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Hello, I'm Greg James, normally found on Radio One | 0:00:07 | 0:00:10 | |
but today I'll be starring in my very own cop drama. | 0:00:10 | 0:00:12 | |
There's been a murder. I don't know who's been murdered. | 0:00:12 | 0:00:15 | |
There's some suspects, I don't know who they are. | 0:00:15 | 0:00:17 | |
In fact, I don't know anything about anything. | 0:00:17 | 0:00:19 | |
So, join me, as I try and solve a murder in Successville. | 0:00:19 | 0:00:22 | |
Welcome to Successville, a town full of celebrities. | 0:00:25 | 0:00:29 | |
Sometimes our famous faces who live here break the law | 0:00:29 | 0:00:33 | |
and when they do, I'm here to take them down. | 0:00:33 | 0:00:36 | |
I'm DI Sleet, Maverick Renegade cop. | 0:00:37 | 0:00:41 | |
My mother gave me three bits of advice. | 0:00:41 | 0:00:44 | |
Rules are for board games, | 0:00:44 | 0:00:46 | |
never push your grandmother while she's shaving | 0:00:46 | 0:00:49 | |
and you can't make an omelette without smashing some faces in. | 0:00:49 | 0:00:53 | |
Thanks, Mummy. | 0:00:53 | 0:00:55 | |
This programme contains some strong language | 0:00:55 | 0:01:02 | |
It wasn't fair of me to buy that Alsatian | 0:01:03 | 0:01:05 | |
when you didn't want one, but... | 0:01:05 | 0:01:07 | |
Oi, big boy! Wow, look at you. | 0:01:07 | 0:01:09 | |
You look like a sack of shit on a hot day. | 0:01:09 | 0:01:11 | |
I feel like a sack of shit on a hot day, Chief. | 0:01:11 | 0:01:13 | |
Well, what do you expect if you go out drinking all night? | 0:01:13 | 0:01:16 | |
I'm dealing with something I like to call heartbreak, Sir. | 0:01:16 | 0:01:19 | |
Don't care. | 0:01:19 | 0:01:20 | |
I got your new recruit. | 0:01:20 | 0:01:21 | |
Young man, inside. Yes? | 0:01:21 | 0:01:23 | |
Quick as you can, please. | 0:01:23 | 0:01:25 | |
This, is DI Sleet, he'll be showing you the ropes. | 0:01:25 | 0:01:28 | |
-Yes? -Yep. -Yes? -Yes. -Yes? -Yes. | 0:01:28 | 0:01:30 | |
Yes, he smells a bit but he's got a heart of gold. | 0:01:30 | 0:01:32 | |
I'll leave you two ladies to it. | 0:01:32 | 0:01:35 | |
Hello, sir. | 0:01:35 | 0:01:36 | |
You earn handshakes around here. | 0:01:39 | 0:01:41 | |
So, justice has a new name and that name is... | 0:01:41 | 0:01:45 | |
Greg. | 0:01:45 | 0:01:47 | |
James. | 0:01:47 | 0:01:49 | |
Let's just stick with justice. | 0:01:49 | 0:01:51 | |
-SLEET CLICKS FINGERS -Take a pew. | 0:01:51 | 0:01:53 | |
Being a cop is a lonely, lonely business. | 0:01:57 | 0:02:00 | |
We've got to trust each other impeccably. | 0:02:00 | 0:02:02 | |
How do you think you could deal with, say, a hostage situation? | 0:02:02 | 0:02:06 | |
I think I'd... I think I'd be all right. | 0:02:06 | 0:02:08 | |
-You go to Mexico on holiday. -Hmm. | 0:02:08 | 0:02:10 | |
All of a sudden there's some screaming. | 0:02:10 | 0:02:13 | |
It's a local ho, and her pimp. | 0:02:13 | 0:02:14 | |
GREG SNIGGERS | 0:02:14 | 0:02:16 | |
He's got himself a shotgun and he's going to blow her brains out. | 0:02:16 | 0:02:19 | |
Hey! Hey! Who are you? What you want? | 0:02:19 | 0:02:22 | |
-Where's he from? -I'm going to kill... What? -Where's he from? | 0:02:22 | 0:02:25 | |
-He is from Mexico but he's spent a bit of time in China. -Right. | 0:02:25 | 0:02:28 | |
Hey! Hey! Hey! Who the hell are you talking to over there? | 0:02:28 | 0:02:32 | |
-Don't tell him I'm here. I owe him money. -Right. | 0:02:32 | 0:02:34 | |
-Hey, what's your problem? -There's no... | 0:02:34 | 0:02:36 | |
-What is your problem? -No, nothing. -Do you know her? -No, I don't... | 0:02:36 | 0:02:39 | |
-Did you have sex with her behind my back? -Please stop shouting. | 0:02:39 | 0:02:42 | |
-She's nothing to me. -Well, then leave her alone. | 0:02:42 | 0:02:44 | |
-I want a million pesos. -You're going to have to start lower. | 0:02:44 | 0:02:46 | |
OK, how low? Haggle with him, go for 35 pesos. | 0:02:46 | 0:02:50 | |
How about 35 pesos? | 0:02:50 | 0:02:52 | |
Hah, you think I'm stupid? | 0:02:52 | 0:02:53 | |
Put a nought on it. | 0:02:53 | 0:02:55 | |
-What? -350. | 0:02:55 | 0:02:56 | |
-OK, 350 pesos. -Right. | 0:02:56 | 0:02:58 | |
And I want a real fast car with shiny on it. | 0:02:58 | 0:03:01 | |
I don't think you're going to get your car. Ah. | 0:03:01 | 0:03:04 | |
Oh, don't do... Oh, dear. | 0:03:04 | 0:03:08 | |
Do you know how many hostage situations I've been in | 0:03:08 | 0:03:10 | |
-that have ended in death? -No. | 0:03:10 | 0:03:12 | |
362. | 0:03:12 | 0:03:15 | |
But, you get over them, have an ice-cream sundae and get on with life. | 0:03:15 | 0:03:18 | |
So, that's police work, kid. You ready for it? | 0:03:21 | 0:03:24 | |
Oi! Ladies, stop dicking around. | 0:03:24 | 0:03:25 | |
Yes, I've got a job for you. | 0:03:25 | 0:03:27 | |
Reese Witherspoon has been found murdered. | 0:03:27 | 0:03:29 | |
-Is she dead? -No, no, no. Thank God. She's only been partially murdered. | 0:03:29 | 0:03:32 | |
Of course she's dead, you ten-foot prick. | 0:03:32 | 0:03:34 | |
Now get down as quick as you can to the art gallery. | 0:03:34 | 0:03:36 | |
Oh, is that the scene of the crime? | 0:03:36 | 0:03:38 | |
Yes, Sleet. Stop asking me stupid questions. | 0:03:38 | 0:03:40 | |
Now, quick as you can, yes? It sounds really nasty. | 0:03:40 | 0:03:43 | |
Why can't we just have something normal like a stabbing? | 0:03:43 | 0:03:46 | |
Are you ready for this, boy? | 0:03:49 | 0:03:51 | |
-Yep. -To your feet. | 0:03:51 | 0:03:53 | |
Let's go...solve...a crime. | 0:03:55 | 0:03:59 | |
We hotfooted it down to the crime scene. | 0:03:59 | 0:04:02 | |
Reese Witherspoon, owner of Successville's biggest | 0:04:02 | 0:04:05 | |
chain of bars, had had her tab closed... | 0:04:05 | 0:04:08 | |
permanently. | 0:04:08 | 0:04:09 | |
Well, well, well. Hello, Coxy. | 0:04:15 | 0:04:18 | |
Hey, Sleet. Good to see you. | 0:04:18 | 0:04:21 | |
-Greg, this is Brian Cox... -Hi. | 0:04:21 | 0:04:23 | |
..and he's an expert in symbols and shit. | 0:04:23 | 0:04:26 | |
Brian, this is Greg, he's an expert in... | 0:04:26 | 0:04:29 | |
Well, police. | 0:04:31 | 0:04:33 | |
No, you're not an expert in policing, it's your first day. | 0:04:33 | 0:04:36 | |
-Um... -Don't start writing cheques that your body can't cash, kid. | 0:04:36 | 0:04:39 | |
Sleet, we've got quite the amazing thing here. | 0:04:39 | 0:04:43 | |
Reese Witherspoon has been killed but, this isn't just about murder. | 0:04:43 | 0:04:48 | |
This goes deeper. | 0:04:48 | 0:04:50 | |
Come down... | 0:04:51 | 0:04:53 | |
into the jungle. | 0:04:53 | 0:04:55 | |
The what? | 0:04:55 | 0:04:56 | |
So, your first dead body. | 0:04:56 | 0:04:59 | |
It's a hell of a thing, kid. | 0:04:59 | 0:05:02 | |
Nothing can prepare you for seeing a dead body | 0:05:02 | 0:05:05 | |
and the feelings it might arouse. | 0:05:05 | 0:05:07 | |
I remember my first. | 0:05:07 | 0:05:08 | |
It was a prostitute who'd been shot 72 times. | 0:05:08 | 0:05:11 | |
GREG LAUGHS | 0:05:11 | 0:05:14 | |
Would you still laugh if you heard that that prostitute was my mother? | 0:05:14 | 0:05:19 | |
GREG CONTINUES TO LAUGH | 0:05:21 | 0:05:24 | |
When you're quite finished laughing. | 0:05:27 | 0:05:29 | |
Are you finished laughing? | 0:05:36 | 0:05:38 | |
I'm so sorry. I'm so disrespectful to your... Sorry. | 0:05:38 | 0:05:41 | |
I haven't done this before. What's the... | 0:05:41 | 0:05:43 | |
What is... What do you do? | 0:05:43 | 0:05:44 | |
Just go with your instinct and... | 0:05:44 | 0:05:46 | |
just enjoy yourself. | 0:05:46 | 0:05:48 | |
That's the main thing. | 0:05:48 | 0:05:49 | |
Take a really good look. | 0:05:49 | 0:05:50 | |
-Go on, have a look, kid. -Yep. | 0:05:50 | 0:05:52 | |
There she is. | 0:05:53 | 0:05:55 | |
Oh, my God. | 0:05:55 | 0:05:56 | |
That's a grim one. | 0:05:56 | 0:05:58 | |
She does look peaceful though. | 0:05:58 | 0:06:00 | |
Well, she's dead. | 0:06:00 | 0:06:01 | |
-Tranquil. -All right, Brian. | 0:06:01 | 0:06:04 | |
Before we go any further, check her handbag. | 0:06:04 | 0:06:08 | |
OK. Well, | 0:06:08 | 0:06:10 | |
two leaflets. | 0:06:10 | 0:06:12 | |
An Order of Service from the Church of the Actual Madonna. | 0:06:12 | 0:06:15 | |
And what do we have here? | 0:06:15 | 0:06:16 | |
"Virtue has a veil. Vice a mask." | 0:06:16 | 0:06:20 | |
This goes deeper than I thought, riddle upon riddle. | 0:06:20 | 0:06:23 | |
Enigma upon enigma. | 0:06:23 | 0:06:26 | |
It's amazing. | 0:06:26 | 0:06:29 | |
It's not amazing, is it...? | 0:06:29 | 0:06:31 | |
Yeah, it's not really... He...everything's amazing to him. | 0:06:31 | 0:06:33 | |
If you don't mind, Coxy, I'll leave you alone with | 0:06:33 | 0:06:36 | |
your weirdness and your dead body. | 0:06:36 | 0:06:37 | |
I'll see you soon, old friend. | 0:06:37 | 0:06:39 | |
-See you soon. -See ya. | 0:06:39 | 0:06:40 | |
Bye. | 0:06:40 | 0:06:42 | |
This was a tough case. | 0:06:42 | 0:06:43 | |
Like a rundown fairground, there wasn't much to go on. | 0:06:43 | 0:06:46 | |
We went with our only solid clue and headed to | 0:06:46 | 0:06:48 | |
the Church of the Actual Madonna to talk to Reverend Gary Barlow. | 0:06:48 | 0:06:53 | |
-Ah. -Well, hello, your highness. | 0:06:53 | 0:06:56 | |
I'm DI Sleet, Murder Successful Squad. | 0:06:56 | 0:07:00 | |
This is my new partner, PC Greg James. | 0:07:00 | 0:07:04 | |
We've got some questions about a murder. Mind if we... | 0:07:04 | 0:07:07 | |
-take a seat? -Of course, yes. | 0:07:07 | 0:07:09 | |
Would you like a cup of tea, perhaps? | 0:07:09 | 0:07:11 | |
Oh, that would be very nice. | 0:07:11 | 0:07:13 | |
Yes, please. | 0:07:13 | 0:07:14 | |
-Here we are, Greg. -Thank you. | 0:07:14 | 0:07:16 | |
Short for? | 0:07:16 | 0:07:18 | |
-Gregory. -Yes. Here we go. | 0:07:18 | 0:07:20 | |
-I never knew that it was short for Gregory. -Yeah. | 0:07:20 | 0:07:22 | |
Perhaps you'd care to say grace, Detective Sleet. | 0:07:22 | 0:07:25 | |
I'm sad to confess that I'm no Catholic. | 0:07:25 | 0:07:28 | |
I worship a three-armed serpent by the name of Hebra. | 0:07:28 | 0:07:33 | |
It's an angry and complicated religion that requires me | 0:07:33 | 0:07:36 | |
to be partially circumcised and go around town kicking pigeons. | 0:07:36 | 0:07:40 | |
Yes, I have heard of it. | 0:07:40 | 0:07:42 | |
Well, perhaps if Greg doesn't mind, you could say grace. | 0:07:42 | 0:07:46 | |
We say it over everything here, even cups of tea. | 0:07:46 | 0:07:50 | |
Barlow, we've got more important things to talk about, | 0:07:50 | 0:07:52 | |
like those Jammie Dodgers. | 0:07:52 | 0:07:55 | |
Any chance of me getting in on that sweet action? | 0:07:55 | 0:07:57 | |
I'm afraid not, Detective. | 0:07:57 | 0:07:59 | |
Those Jammie Dodgers are there as a warning, a warning for me | 0:07:59 | 0:08:02 | |
to never return to my gluttonous, fatty past. | 0:08:02 | 0:08:06 | |
Back in 1996, I ate a lot of those dodgers. | 0:08:06 | 0:08:10 | |
They cast a spell over me. | 0:08:10 | 0:08:11 | |
"Eat me, Gary", they said. "Eat me!" | 0:08:11 | 0:08:13 | |
"Eat me, Gary! | 0:08:13 | 0:08:15 | |
"Shove me in your mouth. Chomp!" | 0:08:15 | 0:08:18 | |
"Swallow me down!" | 0:08:18 | 0:08:20 | |
But I beat them. | 0:08:23 | 0:08:24 | |
Now, I keep them there as just a reminder to never become | 0:08:24 | 0:08:27 | |
a fatty bastard again. | 0:08:27 | 0:08:29 | |
Oh, I'm thinking of jazzing up a couple of the hymns. | 0:08:29 | 0:08:33 | |
Would you indulge me? | 0:08:33 | 0:08:34 | |
-Absolutely. -I've got a smashing idea for a contemporary | 0:08:34 | 0:08:37 | |
reworking of All Things Bright And Beautiful. | 0:08:37 | 0:08:40 | |
-Do you know it, Greg? -I do know it. | 0:08:40 | 0:08:42 | |
-You do know it? -I know the first bit, yeah. | 0:08:42 | 0:08:44 | |
OK. All right, well, that's all we need. Let's give it a go then. | 0:08:44 | 0:08:47 | |
# All things bright and... # | 0:08:47 | 0:08:48 | |
Bit higher. It's a very high version, if you could. | 0:08:48 | 0:08:51 | |
Can you give me the note. | 0:08:51 | 0:08:52 | |
All... but a lot higher than that. | 0:08:52 | 0:08:54 | |
-All. -All. | 0:08:54 | 0:08:55 | |
-All. -Little bit higher. | 0:08:55 | 0:08:58 | |
-All. -Little bit higher. | 0:08:58 | 0:09:00 | |
All. | 0:09:00 | 0:09:02 | |
# All things bright and beau... # | 0:09:02 | 0:09:04 | |
Lower. | 0:09:04 | 0:09:06 | |
# ..tiful, all creatures great and small. # | 0:09:06 | 0:09:11 | |
Very good, now could we try it a little bit more... | 0:09:11 | 0:09:14 | |
I suppose you'd say, urban. | 0:09:14 | 0:09:16 | |
I'm not very urban. | 0:09:16 | 0:09:18 | |
Could you try jungle? | 0:09:18 | 0:09:20 | |
-Try a jungle one. -I've heard it's massive. | 0:09:20 | 0:09:22 | |
I'd actually like to hear that, weirdly. | 0:09:22 | 0:09:25 | |
GREG STARTS TO BEATBOX | 0:09:25 | 0:09:30 | |
HE RAPS: All things bright and beautiful. | 0:09:30 | 0:09:33 | |
Bit edgier. | 0:09:33 | 0:09:34 | |
IN JAMAICAN ACCENT: All creatures great and small. | 0:09:34 | 0:09:37 | |
Oh, very nice. Could you go more Jamaican? | 0:09:37 | 0:09:38 | |
All things wise and won-der-ful The Lord God made them all. | 0:09:38 | 0:09:43 | |
-GREG BEATBOXES -Very good. | 0:09:43 | 0:09:45 | |
Well, I didn't come here for recitals, Barlow, | 0:09:45 | 0:09:48 | |
I came here to ask some questions. | 0:09:48 | 0:09:50 | |
Reese Witherspoon's been murdered | 0:09:50 | 0:09:52 | |
and this was found in her possession. | 0:09:52 | 0:09:55 | |
Reese Witherspoon. | 0:09:55 | 0:09:57 | |
Oh, that poor girl. | 0:09:57 | 0:09:59 | |
She was a gambling addict, you know that? | 0:09:59 | 0:10:01 | |
Been going on for years. | 0:10:01 | 0:10:03 | |
She was up to her ears in debt. | 0:10:03 | 0:10:05 | |
Damn it to hell, I hate gambling, I hate it so. | 0:10:05 | 0:10:07 | |
Not as much as I hate it, Sleet. | 0:10:07 | 0:10:08 | |
I bet I hate it more. | 0:10:08 | 0:10:10 | |
Ask about the flyer, boy. | 0:10:10 | 0:10:12 | |
We found this flyer in... | 0:10:12 | 0:10:13 | |
Ah, say it in a more...tough way. | 0:10:13 | 0:10:17 | |
DEEP VOICE: We found this flyer, in Reese's handbag. | 0:10:19 | 0:10:23 | |
What do you know about it? | 0:10:23 | 0:10:25 | |
Let's have a look. | 0:10:25 | 0:10:26 | |
-No, no. -OK. | 0:10:26 | 0:10:28 | |
Well, I... | 0:10:28 | 0:10:30 | |
"Virtue has a veil." | 0:10:30 | 0:10:31 | |
Ooh, it looks very grim stuff to me. | 0:10:31 | 0:10:33 | |
Well, I haven't seen that flyer before, especially | 0:10:33 | 0:10:37 | |
but, there was a fellow who came in to confession about a month ago. | 0:10:37 | 0:10:42 | |
He confessed to being part of some kind of a cult. | 0:10:42 | 0:10:46 | |
I don't remember everything he said, he was talking very fast. | 0:10:46 | 0:10:48 | |
He was rather het up. | 0:10:48 | 0:10:51 | |
But he said that this cult is trying to wipe out | 0:10:51 | 0:10:54 | |
all vices in Successville. | 0:10:54 | 0:10:56 | |
If you wipe out all vices from Successville, | 0:10:56 | 0:10:58 | |
how are people going to hold things steady on work benches? | 0:10:58 | 0:11:02 | |
No, vices, as in fornication, drinking, gambling. | 0:11:02 | 0:11:05 | |
That actually makes more sense. Make a note of that, boy. | 0:11:05 | 0:11:07 | |
Anyway, I better be off. | 0:11:07 | 0:11:11 | |
Confessions are starting in a minute and if I don't get in there, | 0:11:11 | 0:11:14 | |
they'll muck up that booth, the dirty bastards. | 0:11:14 | 0:11:16 | |
Whoa! Thank you, your highness. | 0:11:16 | 0:11:19 | |
It's been educational and religious. | 0:11:19 | 0:11:21 | |
Thank you. Lovely to see you. | 0:11:21 | 0:11:24 | |
Best of luck with the case. | 0:11:24 | 0:11:25 | |
I hope you get whoever's done this terrible, terrible thing | 0:11:25 | 0:11:28 | |
and thanks for the jungle, it was very enlightening. | 0:11:28 | 0:11:31 | |
See you in a bit, Jeez. Bye, guys. | 0:11:31 | 0:11:34 | |
I'd showed Greg how I handled death and murder suspects. | 0:11:34 | 0:11:37 | |
It was now time to show him how I handled something really terrifying. | 0:11:37 | 0:11:41 | |
This is where the love of my life resides, | 0:11:41 | 0:11:44 | |
in the flat above the shops. | 0:11:44 | 0:11:46 | |
Helen loved me so much she... | 0:11:46 | 0:11:49 | |
couldn't stand to be around me. | 0:11:49 | 0:11:51 | |
It burnt her up inside, so she'd often lock me out of the flat, | 0:11:51 | 0:11:54 | |
or kick me away. | 0:11:54 | 0:11:56 | |
I might give her a phone call, speak to her. | 0:11:56 | 0:11:59 | |
Is that OK with you? | 0:11:59 | 0:12:01 | |
-Now? -Yeah, now. That OK? | 0:12:01 | 0:12:05 | |
Does she mind you calling her? | 0:12:05 | 0:12:07 | |
Well, I've got a new number, so she probably won't know it's me. | 0:12:07 | 0:12:11 | |
-Here we go. -LINE RINGS | 0:12:11 | 0:12:14 | |
What? | 0:12:14 | 0:12:17 | |
GREG LAUGHS NERVOUSLY | 0:12:17 | 0:12:19 | |
I'm uncomfortable with this. I shouldn't... | 0:12:19 | 0:12:22 | |
'Hello?' | 0:12:22 | 0:12:23 | |
'Hello?' | 0:12:23 | 0:12:26 | |
-Abort, abort. Who the hell was that? -PHONE RINGS | 0:12:26 | 0:12:28 | |
Wait there, wait there, they're calling back. | 0:12:28 | 0:12:30 | |
Oh, Christ, don't answer. | 0:12:30 | 0:12:31 | |
Oh, no, if we don't answer it's going to go straight to voicemail. | 0:12:31 | 0:12:34 | |
We need to answer. Right, you answer. | 0:12:34 | 0:12:36 | |
-I don't want to, I don't want to answer. -Answer. | 0:12:36 | 0:12:38 | |
-Pretend your name is Wilson Cobb, you're a... -Who? -Wilson Cobb. | 0:12:38 | 0:12:41 | |
You're a travelling salesman, going round the country, | 0:12:41 | 0:12:43 | |
buying odds and sods from people. | 0:12:43 | 0:12:45 | |
-Are you OK with this? -No-one does that. | 0:12:45 | 0:12:47 | |
You're going to have to do it now. | 0:12:47 | 0:12:50 | |
-'Who is this?' -Hello. | 0:12:50 | 0:12:52 | |
-'Hello?' -Hello. | 0:12:52 | 0:12:54 | |
Yeah, it's... this is Wilson Cobb calling. | 0:12:54 | 0:12:58 | |
'Why did you call me and hang up?' | 0:12:58 | 0:13:00 | |
It's cold, I've got very jittery fingers. | 0:13:01 | 0:13:04 | |
Sorry. SLEET MOUTHS | 0:13:04 | 0:13:06 | |
'What did you say your name was? Wilson Cobb?' | 0:13:06 | 0:13:08 | |
Wilson Cobb. Unbelievably, that is my name. | 0:13:08 | 0:13:11 | |
(Explain what you do.) | 0:13:11 | 0:13:13 | |
INAUDIBLE SPEECH ON PHONE | 0:13:13 | 0:13:15 | |
I'm actually a travelling... | 0:13:15 | 0:13:17 | |
buyer. | 0:13:17 | 0:13:19 | |
'OK, OK, listen, you might well be doing me a favour now, Wilson. | 0:13:19 | 0:13:23 | |
'I'm living with a new bit of skirt at the moment | 0:13:23 | 0:13:27 | |
'and her ex-husband's rubbish is all over the place, yeah? | 0:13:27 | 0:13:30 | |
'I need to get rid of it. | 0:13:30 | 0:13:32 | |
'I was thinking about burning it all, but if I can make a few quid... | 0:13:32 | 0:13:35 | |
'Why not? Do you want it?' | 0:13:35 | 0:13:37 | |
What have you... what have you... sorry, what I... What have you got? | 0:13:37 | 0:13:40 | |
'I have got a drawing of a duck holding a present.' | 0:13:40 | 0:13:43 | |
-Oh, yeah, I did that. -A duck holding a present? | 0:13:43 | 0:13:45 | |
Yeah, that's my drawing. | 0:13:45 | 0:13:47 | |
What did you draw that...? | 0:13:47 | 0:13:49 | |
'What are you giggling about, Wilson?' | 0:13:49 | 0:13:51 | |
I saw it. Once I was just walking down the street | 0:13:51 | 0:13:53 | |
and I saw a duck holding a present and I really just... | 0:13:53 | 0:13:57 | |
I took a picture and then I drew it. | 0:13:57 | 0:13:59 | |
-It's a beautiful piece of art. -'Hello? Hello?' | 0:13:59 | 0:14:01 | |
Wait, you took a photo of it first and then you took it home | 0:14:01 | 0:14:04 | |
and drew a picture of it? | 0:14:04 | 0:14:05 | |
-Yes. -'Hello?' | 0:14:05 | 0:14:07 | |
Say you want it, it's a very good piece of art. | 0:14:07 | 0:14:09 | |
I, I... Does it, sorry, does it come with the original photograph? | 0:14:09 | 0:14:14 | |
'No, my friend. It's all I have. There's no photo with it.' | 0:14:14 | 0:14:18 | |
OK. He's got the original, not the negatives. | 0:14:18 | 0:14:20 | |
'It's not a bad picture of a duck, actually, | 0:14:20 | 0:14:22 | |
'if it's the kind of thing you're looking for.' | 0:14:22 | 0:14:24 | |
-Yeah, we definitely want that. -Yeah, definitely want that, please. | 0:14:24 | 0:14:27 | |
'Well, good. I've got an antique robot.' | 0:14:27 | 0:14:32 | |
(That's Kevin, that's Kevin. I need him. Ask him... ask how he is.) | 0:14:32 | 0:14:35 | |
-'It's an antique robot.' -How is... how is he? | 0:14:35 | 0:14:38 | |
'What do you mean, how is he?' | 0:14:38 | 0:14:40 | |
Working? Is he... what condition is he in? | 0:14:40 | 0:14:42 | |
'Well, no, he can't walk any more and he's got a few scuffs.' | 0:14:42 | 0:14:45 | |
DI SLEET WHISPERS INAUDIBLY | 0:14:45 | 0:14:49 | |
-Well, what do you mean? What do you mean scuffs? -What's happened to him? | 0:14:49 | 0:14:53 | |
'Well, he's got some dents. I was kicking him around one day...' | 0:14:53 | 0:14:56 | |
-Why were you kicking him? -Kicking him?! | 0:14:56 | 0:14:58 | |
'That's neither here nor there, Wilson Cobb.' | 0:14:58 | 0:15:00 | |
You fucking piece of shit. You piece of shit! | 0:15:00 | 0:15:03 | |
You piece of shit! | 0:15:03 | 0:15:04 | |
'Who is this big, useless piece of shit, now?' | 0:15:04 | 0:15:07 | |
Yeah, I'm here too. You leave my wife alone. | 0:15:07 | 0:15:10 | |
Leave her alone. | 0:15:10 | 0:15:11 | |
She doesn't love you, she loves me. | 0:15:11 | 0:15:14 | |
-'Eh?' -She loves me, not you. | 0:15:14 | 0:15:16 | |
'I'm coming outside the house right now.' | 0:15:16 | 0:15:18 | |
Abort, abort. Get outta here. | 0:15:18 | 0:15:20 | |
Back to the case in hand. | 0:15:26 | 0:15:28 | |
So, Reese was up to her kazoonas in gambling debt. | 0:15:28 | 0:15:30 | |
By my reckoning, that made casino kingpin Justin Bieber | 0:15:30 | 0:15:33 | |
an odds-on suspect. | 0:15:33 | 0:15:36 | |
Bingo. | 0:15:36 | 0:15:38 | |
Well, well, well. | 0:15:38 | 0:15:40 | |
If it isn't Mr Big, Justin Bieber. | 0:15:40 | 0:15:42 | |
That's right. | 0:15:42 | 0:15:43 | |
I looked at the weather report, you know what it said? | 0:15:43 | 0:15:47 | |
Sleet. I guess it was right. | 0:15:47 | 0:15:49 | |
-Who's this, your girlfriend? -Hey, what's that supposed to mean? | 0:15:49 | 0:15:52 | |
I just wondered if you were together. | 0:15:52 | 0:15:54 | |
He's a tough guy, straight out of police school. He means business. | 0:15:54 | 0:15:56 | |
I'm going to have to hold him back before he kicks someone's arse... | 0:15:56 | 0:15:59 | |
Yeah, looks like it. Hey, the table's new. | 0:15:59 | 0:16:01 | |
-What is this? -So, what have we got here? | 0:16:01 | 0:16:03 | |
Whoa! That's private, that's for my office. Those are my accounts. | 0:16:03 | 0:16:06 | |
Yeah, really? Makes for an interesting read. | 0:16:06 | 0:16:08 | |
-What were you doin' in my office? -I took a big shit in your office. | 0:16:08 | 0:16:11 | |
Why would you take a shit in my office? | 0:16:11 | 0:16:13 | |
I couldn't find the toilet. | 0:16:13 | 0:16:15 | |
Now, listen to this. | 0:16:15 | 0:16:17 | |
-You're in here quite a lot. -Oh, yeah, he owes me a lot of money. | 0:16:17 | 0:16:20 | |
I'm a good customer. | 0:16:20 | 0:16:22 | |
OK, Reese Witherspoon owes £20,000 casino debt, | 0:16:22 | 0:16:26 | |
account terminated, | 0:16:26 | 0:16:28 | |
skull and crossbone emoji. | 0:16:28 | 0:16:29 | |
Bingo. | 0:16:29 | 0:16:31 | |
Emoji? Where did you get that word from, huh? It's cos she's dead. | 0:16:31 | 0:16:34 | |
I'm going to put skull and crossbones cos she's dead, right? | 0:16:34 | 0:16:37 | |
Do you know anything about these? Ring any bells, J-man? | 0:16:37 | 0:16:39 | |
Oh, my goodness. These are... Some guy's been giving them to my customers... | 0:16:39 | 0:16:42 | |
Why don't you tell her where we've seen these before? | 0:16:42 | 0:16:45 | |
These were in Reese Witherspoon's handbag. | 0:16:45 | 0:16:47 | |
What was that all about, it was a bit camp and weird? | 0:16:47 | 0:16:49 | |
-It was quite strange. -I was making a point. | 0:16:49 | 0:16:51 | |
Yeah, but do it really macho, cos that was a bit... | 0:16:51 | 0:16:53 | |
You didn't look tough. | 0:16:53 | 0:16:54 | |
These were in Reese Witherspoon's handbag. | 0:16:54 | 0:16:57 | |
Looks like you're going to shit yourself. | 0:16:57 | 0:16:59 | |
Yeah, that was really good. That was tough. | 0:16:59 | 0:17:01 | |
-And if I did, I'd go do it in your office. -Get out of here. | 0:17:01 | 0:17:03 | |
Show her we mean business. | 0:17:03 | 0:17:04 | |
Throw those up in the air like you really mean it. | 0:17:04 | 0:17:07 | |
This is what you're dealing with. | 0:17:07 | 0:17:08 | |
You want the big stuff, it's raining, it's raining justice. | 0:17:08 | 0:17:11 | |
You better get an umbrella, | 0:17:11 | 0:17:13 | |
cos I'm coming back and I'm bringing the law with me. | 0:17:13 | 0:17:16 | |
Say something cool. | 0:17:16 | 0:17:17 | |
DEEP VOICE: I'll see you later, alligator. | 0:17:17 | 0:17:19 | |
Why are you doing it in that voice? What's that supposed to mean? | 0:17:19 | 0:17:21 | |
"Later, alligator"...? What am I, six? | 0:17:21 | 0:17:23 | |
Were you taking the mick from me there? | 0:17:23 | 0:17:25 | |
Did that come across like he was taking the mick from me? | 0:17:25 | 0:17:27 | |
Yeah, completely, it's like he took your voice... | 0:17:27 | 0:17:29 | |
Yeah, I know what he did, Justin. Come on, boy. | 0:17:29 | 0:17:32 | |
-Sleet, I'll see you next week for tennis. -See you there. | 0:17:32 | 0:17:34 | |
-All right. -I just got caught in the moment. -Yeah, I know you did. | 0:17:34 | 0:17:37 | |
Taking the piss out of my fucking voice. | 0:17:37 | 0:17:39 | |
No murder motive stank as much as making money. | 0:17:39 | 0:17:42 | |
Witherspoon's biggest business rival was one Mary Berry | 0:17:42 | 0:17:45 | |
and this pretty kitty had claws. | 0:17:45 | 0:17:48 | |
JAZZ MUSIC PLAYS | 0:17:48 | 0:17:54 | |
Oh, my God, what's this? | 0:17:54 | 0:17:56 | |
Pull yourself together. | 0:17:56 | 0:17:57 | |
Close your mouth. | 0:17:57 | 0:17:58 | |
You never seen a big dick before? | 0:17:58 | 0:18:01 | |
Oi! Cliff, Marcus. | 0:18:01 | 0:18:03 | |
SHE CLAPS | 0:18:03 | 0:18:04 | |
Thank you, darlings, less of the chitchat please. | 0:18:04 | 0:18:07 | |
Ah, darling Sleet. | 0:18:07 | 0:18:09 | |
Your usual booth? | 0:18:09 | 0:18:10 | |
No, I'll take a pew right here, if that's all right, Mary. | 0:18:10 | 0:18:14 | |
Hey, droopy nipples. | 0:18:14 | 0:18:15 | |
Fetch Detective Sleet his usual cocktail. | 0:18:15 | 0:18:19 | |
That won't be necessary, I'm here on business. | 0:18:19 | 0:18:23 | |
Hmm, who's the chicken? | 0:18:23 | 0:18:25 | |
You do like them young, don't you? | 0:18:25 | 0:18:28 | |
I...don't know what she means by that. | 0:18:28 | 0:18:31 | |
This is Greg James. He's new to the force. | 0:18:31 | 0:18:34 | |
Greg, Mary Berry. | 0:18:34 | 0:18:36 | |
Hi, Mary. | 0:18:36 | 0:18:38 | |
Don't be afraid to stare, Greg. | 0:18:38 | 0:18:41 | |
We're in the staring business around here. | 0:18:41 | 0:18:45 | |
I expect you've got an erection like a miniature Toblerone right now, | 0:18:45 | 0:18:49 | |
haven't you, Greg? | 0:18:49 | 0:18:51 | |
Hey, let's not start comparing his erection | 0:18:51 | 0:18:53 | |
to the size of various chocolate bars. | 0:18:53 | 0:18:56 | |
He's a good kid from a nice part of town. | 0:18:56 | 0:18:59 | |
OK, Mary Berry, come on. | 0:18:59 | 0:19:00 | |
So, what's on your mind, Sleet? | 0:19:02 | 0:19:04 | |
Reese Witherspoon is dead. | 0:19:04 | 0:19:06 | |
Yes, so I heard. Can't say I'm upset. | 0:19:06 | 0:19:08 | |
Those Witherspoon bars were luring away my customers. | 0:19:08 | 0:19:11 | |
With Witherspoon out of the way, | 0:19:11 | 0:19:13 | |
this place might just stand a chance. | 0:19:13 | 0:19:16 | |
You're a cold-hearted piece of shit, Mary. | 0:19:16 | 0:19:20 | |
GREG LAUGHS | 0:19:20 | 0:19:22 | |
Something funny, Greg? | 0:19:22 | 0:19:23 | |
No, sorry, I was just thinking of Toblerones. | 0:19:23 | 0:19:26 | |
How about you keep your mind on the case? | 0:19:26 | 0:19:28 | |
Ah, here's your cocktails. | 0:19:28 | 0:19:30 | |
I must say it's very hospitable of you to give us both a drink. | 0:19:30 | 0:19:34 | |
Oh, God. | 0:19:34 | 0:19:35 | |
Most murder suspects aren't quite as lovely. | 0:19:35 | 0:19:38 | |
Well, hold the horses. | 0:19:40 | 0:19:42 | |
Is that Barry Walnut? | 0:19:42 | 0:19:44 | |
How long's he been back in town? | 0:19:44 | 0:19:46 | |
Why don't you go and ask him? | 0:19:46 | 0:19:48 | |
Well, maybe I will. | 0:19:48 | 0:19:49 | |
Listen, kid. | 0:19:49 | 0:19:51 | |
I'm going to leave you here with Mary. | 0:19:51 | 0:19:53 | |
Just try and get some answers out of her. | 0:19:54 | 0:19:56 | |
Thank you for the drink. | 0:19:56 | 0:19:58 | |
Hey, come on. | 0:19:58 | 0:20:00 | |
Now, what was it you wanted to ask me? | 0:20:01 | 0:20:04 | |
It's some questions about the murder. | 0:20:04 | 0:20:07 | |
Oh, before we do, why don't you stand up for me? | 0:20:07 | 0:20:09 | |
Let me take a look at you. I love a man in uniform. | 0:20:09 | 0:20:12 | |
Don't be shy, that's wonderful. | 0:20:12 | 0:20:14 | |
Now, just do a little twirl. That's it. | 0:20:14 | 0:20:17 | |
Do a little twirl, get those shy little hips moving. | 0:20:17 | 0:20:19 | |
That's right. | 0:20:19 | 0:20:21 | |
Now, show me if you can touch your toes. | 0:20:21 | 0:20:24 | |
Touch your toes. | 0:20:24 | 0:20:25 | |
That's a good boy, that's wonderful. | 0:20:25 | 0:20:28 | |
And while you're there, you can go all the way down, come on, | 0:20:28 | 0:20:31 | |
bend your knees. | 0:20:31 | 0:20:32 | |
That's lovely. | 0:20:32 | 0:20:34 | |
Katie, Katie, Katie, Katie, Katie. | 0:20:34 | 0:20:36 | |
You wanted to ask me something. | 0:20:36 | 0:20:39 | |
-Yes, I do, it's a question. -What the hell's going on here? | 0:20:39 | 0:20:43 | |
Katie! Get to your feet, have some dignity. | 0:20:43 | 0:20:45 | |
-Did you ask the question? -I didn't get a chance, she made me dance. | 0:20:47 | 0:20:50 | |
Hey, I don't want to hear your life story. Get the question out, boy. | 0:20:50 | 0:20:55 | |
Where were you on the night of the murder? | 0:20:55 | 0:20:57 | |
Well, I was in here, like I always am. | 0:20:57 | 0:21:00 | |
Maybe you'd like to explain these? | 0:21:00 | 0:21:03 | |
Ah, yes. | 0:21:03 | 0:21:05 | |
Some lunatic has been placing those on every table in here. | 0:21:05 | 0:21:09 | |
Apparently, it's some anti-sin cult. | 0:21:09 | 0:21:12 | |
Now, look, I'm a very busy lady | 0:21:12 | 0:21:13 | |
so, if you've no further questions then I'd ask you to leave. | 0:21:13 | 0:21:17 | |
Hey, Greg. Why don't we say goodbye the old-fashioned way? | 0:21:17 | 0:21:20 | |
I'll see you later, Mary Berry. | 0:21:20 | 0:21:22 | |
-Hey, why do you keep doing it in my voice? -I don't... | 0:21:22 | 0:21:24 | |
Just do it in your own voice. | 0:21:24 | 0:21:25 | |
It sounds like you're doing an impression of me in front of Mary. | 0:21:25 | 0:21:28 | |
Oh, fuck off, gay boys. | 0:21:28 | 0:21:30 | |
-Come on. You completely ruined that moment. -I'm sorry. | 0:21:30 | 0:21:33 | |
I hope you're proud of yourself. I really do. | 0:21:33 | 0:21:36 | |
Get off me. We'll talk about this in the car. | 0:21:36 | 0:21:38 | |
I'm absolutely furious with you. | 0:21:38 | 0:21:40 | |
TENSE MUSIC PLAYS | 0:21:43 | 0:21:45 | |
I sent Greg to talk to a street weasel informer | 0:21:45 | 0:21:48 | |
while I made an important phone call. | 0:21:48 | 0:21:50 | |
Yeah, I mean it did say three for the price of two | 0:21:50 | 0:21:53 | |
and I was hoping to eat three pizzas. | 0:21:53 | 0:21:56 | |
Hello? | 0:22:04 | 0:22:05 | |
Hello, I'm looking for Dynamo. | 0:22:06 | 0:22:09 | |
Who's asking? | 0:22:14 | 0:22:16 | |
Sorry, I'm a policeman, I'm Greg James. | 0:22:16 | 0:22:18 | |
OK. Why don't you basically tell me why you're here? | 0:22:18 | 0:22:23 | |
I want to know what you know about the murder of Reese Witherspoon. | 0:22:23 | 0:22:27 | |
OK. | 0:22:27 | 0:22:28 | |
So, I do know some stuff about that and I'm going to tell you, | 0:22:28 | 0:22:31 | |
but I'm going to have to tell you | 0:22:31 | 0:22:33 | |
through the power of psychic transference. | 0:22:33 | 0:22:35 | |
So, what I need you to do is just to sort of like, open your mind | 0:22:35 | 0:22:38 | |
and close your legs... | 0:22:38 | 0:22:41 | |
and now close your eyes. | 0:22:41 | 0:22:43 | |
OK, and just... | 0:22:43 | 0:22:45 | |
it'll just happen through psychic transference basically. | 0:22:45 | 0:22:48 | |
(Dynamo's coming.) | 0:22:53 | 0:22:55 | |
(His spirit is in the air.) | 0:22:55 | 0:22:59 | |
(Like a little girl, he speaks in your dreams.) | 0:22:59 | 0:23:01 | |
(He basically says that the cult are meeting in the woods at nine.) | 0:23:03 | 0:23:08 | |
Whoa, God! | 0:23:08 | 0:23:09 | |
Jesus Christ. | 0:23:09 | 0:23:11 | |
What? Who's meeting in the woods at nine? | 0:23:11 | 0:23:13 | |
I don't know. I don't know, I didn't hear... Did you hear that? | 0:23:13 | 0:23:16 | |
You said it. | 0:23:16 | 0:23:18 | |
No. | 0:23:18 | 0:23:19 | |
Yeah. | 0:23:19 | 0:23:20 | |
OK. So, as a final thing, | 0:23:20 | 0:23:22 | |
just tell everybody what card are you thinking of? | 0:23:22 | 0:23:26 | |
-What, what? -What card? | 0:23:26 | 0:23:28 | |
Like a playing card? | 0:23:28 | 0:23:29 | |
Yes, like a playing card. Jesus Christ, Greg. | 0:23:29 | 0:23:31 | |
-Three of hearts. -No. Next one. | 0:23:35 | 0:23:38 | |
-Ace... -No, next one along from three of hearts. | 0:23:38 | 0:23:41 | |
-The four of hearts. -Exactly. Thank you. | 0:23:41 | 0:23:43 | |
What do you mean, "thank you"? | 0:23:43 | 0:23:45 | |
Thank you very much. I'm grateful. | 0:23:45 | 0:23:47 | |
We were certain that the cult leader was our killer, but who was it? | 0:23:58 | 0:24:02 | |
Barlow, Bieber or Berry? | 0:24:02 | 0:24:04 | |
My watch said justice o'clock. | 0:24:04 | 0:24:07 | |
THEY CHANT Oh, my God, what is this? | 0:24:07 | 0:24:09 | |
Shh, pretty boy, shush. | 0:24:09 | 0:24:12 | |
THEY CONTINUE TO CHANT | 0:24:12 | 0:24:17 | |
Looks like all roads lead to Weirdsville, kid. | 0:24:17 | 0:24:20 | |
Any money that the leader of these freaks is responsible | 0:24:22 | 0:24:25 | |
for the killing of Reese Witherspoon. | 0:24:25 | 0:24:28 | |
A...gui...le...ra... | 0:24:28 | 0:24:30 | |
You'll have to go in there, kid. Be one of them. | 0:24:30 | 0:24:32 | |
Huh? | 0:24:32 | 0:24:33 | |
You're going to have to go in there. | 0:24:33 | 0:24:35 | |
Mirror every move that they make. | 0:24:35 | 0:24:37 | |
At the opportune moment, I'll make a sound | 0:24:39 | 0:24:42 | |
and you'll know I'm coming. | 0:24:42 | 0:24:44 | |
OK, kid, let's go solve a... | 0:24:44 | 0:24:47 | |
-Crime. -Yes. | 0:24:47 | 0:24:48 | |
Go get them, baby boy. | 0:24:53 | 0:24:55 | |
A...gui...le...ra. | 0:24:56 | 0:25:00 | |
A...gui...le...ra. | 0:25:00 | 0:25:05 | |
A...gui...le...ra. | 0:25:05 | 0:25:11 | |
A...gui...le...ra. | 0:25:11 | 0:25:17 | |
A...gui...le...ra. | 0:25:17 | 0:25:21 | |
Silence. Sacred staffs to the side. | 0:25:21 | 0:25:24 | |
I accidentally left mine on the train. | 0:25:30 | 0:25:34 | |
I'm very sorry. | 0:25:34 | 0:25:36 | |
It won't happen again. | 0:25:36 | 0:25:37 | |
You'll have to go to lost property. | 0:25:39 | 0:25:41 | |
Yep. | 0:25:42 | 0:25:44 | |
And now the offerings. | 0:25:44 | 0:25:45 | |
Proceed to the altar. | 0:25:45 | 0:25:47 | |
TENSE MUSIC PLAYS | 0:25:52 | 0:25:57 | |
Sorry, guys, is it height order or...? | 0:26:01 | 0:26:04 | |
Shuffle complete. | 0:26:06 | 0:26:08 | |
And now, the sacrifice. | 0:26:09 | 0:26:12 | |
-Cuckoo, cuckoo, cuckoo. -Freeze, mother-loaders! | 0:26:12 | 0:26:15 | |
On your knees. | 0:26:15 | 0:26:17 | |
Yeah, you know who I am. | 0:26:17 | 0:26:19 | |
We don't know. | 0:26:19 | 0:26:21 | |
I'm DI Sleet, and this isn't one of your freakazoids. | 0:26:21 | 0:26:25 | |
This is my partner. | 0:26:25 | 0:26:27 | |
Introduce yourself, kid. | 0:26:27 | 0:26:29 | |
I'm Greg James. | 0:26:29 | 0:26:30 | |
-PC Greg James. -PC Greg James. | 0:26:30 | 0:26:33 | |
Yeah, that's right. You bunch of freaky weirdos. | 0:26:33 | 0:26:36 | |
We were on to you all along. Yeah, we're the law. | 0:26:36 | 0:26:39 | |
Say something cool. | 0:26:39 | 0:26:41 | |
Yeah, we're going to fuck you up. | 0:26:41 | 0:26:42 | |
-Yeah. -Maybe. | 0:26:42 | 0:26:44 | |
OK, kid. Who do you think the leader is? | 0:26:44 | 0:26:48 | |
Behind that mask... | 0:26:48 | 0:26:49 | |
-I think it's Gary Barlow. -Why? | 0:26:50 | 0:26:53 | |
He was really weird when we met him and he... | 0:26:53 | 0:26:57 | |
he doesn't like vices, | 0:26:57 | 0:26:59 | |
he doesn't like gambling. | 0:26:59 | 0:27:00 | |
He doesn't like stripping | 0:27:00 | 0:27:02 | |
and that's why, | 0:27:02 | 0:27:04 | |
Gary Barlow killed Reese Witherspoon. | 0:27:04 | 0:27:07 | |
(Tell him to unveil himself, boy.) | 0:27:07 | 0:27:09 | |
Take off that mask, Gary Barlow. | 0:27:09 | 0:27:11 | |
TENSE MUSIC PLAYS | 0:27:15 | 0:27:17 | |
Dah! | 0:27:17 | 0:27:19 | |
Well played, Detective. | 0:27:19 | 0:27:21 | |
Yes, I killed the dirty, gambling hussy. | 0:27:21 | 0:27:26 | |
This town is riddled with vice. | 0:27:26 | 0:27:29 | |
I had to take control, | 0:27:29 | 0:27:31 | |
cos when little boys don't take control, then they become fat. | 0:27:31 | 0:27:36 | |
Fat Gary! Eat me! | 0:27:36 | 0:27:37 | |
-Eat me! -Shut up, fatso! | 0:27:37 | 0:27:40 | |
Bravo! Bravo, Greg. Officers, seize that man. | 0:27:40 | 0:27:44 | |
Yes, Greg, I'll be honest with you. | 0:27:46 | 0:27:49 | |
When you walked into my office, yesterday morning, | 0:27:49 | 0:27:51 | |
I thought you were the most useless sack of shit | 0:27:51 | 0:27:53 | |
I'd ever seen in my life. | 0:27:53 | 0:27:54 | |
But today, you just pulled the bollock out of the bag. | 0:27:54 | 0:27:57 | |
Yes, of course it was Gary Barlow. Yes, why? | 0:27:57 | 0:28:00 | |
Because he was the one who had the motive. | 0:28:00 | 0:28:02 | |
He wanted to rid the town of sin. | 0:28:02 | 0:28:04 | |
-I hate gambling. -Not as much as I hate it, Sleet. | 0:28:04 | 0:28:07 | |
Yes, and the crucial piece of information | 0:28:07 | 0:28:09 | |
which you obviously noticed, yes? | 0:28:09 | 0:28:12 | |
Was the red writing paper in his office. | 0:28:12 | 0:28:15 | |
Yes? | 0:28:15 | 0:28:16 | |
-Yeah. -Yeah, yeah, we noticed. -That was the clincher for me. | 0:28:16 | 0:28:19 | |
-You noticed that? -Yeah. -We both did. | 0:28:19 | 0:28:21 | |
Good boy. You did well. | 0:28:21 | 0:28:22 | |
Young man, you've got a promotion. | 0:28:22 | 0:28:24 | |
-I'm proud of you, big boy. -Hey! | 0:28:24 | 0:28:26 | |
Chief, how about we get a curry and a pint to toast Greg's good news. | 0:28:26 | 0:28:30 | |
Love to, Sleet, but I'm afraid I'll be taking a rather large shit. | 0:28:30 | 0:28:35 | |
Maybe another time. | 0:28:35 | 0:28:36 | |
I'll hold you to that. | 0:28:36 | 0:28:37 | |
Hey, Greg, you've earned that. | 0:28:37 | 0:28:39 | |
Thank you. | 0:28:39 | 0:28:41 | |
Come on, boy. Let's go get a drink. | 0:28:41 | 0:28:43 | |
MUSIC: When The Going Gets Tough by Billy Ocean | 0:28:43 | 0:28:46 | |
# I've got something to tell you | 0:28:48 | 0:28:52 | |
# I've got something to say | 0:28:52 | 0:28:55 | |
# I'm gonna put this wheel in motion | 0:28:55 | 0:28:59 | |
# Never let nothing stand in my way | 0:28:59 | 0:29:02 | |
# When the going gets tough | 0:29:02 | 0:29:06 | |
# The tough get going | 0:29:06 | 0:29:09 | |
# I'm gonna get myself 'cross the river... # | 0:29:09 | 0:29:14 |