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Hello. I'm Dermot O'Leary, off the telly, but today, | 0:00:07 | 0:00:10 | |
I'm starring in my own cop drama. | 0:00:10 | 0:00:12 | |
I'm going to be a detective and try and solve a murder. | 0:00:12 | 0:00:14 | |
Now, I've no idea who's dead, who's done it or what's about to happen to me, | 0:00:14 | 0:00:17 | |
but wish me luck because I'm off to Successville. | 0:00:17 | 0:00:20 | |
This programme contains some strong language | 0:00:20 | 0:00:26 | |
Welcome to Successville, a town full of celebrities. | 0:00:26 | 0:00:29 | |
Sometimes the famous faces who live here break the law, | 0:00:29 | 0:00:32 | |
and when they do, I'm here to take them down. | 0:00:32 | 0:00:36 | |
I'm DI Sleet. | 0:00:36 | 0:00:38 | |
There's three things you need to know about me. | 0:00:38 | 0:00:41 | |
1 - I hate crime. | 0:00:41 | 0:00:42 | |
2 - is the type of diabetes I have. And 3 is the time I start drinking. | 0:00:42 | 0:00:47 | |
Another pint of rose, please, bar keep, | 0:00:47 | 0:00:49 | |
and here's a shilling for your troubles. | 0:00:49 | 0:00:51 | |
MUTTERING | 0:01:03 | 0:01:04 | |
Oh, Jesus Christ! It stinks in here! | 0:01:06 | 0:01:08 | |
What is that? | 0:01:08 | 0:01:10 | |
Oh, that could be my body odour, sir, or maybe my, my arsehole. | 0:01:10 | 0:01:14 | |
Also there's a family of rodents, I think they're rats or mice, | 0:01:14 | 0:01:17 | |
living in this place. | 0:01:17 | 0:01:19 | |
This place is a rubbish tip! | 0:01:19 | 0:01:20 | |
I'm sorry, Chief. | 0:01:22 | 0:01:23 | |
You'd better get your act together. Um, O'Leary... | 0:01:23 | 0:01:25 | |
Yes? | 0:01:25 | 0:01:27 | |
Quick as you can, come on. Careful, police property. | 0:01:27 | 0:01:31 | |
Um, this is DI Sleet, yes. | 0:01:31 | 0:01:33 | |
I want you to listen to everything he tells you. | 0:01:33 | 0:01:37 | |
Unless he's talking complete bullshit, which is | 0:01:37 | 0:01:39 | |
95% of the time, in which case, tell him to fuck off! | 0:01:39 | 0:01:42 | |
-Thanks, Chief, thanks for chatting as well. -Yeah, thank you. | 0:01:42 | 0:01:45 | |
Take a seat. | 0:01:45 | 0:01:47 | |
This is going to require sitting down and thinking. | 0:01:47 | 0:01:49 | |
I always think better when my brain's warm. | 0:01:49 | 0:01:51 | |
Yeah. | 0:01:51 | 0:01:52 | |
HE LAUGHS | 0:01:52 | 0:01:54 | |
OK, O'Leary. | 0:01:54 | 0:01:56 | |
I'm going to enjoy working with you, boss, I'll learn a lot. | 0:01:56 | 0:01:58 | |
You're not here to enjoy yourself, but if you do enjoy yourself | 0:01:58 | 0:02:01 | |
at the same time as solving crimes, well, touche to you, sir. | 0:02:01 | 0:02:05 | |
Just so I'm clear in my new job, we're solving a murder, right? | 0:02:05 | 0:02:08 | |
If there's a homicide, I will be solving it and you will be my... | 0:02:08 | 0:02:12 | |
Helping you. | 0:02:12 | 0:02:14 | |
..my boy, my best boy. | 0:02:14 | 0:02:15 | |
So I'm your Batman, I'm your... I'm with you all the way. | 0:02:15 | 0:02:17 | |
-No, I'm your Batman, you're my Robin. -Robin, yeah. | 0:02:17 | 0:02:19 | |
Don't you dare try to be Batman, you're a long way off! | 0:02:19 | 0:02:22 | |
No, I meant, I'm like your valet, I'm your sidekick. | 0:02:22 | 0:02:25 | |
Well, yes, I mean, but you won't be able to drive my car. | 0:02:25 | 0:02:27 | |
How many cases have you got on the go at the moment? | 0:02:27 | 0:02:29 | |
37. | 0:02:29 | 0:02:31 | |
What's going on with them? | 0:02:31 | 0:02:33 | |
Are you here as a clerical assistant, or to watch how I teach? | 0:02:33 | 0:02:36 | |
Well, I want... let's solve some crimes. | 0:02:36 | 0:02:39 | |
O'Leary, listen, sometimes we just sit here and stare. | 0:02:39 | 0:02:43 | |
What would you want to stare at? | 0:02:44 | 0:02:45 | |
Just, do I have an option? | 0:02:47 | 0:02:48 | |
I usually sit and stare at that old TV. | 0:02:48 | 0:02:50 | |
It hasn't worked since 1983, but... | 0:02:50 | 0:02:53 | |
-Yeah. Er... -Put your feet up, I'll allow it this once. | 0:02:53 | 0:02:57 | |
Now we just sit and wait for a crime to be committed. | 0:02:57 | 0:03:01 | |
What the hell?! Get your feet off the desk! | 0:03:01 | 0:03:04 | |
What do you think this is, a doss house?! | 0:03:04 | 0:03:05 | |
Just, just learning from the best. | 0:03:05 | 0:03:07 | |
Hey, hey, hey, hey. Don't drop me in it, O'Leary. | 0:03:07 | 0:03:09 | |
I told you not to listen to him when he talks bullshit. | 0:03:09 | 0:03:12 | |
Now listen up, you two, I've got a little job for you. | 0:03:12 | 0:03:14 | |
Yes. There's an emergency, the Mayor's PA, Amanda Holden, | 0:03:14 | 0:03:18 | |
yes, has been murdered. | 0:03:18 | 0:03:20 | |
I need you to get your fat arse down to forensics | 0:03:20 | 0:03:23 | |
and take Timmy Tiptoes here with you. | 0:03:23 | 0:03:25 | |
Wow, he's really fired-up about this one. | 0:03:25 | 0:03:27 | |
He's in a really bad mood. | 0:03:27 | 0:03:28 | |
No, he's actually in quite a good mood. | 0:03:28 | 0:03:30 | |
-Holden? -Holden's dead and we must find her killer. | 0:03:30 | 0:03:33 | |
All right, yes. | 0:03:33 | 0:03:35 | |
Dermot, let's go solve a crime. | 0:03:35 | 0:03:37 | |
Yes! | 0:03:37 | 0:03:39 | |
Bingo! We had ourselves a murder. | 0:03:39 | 0:03:41 | |
O'Leary was keener than a mouse at a French market. | 0:03:41 | 0:03:45 | |
Time to see chief pathologist, Lana Del Rey. | 0:03:45 | 0:03:48 | |
This is the victim. | 0:03:49 | 0:03:50 | |
Cripes, wow, Jesus! | 0:03:51 | 0:03:53 | |
Oh, wowser! Lana, so how did she die? | 0:03:53 | 0:03:57 | |
She looks like she was shot? | 0:03:57 | 0:03:58 | |
Well done, Dermot. Very observational of you. | 0:03:58 | 0:04:01 | |
Well, make a note of that in your book. | 0:04:01 | 0:04:03 | |
Well, I think you should, um, have a look at this, | 0:04:03 | 0:04:08 | |
it's a VHS that was found with the body. | 0:04:08 | 0:04:11 | |
Some of the kids in my block have got one of these. | 0:04:11 | 0:04:14 | |
-Yeah. -Yeah, Jimmy from the flats. It's, er... | 0:04:14 | 0:04:17 | |
Pretty much all the rage. Boss, it says on it... | 0:04:17 | 0:04:19 | |
"Cowell Kidnap Tape." | 0:04:19 | 0:04:21 | |
What? Play it immediately. Get it on, Lana, quick! | 0:04:21 | 0:04:24 | |
Time is of the essence. | 0:04:24 | 0:04:26 | |
Um, it's very simple, I've been taken hostage. | 0:04:28 | 0:04:31 | |
You've got 24 hours to deliver £5 million | 0:04:31 | 0:04:33 | |
in unmarked bags to the bins outside Biba's Casino | 0:04:33 | 0:04:36 | |
or I'm going to be blown to smithereens. | 0:04:36 | 0:04:38 | |
Damn it! Damn it to hell, O'Leary! | 0:04:40 | 0:04:43 | |
That's not good, that's not good at all. | 0:04:43 | 0:04:46 | |
Looks like Holden was just the appetiser. | 0:04:46 | 0:04:50 | |
-Ah-ha. -Mayor Simon Cowell is our main course. | 0:04:50 | 0:04:54 | |
Do you think Holden got in the way of the people trying to | 0:04:54 | 0:04:56 | |
kidnap Cowell? | 0:04:56 | 0:04:58 | |
Well, yes, I do now you've said it. | 0:04:58 | 0:05:00 | |
Make a note of that, O'Leary. | 0:05:01 | 0:05:03 | |
Yeah, yeah, OK, "Holden got in way." | 0:05:03 | 0:05:05 | |
Lana Del Rey, where... Did the VHS come with the body? | 0:05:05 | 0:05:08 | |
-Uh-huh. -OK. | 0:05:08 | 0:05:10 | |
Is there any other clues on the body that we need to know? | 0:05:10 | 0:05:13 | |
This was found at the crime scene... | 0:05:13 | 0:05:16 | |
It's a visitors' log book. | 0:05:16 | 0:05:18 | |
From the Mayor's office? | 0:05:18 | 0:05:19 | |
-Uh-huh. -Thank you, Lana. | 0:05:19 | 0:05:21 | |
Three people were seen visiting the Mayor that night. | 0:05:21 | 0:05:25 | |
Jessie J, 8.45. Miley Cyrus, 8.30. Alan Sugar, 8.00. | 0:05:25 | 0:05:31 | |
-They're our three suspects, boss. -Exactly, Dermot. Right, you drive. | 0:05:31 | 0:05:36 | |
I'm going to have a few beers, get my head round this thing. | 0:05:37 | 0:05:39 | |
-Excellent. -Thanks, Lana. | 0:05:39 | 0:05:41 | |
-Thanks, Lana. -Hm. -See you soon. | 0:05:41 | 0:05:43 | |
So, what's the plan? | 0:05:52 | 0:05:54 | |
We're going undercover, kid. | 0:05:54 | 0:05:56 | |
My name is going to be Elsie Pickles. | 0:05:56 | 0:05:59 | |
I'm an elderly woman seeking a new home. | 0:05:59 | 0:06:03 | |
-Uh-huh. -You're my nephew, Ronald. | 0:06:03 | 0:06:05 | |
-Why are we going undercover? -Because that's what we do, we're cops, | 0:06:05 | 0:06:08 | |
we go undercover and investigate things. | 0:06:08 | 0:06:10 | |
-No, I just thought we could just go, go and speak to her? -No. -OK. | 0:06:10 | 0:06:12 | |
She will be on to us straight away and she'll clam up, | 0:06:12 | 0:06:15 | |
that's what suspects do. | 0:06:15 | 0:06:16 | |
-Gotcha, I hear you. -You up for this? | 0:06:16 | 0:06:18 | |
Let's go and be cops. | 0:06:18 | 0:06:20 | |
Let's go be cops. | 0:06:20 | 0:06:21 | |
Oh. | 0:06:28 | 0:06:30 | |
Hello, everyone, hello. | 0:06:30 | 0:06:32 | |
-HIGH-PITCHED VOICE: -Hello there. | 0:06:32 | 0:06:34 | |
Are you Miley Cyrus? | 0:06:34 | 0:06:36 | |
Well, I ain't Billie Rae! What can I do for you? | 0:06:36 | 0:06:38 | |
Hello, Miley, my name's Ronald Pickles | 0:06:38 | 0:06:41 | |
and this is my old aunt, Elsie. | 0:06:41 | 0:06:43 | |
Hello there. | 0:06:43 | 0:06:44 | |
I'm Elsie Pickles, as he says, I'm an old aunt of his. | 0:06:44 | 0:06:49 | |
You're probably wondering what I've done all my life. | 0:06:49 | 0:06:51 | |
-Well, I used to be a flapper girl, you sees. -Right. | 0:06:51 | 0:06:54 | |
Then I used all my savings and invested it in baked beans. | 0:06:54 | 0:06:57 | |
I made many millions from it. | 0:06:57 | 0:06:59 | |
And then I lost it all in the great treacle famine. | 0:06:59 | 0:07:01 | |
Elsie's, she's, she's doing well, but... | 0:07:01 | 0:07:05 | |
-Right. -But she can't manage the stairs any more, can you? | 0:07:05 | 0:07:08 | |
No, that's why I'm in this infernal thing. | 0:07:08 | 0:07:11 | |
Since I lost my Billy. | 0:07:11 | 0:07:13 | |
All right, what happened? | 0:07:13 | 0:07:14 | |
Well, he got the mumps and passed on. | 0:07:14 | 0:07:16 | |
-So many people do, huh? -Yeah. Yeah. -It's sad. -Very sad. | 0:07:16 | 0:07:19 | |
Ronald's got loads of hobbies though, he keeps himself busy. | 0:07:19 | 0:07:22 | |
Great, I mean this, this has been so nice... | 0:07:22 | 0:07:24 | |
Also he has an interest in, in putting ships in bottles. | 0:07:24 | 0:07:27 | |
-Oh, wow. -And public speakings. | 0:07:27 | 0:07:28 | |
-Great. -Yeah, yeah. | 0:07:28 | 0:07:29 | |
Hey, Miley, it's your go on the Scrabble. | 0:07:29 | 0:07:32 | |
OK, I'll be like two secs. | 0:07:32 | 0:07:34 | |
Sorry, it's Russell Kane, | 0:07:34 | 0:07:35 | |
he's the oldest member of Success Story's community. | 0:07:35 | 0:07:38 | |
He really loves to play Scrabble, but let me tell you something, ain't | 0:07:38 | 0:07:41 | |
no-one every beat Miley Cyrus at Scrabble, I am amazing at Scrabble. | 0:07:41 | 0:07:44 | |
-Confusing, but true. -Do you have Police Academy 7? | 0:07:44 | 0:07:47 | |
Police Academy 7? What, Assignment Miami Beach? Yeah, sure, I'll be with you. | 0:07:47 | 0:07:51 | |
These cats love movies more than they love | 0:07:51 | 0:07:53 | |
outdated 1980s technology. | 0:07:53 | 0:07:54 | |
So just like give me a second, right, because they cannot work a VHS. | 0:07:54 | 0:07:57 | |
You know what I mean? | 0:07:57 | 0:07:58 | |
-Well, thank you for all your help. -Right? -Yeah. -You know what I mean, bitches? -Ain't she a lovely girl? | 0:07:58 | 0:08:02 | |
She's got some form on her, I'll tell you. | 0:08:02 | 0:08:05 | |
Right. She's got a VHS machine! | 0:08:05 | 0:08:06 | |
I think the next part of our plan is about to take part. | 0:08:06 | 0:08:09 | |
I took the liberty of bringing some chocolates for me. | 0:08:09 | 0:08:12 | |
They're laced with a powerful sleeping draught. | 0:08:12 | 0:08:15 | |
If we give one of these to Miley Cyrus, it'll knock her clean out. | 0:08:15 | 0:08:19 | |
Right, then we can have a sneak around the place. | 0:08:19 | 0:08:21 | |
-Find some evidence. -Gotcha. | 0:08:21 | 0:08:22 | |
-OK. -Who's giving these to her, me or you? | 0:08:22 | 0:08:25 | |
-You. And try and be sexy when you do it. -Oh, yeah, yeah, cool. | 0:08:25 | 0:08:29 | |
I think she's single and looking for love. | 0:08:29 | 0:08:31 | |
Sorry about that, guys. | 0:08:32 | 0:08:34 | |
-No problem. -No problem. | 0:08:34 | 0:08:36 | |
We wanted to bring you something, | 0:08:36 | 0:08:37 | |
just a little token of our appreciation, for you just... | 0:08:37 | 0:08:40 | |
It ain't a bribe or nothing, just some sweet arse chocolates. | 0:08:40 | 0:08:43 | |
Thank you, but I don't eat chocolates, cos I don't believe in them. | 0:08:43 | 0:08:46 | |
Listen, they're the nicest chocolates I've ever eaten in my life. | 0:08:46 | 0:08:49 | |
Listen, I love these things, I do. | 0:08:49 | 0:08:51 | |
But that's rude not to, um... | 0:08:51 | 0:08:52 | |
Get one down you, girl. | 0:08:52 | 0:08:54 | |
Well, like, guys, I'm really not... | 0:08:54 | 0:08:57 | |
Ssh, just... | 0:08:57 | 0:08:59 | |
She really loves, like, wants to be here, and I think she'd | 0:09:01 | 0:09:05 | |
kind of be a little bit insulted if you just didn't try one. | 0:09:05 | 0:09:07 | |
I know, right, but like I'm a vegan, I can't eat... | 0:09:07 | 0:09:11 | |
Whoa, old lady likes her sleep, huh? | 0:09:11 | 0:09:13 | |
-Oh, no, I know. -While you're here, do you want to sign my petition? | 0:09:13 | 0:09:15 | |
-Yeah... -Do you know what the Mayor? | 0:09:15 | 0:09:17 | |
He's trying to build a bypass right through this place. | 0:09:17 | 0:09:20 | |
Can you believe it?! I can't even stand to think of it. | 0:09:20 | 0:09:22 | |
I guess he doesn't care about my poor old residents, right? | 0:09:22 | 0:09:25 | |
Thank you so much for signing. PHONE RINGS | 0:09:25 | 0:09:27 | |
Hello? Successful Nursing Home, Miley Cyrus proprietor speaking. | 0:09:27 | 0:09:30 | |
What? No way, you're kidding, that's incredible, are you sure? | 0:09:30 | 0:09:33 | |
OK, thanks for ringing, bye. | 0:09:33 | 0:09:34 | |
-Do you know what that was? -Tell me. | 0:09:34 | 0:09:36 | |
Every month we have a public speaker who comes here to entertain | 0:09:36 | 0:09:39 | |
and inform our family and he just cancelled. | 0:09:39 | 0:09:41 | |
-Oh, wow. -He was supposed to be doing a talk on ships...in bottles. | 0:09:41 | 0:09:46 | |
Hold on a dang minute! Are you feeling what I'm feeling? | 0:09:46 | 0:09:49 | |
Dude, this is the best thing that ever happened! | 0:09:49 | 0:09:51 | |
Come on, let's go. | 0:09:51 | 0:09:52 | |
OK, listen up, everyone, turn on your hearing aids. | 0:09:52 | 0:09:55 | |
We've got a guest speaker, he's going | 0:09:55 | 0:09:56 | |
to talk to you about ships in bottles, remember like I promised? | 0:09:56 | 0:10:00 | |
How? When? Why? | 0:10:00 | 0:10:01 | |
You can ask him anything | 0:10:01 | 0:10:02 | |
and he knows everything about ships in bottles. | 0:10:02 | 0:10:05 | |
Are we excited? | 0:10:05 | 0:10:07 | |
Ronald, do this for me, please? Don't let me down, darling, you are so great. | 0:10:07 | 0:10:10 | |
Come on, you can do this, let's go. | 0:10:10 | 0:10:12 | |
Well, hi, everyone, it's very nice to be here. | 0:10:12 | 0:10:15 | |
Er, as Miley said, um, | 0:10:15 | 0:10:17 | |
I am one of the pre-eminent experts in ships in bottles. | 0:10:17 | 0:10:22 | |
So, now I'm sure you're all aware of, | 0:10:22 | 0:10:25 | |
being the certain age you are, of the ships in bottles... | 0:10:25 | 0:10:27 | |
What he say? | 0:10:27 | 0:10:29 | |
Ships in bottles. You know the little ships? | 0:10:29 | 0:10:31 | |
He says he shits in bottles. | 0:10:31 | 0:10:33 | |
Ships, putting ships, like from the Armada, yeah? | 0:10:33 | 0:10:36 | |
Mary Rose, Henry VIII. You understand, yeah? | 0:10:36 | 0:10:39 | |
-Nelson. -What size are the bottles? | 0:10:39 | 0:10:42 | |
Well, there are various sizes, Russell. | 0:10:42 | 0:10:44 | |
Some of them are kind of a, like a magnum size, for a bigger ship, | 0:10:44 | 0:10:48 | |
but for the most part, the skill is to find a smaller bottle. | 0:10:48 | 0:10:50 | |
Do you need special bottles? | 0:10:50 | 0:10:52 | |
Well, you need, it's not so much a special bottle... Sorry, what's your name, my love? | 0:10:52 | 0:10:56 | |
-Hazel. -Hazel, hello, Hazel. | 0:10:56 | 0:10:58 | |
It's not so much a special bottle, it's more what you, you have to set it to start with. | 0:10:58 | 0:11:02 | |
Why do you need to put shit in a bottle? | 0:11:02 | 0:11:04 | |
I'm not putting shit in a bottle. | 0:11:04 | 0:11:06 | |
-What's your name, my love? -You just said you were. | 0:11:06 | 0:11:08 | |
-What's your name? -Ninette. -Ninette. | 0:11:08 | 0:11:09 | |
How long does it take? | 0:11:09 | 0:11:11 | |
Well, it depends on the size of the bottle | 0:11:11 | 0:11:13 | |
and the size of the ship, to be honest. | 0:11:13 | 0:11:15 | |
The way you have to, you have to force the ship through, | 0:11:15 | 0:11:17 | |
-SHIP through. -Can I use the toilet? | 0:11:17 | 0:11:19 | |
That's probably not a question for me, right? | 0:11:19 | 0:11:21 | |
-He's speaking to you, right? So... -Of course you can. | 0:11:21 | 0:11:23 | |
I can put shit in a bottle. | 0:11:23 | 0:11:25 | |
-Dermot, what the hell are you doing?! -What do you mean, Dermot?! What? | 0:11:25 | 0:11:28 | |
What's going on here?! | 0:11:28 | 0:11:29 | |
Sister, one second. | 0:11:29 | 0:11:31 | |
-Elsie, what are you talking about, don't blow cover yet. -It's time to blow cover. | 0:11:31 | 0:11:34 | |
You've almost ruined it, you just fell asleep by eating one of those fucking chocolates, you idiot! | 0:11:34 | 0:11:38 | |
-I couldn't help it. -Do you stand up, or are you going to sit down? | 0:11:38 | 0:11:41 | |
-I'll stand up. -OK, ready? Let's blow this case wide open. | 0:11:41 | 0:11:45 | |
I've lost all control of my body. | 0:11:48 | 0:11:50 | |
I'm so sorry, Elsie's had a... | 0:11:52 | 0:11:54 | |
It's all right, like, why is she calling you Dermot, right? | 0:11:54 | 0:11:56 | |
Well, what happened, she's, like I say, she's not... | 0:11:56 | 0:11:58 | |
Well, I'm no woman! | 0:11:58 | 0:12:01 | |
-What? -I'm DI Sleet, from... | 0:12:01 | 0:12:03 | |
-What the...? -..Murder Squad... -What are you bringing in here, you guys?! This is crazy! | 0:12:03 | 0:12:07 | |
Successville. | 0:12:07 | 0:12:08 | |
She's just a bit delusional, I'm so sorry. | 0:12:08 | 0:12:10 | |
Sit down there, Elsie. There you go. | 0:12:10 | 0:12:12 | |
We're cops, Goddamn it, Cyrus! | 0:12:12 | 0:12:15 | |
-You're cops? -Yeah. | 0:12:15 | 0:12:17 | |
Why didn't you say you were cops? What's this shit about? | 0:12:17 | 0:12:19 | |
You've made an enemy of one of the most powerful men in Successville. | 0:12:19 | 0:12:23 | |
How did I make an enemy? | 0:12:23 | 0:12:24 | |
Work my arms, Dermot. | 0:12:24 | 0:12:25 | |
-How did she make an enemy...? -Both of them, Dermot. -What did I do? I just... | 0:12:25 | 0:12:28 | |
-What did you do? -Yeah, what... | 0:12:28 | 0:12:30 | |
You made me mad! | 0:12:30 | 0:12:32 | |
You know what, you're crazy. | 0:12:32 | 0:12:34 | |
You're dressed as an old lady, | 0:12:34 | 0:12:35 | |
you have two pairs of glasses on and you've got a head scarf on. | 0:12:35 | 0:12:38 | |
Screw you, buddy, I'm just a nice old person trying to help people! | 0:12:38 | 0:12:41 | |
-Really? -Yeah. -How did you try and help Simon Cowell, | 0:12:41 | 0:12:44 | |
when you pulled past his office the other night? | 0:12:44 | 0:12:46 | |
You know what I did? | 0:12:46 | 0:12:47 | |
I took my petition to Cowell and you know what he did? | 0:12:47 | 0:12:49 | |
He didn't listen, because he don't care about people, | 0:12:49 | 0:12:52 | |
he don't care about the town. | 0:12:52 | 0:12:53 | |
I think we'd be better off without him! | 0:12:53 | 0:12:55 | |
This smells rotten to me. | 0:12:55 | 0:12:56 | |
Exactly, Dermot. | 0:12:56 | 0:12:57 | |
This looks fucking weird! | 0:12:57 | 0:12:59 | |
Save it for the county jail, sister. | 0:12:59 | 0:13:01 | |
-Right... -Exactly. Wheel me out of here, Dermot. | 0:13:01 | 0:13:03 | |
Get out of here, come on! We've got Scrabble class. | 0:13:03 | 0:13:06 | |
I'm going to open the door for you, because I feel sorry for you, | 0:13:06 | 0:13:09 | |
because this is so Goddamn pathetic! | 0:13:09 | 0:13:11 | |
-I don't want your pity! -Just try and... | 0:13:11 | 0:13:12 | |
I just want your answers. Don't you cross me! | 0:13:12 | 0:13:15 | |
Don't you cross me! | 0:13:15 | 0:13:16 | |
You're both embarrassing. | 0:13:16 | 0:13:18 | |
The rope's too tight, I can't feel my feet, I need to go to the toilet. | 0:13:18 | 0:13:23 | |
Let's just come to some kind of amicable agreement. | 0:13:23 | 0:13:27 | |
I'm a very influential man. | 0:13:27 | 0:13:29 | |
Here we are. This is Jessie J's place. | 0:13:32 | 0:13:35 | |
Wow! | 0:13:35 | 0:13:36 | |
Yeah, she was my sensei growing up, she taught me everything I know. | 0:13:36 | 0:13:40 | |
Back in the day? | 0:13:40 | 0:13:41 | |
Way back in the day, O'Leary. You must remember one thing... | 0:13:41 | 0:13:45 | |
Mm-hmm? | 0:13:45 | 0:13:46 | |
A relationship with a sensei is based on truth, honour and power. | 0:13:46 | 0:13:51 | |
I need to see you perform a power stance. | 0:13:51 | 0:13:55 | |
-Like this. -HE YELLS | 0:13:55 | 0:13:57 | |
Oh, like that? Yeah. | 0:13:57 | 0:14:01 | |
No, try another one. | 0:14:01 | 0:14:03 | |
No. | 0:14:03 | 0:14:05 | |
No. | 0:14:05 | 0:14:07 | |
No. | 0:14:07 | 0:14:08 | |
No. | 0:14:09 | 0:14:11 | |
You did that one already. | 0:14:11 | 0:14:12 | |
I know, that's similar but more powerful. | 0:14:12 | 0:14:15 | |
Try one more. "Hap hap." | 0:14:15 | 0:14:16 | |
"Ninya!" | 0:14:18 | 0:14:19 | |
Now you're just making up words. | 0:14:19 | 0:14:21 | |
I'm not, that's Japanese for "hello." | 0:14:21 | 0:14:23 | |
It's not Japanese. | 0:14:23 | 0:14:24 | |
Kimaragnas! | 0:14:24 | 0:14:26 | |
She's going to be offended if you do that. | 0:14:26 | 0:14:28 | |
Rey, hey, hey, hey...! | 0:14:28 | 0:14:30 | |
I don't... I don't think we should do the power moves in there. | 0:14:30 | 0:14:35 | |
-HE YELLS -Konichiwa! | 0:14:35 | 0:14:38 | |
-Brilliant! -OK, good, that's a Japanese word. | 0:14:38 | 0:14:40 | |
Yes. And one that I'm sure she'll be impressed by. | 0:14:40 | 0:14:43 | |
-Yes. -Let's do this, O'Leary. | 0:14:43 | 0:14:46 | |
Hello, Philip. | 0:14:47 | 0:14:50 | |
Hakuna matata, sensei. | 0:14:56 | 0:14:58 | |
Senpai. | 0:15:00 | 0:15:02 | |
We are currently looking into the kidnap of Simon Cowell. | 0:15:02 | 0:15:06 | |
-And a murder. -And a murder. Thank you. | 0:15:06 | 0:15:08 | |
And the murder of Amanda Holden. | 0:15:08 | 0:15:10 | |
Rumour on the street is you had beef with Mayor Cowell. | 0:15:10 | 0:15:14 | |
I have no gripe with anyone, Sleet. | 0:15:14 | 0:15:16 | |
The world and time are linear to me. | 0:15:16 | 0:15:18 | |
I see and hear all things the world chooses to show me. | 0:15:18 | 0:15:22 | |
Look at this one. Hmm. | 0:15:22 | 0:15:24 | |
Now, young one, you're obviously not at one with this world yet | 0:15:26 | 0:15:30 | |
and that is OK, but listen, let me help you. | 0:15:30 | 0:15:33 | |
Because deep within all of us is a spirit animal, a spiritual guide. | 0:15:33 | 0:15:37 | |
Now, most people don't allow this animal to take control, | 0:15:37 | 0:15:40 | |
-but you must. -Mm-hmm. | 0:15:40 | 0:15:42 | |
Now my animal is a panther, strong, sleek, unafraid. His... | 0:15:42 | 0:15:46 | |
Mine is a curious goat. | 0:15:46 | 0:15:48 | |
-That was it. -That's nice. | 0:15:48 | 0:15:50 | |
Well, you know, it's all right, I'm slightly ashamed of it. | 0:15:50 | 0:15:53 | |
You must never be ashamed of your spirit animal. | 0:15:53 | 0:15:55 | |
-Yeah, but it's easy for you to say, you're a panther. -Why did you pick a goat? | 0:15:55 | 0:15:58 | |
You don't choose your spirit animal, it chooses you. | 0:15:58 | 0:16:00 | |
-Yes, of course. -We're going to find yours, Dermot. Are you ready? | 0:16:00 | 0:16:03 | |
-Yeah. -Shut your eyes. Now clear that little mind of yours. | 0:16:03 | 0:16:07 | |
Now, I want you to think of the second animal that | 0:16:07 | 0:16:10 | |
-comes into your head, not the first one, but the second one. -Pussycat. | 0:16:10 | 0:16:13 | |
Pussycat, nice. Station him, park him for a bit. | 0:16:13 | 0:16:15 | |
Oh, there's another animal coming along, what's that animal? | 0:16:15 | 0:16:18 | |
-Kangaroo. -Kangaroo and a pussycat. | 0:16:18 | 0:16:20 | |
-Yeah. -They're fighting. -Yeah. -Who's winning? | 0:16:20 | 0:16:22 | |
-The pussycat. -Let the pussycat kill the kangaroo. | 0:16:22 | 0:16:24 | |
OK. | 0:16:24 | 0:16:25 | |
-So who's won? -Pussycat. | 0:16:25 | 0:16:27 | |
-That is your spirit animal. -Aah, that's nice. | 0:16:27 | 0:16:29 | |
You could've been anything you wanted to | 0:16:29 | 0:16:31 | |
be in the world and you chose a pussycat. | 0:16:31 | 0:16:33 | |
-You're a curious goat. -Yes, I know, but... | 0:16:33 | 0:16:35 | |
What I need you to do now is call to your guide. | 0:16:35 | 0:16:38 | |
Make the cries of the pussy cat to the heavens, | 0:16:38 | 0:16:41 | |
Sleet and I will join you. | 0:16:41 | 0:16:42 | |
DERMOT MEOWS SLEET BLARES | 0:16:42 | 0:16:46 | |
It's a very quiet pussy cat, Dermot. | 0:16:46 | 0:16:49 | |
Sleet, Sleet, that's great, can we hold the goat for a second? | 0:16:51 | 0:16:55 | |
Keep going, Dermot. | 0:16:55 | 0:16:56 | |
Sounds like a very sad pussy cat. | 0:16:56 | 0:16:59 | |
Or an owl. | 0:16:59 | 0:17:00 | |
Sounds more like an owl, doesn't it? | 0:17:00 | 0:17:02 | |
More like a sort of... | 0:17:02 | 0:17:05 | |
Imagine, just a bit angrier. | 0:17:05 | 0:17:07 | |
HE HISSES | 0:17:07 | 0:17:09 | |
-That's quite good. -Well, I don't know, it was very catty. | 0:17:10 | 0:17:13 | |
Hmm. Now if you want to ask me any questions, you can | 0:17:13 | 0:17:15 | |
ask me through your animal. | 0:17:15 | 0:17:16 | |
-Do I have to speak in the animal language? -That's what I said. | 0:17:16 | 0:17:19 | |
"Why were you at Simon Cowell's house?" | 0:17:19 | 0:17:21 | |
I went to see Simon Cowell. | 0:17:21 | 0:17:23 | |
"What was it about?" | 0:17:23 | 0:17:24 | |
Can we stop asking the same question, please? | 0:17:24 | 0:17:26 | |
-Yes, sorry. -This is a place of respite and I wish to meditate. | 0:17:26 | 0:17:29 | |
Now, I will offer you guys the chance to join me | 0:17:29 | 0:17:32 | |
if you'd so like to. Would you like to? | 0:17:32 | 0:17:33 | |
Yes, we'd love to. | 0:17:33 | 0:17:35 | |
-Take a seat. -Of course. | 0:17:35 | 0:17:36 | |
Love to. | 0:17:36 | 0:17:38 | |
Meditation, have you done it before, Dermot? | 0:17:40 | 0:17:43 | |
Right. | 0:17:43 | 0:17:44 | |
Now I sense that you two are searching for answers | 0:17:44 | 0:17:47 | |
-on the outside. -Yes. | 0:17:47 | 0:17:48 | |
PHONE RINGS | 0:17:48 | 0:17:49 | |
-Whose phone is that? -That's not my phone. | 0:17:49 | 0:17:51 | |
-It's not my phone. -I gave Philip my phone. It's coming from you. | 0:17:51 | 0:17:54 | |
-Why can I hear it coming from this direction? -It's not my phone... | 0:17:54 | 0:17:56 | |
It's coming from here! What's going...? | 0:17:56 | 0:17:58 | |
You know my rule about technology, Sleet! Give it to me! | 0:17:58 | 0:18:01 | |
-I'm sorry... -Dermot, give it to me! -It wasn't my... | 0:18:01 | 0:18:03 | |
I don't care if it's yours, you're not having it in my fucking dojo! | 0:18:03 | 0:18:06 | |
-I'm sorry. -Sorry if we've offended you. | 0:18:06 | 0:18:08 | |
And I don't like Simon Cowell trying to get rid of this place to | 0:18:08 | 0:18:10 | |
turn it into telephone towers. | 0:18:10 | 0:18:12 | |
I'm not having it! | 0:18:12 | 0:18:13 | |
I've told him I will defend my sanctuary to the death | 0:18:13 | 0:18:16 | |
and I'll say the same thing to you now. | 0:18:16 | 0:18:17 | |
Seriously, the total lack of respect... | 0:18:17 | 0:18:20 | |
-SLEET YELLS -Konichiwa! | 0:18:20 | 0:18:22 | |
-What, what is this? What is this? -These are our power stances. | 0:18:22 | 0:18:25 | |
I get this, this is not powerful at all. | 0:18:25 | 0:18:27 | |
I know, it's weird. He... | 0:18:27 | 0:18:29 | |
Get out of here! I hate you! | 0:18:29 | 0:18:30 | |
OK. Just back out, Dermot, slowly. | 0:18:30 | 0:18:32 | |
-Back out. -Slowly back out. | 0:18:32 | 0:18:34 | |
Leave me in peace, this is my haven! | 0:18:34 | 0:18:36 | |
You are now a suspect in the murder of Simon Cowell. | 0:18:36 | 0:18:38 | |
I don't care, I'm glad he's dead. | 0:18:38 | 0:18:40 | |
He's not dead, he's been kidnapped. I was trying to fool you. | 0:18:40 | 0:18:43 | |
-Oh, shit! -Thank you, Philip. | 0:18:43 | 0:18:44 | |
-Go! -Konichiwa, Jessie. | 0:18:44 | 0:18:47 | |
You know, I like you, I think you're a fantastic personality, | 0:18:47 | 0:18:50 | |
I just don't think this is the way to achieve your objective. | 0:18:50 | 0:18:53 | |
That's all I'm trying to say. | 0:18:53 | 0:18:55 | |
Last suspect was sweet shop owner Alan Sugar. | 0:19:00 | 0:19:03 | |
We had to be quick, because like a badly stocked spice rack, | 0:19:03 | 0:19:07 | |
we were running out of time. | 0:19:07 | 0:19:09 | |
Hello? | 0:19:12 | 0:19:13 | |
-Hello? No-one home. -No. | 0:19:13 | 0:19:15 | |
-Listen, O'Leary... -Yeah? | 0:19:15 | 0:19:17 | |
Mayor Cowell was going to close this place down. | 0:19:20 | 0:19:24 | |
Hygiene or some crap. | 0:19:24 | 0:19:26 | |
So they've all got motive. | 0:19:26 | 0:19:28 | |
Oh, yeah. Listen, do you see what I see? | 0:19:28 | 0:19:32 | |
Sugar ain't around. He must be upstairs. | 0:19:32 | 0:19:35 | |
-Yeah. -Maybe we should get his attention. | 0:19:35 | 0:19:37 | |
Well, no, maybe we should just look around and try and find clues. | 0:19:37 | 0:19:40 | |
Smash, smash this place up a bit. Smash the table. | 0:19:40 | 0:19:42 | |
-I don't want to... -Let him know we're here! Like really smash it up. | 0:19:42 | 0:19:45 | |
Argh! | 0:19:45 | 0:19:47 | |
We're here! | 0:19:47 | 0:19:48 | |
-PHONE RINGS -I've got... O'Leary, I've got to take this. | 0:19:48 | 0:19:51 | |
That's, please don't take that call. | 0:19:51 | 0:19:53 | |
I've got to, booty calls. | 0:19:53 | 0:19:54 | |
I'm looking for the truth, Mr Sugar. | 0:20:06 | 0:20:09 | |
Alan? Alan, someone who's smashed up the shop. | 0:20:09 | 0:20:12 | |
Mr Sugar? | 0:20:19 | 0:20:20 | |
You got some sort of problem, boy? | 0:20:22 | 0:20:24 | |
We've got some talking to do. | 0:20:24 | 0:20:26 | |
-And I'm looking for the truth. -Yeah, well, I'm telling you the truth. | 0:20:26 | 0:20:29 | |
You want to smash my shop up? | 0:20:29 | 0:20:31 | |
Not particularly. | 0:20:31 | 0:20:32 | |
Let's smash, let's smash it up. | 0:20:32 | 0:20:34 | |
Let's smash it up! Come on! Come on! | 0:20:34 | 0:20:37 | |
Let's smash it up! | 0:20:37 | 0:20:38 | |
I appreciate you're a little bit angry... | 0:20:42 | 0:20:45 | |
HE LAUGHS | 0:20:45 | 0:20:46 | |
Have one! | 0:20:51 | 0:20:52 | |
Have one! These are beautiful. | 0:20:52 | 0:20:55 | |
They're great. | 0:20:55 | 0:20:57 | |
What do you want to ask me? What do you want to know? | 0:20:57 | 0:21:00 | |
Have a nice fruit salad. One of your five-a-day. | 0:21:00 | 0:21:02 | |
Thank you. | 0:21:02 | 0:21:03 | |
Yeah. You can eat them... | 0:21:03 | 0:21:05 | |
Why have you got it in for Cowell? | 0:21:05 | 0:21:08 | |
Cowell sent his boys around here, did you know that?! | 0:21:08 | 0:21:10 | |
Health and Safety, rummaging through me stock! | 0:21:10 | 0:21:14 | |
All right, they found a little few things. | 0:21:14 | 0:21:16 | |
Couple of mice. So what's, what's the...? | 0:21:16 | 0:21:18 | |
Few rat droppings in the lemon bonbons. | 0:21:18 | 0:21:21 | |
Couple of fruit salads was way past their sell-by date. | 0:21:21 | 0:21:25 | |
Three years. | 0:21:25 | 0:21:27 | |
That's not a crime, though, is it? | 0:21:27 | 0:21:28 | |
Well, enough to get you shut down. | 0:21:28 | 0:21:31 | |
Is it enough for you to kidnap him? That's what I want to know. | 0:21:31 | 0:21:33 | |
I'll tell you what I know - he don't know nothing about sweets. | 0:21:33 | 0:21:38 | |
And I've got sweets running through my veins! | 0:21:38 | 0:21:40 | |
-I know that. -Look at me! | 0:21:40 | 0:21:42 | |
I know that. | 0:21:42 | 0:21:43 | |
I'm on my own, I've got nothing! | 0:21:43 | 0:21:45 | |
Open up. | 0:21:45 | 0:21:47 | |
There you go, it's all right. It's all right. | 0:21:47 | 0:21:49 | |
Plenty of other, there's plenty of other sweet shops out there. | 0:21:49 | 0:21:53 | |
Could I have a bit of the strawberry laces? | 0:21:53 | 0:21:55 | |
There you go. | 0:21:58 | 0:22:00 | |
I had everything, now I've got nothing! | 0:22:00 | 0:22:02 | |
There you go, eh? | 0:22:03 | 0:22:04 | |
Time was of the essence. | 0:22:08 | 0:22:09 | |
We headed to the station. For clues? No. | 0:22:09 | 0:22:12 | |
For something a little more important than that. | 0:22:12 | 0:22:15 | |
Come on, O'Leary, follow me. | 0:22:15 | 0:22:18 | |
Phew. | 0:22:20 | 0:22:21 | |
Listen, O'Leary, I know we're up against it time-wise, but, er... | 0:22:21 | 0:22:24 | |
Yeah, big time. We've got like, we've got to save Simon. | 0:22:24 | 0:22:26 | |
Dermot, give me a second. | 0:22:26 | 0:22:28 | |
-There's a bit of a big deal happening. -Right. | 0:22:28 | 0:22:30 | |
Sid Lowecroft is leaving, um, | 0:22:30 | 0:22:32 | |
this is a little present for his daughter. | 0:22:32 | 0:22:34 | |
-Oh, OK. -Put this on. -But he doesn't know who I am. | 0:22:34 | 0:22:37 | |
That's what the whole kick is, he'll get a kick out of the new guy. | 0:22:37 | 0:22:40 | |
He won't get a kick out of it, he'll go, "Who are you? | 0:22:40 | 0:22:42 | |
"Why are you gate-crashing my last day?" | 0:22:42 | 0:22:44 | |
No, he won't, as soon as he walks in, blow that. | 0:22:44 | 0:22:47 | |
Then give him the doll, read out the letter. | 0:22:47 | 0:22:50 | |
-Yeah. -It's some kind words that I've written down for him. | 0:22:50 | 0:22:53 | |
-OK. -And then let one of these bad boys off. | 0:22:53 | 0:22:57 | |
Doll, letter, boom. | 0:22:57 | 0:22:59 | |
Bingo. I'm going to go and get the cake. | 0:22:59 | 0:23:02 | |
-Let him know that we're ready. -You're not in this with me? | 0:23:02 | 0:23:04 | |
No, no, no, no, I'm just going to go and get a cake. | 0:23:04 | 0:23:07 | |
Right, hide under there when he comes in. | 0:23:07 | 0:23:08 | |
-Right. -Are you ready for this? -Under there? -Yeah, under there. | 0:23:08 | 0:23:11 | |
-Under there. -This is going to be great, he'll get such a kick from this. | 0:23:11 | 0:23:15 | |
Good stuff, Dermot. | 0:23:15 | 0:23:17 | |
Are you ready and settled? | 0:23:17 | 0:23:18 | |
Yeah. | 0:23:18 | 0:23:19 | |
Sid? | 0:23:25 | 0:23:26 | |
-Yeah. -Hi, Sid, how are you? | 0:23:26 | 0:23:29 | |
-All right, yeah. -I know we haven't met, I'm Dermot. | 0:23:29 | 0:23:31 | |
-Good, good. You're the new lad? -I am. I'm Dermot, how are you? | 0:23:31 | 0:23:35 | |
-Good. -Good to meet you. | 0:23:35 | 0:23:36 | |
-Yeah. -It's your last day. | 0:23:36 | 0:23:38 | |
-Is it? -Yeah. | 0:23:38 | 0:23:39 | |
No, it's not. | 0:23:39 | 0:23:42 | |
No, shall I... You're leaving, aren't you? | 0:23:42 | 0:23:44 | |
-You what? -You're leaving and Sleet said I've got to sort of like, you know, | 0:23:44 | 0:23:48 | |
just give you a surprise and give you presents for your daughter. | 0:23:48 | 0:23:51 | |
-Well, I'm not... -There we go. | 0:23:51 | 0:23:53 | |
Wonderful. OK, then he's written some words for you. | 0:23:53 | 0:23:56 | |
Yeah, go on. | 0:23:56 | 0:23:58 | |
Yeah, this'll be good. What? | 0:23:58 | 0:24:01 | |
-Go on. -Oh, man. | 0:24:01 | 0:24:03 | |
"As your sectional manager, | 0:24:03 | 0:24:05 | |
"I've been asked to inform you that your employment has been terminated. | 0:24:05 | 0:24:08 | |
"The following violations have been logged by HR. | 0:24:08 | 0:24:11 | |
"On the 5th June, CCTV caught you going into a woman's locker room | 0:24:11 | 0:24:16 | |
"and pleasuring yourself over Sandra's knickers. | 0:24:16 | 0:24:18 | |
"On 5th July you drove your police panda car | 0:24:18 | 0:24:20 | |
"into Tony's Volvo in the staff car park | 0:24:20 | 0:24:23 | |
"and then jumped on the bonnet screaming, | 0:24:23 | 0:24:25 | |
"'Screw you Tony, you think | 0:24:25 | 0:24:26 | |
"'your dick's so big, you think my wife likes your dick more than mine. | 0:24:26 | 0:24:30 | |
"'Sob sob.' Please hand your badge and your gun in, | 0:24:30 | 0:24:32 | |
"you'll be escorted from the building immediately." | 0:24:32 | 0:24:35 | |
What, you're... What, are you, are you joking? | 0:24:39 | 0:24:41 | |
No, I'm sorry. | 0:24:41 | 0:24:42 | |
This isn't my... I don't, I don't know you, I've never met you before. | 0:24:42 | 0:24:45 | |
He told me to, he told me | 0:24:45 | 0:24:46 | |
you were leaving after 20 years of police service. | 0:24:46 | 0:24:49 | |
What sort of way is this to break this kind of news to someone? | 0:24:49 | 0:24:51 | |
I know, it's shit, man. | 0:24:51 | 0:24:52 | |
HE LAUGHS | 0:24:52 | 0:24:55 | |
Are you taking the piss? | 0:25:03 | 0:25:06 | |
Have you just...? Because it's his first day. | 0:25:06 | 0:25:09 | |
First day? Taking the piss? | 0:25:09 | 0:25:11 | |
Flipping heck, mate, you had, right, so, so it's a joke then, is that it? | 0:25:11 | 0:25:17 | |
-No. -Isn't it? | 0:25:17 | 0:25:18 | |
Still sacked, I'm afraid, Sid, | 0:25:18 | 0:25:20 | |
I just thought I'd let Dermot hit the ground running. | 0:25:20 | 0:25:23 | |
Put a fun spin on it. You're a pervert, Sid. | 0:25:23 | 0:25:27 | |
You need to get help. | 0:25:27 | 0:25:29 | |
I know. | 0:25:29 | 0:25:30 | |
Right, we have a big case to solve, | 0:25:30 | 0:25:32 | |
-something you're not going to have to worry about now, eh? -No. | 0:25:32 | 0:25:35 | |
Big cases and police work. | 0:25:35 | 0:25:36 | |
Sleet, don't say that. | 0:25:36 | 0:25:38 | |
I'm really bad at breaking bad news. | 0:25:38 | 0:25:39 | |
Yeah, yeah, no fucking joke! | 0:25:39 | 0:25:41 | |
That's why I thought I'd get you to do it. | 0:25:41 | 0:25:43 | |
Yeah, really fucking funny! | 0:25:43 | 0:25:45 | |
OK, I, I'm sorry, Sid. | 0:25:45 | 0:25:46 | |
Be careful, yeah? | 0:25:46 | 0:25:47 | |
Are we going now? | 0:25:47 | 0:25:48 | |
Yeah, we go. Come on. We'll just leave him here, he'll be fine. | 0:25:48 | 0:25:51 | |
-Good luck. -Thanks. | 0:25:51 | 0:25:52 | |
Bye, Sid. Sorry. | 0:25:52 | 0:25:54 | |
Don't steal anything while you're here. | 0:25:54 | 0:25:56 | |
I got a call from Bomb Squad, they'd found Cowell. | 0:25:58 | 0:26:00 | |
The only way to deactivate the bomb was | 0:26:00 | 0:26:02 | |
typing in the name of the kidnapper. | 0:26:02 | 0:26:04 | |
Miley, Jessie or Sugar. | 0:26:04 | 0:26:05 | |
Time for a hero! | 0:26:05 | 0:26:07 | |
Dermot O'Leary's here! Get out of the way! | 0:26:07 | 0:26:10 | |
Get out of the way! O'Leary, this is it. | 0:26:10 | 0:26:12 | |
-Yeah. -Judgment Day. | 0:26:12 | 0:26:14 | |
Hey, everyone, Dermot O'Leary's about to defuse this bomb. | 0:26:14 | 0:26:18 | |
You ready? | 0:26:18 | 0:26:20 | |
-Yeah. -Do it. | 0:26:20 | 0:26:21 | |
Return? | 0:26:25 | 0:26:27 | |
Return, enter. | 0:26:27 | 0:26:28 | |
Oh, shit! | 0:26:30 | 0:26:31 | |
Jesus! | 0:26:31 | 0:26:33 | |
Oh! | 0:26:34 | 0:26:36 | |
Looks like we need a new mayor. | 0:26:38 | 0:26:40 | |
What in the name of Satan's arsehole is that?! | 0:26:40 | 0:26:42 | |
I told you to save him, not blow him up! | 0:26:42 | 0:26:46 | |
Sorry about that, boss. | 0:26:46 | 0:26:48 | |
Sorry about that?! Is that your fault? | 0:26:48 | 0:26:50 | |
Well, it was O'Leary, sir, he, er, completely went for it. | 0:26:50 | 0:26:53 | |
-He went rogue and started typing things into the computer... -I didn't go rogue. | 0:26:53 | 0:26:56 | |
-Anyway, you said you 100% trust me, I didn't go rogue. -Oi, big boy, look at me, yes. Explanation now, yes! | 0:26:56 | 0:27:02 | |
OK, I thought the killer and the kidnapper was Miley Cyrus. | 0:27:02 | 0:27:06 | |
-Did you? -Yeah. -Right, why? | 0:27:06 | 0:27:07 | |
She had motive, there was | 0:27:07 | 0:27:10 | |
a bypass going to go through the old people's home. | 0:27:10 | 0:27:14 | |
I thought the old people loved the VHS, she knew her way around a VHS. | 0:27:14 | 0:27:17 | |
And the... And the delivery of the ransom note was in VHS. | 0:27:17 | 0:27:22 | |
You got that completely wrong. | 0:27:22 | 0:27:24 | |
The person you were after was Alan Sugar. | 0:27:24 | 0:27:27 | |
It was obviously Alan Sugar. Why? | 0:27:27 | 0:27:30 | |
The Mayor was going to close Sugar's sweet shop down, | 0:27:30 | 0:27:32 | |
it was all he had, he was a desperate man. | 0:27:32 | 0:27:34 | |
Did you not see the VHS player in Alan Sugar's shop? | 0:27:34 | 0:27:39 | |
-Yeah. -You did? -Yeah. | 0:27:39 | 0:27:40 | |
Yes, well, did you not see that the hostage tape was misspelt, yes? | 0:27:40 | 0:27:46 | |
"Kidnapp" takes one P. | 0:27:46 | 0:27:48 | |
You were closer to that than me, | 0:27:48 | 0:27:49 | |
I didn't get to look at that. | 0:27:49 | 0:27:51 | |
-Oh, stop talking, please! -Hey, don't start blaming me. Don't start blaming me for this, O'Leary! | 0:27:51 | 0:27:55 | |
-Lana Del Rey was... -That's on your conscience. | 0:27:55 | 0:27:57 | |
The point is, O'Leary, it couldn't have been Miley Cyrus | 0:27:57 | 0:28:00 | |
because she told you... | 0:28:00 | 0:28:01 | |
No-one ever beat Miley Cyrus at Scrabble. | 0:28:01 | 0:28:03 | |
In other words, she could spell! | 0:28:03 | 0:28:05 | |
We should have just questioned her normally. | 0:28:05 | 0:28:07 | |
Well, all right, in retrospect, sorry, | 0:28:07 | 0:28:09 | |
we should have questioned her normally. | 0:28:09 | 0:28:11 | |
-Everything in Sugar's shop was misspelt. -Oh, I see. | 0:28:11 | 0:28:14 | |
-I've trodden in more intelligent things than you, O'Leary! -Sorry. | 0:28:14 | 0:28:18 | |
Yeah, you're fired! And it'll probably cost me my job! | 0:28:18 | 0:28:22 | |
-I hope you're happy. -You should go for mayor. | 0:28:22 | 0:28:24 | |
That's actually a good idea, sir. | 0:28:24 | 0:28:26 | |
You two disgust me. | 0:28:26 | 0:28:27 | |
Fuck me! | 0:28:29 | 0:28:30 | |
Well, every cloud has a silver lining, | 0:28:30 | 0:28:32 | |
even the cloud that is black and smokey, | 0:28:32 | 0:28:34 | |
because it's an explosion with a dead male in the middle of it. | 0:28:34 | 0:28:38 | |
Come on, O'Leary. | 0:28:38 | 0:28:39 | |
I know a place that's open all night long. | 0:28:39 | 0:28:42 | |
-O'Leary's Bar. -Hey. | 0:28:42 | 0:28:43 | |
-Teddy and Mick run it. Come on. -They're not related to me, are they? | 0:28:43 | 0:28:46 | |
Well, they won't admit it now! | 0:28:46 | 0:28:48 | |
Hey, look at this guy, remember him? | 0:28:48 | 0:28:49 | |
-Yeah. -Philip. | 0:28:49 | 0:28:51 | |
-Phil. -Ha-ha ha-ha, see you, Phil. -Hey, Phil. | 0:28:51 | 0:28:53 | |
Oh, we're not allowed to use this car now because you've been sacked. | 0:28:53 | 0:28:56 | |
We'll have to walk. Come on. | 0:28:56 | 0:28:58 | |
MUSIC: Cuddly Toy by Roachford | 0:28:59 | 0:29:03 | |
# Yeah, you gotta feel for me, baby | 0:29:03 | 0:29:05 | |
# Feel for me, baby | 0:29:05 | 0:29:06 | |
# Yeah, you gotta feel for me, baby | 0:29:06 | 0:29:08 | |
# Feel for me, baby | 0:29:08 | 0:29:10 | |
# And give me some love... # | 0:29:10 | 0:29:12 |