The Brass Gnome Murder in Successville


The Brass Gnome

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Transcript


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This programme contains some strong language

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I'm Richard Osman. I'm becoming a cop

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and being thrown into a live murder mystery.

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I've got no script, no idea what's about to happen,

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so wish me luck as I try and solve a Murder In Successville.

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'Welcome to Successville, a town full of celebrities.

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'Sometimes the famous faces that live here break the law

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'and when they do, I'm here to bring them down.

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'I'm DI Sleet.

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'The book of law is the only book I've ever read.

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'Am I ashamed of that?

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'You bet your sweet ass I am.'

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What's that?

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Oh, just...just a little sketch of a perp that I shot last week, Chief.

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Fuck me, look at the colouring in.

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Well, actually, it was perfect until you startled me.

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I breached the lines.

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So many issues flying around in here, Sleet.

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-I've got you a new rookie.

-Oh, great, that's all I need.

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-Big boy!

-Big boy?

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-Wow, you really are a big boy.

-Well, he's not that big, sir.

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-Oh, I think he is, Sleet. He's bigger than you.

-No, he's not.

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This is DI Sleet, yes? He's our BEST detective,

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which is why we've got such a massive fucking crime rate.

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Good luck.

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-What's your name?

-Er, my name is Richard Osman.

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It's very nice to meet you.

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Sir.

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-It's my pleasure.

-Oh, is it?

-Oh, yes, sir.

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-I'll be the judge of that.

-OK.

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-Well, you won't be the judge of my pleasure.

-What?

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I said it's my pleasure.

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I'll be the judge of any pleasure that goes on in this room!

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-OK.

-I will pleasure you if I like.

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OK. Yeah, of course. Hey, listen. First day.

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-I...

-Whatever you want.

-I know, I know what I've got here.

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-Go on.

-You're a Positive Pete.

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-Oh, you think?

-Everything's great and sunny in your world, isn't it?

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-Do you know what?

-Do you know what Positive Pete's about to do?

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Sit his ass on that chair and get some frigging filing done!

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-Great.

-You nasty little boy.

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You know what this is?

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-A siren?

-Well done.

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-You're growing on me.

-Thanks.

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Now, I've been talking to some of the pig wigs over at IT.

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-Pig wigs?

-Yeah.

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-IT boffs.

-Not big wigs?

-What?

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-No, pig wigs.

-Pig wigs.

-Pig wigs.

-Oh, yeah, yeah.

-Brainy, brain dumps.

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-Brain dumps. OK, yeah.

-Brain heads.

-IT.

-Yeah, IT.

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-Not big wigs, pig wigs.

-Pig wigs, not big wigs.

-Yeah.

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-What are you going on about?

-Nothing, it's fine. Pig wigs.

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-Pig wigs.

-What are the pig wigs saying?

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Well, I've been saying that I don't think the siren sound

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is doing me justice.

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No-one's scared of a siren. So I've got an idea.

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I want you to come up with your own siren.

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-OK.

-OK.

-Are you ready?

-Yeah.

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Don't worry, the police are not on their way.

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Continue robbing what you're robbing.

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-How dare you, Osman?

-No, but...

-How dare you?

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How very dare you? What the hell was that?

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"Don't worry"? You should be worried.

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-We're the police.

-But listen, let's say I'm a burglar.

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What do you do if you hear, "Don't worry,

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"the police are not on their way,

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-"you can continue robbing the warehouse"?

-Well, I'd probably go...

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-Keep robbing.

-Keep robbing, so we turn up and what happens?

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-We arrest them.

-You know, you'd get what you want.

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Look, we're big guys. It's hard for us...

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-Yeah, all right, fair enough, Osman. It's a good idea!

-Thank you.

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-But it's not...

-Go back to your desk.

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-Get that filing done at once.

-Of course, sir.

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I don't know what you are, a rookie or a secretary.

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Right, you two, listen up, yes?

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There is a massive art heist about to take place tonight.

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Yes, we have a tip-off that somebody's going to try and steal

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the Brass Gnome. I need you two to get down there

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and be on guard duty ASAP.

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The curator, Bjork, is waiting for you.

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Just so I know, Chief, where are we heading?

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Well, Sleet, it's an art heist, yes?

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We're talking about a priceless work of art.

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Where do you think it might be taking place, yeah?

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-Hurry up.

-(Art gallery.)

-Yes, I know an art gallery

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but I was trying to make you look good in front of the chief.

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Yeah, I should've... I should've said art gallery.

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Well, you made us both look stupid.

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My God! Out the way, Ben.

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Right, come on, you.

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Are you ready to rage down a terror

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-and go and look after a brass gnome for the night?

-Born ready.

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-Then let's go solve a crime.

-Let's do it.

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There it is. The Brass Gnome.

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Bing bong, I'm Bjork, the sparkling pixie dream child.

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My, my, my, aren't you both very tall,

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like two big mountain ranges crossed with two big doggies?

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Well, I can assure you, we are neither mountain ranges

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-nor big dogs.

-Oh, yes,

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I'm very, very pleased you two big Bills are here

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because I'm very, very, very scared.

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The heist tip-off has given me the willies in my stomach

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and it's sparkling and prickling with fear.

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-I understand.

-These pieces are like my children.

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I'm guessing that you probably don't have any actual children.

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They have their own brains and their own minds.

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-Well, they don't, really.

-But some art does.

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-What?

-Some art is living.

-Yes, all art is living.

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Please, if anything happened to my children, I don't...

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-I would melt!

-Look what you've done now, Osman.

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Look what you've done!

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-Oh, bing-bong.

-OK!

-Idea light bulb.

-Excellent.

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Maybe one of us should check the windows and doors

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to make sure everything is safe.

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Yes, I think someone should go and check on the doors and windows.

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Someone, maybe someone big and tall.

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Or maybe someone who is small and annoying,

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who knows the layout of the museum.

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I'm going to fly away now and make myself very, very small.

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Bing-bong.

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What a strange little bug. Take a seat, Osman.

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-There's no point standing.

-I will.

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Well, guv.

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-Yep.

-You know, here we are.

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Who do you imagine's going to steal it?

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Oh, I don't know. It could be anyone.

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It's almost impossible to steal that...

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-Oh, right, you know what's really impossible?

-Yeah.

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Getting you not to be annoying

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and talk all the time.

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There is some truth in that, yeah.

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What the hell? Damn it, Richard!

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-Oh, no.

-Right, Jesus creepers.

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-Osman?

-Yes.

-I've got a torch.

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Christ Almighty, Osman, you have very soft hands.

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Your remind me of my old art teacher, Clive.

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ALARM BLARES

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Damn it, they've got the gnome!

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Damn it!

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BJORK CRIES

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Oh, God, this is what we need, a great big attention-seeker(!)

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Oh, Richard, cradle me!

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-It's OK.

-Cradle me.

-It's OK.

-Cradle me.

-It's OK.

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I'm dying. Richard, out of nowhere, a masked figure...

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-A masked figure.

-..all in black came and bludgeoned me

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-with the Brass Gnome.

-With the Brass Gnome?

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-I think my neck is broken.

-Oh, no.

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The only thing I could tell...

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through his mask, I could smell his breath.

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-OK.

-And it smelled of cured meat.

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-Cured meat?

-That's a clue.

-What kind of cured meat?

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Think, sweet girl, think.

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Oh... I don't know.

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Was it...? Was it a chorizo?

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Oh, that's a good question.

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It was something more herby, Italian.

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-Oh, like a merguez or something.

-Spanish, maybe.

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-Well, yeah, I mean, I've got to be honest with you...

-Can you let...?

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Merguez is lovely. I tell you what,

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you want bangers and mash with merguez.

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-Oh, really?

-Oh, now you're talking.

-That's like fusion cooking...

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-Yeah.

-..where you take two different continents...

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Yes, fusion cooking.

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-She's passed.

-Yeah.

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-That's a shame, isn't it?

-Put her to the floor.

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-There you go.

-Let her die in peace.

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Night-night, sweet angel.

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Oh, there lies Bjork.

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Bless her poor, stabbed heart.

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We've got a murderer and an art thief on the loose.

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-Yeah.

-Let's go rein him in, boy.

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Look at this, footprints.

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Oh, yeah, look, yeah, bloody footprints, right?

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-Everyone can tell that's paint.

-Oh, right.

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'What kind of douche bag would kill for art?

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'Three names jumped to mind.

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'First, Hillary Clinton, ex-art forger, now a teacher,

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'and if there's one thing I hate more than forgery, it's learning.'

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Welcome. Thank you. Thank you. Hello, new face there, hello.

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-Hi, nice to meet you.

-Welcome. Thank you so much for coming.

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Thank you. Thank you, all.

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Thank you, all, for coming to Hillary's art class.

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People often say to me, "Hillary, what is art?

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"What is good art?"

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-And I say, "It's what

-I

-say is good art,"

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-because

-I

-am the art teacher

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and, in this classroom, I decide who wins.

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Me, I decide.

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And I say if you're good or you're bad, OK?

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Now, I see we have a new face here.

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-Hello, sir, what's your name?

-Hello.

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-Er, Ricardo.

-Ricardo?

-Yeah.

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-Dick? Can I call you Dick?

-You... Of course you can.

-Dicardo?

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-Call me Dicardo if you wish.

-Dickstick?

-Dickstick.

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-Dickstick's nice.

-Dick-dick-dick.

-Er, not that.

-OK.

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-Everything else, though, is good.

-Wonderful.

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So we have a little bit of sad news for you today.

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Our usual model, my husband Bill, is not here.

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No, he's got norovirus so he can't do his job.

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That's Bill.

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So I got in touch with an agency and I have found a replacement model.

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So please welcome our model for this afternoon, here he is,

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he's very experienced, he's done this a lot of times before.

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Here he is. Wonderful.

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-Oh! It is a real honour, sir.

-The...

-What a pleasure.

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-The honour is all mine.

-Oh!

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Well, that's patronising.

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OK. Lovely.

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I always try to be patronising.

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So, thank you. Thank you for coming.

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Thank you for agreeing to put pen to paper.

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OK. And so you know all the classical poses, then?

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Would you like me to go with the Sleepy Tortoise?

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-What...?

-Or the Naughty But Nice, or Mine's A Hot Dog?

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-Could we see some of those?

-Let Me Eat All The Chips.

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Oh.

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-Yep. OK.

-Erm...

-Anything else?

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-Vinny's Home.

-How would that look?

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OK, so, Dick, do you have a position you'd like?

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-A favourite pose?

-Anything.

-The Naughty But Nice sounded intriguing.

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-What does that look like? Let's see.

-Oh, hmm.

-It's not for me.

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That's similar to Vinny's Home, isn't it?

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-Do you have another...?

-Well, it's nothing like Vinny's Home, Ricardo.

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OK, how about Meerkat In Fright?

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Meerkat In Fright, it's a common one.

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-That's...

-No, Dick, you not liking it?

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Oh, no, I just... I...

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I didn't believe it was a meerkat.

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Didn't you, Rick? Ricardo? Your new name, Ricardo.

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-Yeah.

-What do you think, Dick? I'm not...

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He looks more like a constipated baboon.

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-Yeah.

-Which is not... That's not...

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If I knew you, and I was...

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-in charge of you...

-Yeah.

-..in some way,

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I'd say, "You foolish, nasty man, don't forget your place."

0:11:030:11:07

OK, let's see Meerkat In Fright, let's hold the pose.

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Everyone get ready, we've got our charcoals ready.

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OK, and would you like the grand unveiling?

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Shall I take this off?

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-Well, you can just get yourself ready.

-OK.

-There we go.

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There's some charcoal, there, if you want.

0:11:180:11:19

-Oh, charcoal.

-Or chalk, whatever you want.

-Everybody ready?

0:11:190:11:22

OK, let's...

0:11:220:11:23

Oh...

0:11:240:11:25

-That is... I thought I'd seen it all.

-Hmm.

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-Time to drop these too.

-Sorry, what? No, what's happening?

0:11:290:11:31

-Drop these too.

-No, why are you doing that?

0:11:310:11:33

-That's...

-Well, it's a nude class.

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Everyone's come here to see the meat and the veg and everything.

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-It feels like...

-Well, maybe we've had our...

0:11:370:11:39

Maybe we're full. We don't need pudding.

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Well, I'd feel a little short-changed

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-if I came to a nude class...

-You know what? Keep the change.

0:11:430:11:45

-I'd feel a little short-changed.

-No, no, no, let's keep the change.

0:11:450:11:48

Well, exactly. I mean, if you'd like to see my penis...

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-I would love to see it.

-They have to...

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I cannot begin to tell you how much I'd like to see it.

0:11:520:11:54

Well, Dick, perhaps you could see it at a separate time.

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But for me, I want to keep my lunch down, you know?

0:11:560:11:58

Once I've got the trailer, I don't need to see the movie.

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-That's how it goes.

-How so, so, very charming. But I mean,

0:12:010:12:04

the thing is, you would not wear your shoes up in the shower.

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I would at your house.

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I don't have a house, so the joke's on you.

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-I live in a car.

-That does not surprise me.

0:12:100:12:12

-Oh, really?

-No.

-It feels a little indignifying

0:12:120:12:15

that I'm begging to pull my penis out in front of people.

0:12:150:12:17

It is. To be honest, it's very...

0:12:170:12:19

-I am embarrassed for you right now.

-OK, well...

0:12:190:12:21

-But...

-And this pose you want is this one?

0:12:210:12:23

Bit more arching the back. Little more in the knees.

0:12:230:12:26

-OK.

-Lovely. There's some excellent work here, class.

0:12:260:12:29

Really lovely. Wonderful, Dick. That's actually very good.

0:12:290:12:32

Dick is actually really good at this.

0:12:320:12:34

-Sometimes...

-Genuinely really, really good at this.

-Really?

0:12:340:12:36

-It's the model that makes it, usually.

-Mmm, that's true.

0:12:360:12:39

-I think he's terrific.

-That's true. Keep going, Dick.

0:12:390:12:41

I love it. I really love what Dick is doing.

0:12:410:12:43

The heat in here - it's freezing.

0:12:430:12:45

I feel that my...

0:12:450:12:48

my penis isn't giving a good account of himself.

0:12:480:12:50

Well, our classes don't raise a lot of money,

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so my overheads are very expensive.

0:12:520:12:53

-Yeah, that's not my problem...

-We can't have the heating on.

0:12:530:12:56

I'm here doing my best.

0:12:560:12:57

Maybe if I was to get one of the class to blow upon my penis?

0:12:570:13:00

-Well, I... My regulars would not do that.

-Well, maybe Ricardo?

0:13:000:13:03

I don't know how Dick feels about that?

0:13:030:13:05

I would... It would genuinely be an honour.

0:13:050:13:08

-Yes, well, come hither.

-OK, Dick.

-Come hither to blow upon my penis.

0:13:080:13:11

OK, guys. Maybe you can start, start your sketching.

0:13:110:13:14

Ricardo, who do you think you are?

0:13:140:13:16

Get down upon your knees and blow on my penis.

0:13:160:13:19

Well, Dick's done this before. He went straight down.

0:13:190:13:22

-Dick, give it a little blow.

-Dick didn't need any asking.

0:13:220:13:24

Right, look up at me.

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Blow.

0:13:260:13:28

Blow. Just make it look normal.

0:13:280:13:30

That's nice. Listen, you need to get a look in that handbag.

0:13:300:13:33

-Yeah.

-All right?

0:13:330:13:35

That's nice, actually. Well done.

0:13:350:13:37

This is the first good bit of police work you've done.

0:13:370:13:39

-OK?

-Yeah.

-All right.

-Yeah.

0:13:390:13:41

What's in there? Tell me everything that's in there.

0:13:410:13:44

-There's a purse.

-Go through it, see if there's any loose change.

0:13:440:13:46

Any cash?

0:13:460:13:48

-Yeah, there's some cash.

-How much?

0:13:480:13:50

-Like about 8p.

-Give it here.

0:13:500:13:51

-That'll go in here.

-That's nice.

0:13:510:13:54

8p, she must be broke.

0:13:540:13:57

-What else is in there?

-There's a few receipts.

0:13:570:13:59

For what?

0:13:590:14:00

A delicatessen.

0:14:000:14:02

-What?!

-Shh!

0:14:020:14:03

Oh, sorry.

0:14:030:14:04

Dick? Dick! Are you going in my handbag?

0:14:080:14:10

Er, I don't think so.

0:14:100:14:11

Excuse me, Dick, a woman's handbag is like her vagina.

0:14:110:14:14

You've got to get consent before you get in there.

0:14:140:14:16

I think Dick here had got himself a taste for penis blowing.

0:14:160:14:19

-I have heard some bullshit in this class.

-Well, yes...

0:14:190:14:21

-But that is the worst thing.

-..that's cos you're married to Bill.

0:14:210:14:24

Two tall gentleman obviously in love with each other who get off...

0:14:240:14:27

-We are not in love with each other.

-That is ridiculous.

0:14:270:14:30

..who clearly get off on people watching them have sex.

0:14:300:14:32

Now, that's not the kind of class I'm running here.

0:14:320:14:34

-That is disgusting.

-That's a bit much.

-I think it's disgusting.

0:14:340:14:37

-I have never been so offended...

-I want you both out of here.

0:14:370:14:40

Well, I was going to leave anyway.

0:14:400:14:41

You are a scandal to the modelling profession,

0:14:410:14:44

-and I will be reporting you.

-How very... How dare you!

0:14:440:14:46

How dare you! Both of you.

0:14:460:14:48

-Dick, I trusted you, and you had good talent here.

-Thank you.

0:14:480:14:50

Well, I shall tell everyone here something.

0:14:500:14:52

Screw up your papers for whence you have me naked.

0:14:520:14:55

-Ricardo, follow me.

-Get out of here!

-I shall get changed in my car.

0:14:550:14:58

Both of you, get out!

0:14:580:14:59

Everybody, go! They've ruined the art class. Go, go, go!

0:14:590:15:03

How can we draw when people don't take it seriously?

0:15:030:15:06

Nobody plays by the rules any more!

0:15:060:15:10

'School was out and Osman was about to learn

0:15:100:15:12

'there was more to police work than painting pretty pictures.'

0:15:120:15:16

-'SIREN:

-Don't worry, the police are not on their way.

0:15:160:15:19

'Continue robbing what you're robbing.

0:15:190:15:21

'Don't worry, the police are not on their way.

0:15:210:15:23

'Continue robbing what you're robbing.

0:15:230:15:25

'Don't worry, the police are not on their way.

0:15:250:15:27

'Continue robbing what you're robbing.

0:15:270:15:29

'Don't worry, the police are not on their way.

0:15:290:15:31

'Continue robbing what you're robbing.

0:15:310:15:33

'Don't worry, the police are not on their way.'

0:15:330:15:35

-Happy with your handiwork?

-Yeah, I'm really happy.

0:15:350:15:37

Really, are you? I think we sound ridiculous.

0:15:370:15:40

-We look like a pair of nerds.

-It doesn't matter what we look like,

0:15:400:15:42

it matters what we do. 'Continue rob...'

0:15:420:15:44

-SLEET SWITCHES SIREN OFF You know something?

-What?

0:15:440:15:46

I don't want to shout at you, Osman, because you're a nice kid.

0:15:460:15:49

-Thank you.

-But listen.

-Yeah?

0:15:490:15:51

This guy could kill us both, take us both down.

0:15:510:15:54

Zayn Malik?

0:15:540:15:55

He's up there. Let's do it.

0:15:550:15:57

If we've got to lock horns with Malik,

0:15:580:16:00

you're going to need some firepower.

0:16:000:16:02

Well, well, well. Look what we've got here.

0:16:050:16:09

Looks like we've found the cat's cradle.

0:16:090:16:11

-What do you mean?

-Well, this is his hideout. His lair.

0:16:110:16:15

-Oh, because he's a cat burglar?

-Put your gun away.

-OK.

0:16:150:16:20

SLEET WHISTLES

0:16:200:16:22

Here, kitty, kitty. Malik.

0:16:220:16:25

-Hello, lads.

-Well, well, well.

0:16:250:16:28

Look at you, you silly pussy.

0:16:280:16:29

Is that...? Are you saying I'm like a cat?

0:16:290:16:31

-Yeah...

-I'm not a cat. I'm a lovely little lad, mate.

0:16:310:16:35

I'm not making pig jokes, am I?

0:16:350:16:37

You make pig jokes, I'll run up there and kick your ass.

0:16:370:16:40

That seems like an overreaction, man.

0:16:400:16:42

-Well, it's not an overreaction.

-Yes.

0:16:420:16:44

Requires a lot of effort on your part.

0:16:440:16:45

And I can tell you now, that no pigs can talk, as far as I know.

0:16:450:16:49

It's bad for morale if people make jokes about us being pigs.

0:16:490:16:52

What are you po-po doing at my yard, then?

0:16:520:16:54

I was busy running around, having a fabulous laugh.

0:16:540:16:56

Well, I'm sorry to interrupt your running around

0:16:560:16:58

-and having a fabulous laugh.

-Yeah.

-But we're here about a double crime.

0:16:580:17:02

-Oh, God.

-Fill him in with the details.

0:17:020:17:04

Erm, the, er, the Brass Gnome, you know the Brass Gnome?

0:17:040:17:09

Er, yeah, vaguely.

0:17:090:17:11

Has been stolen.

0:17:110:17:12

-Do you know anything about that?

-I'm sorry, Malik.

0:17:120:17:14

Can I have a second?

0:17:140:17:16

Even though he's a suspect in a crime,

0:17:160:17:18

you've got to make it a little bit more fiery and sexy, like this.

0:17:180:17:21

-OK, OK.

-Just follow my lead and learn.

-All right.

0:17:210:17:23

Malik, the Brass Gnome has gone missing

0:17:230:17:26

and Bjork has been killed so we're after a thief.

0:17:260:17:29

-Yeah.

-And...

0:17:290:17:31

And you are a thief, famously.

0:17:320:17:34

No, you're after a thief... We're after a thief and...

0:17:340:17:36

-Also...

-A murderer.

-..a murderer.

0:17:360:17:39

Well, thank you both from the bottom of my life

0:17:390:17:43

for thinking I might be capable of such a wonderful crime.

0:17:430:17:49

But, no, I don't know anything about that.

0:17:490:17:51

I've gone straight ever since I left my old gang.

0:17:510:17:56

Don't... Best decision I ever made.

0:17:560:17:59

Don't miss them. I don't...

0:17:590:18:00

I do not miss them.

0:18:000:18:02

Who wants that?

0:18:020:18:04

No, I'm all about the honeys these days, man.

0:18:040:18:07

Woo! I've got girls frequently approaching me in the street,

0:18:070:18:11

saying, "Congrats on looking goo...nice."

0:18:110:18:16

-What, people actually say that?

-Yeah.

0:18:160:18:18

I've got pussy coming from out of my arse.

0:18:180:18:21

-That's not even a thing!

-It's just an expression.

0:18:210:18:24

I like to go down the bars and things and overhear what lads...

0:18:240:18:27

Well, maybe you like to go down the bars,

0:18:270:18:29

maybe you like to go down the art galleries and do some stealing.

0:18:290:18:32

-No, the bars.

-No!

0:18:320:18:33

And then I like to overhear, like, conversations between lads

0:18:330:18:37

in order to try and mimic them, sound cool in my own right.

0:18:370:18:40

Oh, so you're also a little peeping ear tom?

0:18:400:18:43

-Yeah.

-Like a sneaky little ear thief.

-Ear tom.

0:18:430:18:45

-You listen to them.

-Well, it's nice to pick up phrases.

0:18:450:18:47

-Here's a phrase for you, here's one.

-Living for the weekend, perhaps?

0:18:470:18:50

-That's a good phrase.

-No, it's not.

0:18:500:18:53

Sort of suggesting you're excited to get out of work on Friday.

0:18:530:18:58

-Just chill out for once.

-Our work never stops, does it, guv?

0:18:580:19:02

Exactly, Osman. For once, you've said something sensible...

0:19:020:19:05

-Thank you.

-..and not stupid and benile.

0:19:050:19:07

-Benile?

-What?

-Nothing, doesn't matter.

0:19:070:19:09

Listen here.

0:19:090:19:10

We're here about a gnome that's gone missing.

0:19:100:19:12

-Yeah.

-A brass gnome.

-Right, I didn't steal the gnome.

0:19:120:19:15

-Really?

-I didn't!

0:19:150:19:17

But, you know, I might have some information I can give you

0:19:170:19:20

if you can go down the police station and pull a few...

0:19:200:19:23

pull a few strings, which is another phrase I've come across.

0:19:230:19:25

This is more like it, Malik. You give me a little biscuit,

0:19:250:19:28

-I'll give you a crumb.

-But I've got this...

0:19:280:19:31

I just need to get this taken off my leg.

0:19:310:19:33

I've got a curfew, innit?

0:19:330:19:34

I've got to be home by like 10pm every night until the morning.

0:19:340:19:38

You know, I'm rolling in the honeys these days

0:19:380:19:40

and I want to try and take them back here sometime!

0:19:400:19:43

-You listen here and you listen good.

-All right.

0:19:430:19:47

I'm going to bring justice down on you.

0:19:470:19:49

-I'm going to bring justice, that's good.

-Don't repeat.

0:19:490:19:51

RICHARD LAUGHS

0:19:510:19:53

I'm going to make sure that every day for the rest of your life...

0:19:540:19:56

-Can you get me a pen and paper?

-Don't you dare.

0:19:560:19:58

I thought you were just telling me some good sayings.

0:19:580:20:00

No, I'm...

0:20:000:20:03

I want to be able to pick up sort of cool things to say like that so...

0:20:030:20:06

-I'm intimidating you, Malik, you nasty little creep.

-You...

0:20:060:20:10

-This is...

-OK.

-This is not good. I feel ridiculous!

0:20:100:20:12

-That was mammoth.

-I'm going! I'm done.

0:20:120:20:14

'Next up, art dealer Arsene Wenger

0:20:140:20:17

'and, like a disorientated starling, Osman was about to fly solo.'

0:20:170:20:22

You're going into an arty-farty party.

0:20:220:20:25

-OK.

-I need you...

-OK.

-..to pretend that you're Sebastian Crab.

0:20:250:20:30

-OK.

-This piece of crap.

0:20:300:20:31

-Mmph-mmph!

-Shut up, Crab!

0:20:310:20:33

Or you'll have another mouthful of teeth!

0:20:330:20:35

Another mouthful of teeth? What...?

0:20:350:20:37

-Listen, you pick up on every little thing.

-No, I'm just...

0:20:370:20:39

-I'm halfway through...

-It's because I want to learn, you know that.

0:20:390:20:42

If you want to learn, let me teach you.

0:20:420:20:45

-That's what I'm trying...

-Every time I'm trying to tell you something,

0:20:450:20:48

you go into the small "minutia" of something that doesn't even matter.

0:20:480:20:52

-Minutiae?

-What?!

-No, you're right. But listen...

0:20:520:20:55

This isn't a grammar rodeo, this is a police investigation!

0:20:550:20:58

For the first time in my life, I'm up against it,

0:20:580:21:00

and guess what I've got in my pocket?

0:21:000:21:02

You! Yeah? Honestly...

0:21:020:21:04

-Can I ask you one question?

-Do you know if you can...?

0:21:040:21:06

-Can I ask you one question?

-Yes.

0:21:060:21:07

Is there such a thing as a grammar rodeo,

0:21:070:21:09

-because I would be interested?

-Shh. Shh. Right?

0:21:090:21:13

-You ready?

-Yep.

-This button camera will be able to see everything

0:21:140:21:17

-that goes on in that room.

-Yep.

-You are Sebastian Crab.

0:21:170:21:20

-I urge you to take this...

-Mmph-mmph!

0:21:200:21:22

-Shut up, Crab!

-He likes his name, doesn't he?

0:21:220:21:24

-What?

-When you say his name, that's what he does.

0:21:240:21:27

-Yeah, he's been told to do that. He's a limited actor.

-Yeah.

0:21:270:21:30

-Would he do it if I said it?

-I don't know. Try it.

0:21:300:21:33

-Hello, my name is Sebastian Crab.

-Mmph!

0:21:330:21:36

-Yeah, he does.

-Oh, yeah.

-I mean, to be fair,

0:21:360:21:38

he's actually doing what he's been told to do.

0:21:380:21:40

Right. Listen.

0:21:400:21:42

-When you go in that room...

-Yep?

0:21:420:21:44

..I need you to tell everyone that you're Sebastian Crab.

0:21:440:21:47

-Mmph-mmph!

-Yeah, there we go.

0:21:490:21:51

-This was only meant to be a two-minute segment.

-Yeah.

0:21:510:21:55

THEY SNIGGER

0:21:550:21:57

-Right...

-Yep.

-Osman, final thing.

0:22:000:22:03

Ah, now you're talking.

0:22:070:22:08

Right, does that go past...?

0:22:100:22:12

-No.

-That's not going to fit at all.

0:22:120:22:15

-How about that?

-Ready?

-Yeah.

-Good luck.

0:22:150:22:18

Good work.

0:22:320:22:34

OK, Osman is in. He is in the party.

0:22:340:22:37

-Mmph! Mmph!

-Shut up, you infernal racket!

0:22:370:22:40

Oh, I see you are very interested in this piece, yes?

0:22:440:22:48

Am I Arsene Wenger?

0:22:480:22:49

Yes. Is this Craig? Of course.

0:22:490:22:51

-CRAIG GIGGLES

-Thank you, Craig.

0:22:510:22:53

And you must be...?

0:22:530:22:55

My name is Sebastian Crab.

0:22:550:22:57

Sebastian Crab? You are Sebastian Crab?

0:22:570:22:59

Same Sebastian Crab.

0:22:590:23:01

Mr Wenger, it's a pleasure to meet you.

0:23:010:23:03

It's a pleasure, of course. Look, it's very nice to meet you.

0:23:030:23:06

Craig, lovely to meet you too.

0:23:060:23:07

I can tell by the look on his face, he's very excited to see you.

0:23:070:23:10

Seems happy. I'm happy he's happy, huh?

0:23:100:23:12

Is this a huge honour for me to meet you? Yes.

0:23:120:23:15

Would I like to buy this piece? Yes.

0:23:150:23:18

Would it make an excellent centrepiece for my gallery?

0:23:180:23:21

Of course.

0:23:210:23:22

Especially now that my only rival has lost their...gnome.

0:23:220:23:27

-Mmm.

-Am I sad about this?

0:23:270:23:29

No. Is my gallery now the best?

0:23:290:23:32

-Yes.

-I heard that she died.

0:23:320:23:34

I have one more question for you, Sebastian Crab.

0:23:410:23:44

Please, ask me anything.

0:23:440:23:45

Have you ever had facial surgery?

0:23:450:23:48

This is not good, this is not good at all.

0:23:480:23:50

-Mmph! Mmph!

-Shh, shh. Would you be quiet?!

0:23:500:23:52

-I'm trying to concentrate!

-Mmph!

-Well, right, that's it!

0:23:520:23:55

Oh, dang it! Oh, dang it! Would you shut up?!

0:23:550:23:58

-You haven't even got any tape on your mouth.

-Mmph!

0:23:580:24:00

-Can't you speak?

-Mmph!

0:24:000:24:03

You weirdo.

0:24:030:24:04

-Craig, frisk him.

-Hey!

0:24:040:24:08

Wenger! Leave my partner alone.

0:24:080:24:11

Oh, look, it's DI Sleet.

0:24:110:24:13

This party just got way less cool.

0:24:130:24:15

Really?

0:24:150:24:17

Or did it just get even more cool, you French freaky pervert?

0:24:170:24:22

What do you want, Sleet? Me and Craig are very excited

0:24:220:24:24

and we are trying to celebrate the opening of our new gallery.

0:24:240:24:28

I'm here to ask a few questions, you French pervert,

0:24:280:24:31

like where were you last night?

0:24:310:24:33

Last night? I was here all night,

0:24:330:24:35

I was preparing this party with Craig.

0:24:350:24:37

It was just me and Craig all night.

0:24:370:24:40

-Really?

-Yes, we had to paint the floor,

0:24:400:24:41

hang the lights and I had to make all the vol-au-vents from scratch

0:24:410:24:44

because me and Craig are vegan...

0:24:440:24:46

Listen here, you think you're better than everyone else in this town,

0:24:460:24:49

sitting up here with your freaky friends and your stupid jumper.

0:24:490:24:54

It's a rollneck, Sleet. It's better than neck rolls.

0:24:540:24:56

Right, you wank stain.

0:24:560:24:58

Wenger, look at me, you wank stain.

0:24:580:25:00

-Right, wank stain...

-Sleet, what the hell is this?

0:25:010:25:03

You come to my party, I expect at least a decent insult.

0:25:030:25:06

-It was rubbish.

-These two are like an annoying couple

0:25:060:25:08

you meet on holiday and then you wish you didn't meet them.

0:25:080:25:10

See, that's a good insult, but say it to them!

0:25:100:25:12

You two are like an annoying couple you meet on holiday,

0:25:120:25:14

probably in France, and then you don't want to see them again.

0:25:140:25:17

Yeah. I heard it the first time you told him.

0:25:170:25:19

Yeah, I know, but he's not got much confidence when it comes to insults.

0:25:190:25:21

You two, you look like two giraffes that have been shaven

0:25:210:25:24

-and put in stupid clothes.

-CRAIG GIGGLES

0:25:240:25:26

-Craig really likes that one.

-What? Because we're tall,

0:25:260:25:29

you French freak? You tiny French freak.

0:25:290:25:31

-Oh, this is more like it!

-Yeah?

-Yeah!

-You tiny little French freak.

0:25:310:25:34

What's the weather like down there, you freak?

0:25:340:25:36

-That's it! All this anger!

-You're a joke, Sleet.

0:25:360:25:39

Get out of my party.

0:25:390:25:40

Me and my gender-fluid fuck buddies are about to hit the strobe lights

0:25:400:25:43

and get nasty in the greased-up paddling pool of sexual abandon,

0:25:430:25:46

and you, you disgrace, are killing the vibe.

0:25:460:25:50

Come on, Richard. Let's get out of here.

0:25:500:25:52

'Time was up. I had a tip-off all the suspects were meeting

0:25:520:25:56

'at a secret auction run by Bill Nighy.

0:25:560:25:58

'But how will we sneak in?

0:25:580:26:00

'This was to be my most elaborate bust yet.'

0:26:000:26:02

Hello, everyone.

0:26:020:26:04

Let's get this illegal underground auction under way,

0:26:040:26:08

cos it stinks down here.

0:26:080:26:10

Right, then. Let's start with these.

0:26:100:26:12

Ladies and gentlemen, we have here a pair of marble busts.

0:26:120:26:17

Lots of humour. One is beautiful, noble and princely.

0:26:170:26:22

The other is a sort of grotesque hideous buffalo man.

0:26:220:26:26

I mean, that's hard, for him to call you a buffalo man.

0:26:260:26:28

-How do you feel about that?

-Listen, I mean, it's...

0:26:280:26:32

Yeah, let's say that's me.

0:26:320:26:33

Like a before-and-after of some hideous disease.

0:26:330:26:37

Whether he is talking about me or you,

0:26:370:26:39

I am not going to accept this kind of derogatory...

0:26:390:26:42

It's very offensive.

0:26:420:26:44

Maybe the artist had a stroke after the first one

0:26:440:26:48

and soldiered on with the other one.

0:26:480:26:49

Hold up for one second!

0:26:490:26:51

I will not take that kind of insult about me or this buffalo man!

0:26:510:26:55

Christ, it's Sleet! The filth are in the sewers!

0:26:550:26:57

Everyone scarper!

0:26:570:26:59

Quick, take the shot!

0:26:590:27:00

Take the shot, man!

0:27:000:27:02

Hillary Clinton!

0:27:020:27:03

-Fuck me ragged!

-Great shot!

0:27:090:27:13

Who did this?!

0:27:130:27:15

Richard Osmond.

0:27:150:27:17

Yeah? Why did you shoot Hillary Clinton?

0:27:170:27:19

Well, I thought that it couldn't be Zayn Malik

0:27:190:27:22

because he had the ankle tag

0:27:220:27:24

and when we were in the gallery it was, I think, 22:20, 22:30,

0:27:240:27:28

something like that, so he couldn't have been there.

0:27:280:27:31

I thought it couldn't be Arsene Wenger

0:27:310:27:33

because when he was talking about his vol-au-vents,

0:27:330:27:35

he said he was a vegan,

0:27:350:27:36

-and Bjork smelt cured meats...

-Yeah.

-..on the breath of the killer.

0:27:360:27:40

So it could only be Hillary.

0:27:400:27:42

If your hypothesis is correct...

0:27:420:27:44

-I hope so.

-..when we open that box, the Brass Gnome should be inside.

0:27:440:27:49

Oh, OK.

0:27:490:27:50

-Well done, Osman, you beautiful beast!

-Wow.

0:27:540:27:57

-Oh, I'm so proud of you, I really am.

-Woop-woop!

-Don't you dare.

0:27:570:28:01

-Yeah.

-Well done.

-Thank you. Thank you, sir.

-Bravo.

0:28:010:28:03

I'm very glad I paired you up with him.

0:28:030:28:05

Of course it was Hillary.

0:28:050:28:07

Why? It couldn't have been Arsene Wenger.

0:28:070:28:09

I had to make all the vol-au-vents from scratch,

0:28:090:28:11

because me and Craig are vegans, you know?

0:28:110:28:13

It couldn't have been Malik, because the murder took place

0:28:130:28:16

after 10pm and Malik had a curfew. Yes.

0:28:160:28:18

I've got to be home by, like, 10pm.

0:28:180:28:20

It was Hillary Clinton.

0:28:200:28:22

You obviously saw the deli receipts in her bag.

0:28:220:28:25

-There's a few receipts.

-For what?

0:28:250:28:27

A delicatessen.

0:28:270:28:29

And you also obviously noted the red footprint

0:28:290:28:33

which was the same as the red paint in her gallery.

0:28:330:28:37

-There was red paint.

-Bravo, Osman. I'm proud of you.

-Thank you, Chief.

0:28:370:28:40

Not only that, but you've saved a priceless work of art.

0:28:400:28:43

Well, you say priceless but actually, sir,

0:28:430:28:46

I think you'll find it's actually worth quite a lot of money.

0:28:460:28:48

Oh, go home, you massive polyp!

0:28:480:28:52

Hey, you fancy a drink?

0:28:530:28:55

Oh, I'd love a pint with you.

0:28:550:28:56

Do you talk more or less when you're drunk?

0:28:560:28:58

I talk a lot more.

0:28:580:29:00

Well, let's make it a pint of lemonade.

0:29:000:29:02

THEY LAUGH

0:29:020:29:04

# We don't have to take our clothes off

0:29:040:29:07

# To have a good time

0:29:070:29:09

# Oh, no

0:29:090:29:11

-# We could dance and party

-All night

0:29:110:29:13

-# All night

-We can dance all night

0:29:130:29:15

# And drink some cherry wine, uh-huh

0:29:150:29:18

# We don't have to take our clothes off

0:29:180:29:22

# No, no, no

0:29:220:29:23

# To have a good time

0:29:230:29:25

# Oh, no... #

0:29:250:29:27

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