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This programme contains some strong language and adult humour. | 0:00:02 | 0:00:07 | |
Hello, I'm Kimberly Wyatt, | 0:00:07 | 0:00:09 | |
most known for being a judge on Got To Dance, | 0:00:09 | 0:00:11 | |
or a high-kicking Pussycat Doll, | 0:00:11 | 0:00:12 | |
but today, I'm going to star in my own cop drama. | 0:00:12 | 0:00:15 | |
All I know is, there's been a homicide. | 0:00:15 | 0:00:17 | |
I don't know who the victim is, | 0:00:17 | 0:00:19 | |
I don't know who the suspects are going to be. | 0:00:19 | 0:00:21 | |
I don't know what's going to happen. | 0:00:21 | 0:00:23 | |
So, wish me luck as I try and solve a murder in Successville. | 0:00:23 | 0:00:26 | |
'Welcome to Successville, a town full of celebrities. | 0:00:32 | 0:00:36 | |
'Sometimes the famous faces who live here break the law, | 0:00:36 | 0:00:40 | |
'and when they do, I'm here to take them down. | 0:00:40 | 0:00:42 | |
'I'm DI Sleet - and this is my voice you're hearing. | 0:00:44 | 0:00:48 | |
'You'd only usually hear it if you've been arrested, murdered | 0:00:48 | 0:00:52 | |
'or if you work for a hotline for the depressed and lonely. | 0:00:52 | 0:00:56 | |
'Hello, Tracey - me again. | 0:00:56 | 0:00:57 | |
'It was my first day back at work | 0:01:04 | 0:01:06 | |
'after a serious case of the Plumptons. | 0:01:06 | 0:01:08 | |
'And my dung hole was killing me.' | 0:01:08 | 0:01:10 | |
Ooh. | 0:01:10 | 0:01:12 | |
Very nice. | 0:01:12 | 0:01:14 | |
Come to Mummy. | 0:01:14 | 0:01:15 | |
Oi, Sleet! | 0:01:17 | 0:01:18 | |
Oh, my God, it's like the Taj Mahal in here! | 0:01:18 | 0:01:21 | |
It's just a little assortment - some breakfast, sir. | 0:01:21 | 0:01:24 | |
Where the hell have you been?! | 0:01:24 | 0:01:25 | |
I've been calling you for two days! | 0:01:25 | 0:01:27 | |
I took the liberty of having a few days off, sir. | 0:01:27 | 0:01:29 | |
-What?! -I went through all the appropriate channels. | 0:01:29 | 0:01:32 | |
A holiday?! What did you do? You've got no friends. | 0:01:32 | 0:01:34 | |
It wasn't a holiday, sir, | 0:01:34 | 0:01:35 | |
it was actually quite a serious medical procedure... | 0:01:35 | 0:01:37 | |
I don't care, Sleet, I've got you a new rookie. Yes. | 0:01:37 | 0:01:40 | |
Oh, that's the last thing I need, | 0:01:40 | 0:01:41 | |
a sweaty little oik who doesn't know his dick from his balls. | 0:01:41 | 0:01:44 | |
"He" is a "she", Sleet. | 0:01:44 | 0:01:46 | |
-Get with the times, yes? -Yeah. | 0:01:46 | 0:01:48 | |
-Kimberly? -Hi. -Hi, come in, how are you? | 0:01:48 | 0:01:50 | |
-Yes, good thanks. -Great to see you. -LAUGHTER | 0:01:50 | 0:01:54 | |
It's good to see you too. Hi. | 0:01:54 | 0:01:55 | |
This is um, this is DI Sleet. | 0:01:55 | 0:01:58 | |
Treat her with kid gloves, yes? | 0:01:58 | 0:02:00 | |
-I'll leave you to get to know each other. -Thank you. | 0:02:00 | 0:02:02 | |
SLEET SIGHS | 0:02:02 | 0:02:04 | |
-Hello. -Hello. | 0:02:04 | 0:02:05 | |
Oh, so... DI Sleet. | 0:02:07 | 0:02:09 | |
-Your name is...? -Kimberly, Kimberly Wyatt. | 0:02:09 | 0:02:12 | |
Take a chair. | 0:02:12 | 0:02:14 | |
SLEET GROANS | 0:02:14 | 0:02:17 | |
So I noticed a little twang to your accent. What are you - Dutch, Welsh? | 0:02:19 | 0:02:24 | |
-American. -American? | 0:02:24 | 0:02:25 | |
-Yeah. -Wow. Well, I never, that's pretty impressive. | 0:02:25 | 0:02:29 | |
-Is it? -Have you always been American? | 0:02:29 | 0:02:31 | |
Yeah, since the day I was born. | 0:02:31 | 0:02:32 | |
I used to have an old partner, you know? | 0:02:32 | 0:02:35 | |
Yeah, she was like you. | 0:02:35 | 0:02:37 | |
She was just like you - a sweet, sweet pretty thing. | 0:02:37 | 0:02:40 | |
-Mm-hmm. -Blonde and bouncy, reliable and friendly. | 0:02:40 | 0:02:43 | |
With a big wet nose. | 0:02:43 | 0:02:45 | |
Old Bonnie. | 0:02:45 | 0:02:46 | |
Are you referring to me as a dog? | 0:02:46 | 0:02:48 | |
No, no, I'm referring to you as a brilliant partner. | 0:02:48 | 0:02:50 | |
This was the best officer I ever worked with. | 0:02:50 | 0:02:52 | |
-Man's best friend. -Do you know what happened to Bonnie? | 0:02:52 | 0:02:55 | |
What happened to Bonnie? | 0:02:55 | 0:02:57 | |
We got sent on a mission to Colombia, take down a big cartel. | 0:02:57 | 0:03:01 | |
She went undercover as an Alsatian. | 0:03:01 | 0:03:03 | |
I sprained my ankle pretty badly. Bonnie went in alone. | 0:03:04 | 0:03:08 | |
They shot her? | 0:03:08 | 0:03:10 | |
Yes, they shot her. | 0:03:10 | 0:03:11 | |
Oi, big boy, try pulling your dick out of your arsehole, yes? | 0:03:11 | 0:03:14 | |
Ah, sir, there's a lady here, can you please watch your language? | 0:03:14 | 0:03:17 | |
Fuck off! Sorry. Is that Bonnie? | 0:03:17 | 0:03:19 | |
Yeah, it is sir, it's sweet Bonnie. | 0:03:19 | 0:03:21 | |
I would like you to get down to forensics | 0:03:23 | 0:03:26 | |
as quick as possible please, Sleet. | 0:03:26 | 0:03:27 | |
There's been a murder - Dr Wayne Rooney. | 0:03:27 | 0:03:30 | |
-Yes. -Well. | 0:03:30 | 0:03:31 | |
Looks like the pheasant's come home to roost. | 0:03:33 | 0:03:35 | |
-You ready to go and solve a crime? -I'm ready. | 0:03:35 | 0:03:37 | |
-Come on. Oh, grab my cushion and, er, my deodorant. -OK. | 0:03:37 | 0:03:40 | |
There we go. | 0:03:43 | 0:03:45 | |
'Time to see pathologist, Lana Del Rey. | 0:03:48 | 0:03:51 | |
'She was a sweet kid, | 0:03:51 | 0:03:53 | |
'but about as sociable as a North Korean traffic warden.' | 0:03:53 | 0:03:57 | |
Ha, well, ha-ha, hello. | 0:03:57 | 0:03:59 | |
It's good of you to show up. You were meant to be here an hour ago. | 0:03:59 | 0:04:02 | |
Yes, sorry about that. | 0:04:02 | 0:04:03 | |
Hey, why don't you open the curtains in here, | 0:04:03 | 0:04:05 | |
or have the moths sewn them shut? | 0:04:05 | 0:04:08 | |
So you can't open them any more? | 0:04:09 | 0:04:11 | |
That's why it's so dark and...dingy in here. | 0:04:11 | 0:04:15 | |
Just... I'm having a joke with you, just trying to create a vibe. | 0:04:18 | 0:04:22 | |
I'm a little too busy for your humour, Sleet. | 0:04:23 | 0:04:25 | |
Do you want to have the honour? | 0:04:28 | 0:04:30 | |
Ah ha, sure. I'd love the honour. | 0:04:30 | 0:04:33 | |
Get right in there. | 0:04:41 | 0:04:42 | |
Is there a reason why you've got my victim | 0:04:45 | 0:04:48 | |
all wrapped up like a chicken shawarma? | 0:04:48 | 0:04:50 | |
Oh, it's beautiful, isn't it? | 0:04:50 | 0:04:52 | |
Oh, uh-huh. | 0:04:52 | 0:04:54 | |
He was like this when they found him. | 0:04:54 | 0:04:56 | |
Quite a remarkable death. | 0:04:56 | 0:04:58 | |
-Yeah, it's... -I rather envy him. | 0:04:58 | 0:05:00 | |
Look at it. | 0:05:02 | 0:05:03 | |
Well, I think that's a bit weird and creepy. | 0:05:03 | 0:05:05 | |
-Kimberly, have you got some questions you wanted to ask? -Yep. | 0:05:05 | 0:05:08 | |
Um, how did Dr Wayne Rooney die? | 0:05:11 | 0:05:15 | |
He seems to have died from asphyxiation. | 0:05:15 | 0:05:18 | |
Very interesting. | 0:05:18 | 0:05:20 | |
Whoever did this used their hands and worked very quickly. | 0:05:20 | 0:05:24 | |
You know, I wouldn't bet against our murderer | 0:05:25 | 0:05:27 | |
having some kind of, um, RSI. | 0:05:27 | 0:05:31 | |
RSI? That's some sort of bank savings thing, right? | 0:05:31 | 0:05:34 | |
It's Repetitive Strain Injury. | 0:05:36 | 0:05:39 | |
Dr Rooney was found performing an onanistic convenience transaction. | 0:05:39 | 0:05:43 | |
Can you say that in English, please? | 0:05:43 | 0:05:46 | |
Yeah, English, please. | 0:05:46 | 0:05:47 | |
He was masturbating in the toilets. | 0:05:47 | 0:05:50 | |
What? Um, Kimberly, can you just... | 0:05:50 | 0:05:52 | |
For a second, just cover your ears, please. | 0:05:52 | 0:05:55 | |
Can you die from that? Can you... Can you die from that? | 0:05:55 | 0:05:59 | |
Is that actually something that can kill you? | 0:05:59 | 0:06:01 | |
Can it...? | 0:06:01 | 0:06:02 | |
Don't look, close... Can you die from this? | 0:06:02 | 0:06:05 | |
No. | 0:06:05 | 0:06:06 | |
-No? -No. | 0:06:06 | 0:06:08 | |
But if somebody I knew was doing it, three or four times a day... | 0:06:08 | 0:06:11 | |
Hey! Pussy-Puss, you're not meant to have heard it. | 0:06:12 | 0:06:15 | |
-Don't write any of that down. -Right. | 0:06:15 | 0:06:17 | |
I guess we'd better hot-tail it down to the hospital | 0:06:17 | 0:06:20 | |
and try and solve this thing. | 0:06:20 | 0:06:22 | |
Lana, we'll see you soon. | 0:06:22 | 0:06:24 | |
-Bye, Lana. -Yeah. | 0:06:24 | 0:06:25 | |
Do you think you'll see her again, | 0:06:27 | 0:06:28 | |
maybe go out for a coffee or something? | 0:06:28 | 0:06:30 | |
I hope not. | 0:06:30 | 0:06:31 | |
'Three suspects were in the vicinity at the time of the murder. | 0:06:34 | 0:06:38 | |
'First up, Nurse Adele, Rooney's lady-friend. | 0:06:38 | 0:06:41 | |
'Most murders are committed by a loved one, | 0:06:41 | 0:06:43 | |
'which makes me indestructible. | 0:06:43 | 0:06:46 | |
'Hmm.' | 0:06:46 | 0:06:47 | |
Don't you worry, now listen darling, try not to move too much, | 0:06:47 | 0:06:50 | |
because these bandages will fall off | 0:06:50 | 0:06:52 | |
and you'll most likely get a very fatal disease. | 0:06:52 | 0:06:54 | |
All right? Tickle tickle! | 0:06:54 | 0:06:56 | |
SLEET WHISTLES | 0:06:56 | 0:06:57 | |
Oh, hello. | 0:06:57 | 0:06:59 | |
How can I help you merry souls on this fine day? | 0:06:59 | 0:07:02 | |
Well, I'm DI Sleet, Successville Homicide. | 0:07:02 | 0:07:05 | |
Oh, where are my manners? | 0:07:05 | 0:07:07 | |
This is my new partner, Kimberly Wyatt. | 0:07:07 | 0:07:09 | |
-Lovely to meet you. -By partner, I mean, partner just at work. | 0:07:09 | 0:07:12 | |
Colleagues, not anything else. | 0:07:12 | 0:07:14 | |
We aren't sleeping together, we're not even really friends. | 0:07:14 | 0:07:17 | |
We're just working together and... | 0:07:17 | 0:07:19 | |
Not that I hold anything against or think less of people | 0:07:19 | 0:07:21 | |
who do have sex with work friends, er, like you... | 0:07:21 | 0:07:23 | |
'Ere, he's all fingers and thumbs, isn't he, eh? | 0:07:23 | 0:07:26 | |
I hope he's not like that in the bedroom! Ha-ha! | 0:07:26 | 0:07:28 | |
-Ha-ha, she wouldn't know, as I said. We've never... -No, no, of course. | 0:07:28 | 0:07:31 | |
We haven't, she will never find out, unless she's open-minded and... | 0:07:31 | 0:07:34 | |
Now, listen, what can I help you with today? Come on, what are you here for? | 0:07:34 | 0:07:37 | |
Well, we're just stopping by, my sweet buttercup, | 0:07:37 | 0:07:40 | |
just to um... have a general chat really, about Dr Wayne Rooney. | 0:07:40 | 0:07:43 | |
Oh, I could chat about him all day. | 0:07:43 | 0:07:47 | |
He's the love of my life, the man of my dreams, the one and only. | 0:07:47 | 0:07:51 | |
We've just got a puppy and we've called him Adeleayne, | 0:07:51 | 0:07:54 | |
which is like an amalgamation of both of our names. | 0:07:54 | 0:07:57 | |
'Ere, he's all right, isn't he? | 0:07:57 | 0:08:00 | |
Don't worry, Buttercup, he is absolutely fine. | 0:08:00 | 0:08:03 | |
He's never been better. He's in great health. | 0:08:03 | 0:08:07 | |
Er, can you give me five minutes... or seconds, actually. | 0:08:07 | 0:08:09 | |
Probably won't even be a minute, could be even 30 seconds. | 0:08:09 | 0:08:12 | |
Just need to talk to Kimberly about something. | 0:08:12 | 0:08:14 | |
It's police work, don't worry about it. | 0:08:14 | 0:08:15 | |
Ain't you funny? Course you can, Mr Bungerly-Wungerly. | 0:08:15 | 0:08:18 | |
LAUGHTER | 0:08:18 | 0:08:21 | |
Listen, um... Well, this is proving to be quite difficult. | 0:08:21 | 0:08:25 | |
She's quite a hard nut to crack. | 0:08:25 | 0:08:26 | |
-Sleet, you lied to her. -I didn't lie to her. | 0:08:26 | 0:08:28 | |
-You did. -I didn't tell her the truth, but I didn't lie. | 0:08:28 | 0:08:31 | |
-Hmm... -I just haven't said anything about it at the moment. | 0:08:31 | 0:08:34 | |
Hmm. | 0:08:34 | 0:08:35 | |
Listen, you need to tell Nurse Adele that Dr Wayne Rooney is... | 0:08:35 | 0:08:40 | |
-Dead? -No. Don't you dare say that word. | 0:08:42 | 0:08:45 | |
-Strictly prohibited within the police. -Why? | 0:08:45 | 0:08:47 | |
We're not allowed to say it any more, people freak the hell out. | 0:08:47 | 0:08:50 | |
-I'm going to have a look around for some evidence. -OK. | 0:08:50 | 0:08:52 | |
-Listen, the main thing is, just enjoy yourself. -OK. | 0:08:52 | 0:08:57 | |
-OK? -All right. | 0:08:57 | 0:08:58 | |
-See you in... -Thanks, Sleet! | 0:08:58 | 0:09:00 | |
There was definitely something about pavements in it, | 0:09:01 | 0:09:04 | |
but I just can't remember now, isn't that funny, eh? | 0:09:04 | 0:09:07 | |
Fun, eh? Going to be all right, ain't you? | 0:09:07 | 0:09:09 | |
Nurse Adele? | 0:09:09 | 0:09:11 | |
Oh, hello, Kimberly, love, how are you? | 0:09:11 | 0:09:13 | |
I don't have the best of news to share with you. | 0:09:13 | 0:09:16 | |
Oh, are you not enjoying your job? | 0:09:16 | 0:09:17 | |
Well, there's part of my job that I don't really enjoy doing, | 0:09:17 | 0:09:21 | |
-that I've never really done before. -Oh, we all have those bits. | 0:09:21 | 0:09:23 | |
Sometimes he shits himself and I've got to clean it up. | 0:09:23 | 0:09:26 | |
You know, we've all got those bits that we don't like doing, you know? | 0:09:26 | 0:09:29 | |
But sometimes, you've got to clean the shit up. | 0:09:29 | 0:09:31 | |
So, Dr Wayne Rooney... | 0:09:31 | 0:09:33 | |
Oh, you know, my heart goes fluttery every time you say his name. | 0:09:33 | 0:09:37 | |
I don't think you'll... You won't be seeing him again. | 0:09:37 | 0:09:40 | |
He's no longer with us. | 0:09:40 | 0:09:42 | |
Kimberly, what are you trying to say, darling? | 0:09:42 | 0:09:46 | |
If you were married, you would be a widow. | 0:09:46 | 0:09:49 | |
Sorry, this is confusing me a little bit. | 0:09:49 | 0:09:51 | |
I'm saying that he's...he's passed. | 0:09:51 | 0:09:54 | |
But I don't understand quite what you're trying to tell me. | 0:09:54 | 0:09:56 | |
-I'm trying to say that... -Spit it out. | 0:09:56 | 0:09:59 | |
You won't be seeing him again. | 0:09:59 | 0:10:01 | |
Are you trying to tell... Wuh... | 0:10:01 | 0:10:02 | |
You... Wuh... | 0:10:04 | 0:10:05 | |
Ah... Ah... | 0:10:06 | 0:10:08 | |
Are you trying...? Wuh... Are you trying to say...? | 0:10:10 | 0:10:14 | |
Are you trying to tell me...? Ah! | 0:10:14 | 0:10:16 | |
Hmm. | 0:10:16 | 0:10:17 | |
Is that what's... Wuh! Is that what's going on, Kimberly? | 0:10:17 | 0:10:21 | |
-Are you telling me...? -Yes, no... | 0:10:21 | 0:10:23 | |
..that my Wayne is dead? | 0:10:23 | 0:10:25 | |
ADELE BLEATS AND CRIES | 0:10:25 | 0:10:27 | |
I'm going to fall over, Kimberly. Why are you laughing, Kimberly?! | 0:10:27 | 0:10:31 | |
-I'm not laughing. -Did you...? | 0:10:31 | 0:10:34 | |
ADELE SOBS | 0:10:34 | 0:10:37 | |
Oh, Kimberly, it hurts so much! | 0:10:43 | 0:10:46 | |
ADELE BLEATS KIMBERLEY LAUGHS | 0:10:46 | 0:10:49 | |
Argh, Kimberly, you're going to have to hold me! | 0:10:50 | 0:10:54 | |
I don't know how to cope with it. | 0:10:54 | 0:10:57 | |
-Wah! -Hey, hey, what the hell is going on here?! | 0:10:57 | 0:11:00 | |
Hey, hey, hey, what did you say? What did you say to her? | 0:11:00 | 0:11:03 | |
I told her what you told me to say without saying it. | 0:11:03 | 0:11:06 | |
From what I can see, you've... Did you say the word "dead"? | 0:11:06 | 0:11:08 | |
-No. -Tell me, did you say the word "dead"? | 0:11:08 | 0:11:10 | |
-I didn't say the word "dead"! -Was the word "dead" mentioned? | 0:11:10 | 0:11:13 | |
-No! -Did anyone say "dead" in here? -She, she said "dead". I didn't... | 0:11:13 | 0:11:16 | |
Well done! Looks like I'm going to have to clear this dog shit up. | 0:11:16 | 0:11:19 | |
-ADELE GURGLES AND CRIES -Hey, hey, get up, up! | 0:11:19 | 0:11:22 | |
-I don't think that's the way to... -Get up. Get off, get off me! | 0:11:22 | 0:11:24 | |
-Get off me! -No, don't! -Get off me! Up, get up! Get up! | 0:11:24 | 0:11:27 | |
Get up! Get up now! Up. | 0:11:27 | 0:11:30 | |
What kind of animal are you? | 0:11:30 | 0:11:32 | |
I'm not here to play "guess the animal", | 0:11:32 | 0:11:34 | |
although it is a really fun game to play... | 0:11:34 | 0:11:36 | |
Listen, I'm here to solve a murder case - | 0:11:36 | 0:11:40 | |
a murder that I think was committed by a cranky, weird witch. | 0:11:40 | 0:11:45 | |
I'm talking about you, by the way. | 0:11:45 | 0:11:47 | |
Look what I found. Wait till you read this, her diary. | 0:11:47 | 0:11:51 | |
Read. | 0:11:51 | 0:11:52 | |
"I love Dr Rooney so much, I could squeeze him to death." | 0:11:52 | 0:11:56 | |
"Squeeze him to death." Sound like murder talk, Wyatt? | 0:11:56 | 0:11:58 | |
Sounds like murder talk. | 0:11:58 | 0:12:00 | |
You were my friend. | 0:12:00 | 0:12:01 | |
We've never met before. | 0:12:03 | 0:12:05 | |
You going to arrest me, or what? | 0:12:05 | 0:12:07 | |
-Well, we... -We don't have any evidence... | 0:12:07 | 0:12:09 | |
We can't actually arrest you. | 0:12:09 | 0:12:10 | |
We were hoping that if we sort of went pretty tough on you and... | 0:12:10 | 0:12:14 | |
Well, when you got really upset, | 0:12:14 | 0:12:16 | |
you might just confess to the whole thing. | 0:12:16 | 0:12:18 | |
Get out! | 0:12:18 | 0:12:20 | |
I think she wants us to leave. | 0:12:20 | 0:12:22 | |
-Get out! -Well, yeah, well... Better be off. | 0:12:22 | 0:12:24 | |
Um, I hope you get well soon. Um... | 0:12:24 | 0:12:27 | |
-Yeah. -Shall we go? | 0:12:29 | 0:12:31 | |
Well, this went a lot better than I thought it would. | 0:12:31 | 0:12:34 | |
'Time to kill two birds with one break. | 0:12:36 | 0:12:38 | |
'Dr Obama was my friend, my bum doctor and a suspect in the case. | 0:12:38 | 0:12:42 | |
'Hey, that's three birds!' | 0:12:42 | 0:12:44 | |
KNOCKS AT DOOR | 0:12:44 | 0:12:46 | |
Oh, er... Do come in. Come in, please. | 0:12:46 | 0:12:48 | |
Come in, Kimberly. Go on, we're all grown-ups here. | 0:12:50 | 0:12:53 | |
-Are you OK there? -Yes, I'm fine, this is Dr Obama. | 0:12:53 | 0:12:57 | |
He's just having a quick look at my arsehole. | 0:12:57 | 0:12:59 | |
-Hmm. -So, yeah. Just giving it a little check out. | 0:12:59 | 0:13:02 | |
He's a dear, dear friend of mine. | 0:13:02 | 0:13:03 | |
Sadly, your er... | 0:13:03 | 0:13:05 | |
Your name has come up in the case that we are researching, | 0:13:05 | 0:13:09 | |
-a murder case. -Oh. -Yes, yes. -And I'm afraid I...! Eh! | 0:13:09 | 0:13:12 | |
I have to ask you a couple of routine questions. | 0:13:12 | 0:13:14 | |
Hey, that's OK, buddy. I'm happy to help. | 0:13:14 | 0:13:17 | |
Um, Kimberly, would you mind asking the...questions? | 0:13:17 | 0:13:20 | |
-Um, Dr Obama... -Yeah? | 0:13:20 | 0:13:22 | |
When was the last time you saw Dr Wayne Rooney? | 0:13:22 | 0:13:26 | |
Um, I'm not quite sure. A few... A few days ago. | 0:13:26 | 0:13:30 | |
-A few days ago? -Yeah. | 0:13:30 | 0:13:32 | |
Argh! Dig a little deeper. | 0:13:32 | 0:13:34 | |
SLEET SCREAMS | 0:13:34 | 0:13:37 | |
-Deep enough? -I was talking to Kimberly. -Oh! Sorry, big man. | 0:13:37 | 0:13:41 | |
Is it painful? | 0:13:41 | 0:13:42 | |
Yeah, he's got his fingers right up my arse. | 0:13:42 | 0:13:44 | |
This is disgusting. | 0:13:44 | 0:13:46 | |
Please, continue, Kimberly. | 0:13:46 | 0:13:48 | |
Er... Dr Obama, what was your relationship to the victim? | 0:13:48 | 0:13:52 | |
Well, I wouldn't call it a relationship. Not like this. | 0:13:52 | 0:13:56 | |
You know, I employed him. | 0:13:56 | 0:13:59 | |
In fact, he was one of the worst doctors this hospital has ever seen. | 0:13:59 | 0:14:02 | |
-So I always tended to give him... -SLEET MOANS | 0:14:02 | 0:14:07 | |
A wide berth. | 0:14:07 | 0:14:08 | |
Ugh! | 0:14:08 | 0:14:10 | |
Uh... | 0:14:10 | 0:14:11 | |
This is a little awkward, Sleet. | 0:14:13 | 0:14:15 | |
I'm sorry, is there any more questions before...? | 0:14:15 | 0:14:17 | |
There's one more. | 0:14:17 | 0:14:19 | |
Dr Obama, do you have a murderous grudge against Dr Wayne Rooney? | 0:14:19 | 0:14:22 | |
SLEET SCREAMS | 0:14:22 | 0:14:24 | |
What the hell is going on here, Sleet?! | 0:14:24 | 0:14:26 | |
Jesus! It was her words, not mine. | 0:14:26 | 0:14:28 | |
-Now put your clothes on, we're done here. -Oh, dear. | 0:14:28 | 0:14:31 | |
Goddammit! | 0:14:31 | 0:14:33 | |
Listen, Obama... | 0:14:33 | 0:14:34 | |
..a man's lying dead and rumours around the Met are | 0:14:35 | 0:14:39 | |
you had beef with him. Real beef. | 0:14:39 | 0:14:42 | |
That goddamn son of a bitch held this hospital back every day. | 0:14:42 | 0:14:46 | |
That's right, every day! | 0:14:46 | 0:14:48 | |
You know, if you want something done around here, | 0:14:48 | 0:14:51 | |
you have to do it yourself. | 0:14:51 | 0:14:52 | |
-Well, OK. -Now, get the hell out of my office! | 0:14:52 | 0:14:54 | |
Kimberly, my golf clubs, please. Get them. | 0:14:54 | 0:14:57 | |
Yeah. | 0:14:57 | 0:14:58 | |
Not the bag, the bag's his. | 0:14:59 | 0:15:01 | |
Just the clubs. | 0:15:01 | 0:15:02 | |
-All of them? -That's right, take that shit! | 0:15:05 | 0:15:08 | |
No, not the bag, just... | 0:15:08 | 0:15:10 | |
Kimberly, stop playing around. | 0:15:10 | 0:15:12 | |
Be careful with the bag, now. | 0:15:12 | 0:15:13 | |
Make as much of a mess of the bag as you want to. | 0:15:13 | 0:15:15 | |
-You touch that bag... -Hey, hey, hey! You leave her alone! | 0:15:15 | 0:15:18 | |
My arse is the last thing you'll be touching today. | 0:15:18 | 0:15:21 | |
But you're going somewhere where everyone touches arses. | 0:15:21 | 0:15:25 | |
You're going to prison. | 0:15:25 | 0:15:27 | |
That's where your arse-fingering skills will come into play, | 0:15:27 | 0:15:30 | |
when you're fingering your cell mates... | 0:15:30 | 0:15:32 | |
What are you doing?! | 0:15:32 | 0:15:33 | |
OK, this is distracting! | 0:15:33 | 0:15:35 | |
Yeah, it's distracting to us both. Wyatt, stop being so silly. | 0:15:35 | 0:15:38 | |
KIMBERLEY GIGGLES | 0:15:38 | 0:15:39 | |
Come on, they're golf clubs, goddammit! | 0:15:39 | 0:15:41 | |
Kimberly, Kimberly, also grab my book about fine French cheeses, | 0:15:41 | 0:15:45 | |
and wines and other French stuff. | 0:15:45 | 0:15:47 | |
Yeah, take that shit! I never liked it anyway! | 0:15:47 | 0:15:49 | |
-Oh, really?! -No. -Well, I brought... I searched for ages for that book! | 0:15:49 | 0:15:52 | |
-Well, it didn't have no pictures on it. -No? | 0:15:52 | 0:15:56 | |
-It only had words, and I don't read. -Oh, I'm sorry, Doctor! | 0:15:56 | 0:15:59 | |
I assumed that you had a higher IQ than a buffoon. | 0:15:59 | 0:16:03 | |
No, if you're going to buy me a book, buy me a book with pictures, Goddammit! | 0:16:03 | 0:16:06 | |
Well, if I was still your friend and I didn't hate your guts, | 0:16:06 | 0:16:09 | |
I'd buy you a book with b... Words and pictures. | 0:16:09 | 0:16:11 | |
Well, it's a good thing you can't get the words out of your mouth right now! | 0:16:11 | 0:16:14 | |
-Well, you know what I can get out of my mouth? -What's that? -KIMBERLY LAUGHS | 0:16:14 | 0:16:17 | |
-That, spit. There, I spat on your floor. -You spat on my floor?! | 0:16:17 | 0:16:20 | |
-Yeah, I spat right on your... -You spat on my floor! I dare you to spit on the floor again! | 0:16:20 | 0:16:24 | |
Well, I'm not going to do it now, because want me to do it. | 0:16:24 | 0:16:26 | |
-Spit on the floor! -I'm not going to do it because you want... -Spit on the floor! | 0:16:26 | 0:16:29 | |
Spit on the floor! Look, I just spat on the floor! | 0:16:29 | 0:16:31 | |
-Yeah, I did it, too. -I've just spat on the floor! -Yeah, we both spat. | 0:16:31 | 0:16:34 | |
It's my floor! If anyone's going to spit on my floor, it's me! | 0:16:34 | 0:16:37 | |
-Well, OK. -Goddammit! -Why don't you spit on the floor? | 0:16:37 | 0:16:39 | |
-Spit on the floor! -Spit on the floor! -Spit on the floor! | 0:16:39 | 0:16:42 | |
-Spit on the floor, Wyatt! -Spit on the Goddamn floor! | 0:16:42 | 0:16:44 | |
-Wyatt, on the floor! -Right there, right there! | 0:16:44 | 0:16:46 | |
-KIMBERLY LAUGHS Pft... -Sleet, that's pathetic! -Yeah? | 0:16:46 | 0:16:49 | |
We're out of here! | 0:16:49 | 0:16:50 | |
-Yeah, get out of here! -I've seen enough! | 0:16:50 | 0:16:53 | |
I have to get my clothes, get my clothes. | 0:16:53 | 0:16:55 | |
Carry these, too. Good girl, good sweet girl. | 0:16:55 | 0:16:57 | |
That's right. Yeah. | 0:16:57 | 0:16:59 | |
-Kimberly, stop being silly. -KIMBERLY GIGGLES | 0:17:00 | 0:17:03 | |
We'll see you around, when this case comes to a close! | 0:17:03 | 0:17:08 | |
Get the door. | 0:17:08 | 0:17:09 | |
This is really awkward now, Sleet. | 0:17:09 | 0:17:11 | |
Oh, yeah? | 0:17:11 | 0:17:13 | |
That's awkward, huh? Come on, let's go. What are you doing? | 0:17:14 | 0:17:18 | |
-Your mother! -Yeah, yours, your mother! | 0:17:18 | 0:17:20 | |
Come on, what are you doing? Wyatt, hurry up. | 0:17:20 | 0:17:22 | |
Yeah, see you around! | 0:17:22 | 0:17:23 | |
-We'll see you around, Obama! -Good! Get out of here! | 0:17:29 | 0:17:32 | |
Son of a bitch! | 0:17:34 | 0:17:36 | |
Let's get ourselves a seat and go through what we've learnt. | 0:17:36 | 0:17:38 | |
All right. | 0:17:38 | 0:17:39 | |
SLEET GROANS | 0:17:42 | 0:17:44 | |
You can't beat a hospital chair. | 0:17:44 | 0:17:45 | |
Listen, Wyatt. | 0:17:47 | 0:17:48 | |
I've spoken to the poindexters at High Tech | 0:17:48 | 0:17:51 | |
and I've got these. | 0:17:51 | 0:17:53 | |
It's snaps of footage from the CCTV outside the hospital toilets. | 0:17:53 | 0:17:59 | |
That's almost certainly Rooney's killer. | 0:17:59 | 0:18:03 | |
It's a girl. | 0:18:03 | 0:18:04 | |
Yeah, or some prick in a wig. | 0:18:04 | 0:18:07 | |
Mm - and a skirt. | 0:18:07 | 0:18:09 | |
Yeah, it's kind of weird. | 0:18:09 | 0:18:10 | |
What...? | 0:18:12 | 0:18:13 | |
Oh, these are just... | 0:18:13 | 0:18:16 | |
just some snaps that I've got for dating. | 0:18:16 | 0:18:19 | |
-Um... -I'm just putting myself back out there, back on the market. | 0:18:19 | 0:18:22 | |
I thought I'd take some sexy avant-garde snaps of myself. | 0:18:22 | 0:18:27 | |
Wow! What does that have to do with me? | 0:18:27 | 0:18:30 | |
Well, you're a girl, I believe. | 0:18:30 | 0:18:33 | |
So, I was going to see if you could run your sweet eyes over them | 0:18:33 | 0:18:36 | |
and see what you thought. | 0:18:36 | 0:18:37 | |
Which ones really got you going? | 0:18:37 | 0:18:39 | |
Well, that one's a... That one's pretty special. | 0:18:39 | 0:18:41 | |
Does it leave you breathless? | 0:18:41 | 0:18:43 | |
I don't know if "breathless" would be the word I'd use. | 0:18:43 | 0:18:45 | |
Do you like it? | 0:18:45 | 0:18:47 | |
Yeah. | 0:18:48 | 0:18:50 | |
OK, so you think I should have that one as my dating profile? | 0:18:50 | 0:18:53 | |
Yeah, do you want me to set you one up? | 0:18:53 | 0:18:55 | |
I could set it up online. | 0:18:55 | 0:18:56 | |
-Well...really, would you? -Yeah. -What would you say about me? | 0:18:56 | 0:18:59 | |
I would say, | 0:18:59 | 0:19:01 | |
"A tall dark and handsome man is looking for love." | 0:19:01 | 0:19:05 | |
Ah, shall we go and try and solve a crime? | 0:19:08 | 0:19:11 | |
-Yes. Let's get back to work. -Let's do it. | 0:19:11 | 0:19:14 | |
SLEET GROANS | 0:19:14 | 0:19:15 | |
'There was only one more person on the ward at the time of the murder - | 0:19:15 | 0:19:19 | |
'eminent surgeon Bob Geldof, which left us with two questions: | 0:19:19 | 0:19:23 | |
'How will we get inside the operating theatre | 0:19:23 | 0:19:25 | |
'and what the heck did "eminent" mean?' | 0:19:25 | 0:19:28 | |
Bingo! Meet Valerie Fannington, the new you. | 0:19:32 | 0:19:36 | |
You're going to go undercover, see what you make of Geldof. | 0:19:36 | 0:19:39 | |
-Mm-hmm. -You ready for this? | 0:19:39 | 0:19:41 | |
-I think so. -I think we're going to have to work on your voice. | 0:19:41 | 0:19:43 | |
You're meant to be a head surgeon. | 0:19:43 | 0:19:45 | |
Can you do a Mary Poppins impression? | 0:19:45 | 0:19:47 | |
-POSH ENGLISH ACCENT: Hello, my name is Valerie. -..Fannington. | 0:19:47 | 0:19:51 | |
-..Fannington. -That's very good. | 0:19:51 | 0:19:53 | |
Where shall I change? | 0:19:53 | 0:19:54 | |
Well, not here in the corridor, because then everyone would see you. | 0:19:54 | 0:19:57 | |
What about this little dark room here? | 0:19:57 | 0:19:59 | |
-Yeah. -I'll watch out and make sure that no-one else sees you. | 0:19:59 | 0:20:02 | |
MOCKNEY ACCENT: All right. thanks, Sleet. | 0:20:02 | 0:20:04 | |
-MOCKNEY ACCENT: -Any time, milady. | 0:20:04 | 0:20:06 | |
All right, where do you think the best place to start on this fella is, Dr Murray? | 0:20:09 | 0:20:13 | |
Well, I always trust your opinion, of course, | 0:20:13 | 0:20:16 | |
but I should say you'd go directly into... | 0:20:16 | 0:20:18 | |
For Christ's sake! Did nobody teach you how to knock?! | 0:20:18 | 0:20:21 | |
I do know how to knock, but I just didn't think it was necessary. | 0:20:21 | 0:20:26 | |
OK, so help me on with my gloves, will you, Dr Fannington? | 0:20:26 | 0:20:29 | |
My hands are worth too much fucking money | 0:20:29 | 0:20:32 | |
for me to be fannying about putting them on myself! | 0:20:32 | 0:20:34 | |
Come on, would you hurry up there? | 0:20:34 | 0:20:36 | |
In the time that you have taken to do this, | 0:20:36 | 0:20:38 | |
I could have built a water station in Africa! | 0:20:38 | 0:20:41 | |
Clear! Great, that's fantastic. | 0:20:41 | 0:20:44 | |
Did you use to work in Customs? | 0:20:44 | 0:20:46 | |
Have you done full body cavity searches before? | 0:20:46 | 0:20:49 | |
-You see that? -Well done, Fannington. -Quick fix. -Well done. -Yeah. | 0:20:49 | 0:20:52 | |
Let's do the other one, shall we? Great stuff. | 0:20:52 | 0:20:55 | |
OK, Dr Murray, | 0:20:55 | 0:20:56 | |
would you explain to amateur Amy here | 0:20:56 | 0:20:58 | |
exactly what we're supposed to be doing to | 0:20:58 | 0:21:01 | |
this worthless, bloody waste of space patient here. | 0:21:01 | 0:21:04 | |
Yeah, it's actually a really tricky liver transplant, | 0:21:04 | 0:21:07 | |
but er, yeah, I'm pretty confident, because Dr Geldof here | 0:21:07 | 0:21:11 | |
is a formidable surgeon, which is obviously great for the patient. | 0:21:11 | 0:21:15 | |
Christ! All right, would you listen to that voice? | 0:21:15 | 0:21:18 | |
It's like working with a bloody washing machine! | 0:21:18 | 0:21:20 | |
OK, before we start, | 0:21:20 | 0:21:22 | |
we're going to have to know exactly what surgical implements we need. | 0:21:22 | 0:21:25 | |
So first of all, | 0:21:25 | 0:21:26 | |
pass me the intramedullary kinetic bone distractor. | 0:21:26 | 0:21:29 | |
OK, Dr Fannington, I don't know who the fuck you are, | 0:21:32 | 0:21:35 | |
but you are certainly not a surgeon, that's for sure! | 0:21:35 | 0:21:38 | |
I'm as much of a surgeon as you are. | 0:21:38 | 0:21:40 | |
Put the scalpel down and put the kettle on! | 0:21:42 | 0:21:45 | |
Shit's about to get detective-y. | 0:21:45 | 0:21:47 | |
For God's sake, you can't just come barging in here! | 0:21:47 | 0:21:50 | |
I'm about to perform a liver transplant, | 0:21:50 | 0:21:52 | |
or something equally as difficult! | 0:21:52 | 0:21:55 | |
I'm not here for a social visit. | 0:21:55 | 0:21:57 | |
-Nice! -I'm here about a murder case. | 0:21:57 | 0:21:59 | |
This isn't Valerie Fannington. | 0:21:59 | 0:22:02 | |
This is Kimberly Wyatt - and she's no surgeon. | 0:22:02 | 0:22:05 | |
And she's not even posh. | 0:22:05 | 0:22:07 | |
No, that's for sure. | 0:22:07 | 0:22:08 | |
Hey, let's get back to the case. | 0:22:08 | 0:22:10 | |
What do you want to know, then? | 0:22:10 | 0:22:11 | |
Dr Geldof, did you know that | 0:22:11 | 0:22:13 | |
Dr Rooney was re-training to be a surgeon? | 0:22:13 | 0:22:16 | |
Were you worried about having competition? | 0:22:16 | 0:22:18 | |
BOB GELDOF LAUGHS | 0:22:18 | 0:22:20 | |
Listen, there's only one head surgeon around here | 0:22:20 | 0:22:23 | |
and he's in my bloody underpants. | 0:22:23 | 0:22:26 | |
You've got that right! | 0:22:26 | 0:22:27 | |
That cretin couldn't operate a bucket of shite | 0:22:27 | 0:22:31 | |
without a label on the handle. | 0:22:31 | 0:22:32 | |
Hey, just watch it round the pretty lady! | 0:22:32 | 0:22:35 | |
Just tell me what you want to know, | 0:22:35 | 0:22:37 | |
you great big bloody bulbous bloody round eejit! | 0:22:37 | 0:22:41 | |
Oh, I see. | 0:22:42 | 0:22:44 | |
You're playing the insult card. | 0:22:44 | 0:22:46 | |
-Mm-hmm. -Well, you see your face? | 0:22:46 | 0:22:48 | |
-Mm-hmm? -It's all bent out of shape, | 0:22:48 | 0:22:49 | |
like a kid's been playing with Play-Doh, | 0:22:49 | 0:22:52 | |
but they don't know how to make good shapes | 0:22:52 | 0:22:54 | |
and they've come up with your stupid face. | 0:22:54 | 0:22:56 | |
You see that thing that on top of your... On top of your body, there? | 0:22:56 | 0:23:00 | |
-Yeah, my head. -Your potato. | 0:23:00 | 0:23:02 | |
-Oh, really? -That's right. Your potato. | 0:23:02 | 0:23:05 | |
You look like, um.. What's it called, um...? | 0:23:05 | 0:23:09 | |
Mr Potato Head? | 0:23:09 | 0:23:10 | |
No! Um, a prick! | 0:23:10 | 0:23:12 | |
Oh, right, yeah. You know your hair? | 0:23:12 | 0:23:14 | |
-Yeah. -You look like you brush your hair with a greasy old pork chop. | 0:23:14 | 0:23:17 | |
-Oh, really? -You like when you've finished brushing your hair | 0:23:17 | 0:23:20 | |
with the pork chop, you eat it and then you French kiss a dog. | 0:23:20 | 0:23:23 | |
-You know what, you are like... -No, I'll tell you what, | 0:23:23 | 0:23:25 | |
-it's my go, it's my go... -No, no, you look like... | 0:23:25 | 0:23:27 | |
Because you've got that moustache on, | 0:23:27 | 0:23:29 | |
you look like the bloke out of The Joy Of Sex, | 0:23:29 | 0:23:32 | |
but who's put on about 13st. | 0:23:32 | 0:23:34 | |
So you wouldn't get in the book any more. | 0:23:34 | 0:23:36 | |
You'd be like the obese version of that. | 0:23:36 | 0:23:38 | |
So, you'd look like a pair of sausages | 0:23:38 | 0:23:41 | |
slamming home into another sausage. | 0:23:41 | 0:23:44 | |
I actually think we should start thinking about | 0:23:44 | 0:23:46 | |
continuing with the operation, | 0:23:46 | 0:23:48 | |
on the basis that the anaesthetic actually works | 0:23:48 | 0:23:51 | |
within a specific timeframe, | 0:23:51 | 0:23:53 | |
which will create time pressure problems if we don't get started. | 0:23:53 | 0:23:57 | |
Who in the name of golden hell is this boring piece of crap? | 0:23:57 | 0:24:01 | |
Er, yeah, I'm Dr Andy Murray and I'm an anaesthetist. | 0:24:01 | 0:24:03 | |
-Christ almighty, what the hell?! -Basically I'm in charge of... | 0:24:03 | 0:24:06 | |
Pass me... Would you pass me my cheese grater? | 0:24:06 | 0:24:09 | |
Jesus Christ! Kimberly, just pinch me as hard as you can... | 0:24:09 | 0:24:11 | |
..for any given operation that can vary... | 0:24:11 | 0:24:13 | |
Just so I can stay awake, keep pinching. That's it. | 0:24:13 | 0:24:15 | |
-Pinch me, Kimberly. It's like he is literally pissing on my brain. -DR ANDY MURRAY DRONES ON | 0:24:15 | 0:24:20 | |
God, if you listen to his voice, | 0:24:20 | 0:24:22 | |
it's enough to drive a man to murder! | 0:24:22 | 0:24:24 | |
Oh, really? | 0:24:24 | 0:24:26 | |
Very interesting. | 0:24:26 | 0:24:27 | |
It's an analogy, you eejit! | 0:24:27 | 0:24:30 | |
As if I would be able to murder anybody! | 0:24:30 | 0:24:32 | |
ECG BEEPS RAPIDLY | 0:24:32 | 0:24:34 | |
-ECG FLATLINES -What does that mean? | 0:24:34 | 0:24:36 | |
Oh, God! | 0:24:36 | 0:24:37 | |
-Is he with us still? -No, the guy is... The guy is gone. | 0:24:39 | 0:24:42 | |
So, if you don't mind, if you're not going to take me in, | 0:24:42 | 0:24:45 | |
then would you get out and let me get on with my job? | 0:24:45 | 0:24:49 | |
Yes, by all means. | 0:24:49 | 0:24:50 | |
Um, you won't tell anyone we were here, will you? | 0:24:50 | 0:24:53 | |
Just pretend it was an accident. | 0:24:55 | 0:24:57 | |
All right, I'll deal with it. | 0:24:58 | 0:25:00 | |
Well, more than happy to give you this as a... | 0:25:00 | 0:25:03 | |
-As a bung? -Just say that we weren't here. | 0:25:03 | 0:25:06 | |
If you would. Come on, let's go, Kimberly. Ssh, quietly. | 0:25:07 | 0:25:10 | |
'So who killed Dr Rooney? | 0:25:11 | 0:25:13 | |
'Adele, Obama, Geldof? | 0:25:13 | 0:25:16 | |
'Time for Kimberly to see that | 0:25:16 | 0:25:18 | |
'life's not all sleep-overs and pillow fights. | 0:25:18 | 0:25:20 | |
'She was a cop now. | 0:25:20 | 0:25:22 | |
'We didn't sleep and we did our fighting with guns!' | 0:25:22 | 0:25:25 | |
Do you think you know who killed Dr Wayne Rooney? | 0:25:26 | 0:25:29 | |
I know who the murderer is. | 0:25:29 | 0:25:31 | |
You need to shout out the killer into this. | 0:25:31 | 0:25:36 | |
Tell them to come out with their hands high | 0:25:36 | 0:25:38 | |
and say, "No funny business." | 0:25:38 | 0:25:40 | |
-No funny business. -If they try any funny business, | 0:25:40 | 0:25:43 | |
-you're going to have to take the shot. -OK. | 0:25:43 | 0:25:45 | |
-Ready? -I'm ready. | 0:25:45 | 0:25:46 | |
Would it be weird if we kissed before this? | 0:25:47 | 0:25:49 | |
It would be weird. We shouldn't. No kisses. | 0:25:49 | 0:25:51 | |
OK, fine. Just trying to throw it out there. Do it. | 0:25:51 | 0:25:54 | |
Dr Bob Geldof, come out with your hands above your head! | 0:25:54 | 0:25:58 | |
-And no funny business! -Get your gun ready. | 0:25:58 | 0:26:01 | |
Steady, steady... | 0:26:03 | 0:26:06 | |
-There he is. -Steady. | 0:26:08 | 0:26:09 | |
Steady... | 0:26:10 | 0:26:12 | |
He's going for something, take the shot! | 0:26:12 | 0:26:14 | |
GUN FIRES TWICE | 0:26:14 | 0:26:17 | |
I've still got so much to do! | 0:26:18 | 0:26:21 | |
He ain't got nothing to do but die. | 0:26:21 | 0:26:24 | |
Did it. | 0:26:26 | 0:26:27 | |
How do you feel? | 0:26:27 | 0:26:29 | |
Well, I'm just hoping it's the right guy. | 0:26:29 | 0:26:31 | |
-Ha, yeah, I'm pretty sure it is. -Really? | 0:26:31 | 0:26:33 | |
Do you feel confident it's the right guy? | 0:26:33 | 0:26:35 | |
-I do, I feel confident. -First killing? | 0:26:35 | 0:26:37 | |
-Yeah, first killing. -Well done. | 0:26:37 | 0:26:39 | |
-What's that?! What's that?! -Oh, it's the Chief. | 0:26:39 | 0:26:42 | |
Who's responsible for this, please? | 0:26:43 | 0:26:45 | |
One Kimberly Wyatt, sir. | 0:26:45 | 0:26:47 | |
Kimberly Wyatt, why? | 0:26:47 | 0:26:50 | |
Cos he's a murderer. | 0:26:50 | 0:26:52 | |
-"Cos he's a murderer?" -Yes. | 0:26:52 | 0:26:54 | |
What... How... Explain yourself. | 0:26:54 | 0:26:57 | |
-There was one particular clue, it's the RSI. -..Syndrome. | 0:26:57 | 0:27:00 | |
..Syndrome, and er, Dr Geldof was unable to use his hands. | 0:27:00 | 0:27:05 | |
He had to... I had to put his gloves on | 0:27:05 | 0:27:07 | |
and he had motive, he was jealous. | 0:27:07 | 0:27:10 | |
So, he definitely is the murderer. | 0:27:10 | 0:27:12 | |
Um, Kimberly, you've blown me away by how stupid you are. | 0:27:12 | 0:27:15 | |
Oh, no. | 0:27:15 | 0:27:17 | |
You just shot an innocent civilian. | 0:27:17 | 0:27:19 | |
-No! -Yes, yes. | 0:27:19 | 0:27:21 | |
The killer was Obama! Of course it was Obama. | 0:27:21 | 0:27:24 | |
-Really? -Yes, really. | 0:27:24 | 0:27:27 | |
-No way. -Why? | 0:27:27 | 0:27:28 | |
You should have known, Dr Geldof wasn't injured. | 0:27:28 | 0:27:32 | |
His hands were precious, because he told you... | 0:27:32 | 0:27:34 | |
My hands are worth too much fucking money | 0:27:34 | 0:27:36 | |
for me to be fannying about putting them on myself! | 0:27:36 | 0:27:39 | |
He would never have risked them by bandaging a victim elaborately. | 0:27:39 | 0:27:43 | |
You stay here and listen to this! Yes? | 0:27:43 | 0:27:46 | |
I got it wrong. | 0:27:46 | 0:27:47 | |
The problem was, Dr Obama, yes, had a wrist support in his office. | 0:27:47 | 0:27:51 | |
You saw it. It was next to the cheese book. | 0:27:51 | 0:27:54 | |
-It was. -Yes, yes, it was. -It was. | 0:27:54 | 0:27:57 | |
The hospital was failing, that's why he decided to bump Rooney off, | 0:27:57 | 0:28:01 | |
because Rooney was a notoriously shit surgeon, yes? | 0:28:01 | 0:28:05 | |
You witnessed some CCTV footage. | 0:28:05 | 0:28:07 | |
Yes? You saw what looked like a nurse going into the crime scene. | 0:28:07 | 0:28:11 | |
That nurse's outfit was hanging on a stand in his office. | 0:28:11 | 0:28:16 | |
-Oh, damn. -Hmm. -What have you got to say for yourself? | 0:28:16 | 0:28:20 | |
I'm really upset. | 0:28:20 | 0:28:21 | |
You're really upset? You're fired! Go home. | 0:28:21 | 0:28:24 | |
And you, you flaccid weeble-wobble - go home, too! | 0:28:24 | 0:28:28 | |
I'm sick of the sight of you. | 0:28:28 | 0:28:29 | |
Why am I so weepy?! | 0:28:29 | 0:28:31 | |
Uh-oh. We got it wrong. | 0:28:32 | 0:28:34 | |
-Hey. -I feel bad. | 0:28:34 | 0:28:36 | |
Don't you dare feel bad about it, I don't want to see you cry, | 0:28:36 | 0:28:39 | |
it'll break my goddamn heart. | 0:28:39 | 0:28:41 | |
-Listen, we might not be colleagues any more... -Aw. | 0:28:41 | 0:28:45 | |
but we're friends, right? | 0:28:45 | 0:28:46 | |
-Yeah. -Come on you, let's go and get a drink. | 0:28:46 | 0:28:50 | |
-OK. -And you know, if maybe we have one drink too many | 0:28:50 | 0:28:53 | |
and end up having sex, I won't tell your husband about it. | 0:28:53 | 0:28:56 | |
-Sleet... -What? | 0:28:56 | 0:28:58 | |
We won't be having sex. | 0:28:58 | 0:28:59 | |
OK, fair enough. Is that definite? | 0:28:59 | 0:29:01 | |
MUSIC: Go Your Own Way by Fleetwood Mac | 0:29:03 | 0:29:06 |