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This programme contains some strong language | 0:00:02 | 0:00:05 | |
I'm Richard Osman. I'm becoming a cop | 0:00:05 | 0:00:07 | |
and being thrown into a live murder mystery. | 0:00:07 | 0:00:09 | |
I've got no script, no idea what's about to happen, | 0:00:09 | 0:00:12 | |
so wish me luck as I try and solve a Murder In Successville. | 0:00:12 | 0:00:15 | |
'Welcome to Successville, a town full of celebrities. | 0:00:22 | 0:00:26 | |
'Sometimes the famous faces that live here break the law | 0:00:26 | 0:00:29 | |
'and when they do, I'm here to bring them down. | 0:00:29 | 0:00:33 | |
'I'm DI Sleet. | 0:00:33 | 0:00:34 | |
'The book of law is the only book I've ever read. | 0:00:34 | 0:00:38 | |
'Am I ashamed of that? | 0:00:38 | 0:00:40 | |
'You bet your sweet ass I am.' | 0:00:40 | 0:00:42 | |
What's that? | 0:01:05 | 0:01:06 | |
Oh, just...just a little sketch of a perp that I shot last week, Chief. | 0:01:06 | 0:01:11 | |
Fuck me, look at the colouring in. | 0:01:13 | 0:01:15 | |
Well, actually, it was perfect until you startled me. | 0:01:15 | 0:01:17 | |
I breached the lines. | 0:01:17 | 0:01:19 | |
So many issues flying around in here, Sleet. | 0:01:19 | 0:01:22 | |
-I've got you a new rookie. -Oh, great, that's all I need. | 0:01:22 | 0:01:24 | |
-Big boy! -Big boy? | 0:01:24 | 0:01:26 | |
-Wow, you really are a big boy. -Well, he's not that big, sir. | 0:01:28 | 0:01:31 | |
-Oh, I think he is, Sleet. He's bigger than you. -No, he's not. | 0:01:31 | 0:01:33 | |
This is DI Sleet, yes? He's our BEST detective, | 0:01:33 | 0:01:37 | |
which is why we've got such a massive fucking crime rate. | 0:01:37 | 0:01:40 | |
Good luck. | 0:01:40 | 0:01:42 | |
-What's your name? -Er, my name is Richard Osman. | 0:01:42 | 0:01:44 | |
It's very nice to meet you. | 0:01:44 | 0:01:45 | |
Sir. | 0:01:45 | 0:01:47 | |
-It's my pleasure. -Oh, is it? -Oh, yes, sir. | 0:01:47 | 0:01:50 | |
-I'll be the judge of that. -OK. | 0:01:50 | 0:01:52 | |
-Well, you won't be the judge of my pleasure. -What? | 0:01:52 | 0:01:54 | |
I said it's my pleasure. | 0:01:54 | 0:01:56 | |
I'll be the judge of any pleasure that goes on in this room! | 0:01:56 | 0:01:59 | |
-OK. -I will pleasure you if I like. | 0:01:59 | 0:02:01 | |
OK. Yeah, of course. Hey, listen. First day. | 0:02:01 | 0:02:03 | |
-I... -Whatever you want. -I know, I know what I've got here. | 0:02:03 | 0:02:06 | |
-Go on. -You're a Positive Pete. | 0:02:06 | 0:02:08 | |
-Oh, you think? -Everything's great and sunny in your world, isn't it? | 0:02:08 | 0:02:11 | |
-Do you know what? -Do you know what Positive Pete's about to do? | 0:02:11 | 0:02:15 | |
Sit his ass on that chair and get some frigging filing done! | 0:02:15 | 0:02:18 | |
-Great. -You nasty little boy. | 0:02:18 | 0:02:21 | |
You know what this is? | 0:02:21 | 0:02:23 | |
-A siren? -Well done. | 0:02:25 | 0:02:27 | |
-You're growing on me. -Thanks. | 0:02:27 | 0:02:29 | |
Now, I've been talking to some of the pig wigs over at IT. | 0:02:29 | 0:02:34 | |
-Pig wigs? -Yeah. | 0:02:34 | 0:02:35 | |
-IT boffs. -Not big wigs? -What? | 0:02:36 | 0:02:39 | |
-No, pig wigs. -Pig wigs. -Pig wigs. -Oh, yeah, yeah. -Brainy, brain dumps. | 0:02:39 | 0:02:43 | |
-Brain dumps. OK, yeah. -Brain heads. -IT. -Yeah, IT. | 0:02:43 | 0:02:46 | |
-Not big wigs, pig wigs. -Pig wigs, not big wigs. -Yeah. | 0:02:46 | 0:02:48 | |
-What are you going on about? -Nothing, it's fine. Pig wigs. | 0:02:48 | 0:02:51 | |
-Pig wigs. -What are the pig wigs saying? | 0:02:51 | 0:02:54 | |
Well, I've been saying that I don't think the siren sound | 0:02:54 | 0:02:57 | |
is doing me justice. | 0:02:57 | 0:02:59 | |
No-one's scared of a siren. So I've got an idea. | 0:02:59 | 0:03:01 | |
I want you to come up with your own siren. | 0:03:01 | 0:03:03 | |
-OK. -OK. -Are you ready? -Yeah. | 0:03:03 | 0:03:05 | |
Don't worry, the police are not on their way. | 0:03:07 | 0:03:09 | |
Continue robbing what you're robbing. | 0:03:09 | 0:03:11 | |
-How dare you, Osman? -No, but... -How dare you? | 0:03:11 | 0:03:13 | |
How very dare you? What the hell was that? | 0:03:13 | 0:03:16 | |
"Don't worry"? You should be worried. | 0:03:16 | 0:03:18 | |
-We're the police. -But listen, let's say I'm a burglar. | 0:03:18 | 0:03:21 | |
What do you do if you hear, "Don't worry, | 0:03:21 | 0:03:23 | |
"the police are not on their way, | 0:03:23 | 0:03:24 | |
-"you can continue robbing the warehouse"? -Well, I'd probably go... | 0:03:24 | 0:03:27 | |
-Keep robbing. -Keep robbing, so we turn up and what happens? | 0:03:27 | 0:03:31 | |
-We arrest them. -You know, you'd get what you want. | 0:03:31 | 0:03:34 | |
Look, we're big guys. It's hard for us... | 0:03:37 | 0:03:39 | |
-Yeah, all right, fair enough, Osman. It's a good idea! -Thank you. | 0:03:39 | 0:03:42 | |
-But it's not... -Go back to your desk. | 0:03:44 | 0:03:46 | |
-Get that filing done at once. -Of course, sir. | 0:03:46 | 0:03:49 | |
I don't know what you are, a rookie or a secretary. | 0:03:49 | 0:03:52 | |
Right, you two, listen up, yes? | 0:03:52 | 0:03:54 | |
There is a massive art heist about to take place tonight. | 0:03:54 | 0:03:59 | |
Yes, we have a tip-off that somebody's going to try and steal | 0:03:59 | 0:04:01 | |
the Brass Gnome. I need you two to get down there | 0:04:01 | 0:04:05 | |
and be on guard duty ASAP. | 0:04:05 | 0:04:07 | |
The curator, Bjork, is waiting for you. | 0:04:07 | 0:04:09 | |
Just so I know, Chief, where are we heading? | 0:04:09 | 0:04:12 | |
Well, Sleet, it's an art heist, yes? | 0:04:12 | 0:04:15 | |
We're talking about a priceless work of art. | 0:04:15 | 0:04:16 | |
Where do you think it might be taking place, yeah? | 0:04:16 | 0:04:19 | |
-Hurry up. -(Art gallery.) -Yes, I know an art gallery | 0:04:19 | 0:04:22 | |
but I was trying to make you look good in front of the chief. | 0:04:22 | 0:04:24 | |
Yeah, I should've... I should've said art gallery. | 0:04:24 | 0:04:26 | |
Well, you made us both look stupid. | 0:04:26 | 0:04:28 | |
My God! Out the way, Ben. | 0:04:28 | 0:04:31 | |
Right, come on, you. | 0:04:32 | 0:04:34 | |
Are you ready to rage down a terror | 0:04:34 | 0:04:36 | |
-and go and look after a brass gnome for the night? -Born ready. | 0:04:36 | 0:04:39 | |
-Then let's go solve a crime. -Let's do it. | 0:04:39 | 0:04:41 | |
There it is. The Brass Gnome. | 0:04:47 | 0:04:50 | |
Bing bong, I'm Bjork, the sparkling pixie dream child. | 0:04:55 | 0:04:59 | |
My, my, my, aren't you both very tall, | 0:04:59 | 0:05:02 | |
like two big mountain ranges crossed with two big doggies? | 0:05:02 | 0:05:06 | |
Well, I can assure you, we are neither mountain ranges | 0:05:06 | 0:05:08 | |
-nor big dogs. -Oh, yes, | 0:05:08 | 0:05:10 | |
I'm very, very pleased you two big Bills are here | 0:05:10 | 0:05:13 | |
because I'm very, very, very scared. | 0:05:13 | 0:05:17 | |
The heist tip-off has given me the willies in my stomach | 0:05:17 | 0:05:20 | |
and it's sparkling and prickling with fear. | 0:05:20 | 0:05:22 | |
-I understand. -These pieces are like my children. | 0:05:22 | 0:05:25 | |
I'm guessing that you probably don't have any actual children. | 0:05:25 | 0:05:28 | |
They have their own brains and their own minds. | 0:05:28 | 0:05:30 | |
-Well, they don't, really. -But some art does. | 0:05:30 | 0:05:32 | |
-What? -Some art is living. -Yes, all art is living. | 0:05:32 | 0:05:36 | |
Please, if anything happened to my children, I don't... | 0:05:36 | 0:05:39 | |
-I would melt! -Look what you've done now, Osman. | 0:05:39 | 0:05:42 | |
Look what you've done! | 0:05:42 | 0:05:44 | |
-Oh, bing-bong. -OK! -Idea light bulb. -Excellent. | 0:05:44 | 0:05:46 | |
Maybe one of us should check the windows and doors | 0:05:46 | 0:05:49 | |
to make sure everything is safe. | 0:05:49 | 0:05:50 | |
Yes, I think someone should go and check on the doors and windows. | 0:05:50 | 0:05:53 | |
Someone, maybe someone big and tall. | 0:05:53 | 0:05:55 | |
Or maybe someone who is small and annoying, | 0:05:55 | 0:05:58 | |
who knows the layout of the museum. | 0:05:58 | 0:06:00 | |
I'm going to fly away now and make myself very, very small. | 0:06:00 | 0:06:04 | |
Bing-bong. | 0:06:04 | 0:06:06 | |
What a strange little bug. Take a seat, Osman. | 0:06:07 | 0:06:09 | |
-There's no point standing. -I will. | 0:06:09 | 0:06:11 | |
Well, guv. | 0:06:13 | 0:06:15 | |
-Yep. -You know, here we are. | 0:06:15 | 0:06:17 | |
Who do you imagine's going to steal it? | 0:06:17 | 0:06:19 | |
Oh, I don't know. It could be anyone. | 0:06:19 | 0:06:22 | |
It's almost impossible to steal that... | 0:06:22 | 0:06:23 | |
-Oh, right, you know what's really impossible? -Yeah. | 0:06:23 | 0:06:26 | |
Getting you not to be annoying | 0:06:26 | 0:06:28 | |
and talk all the time. | 0:06:28 | 0:06:30 | |
There is some truth in that, yeah. | 0:06:30 | 0:06:32 | |
What the hell? Damn it, Richard! | 0:06:34 | 0:06:37 | |
-Oh, no. -Right, Jesus creepers. | 0:06:37 | 0:06:39 | |
-Osman? -Yes. -I've got a torch. | 0:06:39 | 0:06:41 | |
Christ Almighty, Osman, you have very soft hands. | 0:06:41 | 0:06:44 | |
Your remind me of my old art teacher, Clive. | 0:06:44 | 0:06:47 | |
ALARM BLARES | 0:06:47 | 0:06:48 | |
Damn it, they've got the gnome! | 0:06:48 | 0:06:51 | |
Damn it! | 0:06:51 | 0:06:53 | |
BJORK CRIES | 0:06:53 | 0:06:54 | |
Oh, God, this is what we need, a great big attention-seeker(!) | 0:06:54 | 0:06:58 | |
Oh, Richard, cradle me! | 0:06:58 | 0:07:01 | |
-It's OK. -Cradle me. -It's OK. -Cradle me. -It's OK. | 0:07:01 | 0:07:04 | |
I'm dying. Richard, out of nowhere, a masked figure... | 0:07:04 | 0:07:08 | |
-A masked figure. -..all in black came and bludgeoned me | 0:07:08 | 0:07:12 | |
-with the Brass Gnome. -With the Brass Gnome? | 0:07:12 | 0:07:15 | |
-I think my neck is broken. -Oh, no. | 0:07:15 | 0:07:18 | |
The only thing I could tell... | 0:07:18 | 0:07:20 | |
through his mask, I could smell his breath. | 0:07:20 | 0:07:24 | |
-OK. -And it smelled of cured meat. | 0:07:24 | 0:07:28 | |
-Cured meat? -That's a clue. -What kind of cured meat? | 0:07:28 | 0:07:32 | |
Think, sweet girl, think. | 0:07:32 | 0:07:33 | |
Oh... I don't know. | 0:07:33 | 0:07:35 | |
Was it...? Was it a chorizo? | 0:07:35 | 0:07:37 | |
Oh, that's a good question. | 0:07:37 | 0:07:39 | |
It was something more herby, Italian. | 0:07:39 | 0:07:42 | |
-Oh, like a merguez or something. -Spanish, maybe. | 0:07:42 | 0:07:44 | |
-Well, yeah, I mean, I've got to be honest with you... -Can you let...? | 0:07:44 | 0:07:47 | |
Merguez is lovely. I tell you what, | 0:07:47 | 0:07:48 | |
you want bangers and mash with merguez. | 0:07:48 | 0:07:50 | |
-Oh, really? -Oh, now you're talking. -That's like fusion cooking... | 0:07:50 | 0:07:53 | |
-Yeah. -..where you take two different continents... | 0:07:53 | 0:07:55 | |
Yes, fusion cooking. | 0:07:55 | 0:07:57 | |
-She's passed. -Yeah. | 0:07:57 | 0:07:58 | |
-That's a shame, isn't it? -Put her to the floor. | 0:07:58 | 0:08:01 | |
-There you go. -Let her die in peace. | 0:08:01 | 0:08:04 | |
Night-night, sweet angel. | 0:08:04 | 0:08:06 | |
Oh, there lies Bjork. | 0:08:06 | 0:08:07 | |
Bless her poor, stabbed heart. | 0:08:07 | 0:08:09 | |
We've got a murderer and an art thief on the loose. | 0:08:09 | 0:08:12 | |
-Yeah. -Let's go rein him in, boy. | 0:08:12 | 0:08:14 | |
Look at this, footprints. | 0:08:17 | 0:08:19 | |
Oh, yeah, look, yeah, bloody footprints, right? | 0:08:19 | 0:08:21 | |
-Everyone can tell that's paint. -Oh, right. | 0:08:21 | 0:08:25 | |
'What kind of douche bag would kill for art? | 0:08:25 | 0:08:27 | |
'Three names jumped to mind. | 0:08:27 | 0:08:29 | |
'First, Hillary Clinton, ex-art forger, now a teacher, | 0:08:29 | 0:08:33 | |
'and if there's one thing I hate more than forgery, it's learning.' | 0:08:33 | 0:08:37 | |
Welcome. Thank you. Thank you. Hello, new face there, hello. | 0:08:37 | 0:08:40 | |
-Hi, nice to meet you. -Welcome. Thank you so much for coming. | 0:08:40 | 0:08:43 | |
Thank you. Thank you, all. | 0:08:43 | 0:08:45 | |
Thank you, all, for coming to Hillary's art class. | 0:08:45 | 0:08:49 | |
People often say to me, "Hillary, what is art? | 0:08:49 | 0:08:51 | |
"What is good art?" | 0:08:51 | 0:08:52 | |
-And I say, "It's what -I -say is good art," | 0:08:52 | 0:08:55 | |
-because -I -am the art teacher | 0:08:55 | 0:08:58 | |
and, in this classroom, I decide who wins. | 0:08:58 | 0:09:02 | |
Me, I decide. | 0:09:02 | 0:09:03 | |
And I say if you're good or you're bad, OK? | 0:09:03 | 0:09:06 | |
Now, I see we have a new face here. | 0:09:06 | 0:09:08 | |
-Hello, sir, what's your name? -Hello. | 0:09:08 | 0:09:10 | |
-Er, Ricardo. -Ricardo? -Yeah. | 0:09:10 | 0:09:12 | |
-Dick? Can I call you Dick? -You... Of course you can. -Dicardo? | 0:09:12 | 0:09:15 | |
-Call me Dicardo if you wish. -Dickstick? -Dickstick. | 0:09:15 | 0:09:17 | |
-Dickstick's nice. -Dick-dick-dick. -Er, not that. -OK. | 0:09:17 | 0:09:19 | |
-Everything else, though, is good. -Wonderful. | 0:09:19 | 0:09:21 | |
So we have a little bit of sad news for you today. | 0:09:21 | 0:09:24 | |
Our usual model, my husband Bill, is not here. | 0:09:24 | 0:09:27 | |
No, he's got norovirus so he can't do his job. | 0:09:27 | 0:09:31 | |
That's Bill. | 0:09:31 | 0:09:33 | |
So I got in touch with an agency and I have found a replacement model. | 0:09:33 | 0:09:38 | |
So please welcome our model for this afternoon, here he is, | 0:09:38 | 0:09:41 | |
he's very experienced, he's done this a lot of times before. | 0:09:41 | 0:09:45 | |
Here he is. Wonderful. | 0:09:45 | 0:09:46 | |
-Oh! It is a real honour, sir. -The... -What a pleasure. | 0:09:46 | 0:09:49 | |
-The honour is all mine. -Oh! | 0:09:49 | 0:09:52 | |
Well, that's patronising. | 0:09:52 | 0:09:54 | |
OK. Lovely. | 0:09:54 | 0:09:56 | |
I always try to be patronising. | 0:09:56 | 0:09:58 | |
So, thank you. Thank you for coming. | 0:09:58 | 0:10:00 | |
Thank you for agreeing to put pen to paper. | 0:10:00 | 0:10:03 | |
OK. And so you know all the classical poses, then? | 0:10:03 | 0:10:06 | |
Would you like me to go with the Sleepy Tortoise? | 0:10:06 | 0:10:09 | |
-What...? -Or the Naughty But Nice, or Mine's A Hot Dog? | 0:10:09 | 0:10:12 | |
-Could we see some of those? -Let Me Eat All The Chips. | 0:10:12 | 0:10:15 | |
Oh. | 0:10:15 | 0:10:16 | |
-Yep. OK. -Erm... -Anything else? | 0:10:16 | 0:10:18 | |
-Vinny's Home. -How would that look? | 0:10:18 | 0:10:21 | |
OK, so, Dick, do you have a position you'd like? | 0:10:21 | 0:10:24 | |
-A favourite pose? -Anything. -The Naughty But Nice sounded intriguing. | 0:10:24 | 0:10:28 | |
-What does that look like? Let's see. -Oh, hmm. -It's not for me. | 0:10:28 | 0:10:30 | |
That's similar to Vinny's Home, isn't it? | 0:10:30 | 0:10:32 | |
-Do you have another...? -Well, it's nothing like Vinny's Home, Ricardo. | 0:10:32 | 0:10:35 | |
OK, how about Meerkat In Fright? | 0:10:35 | 0:10:38 | |
Meerkat In Fright, it's a common one. | 0:10:38 | 0:10:41 | |
-That's... -No, Dick, you not liking it? | 0:10:41 | 0:10:43 | |
Oh, no, I just... I... | 0:10:43 | 0:10:45 | |
I didn't believe it was a meerkat. | 0:10:45 | 0:10:47 | |
Didn't you, Rick? Ricardo? Your new name, Ricardo. | 0:10:47 | 0:10:50 | |
-Yeah. -What do you think, Dick? I'm not... | 0:10:50 | 0:10:52 | |
He looks more like a constipated baboon. | 0:10:52 | 0:10:55 | |
-Yeah. -Which is not... That's not... | 0:10:55 | 0:10:58 | |
If I knew you, and I was... | 0:10:58 | 0:11:00 | |
-in charge of you... -Yeah. -..in some way, | 0:11:00 | 0:11:03 | |
I'd say, "You foolish, nasty man, don't forget your place." | 0:11:03 | 0:11:07 | |
OK, let's see Meerkat In Fright, let's hold the pose. | 0:11:07 | 0:11:09 | |
Everyone get ready, we've got our charcoals ready. | 0:11:09 | 0:11:11 | |
OK, and would you like the grand unveiling? | 0:11:11 | 0:11:14 | |
Shall I take this off? | 0:11:14 | 0:11:15 | |
-Well, you can just get yourself ready. -OK. -There we go. | 0:11:15 | 0:11:18 | |
There's some charcoal, there, if you want. | 0:11:18 | 0:11:19 | |
-Oh, charcoal. -Or chalk, whatever you want. -Everybody ready? | 0:11:19 | 0:11:22 | |
OK, let's... | 0:11:22 | 0:11:23 | |
Oh... | 0:11:24 | 0:11:25 | |
-That is... I thought I'd seen it all. -Hmm. | 0:11:26 | 0:11:29 | |
-Time to drop these too. -Sorry, what? No, what's happening? | 0:11:29 | 0:11:31 | |
-Drop these too. -No, why are you doing that? | 0:11:31 | 0:11:33 | |
-That's... -Well, it's a nude class. | 0:11:33 | 0:11:34 | |
Everyone's come here to see the meat and the veg and everything. | 0:11:34 | 0:11:37 | |
-It feels like... -Well, maybe we've had our... | 0:11:37 | 0:11:39 | |
Maybe we're full. We don't need pudding. | 0:11:39 | 0:11:41 | |
Well, I'd feel a little short-changed | 0:11:41 | 0:11:43 | |
-if I came to a nude class... -You know what? Keep the change. | 0:11:43 | 0:11:45 | |
-I'd feel a little short-changed. -No, no, no, let's keep the change. | 0:11:45 | 0:11:48 | |
Well, exactly. I mean, if you'd like to see my penis... | 0:11:48 | 0:11:50 | |
-I would love to see it. -They have to... | 0:11:50 | 0:11:52 | |
I cannot begin to tell you how much I'd like to see it. | 0:11:52 | 0:11:54 | |
Well, Dick, perhaps you could see it at a separate time. | 0:11:54 | 0:11:56 | |
But for me, I want to keep my lunch down, you know? | 0:11:56 | 0:11:58 | |
Once I've got the trailer, I don't need to see the movie. | 0:11:58 | 0:12:01 | |
-That's how it goes. -How so, so, very charming. But I mean, | 0:12:01 | 0:12:04 | |
the thing is, you would not wear your shoes up in the shower. | 0:12:04 | 0:12:07 | |
I would at your house. | 0:12:07 | 0:12:08 | |
I don't have a house, so the joke's on you. | 0:12:08 | 0:12:10 | |
-I live in a car. -That does not surprise me. | 0:12:10 | 0:12:12 | |
-Oh, really? -No. -It feels a little indignifying | 0:12:12 | 0:12:15 | |
that I'm begging to pull my penis out in front of people. | 0:12:15 | 0:12:17 | |
It is. To be honest, it's very... | 0:12:17 | 0:12:19 | |
-I am embarrassed for you right now. -OK, well... | 0:12:19 | 0:12:21 | |
-But... -And this pose you want is this one? | 0:12:21 | 0:12:23 | |
Bit more arching the back. Little more in the knees. | 0:12:23 | 0:12:26 | |
-OK. -Lovely. There's some excellent work here, class. | 0:12:26 | 0:12:29 | |
Really lovely. Wonderful, Dick. That's actually very good. | 0:12:29 | 0:12:32 | |
Dick is actually really good at this. | 0:12:32 | 0:12:34 | |
-Sometimes... -Genuinely really, really good at this. -Really? | 0:12:34 | 0:12:36 | |
-It's the model that makes it, usually. -Mmm, that's true. | 0:12:36 | 0:12:39 | |
-I think he's terrific. -That's true. Keep going, Dick. | 0:12:39 | 0:12:41 | |
I love it. I really love what Dick is doing. | 0:12:41 | 0:12:43 | |
The heat in here - it's freezing. | 0:12:43 | 0:12:45 | |
I feel that my... | 0:12:45 | 0:12:48 | |
my penis isn't giving a good account of himself. | 0:12:48 | 0:12:50 | |
Well, our classes don't raise a lot of money, | 0:12:50 | 0:12:52 | |
so my overheads are very expensive. | 0:12:52 | 0:12:53 | |
-Yeah, that's not my problem... -We can't have the heating on. | 0:12:53 | 0:12:56 | |
I'm here doing my best. | 0:12:56 | 0:12:57 | |
Maybe if I was to get one of the class to blow upon my penis? | 0:12:57 | 0:13:00 | |
-Well, I... My regulars would not do that. -Well, maybe Ricardo? | 0:13:00 | 0:13:03 | |
I don't know how Dick feels about that? | 0:13:03 | 0:13:05 | |
I would... It would genuinely be an honour. | 0:13:05 | 0:13:08 | |
-Yes, well, come hither. -OK, Dick. -Come hither to blow upon my penis. | 0:13:08 | 0:13:11 | |
OK, guys. Maybe you can start, start your sketching. | 0:13:11 | 0:13:14 | |
Ricardo, who do you think you are? | 0:13:14 | 0:13:16 | |
Get down upon your knees and blow on my penis. | 0:13:16 | 0:13:19 | |
Well, Dick's done this before. He went straight down. | 0:13:19 | 0:13:22 | |
-Dick, give it a little blow. -Dick didn't need any asking. | 0:13:22 | 0:13:24 | |
Right, look up at me. | 0:13:24 | 0:13:26 | |
Blow. | 0:13:26 | 0:13:28 | |
Blow. Just make it look normal. | 0:13:28 | 0:13:30 | |
That's nice. Listen, you need to get a look in that handbag. | 0:13:30 | 0:13:33 | |
-Yeah. -All right? | 0:13:33 | 0:13:35 | |
That's nice, actually. Well done. | 0:13:35 | 0:13:37 | |
This is the first good bit of police work you've done. | 0:13:37 | 0:13:39 | |
-OK? -Yeah. -All right. -Yeah. | 0:13:39 | 0:13:41 | |
What's in there? Tell me everything that's in there. | 0:13:41 | 0:13:44 | |
-There's a purse. -Go through it, see if there's any loose change. | 0:13:44 | 0:13:46 | |
Any cash? | 0:13:46 | 0:13:48 | |
-Yeah, there's some cash. -How much? | 0:13:48 | 0:13:50 | |
-Like about 8p. -Give it here. | 0:13:50 | 0:13:51 | |
-That'll go in here. -That's nice. | 0:13:51 | 0:13:54 | |
8p, she must be broke. | 0:13:54 | 0:13:57 | |
-What else is in there? -There's a few receipts. | 0:13:57 | 0:13:59 | |
For what? | 0:13:59 | 0:14:00 | |
A delicatessen. | 0:14:00 | 0:14:02 | |
-What?! -Shh! | 0:14:02 | 0:14:03 | |
Oh, sorry. | 0:14:03 | 0:14:04 | |
Dick? Dick! Are you going in my handbag? | 0:14:08 | 0:14:10 | |
Er, I don't think so. | 0:14:10 | 0:14:11 | |
Excuse me, Dick, a woman's handbag is like her vagina. | 0:14:11 | 0:14:14 | |
You've got to get consent before you get in there. | 0:14:14 | 0:14:16 | |
I think Dick here had got himself a taste for penis blowing. | 0:14:16 | 0:14:19 | |
-I have heard some bullshit in this class. -Well, yes... | 0:14:19 | 0:14:21 | |
-But that is the worst thing. -..that's cos you're married to Bill. | 0:14:21 | 0:14:24 | |
Two tall gentleman obviously in love with each other who get off... | 0:14:24 | 0:14:27 | |
-We are not in love with each other. -That is ridiculous. | 0:14:27 | 0:14:30 | |
..who clearly get off on people watching them have sex. | 0:14:30 | 0:14:32 | |
Now, that's not the kind of class I'm running here. | 0:14:32 | 0:14:34 | |
-That is disgusting. -That's a bit much. -I think it's disgusting. | 0:14:34 | 0:14:37 | |
-I have never been so offended... -I want you both out of here. | 0:14:37 | 0:14:40 | |
Well, I was going to leave anyway. | 0:14:40 | 0:14:41 | |
You are a scandal to the modelling profession, | 0:14:41 | 0:14:44 | |
-and I will be reporting you. -How very... How dare you! | 0:14:44 | 0:14:46 | |
How dare you! Both of you. | 0:14:46 | 0:14:48 | |
-Dick, I trusted you, and you had good talent here. -Thank you. | 0:14:48 | 0:14:50 | |
Well, I shall tell everyone here something. | 0:14:50 | 0:14:52 | |
Screw up your papers for whence you have me naked. | 0:14:52 | 0:14:55 | |
-Ricardo, follow me. -Get out of here! -I shall get changed in my car. | 0:14:55 | 0:14:58 | |
Both of you, get out! | 0:14:58 | 0:14:59 | |
Everybody, go! They've ruined the art class. Go, go, go! | 0:14:59 | 0:15:03 | |
How can we draw when people don't take it seriously? | 0:15:03 | 0:15:06 | |
Nobody plays by the rules any more! | 0:15:06 | 0:15:10 | |
'School was out and Osman was about to learn | 0:15:10 | 0:15:12 | |
'there was more to police work than painting pretty pictures.' | 0:15:12 | 0:15:16 | |
-'SIREN: -Don't worry, the police are not on their way. | 0:15:16 | 0:15:19 | |
'Continue robbing what you're robbing. | 0:15:19 | 0:15:21 | |
'Don't worry, the police are not on their way. | 0:15:21 | 0:15:23 | |
'Continue robbing what you're robbing. | 0:15:23 | 0:15:25 | |
'Don't worry, the police are not on their way. | 0:15:25 | 0:15:27 | |
'Continue robbing what you're robbing. | 0:15:27 | 0:15:29 | |
'Don't worry, the police are not on their way. | 0:15:29 | 0:15:31 | |
'Continue robbing what you're robbing. | 0:15:31 | 0:15:33 | |
'Don't worry, the police are not on their way.' | 0:15:33 | 0:15:35 | |
-Happy with your handiwork? -Yeah, I'm really happy. | 0:15:35 | 0:15:37 | |
Really, are you? I think we sound ridiculous. | 0:15:37 | 0:15:40 | |
-We look like a pair of nerds. -It doesn't matter what we look like, | 0:15:40 | 0:15:42 | |
it matters what we do. 'Continue rob...' | 0:15:42 | 0:15:44 | |
-SLEET SWITCHES SIREN OFF You know something? -What? | 0:15:44 | 0:15:46 | |
I don't want to shout at you, Osman, because you're a nice kid. | 0:15:46 | 0:15:49 | |
-Thank you. -But listen. -Yeah? | 0:15:49 | 0:15:51 | |
This guy could kill us both, take us both down. | 0:15:51 | 0:15:54 | |
Zayn Malik? | 0:15:54 | 0:15:55 | |
He's up there. Let's do it. | 0:15:55 | 0:15:57 | |
If we've got to lock horns with Malik, | 0:15:58 | 0:16:00 | |
you're going to need some firepower. | 0:16:00 | 0:16:02 | |
Well, well, well. Look what we've got here. | 0:16:05 | 0:16:09 | |
Looks like we've found the cat's cradle. | 0:16:09 | 0:16:11 | |
-What do you mean? -Well, this is his hideout. His lair. | 0:16:11 | 0:16:15 | |
-Oh, because he's a cat burglar? -Put your gun away. -OK. | 0:16:15 | 0:16:20 | |
SLEET WHISTLES | 0:16:20 | 0:16:22 | |
Here, kitty, kitty. Malik. | 0:16:22 | 0:16:25 | |
-Hello, lads. -Well, well, well. | 0:16:25 | 0:16:28 | |
Look at you, you silly pussy. | 0:16:28 | 0:16:29 | |
Is that...? Are you saying I'm like a cat? | 0:16:29 | 0:16:31 | |
-Yeah... -I'm not a cat. I'm a lovely little lad, mate. | 0:16:31 | 0:16:35 | |
I'm not making pig jokes, am I? | 0:16:35 | 0:16:37 | |
You make pig jokes, I'll run up there and kick your ass. | 0:16:37 | 0:16:40 | |
That seems like an overreaction, man. | 0:16:40 | 0:16:42 | |
-Well, it's not an overreaction. -Yes. | 0:16:42 | 0:16:44 | |
Requires a lot of effort on your part. | 0:16:44 | 0:16:45 | |
And I can tell you now, that no pigs can talk, as far as I know. | 0:16:45 | 0:16:49 | |
It's bad for morale if people make jokes about us being pigs. | 0:16:49 | 0:16:52 | |
What are you po-po doing at my yard, then? | 0:16:52 | 0:16:54 | |
I was busy running around, having a fabulous laugh. | 0:16:54 | 0:16:56 | |
Well, I'm sorry to interrupt your running around | 0:16:56 | 0:16:58 | |
-and having a fabulous laugh. -Yeah. -But we're here about a double crime. | 0:16:58 | 0:17:02 | |
-Oh, God. -Fill him in with the details. | 0:17:02 | 0:17:04 | |
Erm, the, er, the Brass Gnome, you know the Brass Gnome? | 0:17:04 | 0:17:09 | |
Er, yeah, vaguely. | 0:17:09 | 0:17:11 | |
Has been stolen. | 0:17:11 | 0:17:12 | |
-Do you know anything about that? -I'm sorry, Malik. | 0:17:12 | 0:17:14 | |
Can I have a second? | 0:17:14 | 0:17:16 | |
Even though he's a suspect in a crime, | 0:17:16 | 0:17:18 | |
you've got to make it a little bit more fiery and sexy, like this. | 0:17:18 | 0:17:21 | |
-OK, OK. -Just follow my lead and learn. -All right. | 0:17:21 | 0:17:23 | |
Malik, the Brass Gnome has gone missing | 0:17:23 | 0:17:26 | |
and Bjork has been killed so we're after a thief. | 0:17:26 | 0:17:29 | |
-Yeah. -And... | 0:17:29 | 0:17:31 | |
And you are a thief, famously. | 0:17:32 | 0:17:34 | |
No, you're after a thief... We're after a thief and... | 0:17:34 | 0:17:36 | |
-Also... -A murderer. -..a murderer. | 0:17:36 | 0:17:39 | |
Well, thank you both from the bottom of my life | 0:17:39 | 0:17:43 | |
for thinking I might be capable of such a wonderful crime. | 0:17:43 | 0:17:49 | |
But, no, I don't know anything about that. | 0:17:49 | 0:17:51 | |
I've gone straight ever since I left my old gang. | 0:17:51 | 0:17:56 | |
Don't... Best decision I ever made. | 0:17:56 | 0:17:59 | |
Don't miss them. I don't... | 0:17:59 | 0:18:00 | |
I do not miss them. | 0:18:00 | 0:18:02 | |
Who wants that? | 0:18:02 | 0:18:04 | |
No, I'm all about the honeys these days, man. | 0:18:04 | 0:18:07 | |
Woo! I've got girls frequently approaching me in the street, | 0:18:07 | 0:18:11 | |
saying, "Congrats on looking goo...nice." | 0:18:11 | 0:18:16 | |
-What, people actually say that? -Yeah. | 0:18:16 | 0:18:18 | |
I've got pussy coming from out of my arse. | 0:18:18 | 0:18:21 | |
-That's not even a thing! -It's just an expression. | 0:18:21 | 0:18:24 | |
I like to go down the bars and things and overhear what lads... | 0:18:24 | 0:18:27 | |
Well, maybe you like to go down the bars, | 0:18:27 | 0:18:29 | |
maybe you like to go down the art galleries and do some stealing. | 0:18:29 | 0:18:32 | |
-No, the bars. -No! | 0:18:32 | 0:18:33 | |
And then I like to overhear, like, conversations between lads | 0:18:33 | 0:18:37 | |
in order to try and mimic them, sound cool in my own right. | 0:18:37 | 0:18:40 | |
Oh, so you're also a little peeping ear tom? | 0:18:40 | 0:18:43 | |
-Yeah. -Like a sneaky little ear thief. -Ear tom. | 0:18:43 | 0:18:45 | |
-You listen to them. -Well, it's nice to pick up phrases. | 0:18:45 | 0:18:47 | |
-Here's a phrase for you, here's one. -Living for the weekend, perhaps? | 0:18:47 | 0:18:50 | |
-That's a good phrase. -No, it's not. | 0:18:50 | 0:18:53 | |
Sort of suggesting you're excited to get out of work on Friday. | 0:18:53 | 0:18:58 | |
-Just chill out for once. -Our work never stops, does it, guv? | 0:18:58 | 0:19:02 | |
Exactly, Osman. For once, you've said something sensible... | 0:19:02 | 0:19:05 | |
-Thank you. -..and not stupid and benile. | 0:19:05 | 0:19:07 | |
-Benile? -What? -Nothing, doesn't matter. | 0:19:07 | 0:19:09 | |
Listen here. | 0:19:09 | 0:19:10 | |
We're here about a gnome that's gone missing. | 0:19:10 | 0:19:12 | |
-Yeah. -A brass gnome. -Right, I didn't steal the gnome. | 0:19:12 | 0:19:15 | |
-Really? -I didn't! | 0:19:15 | 0:19:17 | |
But, you know, I might have some information I can give you | 0:19:17 | 0:19:20 | |
if you can go down the police station and pull a few... | 0:19:20 | 0:19:23 | |
pull a few strings, which is another phrase I've come across. | 0:19:23 | 0:19:25 | |
This is more like it, Malik. You give me a little biscuit, | 0:19:25 | 0:19:28 | |
-I'll give you a crumb. -But I've got this... | 0:19:28 | 0:19:31 | |
I just need to get this taken off my leg. | 0:19:31 | 0:19:33 | |
I've got a curfew, innit? | 0:19:33 | 0:19:34 | |
I've got to be home by like 10pm every night until the morning. | 0:19:34 | 0:19:38 | |
You know, I'm rolling in the honeys these days | 0:19:38 | 0:19:40 | |
and I want to try and take them back here sometime! | 0:19:40 | 0:19:43 | |
-You listen here and you listen good. -All right. | 0:19:43 | 0:19:47 | |
I'm going to bring justice down on you. | 0:19:47 | 0:19:49 | |
-I'm going to bring justice, that's good. -Don't repeat. | 0:19:49 | 0:19:51 | |
RICHARD LAUGHS | 0:19:51 | 0:19:53 | |
I'm going to make sure that every day for the rest of your life... | 0:19:54 | 0:19:56 | |
-Can you get me a pen and paper? -Don't you dare. | 0:19:56 | 0:19:58 | |
I thought you were just telling me some good sayings. | 0:19:58 | 0:20:00 | |
No, I'm... | 0:20:00 | 0:20:03 | |
I want to be able to pick up sort of cool things to say like that so... | 0:20:03 | 0:20:06 | |
-I'm intimidating you, Malik, you nasty little creep. -You... | 0:20:06 | 0:20:10 | |
-This is... -OK. -This is not good. I feel ridiculous! | 0:20:10 | 0:20:12 | |
-That was mammoth. -I'm going! I'm done. | 0:20:12 | 0:20:14 | |
'Next up, art dealer Arsene Wenger | 0:20:14 | 0:20:17 | |
'and, like a disorientated starling, Osman was about to fly solo.' | 0:20:17 | 0:20:22 | |
You're going into an arty-farty party. | 0:20:22 | 0:20:25 | |
-OK. -I need you... -OK. -..to pretend that you're Sebastian Crab. | 0:20:25 | 0:20:30 | |
-OK. -This piece of crap. | 0:20:30 | 0:20:31 | |
-Mmph-mmph! -Shut up, Crab! | 0:20:31 | 0:20:33 | |
Or you'll have another mouthful of teeth! | 0:20:33 | 0:20:35 | |
Another mouthful of teeth? What...? | 0:20:35 | 0:20:37 | |
-Listen, you pick up on every little thing. -No, I'm just... | 0:20:37 | 0:20:39 | |
-I'm halfway through... -It's because I want to learn, you know that. | 0:20:39 | 0:20:42 | |
If you want to learn, let me teach you. | 0:20:42 | 0:20:45 | |
-That's what I'm trying... -Every time I'm trying to tell you something, | 0:20:45 | 0:20:48 | |
you go into the small "minutia" of something that doesn't even matter. | 0:20:48 | 0:20:52 | |
-Minutiae? -What?! -No, you're right. But listen... | 0:20:52 | 0:20:55 | |
This isn't a grammar rodeo, this is a police investigation! | 0:20:55 | 0:20:58 | |
For the first time in my life, I'm up against it, | 0:20:58 | 0:21:00 | |
and guess what I've got in my pocket? | 0:21:00 | 0:21:02 | |
You! Yeah? Honestly... | 0:21:02 | 0:21:04 | |
-Can I ask you one question? -Do you know if you can...? | 0:21:04 | 0:21:06 | |
-Can I ask you one question? -Yes. | 0:21:06 | 0:21:07 | |
Is there such a thing as a grammar rodeo, | 0:21:07 | 0:21:09 | |
-because I would be interested? -Shh. Shh. Right? | 0:21:09 | 0:21:13 | |
-You ready? -Yep. -This button camera will be able to see everything | 0:21:14 | 0:21:17 | |
-that goes on in that room. -Yep. -You are Sebastian Crab. | 0:21:17 | 0:21:20 | |
-I urge you to take this... -Mmph-mmph! | 0:21:20 | 0:21:22 | |
-Shut up, Crab! -He likes his name, doesn't he? | 0:21:22 | 0:21:24 | |
-What? -When you say his name, that's what he does. | 0:21:24 | 0:21:27 | |
-Yeah, he's been told to do that. He's a limited actor. -Yeah. | 0:21:27 | 0:21:30 | |
-Would he do it if I said it? -I don't know. Try it. | 0:21:30 | 0:21:33 | |
-Hello, my name is Sebastian Crab. -Mmph! | 0:21:33 | 0:21:36 | |
-Yeah, he does. -Oh, yeah. -I mean, to be fair, | 0:21:36 | 0:21:38 | |
he's actually doing what he's been told to do. | 0:21:38 | 0:21:40 | |
Right. Listen. | 0:21:40 | 0:21:42 | |
-When you go in that room... -Yep? | 0:21:42 | 0:21:44 | |
..I need you to tell everyone that you're Sebastian Crab. | 0:21:44 | 0:21:47 | |
-Mmph-mmph! -Yeah, there we go. | 0:21:49 | 0:21:51 | |
-This was only meant to be a two-minute segment. -Yeah. | 0:21:51 | 0:21:55 | |
THEY SNIGGER | 0:21:55 | 0:21:57 | |
-Right... -Yep. -Osman, final thing. | 0:22:00 | 0:22:03 | |
Ah, now you're talking. | 0:22:07 | 0:22:08 | |
Right, does that go past...? | 0:22:10 | 0:22:12 | |
-No. -That's not going to fit at all. | 0:22:12 | 0:22:15 | |
-How about that? -Ready? -Yeah. -Good luck. | 0:22:15 | 0:22:18 | |
Good work. | 0:22:32 | 0:22:34 | |
OK, Osman is in. He is in the party. | 0:22:34 | 0:22:37 | |
-Mmph! Mmph! -Shut up, you infernal racket! | 0:22:37 | 0:22:40 | |
Oh, I see you are very interested in this piece, yes? | 0:22:44 | 0:22:48 | |
Am I Arsene Wenger? | 0:22:48 | 0:22:49 | |
Yes. Is this Craig? Of course. | 0:22:49 | 0:22:51 | |
-CRAIG GIGGLES -Thank you, Craig. | 0:22:51 | 0:22:53 | |
And you must be...? | 0:22:53 | 0:22:55 | |
My name is Sebastian Crab. | 0:22:55 | 0:22:57 | |
Sebastian Crab? You are Sebastian Crab? | 0:22:57 | 0:22:59 | |
Same Sebastian Crab. | 0:22:59 | 0:23:01 | |
Mr Wenger, it's a pleasure to meet you. | 0:23:01 | 0:23:03 | |
It's a pleasure, of course. Look, it's very nice to meet you. | 0:23:03 | 0:23:06 | |
Craig, lovely to meet you too. | 0:23:06 | 0:23:07 | |
I can tell by the look on his face, he's very excited to see you. | 0:23:07 | 0:23:10 | |
Seems happy. I'm happy he's happy, huh? | 0:23:10 | 0:23:12 | |
Is this a huge honour for me to meet you? Yes. | 0:23:12 | 0:23:15 | |
Would I like to buy this piece? Yes. | 0:23:15 | 0:23:18 | |
Would it make an excellent centrepiece for my gallery? | 0:23:18 | 0:23:21 | |
Of course. | 0:23:21 | 0:23:22 | |
Especially now that my only rival has lost their...gnome. | 0:23:22 | 0:23:27 | |
-Mmm. -Am I sad about this? | 0:23:27 | 0:23:29 | |
No. Is my gallery now the best? | 0:23:29 | 0:23:32 | |
-Yes. -I heard that she died. | 0:23:32 | 0:23:34 | |
I have one more question for you, Sebastian Crab. | 0:23:41 | 0:23:44 | |
Please, ask me anything. | 0:23:44 | 0:23:45 | |
Have you ever had facial surgery? | 0:23:45 | 0:23:48 | |
This is not good, this is not good at all. | 0:23:48 | 0:23:50 | |
-Mmph! Mmph! -Shh, shh. Would you be quiet?! | 0:23:50 | 0:23:52 | |
-I'm trying to concentrate! -Mmph! -Well, right, that's it! | 0:23:52 | 0:23:55 | |
Oh, dang it! Oh, dang it! Would you shut up?! | 0:23:55 | 0:23:58 | |
-You haven't even got any tape on your mouth. -Mmph! | 0:23:58 | 0:24:00 | |
-Can't you speak? -Mmph! | 0:24:00 | 0:24:03 | |
You weirdo. | 0:24:03 | 0:24:04 | |
-Craig, frisk him. -Hey! | 0:24:04 | 0:24:08 | |
Wenger! Leave my partner alone. | 0:24:08 | 0:24:11 | |
Oh, look, it's DI Sleet. | 0:24:11 | 0:24:13 | |
This party just got way less cool. | 0:24:13 | 0:24:15 | |
Really? | 0:24:15 | 0:24:17 | |
Or did it just get even more cool, you French freaky pervert? | 0:24:17 | 0:24:22 | |
What do you want, Sleet? Me and Craig are very excited | 0:24:22 | 0:24:24 | |
and we are trying to celebrate the opening of our new gallery. | 0:24:24 | 0:24:28 | |
I'm here to ask a few questions, you French pervert, | 0:24:28 | 0:24:31 | |
like where were you last night? | 0:24:31 | 0:24:33 | |
Last night? I was here all night, | 0:24:33 | 0:24:35 | |
I was preparing this party with Craig. | 0:24:35 | 0:24:37 | |
It was just me and Craig all night. | 0:24:37 | 0:24:40 | |
-Really? -Yes, we had to paint the floor, | 0:24:40 | 0:24:41 | |
hang the lights and I had to make all the vol-au-vents from scratch | 0:24:41 | 0:24:44 | |
because me and Craig are vegan... | 0:24:44 | 0:24:46 | |
Listen here, you think you're better than everyone else in this town, | 0:24:46 | 0:24:49 | |
sitting up here with your freaky friends and your stupid jumper. | 0:24:49 | 0:24:54 | |
It's a rollneck, Sleet. It's better than neck rolls. | 0:24:54 | 0:24:56 | |
Right, you wank stain. | 0:24:56 | 0:24:58 | |
Wenger, look at me, you wank stain. | 0:24:58 | 0:25:00 | |
-Right, wank stain... -Sleet, what the hell is this? | 0:25:01 | 0:25:03 | |
You come to my party, I expect at least a decent insult. | 0:25:03 | 0:25:06 | |
-It was rubbish. -These two are like an annoying couple | 0:25:06 | 0:25:08 | |
you meet on holiday and then you wish you didn't meet them. | 0:25:08 | 0:25:10 | |
See, that's a good insult, but say it to them! | 0:25:10 | 0:25:12 | |
You two are like an annoying couple you meet on holiday, | 0:25:12 | 0:25:14 | |
probably in France, and then you don't want to see them again. | 0:25:14 | 0:25:17 | |
Yeah. I heard it the first time you told him. | 0:25:17 | 0:25:19 | |
Yeah, I know, but he's not got much confidence when it comes to insults. | 0:25:19 | 0:25:21 | |
You two, you look like two giraffes that have been shaven | 0:25:21 | 0:25:24 | |
-and put in stupid clothes. -CRAIG GIGGLES | 0:25:24 | 0:25:26 | |
-Craig really likes that one. -What? Because we're tall, | 0:25:26 | 0:25:29 | |
you French freak? You tiny French freak. | 0:25:29 | 0:25:31 | |
-Oh, this is more like it! -Yeah? -Yeah! -You tiny little French freak. | 0:25:31 | 0:25:34 | |
What's the weather like down there, you freak? | 0:25:34 | 0:25:36 | |
-That's it! All this anger! -You're a joke, Sleet. | 0:25:36 | 0:25:39 | |
Get out of my party. | 0:25:39 | 0:25:40 | |
Me and my gender-fluid fuck buddies are about to hit the strobe lights | 0:25:40 | 0:25:43 | |
and get nasty in the greased-up paddling pool of sexual abandon, | 0:25:43 | 0:25:46 | |
and you, you disgrace, are killing the vibe. | 0:25:46 | 0:25:50 | |
Come on, Richard. Let's get out of here. | 0:25:50 | 0:25:52 | |
'Time was up. I had a tip-off all the suspects were meeting | 0:25:52 | 0:25:56 | |
'at a secret auction run by Bill Nighy. | 0:25:56 | 0:25:58 | |
'But how will we sneak in? | 0:25:58 | 0:26:00 | |
'This was to be my most elaborate bust yet.' | 0:26:00 | 0:26:02 | |
Hello, everyone. | 0:26:02 | 0:26:04 | |
Let's get this illegal underground auction under way, | 0:26:04 | 0:26:08 | |
cos it stinks down here. | 0:26:08 | 0:26:10 | |
Right, then. Let's start with these. | 0:26:10 | 0:26:12 | |
Ladies and gentlemen, we have here a pair of marble busts. | 0:26:12 | 0:26:17 | |
Lots of humour. One is beautiful, noble and princely. | 0:26:17 | 0:26:22 | |
The other is a sort of grotesque hideous buffalo man. | 0:26:22 | 0:26:26 | |
I mean, that's hard, for him to call you a buffalo man. | 0:26:26 | 0:26:28 | |
-How do you feel about that? -Listen, I mean, it's... | 0:26:28 | 0:26:32 | |
Yeah, let's say that's me. | 0:26:32 | 0:26:33 | |
Like a before-and-after of some hideous disease. | 0:26:33 | 0:26:37 | |
Whether he is talking about me or you, | 0:26:37 | 0:26:39 | |
I am not going to accept this kind of derogatory... | 0:26:39 | 0:26:42 | |
It's very offensive. | 0:26:42 | 0:26:44 | |
Maybe the artist had a stroke after the first one | 0:26:44 | 0:26:48 | |
and soldiered on with the other one. | 0:26:48 | 0:26:49 | |
Hold up for one second! | 0:26:49 | 0:26:51 | |
I will not take that kind of insult about me or this buffalo man! | 0:26:51 | 0:26:55 | |
Christ, it's Sleet! The filth are in the sewers! | 0:26:55 | 0:26:57 | |
Everyone scarper! | 0:26:57 | 0:26:59 | |
Quick, take the shot! | 0:26:59 | 0:27:00 | |
Take the shot, man! | 0:27:00 | 0:27:02 | |
Hillary Clinton! | 0:27:02 | 0:27:03 | |
-Fuck me ragged! -Great shot! | 0:27:09 | 0:27:13 | |
Who did this?! | 0:27:13 | 0:27:15 | |
Richard Osmond. | 0:27:15 | 0:27:17 | |
Yeah? Why did you shoot Hillary Clinton? | 0:27:17 | 0:27:19 | |
Well, I thought that it couldn't be Zayn Malik | 0:27:19 | 0:27:22 | |
because he had the ankle tag | 0:27:22 | 0:27:24 | |
and when we were in the gallery it was, I think, 22:20, 22:30, | 0:27:24 | 0:27:28 | |
something like that, so he couldn't have been there. | 0:27:28 | 0:27:31 | |
I thought it couldn't be Arsene Wenger | 0:27:31 | 0:27:33 | |
because when he was talking about his vol-au-vents, | 0:27:33 | 0:27:35 | |
he said he was a vegan, | 0:27:35 | 0:27:36 | |
-and Bjork smelt cured meats... -Yeah. -..on the breath of the killer. | 0:27:36 | 0:27:40 | |
So it could only be Hillary. | 0:27:40 | 0:27:42 | |
If your hypothesis is correct... | 0:27:42 | 0:27:44 | |
-I hope so. -..when we open that box, the Brass Gnome should be inside. | 0:27:44 | 0:27:49 | |
Oh, OK. | 0:27:49 | 0:27:50 | |
-Well done, Osman, you beautiful beast! -Wow. | 0:27:54 | 0:27:57 | |
-Oh, I'm so proud of you, I really am. -Woop-woop! -Don't you dare. | 0:27:57 | 0:28:01 | |
-Yeah. -Well done. -Thank you. Thank you, sir. -Bravo. | 0:28:01 | 0:28:03 | |
I'm very glad I paired you up with him. | 0:28:03 | 0:28:05 | |
Of course it was Hillary. | 0:28:05 | 0:28:07 | |
Why? It couldn't have been Arsene Wenger. | 0:28:07 | 0:28:09 | |
I had to make all the vol-au-vents from scratch, | 0:28:09 | 0:28:11 | |
because me and Craig are vegans, you know? | 0:28:11 | 0:28:13 | |
It couldn't have been Malik, because the murder took place | 0:28:13 | 0:28:16 | |
after 10pm and Malik had a curfew. Yes. | 0:28:16 | 0:28:18 | |
I've got to be home by, like, 10pm. | 0:28:18 | 0:28:20 | |
It was Hillary Clinton. | 0:28:20 | 0:28:22 | |
You obviously saw the deli receipts in her bag. | 0:28:22 | 0:28:25 | |
-There's a few receipts. -For what? | 0:28:25 | 0:28:27 | |
A delicatessen. | 0:28:27 | 0:28:29 | |
And you also obviously noted the red footprint | 0:28:29 | 0:28:33 | |
which was the same as the red paint in her gallery. | 0:28:33 | 0:28:37 | |
-There was red paint. -Bravo, Osman. I'm proud of you. -Thank you, Chief. | 0:28:37 | 0:28:40 | |
Not only that, but you've saved a priceless work of art. | 0:28:40 | 0:28:43 | |
Well, you say priceless but actually, sir, | 0:28:43 | 0:28:46 | |
I think you'll find it's actually worth quite a lot of money. | 0:28:46 | 0:28:48 | |
Oh, go home, you massive polyp! | 0:28:48 | 0:28:52 | |
Hey, you fancy a drink? | 0:28:53 | 0:28:55 | |
Oh, I'd love a pint with you. | 0:28:55 | 0:28:56 | |
Do you talk more or less when you're drunk? | 0:28:56 | 0:28:58 | |
I talk a lot more. | 0:28:58 | 0:29:00 | |
Well, let's make it a pint of lemonade. | 0:29:00 | 0:29:02 | |
THEY LAUGH | 0:29:02 | 0:29:04 | |
# We don't have to take our clothes off | 0:29:04 | 0:29:07 | |
# To have a good time | 0:29:07 | 0:29:09 | |
# Oh, no | 0:29:09 | 0:29:11 | |
-# We could dance and party -All night | 0:29:11 | 0:29:13 | |
-# All night -We can dance all night | 0:29:13 | 0:29:15 | |
# And drink some cherry wine, uh-huh | 0:29:15 | 0:29:18 | |
# We don't have to take our clothes off | 0:29:18 | 0:29:22 | |
# No, no, no | 0:29:22 | 0:29:23 | |
# To have a good time | 0:29:23 | 0:29:25 | |
# Oh, no... # | 0:29:25 | 0:29:27 |