0:16:41 | 0:16:43 | |
-What? -I took a gun. I went down to a biker gang, | 0:16:43 | 0:16:46 | |
and I took them all out. | 0:16:46 | 0:16:48 | |
For no goddamn reason. | 0:16:48 | 0:16:50 | |
-How's that make you feel? Are you scared of me? -No. | 0:16:51 | 0:16:54 | |
Why not? Why would you not be scared when I tell you I've killed people? | 0:16:54 | 0:16:57 | |
-Do you think I'm pathetic? -No. | 0:16:57 | 0:16:59 | |
-Do you think people have sex with my wife behind my back? -No. -They do. | 0:16:59 | 0:17:02 | |
HE GUFFAWS Is that funny? | 0:17:02 | 0:17:04 | |
No, it's not. Not at all. | 0:17:04 | 0:17:05 | |
-Have you had sex with my wife? -No, I have not. | 0:17:05 | 0:17:07 | |
-Have you had sex? -I would never... -Look me in the eye. | 0:17:07 | 0:17:10 | |
He does this to everyone. | 0:17:10 | 0:17:11 | |
You shut your face. Be on your way. Go. | 0:17:11 | 0:17:13 | |
Get out! You disgust me! | 0:17:13 | 0:17:16 | |
-This is safe, isn't it? -It's not safe. -OK. | 0:17:16 | 0:17:19 | |
How are they doing, beating him up? That poor slug. | 0:17:19 | 0:17:22 | |
Hey, do you know how you kill a slug? | 0:17:22 | 0:17:24 | |
-Pour salt on it. -Exactly. | 0:17:24 | 0:17:25 | |
You know if you put a stone in a piece of bread | 0:17:25 | 0:17:28 | |
and give it to a pigeon, it can't fly? | 0:17:28 | 0:17:29 | |
Oh, it's a shame this murder case is getting in the way. | 0:17:29 | 0:17:32 | |
I'd like to give that a try. | 0:17:32 | 0:17:33 | |
Sweet Jamie. | 0:17:33 | 0:17:34 | |
Great men don't shit their pants. | 0:17:36 | 0:17:41 | |
(Go get 'em, soldier.) | 0:17:41 | 0:17:43 | |
Tie him up nice and tight. | 0:17:43 | 0:17:44 | |
Do you know what we're gonna do to you, policeman? | 0:17:44 | 0:17:47 | |
We're gonna beat you senseless, then we're gonna kill you. | 0:17:47 | 0:17:50 | |
-It stinks in here. -Anyone that... | 0:17:50 | 0:17:52 | |
It stinks in here. What is this? A fart factory? | 0:17:52 | 0:17:56 | |
Who the fuck are you? | 0:17:56 | 0:17:59 | |
I'm Marvin Eaglecock. | 0:17:59 | 0:18:01 | |
I'm Marvin Eaglecock. | 0:18:01 | 0:18:03 | |
A freelance hell-raiser, looking for some action. | 0:18:03 | 0:18:07 | |
I'm a crime robot that turns into a crime lorry. | 0:18:07 | 0:18:11 | |
I'm a crime robot who turns into a crime lorry. | 0:18:11 | 0:18:14 | |
I am Optimus Crime. Ha-ha-ha-ha-ha! | 0:18:14 | 0:18:18 | |
Who's he, then? Your girlfriend? | 0:18:18 | 0:18:21 | |
Do you want me to tear you a new arsehole? | 0:18:21 | 0:18:23 | |
I might rip it there so you get shit in your eyes! | 0:18:23 | 0:18:26 | |
You'll never get... | 0:18:26 | 0:18:27 | |
HE LAUGHS SOFTLY | 0:18:27 | 0:18:29 | |
What?! | 0:18:29 | 0:18:31 | |
You'll never get near my arsehole! | 0:18:31 | 0:18:34 | |
You finished, have you? That's very nice. | 0:18:34 | 0:18:37 | |
You seemed a little bit stuttery. | 0:18:37 | 0:18:38 | |
Are you nervous? Do you think I have nerves? | 0:18:38 | 0:18:41 | |
I literally don't have nerves. I have titanium flipping wires. | 0:18:41 | 0:18:46 | |
Watch this. | 0:18:46 | 0:18:47 | |
Oh, God! | 0:18:49 | 0:18:51 | |
And it's back. Bada-bing! Didn't feel a thing. | 0:18:52 | 0:18:56 | |
Tell him that's the coolest thing you've ever seen. | 0:18:56 | 0:19:00 | |
Hell fire. That's the coolest thing I've ever seen. | 0:19:00 | 0:19:03 | |
And I've seen a pigeon eat some bread. Ha-ha-ha-ha! | 0:19:07 | 0:19:15 | |
Ha-ha-ha! | 0:19:15 | 0:19:18 | |
Ah-ha! Ha-ha! | 0:19:18 | 0:19:21 | |
And I've seen a pigeon eat some bread with a stone in it, | 0:19:21 | 0:19:24 | |
and it couldn't... | 0:19:24 | 0:19:25 | |
HE GUFFAWS | 0:19:26 | 0:19:28 | |
..fly! | 0:19:28 | 0:19:29 | |
-I like him. -I like him. -Come and take a seat. | 0:19:29 | 0:19:32 | |
Sorry. just sit down now. | 0:19:32 | 0:19:34 | |
It's gonna be OK. | 0:19:34 | 0:19:35 | |
Can we hear what you've got to say now? | 0:19:41 | 0:19:43 | |
Do you want to know a little bit about my past? | 0:19:43 | 0:19:45 | |
Go on. | 0:19:45 | 0:19:46 | |
Two years ago, I was in the Los Bandos. | 0:19:46 | 0:19:49 | |
HE SPEAKS "SPANISH" | 0:19:49 | 0:19:52 | |
HE CONTINUES | 0:19:54 | 0:19:56 | |
JAMIE PICKS UP SENTENCE | 0:19:56 | 0:19:58 | |
That's...(Spanish)! | 0:20:03 | 0:20:06 | |
Those are bold words. How many people have you killed? | 0:20:06 | 0:20:10 | |
Five... | 0:20:10 | 0:20:11 | |
thousand... | 0:20:11 | 0:20:14 | |
-..six... -HE LAUGHS | 0:20:14 | 0:20:16 | |
Five thousand, six hundred... | 0:20:16 | 0:20:19 | |
and... | 0:20:19 | 0:20:20 | |
twenty...one... | 0:20:20 | 0:20:24 | |
Native.... | 0:20:25 | 0:20:28 | |
HE LAUGHS LOUDLY | 0:20:28 | 0:20:30 | |
Native American Indians. | 0:20:30 | 0:20:32 | |
Oh, that's a bit specific. | 0:20:32 | 0:20:34 | |
-That is specific, yeah. -All right. OK. You're in. | 0:20:34 | 0:20:38 | |
Fill him in on the facts, Niall. | 0:20:38 | 0:20:40 | |
Right, well, there's been a bit of trouble round here, | 0:20:40 | 0:20:43 | |
-you might have heard. -Yeah, I've heard. | 0:20:43 | 0:20:45 | |
MICROPHONE SCREECHES AND CLUNKS | 0:20:45 | 0:20:47 | |
Boss, what's that noise? | 0:20:47 | 0:20:48 | |
Oi, you. Tomlinson, go and check that out. | 0:20:48 | 0:20:52 | |
Hey! Look at me. | 0:20:52 | 0:20:54 | |
Bruno's, used to be a nice little caff. | 0:20:54 | 0:20:56 | |
Two-course lunch for under a tenner. | 0:20:56 | 0:20:58 | |
But, Bruno, you know, he's been causing a lot of trouble. | 0:20:58 | 0:21:02 | |
You know what I'm saying? | 0:21:02 | 0:21:03 | |
You know those food hygiene rating stickers | 0:21:03 | 0:21:06 | |
you get in t'window of restaurant? | 0:21:06 | 0:21:08 | |
Well, Bruno's, that said five. | 0:21:08 | 0:21:11 | |
On the other hand, if you were to ask my arse, it would say | 0:21:11 | 0:21:15 | |
very loudly, and in no uncertain terms, | 0:21:15 | 0:21:18 | |
that it was a big, fat bleeding zero! | 0:21:18 | 0:21:22 | |
Ha-ha, just like his arse! | 0:21:22 | 0:21:23 | |
He had an arse like a fire sprinkler. | 0:21:23 | 0:21:25 | |
All right, Niall. All right, don't talk about me arse. | 0:21:25 | 0:21:27 | |
Sorry, boss. | 0:21:27 | 0:21:29 | |
So, I had a little word with Senor Tonioli. | 0:21:29 | 0:21:33 | |
It began with a "you", and ended with, | 0:21:33 | 0:21:36 | |
"..will regret this, you twinkle-toed, | 0:21:36 | 0:21:39 | |
"spaghetti-peddling fuckwit!" | 0:21:39 | 0:21:42 | |
Now it looks like someone's finally lost it with him, you know. | 0:21:42 | 0:21:45 | |
Get off me! Get off me, you gangrenous fat toad! | 0:21:45 | 0:21:48 | |
-What the...? -Let me go. | 0:21:48 | 0:21:50 | |
Urgh! | 0:21:50 | 0:21:52 | |
Well, well, well, well, well, well, well. | 0:21:52 | 0:21:57 | |
DI Sleet. | 0:21:57 | 0:21:58 | |
I thought the smell of copper was coming from this seat here. | 0:21:58 | 0:22:02 | |
-Hey, Sid. -All right. | 0:22:02 | 0:22:04 | |
Happy birthday, old friend. | 0:22:04 | 0:22:06 | |
Some of the guys have got you a cake back at the station. If you make it. | 0:22:06 | 0:22:10 | |
Where's your badge, Sleet? | 0:22:10 | 0:22:13 | |
Well, I was only making a cold call, stopping by to say hello | 0:22:13 | 0:22:15 | |
to some friends. | 0:22:15 | 0:22:17 | |
Oh. You told anyone you're coming here? | 0:22:17 | 0:22:20 | |
-Regrettably, no. -All right. | 0:22:20 | 0:22:22 | |
-Shoot him. -Jamie! Don't do it. | 0:22:24 | 0:22:27 | |
Jamie?! You said your name was Marvin Eaglecock. | 0:22:27 | 0:22:31 | |
-Ahem. Er... -What's going on? | 0:22:31 | 0:22:32 | |
You said you were Optimus Crime. | 0:22:32 | 0:22:34 | |
You know what, you're with him. You're a copper! | 0:22:34 | 0:22:36 | |
-I'm not with him! -You're a policeman! | 0:22:36 | 0:22:38 | |
-Come here. -You're a policeman. -WIRE SCREECHES | 0:22:38 | 0:22:40 | |
In fact, I see it now! | 0:22:40 | 0:22:41 | |
-A wire! -Sorry, Jamie. | 0:22:41 | 0:22:44 | |
Looks like we're both done for. | 0:22:44 | 0:22:46 | |
And Sid, of course, but he was always dead anyway. | 0:22:46 | 0:22:48 | |
Right. Take these two next door and tie 'em up. | 0:22:48 | 0:22:51 | |
-Right, come on, big nuts. -Get off me! | 0:22:51 | 0:22:53 | |
You won't get away with this. | 0:22:53 | 0:22:54 | |
I'll get away with what I want! | 0:22:54 | 0:22:56 | |
You don't scare me, Sleet. You big ponce! | 0:22:56 | 0:23:00 | |
GROANING | 0:23:04 | 0:23:06 | |
-Jamie. -Yeah. | 0:23:08 | 0:23:09 | |
Can you see anything that might get us out of this? | 0:23:09 | 0:23:13 | |
-Oh, there's some scissors. -Where? | 0:23:13 | 0:23:15 | |
In front of me. There's some scissors just there. | 0:23:15 | 0:23:17 | |
Do you think you can...? Oh, wait there. | 0:23:17 | 0:23:19 | |
Jamie, Jamie, Jamie, guess what I can see? | 0:23:19 | 0:23:21 | |
-What can you see? -A big old lump of cheese. | 0:23:21 | 0:23:24 | |
-Cheese? -Yes. | 0:23:24 | 0:23:25 | |
-What are you going to do with the cheese? -Eat it, of course. | 0:23:25 | 0:23:28 | |
We're trying to escape. We don't need to eat now. | 0:23:28 | 0:23:30 | |
If we can get to the cheese, we can get our strength up, | 0:23:30 | 0:23:32 | |
then we can come back and get the scissors. | 0:23:32 | 0:23:34 | |
-Well, how we going to get the cheese? -Follow my lead. Ready? | 0:23:34 | 0:23:37 | |
-Yeah. -One, two, three - go. | 0:23:37 | 0:23:39 | |
THEY GRUNT AND STRAIN | 0:23:39 | 0:23:41 | |
I'm nearly at the cheese. I'm nearly at the sweet, sweet cheese. | 0:23:45 | 0:23:49 | |
Ah... You're so heavy. Why are you so heavy? | 0:23:49 | 0:23:52 | |
I have a problem with eating. | 0:23:52 | 0:23:55 | |
JAMIE LAUGHS | 0:23:55 | 0:23:57 | |
CHAIR SCRAPES ON FLOOR | 0:23:57 | 0:23:59 | |
Bend, kid. Bend, boy. | 0:23:59 | 0:24:01 | |
I'm trying to bend. My back doesn't bend. | 0:24:01 | 0:24:04 | |
Arrrgh! | 0:24:04 | 0:24:06 | |
PLATE SMASHES | 0:24:09 | 0:24:11 | |
The cheese has gone. | 0:24:11 | 0:24:13 | |
I don't often admit that I'm wrong, but, thinking about it... | 0:24:13 | 0:24:17 | |
we should have probably got the scissors first. | 0:24:17 | 0:24:19 | |
-How far are the scissors away now? -So far. | 0:24:19 | 0:24:23 | |
Listen, sweet boy, you're going to have to lead this. Ready? | 0:24:23 | 0:24:26 | |
-BREATHLESS: -OK, ready. -Go. | 0:24:26 | 0:24:29 | |
THEY GRUNT | 0:24:29 | 0:24:30 | |
-LAUGHING: -What you doing? I feel like we can stand up. | 0:24:31 | 0:24:34 | |
Twist...twist. | 0:24:37 | 0:24:38 | |
I'm on... I'm on the chair. | 0:24:42 | 0:24:44 | |
-You're just dragging me. -I got...the scissors, boy. | 0:24:46 | 0:24:50 | |
Use your teeth to get the scissors. Go on your knees. | 0:24:50 | 0:24:53 | |
OK. Excellent. | 0:24:53 | 0:24:55 | |
Actually, I think we can shake out of this. | 0:24:56 | 0:25:00 | |
Jamie, I got the scissors. | 0:25:00 | 0:25:01 | |
-Hey, you know what? -What? | 0:25:04 | 0:25:06 | |
I think we really bonded there. | 0:25:06 | 0:25:07 | |
That is old-fashioned teamwork. | 0:25:10 | 0:25:13 | |
Now let's go and bust these suckers! | 0:25:13 | 0:25:15 | |
'Jamie had finally proved his mettle. We lured the suspects to the docks. | 0:25:15 | 0:25:19 | |
'Time to serve up justice, alfresco style.' | 0:25:19 | 0:25:22 | |
Oh, hello, it's the Carr sisters. | 0:25:22 | 0:25:24 | |
Oh, here we are. The One Erection boys. | 0:25:24 | 0:25:27 | |
-Funny seeing you here, darling. -Funny how? Do I amuse you? | 0:25:27 | 0:25:30 | |
-Here, calm down, boss, you know. -This is our territory. | 0:25:30 | 0:25:33 | |
Back off, laughing boy. | 0:25:33 | 0:25:34 | |
WHOOPING LAUGH | 0:25:34 | 0:25:36 | |
-He wasn't talking to you. -Was that a laugh? | 0:25:36 | 0:25:39 | |
Sounds like he's got whooping cough. | 0:25:39 | 0:25:40 | |
Oi, watch your mouth. We've had the cop... | 0:25:40 | 0:25:42 | |
-CLANG -It's Sleet! | 0:25:42 | 0:25:44 | |
Everybody easy. | 0:25:46 | 0:25:48 | |
Well, looksey here, Jamie boy, | 0:25:48 | 0:25:51 | |
we got ourselves an old-school Mexican standoff. | 0:25:51 | 0:25:54 | |
Jamie, I want you to take down whoever you think | 0:25:54 | 0:25:58 | |
killed Bruno Tonioli. | 0:25:58 | 0:26:00 | |
And when you do it, kid, say something real cool. | 0:26:00 | 0:26:05 | |
Yippee ki-yay, Darcey Bussell! | 0:26:05 | 0:26:08 | |
SHE SCREAMS | 0:26:08 | 0:26:10 | |
Mr Boocamp! | 0:26:10 | 0:26:12 | |
Ow! | 0:26:12 | 0:26:13 | |
Flippin' heck. | 0:26:13 | 0:26:15 | |
WHOOPING SCREAMS Jimmy! | 0:26:15 | 0:26:17 | |
No, come on now, big man. | 0:26:17 | 0:26:19 | |
Think of the fans now. No, come on now. | 0:26:19 | 0:26:21 | |
Hey, Niall. Pretty silly bringing a knife to a gunfight. | 0:26:21 | 0:26:24 | |
You missed. | 0:26:25 | 0:26:26 | |
HE WAILS | 0:26:28 | 0:26:29 | |
Don't! | 0:26:29 | 0:26:30 | |
THUNDER RUMBLES | 0:26:32 | 0:26:34 | |
PAINED WHOOPING | 0:26:36 | 0:26:39 | |
-How cool was that? -That was cool. | 0:26:39 | 0:26:40 | |
Two guys just out shooting bad guys. | 0:26:40 | 0:26:44 | |
You know something, Jamie, I've never felt this close | 0:26:44 | 0:26:47 | |
to anyone in my life. | 0:26:47 | 0:26:49 | |
I'm proud of ya, kid. Daddy's proud. Real proud. | 0:26:49 | 0:26:52 | |
-I feel like a proud... -What's going on? | 0:26:52 | 0:26:54 | |
What's...? What's that? What's thaaat? | 0:26:54 | 0:26:58 | |
Who's responsible for this bloodbath? | 0:26:58 | 0:27:01 | |
He is, sir. Jamie Laing. | 0:27:01 | 0:27:04 | |
Why? Why did you shoot Darcey Bussell? | 0:27:04 | 0:27:09 | |
-Cos she killed her husband. -What? | 0:27:09 | 0:27:11 | |
In the restaurant, there were euros on the table. | 0:27:11 | 0:27:15 | |
She paid for the receipt. There was wine on the wall. | 0:27:15 | 0:27:18 | |
-She'd thrown wine on the walls. -Wow. | 0:27:18 | 0:27:20 | |
She was obviously upset and hurt and killed him. | 0:27:20 | 0:27:23 | |
You were surrounded by hardened criminals, | 0:27:23 | 0:27:26 | |
and you decided to shoot an innocent woman. | 0:27:26 | 0:27:28 | |
How do you feel? Big? | 0:27:28 | 0:27:30 | |
It was obviously the Carr twins, you doughnut. | 0:27:30 | 0:27:33 | |
Yes? They were pissed off at Bruno | 0:27:33 | 0:27:37 | |
because he changed wine suppliers, yeah? | 0:27:37 | 0:27:40 | |
-He got a better offer. -Must have made you mad, Carr. | 0:27:40 | 0:27:42 | |
Business is business, Sleet. | 0:27:42 | 0:27:45 | |
They'd been in France on a booze cruise. | 0:27:45 | 0:27:48 | |
There was a tip in euros at the restaurant, | 0:27:48 | 0:27:51 | |
and they smoked cigarettes. | 0:27:51 | 0:27:54 | |
It couldn't have been Darcey because she smoked e-cigarettes, | 0:27:54 | 0:27:57 | |
and Taylor told you... | 0:27:57 | 0:28:00 | |
Oh, this has all the markings of a gangland hit. | 0:28:00 | 0:28:03 | |
You know, when he puts it like that, | 0:28:03 | 0:28:04 | |
it's pretty obvious it wasn't Darcey, actually. | 0:28:04 | 0:28:06 | |
Laing. You're fired. | 0:28:06 | 0:28:09 | |
And as for you, Johnny Big Balls, piss off home. | 0:28:09 | 0:28:12 | |
Fuck me. | 0:28:12 | 0:28:13 | |
How do you feel, kid? | 0:28:15 | 0:28:17 | |
I just killed an innocent woman. | 0:28:17 | 0:28:20 | |
You know something? It happens. That's the job, I guess. | 0:28:20 | 0:28:24 | |
You're not going to let it weigh on your conscience, are you? | 0:28:24 | 0:28:27 | |
Well, I'm not going to be your partner any more. | 0:28:27 | 0:28:29 | |
Yeah, but we can still be friends, can't we? | 0:28:29 | 0:28:31 | |
-We are friends, aren't we? -We are. | 0:28:31 | 0:28:33 | |
Hey, what say Arty Boocamp and Billy Sticks go and get a drink? | 0:28:34 | 0:28:39 | |
-You know who Billy Sticks is? -No. | 0:28:39 | 0:28:41 | |
He's Arty Boocamp's best friend. | 0:28:41 | 0:28:43 | |
Come on, you multi-murderer. | 0:28:46 | 0:28:48 | |
You never did tell me how Made In Chelsea ends. | 0:28:48 | 0:28:50 | |
MUSIC: Higher Love by Steve Winwood | 0:28:50 | 0:28:53 | |
# Bring me a higher love | 0:28:54 | 0:28:56 | |
# Where's that higher love I keep thinking of? | 0:28:58 | 0:29:02 | |
# Worlds are turning and we're just hanging on | 0:29:03 | 0:29:07 | |
# Facing our fear and standing out there alone | 0:29:07 | 0:29:13 | |
# A yearning, and it's real to me | 0:29:13 | 0:29:17 | |
# There must be someone who's feeling for me... # | 0:29:17 | 0:29:22 |