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Hi, I'm Louis Smith and usually I'm an Olympic gymnast, | 0:00:07 | 0:00:11 | |
but today I'm going to be a detective. | 0:00:11 | 0:00:13 | |
I don't know who's been murdered, | 0:00:13 | 0:00:14 | |
who the suspects are or what's going to happen to me. | 0:00:14 | 0:00:16 | |
Wish me luck, I'm off to Successville. | 0:00:16 | 0:00:19 | |
This programme contains some strong language | 0:00:20 | 0:00:22 | |
Welcome to Successville, a town full of celebrities. | 0:00:22 | 0:00:25 | |
Sometimes the famous faces who live here break the law, | 0:00:25 | 0:00:28 | |
and when they do, I'm here to take them down. | 0:00:28 | 0:00:32 | |
Around here they say detectives are like toilet plungers - | 0:00:33 | 0:00:37 | |
no-one thinks they need one until they do. | 0:00:37 | 0:00:40 | |
I'm DI Sleet, Homicide, | 0:00:40 | 0:00:42 | |
and this is my life. Take it or leave it. | 0:00:42 | 0:00:45 | |
Actually, would you mind leaving it? | 0:00:45 | 0:00:47 | |
It's the only one I've got. | 0:00:47 | 0:00:48 | |
I was asleep, dreaming I ran a successful dog-walking business | 0:00:59 | 0:01:04 | |
and one of my regular customers was in, complaining. | 0:01:04 | 0:01:07 | |
-Wake up! -I didn't touch her. | 0:01:07 | 0:01:09 | |
This is a police station, yes? | 0:01:09 | 0:01:10 | |
Not the San Francisco doss house for enormous fucking layabouts! | 0:01:10 | 0:01:13 | |
-I've got you some fresh blood. -Like it. | 0:01:13 | 0:01:16 | |
Oi, rookie, inside, quick as you can, please. | 0:01:16 | 0:01:18 | |
-Hi, Sir. -Hello, how are you? | 0:01:20 | 0:01:22 | |
-I'm well, thank you. -Yeah? Good. This is DI Sleet. | 0:01:22 | 0:01:25 | |
He'll be taking you under his big, hairy, sweaty bingo wing, | 0:01:25 | 0:01:28 | |
but don't get too comfy, because sooner or later, | 0:01:28 | 0:01:31 | |
you're going to have to learn to walk on your own two bollocks. | 0:01:31 | 0:01:34 | |
-You savvy? -I'm good, thank you, yes. | 0:01:34 | 0:01:36 | |
-Good. -I feel good today. -I'm glad to hear it, Chief. Take a seat. | 0:01:36 | 0:01:40 | |
So, Louis Antoine Smith. Been reading your CV. | 0:01:40 | 0:01:44 | |
It's pretty cool. Done a lot of shit in your life. | 0:01:44 | 0:01:48 | |
-Thanks. -But guess what? | 0:01:48 | 0:01:51 | |
You ain't made of paper and ink. | 0:01:51 | 0:01:52 | |
You're made of flesh and bones and fingers and hair and semen. | 0:01:54 | 0:01:57 | |
True, very true statement. | 0:01:59 | 0:02:00 | |
Can I keep this for my records? | 0:02:00 | 0:02:02 | |
Yeah. | 0:02:02 | 0:02:04 | |
-It's a nice picture. -Thanks. | 0:02:04 | 0:02:06 | |
LOUIS LAUGHS | 0:02:11 | 0:02:13 | |
Where's that black roll-neck from? | 0:02:16 | 0:02:17 | |
Zara. | 0:02:17 | 0:02:19 | |
Really nice bit of kit. | 0:02:19 | 0:02:21 | |
So, are you in good shape now? | 0:02:21 | 0:02:23 | |
I work out regularly, yeah. I think so. | 0:02:23 | 0:02:26 | |
Do you think you could beat me in a press-up challenge? | 0:02:26 | 0:02:28 | |
-Probably. -OK, I like this. | 0:02:28 | 0:02:32 | |
Let's do this, kid, let's go head-to-head. Are you ready? | 0:02:32 | 0:02:35 | |
How many are we doing? | 0:02:35 | 0:02:37 | |
205. | 0:02:37 | 0:02:38 | |
OK. | 0:02:38 | 0:02:39 | |
You count. | 0:02:39 | 0:02:41 | |
One. Two. Are you OK? | 0:02:41 | 0:02:45 | |
-I actually feel a bit of numbness in my left arm, is that right? -Um... | 0:02:47 | 0:02:50 | |
Oi, you two, stop sitting in a tree K-I-S-Yes-I-N-G | 0:02:50 | 0:02:53 | |
and get down to Forensics double quick, there's been a murder, | 0:02:53 | 0:02:57 | |
-yes? Lindsay Lohan. -The pharmacist? | 0:02:57 | 0:02:59 | |
The pharmacist. | 0:02:59 | 0:03:00 | |
Damn it, she was a contestant in tonight's beauty contest | 0:03:00 | 0:03:03 | |
that I'm honoured to be a judge on. | 0:03:03 | 0:03:05 | |
Well no-one's going to any beauty contest, yes, | 0:03:05 | 0:03:08 | |
until this murder is solved! | 0:03:08 | 0:03:10 | |
Young man, don't let me down, I've high hopes. | 0:03:10 | 0:03:13 | |
Oh, ooh, ooh! | 0:03:13 | 0:03:15 | |
Looks like school's in and it's double history time. | 0:03:18 | 0:03:21 | |
But instead of double, it's single. | 0:03:21 | 0:03:23 | |
And instead of history, it's murder. | 0:03:23 | 0:03:27 | |
Are you ready for this? | 0:03:27 | 0:03:28 | |
Yes, sir. | 0:03:28 | 0:03:29 | |
Then let's go solve a crime. | 0:03:29 | 0:03:33 | |
Time was of the essence. | 0:03:33 | 0:03:35 | |
We hot-tailed it to Forensics to see pathologist | 0:03:35 | 0:03:38 | |
and all-round desperate loser, Richard Hammond. | 0:03:38 | 0:03:40 | |
SLEET WHISTLES | 0:03:40 | 0:03:43 | |
Here, boy. Hammond? | 0:03:43 | 0:03:44 | |
Richard? | 0:03:45 | 0:03:47 | |
Sleet! Hey, how are you doing, my great drinking buddy? | 0:03:47 | 0:03:51 | |
Great to see you. | 0:03:51 | 0:03:52 | |
Look at him, walking in here like six foot of brilliant. | 0:03:52 | 0:03:55 | |
-Amazing, great to see you. -Hey, what are you doing? | 0:03:55 | 0:03:57 | |
Well, just kissing, French kissing. Hi... | 0:03:57 | 0:04:00 | |
-No, no, this is not a kiss picnic. -Right. | 0:04:00 | 0:04:02 | |
-This is a murder case. -Yes, of course it is. | 0:04:02 | 0:04:04 | |
Good. We're here about the murder of Lindsay Lohan. | 0:04:04 | 0:04:07 | |
Yes, er, Lindsay Lohan. Murdered last night. | 0:04:07 | 0:04:10 | |
-But that's a hell of a tan she's got on. -That's right. | 0:04:10 | 0:04:13 | |
Ah, he's only gone and spotted the actual murder weapon. | 0:04:13 | 0:04:16 | |
That's how good he is. Star detective. Yes? | 0:04:16 | 0:04:19 | |
-Bloody star champ. -Yep, thank you. -Bloody champ man. | 0:04:19 | 0:04:22 | |
-OK... -The champon-iser. -All right, yes. | 0:04:22 | 0:04:24 | |
Yes, the Equaliser. Bloody Sherlock Holmes, yes? | 0:04:24 | 0:04:27 | |
Yes, well, I like to think so, yes. | 0:04:27 | 0:04:29 | |
Yes, you are. Yes, you are. Spotted it. | 0:04:29 | 0:04:31 | |
-Thank you very much. -You're like Hercules Poirot. | 0:04:31 | 0:04:33 | |
-Listen... -What? | 0:04:33 | 0:04:34 | |
-Stop doing that. -What? | 0:04:34 | 0:04:36 | |
-Comparing me to other fictional detectives. -Right. | 0:04:36 | 0:04:38 | |
-I'm an actual real-life detective. -Right. | 0:04:38 | 0:04:40 | |
A detective that goes out and solves crimes, that detects things. | 0:04:40 | 0:04:43 | |
Your joke only works if the person you're talking about | 0:04:43 | 0:04:46 | |
-isn't a detective. OK? -Right. | 0:04:46 | 0:04:47 | |
When you do it about me, it's quite offensive. | 0:04:47 | 0:04:49 | |
Right. Oh, damn it! Bad, I'm a bad dog. | 0:04:49 | 0:04:53 | |
Bad dog man. In your bed! Blooper alert, whoop! | 0:04:53 | 0:04:57 | |
Rewind, selecta. | 0:04:57 | 0:04:59 | |
HE MURMURS HAPPILY | 0:04:59 | 0:05:01 | |
God, I'm a bad man, aren't I? I'm a bad man. | 0:05:02 | 0:05:05 | |
-No, you're just a... -Bad man. | 0:05:05 | 0:05:06 | |
Are you finished? | 0:05:06 | 0:05:07 | |
Yes. Anyway, the tan was the murder weapon, | 0:05:07 | 0:05:11 | |
sprayed head to foot in some kind of poison. | 0:05:11 | 0:05:13 | |
OK, we'd better be off. We've got a murder to solve. | 0:05:13 | 0:05:16 | |
-Come on, kid. -Look, just before you go, | 0:05:16 | 0:05:18 | |
this footprint was found at the murder scene. | 0:05:18 | 0:05:21 | |
That's a size nine. Shoe Zone, DIY boot. | 0:05:21 | 0:05:24 | |
I know it anywhere. | 0:05:24 | 0:05:26 | |
I'm a genius at guessing people's shoe sizes. | 0:05:26 | 0:05:28 | |
It's my top five talent. | 0:05:28 | 0:05:30 | |
-You're lucky to be working with this guy. -Yes, he is. | 0:05:30 | 0:05:33 | |
Right, so is that something to do with the murder case...? | 0:05:33 | 0:05:36 | |
Yes, it is. Now, I've got a theory, I've got a theory. | 0:05:36 | 0:05:38 | |
Don't get annoyed. This theory is that this murder | 0:05:38 | 0:05:41 | |
is linked to another two cases last week. | 0:05:41 | 0:05:44 | |
-OK. -Yes. | 0:05:44 | 0:05:45 | |
So we're looking at a serial killer. | 0:05:45 | 0:05:46 | |
This is the file. | 0:05:46 | 0:05:48 | |
Kid, read it for me. | 0:05:48 | 0:05:49 | |
"Previous reports on spray tan murders. | 0:05:50 | 0:05:52 | |
"Paris Hilton and Amy Childs were found dead in Vladimir Putin's gym." | 0:05:52 | 0:05:56 | |
-Interesting. -"They were both due to appear in the beauty contest." | 0:05:56 | 0:05:59 | |
The beauty contest that I'm...? | 0:05:59 | 0:06:02 | |
-Judging. -Because I'm...? | 0:06:02 | 0:06:04 | |
Well respected in beauty judging. | 0:06:05 | 0:06:07 | |
Thank you, Louis, that's very kind of you. | 0:06:07 | 0:06:09 | |
Right, take that with you. Let's go solve a crime. | 0:06:09 | 0:06:12 | |
See you, Sleet. | 0:06:12 | 0:06:14 | |
He's a strange guy. | 0:06:14 | 0:06:15 | |
First up, Vladimir Putin, one touchy son of a Tsar. | 0:06:15 | 0:06:19 | |
Since the steam room murders, he made his gym men only. | 0:06:19 | 0:06:22 | |
He seemed a lot happier that way. | 0:06:22 | 0:06:24 | |
A LOT happier. | 0:06:24 | 0:06:25 | |
Guys, that's it for this session. | 0:06:25 | 0:06:27 | |
Next up, three-hour wrestling session. My favourite, OK? | 0:06:27 | 0:06:30 | |
So, go get your bodies ready. | 0:06:30 | 0:06:32 | |
And remember what I told you, you must oil the entire torso. | 0:06:32 | 0:06:35 | |
Go! Go, go. Now, come on. | 0:06:35 | 0:06:37 | |
Hop to it, dick flick. | 0:06:37 | 0:06:39 | |
Well, well, well. | 0:06:41 | 0:06:42 | |
What have we here? | 0:06:43 | 0:06:45 | |
It's like an amateur production of Of Mice And Men. | 0:06:45 | 0:06:49 | |
Squeak, squeak! | 0:06:49 | 0:06:51 | |
Very funny, but we're not mice and we're not men. | 0:06:51 | 0:06:54 | |
We're cops. Get that, butt-head? | 0:06:54 | 0:06:57 | |
Don't call me butt-head, please. | 0:06:57 | 0:06:58 | |
That's your name, isn't it? Vladimir Butt-head. | 0:06:58 | 0:07:01 | |
Is that written down somewhere? | 0:07:01 | 0:07:02 | |
-Didn't you hear his name was Butt-head? -Da. | 0:07:02 | 0:07:04 | |
I know, duh. | 0:07:04 | 0:07:06 | |
What's that? Is that a joke that you two have made up about me? | 0:07:06 | 0:07:09 | |
Yeah, duh, duh. | 0:07:09 | 0:07:10 | |
-You know what this is? -Oh, yeah, I know what that is. | 0:07:11 | 0:07:14 | |
That's you, right there, that's what you are. | 0:07:14 | 0:07:16 | |
Big one of them. | 0:07:16 | 0:07:17 | |
Super immature. | 0:07:17 | 0:07:18 | |
I'm sorry, we've got some questions for you. Haven't we? | 0:07:18 | 0:07:21 | |
OK. Slow down, Mr Eager Beaver. | 0:07:21 | 0:07:24 | |
Are you not going to introduce me to your friend here? | 0:07:24 | 0:07:27 | |
-Oh, yeah... -What's her name, hmm? -Excuse me? | 0:07:27 | 0:07:29 | |
What's your name? Feisty one. | 0:07:29 | 0:07:32 | |
Detective Louis Smith. | 0:07:32 | 0:07:34 | |
So, Louie, I'd ask if you go to the gym, but clearly you do. | 0:07:34 | 0:07:38 | |
-What do you describe yourself? Like, a gym bunny? -Hey! | 0:07:38 | 0:07:40 | |
-Want to do some...? -Hey! -Do you want to do... -Hey! Hey! | 0:07:40 | 0:07:43 | |
We haven't got time to stand around here talking about | 0:07:43 | 0:07:46 | |
what kind of gym guy he is. | 0:07:46 | 0:07:48 | |
I'm the judge in a prestigious beauty contest. | 0:07:48 | 0:07:51 | |
I'm a judge in the contest too, Sleet, | 0:07:51 | 0:07:53 | |
-don't get your...knickers in a twist, OK? -How, why, what...? | 0:07:53 | 0:07:55 | |
I'm just talking to Louie, my new friend. More than friends. | 0:07:55 | 0:07:59 | |
Wha...? Wha...? | 0:07:59 | 0:08:00 | |
I'm not answering any of your questions until I get | 0:08:00 | 0:08:02 | |
a little time talking gym talk between me and this guy, OK? | 0:08:02 | 0:08:05 | |
So be it. | 0:08:05 | 0:08:06 | |
Why don't you go and use the machines? Do your wife a favour. | 0:08:06 | 0:08:10 | |
(Listen kid, I want to have a little look around, | 0:08:11 | 0:08:13 | |
(see if I can find some evidence.) | 0:08:13 | 0:08:16 | |
Hey. Alone at last. Talk about playing gooseberry. | 0:08:16 | 0:08:19 | |
OK, let's just drop all this serious stuff | 0:08:20 | 0:08:22 | |
and play tag wrestling. | 0:08:22 | 0:08:24 | |
You ever played towel tag? | 0:08:24 | 0:08:26 | |
Can't say I have. | 0:08:26 | 0:08:27 | |
I'll do mine, show you what... And then I put this in. | 0:08:27 | 0:08:30 | |
Move your arms, or I'm not going to be able to stick it | 0:08:30 | 0:08:32 | |
down your trousers. | 0:08:32 | 0:08:33 | |
Good lord! | 0:08:36 | 0:08:37 | |
Well, you certainly are a big gymnast. | 0:08:37 | 0:08:41 | |
On three, try and get the towel off me. One, three! | 0:08:41 | 0:08:45 | |
We're doing questions after this, right? | 0:08:45 | 0:08:47 | |
For sure, yeah. Whoa. Whoa. | 0:08:47 | 0:08:50 | |
Are you going to get my towel? | 0:08:50 | 0:08:52 | |
PUTIN LAUGHS | 0:08:54 | 0:08:57 | |
I win. | 0:08:57 | 0:08:59 | |
So much fun. OK, let's do it again. | 0:08:59 | 0:09:01 | |
-1-0. -1-0. | 0:09:01 | 0:09:03 | |
I can't believe I'm being beaten by a big girlie gymnast. | 0:09:03 | 0:09:05 | |
This time, when you grab it out - if you do - | 0:09:05 | 0:09:08 | |
you can take it out a little bit slower. | 0:09:08 | 0:09:11 | |
You know, like slowly and look me in the eye. | 0:09:11 | 0:09:14 | |
Do I need to look you in the eye? | 0:09:14 | 0:09:15 | |
Do you want to? | 0:09:16 | 0:09:18 | |
It's getting a little bit odd. It's a bit strange. | 0:09:18 | 0:09:20 | |
OK, ready? Go again! | 0:09:20 | 0:09:22 | |
Slowly, do it slowly. | 0:09:22 | 0:09:24 | |
Well done, 2-0. | 0:09:28 | 0:09:29 | |
Can I have it back, please? I made a mess. | 0:09:31 | 0:09:34 | |
Do you want to hug it out, this? | 0:09:34 | 0:09:36 | |
You win, but everyone wins in Putin's Gym. | 0:09:36 | 0:09:39 | |
(I'm very lonely.) | 0:09:39 | 0:09:40 | |
That steam room's disgusting. | 0:09:43 | 0:09:45 | |
LOUIS CHUCKLES | 0:09:45 | 0:09:47 | |
Disgusting men. | 0:09:47 | 0:09:48 | |
Impressed? | 0:09:48 | 0:09:50 | |
I'm impressed that you're still alive. | 0:09:50 | 0:09:52 | |
Your cholesterol must be through the roof. | 0:09:52 | 0:09:55 | |
Sleet, you're like rear end of dog - | 0:09:57 | 0:10:00 | |
all business and horrible when I touch them. | 0:10:00 | 0:10:03 | |
Well, you know what I believe? | 0:10:03 | 0:10:04 | |
I believe you're a scum-bag who's going to answer some questions. | 0:10:04 | 0:10:08 | |
Er, what size shoe are you? | 0:10:08 | 0:10:10 | |
Er, 44 European size, why? | 0:10:10 | 0:10:13 | |
Next question. | 0:10:15 | 0:10:17 | |
Can you please explain why two girls were found, | 0:10:17 | 0:10:19 | |
fully spray-tanned, dead in your gym? | 0:10:19 | 0:10:22 | |
Women! | 0:10:22 | 0:10:23 | |
Silly, vain creatures. | 0:10:24 | 0:10:27 | |
Only concerned with their waistlines and how deep their tans are. | 0:10:27 | 0:10:30 | |
How I despise them. | 0:10:30 | 0:10:32 | |
They were dying to get skinny and tanned. | 0:10:33 | 0:10:36 | |
If you ask me, they got their wish. | 0:10:36 | 0:10:38 | |
You know what they say - you can't please all of the people | 0:10:38 | 0:10:41 | |
all of the time, but you're pleasing none of the people none of the time. | 0:10:41 | 0:10:45 | |
Ah! | 0:10:45 | 0:10:46 | |
You're lucky I don't pound the shit out of you | 0:10:46 | 0:10:48 | |
right in front of him now. | 0:10:48 | 0:10:50 | |
Luckily for you, Russians have... | 0:10:50 | 0:10:53 | |
-Don't touch my arm. -Listen... | 0:10:53 | 0:10:54 | |
-Oh! -Don't forget who you're talking to. | 0:10:54 | 0:10:56 | |
-Look over there, there's a squirrel! -Where? | 0:10:56 | 0:10:59 | |
THEY GRUNT | 0:10:59 | 0:11:01 | |
Take your hands off me! | 0:11:08 | 0:11:10 | |
Come on, count to three! | 0:11:10 | 0:11:11 | |
One, two, three! Whoo! | 0:11:11 | 0:11:13 | |
Sleet! | 0:11:13 | 0:11:15 | |
My man! | 0:11:15 | 0:11:16 | |
Yeah. You just got owned. | 0:11:16 | 0:11:19 | |
Help me, Louis. | 0:11:19 | 0:11:20 | |
Hey! Let's get out of here. | 0:11:20 | 0:11:22 | |
I won't forget this, Sleet! | 0:11:24 | 0:11:26 | |
Was there any need? | 0:11:27 | 0:11:29 | |
There's always a need. Hey, here's one for you. | 0:11:29 | 0:11:31 | |
I used to be able to jump through the windows of this car. | 0:11:31 | 0:11:35 | |
Those days are long gone. | 0:11:35 | 0:11:36 | |
So kid, how are you finding your first day? | 0:11:39 | 0:11:42 | |
It's actually really cool. | 0:11:42 | 0:11:45 | |
-"Cool?" -Cool. | 0:11:45 | 0:11:47 | |
-"Cool?" -You know, you get into the police force because you think | 0:11:47 | 0:11:50 | |
it's going to be cool and it's going to be fun and stuff, and it has. | 0:11:50 | 0:11:54 | |
But I feel like we're on the right track. | 0:11:54 | 0:11:57 | |
Yes, but I don't think we're in the region of being "cool." | 0:11:57 | 0:12:00 | |
Well, I think we're cool. We're... We're cool. | 0:12:02 | 0:12:05 | |
Let's leave the "cool" talk to the bars and nightclubs. | 0:12:05 | 0:12:10 | |
LOUIS LAUGHS | 0:12:10 | 0:12:12 | |
You're a trickster, aren't you? | 0:12:14 | 0:12:17 | |
I'm a what?! "A trickster?" | 0:12:17 | 0:12:19 | |
I'd like us to get on as buddies and partners. | 0:12:21 | 0:12:24 | |
But let me tell you... | 0:12:24 | 0:12:25 | |
..if you keep on acting up and being "cool", | 0:12:26 | 0:12:31 | |
I'll see you run through. | 0:12:31 | 0:12:33 | |
-Got it. -Good. | 0:12:36 | 0:12:38 | |
Enough of this, let's get out of here. | 0:12:38 | 0:12:42 | |
Smith had found his cajones. | 0:12:44 | 0:12:46 | |
Would he be such a smart-arse with the next suspect, Kim Kardashian - | 0:12:46 | 0:12:50 | |
psychopath, killer and contestant in tonight's beauty pageant? | 0:12:50 | 0:12:55 | |
"Kim was put in a psychiatric institute for the criminally insane | 0:12:55 | 0:12:58 | |
"after having been found guilty of killing five people | 0:12:58 | 0:13:01 | |
"because she thought they were prettier than her." | 0:13:01 | 0:13:03 | |
She'll play ball if you're as nasty and as evil as you can be. | 0:13:03 | 0:13:07 | |
Are you OK with that? | 0:13:07 | 0:13:08 | |
I'll put my street voice on. I can be a bit thuggish sometimes. | 0:13:08 | 0:13:12 | |
-What you talking about, bruv? -Whoa, whoa, whoa, whoa, whoa. | 0:13:12 | 0:13:16 | |
-No, no, no, no, no. -Those shoes aren't Chanel. | 0:13:16 | 0:13:19 | |
What was the clicking thing? | 0:13:19 | 0:13:20 | |
Being a diva. I've seen it on a television show, I think. | 0:13:20 | 0:13:22 | |
Well, you're not on TV now, Smith. | 0:13:22 | 0:13:24 | |
I know. OK. | 0:13:24 | 0:13:25 | |
This is a murder case, | 0:13:25 | 0:13:27 | |
and I really urge you to take it a little bit more seriously. | 0:13:27 | 0:13:29 | |
-Head in the game. -Exactly. | 0:13:29 | 0:13:31 | |
You going down! I'm in. | 0:13:31 | 0:13:34 | |
Listen, that sexy psycho will eat you for breakfast. | 0:13:34 | 0:13:38 | |
There's enough of me for lunch and dinner. | 0:13:38 | 0:13:40 | |
Well, isn't somebody someone else's biggest fan? | 0:13:40 | 0:13:43 | |
No, I'm just saying, you know... | 0:13:43 | 0:13:44 | |
Oh, I know what you're saying. | 0:13:44 | 0:13:45 | |
I'm a big guy, she's a small girl, she can't eat all of me. | 0:13:45 | 0:13:48 | |
Let's just get the information we need. | 0:13:48 | 0:13:50 | |
Yes, let's do that, Smith, and stop larking around. | 0:13:50 | 0:13:53 | |
-OK. -OK? | 0:13:53 | 0:13:55 | |
Listen, the main thing to remember when you're in there - | 0:13:55 | 0:13:58 | |
don't cross the red line, whatever you do. | 0:13:58 | 0:14:00 | |
Now go solve a crime, Louis Smith! | 0:14:00 | 0:14:03 | |
Hey, Kim. | 0:14:05 | 0:14:07 | |
I have a few questions for you. | 0:14:07 | 0:14:08 | |
What are you looking at me all weird like that for? | 0:14:08 | 0:14:11 | |
SHE WHISTLES Excuse me? | 0:14:11 | 0:14:14 | |
No. | 0:14:15 | 0:14:16 | |
I can smell your penis. | 0:14:20 | 0:14:22 | |
I did shower this morning. | 0:14:22 | 0:14:23 | |
Does it like me? | 0:14:23 | 0:14:24 | |
I don't know, you'll have to ask it. I mean, er... | 0:14:24 | 0:14:28 | |
Do you like me? | 0:14:28 | 0:14:29 | |
-Do you like me? -Kim? | 0:14:32 | 0:14:35 | |
Can you look at me here, please? | 0:14:35 | 0:14:38 | |
Do you think you've got what it takes... | 0:14:38 | 0:14:41 | |
..to pump me? | 0:14:42 | 0:14:43 | |
It's, um, it's a question that... I'm asking the questions here. | 0:14:47 | 0:14:51 | |
KIM LAUGHS Not you. | 0:14:51 | 0:14:54 | |
I only meant for information, you naughty, naughty boy. | 0:14:54 | 0:14:58 | |
Can you concentrate, please? | 0:14:58 | 0:15:00 | |
I want you to rate me on a scale from one to ten. | 0:15:00 | 0:15:04 | |
Like on a website? Yeah. | 0:15:04 | 0:15:06 | |
Zero. | 0:15:06 | 0:15:07 | |
OK. Zero. | 0:15:07 | 0:15:09 | |
Zero. | 0:15:09 | 0:15:10 | |
KIM SOBS | 0:15:10 | 0:15:13 | |
It's the wrong answer, you, asshole! I won't be criticised! | 0:15:13 | 0:15:16 | |
-Louis, get out of there! -Your face is my face! Oh, my God! | 0:15:16 | 0:15:19 | |
-Get out. -You think you're prettier than me? I have a brother! | 0:15:19 | 0:15:21 | |
I'm going to tear your fucking...! Argh! | 0:15:21 | 0:15:24 | |
Wow. Wow, wow, wow. | 0:15:24 | 0:15:27 | |
Wow, wow, wow! | 0:15:27 | 0:15:28 | |
Well done, Smith. | 0:15:28 | 0:15:30 | |
She needs some serious help. | 0:15:30 | 0:15:32 | |
That's why she's here with two big guys | 0:15:32 | 0:15:34 | |
putting her in a straitjacket. | 0:15:34 | 0:15:36 | |
Hey kid, let's turn it round. Go nice. | 0:15:36 | 0:15:39 | |
-Be lovely, Louis. -Yeah. | 0:15:40 | 0:15:41 | |
Lou-Lou Bear. | 0:15:41 | 0:15:43 | |
That's more my forte. | 0:15:43 | 0:15:44 | |
-Oh, is it? -Yeah. | 0:15:44 | 0:15:46 | |
I'm coming in there with you. | 0:15:46 | 0:15:47 | |
You obviously can't be left alone with a serial killer right now. | 0:15:47 | 0:15:51 | |
I need the back-up. | 0:15:51 | 0:15:52 | |
Take a seat, kid. | 0:15:58 | 0:16:00 | |
It's OK, kid, you can cross the red line. | 0:16:00 | 0:16:02 | |
I was just yanking your pisser about that. | 0:16:02 | 0:16:04 | |
-How are you? -I'm sorry I'm not pretty enough for you. -You are pretty. | 0:16:08 | 0:16:13 | |
It's just so hard to stay beautiful when you're locked-up all day. | 0:16:13 | 0:16:15 | |
-I can understand. -Yeah. -But you look great as it is. | 0:16:15 | 0:16:17 | |
-Oh! You're like my sister. -Yeah. | 0:16:17 | 0:16:21 | |
You know, me and my sisters, we always kiss. | 0:16:21 | 0:16:24 | |
We always kiss. Always. | 0:16:24 | 0:16:26 | |
-Do you? -Yeah. | 0:16:26 | 0:16:27 | |
Are you my sister? | 0:16:27 | 0:16:29 | |
I think so... Um, yeah... | 0:16:29 | 0:16:33 | |
-Oh! -Ahem, sorry Kim. | 0:16:37 | 0:16:41 | |
Hey, hey, what's that all about? | 0:16:41 | 0:16:43 | |
All the flirting. Don't forget where you are. | 0:16:43 | 0:16:46 | |
Remember, you've crossed the line. | 0:16:46 | 0:16:48 | |
But you said I could cross it. | 0:16:48 | 0:16:50 | |
(I said you could cross this line, but you're crossing another line.) | 0:16:50 | 0:16:53 | |
(So, not a real line?) | 0:16:53 | 0:16:54 | |
(Not this line, this line you're fine to cross. | 0:16:54 | 0:16:56 | |
(There's two lines, metaphorically.) | 0:16:56 | 0:16:58 | |
Sir, I'm getting really confused by your mixed messages. | 0:16:58 | 0:17:01 | |
-I'm... -You said don't cross the line, then you said I could cross | 0:17:01 | 0:17:03 | |
the line and now you're saying I am crossing the line and I shouldn't... | 0:17:03 | 0:17:06 | |
I'm saying you're... Listen, OK? | 0:17:06 | 0:17:08 | |
In your head, I want you to imagine two lines. | 0:17:08 | 0:17:10 | |
One's this line, the other one's this line. | 0:17:10 | 0:17:12 | |
This line you're more than welcome to cross, jump over it all you can. | 0:17:12 | 0:17:15 | |
The other line... (Told you no.) | 0:17:15 | 0:17:17 | |
-OK. -Sorry, Kim. | 0:17:17 | 0:17:19 | |
One question. | 0:17:19 | 0:17:21 | |
One question. After we've kissed. | 0:17:21 | 0:17:23 | |
Sisters. | 0:17:23 | 0:17:25 | |
-Sir? -Well, you're going to have to kiss her now. | 0:17:25 | 0:17:27 | |
You've started a whole kissing trade thing, haven't you? | 0:17:27 | 0:17:30 | |
There you go. | 0:17:30 | 0:17:33 | |
Can't be leaving work with lipstick on. | 0:17:33 | 0:17:35 | |
Well, maybe you shouldn't have started kissing, that sounds fair. | 0:17:35 | 0:17:38 | |
That's certainly true. | 0:17:38 | 0:17:40 | |
Where were you at the time of the murder? | 0:17:42 | 0:17:44 | |
Where was I?! Oh, my God! | 0:17:44 | 0:17:47 | |
Let me think. Hmm... Oh, yeah, I remember. | 0:17:48 | 0:17:52 | |
I was on day release. | 0:17:52 | 0:17:54 | |
Oh, I needed a little bit of me time, you know, | 0:17:54 | 0:17:57 | |
because um, this place, it drives me crazy. | 0:17:57 | 0:17:59 | |
So I took a walk along the beach, just me and the sand. | 0:18:02 | 0:18:08 | |
But I didn't enjoy it. | 0:18:08 | 0:18:09 | |
Why not? | 0:18:09 | 0:18:11 | |
No-one was there to see me! No-one! | 0:18:11 | 0:18:15 | |
Not anyone, I was on my own! | 0:18:15 | 0:18:17 | |
KIM SOBS | 0:18:17 | 0:18:19 | |
Not even one photograph! | 0:18:19 | 0:18:21 | |
I was on my own! | 0:18:21 | 0:18:23 | |
OK. | 0:18:24 | 0:18:26 | |
Where's my sister? I want my sister! | 0:18:28 | 0:18:30 | |
Uh, thank you for your time, Kim. | 0:18:30 | 0:18:32 | |
Hey, imagine being married to that. | 0:18:32 | 0:18:35 | |
Do you know what? She reminds me of my ex-girlfriend. | 0:18:35 | 0:18:38 | |
Ha-ha. That's what we call in the station "banter". Come on. | 0:18:38 | 0:18:43 | |
Our final suspect was Russell Brand, a fancy dan businessman | 0:18:43 | 0:18:48 | |
and organiser of tonight's beauty pageant. | 0:18:48 | 0:18:51 | |
Like a man walking down Dogshit Alley, we had to tread carefully. | 0:18:51 | 0:18:55 | |
Oh, welcome, welcome, | 0:18:58 | 0:18:59 | |
roll up one and all, I should reckon as like, to the Brand Emporium. | 0:18:59 | 0:19:04 | |
Hello, Russell. We're here about a crime. | 0:19:04 | 0:19:06 | |
Oh, where are my manners? | 0:19:06 | 0:19:08 | |
This is my new partner, Louis Smith. Louis, Russell Brand. | 0:19:08 | 0:19:11 | |
-Nice to meet you, Russell. -Nice to meet you. | 0:19:11 | 0:19:13 | |
Yeah, that is my name, whatever that means. | 0:19:13 | 0:19:15 | |
And this is me shop. Consider me a picker-up of unconsidered trifles | 0:19:15 | 0:19:20 | |
and me lowly dolly shop an home for flotsam and jetsam. | 0:19:20 | 0:19:23 | |
OK, big dick, we have some questions. | 0:19:23 | 0:19:26 | |
No, you only think you do - right? - | 0:19:26 | 0:19:27 | |
because you've been brainwashed - ain't you? - by the state. | 0:19:27 | 0:19:30 | |
It's wormed its way into your head | 0:19:30 | 0:19:32 | |
and making your brain work all funny. | 0:19:32 | 0:19:34 | |
You don't need nothing, mate. No, you don't. | 0:19:34 | 0:19:36 | |
If you wanted to, you could burn all your clothes | 0:19:36 | 0:19:39 | |
and live on an island for nothing, mate. | 0:19:39 | 0:19:41 | |
Well, I don't want to burn my clothes and live on an island. | 0:19:41 | 0:19:44 | |
-No? -Are you aware there's been a spate of murders in town? | 0:19:44 | 0:19:47 | |
-Yeah, I did hear something... -PHONE RINGS | 0:19:47 | 0:19:50 | |
Hold up, it's only the dog and bone, ain't it. | 0:19:50 | 0:19:52 | |
I shall be with you in just a mo, sure as eggs is eggs, | 0:19:52 | 0:19:55 | |
sure as I'm standing here, sure as the sea is blue. | 0:19:55 | 0:19:58 | |
-Hello? -God, that guy's a creep. | 0:19:58 | 0:20:00 | |
Yeah, it is. | 0:20:00 | 0:20:01 | |
But don't allow the man control you simply by the use of a moniker. | 0:20:01 | 0:20:05 | |
Yeah, it is Russell Brand and yeah, it's tonight. | 0:20:05 | 0:20:07 | |
As a matter of fact, one place has just come up, as luck would have it. | 0:20:07 | 0:20:11 | |
It'll cost you five grand, mate. | 0:20:11 | 0:20:13 | |
Are you seeing what I'm seeing, kid? | 0:20:13 | 0:20:16 | |
Yeah. | 0:20:16 | 0:20:18 | |
Dodgy character. | 0:20:18 | 0:20:19 | |
Yeah, all right, mate, I'll see you tonight. Good luck. | 0:20:19 | 0:20:22 | |
Love you, love you! | 0:20:22 | 0:20:23 | |
Listen here, this beauty pageant of yours | 0:20:23 | 0:20:27 | |
is becoming quite a deadly affair, wouldn't you say? | 0:20:27 | 0:20:29 | |
It's a dreadful business and no mistake. | 0:20:29 | 0:20:31 | |
I loves them girls, loves them like they was me own. | 0:20:31 | 0:20:34 | |
None of them deserved to be spray-tanned to death, mate. | 0:20:34 | 0:20:38 | |
Well, considering it's only the police that know that | 0:20:38 | 0:20:40 | |
the women were killed by the spray tan, | 0:20:40 | 0:20:43 | |
how would you know, considering we haven't mentioned it today? | 0:20:43 | 0:20:45 | |
I've got my ears to the ground, mate. | 0:20:45 | 0:20:47 | |
Listen, Brand, you wise-cracking piece of shit, | 0:20:47 | 0:20:50 | |
you're officially a suspect in a murder case. | 0:20:50 | 0:20:53 | |
Are you pointing a finger at me, mate? | 0:20:53 | 0:20:54 | |
Are you trying to say that I've got dirt under me fingernails | 0:20:54 | 0:20:57 | |
and the shadow of crime hanging over me? | 0:20:57 | 0:20:59 | |
Because if you are, you need to think again, mate, | 0:20:59 | 0:21:01 | |
because I can take away your place on the panel | 0:21:01 | 0:21:03 | |
if you think there's foul play at work, mate. | 0:21:03 | 0:21:06 | |
Please don't. | 0:21:06 | 0:21:08 | |
The pageant's all I have. | 0:21:08 | 0:21:10 | |
My wife's left me and my kids aren't talking to me. | 0:21:10 | 0:21:12 | |
I'm living in the back of someone else's car. | 0:21:12 | 0:21:14 | |
The pageant's the only thing I've got left to look forward to. | 0:21:14 | 0:21:17 | |
I'll tell you what, Sleet, I won't gives away your place on the panel. | 0:21:17 | 0:21:20 | |
You can keep it, right? | 0:21:20 | 0:21:22 | |
But I've got to put the finishing touches to me contest. | 0:21:22 | 0:21:24 | |
Now, get out of me shop. Shove off! | 0:21:24 | 0:21:26 | |
We'll be on our way. | 0:21:26 | 0:21:28 | |
We'll see you later, at the beauty pageant | 0:21:28 | 0:21:30 | |
that I'm still a judge on, right? | 0:21:30 | 0:21:32 | |
-Absolutely, Sleet, don't you worry about that, Sir. -Come on, boy. | 0:21:32 | 0:21:35 | |
That evening, we got a mysterious call from Lily Allen, | 0:21:35 | 0:21:39 | |
reporter for the local rag. | 0:21:39 | 0:21:41 | |
She had some creamy intel about the case. | 0:21:41 | 0:21:44 | |
We headed over to meet her at the abandoned library. | 0:21:44 | 0:21:48 | |
# Georgie Porgie... # | 0:21:48 | 0:21:49 | |
It's creepy, bruv. | 0:21:49 | 0:21:51 | |
It's weird, huh? | 0:21:51 | 0:21:52 | |
Somewhat therapeutic. | 0:21:52 | 0:21:54 | |
Yeah, it's got its own tone to it, I've got to say. | 0:21:54 | 0:21:57 | |
# Killed the girls to make them... # | 0:21:57 | 0:22:01 | |
Lily! Sweet Lily. | 0:22:01 | 0:22:03 | |
It's OK, Lily. We're here. | 0:22:03 | 0:22:05 | |
What did you want to tell us? | 0:22:05 | 0:22:06 | |
The killer. I knew I was onto something, | 0:22:06 | 0:22:08 | |
-that's why they tried to kill me. -OK. | 0:22:08 | 0:22:10 | |
I can tell you who it is, I think... | 0:22:10 | 0:22:12 | |
OK, tell us, wait there. | 0:22:12 | 0:22:13 | |
Lily, Lily, hold it, save it a moment. | 0:22:13 | 0:22:15 | |
Save it a sweet moment. I've got my trusty pen. | 0:22:15 | 0:22:18 | |
A funny story about this pen. I got it when I was 18. | 0:22:18 | 0:22:21 | |
-You know, never run out of... -Sir? Sir, she's dying. | 0:22:21 | 0:22:24 | |
Oh, I'm sorry. Listen, I'll write it down here. | 0:22:24 | 0:22:26 | |
-Lily... -Oh, the killer... -Lily, wait there. -Why... | 0:22:26 | 0:22:29 | |
Wait there. What the hell is this? "Poppin's Restaurant." | 0:22:29 | 0:22:31 | |
Sir, she's about to break the case! | 0:22:31 | 0:22:33 | |
Louis, give me a sweet second. | 0:22:33 | 0:22:35 | |
I can't remember for the life of me where this is from. | 0:22:35 | 0:22:38 | |
-Sir! -Dalton... | 0:22:38 | 0:22:40 | |
Louis, don't you shout at me! | 0:22:40 | 0:22:42 | |
She's bleeding and she's about to help us! | 0:22:42 | 0:22:44 | |
Yes, I know, and I'm trying to remember where this receipt is from! | 0:22:44 | 0:22:47 | |
I'd write it on the back, but then it voids the receipt completely. | 0:22:47 | 0:22:51 | |
-Sir, we have not got time for this. -Sleet, the killer... | 0:22:51 | 0:22:54 | |
Wait there. Lily, Lily, Lily... | 0:22:54 | 0:22:55 | |
I'm going to find some other paper to write on, OK? | 0:22:55 | 0:22:59 | |
Give us...give me a second. | 0:22:59 | 0:23:00 | |
Is there anything I can do? | 0:23:00 | 0:23:02 | |
The killer, let me tell you who the killer is. Come close. | 0:23:02 | 0:23:05 | |
I knew I was onto something... | 0:23:05 | 0:23:06 | |
Wait there, wait, wait, wait, wait. I want in on this. | 0:23:06 | 0:23:09 | |
It's OK, Lily. Hey, wait there. | 0:23:09 | 0:23:12 | |
This is an original Moby Dick. How often do you...? | 0:23:12 | 0:23:15 | |
-No-one cares about Moby Dick right now! -Listen to me! | 0:23:15 | 0:23:17 | |
What do you mean no-one cares?! Wait there, wait there, Lily. | 0:23:17 | 0:23:20 | |
This is an original piece of work! | 0:23:20 | 0:23:22 | |
It's a Moby Dick. | 0:23:22 | 0:23:23 | |
How often have you seen that? An original piece of literature... | 0:23:23 | 0:23:27 | |
-Sir... -It's an important part of our history. | 0:23:27 | 0:23:29 | |
I'd rather wait for the film to come out with Chris Hemsworth. | 0:23:29 | 0:23:31 | |
There's... Oh, is there a film with Chris Hemsworth? | 0:23:31 | 0:23:34 | |
Is there a film with Chris Hemsworth? | 0:23:34 | 0:23:35 | |
-There is, Moby Dick... -That's very interesting. | 0:23:35 | 0:23:37 | |
-It's beside the point, we're about to break this case. -Yes, we are. | 0:23:37 | 0:23:40 | |
-We just need the name of the killer. -Yes, we... | 0:23:40 | 0:23:43 | |
-Sleet... -Lily, I'm with you, I'm with you. Louis... | 0:23:43 | 0:23:45 | |
-Grr, I'm the killer! -Killer! | 0:23:45 | 0:23:47 | |
Do you remember when, "I am the killer!" | 0:23:47 | 0:23:49 | |
-Sleet, Sleet, the killer! -OK. Lily, yes Lily, tell me! | 0:23:49 | 0:23:52 | |
It... | 0:23:52 | 0:23:53 | |
LILY GROANS | 0:23:53 | 0:23:55 | |
You are unbelievable. You just wasted a good amount of time there | 0:24:02 | 0:24:05 | |
where we could have got the killer. | 0:24:05 | 0:24:08 | |
-Shall we go? -Yeah. -Good stuff. | 0:24:08 | 0:24:10 | |
Oh, God, poor Lily. | 0:24:10 | 0:24:13 | |
Come on. She's starting to smell. | 0:24:13 | 0:24:15 | |
I think she's probably voided her bowel. | 0:24:15 | 0:24:17 | |
All roads led to the beauty pageant. Present, our suspects - | 0:24:17 | 0:24:21 | |
Putin, Kardashian and Brand. | 0:24:21 | 0:24:24 | |
For Smith, it was his most dangerous role yet. | 0:24:24 | 0:24:26 | |
Time to go undercover and catch a killer. | 0:24:26 | 0:24:30 | |
Welcome to this final round of this cavalcade of magnificence, | 0:24:30 | 0:24:35 | |
beauty and pulchritude. | 0:24:35 | 0:24:37 | |
Feast your lamps on these two dollymops. Kim Kardashian... | 0:24:37 | 0:24:41 | |
..and Fiona Brush. | 0:24:42 | 0:24:44 | |
SOMEONE WHISTLES | 0:24:44 | 0:24:46 | |
Good, isn't it? First up, Fiona Brush. | 0:24:46 | 0:24:49 | |
Over to the judges. | 0:24:52 | 0:24:54 | |
Ms Brush, you find a million pesos in an old suitcase. | 0:24:54 | 0:24:59 | |
-What would you spend it on? -Oh, good question. | 0:24:59 | 0:25:02 | |
Thank you. | 0:25:02 | 0:25:03 | |
Probably Mr Vladimir Putin. | 0:25:04 | 0:25:07 | |
Come, you'd probably get him for £5. | 0:25:07 | 0:25:10 | |
Flattery will get you everywhere. | 0:25:10 | 0:25:12 | |
Well, you won't win the competition through being flattering. | 0:25:12 | 0:25:16 | |
Well, you might. | 0:25:16 | 0:25:17 | |
No, you won't, it'll be done through judges marking you accordingly. | 0:25:17 | 0:25:20 | |
Oh, there's a question from Kim Jong Un. | 0:25:24 | 0:25:27 | |
"What is the sexiest animal?" | 0:25:33 | 0:25:35 | |
Excluding you three fine judges? | 0:25:35 | 0:25:38 | |
Oh, isn't she something? | 0:25:38 | 0:25:41 | |
I would have to say a white unicorn. | 0:25:41 | 0:25:44 | |
Sorry, that one was wrong. | 0:25:45 | 0:25:48 | |
I have one more question. | 0:25:48 | 0:25:51 | |
Imagine, if you will, that you'd been working as a police officer, | 0:25:51 | 0:25:56 | |
trying to track down a serial killer. | 0:25:56 | 0:25:58 | |
That case had led you here, to this beauty competition. | 0:25:58 | 0:26:03 | |
Imagine further, if you will, that there was a trained sniper | 0:26:03 | 0:26:06 | |
in this very room, ready to rain down bullets upon the said killer. | 0:26:06 | 0:26:13 | |
Who would the killer be?! | 0:26:13 | 0:26:15 | |
Hypothetically speaking. | 0:26:15 | 0:26:17 | |
Vladimir Putin. | 0:26:19 | 0:26:21 | |
SCREAMING | 0:26:22 | 0:26:24 | |
Calm down! Calm down, everybody. | 0:26:24 | 0:26:26 | |
Relax, Kim, relax, everybody. | 0:26:26 | 0:26:29 | |
Relax, now. | 0:26:29 | 0:26:31 | |
Calm down. You know who I am? | 0:26:32 | 0:26:35 | |
-AUDIENCE MEMBER: -Who is he? | 0:26:35 | 0:26:36 | |
Yeah, Sleet, I'm with Successville. | 0:26:36 | 0:26:39 | |
-I've never heard of you. -What? | 0:26:39 | 0:26:41 | |
I'm from Successville. Murder Squad. | 0:26:41 | 0:26:44 | |
I'm also a judge on the panel, so... | 0:26:44 | 0:26:47 | |
This is my partner. | 0:26:47 | 0:26:48 | |
I'm officer Louis Smith. | 0:26:48 | 0:26:50 | |
Explain why the killer was Putin. | 0:26:50 | 0:26:53 | |
Well, for me, Putin had a military boot which was found | 0:26:53 | 0:26:58 | |
at two of the other deaths during the week. | 0:26:58 | 0:27:00 | |
Also, he hated women with a passion, and suspiciously enough, | 0:27:00 | 0:27:05 | |
two other women were found dead in his steam room | 0:27:05 | 0:27:08 | |
with a spray tan. Was that all right? | 0:27:08 | 0:27:10 | |
Yeah, that's brilliant. Everybody, your hero! | 0:27:10 | 0:27:13 | |
SMATTERING OF APPLAUSE | 0:27:13 | 0:27:15 | |
And may I say, one gorgeous-looking lady... | 0:27:15 | 0:27:18 | |
-Thank you. -..who I think would have won the competition. -Stop it! | 0:27:18 | 0:27:21 | |
Oh, God, not again! | 0:27:21 | 0:27:23 | |
-Ah, here he is. -Wow! | 0:27:23 | 0:27:25 | |
Who gave the order for Putin to be shot? | 0:27:25 | 0:27:28 | |
Mr Louis Smith. | 0:27:28 | 0:27:30 | |
What are you wearing?! | 0:27:30 | 0:27:32 | |
Disguise, Sir. | 0:27:32 | 0:27:33 | |
Louis Smith, congratulations, | 0:27:33 | 0:27:35 | |
you've made a horse's cock of this investigation. | 0:27:35 | 0:27:38 | |
The killer was Russell Brand. Of course it was Russell Brand. | 0:27:38 | 0:27:42 | |
Yes? Why? | 0:27:42 | 0:27:43 | |
Because he was organising this beauty contest, yes, | 0:27:43 | 0:27:47 | |
so that he could charge contestants an entrance fee... | 0:27:47 | 0:27:50 | |
It'll cost you five grand, mate. | 0:27:50 | 0:27:51 | |
..and then bump them off one by one so that he could get richer. | 0:27:51 | 0:27:55 | |
And you might also have noticed in his shop... | 0:27:55 | 0:27:58 | |
was spray tan. | 0:27:58 | 0:28:00 | |
You were supposed to be looking for somebody with size nine feet. | 0:28:00 | 0:28:04 | |
It couldn't have been Vladimir Putin, because he was... | 0:28:04 | 0:28:08 | |
44 European size. | 0:28:08 | 0:28:10 | |
..which is a size ten, you dicks! | 0:28:10 | 0:28:13 | |
You're fired! | 0:28:15 | 0:28:16 | |
Where is Russell Brand?! | 0:28:16 | 0:28:18 | |
He must have escaped in the fracas. | 0:28:18 | 0:28:20 | |
He's the killer, for Christ's sake! | 0:28:20 | 0:28:23 | |
Oh, God, you make me sick! | 0:28:23 | 0:28:26 | |
Why am I so weepy all the time? | 0:28:26 | 0:28:28 | |
Oh, well, kid, you win some, you lose some. | 0:28:29 | 0:28:32 | |
That's just life, I guess. | 0:28:32 | 0:28:35 | |
But you know what? | 0:28:35 | 0:28:36 | |
I spy with my little eye two Kims. | 0:28:37 | 0:28:40 | |
Fancy a night out? | 0:28:40 | 0:28:42 | |
-Definitely. Which one do you want? -I'll bagsie that one. | 0:28:42 | 0:28:45 | |
Come on, let's go. Come on, sweet cheeks. | 0:28:47 | 0:28:50 | |
Hey, you, I hope you like blondes, | 0:28:51 | 0:28:54 | |
you cheeky little creep. | 0:28:54 | 0:28:56 | |
By the way, my dress stays on tonight. | 0:28:57 | 0:28:59 | |
Oh, you bet it does! | 0:28:59 | 0:29:01 |