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Hi, I'm Emma Bunton, a Spice Girl and a radio presenter | 0:00:07 | 0:00:10 | |
and today I'm going to be starring in my very own cop drama. | 0:00:10 | 0:00:14 | |
I really don't know what to expect, so wish me luck. | 0:00:14 | 0:00:18 | |
I'm off to Successville. | 0:00:18 | 0:00:20 | |
Welcome to Successville, a town full of celebrities. | 0:00:28 | 0:00:32 | |
Sometimes the famous faces that live here break the law, and, | 0:00:32 | 0:00:36 | |
when they do, I'm here to take down. | 0:00:36 | 0:00:38 | |
I'm DI Sleet and if I was a dog, I'd be an Alsatian called Kevin - | 0:00:38 | 0:00:43 | |
hairy, slick, with sharp teeth and halitosis, | 0:00:43 | 0:00:47 | |
and my bite would be worse than my bark | 0:00:47 | 0:00:49 | |
and that's a fact. | 0:00:49 | 0:00:51 | |
MUSIC: La Donna e Mobile from Rigoletto by Giuseppe Verdi | 0:01:01 | 0:01:07 | |
-What's going on? -Oh, hello, Chief. | 0:01:23 | 0:01:26 | |
I am simply writing my memoirs. | 0:01:26 | 0:01:30 | |
They are a collection of stories, some of my best cases. | 0:01:30 | 0:01:34 | |
It's an absolute sizzler, a rip-roarer. | 0:01:34 | 0:01:36 | |
Well, I wouldn't wipe my twitching arse with it. | 0:01:36 | 0:01:38 | |
I've got a new rookie for you. | 0:01:38 | 0:01:40 | |
Bunton! | 0:01:40 | 0:01:41 | |
-Hello, darling. -Hi. | 0:01:43 | 0:01:45 | |
This is DI Sleet. | 0:01:45 | 0:01:47 | |
Sleet, this is Emma Bunton. | 0:01:47 | 0:01:49 | |
She is as pure as the driven snow. | 0:01:49 | 0:01:51 | |
-Yes? -Yes. | 0:01:51 | 0:01:53 | |
Right, so, try not to melt her, Sleet, yes? | 0:01:53 | 0:01:56 | |
Put that in your fucking book. | 0:01:56 | 0:01:58 | |
Take a seat. | 0:02:01 | 0:02:03 | |
-Hi. -How are you doing, all right? -Nice to see you. Yeah, good, thanks. | 0:02:03 | 0:02:06 | |
-You as well, you've a nice manner about you. -Thank you very much. | 0:02:06 | 0:02:09 | |
Think you're ready for this life? | 0:02:09 | 0:02:11 | |
I'm... I'm ready, yeah. | 0:02:11 | 0:02:12 | |
You think you could be badass? | 0:02:14 | 0:02:15 | |
Yeah, I can be badass. | 0:02:15 | 0:02:17 | |
Let me tell you something, Emma, you know, | 0:02:17 | 0:02:19 | |
I've been out there on those streets for too long, busting wise guys, | 0:02:19 | 0:02:22 | |
cracking heads, so I started writing my memoirs. | 0:02:22 | 0:02:25 | |
Yeah, got some good stories in here. | 0:02:27 | 0:02:28 | |
"I saw this guy, he was deranged, | 0:02:30 | 0:02:32 | |
"he looked at me and his eyes had deranged in them. | 0:02:32 | 0:02:35 | |
"I said, 'You look deranged' and he said, 'I'm not deranged', | 0:02:36 | 0:02:39 | |
'and I pushed him over and he said, "You're the deranged one." | 0:02:39 | 0:02:43 | |
-That's as far as I got with that one. -I quite like that one. | 0:02:46 | 0:02:48 | |
Do you? | 0:02:48 | 0:02:50 | |
Shall we write a story about us and our first meeting? | 0:02:50 | 0:02:54 | |
-Yeah. -OK. | 0:02:54 | 0:02:56 | |
-You... You... -You want me to start? | 0:02:56 | 0:02:58 | |
-Yeah. -OK. I walked into a room and met a rather large man... | 0:02:58 | 0:03:04 | |
-A tall... -Tall what? | 0:03:04 | 0:03:06 | |
-A tall man. A rather tall, large man. -Tall man. | 0:03:06 | 0:03:09 | |
-Handsome. -Yeah. | 0:03:09 | 0:03:11 | |
"I was impressed." | 0:03:11 | 0:03:13 | |
OK, yes. | 0:03:13 | 0:03:15 | |
-I wasn't that impressed. -What? | 0:03:16 | 0:03:18 | |
-I like... -What do you mean you weren't? | 0:03:18 | 0:03:20 | |
I like what you're writing, but it's not that impressive. | 0:03:20 | 0:03:22 | |
No, not about the writing, about me. | 0:03:22 | 0:03:24 | |
-Oh. -This is like a foreword for my book. | 0:03:24 | 0:03:26 | |
-OK. -"I was impressed." -I was impressed. | 0:03:26 | 0:03:29 | |
-"By..." -By his...glasses. | 0:03:30 | 0:03:32 | |
Oh, thank you! "By his glasses." | 0:03:32 | 0:03:35 | |
I like that, that's a nice thing. | 0:03:35 | 0:03:36 | |
-This is actually one of my favourite chapters already. -Good. | 0:03:36 | 0:03:40 | |
Well, have you got any questions for me about police work? | 0:03:40 | 0:03:42 | |
OK, do I need a gun? | 0:03:42 | 0:03:44 | |
I... I'm so sorry. | 0:03:44 | 0:03:46 | |
-Oh, for Christ's sake. -I'm so sorry to break up the little book club, | 0:03:46 | 0:03:50 | |
but there's been a murder, yes, up in North Successville. | 0:03:50 | 0:03:53 | |
Detective James May has been murdered. | 0:03:53 | 0:03:56 | |
If there's one thing I hate, it's cop-killers. | 0:03:56 | 0:03:59 | |
What about you, Bunton? | 0:03:59 | 0:04:00 | |
-Yeah, me too. -Right, good. Get your arse in gear, then, | 0:04:00 | 0:04:03 | |
or else I'll staple it to the desk and shit on you. | 0:04:03 | 0:04:06 | |
Chop chop. | 0:04:06 | 0:04:07 | |
Don't be jumpy, Bunton. | 0:04:09 | 0:04:10 | |
You did scare me a bit then. | 0:04:10 | 0:04:12 | |
Don't worry. To your feet. | 0:04:12 | 0:04:13 | |
Let's head to North Successville and catch a cop-killer! | 0:04:15 | 0:04:18 | |
Badass Bunton. | 0:04:18 | 0:04:19 | |
Badass Bunton it is. | 0:04:19 | 0:04:21 | |
We headed north. | 0:04:21 | 0:04:23 | |
Waiting at the other end was May's partner, DI Clarkson, | 0:04:23 | 0:04:26 | |
and Chief Of Police Nigella Lawson. | 0:04:26 | 0:04:28 | |
DI Clarkson, I'm DI Sleet from the big city, or the Big Smoke, | 0:04:31 | 0:04:36 | |
as you country dwellers call it. | 0:04:36 | 0:04:37 | |
-This is... -PC Bunton. | 0:04:37 | 0:04:39 | |
How are you feeling, buddy? | 0:04:39 | 0:04:41 | |
Pretty bad. This is one of the worst things that's happened to me | 0:04:41 | 0:04:45 | |
in my entire life. | 0:04:45 | 0:04:46 | |
-Should we get some information? I'll take some notes. -Yes, right. | 0:04:46 | 0:04:49 | |
So, this is what they did to my partner and my friend. | 0:04:49 | 0:04:53 | |
We're pretty sure the blows came from a left-handed individual. | 0:04:53 | 0:04:56 | |
Oh, I hate left-handed people! | 0:04:56 | 0:04:58 | |
-I hate them. -Well, I do now. | 0:04:58 | 0:05:00 | |
Oh, that's horrible. That's gruesome! | 0:05:00 | 0:05:02 | |
They removed his head and his feet. | 0:05:02 | 0:05:04 | |
Hey, imagine if they had taken his knees and his shoulders. | 0:05:04 | 0:05:08 | |
Then they'd have taken his head, shoulders, knees and toes, | 0:05:08 | 0:05:11 | |
-knees and toes. -I don't... I don't understand. Why would they...? | 0:05:11 | 0:05:14 | |
-It's just a rhyme. -Is it? | 0:05:14 | 0:05:16 | |
-You must have heard the song. -No. | 0:05:16 | 0:05:18 | |
# Head, shoulders, knees and toes, knees and toes. # | 0:05:18 | 0:05:21 | |
No. What is that? Is it a pop song? | 0:05:21 | 0:05:24 | |
-It's a nursery rhyme. -Yeah, they play it at kids' parties. | 0:05:24 | 0:05:26 | |
-All right, OK. -I mean, you wouldn't want to show this to a kid. | 0:05:26 | 0:05:29 | |
No, I wouldn't show that to anyone's child. | 0:05:29 | 0:05:32 | |
That's pretty bad. | 0:05:32 | 0:05:33 | |
Hello, hello! | 0:05:34 | 0:05:35 | |
Stand up, Bunton, stand up. | 0:05:35 | 0:05:37 | |
Hi, hello, hi, I'm PC Bunton. | 0:05:37 | 0:05:40 | |
-PC Bunton. -Nice to meet you. | 0:05:40 | 0:05:41 | |
Hi. DI Sleet. | 0:05:41 | 0:05:43 | |
DI Sleet. Oh, I am so excited | 0:05:43 | 0:05:46 | |
that we have a couple of blue wings from the Big Smoke helping us out! | 0:05:46 | 0:05:51 | |
Well, I could have solved this one on my own, Chief Lawson. | 0:05:51 | 0:05:54 | |
-I told you that. -Jeremy, darling, don't be rude to our guests. | 0:05:54 | 0:05:57 | |
They are here to help. | 0:05:57 | 0:05:59 | |
-He's been a bit of a grumpy guts since we've been here. -Oh, really? | 0:06:00 | 0:06:03 | |
-Yeah, he has. -Jeremy! -Well, he's upset, I think. | 0:06:03 | 0:06:06 | |
Well, he's actually been rude. | 0:06:06 | 0:06:07 | |
Please, don't judge us all on his grim, frosty welcome. | 0:06:07 | 0:06:13 | |
We are a very hospitable bunch up here in the North, | 0:06:13 | 0:06:16 | |
so if you need anything, please... | 0:06:16 | 0:06:18 | |
-I'll need your number. -I will give you my number. | 0:06:18 | 0:06:20 | |
I'd love to have it on my phone! | 0:06:20 | 0:06:22 | |
-Sleet, was it? -Yeah, that's my name, don't wear it out. | 0:06:23 | 0:06:26 | |
I won't. Sleet is my... | 0:06:26 | 0:06:28 | |
it's my favourite kind of storm. | 0:06:28 | 0:06:31 | |
Oh, yeah, there's a storm raging, a raging, hot storm. | 0:06:31 | 0:06:35 | |
Yeah, I feel that hard storm coming my way. | 0:06:35 | 0:06:38 | |
Oh, it's going to come... all over your face. | 0:06:38 | 0:06:41 | |
-OK... -Yeah, shall we go now? | 0:06:43 | 0:06:45 | |
-Come on. -Help yourselves to jumpers and... -Oh, we will. | 0:06:45 | 0:06:49 | |
The file said Detective May was investigating Ian McKellen, | 0:06:54 | 0:06:57 | |
a local fisherman who was selling illegal dolphin meat. | 0:06:57 | 0:07:00 | |
Something smelled fishy, | 0:07:00 | 0:07:02 | |
so we headed to the docks where something smelled fishy. | 0:07:02 | 0:07:05 | |
Listen, as far as I'm concerned, | 0:07:05 | 0:07:07 | |
there is no more noble trade than that of a seaman. | 0:07:07 | 0:07:10 | |
Remember, seamen can be slippery. | 0:07:14 | 0:07:17 | |
THEY STIFLE GIGGLES | 0:07:20 | 0:07:21 | |
Let's get out, let's do it. | 0:07:21 | 0:07:23 | |
HE HUMS | 0:07:26 | 0:07:28 | |
# With a yo-ho tiddly tiddly tum-tum yo-ho tiddly tum... # | 0:07:28 | 0:07:34 | |
I know you're there. | 0:07:37 | 0:07:38 | |
I can feel your presence. | 0:07:39 | 0:07:41 | |
Ahoy there, your sea-ness. | 0:07:42 | 0:07:44 | |
Hello. | 0:07:46 | 0:07:48 | |
Hello! Who are you? | 0:07:48 | 0:07:50 | |
I'm DI Sleet, this is my partner. | 0:07:50 | 0:07:52 | |
PC Bunton. | 0:07:52 | 0:07:53 | |
I'm not looking for any crew. | 0:07:53 | 0:07:56 | |
-Yeah... -Thank you anyway, I need to get back to my rope. | 0:07:56 | 0:07:59 | |
Yeah, well... Leave the rope, old timer. | 0:07:59 | 0:08:02 | |
-What? -Leave the rope. | 0:08:02 | 0:08:03 | |
-What? -I'm not looking to join a crew. -Who are you? -What? | 0:08:03 | 0:08:07 | |
-Who are you? -I'm DI Sleet from... | 0:08:07 | 0:08:08 | |
Hey, I've been through this! | 0:08:08 | 0:08:10 | |
I'm not looking to join a crew. | 0:08:10 | 0:08:12 | |
My leg has gone funny. | 0:08:12 | 0:08:14 | |
-Oh, God. -We're investigating the murder of James May. | 0:08:14 | 0:08:17 | |
I'm not looking for any crew. I've told you already. | 0:08:17 | 0:08:20 | |
Listen to me, listen! Hey! | 0:08:20 | 0:08:22 | |
-Hey! -Hey! -Hey! -Listen! | 0:08:22 | 0:08:23 | |
-Who are you? -I'm PC Bunton. | 0:08:23 | 0:08:26 | |
I'm not looking for any crew. | 0:08:26 | 0:08:27 | |
Oh, for crying out... | 0:08:27 | 0:08:28 | |
-Stupid... -I can't deal with this, this guy is doing my brain in. | 0:08:28 | 0:08:32 | |
Listen, are you OK to deal with this? | 0:08:32 | 0:08:34 | |
I'm going to go and have a look around for some evidence. | 0:08:34 | 0:08:36 | |
Oh... OK. | 0:08:36 | 0:08:37 | |
-Yeah? -Yeah, OK. | 0:08:37 | 0:08:39 | |
Excuse me? Hello? | 0:08:40 | 0:08:42 | |
-Who's there? -Hi, I just wonder if I could ask you... | 0:08:42 | 0:08:45 | |
-Who are you? -I'm... | 0:08:45 | 0:08:47 | |
What are you doing here? Are you here to clean my boat? | 0:08:47 | 0:08:49 | |
No, I am PC Bunton, I'm here... | 0:08:49 | 0:08:51 | |
Johnny! Is that you, Johnny? | 0:08:51 | 0:08:54 | |
-No... -Johnny! | 0:08:54 | 0:08:56 | |
-How wonderful to see you, Johnny! -No, it's... | 0:08:56 | 0:08:58 | |
-Your wonderful face, so young! -No, I'm Emma. Bunton. PC Bunton. | 0:08:58 | 0:09:02 | |
They told me you were dead, Johnny. | 0:09:02 | 0:09:03 | |
-Can I ask... -They said you drowned out in the sea. | 0:09:03 | 0:09:07 | |
Can I ask you a few questions? | 0:09:07 | 0:09:09 | |
Remember the song we used to sing? | 0:09:09 | 0:09:11 | |
No, I don't. | 0:09:11 | 0:09:12 | |
# Tiddly tum-tum tiddly tee... # | 0:09:12 | 0:09:14 | |
Sing with me, Johnny. | 0:09:14 | 0:09:16 | |
# Tiddly tum tiddly tee... | 0:09:16 | 0:09:18 | |
# Tiddly tum-tum... # | 0:09:18 | 0:09:21 | |
You're a funny little chap, aren't you? | 0:09:21 | 0:09:23 | |
I need to ask you this question. Did you know... | 0:09:23 | 0:09:25 | |
-Did who know? Me? -Detective... | 0:09:25 | 0:09:27 | |
No. Did you know Detective May... | 0:09:27 | 0:09:29 | |
-Yes, I knew Detective May, he came round here... -..was going to... | 0:09:29 | 0:09:32 | |
Let me finish. He came round here, asking his questions, Johnny. | 0:09:32 | 0:09:35 | |
Questions. Like you - questions, questions, questions. | 0:09:35 | 0:09:38 | |
Questions, questions, questions. | 0:09:38 | 0:09:40 | |
-Questions. -Yes. | 0:09:40 | 0:09:41 | |
Shut up, you bitch! | 0:09:41 | 0:09:43 | |
Shut up! | 0:09:43 | 0:09:44 | |
It's all gone, Johnny. | 0:09:45 | 0:09:47 | |
I can't take it any more, Johnny! | 0:09:49 | 0:09:51 | |
HE SOBS | 0:09:51 | 0:09:52 | |
OK. It's all right. | 0:09:52 | 0:09:55 | |
What the hell have you said? | 0:09:55 | 0:09:57 | |
I was looking around, I got myself an ice cream. | 0:09:57 | 0:10:00 | |
-A what?! -I had a quick ice cream, I was hungry, | 0:10:00 | 0:10:03 | |
we'd been driving for ages. | 0:10:03 | 0:10:04 | |
-What the hell have you said? Why is he like this? -Who are you? | 0:10:04 | 0:10:07 | |
I'm DI Sleet, you clown. What the hell has happened here? | 0:10:07 | 0:10:09 | |
-Have you met my grandson? -I keep asking... -Have you met my grandson? | 0:10:09 | 0:10:12 | |
Your grand... What?! | 0:10:12 | 0:10:13 | |
We have the same eyes, you see. | 0:10:13 | 0:10:15 | |
You do, you have the same eyes. Are you related to him? | 0:10:15 | 0:10:17 | |
-Don't be ridiculous. -What do you mean? How dare you! | 0:10:17 | 0:10:19 | |
-You're being ridiculous. -I'm not being ridiculous. He said... | 0:10:19 | 0:10:22 | |
-Are you his grandson? -You're being ridiculous, you big twat. | 0:10:22 | 0:10:25 | |
-Right, is he being tricky? -He's being tricky. | 0:10:25 | 0:10:28 | |
-OK, do you know how we deal with tricky people in the force? -How? | 0:10:28 | 0:10:31 | |
We deal with them like this. | 0:10:31 | 0:10:32 | |
Come here, you! | 0:10:32 | 0:10:34 | |
Now listen to me! Listen to me! | 0:10:34 | 0:10:36 | |
-Help me, Johnny. -She's got a question. | 0:10:36 | 0:10:38 | |
Did you know that Detective May was trying to stop your lucrative | 0:10:38 | 0:10:41 | |
dolphin-meat business? | 0:10:41 | 0:10:43 | |
Did you? Did you know? | 0:10:43 | 0:10:44 | |
Dolphins? Can't stand dolphins! | 0:10:44 | 0:10:47 | |
Do you know what we call them out on the ocean? | 0:10:47 | 0:10:50 | |
No. What do you call them? | 0:10:50 | 0:10:52 | |
The paedophiles of the sea. | 0:10:52 | 0:10:53 | |
That's how much we hate them! | 0:10:54 | 0:10:57 | |
Love them or hate them, | 0:10:57 | 0:10:58 | |
it's still illegal to slaughter them and sell them as food. | 0:10:58 | 0:11:03 | |
We know that you've been doing that down at Katy Perry's diner. | 0:11:03 | 0:11:06 | |
What have you got to say about that? | 0:11:06 | 0:11:08 | |
Hold my gun. Hold my gun and threaten him with it. | 0:11:09 | 0:11:12 | |
That's it, that's it. | 0:11:12 | 0:11:14 | |
How about I hold you by your nuts? | 0:11:14 | 0:11:16 | |
You like that? | 0:11:16 | 0:11:18 | |
Leave Little... Leave Little Ian alone. | 0:11:18 | 0:11:21 | |
Please. | 0:11:21 | 0:11:22 | |
Now what have you got to say? | 0:11:22 | 0:11:24 | |
All right, I sold the dolphins. | 0:11:24 | 0:11:26 | |
I sold them, I took some round the diner the other day. | 0:11:26 | 0:11:30 | |
Hands up to it. | 0:11:30 | 0:11:32 | |
But I'm not a murderer... | 0:11:32 | 0:11:33 | |
..just a fisherman. | 0:11:35 | 0:11:37 | |
-He's not, is he? -Where were you... | 0:11:39 | 0:11:40 | |
What do you mean? You're just going to take his word for it?! | 0:11:40 | 0:11:43 | |
-Sorry. -Put that gun in his face! | 0:11:43 | 0:11:45 | |
Put it in his face! | 0:11:45 | 0:11:47 | |
# With a yo-ho piddly piddly pom-pom... # | 0:11:47 | 0:11:50 | |
Get out of here! Come on, Bunton. | 0:11:50 | 0:11:52 | |
-Remember we're in town now, McKellen. Stay out of our way. -Yeah. | 0:11:52 | 0:11:57 | |
THUNDER RUMBLES | 0:11:57 | 0:11:58 | |
Storm's coming, Detective. | 0:11:58 | 0:12:00 | |
Better get back to the mainland where it's safe. | 0:12:01 | 0:12:05 | |
So, McKellen was passing on the dolphin meat to Katy Perry. | 0:12:06 | 0:12:09 | |
We headed over to her diner for our evening supper | 0:12:09 | 0:12:13 | |
and some undercover work. | 0:12:13 | 0:12:14 | |
That's better, that's good, OK. | 0:12:14 | 0:12:16 | |
Oh, God, this is... | 0:12:16 | 0:12:18 | |
-This is nice. -Yeah. -Listen... | 0:12:18 | 0:12:20 | |
I'm going to have a little look around the kitchen, | 0:12:22 | 0:12:24 | |
-see what I can find out, see if there's any evidence in there. -OK. | 0:12:24 | 0:12:27 | |
What I need you to do, you keep her here. | 0:12:27 | 0:12:30 | |
-OK. -Are you all right with that? | 0:12:30 | 0:12:32 | |
-Yes. -She's coming, she's coming. -I know, she's right there. | 0:12:32 | 0:12:34 | |
THEY LAUGH | 0:12:34 | 0:12:36 | |
-EMMA AND KATY: -Hi. | 0:12:36 | 0:12:38 | |
Here's y'all menus. | 0:12:38 | 0:12:39 | |
Hey! Y'all boys from out of town? | 0:12:39 | 0:12:42 | |
I ain't seen you round here before and I know everybody. | 0:12:42 | 0:12:47 | |
I guess it's my business to know. | 0:12:47 | 0:12:49 | |
How very observant! | 0:12:50 | 0:12:52 | |
Yeah, we are... I'll actually make a note of that | 0:12:52 | 0:12:55 | |
in my restaurant critic's notebook. | 0:12:55 | 0:12:57 | |
Y'all are restaurant critics? | 0:12:59 | 0:13:01 | |
-Yes. -Dang it, that's the cat out of the bag. | 0:13:01 | 0:13:04 | |
Well... | 0:13:05 | 0:13:06 | |
SHE LAUGHS | 0:13:06 | 0:13:08 | |
That's so lovely. Hey, I'd better get you a drink. | 0:13:08 | 0:13:12 | |
On the house, but of course! | 0:13:12 | 0:13:14 | |
I'd love a White Russian. | 0:13:14 | 0:13:15 | |
OK. And for you? | 0:13:15 | 0:13:17 | |
Glass of water, just a glass of water, she's... | 0:13:17 | 0:13:19 | |
-It's her first... -No, I want something stronger. | 0:13:19 | 0:13:22 | |
-Just have a glass of water. -OK, wat... -Water's fine. -Water, please. | 0:13:22 | 0:13:25 | |
Tap or sparkling? | 0:13:25 | 0:13:27 | |
Oh, sparkling, please. | 0:13:27 | 0:13:28 | |
-I've only got tap. -Tap's fine. -Tap's fine. | 0:13:28 | 0:13:31 | |
That's the tap. | 0:13:32 | 0:13:33 | |
Everyone up here is so jolly and lovely, aren't they? | 0:13:36 | 0:13:39 | |
Yeah, it's great, isn't it? | 0:13:39 | 0:13:40 | |
Well, you know, we have a lot of clowns in Northern Successville. | 0:13:40 | 0:13:44 | |
My second-second-second cousin, he was a clown. | 0:13:44 | 0:13:48 | |
He never took his make-up off, even when he shot himself. | 0:13:48 | 0:13:52 | |
Laughin' till the end. | 0:13:54 | 0:13:55 | |
-Wow. -Wow. -That's a horrible fact. | 0:13:55 | 0:13:58 | |
Yes, it is. | 0:13:58 | 0:13:59 | |
I'm sorry to say, Miss Perry, official restaurant critic business. | 0:13:59 | 0:14:03 | |
I need to have a little look around your kitchen. | 0:14:03 | 0:14:06 | |
-Is that OK? -Why, of course, stranger. | 0:14:06 | 0:14:08 | |
-You gots to do your job, ain't you? -Thank you very much. | 0:14:08 | 0:14:11 | |
Hey, Joe! Joe! | 0:14:11 | 0:14:12 | |
Make sure you show this kind gentleman round the kitchen. | 0:14:14 | 0:14:17 | |
Let him see everything he needs to see. | 0:14:17 | 0:14:19 | |
Can I just ask one question? | 0:14:19 | 0:14:20 | |
-Yes. -Has Joe touched the food? | 0:14:20 | 0:14:22 | |
No. | 0:14:22 | 0:14:24 | |
We don't let him touch anything. | 0:14:24 | 0:14:26 | |
-OK. -That yoghurt pot, it's his comfort. | 0:14:26 | 0:14:29 | |
-He's got his tongue right up in there. -Yeah. | 0:14:29 | 0:14:32 | |
It's the only way to stop him from screaming. | 0:14:32 | 0:14:34 | |
-Wow. -OK, well, I'll see you in a bit. | 0:14:34 | 0:14:38 | |
Stay away from Joe. | 0:14:38 | 0:14:39 | |
OK, what are you going to have, sweetie? | 0:14:41 | 0:14:43 | |
I was thinking, maybe I could get like... | 0:14:43 | 0:14:45 | |
like a Kahlua. | 0:14:45 | 0:14:47 | |
-A Kahlua? -Yeah, does that... | 0:14:47 | 0:14:48 | |
Well, you're pretty fruity! | 0:14:48 | 0:14:50 | |
Does that... Whoa. | 0:14:51 | 0:14:52 | |
-Does that, um... Lots of ice. -Yeah. | 0:14:52 | 0:14:55 | |
I'd like lots of ice, please, yes. | 0:14:55 | 0:14:57 | |
-It's pretty cold today, but OK. -I'd like lots of ice. Sorry... | 0:14:57 | 0:15:01 | |
What? | 0:15:01 | 0:15:02 | |
-WITH MOUTH FULL: -May I say, you have a sexy and delightful kitchen. | 0:15:02 | 0:15:06 | |
Well, thank you. | 0:15:06 | 0:15:08 | |
I'll get that ice. | 0:15:09 | 0:15:10 | |
I've bitten off more than I can chew... | 0:15:14 | 0:15:16 | |
-What's up? -She is scary as hell. | 0:15:16 | 0:15:17 | |
Well, guess what I found when I was in the kitchen. | 0:15:17 | 0:15:20 | |
This. | 0:15:20 | 0:15:21 | |
Also, I found a nappy that I am assuming is Big Joe's. | 0:15:21 | 0:15:25 | |
It was full. | 0:15:25 | 0:15:26 | |
Oh, disgusting! | 0:15:26 | 0:15:28 | |
Yeah. Found this. | 0:15:28 | 0:15:30 | |
Oh, piss off! | 0:15:32 | 0:15:34 | |
Yeah. It's James May's disgusting, withered, dirty old foot. | 0:15:34 | 0:15:38 | |
Hey! | 0:15:38 | 0:15:40 | |
What...? What? | 0:15:40 | 0:15:42 | |
Is that a foot? | 0:15:42 | 0:15:43 | |
I know one from anywhere. | 0:15:43 | 0:15:45 | |
Hey, I did not... It came in with the deliveries, | 0:15:45 | 0:15:48 | |
it ain't got nothing to do with me. | 0:15:48 | 0:15:49 | |
OK, I believe you. Thanks. | 0:15:49 | 0:15:51 | |
-Here you go. -Did you order yourself a drink? | 0:15:51 | 0:15:53 | |
-Yes. -It's a Kahlua in the disguise of a White Russian. | 0:15:53 | 0:15:57 | |
-We actually have to go, I'm afraid. -Yeah, we should go now. -What? | 0:15:57 | 0:16:00 | |
No, no, no, please don't tell me that foot put you off our food. | 0:16:00 | 0:16:03 | |
I'm afraid... I don't want to be known as a fussy britches, | 0:16:03 | 0:16:07 | |
but finding human body parts in my food really throws me off. | 0:16:07 | 0:16:11 | |
I'm sorry. That's just me. We'll probably only give you one star. | 0:16:11 | 0:16:14 | |
-One star? -I'm just going to say this and I'm going to say it once. | 0:16:14 | 0:16:18 | |
We've got a saying up in Northern Successville. | 0:16:18 | 0:16:22 | |
If the weather doesn't take you, them woods will. | 0:16:22 | 0:16:25 | |
OK? | 0:16:26 | 0:16:28 | |
Next morning, I got a call from Nigella Lawson | 0:16:30 | 0:16:33 | |
and whilst I discreetly played with my plonker through a hole in my pocket, | 0:16:33 | 0:16:37 | |
she told us Clarkson had been killed. | 0:16:37 | 0:16:39 | |
You know what, if I'm going to live here, | 0:16:42 | 0:16:44 | |
I'm going to have to get a bigger car | 0:16:44 | 0:16:45 | |
with all these big hats and coats, that's for sure. | 0:16:45 | 0:16:48 | |
OK, tread careful, all right? | 0:16:49 | 0:16:52 | |
Look who it is over there. OK, Bunton, I'll try a cooler walk. | 0:16:52 | 0:16:55 | |
-Don't walk like that, then. You look stupid. -What? | 0:16:56 | 0:16:59 | |
Oh, thank God you're here! | 0:16:59 | 0:17:01 | |
Hey, girl! Here we go. | 0:17:01 | 0:17:03 | |
-Hey, baby. Hey, darling. -Oh, no! | 0:17:03 | 0:17:05 | |
He was shot straight through the heart! | 0:17:05 | 0:17:08 | |
Hey, don't you dare cry! | 0:17:08 | 0:17:09 | |
No, I'm sorry. It's just a huge loss to my whole department | 0:17:09 | 0:17:13 | |
and all of Northern Successville. | 0:17:13 | 0:17:15 | |
Well, guess what, honeybee? | 0:17:15 | 0:17:17 | |
Me and Badass Bunton are on this case, so... | 0:17:17 | 0:17:20 | |
You know, I don't want to jump the gun | 0:17:20 | 0:17:22 | |
-and throw my load all over your face... -I'd like that. | 0:17:22 | 0:17:25 | |
-Oh, would you? -Yes. -Oh, not this again! | 0:17:25 | 0:17:27 | |
-What again? -Stop flirting with each other, it's revolting. | 0:17:27 | 0:17:30 | |
OK, Emma, if you find it so revolting, | 0:17:30 | 0:17:32 | |
maybe you'd like another little task. | 0:17:32 | 0:17:34 | |
-Pull his trousers up, he's putting me off my stride. -I'm not... | 0:17:34 | 0:17:38 | |
Emma, I'm not doing it, I'm a senior officer. | 0:17:38 | 0:17:40 | |
You pull his trousers up. | 0:17:40 | 0:17:41 | |
-I can't... -She is a chief officer! | 0:17:41 | 0:17:44 | |
Bunton, for Christ's sake! | 0:17:44 | 0:17:46 | |
Sorry, sorry. | 0:17:46 | 0:17:48 | |
-Oh, it's fine. -Come, come, come here. | 0:17:48 | 0:17:49 | |
-Bunton, I'm trying to have sex with Nigella. -I know. | 0:17:49 | 0:17:54 | |
How undignifying is it if I've got to pull up another man's underpants? | 0:17:54 | 0:17:58 | |
-Is everything OK? -Yeah, oh, I should probably... | 0:17:58 | 0:18:00 | |
You might have thought that we were talking about... | 0:18:00 | 0:18:02 | |
-He wants to have sex with you. -Oh! | 0:18:02 | 0:18:04 | |
THEY LAUGH | 0:18:04 | 0:18:06 | |
-Really? -It's like taking my nine-year-old kid out, with you, | 0:18:06 | 0:18:09 | |
you cheeky little scamp. | 0:18:09 | 0:18:11 | |
Listen... | 0:18:11 | 0:18:12 | |
I want to kiss you on the mouth. | 0:18:14 | 0:18:15 | |
-Oh, God. -I'd like that. | 0:18:15 | 0:18:17 | |
And I want to stroke your hair. | 0:18:17 | 0:18:19 | |
It would make me feel very, very important. | 0:18:19 | 0:18:21 | |
You are important. | 0:18:21 | 0:18:23 | |
Hey, chalk it up. | 0:18:23 | 0:18:25 | |
One more thing in my friggin' life. | 0:18:25 | 0:18:27 | |
I want to have kids with you. | 0:18:27 | 0:18:28 | |
Sleet, no. | 0:18:28 | 0:18:29 | |
See, I'm the kind of G the little homies want to be like. | 0:18:29 | 0:18:33 | |
That's just me. I'm going to buy you flowers every day. | 0:18:34 | 0:18:38 | |
Stop it, you don't need to do that. | 0:18:38 | 0:18:39 | |
Different flours - wholegrain, gluten-free - | 0:18:39 | 0:18:42 | |
so you can make different cakes. | 0:18:42 | 0:18:44 | |
That's what women do. And I'll eat those cakes. | 0:18:44 | 0:18:46 | |
I need to... I need to get back and file the report. | 0:18:46 | 0:18:49 | |
You get back to work, sweet lady. | 0:18:49 | 0:18:50 | |
I want you to draw a picture of me. | 0:18:50 | 0:18:52 | |
-I will. -You'd better. | 0:18:52 | 0:18:55 | |
And you, you wrap up warm, Detective. | 0:18:55 | 0:18:58 | |
There's a storm coming. | 0:18:58 | 0:19:00 | |
Two cops down and one more suspect to go. | 0:19:00 | 0:19:03 | |
Louis Walsh. | 0:19:03 | 0:19:04 | |
He was being investigated by May for illegally hunting. | 0:19:04 | 0:19:07 | |
Walsh was a former cop that got sacked over corruption | 0:19:07 | 0:19:10 | |
and he'd been living feral in the woods ever since. | 0:19:10 | 0:19:12 | |
Oh, my... | 0:19:16 | 0:19:18 | |
-Quick, Bunton, get in there. -Oh, my goodness, this is horrible! | 0:19:18 | 0:19:21 | |
Bunton, have a little look around, | 0:19:21 | 0:19:23 | |
see if you can find some clues in this place. | 0:19:23 | 0:19:25 | |
We might have just stumbled upon what looks like an animals' morgue. | 0:19:25 | 0:19:29 | |
Would you want to live here? | 0:19:30 | 0:19:31 | |
No, it's horrible, I really don't like it. | 0:19:31 | 0:19:33 | |
-Oh, God! -What's wrong with you, Bunton? You are such a snob! | 0:19:33 | 0:19:37 | |
I'm not a snob! I don't like stuffed animals! | 0:19:37 | 0:19:40 | |
All right! Jeez! | 0:19:40 | 0:19:41 | |
Listen, I'm going to have a look around outside, | 0:19:42 | 0:19:44 | |
see if we've got anything out there. You look for some clues in here. | 0:19:44 | 0:19:47 | |
You're going to leave me here, with these? | 0:19:47 | 0:19:49 | |
-What, are you scared? -Yeah, I don't like it. | 0:19:49 | 0:19:52 | |
You'll be fine, Bunton. | 0:19:52 | 0:19:53 | |
OK, yeah, I know I'll be fine. Go. | 0:19:53 | 0:19:55 | |
-What do you mean, go?! That's very flippant! -Get out. | 0:19:55 | 0:19:58 | |
Oh, God, that's horrible! | 0:20:04 | 0:20:06 | |
SAVAGE HISSING | 0:20:09 | 0:20:11 | |
Oh, my God, I don't like it! I really don't like it! | 0:20:11 | 0:20:14 | |
Hi. Um... | 0:20:16 | 0:20:17 | |
HISSING | 0:20:17 | 0:20:19 | |
-Oh, my goodness! -Shush. Shh, shh, shh. | 0:20:19 | 0:20:22 | |
-You don't talk to me. -Why? | 0:20:22 | 0:20:25 | |
You were meant to keep watch, Benjamin. | 0:20:25 | 0:20:28 | |
Can I not trust you to do anything? Can I not trust you to do anything? | 0:20:28 | 0:20:32 | |
HE SOBS | 0:20:32 | 0:20:34 | |
-It's OK. -Don't talk to me. -Why? | 0:20:35 | 0:20:37 | |
-You don't even look at me. -OK. | 0:20:37 | 0:20:39 | |
You only speak to Benjamin. Do you understand? | 0:20:39 | 0:20:43 | |
Tell him who you are and what you want from me. | 0:20:43 | 0:20:46 | |
I'm with DI Sleet, he's around somewhere. | 0:20:46 | 0:20:48 | |
You're the police. | 0:20:48 | 0:20:49 | |
-Yeah. -There's only one thing I hate more than a policeman - | 0:20:51 | 0:20:54 | |
that's a policeman's mummy for shitting him out of her fanny. | 0:20:54 | 0:20:58 | |
The police chewed me up and spat me out. | 0:20:58 | 0:21:00 | |
-Can I ask you a few questions? -Sh. | 0:21:00 | 0:21:02 | |
I can smell a little bit of your wee-wee. | 0:21:04 | 0:21:06 | |
Can you smell it, Benjamin? | 0:21:06 | 0:21:09 | |
Shall we let her stay? | 0:21:09 | 0:21:10 | |
-I think I want to go anyway. -Benjamin says he likes you. | 0:21:11 | 0:21:14 | |
He says he thinks he's in love with you. | 0:21:15 | 0:21:18 | |
-Oh... -Sit yourself down. You want... | 0:21:18 | 0:21:20 | |
You want me to introduce you to some of Benjamin's friends? | 0:21:20 | 0:21:23 | |
This little fellow over here, | 0:21:24 | 0:21:27 | |
he's called Ol' Dirty Bastard from the Wu-Tang Clan. | 0:21:27 | 0:21:29 | |
That's Wagner. Fucking idiot. | 0:21:30 | 0:21:33 | |
Do you know who this little fellow is? | 0:21:34 | 0:21:35 | |
-No. -Do you know who this little fellow is? -No. | 0:21:35 | 0:21:37 | |
-Do you want to know what I call him? -Yeah. | 0:21:37 | 0:21:40 | |
I call him my cock garage. | 0:21:40 | 0:21:43 | |
Oh, my God! | 0:21:43 | 0:21:44 | |
I'll leave you to get to know the friends. | 0:21:46 | 0:21:48 | |
Benjamin, are you hungry? | 0:21:48 | 0:21:50 | |
-No, I'm fine... -I've got some pork scratchings. | 0:21:50 | 0:21:53 | |
Well, I say they're pork scratchings, | 0:21:53 | 0:21:55 | |
they're a little bit more toenaily than that, | 0:21:55 | 0:21:57 | |
but I scrubbed them before I cut them, I fucking promise. | 0:21:57 | 0:21:59 | |
I know you're going to like it. | 0:21:59 | 0:22:02 | |
And I've got you some other stuff in here that I don't think | 0:22:02 | 0:22:05 | |
-you'd really... -Oh, it smells! | 0:22:05 | 0:22:08 | |
I don't want it! | 0:22:08 | 0:22:10 | |
I'm sorry, I know that's not very... | 0:22:10 | 0:22:12 | |
hospitable, I just... | 0:22:12 | 0:22:14 | |
Eat your food! I made food for you! | 0:22:14 | 0:22:18 | |
I made the food for you! | 0:22:18 | 0:22:19 | |
-No, thank you so much... -She won't eat the food, Benjamin! | 0:22:19 | 0:22:23 | |
Benjamin is getting a little bit sleepy. | 0:22:24 | 0:22:27 | |
-Good. Is he going to go to sleep now? -I think he is. | 0:22:27 | 0:22:29 | |
I tell you what, it works really well as hair gel, as well, | 0:22:29 | 0:22:33 | |
for Benjamin. | 0:22:33 | 0:22:35 | |
Don't get much company up here in the woods. | 0:22:36 | 0:22:38 | |
No, you're on your own here, are you? Yeah, OK. | 0:22:38 | 0:22:42 | |
Can I ask you a few questions, do you think? | 0:22:42 | 0:22:44 | |
-You've got something on your mind. -Why do you live up here on your own? | 0:22:44 | 0:22:47 | |
I don't have a choice. | 0:22:47 | 0:22:49 | |
Why? | 0:22:49 | 0:22:50 | |
They took away my hunting licence. | 0:22:50 | 0:22:53 | |
It's all I had in the world! All I had was my hunting licence | 0:22:53 | 0:22:56 | |
-and they took it away from me! -Who took it away from you? | 0:22:56 | 0:23:00 | |
They got what's coming to them. I tell you that. | 0:23:00 | 0:23:02 | |
DOOR OPENS | 0:23:02 | 0:23:04 | |
Jesus creeper, that is cold out there, I've got to say. | 0:23:04 | 0:23:07 | |
Auntie Claire! What have you done to my Auntie Claire? | 0:23:07 | 0:23:10 | |
I don't know, it jumped out on me, I just shot it. | 0:23:10 | 0:23:12 | |
LOUIS WAILS | 0:23:12 | 0:23:14 | |
You've done a bad thing, cop. | 0:23:14 | 0:23:16 | |
You've done a bad thing and you're not welcome for tea and cake. | 0:23:16 | 0:23:19 | |
I don't want tea and cake, you fucking weirdo. | 0:23:19 | 0:23:21 | |
-You can't have any anyway. -What is this? You're walking around town | 0:23:21 | 0:23:24 | |
with this thing, a deer dressed in women's clothing? | 0:23:24 | 0:23:26 | |
A man needs some affection out here in the woods. | 0:23:26 | 0:23:29 | |
I'm going to take her to hospital. | 0:23:29 | 0:23:30 | |
They'll fix her up and she'll be right as rain | 0:23:30 | 0:23:33 | |
and we'll be rutting this time tomorrow. | 0:23:33 | 0:23:35 | |
Fucking door! | 0:23:36 | 0:23:38 | |
-Oh, my God! -What the hell was his story? -Oh, my God! | 0:23:40 | 0:23:44 | |
He is intense, huh? | 0:23:44 | 0:23:45 | |
I asked him a few questions, he gave me nothing. | 0:23:45 | 0:23:47 | |
-What do you mean? You're a cop! -He's absolutely crazy. | 0:23:47 | 0:23:50 | |
Do you want the bad news? | 0:23:50 | 0:23:52 | |
The storm's coming in. | 0:23:52 | 0:23:54 | |
We're going to have to bolt down here for the night. | 0:23:54 | 0:23:56 | |
Oh, piss off! | 0:23:56 | 0:23:58 | |
THUNDER RUMBLES | 0:24:00 | 0:24:01 | |
Oh, Bunton... | 0:24:01 | 0:24:04 | |
You are silly! | 0:24:04 | 0:24:05 | |
You've been sweet, you've looked after me, thank you. | 0:24:05 | 0:24:07 | |
-It's my job, you know, Bunton. -Thank you very much. | 0:24:07 | 0:24:10 | |
Well, you've also thawed this old ice warrior. | 0:24:10 | 0:24:13 | |
I have a bit, haven't I? | 0:24:13 | 0:24:14 | |
-Life, eh, Bunton? -I know. | 0:24:15 | 0:24:17 | |
-I know. -Sometimes it's just nice sitting by a fire. | 0:24:17 | 0:24:20 | |
-It is. -Do you think that...? | 0:24:21 | 0:24:23 | |
BANG AND CLATTER | 0:24:23 | 0:24:25 | |
Jesus! What the hell was that? | 0:24:25 | 0:24:26 | |
That's not good, Bunton. That ain't good at all. | 0:24:28 | 0:24:31 | |
Wait here, I'm going to go and check outside. | 0:24:31 | 0:24:33 | |
Oh, my God! Don't leave me in here. | 0:24:33 | 0:24:34 | |
-I don't want to be in here on my own. -I'll leave you the gun. | 0:24:34 | 0:24:38 | |
-OK? -OK. -Right. | 0:24:38 | 0:24:40 | |
Don't be long. | 0:24:41 | 0:24:43 | |
Hey! | 0:24:44 | 0:24:46 | |
Who's out here? | 0:24:46 | 0:24:47 | |
What do you want from us? | 0:24:49 | 0:24:51 | |
Who bangs upon my door? | 0:24:51 | 0:24:52 | |
Begone! | 0:24:54 | 0:24:55 | |
Head to the woods! | 0:24:55 | 0:24:57 | |
We have no need for you here. | 0:24:58 | 0:24:59 | |
GUNSHOT | 0:24:59 | 0:25:01 | |
Oh, my God! | 0:25:01 | 0:25:02 | |
HE GASPS | 0:25:03 | 0:25:05 | |
Sleet? | 0:25:09 | 0:25:10 | |
-Bunton, Bunton! -Oh, my God! | 0:25:10 | 0:25:13 | |
-Bunton... -Oh, my God! -Bunton, get over here. | 0:25:13 | 0:25:16 | |
Get away from the door, Bunton. | 0:25:16 | 0:25:17 | |
-My God! -Get away from the door. | 0:25:17 | 0:25:19 | |
Oh, God, Bunton. | 0:25:19 | 0:25:22 | |
What... Oh, my God! | 0:25:22 | 0:25:23 | |
-Oh, my God! -Bunton... | 0:25:25 | 0:25:27 | |
Oh, my God! What do I... | 0:25:27 | 0:25:28 | |
HE COUGHS | 0:25:28 | 0:25:31 | |
Oh, my God! What do I do, what do I do? | 0:25:31 | 0:25:34 | |
-Oh, no! -They got me, Bunton. | 0:25:36 | 0:25:38 | |
They got me. | 0:25:38 | 0:25:39 | |
Oh, my God. | 0:25:42 | 0:25:43 | |
I guess this is it, huh? | 0:25:45 | 0:25:47 | |
No, no, no, it can't be! | 0:25:47 | 0:25:48 | |
Comes to all of us, Bunton. | 0:25:48 | 0:25:50 | |
No, you can't die! What about the next series? | 0:25:50 | 0:25:53 | |
Well, I guess it's just going to have to be somebody else | 0:25:53 | 0:25:56 | |
who takes the reins, Bunton. | 0:25:56 | 0:25:57 | |
-What the hell is going on there? -What's going on in there? | 0:25:57 | 0:26:01 | |
They're out there, they've come for us, Bunton. | 0:26:01 | 0:26:03 | |
-Oh, my God. -You need to take them out. | 0:26:03 | 0:26:06 | |
Whoever you think killed the cops in this town and then killed me, | 0:26:06 | 0:26:10 | |
you've got to take them out, Bunton. | 0:26:10 | 0:26:12 | |
Oh, my God! | 0:26:12 | 0:26:14 | |
Go, Bunton. Go, girl. | 0:26:14 | 0:26:17 | |
You can do this. | 0:26:17 | 0:26:18 | |
Is everything all right, Johnny? We came as quick as we could. | 0:26:19 | 0:26:23 | |
We heard a gunshot. | 0:26:23 | 0:26:25 | |
-Emma... -Oh, my God! -Emma, listen, | 0:26:25 | 0:26:27 | |
it's been a hell of a ride. | 0:26:27 | 0:26:29 | |
Finish my book for me, yeah? | 0:26:30 | 0:26:32 | |
Take... | 0:26:33 | 0:26:35 | |
the shot... | 0:26:35 | 0:26:36 | |
..and shout the killer's name. | 0:26:37 | 0:26:39 | |
Katy! | 0:26:39 | 0:26:40 | |
SIREN WAILS | 0:26:45 | 0:26:48 | |
Look after my boy Joe. | 0:26:48 | 0:26:51 | |
What the fuck is tha-a-a-a-at? | 0:26:51 | 0:26:56 | |
Who did this? | 0:26:56 | 0:26:57 | |
-Me! -Bunton! | 0:26:57 | 0:26:59 | |
Come here! Explain yourself. | 0:26:59 | 0:27:02 | |
Why Perry? | 0:27:02 | 0:27:03 | |
Because I went to her... I went to the diner and she had | 0:27:03 | 0:27:07 | |
the foot there and her weird son, I thought was helping, | 0:27:07 | 0:27:10 | |
and then she said to be careful in the wood. | 0:27:10 | 0:27:13 | |
Right. That is completely confused reasoning. | 0:27:13 | 0:27:17 | |
It wasn't Perry! | 0:27:17 | 0:27:18 | |
It wasn't her! | 0:27:18 | 0:27:20 | |
It was him! It was McKellen! | 0:27:21 | 0:27:23 | |
He's the killer. Take him away, boys. | 0:27:23 | 0:27:26 | |
-I'm innocent! -Take him away. | 0:27:26 | 0:27:28 | |
-I'm not looking for any crew. -You evil old bastard! | 0:27:28 | 0:27:30 | |
Of course it was McKellen. | 0:27:30 | 0:27:32 | |
You were looking for a left-handed killer, yes? | 0:27:32 | 0:27:35 | |
McKellen was left-handed, he had a hook. | 0:27:35 | 0:27:37 | |
Perry was right-handed. | 0:27:37 | 0:27:38 | |
McKellen was selling dolphin meat because his business was struggling. | 0:27:38 | 0:27:42 | |
Didn't you see the for sale signs down at the docks? | 0:27:42 | 0:27:46 | |
He told you that he'd made a delivery to the diner. | 0:27:46 | 0:27:50 | |
I took some round the diner the other day. | 0:27:50 | 0:27:52 | |
That's when he planted that foot. | 0:27:52 | 0:27:55 | |
Bunton, Bunton, the air up here has made you stupid. | 0:27:55 | 0:27:58 | |
-Shit! -What have you got to say for yourself? -Oh, shit. | 0:27:58 | 0:28:01 | |
Tell me something! | 0:28:03 | 0:28:05 | |
I... | 0:28:05 | 0:28:06 | |
messed up. Shit! | 0:28:06 | 0:28:08 | |
I've come all the way up here and it's cold | 0:28:08 | 0:28:11 | |
and the cold makes me weepy. | 0:28:11 | 0:28:12 | |
-Oh, shut up! -No, you shut up! | 0:28:12 | 0:28:15 | |
And as for you, you great... | 0:28:15 | 0:28:16 | |
Where is he? Where's Sleet? | 0:28:16 | 0:28:19 | |
You need to come and see. | 0:28:19 | 0:28:20 | |
MUSIC: Hurt performed by Johnny Cash | 0:28:20 | 0:28:22 | |
# What have I become | 0:28:22 | 0:28:23 | |
# My sweetest friend | 0:28:25 | 0:28:28 | |
# Everyone I know | 0:28:30 | 0:28:34 | |
# Goes away In the end | 0:28:34 | 0:28:38 | |
# And you could have it all | 0:28:40 | 0:28:43 | |
# My empire of dirt | 0:28:46 | 0:28:49 | |
# I will let you down | 0:28:51 | 0:28:54 | |
# I will make you hurt. # | 0:28:56 | 0:29:00 | |
# I wear this crown of thorns | 0:29:11 | 0:29:15 | |
# Upon my liar's chair | 0:29:17 | 0:29:20 | |
# Full of broken thoughts... # | 0:29:22 | 0:29:25 |