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Hello. I'm Martin Kemp, | 0:00:05 | 0:00:06 | |
but today I'm becoming a cop in a live murder mystery. | 0:00:06 | 0:00:09 | |
Now, I haven't got a clue what's going on here. | 0:00:09 | 0:00:12 | |
No script, nothing. | 0:00:12 | 0:00:13 | |
All I know is I'm about to solve the very first murder in Successville. | 0:00:13 | 0:00:19 | |
Wish me luck. | 0:00:20 | 0:00:21 | |
Welcome to Ye Olde Successville - | 0:00:23 | 0:00:26 | |
a bustling hamlet full of celebrities. | 0:00:26 | 0:00:29 | |
Alas, sometimes the famous faces that live here break the law, | 0:00:29 | 0:00:33 | |
and when they do, I'm here to muster justice, | 0:00:33 | 0:00:36 | |
for I am Ian Desmond Sleet, a lowly mutton shunter. | 0:00:36 | 0:00:40 | |
Come plague, fire and death, I will rain down justice upon thee | 0:00:40 | 0:00:44 | |
like a giant cloud of good. | 0:00:44 | 0:00:46 | |
This programme contains some strong language and adult humour | 0:00:46 | 0:00:54 | |
-Chief. -Where the Dickens have you been, you nincompoop? | 0:00:54 | 0:00:57 | |
I sent for you hours ago. | 0:00:57 | 0:00:59 | |
Well, Chief, I decided to spend some of the guineas that I earned | 0:00:59 | 0:01:02 | |
down at the mackerel track on some new threads and a penny-farthing. | 0:01:02 | 0:01:06 | |
Sleet, there's been a horrific crime, I'm afraid. | 0:01:06 | 0:01:09 | |
Goddammit, what's happened? | 0:01:09 | 0:01:11 | |
Has a young boy been caught scrumping apples? | 0:01:11 | 0:01:14 | |
A fair maiden has had a snuffbox removed, | 0:01:14 | 0:01:17 | |
or maybe a gentleman has had his neckerchief half-inched? | 0:01:17 | 0:01:21 | |
-I'm afraid it's a lot worse than that. -What could be worse than that? | 0:01:21 | 0:01:24 | |
There's been a murder, Sleet. | 0:01:25 | 0:01:27 | |
-A murder? -Yes. | 0:01:27 | 0:01:29 | |
-In Successville? -Indeed. | 0:01:29 | 0:01:31 | |
-Our first one. -Yeah. | 0:01:31 | 0:01:33 | |
My God, the moment we've been waiting for. | 0:01:33 | 0:01:36 | |
You ghoul. I haven't been waiting for it. | 0:01:36 | 0:01:39 | |
-Well, I just... -It's a dolly mop. | 0:01:39 | 0:01:41 | |
-What? -It's Victorian slang for a prostitute. | 0:01:41 | 0:01:44 | |
See also, rantipole and dirty puzzle. | 0:01:44 | 0:01:47 | |
-Right, OK. -She's been butchered by a fiend. | 0:01:47 | 0:01:50 | |
-Damn it, Goddammit. -I've already set things up for you. | 0:01:50 | 0:01:53 | |
Rookie! | 0:01:53 | 0:01:54 | |
What the hell? What are you kidding? Look at this guy. | 0:01:57 | 0:01:59 | |
-This is your assistant, Sleet. How are you doing? -I'm good. | 0:01:59 | 0:02:02 | |
-You're looking good. -He does look too good, actually, for this time. | 0:02:02 | 0:02:05 | |
Listen, I'm putting you two together. | 0:02:05 | 0:02:07 | |
Yes? You're going to be working foot by mouth, and cheek by jowl, | 0:02:07 | 0:02:11 | |
out on those streets, yes? Umble-cum-stumble. | 0:02:11 | 0:02:14 | |
-Right, got it. -What does that even mean? | 0:02:14 | 0:02:16 | |
It's Victorian slang, you dickhead. | 0:02:16 | 0:02:17 | |
What did you say your name was? | 0:02:18 | 0:02:20 | |
Martin. Martin Kemp. | 0:02:20 | 0:02:22 | |
All right. We have got a crime to solve, Kemp. | 0:02:22 | 0:02:25 | |
Let's do it, then. I'm ready. | 0:02:25 | 0:02:27 | |
-Then let's go solve a crime. -Let's do it. | 0:02:27 | 0:02:29 | |
Kemp, walk behind me. | 0:02:30 | 0:02:32 | |
Don't try and walk faster than me. | 0:02:32 | 0:02:33 | |
I'm the fastest. | 0:02:33 | 0:02:35 | |
All right. Let's see what we've got here. | 0:02:37 | 0:02:39 | |
-Oh, dear. -Pull the thing back. | 0:02:39 | 0:02:41 | |
-Oh! Rita! -Do you know her? | 0:02:43 | 0:02:46 | |
No, no, I can just imagine that probably her name is Rita. | 0:02:46 | 0:02:50 | |
I mean, that's the sort of name the prostitutes have, right? | 0:02:50 | 0:02:52 | |
-You've met her before? -No, I've seen her around a few times. | 0:02:52 | 0:02:56 | |
I'm going to take a few notes here. | 0:02:56 | 0:02:57 | |
What do you mean you're taking notes? | 0:02:57 | 0:02:59 | |
Well, I'm just taking a few notes. | 0:02:59 | 0:03:01 | |
You don't take... You take notes about the body, you don't... | 0:03:01 | 0:03:03 | |
-I am, that's what I'm doing. -All right, good. You made me feel all... | 0:03:03 | 0:03:07 | |
-like you were casting... -How long have you known her? | 0:03:07 | 0:03:09 | |
What? Don't ask! | 0:03:09 | 0:03:10 | |
Look, I actually admire the fact you're asking questions, Kemp. | 0:03:10 | 0:03:13 | |
But I'm not a suspect. | 0:03:13 | 0:03:15 | |
Right. Let's have a look for clues, then. | 0:03:15 | 0:03:17 | |
What is that by her head there, that red thing? | 0:03:17 | 0:03:19 | |
-Let's have a look. What have we got here? -What is that? | 0:03:19 | 0:03:22 | |
We've got a handkerchief. | 0:03:25 | 0:03:26 | |
That looks like it might have chloroform on it. Give it a sniff. | 0:03:26 | 0:03:29 | |
What are you doing, you idiot? | 0:03:29 | 0:03:31 | |
That's a test. Of course you don't sniff a chloroformed handkerchief, | 0:03:31 | 0:03:34 | |
you fool, you buffoon! You jeffsy! | 0:03:34 | 0:03:37 | |
Get up to your feet at once. | 0:03:37 | 0:03:39 | |
Oh, look who it is. | 0:03:40 | 0:03:41 | |
Finally, someone who talks sensible. | 0:03:41 | 0:03:43 | |
My old buddy, Connor McGregor. | 0:03:43 | 0:03:45 | |
Hey, McGregor. How are you doing? | 0:03:45 | 0:03:47 | |
-Put it there. -I'll not be touching that. | 0:03:47 | 0:03:50 | |
Now, what are you two chancers doing here on my crime scene tainting it? | 0:03:50 | 0:03:54 | |
-What was your name? -My name's Connor McGregor. | 0:03:54 | 0:03:58 | |
I'm the greatest pathologist pound-for-pound on this planet. | 0:03:58 | 0:04:01 | |
-Well, that's actually quite... -How do you spell McGregor? | 0:04:01 | 0:04:03 | |
What? He's a pathologist. | 0:04:03 | 0:04:06 | |
He's not a suspect. | 0:04:06 | 0:04:07 | |
Is this guy for real? | 0:04:07 | 0:04:08 | |
He's just making some notes. | 0:04:08 | 0:04:10 | |
Sorry, who are you, again? | 0:04:10 | 0:04:11 | |
Des Sleet. I work for Successville... I'm a police officer at Successville... | 0:04:11 | 0:04:14 | |
-You've known me for years! -I found this! | 0:04:14 | 0:04:17 | |
What have we got there, Marty? | 0:04:17 | 0:04:19 | |
-Let's have a look. -OK, what's this? | 0:04:19 | 0:04:21 | |
-"You betrayed me." -"You betrayed me." | 0:04:22 | 0:04:25 | |
-What's that, Martin? -"To-do list." | 0:04:25 | 0:04:27 | |
She's going to hand in her notice as a wench, | 0:04:27 | 0:04:29 | |
and she wants to do Will.i.am... | 0:04:29 | 0:04:32 | |
-HE LAUGHS -Ross! | 0:04:32 | 0:04:35 | |
-Martin, hold it together, mate. -Do you think this is funny? | 0:04:35 | 0:04:38 | |
-No, he's just... -This prostitute's had her heart ripped out. | 0:04:38 | 0:04:41 | |
Oh, has she? So she's definitely dead. | 0:04:41 | 0:04:43 | |
I'd take time of death sometime between nine and 10pm last night. | 0:04:43 | 0:04:46 | |
Martin, this is actually the clues and this is the only time | 0:04:46 | 0:04:50 | |
you've not been scribbling anything in your notebook. | 0:04:50 | 0:04:52 | |
-No, you hold on to that. -What do you mean, you hold on to that? | 0:04:52 | 0:04:55 | |
-I'm distracted! -Make a note of that, Kemp. | 0:04:55 | 0:04:57 | |
-All right, presumed dead. -Not presumed dead - dead. | 0:04:57 | 0:04:59 | |
-All right... -She's had her fucking heart ripped out. | 0:04:59 | 0:05:02 | |
All right, I don't know if that's going to kill you. | 0:05:02 | 0:05:05 | |
-You're the expert. -What do you think would happen if I plunged | 0:05:05 | 0:05:08 | |
my fucking hand into your chest | 0:05:08 | 0:05:11 | |
and ripped your beating fucking heart out and ate it? | 0:05:11 | 0:05:13 | |
Do you think you'd fucking die? | 0:05:13 | 0:05:15 | |
Well, I think it would be painful. I'd probably say... | 0:05:15 | 0:05:18 | |
-Jesus. -God, you're so uptight. | 0:05:18 | 0:05:20 | |
Now, was she dead when you arrived? | 0:05:21 | 0:05:24 | |
Are you fucking kidding... | 0:05:24 | 0:05:26 | |
me? | 0:05:26 | 0:05:28 | |
Hey, can I just ask one thing? | 0:05:28 | 0:05:30 | |
Is it OK if we get a picture just with us and Rita? | 0:05:30 | 0:05:34 | |
-Yeah, let's do it. -Now, that I can do for you. | 0:05:34 | 0:05:37 | |
I'm uncommonly proud of me new-fangled camera here, | 0:05:37 | 0:05:39 | |
so you boys get there and you pose for me, lads. | 0:05:39 | 0:05:42 | |
Right, that's nice. | 0:05:42 | 0:05:44 | |
What about Rita? Shall we get Rita in? | 0:05:44 | 0:05:46 | |
Now, Kemp, you're going to have to keep still while I expose the film. | 0:05:46 | 0:05:49 | |
Don't smile. | 0:05:49 | 0:05:50 | |
-No-one smiles in pictures. -What are you doing? -Martin was smiling. | 0:05:50 | 0:05:53 | |
-Are you trying to get a rise out of me, rookie? -I'm not trying... | 0:05:53 | 0:05:56 | |
Keep your fucking mouth shut or your mouth will come out | 0:05:56 | 0:05:58 | |
all fuzzy in the picture. Do you not understand? | 0:05:58 | 0:06:01 | |
Jesus wept! | 0:06:01 | 0:06:03 | |
You have to stay fucking still while I take the fucking... | 0:06:03 | 0:06:05 | |
-I'm staying still now! -It's an old fucking camera! | 0:06:05 | 0:06:08 | |
It takes two to three minutes. | 0:06:08 | 0:06:11 | |
Just stay fucking in your spot and stay fucking still. | 0:06:11 | 0:06:14 | |
Well done, Kemp, you've wound him up now, he might beat us up. | 0:06:14 | 0:06:17 | |
Oh, my... If I have to come over there, I'll put you both | 0:06:17 | 0:06:19 | |
on your arses. Now stay still. | 0:06:19 | 0:06:22 | |
I am coming to the end of me fucking tether with you. | 0:06:22 | 0:06:24 | |
Do you think this is funny, Kemp? | 0:06:26 | 0:06:28 | |
There's a prostitute dead on the floor. | 0:06:28 | 0:06:31 | |
She's had her fucking heart ripped out. She's dead. | 0:06:31 | 0:06:34 | |
This camera's old. | 0:06:34 | 0:06:36 | |
Jesus wept. | 0:06:36 | 0:06:39 | |
-You've really ruined this for me. -Right, fuck it. | 0:06:39 | 0:06:41 | |
-When I have my picture taken... -Shut the fuck up. -..I smile. | 0:06:41 | 0:06:44 | |
I'm going to do a picture, I'm going to draw it | 0:06:44 | 0:06:46 | |
and I'll send it to you in the fucking post, boys. | 0:06:46 | 0:06:49 | |
-Now get the fuck out of here. -Right, right. -Fuck off. | 0:06:49 | 0:06:52 | |
-I always smile when I have my picture taken. -Well, you don't... | 0:06:52 | 0:06:54 | |
-Thank you very much. -Go! | 0:06:54 | 0:06:57 | |
Connor is the most popular person at the whole station and you've | 0:06:57 | 0:07:00 | |
made me look ridiculous in front of him. | 0:07:00 | 0:07:02 | |
'We headed to The Juicy Wench, | 0:07:02 | 0:07:03 | |
'a three-star brothel run by Paloma Faith.' | 0:07:03 | 0:07:07 | |
OK, here we are, The Juicy Wench. | 0:07:07 | 0:07:09 | |
All right, listen. We're going to be a pair of local hard men. | 0:07:09 | 0:07:12 | |
-Yeah. -By the name of the Neville brothers. -Right. | 0:07:12 | 0:07:15 | |
I'll be Gary, the cool, suave, sophisticated, handsome brother. | 0:07:15 | 0:07:18 | |
You can be his buffoon younger brother, Philip. | 0:07:18 | 0:07:20 | |
-You all right with that? -Yeah. I'm Phil Neville. | 0:07:20 | 0:07:23 | |
-You're Gary Neville. -Yeah, yeah, yeah. All right, are you ready? | 0:07:23 | 0:07:26 | |
-Yeah. -Face on. Phil face on. | 0:07:26 | 0:07:28 | |
-So this is The Juicy Wench? -This is The Juicy Wench. | 0:07:38 | 0:07:42 | |
Hey, you lot. | 0:07:42 | 0:07:44 | |
Hey! You bunch of scalliwags and fiends. | 0:07:45 | 0:07:49 | |
We are the brothers Neville. | 0:07:49 | 0:07:51 | |
Me, Gary, the stronger, wiser, cooler man. | 0:07:51 | 0:07:55 | |
And my brother Philip who isn't any much as good as I am. | 0:07:55 | 0:07:57 | |
Well, well, well. | 0:07:57 | 0:07:59 | |
If it isn't gangland hard man Phil Neville, | 0:07:59 | 0:08:03 | |
and his freak show brother Gary. | 0:08:03 | 0:08:06 | |
Well, par... | 0:08:06 | 0:08:07 | |
Come to sample our wares, have you, Gary? | 0:08:07 | 0:08:10 | |
Well, we do offer a diversion for every perversion. | 0:08:10 | 0:08:12 | |
What have you heard? I'm not a pervert. | 0:08:12 | 0:08:15 | |
Oh, come now, we've all heard about you. | 0:08:15 | 0:08:17 | |
Pig fucker! | 0:08:17 | 0:08:19 | |
LAUGHTER AND HECKLING | 0:08:19 | 0:08:22 | |
Sheep shagger! | 0:08:22 | 0:08:24 | |
-What do they know about you that I don't? -Nothing at all. | 0:08:24 | 0:08:27 | |
I've got no idea what's happening here. | 0:08:27 | 0:08:29 | |
Sure I can't tempt you with something a little harder? | 0:08:29 | 0:08:32 | |
Well, what could be a little harder? | 0:08:32 | 0:08:34 | |
Oh, our prices are very reasonable. It's thruppence for a salty shuffle. | 0:08:34 | 0:08:38 | |
A gummy gargle's thruppence. Thruppence for a parson's finger. | 0:08:38 | 0:08:42 | |
And what if you want a bit of all three? | 0:08:42 | 0:08:44 | |
Basically, everything's a thruppence | 0:08:44 | 0:08:46 | |
whether it's a service or a cocktail. | 0:08:46 | 0:08:48 | |
Now, they could be the other way round, I don't know. | 0:08:48 | 0:08:51 | |
It's hard to tell when you can't read or write. | 0:08:51 | 0:08:53 | |
But basically, everything is a thruppence. | 0:08:53 | 0:08:56 | |
-Apart from the bot bot. -I'm sorry, what is bot bot? | 0:08:56 | 0:08:58 | |
-Do you know what bot bot is? -No, tell... -Oh, come on, Gary. | 0:08:58 | 0:09:02 | |
Don't tell me you don't know what the bot bot is. | 0:09:02 | 0:09:04 | |
Pig fucker! | 0:09:04 | 0:09:06 | |
HECKLING | 0:09:06 | 0:09:08 | |
-I don't know what bot bot is. -Do you shag pigs? | 0:09:08 | 0:09:11 | |
I do not shag pigs. How dare you. | 0:09:11 | 0:09:13 | |
You pig shagger! | 0:09:13 | 0:09:16 | |
-That is it. That is that. -Get your hands off me, Gary. | 0:09:16 | 0:09:19 | |
You all think I'm some kind of sick weirdo. | 0:09:19 | 0:09:22 | |
I, indeed, am not any kind of pig-fucking pervert. | 0:09:22 | 0:09:27 | |
By God, I'll show you how much I like... | 0:09:27 | 0:09:29 | |
Come here you... | 0:09:29 | 0:09:32 | |
Mmm. Mmm. Mmm-mmm. | 0:09:32 | 0:09:34 | |
All right. | 0:09:34 | 0:09:35 | |
That's what I'm talking about. | 0:09:35 | 0:09:37 | |
That's the kind of honey I like. | 0:09:37 | 0:09:39 | |
-All right, Sleet. -Jesus Christ! | 0:09:39 | 0:09:41 | |
Urgh! | 0:09:41 | 0:09:43 | |
Gah! Urgh! | 0:09:43 | 0:09:47 | |
Urgh! | 0:09:47 | 0:09:50 | |
-Lowcroft! -Yeah. | 0:09:50 | 0:09:52 | |
Sid fucking Lowcroft. What are you doing here? | 0:09:52 | 0:09:55 | |
I'm undercover, aren't I? I'm working on that drugs case. | 0:09:55 | 0:09:59 | |
-Keep your voice down. -What drugs case? | 0:09:59 | 0:10:01 | |
Oh, we finished that case about four months ago, you idiot. | 0:10:01 | 0:10:04 | |
-What? -I wish someone had told you. -Ah. | 0:10:04 | 0:10:06 | |
Just the one hour tonight, Carol... | 0:10:06 | 0:10:08 | |
-Come on. -Give them the time of your life. | 0:10:08 | 0:10:10 | |
Have one on me, old fellow. | 0:10:10 | 0:10:12 | |
Do you know a young girl called Rita? | 0:10:14 | 0:10:16 | |
-Rita? -Mm. -Of course I do. | 0:10:16 | 0:10:18 | |
Tell me when was the last time you saw Rita. | 0:10:18 | 0:10:21 | |
Oh, God. Rita, Rita, Rita, I don't know. | 0:10:21 | 0:10:24 | |
-When was the last time you saw her? -She was in her last night but we had | 0:10:24 | 0:10:26 | |
a bit of an argument, didn't we? | 0:10:26 | 0:10:28 | |
She was on about leaving, setting up on her own. | 0:10:28 | 0:10:31 | |
So I told her, no, I'm not having that. | 0:10:31 | 0:10:33 | |
Business is business. What now, Gary? | 0:10:33 | 0:10:35 | |
Nothing, I'm merely ear-wigging. | 0:10:35 | 0:10:37 | |
Well, don't. | 0:10:37 | 0:10:39 | |
Who was she with last night? | 0:10:39 | 0:10:40 | |
She was in here with one of her regulars. | 0:10:40 | 0:10:43 | |
Who was the regular? | 0:10:43 | 0:10:46 | |
It was a regular. He was a nice man. | 0:10:46 | 0:10:49 | |
He looked like an intellectual type. | 0:10:49 | 0:10:52 | |
Jesus, Gary, your breath smells like a pig's arsehole. | 0:10:52 | 0:10:55 | |
LAUGHTER AND HECKLING | 0:10:55 | 0:10:57 | |
It's not pig. I have acid reflux. | 0:10:57 | 0:11:01 | |
LAUGHTER AND HECKLING | 0:11:01 | 0:11:04 | |
Something on my belly doesn't sit right. | 0:11:04 | 0:11:06 | |
Listen up. | 0:11:06 | 0:11:08 | |
I'm Phil Neville, and this is Gary. | 0:11:08 | 0:11:12 | |
(Well, that figures, the pig fucking thing makes complete sense.) | 0:11:12 | 0:11:15 | |
Now, I have it on good authority that someone in here | 0:11:15 | 0:11:18 | |
has been going around saying they are the Neville brothers. | 0:11:18 | 0:11:20 | |
And I want to know who it is. | 0:11:20 | 0:11:23 | |
Well, well, well. | 0:11:23 | 0:11:24 | |
Looks like we have some impostors in our midst, Gary. | 0:11:24 | 0:11:28 | |
It seems you boys have been masquerading as the Neville brothers | 0:11:28 | 0:11:31 | |
and we're not happy about it. | 0:11:31 | 0:11:33 | |
No, we said we are the Breville brothers. | 0:11:33 | 0:11:36 | |
We are the Breville brothers from Germany. | 0:11:36 | 0:11:38 | |
-We don't like the Breville brothers. -Right, which brothers do you like? | 0:11:38 | 0:11:41 | |
We've got a lot of beef with the Breville brothers. | 0:11:41 | 0:11:43 | |
-All right, well, that's not us. -So, which brothers are you? | 0:11:43 | 0:11:46 | |
The Clarke brothers. Would that be OK? | 0:11:46 | 0:11:48 | |
We killed the Clarke brothers a couple of weeks ago. | 0:11:48 | 0:11:50 | |
All right. Well, what about the Rafael brothers? | 0:11:50 | 0:11:52 | |
-Carol, what are you doing here? -Jesus Christ, Lowcroft! | 0:11:52 | 0:11:56 | |
You mean you've been moonlighting in this shithole? | 0:11:56 | 0:11:59 | |
Is this a relationship? | 0:11:59 | 0:12:00 | |
This is my girlfriend, Carol. | 0:12:00 | 0:12:02 | |
Jesus. Really? | 0:12:02 | 0:12:04 | |
-Yeah. -I mean, this is your girlfriend, is it, Philip? | 0:12:04 | 0:12:07 | |
This is your girl? | 0:12:07 | 0:12:08 | |
I've got a little surprise for you. | 0:12:08 | 0:12:10 | |
You see, this is actually a guy. | 0:12:10 | 0:12:12 | |
A guy by the name of Sid Lowcroft. | 0:12:12 | 0:12:15 | |
Tell me this isn't true, Carol. | 0:12:15 | 0:12:16 | |
-I'm sorry, I can't. -Oh, this is so confusing. | 0:12:16 | 0:12:20 | |
I want to kill you. | 0:12:20 | 0:12:23 | |
-I just want to stroke your face but... -I wouldn't touch it. | 0:12:23 | 0:12:25 | |
-No, don't do that. -Enough. Gary, hold him. | 0:12:25 | 0:12:28 | |
-What? -No, no, no, no. -Listen... | 0:12:28 | 0:12:31 | |
-I'm going to rip your throat out. -Martin, leave it. | 0:12:31 | 0:12:34 | |
-I'm going to rip your knickers down and I'm coming for you. -What? | 0:12:34 | 0:12:38 | |
-No. -How did you get this dress? -Sleet! | 0:12:38 | 0:12:40 | |
Don't worry, Sid, I'll tell your family your story. | 0:12:40 | 0:12:44 | |
Oh, just get out! | 0:12:44 | 0:12:46 | |
'Rita had scrawled two names on her list. | 0:12:47 | 0:12:50 | |
'First up Will.i.am. A scientific genius and my nemesis. | 0:12:50 | 0:12:54 | |
'We'd crossed swords many times before. | 0:12:54 | 0:12:56 | |
'Actual swords. This is the olden days, remember, folks.' | 0:12:56 | 0:13:00 | |
-Will.i.am. -Will.i.am? | 0:13:05 | 0:13:10 | |
No, Professor.i.am cos you can never hope to be this dope, | 0:13:10 | 0:13:13 | |
Inspector S to the L to the double E, T. | 0:13:13 | 0:13:17 | |
-What does that even mean? What did you just... -Oh, you look a little thinner. | 0:13:17 | 0:13:20 | |
-Yeah, I've lost weight. -You been eating your beetroots? | 0:13:20 | 0:13:22 | |
-What? -Beetroots? -I don't like beetroot. | 0:13:22 | 0:13:24 | |
-Have you been beating your meat? -Why do you always talk in these weird little rhymes? | 0:13:24 | 0:13:27 | |
Hey, man, who is this handsome hombre? | 0:13:27 | 0:13:29 | |
-Martin Kemp. -Martin Kemp, huh? | 0:13:29 | 0:13:31 | |
You know, you put some full stops in there and you could be this dope. | 0:13:31 | 0:13:34 | |
What about me? If I put full stops in my name could I be dope? | 0:13:34 | 0:13:37 | |
No, man. I'm not talking... Hey, brother, down low. | 0:13:37 | 0:13:40 | |
-My G! -Oh, let me get involved with this. | 0:13:41 | 0:13:44 | |
What's up? | 0:13:44 | 0:13:46 | |
You are too slow, ho. | 0:13:46 | 0:13:48 | |
-That's stupid. It's a silly game. -Can I fix you fine fellows some refreshments? | 0:13:48 | 0:13:52 | |
-I would love one, yes. -Lovely. -Martin will go without. | 0:13:52 | 0:13:54 | |
-Why? Why? -Cos it's your first day. | 0:13:54 | 0:13:57 | |
I got... I got some... I got some... | 0:13:57 | 0:13:59 | |
-There you go. -What have we got here? | 0:13:59 | 0:14:01 | |
-Try that. -Chloroform or truth serum. | 0:14:01 | 0:14:03 | |
You think I'm stupid enough to drink truth serum, do you? | 0:14:03 | 0:14:07 | |
-Or chloroform? -You can't drink this. | 0:14:07 | 0:14:09 | |
Yes, but then also I know that i.am knows everything that there is | 0:14:09 | 0:14:11 | |
to know about me. Thus, probably switching the bottles, | 0:14:11 | 0:14:14 | |
putting the chloroform in the truth serum, | 0:14:14 | 0:14:16 | |
the truth serum in the chloroform. | 0:14:16 | 0:14:18 | |
Meaning that I shall drink from this bottle. | 0:14:18 | 0:14:20 | |
-Dammit. -Don't drink that. | 0:14:20 | 0:14:22 | |
It's fine. | 0:14:22 | 0:14:23 | |
-That is chloroform. -I like this guy, he's really smart. | 0:14:23 | 0:14:26 | |
Oh, God. You know what I'm thinking about right now? | 0:14:26 | 0:14:28 | |
Having sex with my cousin. | 0:14:28 | 0:14:30 | |
That's disgusting. Martin, this is your partner, man. | 0:14:30 | 0:14:33 | |
Listen. Martin, Martin, listen. That was definitely truth serum. | 0:14:33 | 0:14:38 | |
-I need you to be alert. -You leave it to me. | 0:14:38 | 0:14:42 | |
No matter what, do not tell him the victim of this murder was an IC2 | 0:14:42 | 0:14:45 | |
-called Rita. -Rita was murdered? | 0:14:45 | 0:14:47 | |
-Why would you think that? -Because you just said it | 0:14:47 | 0:14:49 | |
-and you can't whisper, man. -Did you know Rita? | 0:14:49 | 0:14:51 | |
-Sure, I know Rita plenty. The girl was dope. -So do I. | 0:14:51 | 0:14:54 | |
How well did you know Rita? | 0:14:54 | 0:14:56 | |
-Oh, we had sex at least 22 times. -Not you! | 0:14:56 | 0:14:58 | |
Just shh! Keep it quiet. | 0:14:58 | 0:15:00 | |
It's this truth serum playing havoc with my mind. | 0:15:00 | 0:15:03 | |
Hey, what kind of sex did you have with Rita? | 0:15:03 | 0:15:05 | |
-Filthy sex. -How well did you know Rita? | 0:15:05 | 0:15:07 | |
Well, sometimes she shat on me through a coffee table. | 0:15:07 | 0:15:09 | |
Really? That's disgusting. | 0:15:09 | 0:15:11 | |
-I'm going to try and get out of here. -Yeah, I think you'd better. | 0:15:11 | 0:15:14 | |
-Don't worry, Martin. -Did you and Rita ever get it together? | 0:15:15 | 0:15:18 | |
Yes, we did. | 0:15:18 | 0:15:20 | |
-Not you! -Just last Thursday I paid her to spit in my mouth | 0:15:20 | 0:15:23 | |
like I was a baby bird and she was a mother hen. | 0:15:23 | 0:15:25 | |
Then she kicked me in the stomach and pushed me down some stairs. | 0:15:25 | 0:15:28 | |
-That's disgusting. -If you don't want me to regard you as a suspect... | 0:15:28 | 0:15:32 | |
I didn't kill her. | 0:15:32 | 0:15:33 | |
See? I've got truth serum. | 0:15:33 | 0:15:35 | |
-All right, man. -When did you last see her? | 0:15:36 | 0:15:38 | |
-I saw her Thursday just passed. -Not you! I'm asking Will.i.am! | 0:15:38 | 0:15:41 | |
-I'm sorry. -But I saw her at her crib, The Juicy Wench. | 0:15:41 | 0:15:43 | |
And when did you see her in The Juicy Wench? | 0:15:43 | 0:15:46 | |
Er, about... | 0:15:46 | 0:15:47 | |
-This is made of plastic! -Hey! -This is made of plastic! | 0:15:47 | 0:15:51 | |
-No, it's not. -Can we not just try, props department? | 0:15:51 | 0:15:55 | |
Plastic. There's printed labels. | 0:15:55 | 0:15:58 | |
It's 1850-something here. | 0:15:58 | 0:16:00 | |
None of this is real. | 0:16:00 | 0:16:02 | |
Can't you see? | 0:16:02 | 0:16:04 | |
He's an actor paid to do this. | 0:16:04 | 0:16:06 | |
It's not really Will.i.am. | 0:16:06 | 0:16:07 | |
His name's Samson. All of this thing is falling apart. | 0:16:07 | 0:16:10 | |
Look, there are cameras here. | 0:16:10 | 0:16:11 | |
There's a camera crew. | 0:16:11 | 0:16:13 | |
Dammit, this truth serum is playing havoc with me. | 0:16:13 | 0:16:16 | |
-Let's get back to this murder. -All right, let's act, all right. | 0:16:16 | 0:16:21 | |
What exactly does your work entail here? | 0:16:21 | 0:16:24 | |
I'm like a cultural spaceman. | 0:16:24 | 0:16:27 | |
A transcendental being and a focal point for positive astral energy | 0:16:27 | 0:16:30 | |
but mainly I'm just a biologist. | 0:16:30 | 0:16:32 | |
That other stuff is just shit I say to sound cool. | 0:16:32 | 0:16:34 | |
-A biologist? -Yeah, man. -Do you collect hearts? | 0:16:34 | 0:16:37 | |
No, don't be silly. | 0:16:37 | 0:16:39 | |
Only a licensed medical doctor can experiment on human donors | 0:16:39 | 0:16:42 | |
and there ain't no MD in front of my name. I mean, as it is, | 0:16:42 | 0:16:45 | |
it would be illegal to operate on human organs. | 0:16:45 | 0:16:48 | |
That's weird, cos I just found this. | 0:16:48 | 0:16:50 | |
Look, it's OK, I jacked a few black-market organs, all right? | 0:16:50 | 0:16:53 | |
But it's no biggie because they all came from perfectly reputable | 0:16:53 | 0:16:57 | |
-grave robberies. -Really? Or is this the case? | 0:16:57 | 0:16:59 | |
You called out a prostitute, and then you murdered her, | 0:16:59 | 0:17:02 | |
then you ripped out her heart cos you didn't think anyone | 0:17:02 | 0:17:05 | |
would give her the respect she deserved? | 0:17:05 | 0:17:08 | |
You didn't think she deserved any dignity because she was just | 0:17:08 | 0:17:10 | |
a two a penny prostitute. My God, you make me sick. | 0:17:10 | 0:17:13 | |
GLASS SMASHES | 0:17:13 | 0:17:15 | |
-Oh, that's not good. -You just smashed the evidence. | 0:17:15 | 0:17:17 | |
I didn't, I'm sorry, I'm just like... I was just getting... | 0:17:17 | 0:17:20 | |
Yeah, you smashed evidence, brother. | 0:17:20 | 0:17:23 | |
Sorry about that. | 0:17:23 | 0:17:25 | |
-Where did this come from? -You think you're smart, you ain't | 0:17:27 | 0:17:30 | |
going to make that stick on me because I'm not going to touch that. | 0:17:30 | 0:17:33 | |
Did this heart here come from a sweet, innocent girl | 0:17:33 | 0:17:37 | |
whose life had turned to prostitution and you ripped | 0:17:37 | 0:17:40 | |
that beating heart from her body, | 0:17:40 | 0:17:42 | |
believing that no-one would care enough to investigate it? | 0:17:42 | 0:17:46 | |
But guess what, Buster? | 0:17:46 | 0:17:48 | |
I'm an honest john who paid to have sex with that woman | 0:17:48 | 0:17:50 | |
and, by God, I will make sure, come hell or high water, | 0:17:50 | 0:17:54 | |
I find the murderer of Rita Ora because I am | 0:17:54 | 0:17:58 | |
the best cop in this goddamn city. | 0:17:58 | 0:18:01 | |
-That truth serum is wearing off. -Well said, that was excellent. | 0:18:01 | 0:18:04 | |
-Martin, you just dropped the evidence on... -Let me get it. | 0:18:04 | 0:18:07 | |
Help him, Martin. Help your boy, Martin. | 0:18:07 | 0:18:10 | |
There's glass and footprints on that. | 0:18:10 | 0:18:13 | |
-You got me? -I've got you. -All right, brother. | 0:18:13 | 0:18:15 | |
Hey, Martin, Martin, Martin! | 0:18:15 | 0:18:19 | |
Stay black, brother. We shall overcome. | 0:18:19 | 0:18:23 | |
A wimba way, a wimba way! | 0:18:23 | 0:18:25 | |
'Time to rub shoulders with Successville's hoi polloi, | 0:18:26 | 0:18:29 | |
'specifically Jonathan Ross, a wealthy so-and-so | 0:18:29 | 0:18:32 | |
'dining with one Jamie Oliver in a joint full of men | 0:18:32 | 0:18:35 | |
'with big wallets and small dicks.' | 0:18:35 | 0:18:38 | |
All right, come in, Martin. | 0:18:39 | 0:18:41 | |
What is this place? | 0:18:41 | 0:18:42 | |
Ssh. This is Successville's gentleman's club. | 0:18:42 | 0:18:44 | |
Listen, Martin. We're going to have to have aliases. | 0:18:44 | 0:18:48 | |
I am going to be Spencer Crenchingly-McQuaffen, | 0:18:48 | 0:18:52 | |
-you will be my brother Lafayette. -Lafayette? | 0:18:52 | 0:18:55 | |
The Crenchingly-McQuaffen brothers. | 0:18:55 | 0:18:57 | |
-The what brothers? -Crenchingly-McQuaffen. | 0:18:57 | 0:19:00 | |
Is it Cruncher...le..mccuffen brothers? | 0:19:00 | 0:19:02 | |
Crenchingly-McQuaffens. | 0:19:02 | 0:19:04 | |
Quench... | 0:19:04 | 0:19:06 | |
Crenchingly-McQuaffen. I implore you to get this right. | 0:19:06 | 0:19:11 | |
Crenchingly... | 0:19:12 | 0:19:14 | |
Look, look... | 0:19:14 | 0:19:16 | |
Crenchingly... Martin... | 0:19:16 | 0:19:18 | |
Lafayette... | 0:19:18 | 0:19:20 | |
Quenchingly-McCuffen. | 0:19:20 | 0:19:21 | |
Crenchingly-McQuaffen. | 0:19:21 | 0:19:24 | |
Do you want me to change the name to Taylor? | 0:19:26 | 0:19:28 | |
Would that be easier for you, if we were just the Taylor...? | 0:19:28 | 0:19:31 | |
-Keep your voice down. -I'm trying to but you are infuriating me. | 0:19:31 | 0:19:34 | |
-Crenchingly... -McQuaffen. | 0:19:34 | 0:19:37 | |
Marty. | 0:19:37 | 0:19:39 | |
OK, Crenchingly-McCuffen. | 0:19:39 | 0:19:41 | |
McQuaffen. | 0:19:41 | 0:19:43 | |
-Quaff. -Just call it McCuffen! | 0:19:43 | 0:19:45 | |
One second. | 0:19:46 | 0:19:48 | |
OK. | 0:19:51 | 0:19:53 | |
Just call it... Crenchingly-McCruffen. | 0:19:53 | 0:19:57 | |
Crenchingly-McCruffen. | 0:19:57 | 0:19:58 | |
-Yeah, Lafayette Mc... -Lafayette and Spencer. | 0:19:58 | 0:20:01 | |
-OK. -Let's do this. | 0:20:01 | 0:20:02 | |
Yeah. Thank you, sir. | 0:20:02 | 0:20:04 | |
-Good eve. -Gweetings. | 0:20:07 | 0:20:10 | |
Greetingth. I thall thtart with the thizzle thixth-ounth thirloin | 0:20:10 | 0:20:15 | |
with Thouthern-thtyle thaltha and thuper-thized thalad. | 0:20:15 | 0:20:18 | |
And I'll have the wild wabbit woin, | 0:20:18 | 0:20:22 | |
the slow-woast gwouse and the wedcuwant gwavy. | 0:20:22 | 0:20:26 | |
SLEET AND MARTIN LAUGH Oh! | 0:20:26 | 0:20:29 | |
You shall both also laugh with mirth when you hear the confusion | 0:20:33 | 0:20:37 | |
that has been broadcast upon us. | 0:20:37 | 0:20:40 | |
We are not waiting staff. | 0:20:40 | 0:20:42 | |
We are members here. | 0:20:42 | 0:20:44 | |
Yes, new members here. | 0:20:44 | 0:20:46 | |
Alas, you have been fooled into a jape | 0:20:46 | 0:20:49 | |
that has quite simply spiralled out of wiz-waz. | 0:20:49 | 0:20:52 | |
Tho thorry to athume you were thimple therving thtaff. | 0:20:52 | 0:20:55 | |
-Tho thorry. -What? | 0:20:55 | 0:20:57 | |
-Tho thorry to athume you were thimple therving thtaff. -What? | 0:20:57 | 0:20:59 | |
I'm tho thorry to athume you were thimple therving thtaff. | 0:20:59 | 0:21:02 | |
Did you get any of that? | 0:21:02 | 0:21:03 | |
Tho thorry to athume you were thimple therving staff. | 0:21:03 | 0:21:06 | |
HE LAUGHS Again, I... | 0:21:06 | 0:21:08 | |
Tho thorry to athume you were thimple therving thtaff. | 0:21:08 | 0:21:12 | |
HE SNORTS | 0:21:12 | 0:21:14 | |
Are you deaf? | 0:21:14 | 0:21:16 | |
No, no. No, no, I agree exactly with what you said. | 0:21:16 | 0:21:19 | |
-Thought you were a waiter. -Yes! HE LAUGHS FALSELY | 0:21:19 | 0:21:23 | |
And the sun is shining brightly indeed. | 0:21:23 | 0:21:26 | |
The thun is shining. | 0:21:26 | 0:21:28 | |
So, we are without a table. Hint. Hint. | 0:21:28 | 0:21:31 | |
We'd be delighted if you two gentlemen would join me, | 0:21:31 | 0:21:34 | |
Jonathan Ross this evening, when my guests will be | 0:21:34 | 0:21:37 | |
Lord Jamie Oliver and you two fine gentlemen. | 0:21:37 | 0:21:39 | |
-Oh, thank you very much. -Thank you. -APPLAUSE | 0:21:39 | 0:21:41 | |
Oh! HE LAUGHS | 0:21:41 | 0:21:43 | |
Well, this is nice, isn't it, gentlemen? | 0:21:50 | 0:21:54 | |
Well, we better introduce ourselves before we drink. | 0:21:54 | 0:21:57 | |
I am Spencer Crenchingly-McCruffen | 0:21:57 | 0:22:01 | |
-and this is my brother... -Lafayette Crenchingly-McCruffen. | 0:22:01 | 0:22:04 | |
-Yes. -What an admiwable and affluent name. | 0:22:04 | 0:22:08 | |
Yes. Thank you. Oh, my gloves. | 0:22:08 | 0:22:11 | |
-What about them? -Just taking them off. | 0:22:11 | 0:22:14 | |
Clearly you gentlemen have a bob or two under the mattress. | 0:22:14 | 0:22:17 | |
How did you come across your fortune? | 0:22:17 | 0:22:19 | |
-Well, coal and butter. -Yes. | 0:22:19 | 0:22:21 | |
Two of my favourite mining operations. | 0:22:21 | 0:22:24 | |
I have a butter mine over in New Guinea. | 0:22:24 | 0:22:26 | |
-Amazing. -My brother Lafayette is the best of all the diggers. | 0:22:26 | 0:22:30 | |
What do you use to excavate the butter? | 0:22:30 | 0:22:33 | |
A big butter spoon. | 0:22:33 | 0:22:35 | |
THEY LAUGH | 0:22:35 | 0:22:37 | |
I can assure you he isn't crazy, gentlemen. | 0:22:37 | 0:22:39 | |
Has he ever been struck upon the head? | 0:22:39 | 0:22:41 | |
Yes, once upon a time, but that's another story entirely. | 0:22:41 | 0:22:44 | |
Pray tell, gentlemen of folklore... | 0:22:44 | 0:22:46 | |
..do either of you have a crystal sweetheart? | 0:22:47 | 0:22:51 | |
There's only one girl for me. | 0:22:52 | 0:22:54 | |
A tewific girl by the name of Wita. | 0:22:54 | 0:22:58 | |
So pure and virtuous. | 0:22:58 | 0:23:01 | |
Oh, she's an amazing girl. | 0:23:01 | 0:23:03 | |
Everything was going all right with Wita until I found out | 0:23:03 | 0:23:06 | |
she was keeping a sordid secret. | 0:23:06 | 0:23:08 | |
Oh, really? Tell me more, Jonathan Ross. | 0:23:08 | 0:23:11 | |
Well, she'd come home after another long night of looking after | 0:23:11 | 0:23:14 | |
the orphans when yet again, several of them had spilled milk | 0:23:14 | 0:23:17 | |
all over her back. Well, she was running a bath | 0:23:17 | 0:23:19 | |
and I saw that her diary had tumbled out of her bag and there it was. | 0:23:19 | 0:23:23 | |
7pm, thruppence. | 0:23:23 | 0:23:25 | |
7.30, thruppence. | 0:23:25 | 0:23:27 | |
8pm, thruppence. | 0:23:27 | 0:23:29 | |
It was clear what Rita had been up to - | 0:23:29 | 0:23:32 | |
she was seeing a man by the name of Thruppence. | 0:23:32 | 0:23:36 | |
Yes. Well, I mean, that might not have been her diary, | 0:23:36 | 0:23:40 | |
it might have been her receipt book. | 0:23:40 | 0:23:41 | |
What do you mean? | 0:23:41 | 0:23:43 | |
It's come to our notice that Rita... | 0:23:43 | 0:23:45 | |
Rita was a... | 0:23:47 | 0:23:48 | |
A lady of the night. | 0:23:50 | 0:23:51 | |
I beg your pardon? | 0:23:53 | 0:23:54 | |
You mean to tell me that Wita was widing winkles at the weekend? | 0:23:54 | 0:23:57 | |
If what you mean by that is, was Rita having sex with strangers | 0:23:57 | 0:24:00 | |
for thruppence at a time? Then, yes, that is exactly what she was doing. | 0:24:00 | 0:24:04 | |
-Where? -She was a wench in The Juicy Wench. | 0:24:04 | 0:24:06 | |
-She was... -The Juicy Wench, I've never heard of such a place. | 0:24:06 | 0:24:10 | |
Well, it's a lovely, reasonably priced little brothel | 0:24:10 | 0:24:13 | |
-down on the south end of the shore. -Thouth end of the shore, you thay. | 0:24:13 | 0:24:15 | |
Yes, and here comes the kicker. | 0:24:15 | 0:24:18 | |
Along with being a prostitute, Rita is also... | 0:24:18 | 0:24:21 | |
Well, she's gone. | 0:24:21 | 0:24:24 | |
-Yes. -Gone where? | 0:24:24 | 0:24:26 | |
Rita's brown bread. | 0:24:26 | 0:24:27 | |
-She's snuffed it? -Yes. | 0:24:27 | 0:24:28 | |
Well, I thought posh people wouldn't understand what brown bread is. | 0:24:28 | 0:24:31 | |
There's one final bit of this story | 0:24:31 | 0:24:34 | |
that has seemed to cause somewhat upset. | 0:24:34 | 0:24:37 | |
We are also not the Crenchingly-McQuaffens. | 0:24:37 | 0:24:40 | |
My name is DI Sleet, this is... | 0:24:40 | 0:24:42 | |
-What's my name? -Martin Kemp. | 0:24:45 | 0:24:47 | |
Oh! | 0:24:47 | 0:24:48 | |
I'm so confused with the names. | 0:24:49 | 0:24:52 | |
THEY LAUGH | 0:24:52 | 0:24:53 | |
Well, which is the name that you've been for the longest in your life? | 0:24:57 | 0:25:01 | |
Martin Kemp. | 0:25:02 | 0:25:03 | |
-Is he crying or laughing? -He's laughing. -I'm just... | 0:25:03 | 0:25:06 | |
-I'm crying over Rita. -Yes. | 0:25:06 | 0:25:08 | |
Rita was a really good friend of ours. | 0:25:08 | 0:25:10 | |
Yes, well, a friend of yours. I was just a loyal customer. | 0:25:10 | 0:25:13 | |
It must be years undercover has affected you deeply. | 0:25:16 | 0:25:18 | |
Well, yes, it hasn't been that long. It's been 20 minutes. | 0:25:18 | 0:25:22 | |
Right, you are a suspect, Jonathan. | 0:25:22 | 0:25:24 | |
Jamie Oliver, you are just a bumbling fool. | 0:25:24 | 0:25:27 | |
There, there! | 0:25:27 | 0:25:28 | |
I theriously think you can conthider thlinking off | 0:25:28 | 0:25:31 | |
and thlinging your hook. | 0:25:31 | 0:25:33 | |
-What? Say that again. -I have no idea. | 0:25:33 | 0:25:34 | |
Thling off. Thling your hookth. | 0:25:34 | 0:25:36 | |
Conthider thlinging your... | 0:25:36 | 0:25:38 | |
-Thling off and thling your hookth. -Can you open your mouth? | 0:25:38 | 0:25:40 | |
-Pith off. -Well, you could have said that in the first place. | 0:25:40 | 0:25:43 | |
It's like talking to a chimpanzee at times. | 0:25:43 | 0:25:47 | |
It's ridiculous. | 0:25:47 | 0:25:48 | |
Maybe do something. Well, sir, you can cast indispersion upon me | 0:25:48 | 0:25:52 | |
or on my fake brother-stroke-partner | 0:25:52 | 0:25:54 | |
but you can...should have your tongue looked at. | 0:25:54 | 0:25:57 | |
It's obviously too big. Argh! | 0:25:57 | 0:26:00 | |
You can talk! | 0:26:00 | 0:26:01 | |
Yeah, you've got me at it now. | 0:26:01 | 0:26:02 | |
You, sir, should have your tongue looked at. | 0:26:02 | 0:26:04 | |
It's clearly too big for your mouth. | 0:26:04 | 0:26:06 | |
-Pith off. -We're going. | 0:26:06 | 0:26:08 | |
Heads down. The fuzz are in town. | 0:26:12 | 0:26:15 | |
You, run. Scarper, you wench. | 0:26:15 | 0:26:17 | |
You three have been brought here accused of murder. | 0:26:36 | 0:26:41 | |
Entrusted in me by the Queen of Successville, | 0:26:41 | 0:26:45 | |
I have the order... | 0:26:45 | 0:26:47 | |
..to kill whoever we think murdered Rita Ora. | 0:26:48 | 0:26:51 | |
Ready. | 0:26:54 | 0:26:55 | |
Aim. | 0:26:57 | 0:26:58 | |
-It wasn't me! -Fire! | 0:26:58 | 0:27:00 | |
GUNSHOT | 0:27:00 | 0:27:01 | |
Bravo, my friend, bravo. | 0:27:04 | 0:27:05 | |
That was a decent bit of shooting. | 0:27:05 | 0:27:07 | |
WHISTLE BLOWS | 0:27:07 | 0:27:10 | |
What the deuce is that? | 0:27:12 | 0:27:14 | |
That, sir, is Jonathan Ross. | 0:27:15 | 0:27:18 | |
Perhaps you'd like to present your evidence, Kemp. | 0:27:18 | 0:27:21 | |
Jonathan Ross one evening took... | 0:27:21 | 0:27:23 | |
..Rita Ora out of the back of The Juicy Wench, | 0:27:25 | 0:27:28 | |
he covered her mouth with a cloth from The Juicy Wench | 0:27:28 | 0:27:32 | |
that was covered in chloroform. She fell to the floor, | 0:27:32 | 0:27:36 | |
he slit her throat and he pulled out her human heart | 0:27:36 | 0:27:38 | |
and he sent it to Will.i.am. | 0:27:38 | 0:27:40 | |
You've just shot a man on the very flimsiest of evidence. | 0:27:40 | 0:27:45 | |
But, remarkably, you shot the right man. | 0:27:47 | 0:27:50 | |
Well done, Martin! | 0:27:50 | 0:27:52 | |
-Bravo. -Thank you. -I never lost faith! | 0:27:52 | 0:27:54 | |
-Thank you. -I knew. | 0:27:54 | 0:27:55 | |
Her Majesty is very, very happy with you, Kemp. | 0:27:56 | 0:27:59 | |
Of course it was Ross. | 0:27:59 | 0:28:01 | |
-Thank you. -Yes, Ross, as we know, had a red handkerchief | 0:28:01 | 0:28:05 | |
matching the one that was found at the crime scene | 0:28:05 | 0:28:08 | |
and Ross, if you kept your little peepers open, | 0:28:08 | 0:28:11 | |
was present at The Juicy Wench | 0:28:11 | 0:28:12 | |
when you were making investigations despite the fact... | 0:28:12 | 0:28:16 | |
The Juicy Wench. | 0:28:16 | 0:28:18 | |
I've never heard of such a place. | 0:28:18 | 0:28:20 | |
It could not have been Will.i.am. | 0:28:20 | 0:28:23 | |
No, because he was lecturing during the hours that the unfortunate wench | 0:28:23 | 0:28:28 | |
was shot. And it could not have been Paloma Faith... | 0:28:28 | 0:28:31 | |
..because she couldn't write. | 0:28:33 | 0:28:35 | |
I don't know, it's hard to tell when you can't read or write. | 0:28:35 | 0:28:38 | |
And there was a letter, wasn't there? | 0:28:38 | 0:28:40 | |
On in the dead body, that said... | 0:28:40 | 0:28:41 | |
"You betrayed me". | 0:28:41 | 0:28:43 | |
-Yes. -Bravo, Kemp. | 0:28:43 | 0:28:45 | |
Thank you very much. | 0:28:46 | 0:28:48 | |
Well done, boys. | 0:28:48 | 0:28:50 | |
Lads, follow me. | 0:28:50 | 0:28:51 | |
You know, there was a time there | 0:28:52 | 0:28:53 | |
-when you couldn't even remember your name. -Yep. -Come on, buddy. | 0:28:53 | 0:28:58 | |
I think it's time we went back to the future. | 0:28:58 | 0:29:00 | |
THEY LAUGH | 0:29:00 | 0:29:03 | |
Oh, God. | 0:29:03 | 0:29:05 |