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APPLAUSE AND CHEERING | 0:00:25 | 0:00:31 | |
That's right, ladies and gentlemen, humorous pop quiz Never Mind The Buzzcocks | 0:00:31 | 0:00:35 | |
is back for a brand-new series. Due to unforeseen circumstances, none of last year's hosts were good enough. | 0:00:35 | 0:00:41 | |
Please welcome yet another guest host, I'm afraid. | 0:00:41 | 0:00:43 | |
It's pop sensation Mark Ronson. | 0:00:43 | 0:00:47 | |
CHEERING AND APPLAUSE | 0:00:47 | 0:00:51 | |
Hello, I'm pop sensation and international heartthrob Mark Ronson. | 0:00:53 | 0:00:59 | |
Look, I'm just reading what's on the autocue. | 0:00:59 | 0:01:02 | |
I really only had one demand for tonight - that no-one, under any circumstances, makes fun of my hair. | 0:01:02 | 0:01:08 | |
I'm serious. Let's get on with the show. Phill's team. | 0:01:08 | 0:01:12 | |
# He's a drummer boy...# | 0:01:12 | 0:01:15 | |
A woman who is regularly watched by millions of devoted viewers... | 0:01:15 | 0:01:19 | |
..on Sky Plus after X Factor's finished, it's Alesha Dixon. | 0:01:19 | 0:01:22 | |
APPLAUSE | 0:01:22 | 0:01:25 | |
And she's a singer who dreams of the day when | 0:01:29 | 0:01:31 | |
her name doesn't have to be followed by the phrase "from The Saturdays". | 0:01:31 | 0:01:36 | |
It's Mollie, you know, from The Saturdays. | 0:01:36 | 0:01:39 | |
APPLAUSE | 0:01:39 | 0:01:42 | |
And on Noel's team. | 0:01:44 | 0:01:46 | |
# I needed a change... # | 0:01:46 | 0:01:48 | |
He's one of Britain's foremost young musical talents. | 0:01:48 | 0:01:52 | |
The fact I've never worked with him must be an admin oversight. It's Tinie Tempah. | 0:01:52 | 0:01:56 | |
APPLAUSE | 0:01:56 | 0:02:00 | |
This next fellow studied Maths at Oxford, and now he's a comedian. | 0:02:04 | 0:02:08 | |
Here to further disappoint his parents, it's Paul Foot. | 0:02:08 | 0:02:11 | |
APPLAUSE | 0:02:11 | 0:02:14 | |
So, we begin with Sorry, No Refunds. | 0:02:19 | 0:02:21 | |
Noel's team, have a look at this. | 0:02:21 | 0:02:23 | |
He's wafer-thin, splashed all over the gossip magazines | 0:02:28 | 0:02:30 | |
and occasionally he does a bit of singing. | 0:02:30 | 0:02:32 | |
It's Pete Doherty, you know, from The Saturdays. | 0:02:32 | 0:02:35 | |
# It's the last thing that you'll ever see... # | 0:02:35 | 0:02:41 | |
That was Babyshambles with The Blinding. But why did Pete Doherty cancel a 2008 festival in Belgium? | 0:02:41 | 0:02:49 | |
Was it a) he was being sexually threatened by Belgium's Princess Maria Laura, | 0:02:49 | 0:02:54 | |
b) he wanted to attend the birth of his pregnant cat's kittens, | 0:02:54 | 0:02:58 | |
or c) he got lost on a Tintin tour of Bruges? | 0:02:58 | 0:03:03 | |
Have you ever got lost in a Tintin tour, Mark, | 0:03:04 | 0:03:06 | |
or been thought of to be Tintin and then got trapped in there, | 0:03:06 | 0:03:10 | |
having to provide Tintin-based Entertainment? | 0:03:10 | 0:03:13 | |
That's rich coming from Snowy! | 0:03:13 | 0:03:16 | |
This is not Tintin. | 0:03:17 | 0:03:19 | |
I went into the hairdresser and said, "Give me the Dame Judi Dench." This is Judi Dench all the way. | 0:03:19 | 0:03:24 | |
That looks good, actually. When I dyed my hair blond, I looked like Myra Hindley. | 0:03:24 | 0:03:29 | |
LAUGHTER | 0:03:29 | 0:03:30 | |
PHILL: I said to the barber, | 0:03:34 | 0:03:35 | |
"I'd like my hair like Noel, my partner on Never Mind The Buzzcocks." | 0:03:35 | 0:03:38 | |
He said, "You'll have the Victorian convict and you'll like it!" | 0:03:38 | 0:03:42 | |
When I go to the hairdresser, I have no say. He just said he'd modelled it on my personality. | 0:03:43 | 0:03:50 | |
Has he got a Spaniel? | 0:03:52 | 0:03:54 | |
Don't you think he kind of looks like he's been run over by a little 16-year-old on a 125 moped? | 0:03:56 | 0:04:02 | |
Who thought this tie was a ramp! | 0:04:04 | 0:04:05 | |
Is Tinie Tantrum your real name that you have? | 0:04:08 | 0:04:10 | |
-Tinie Tempah. -Tinie Tempah. -You're supposed to be on my team. | 0:04:10 | 0:04:13 | |
There is another name you could have - instead of Tinie Tempah, Mild Sexual Assault. | 0:04:13 | 0:04:19 | |
It's really... | 0:04:19 | 0:04:21 | |
Not aggravated, only mild! | 0:04:21 | 0:04:23 | |
The mildest you can get, so you can barely prove it. | 0:04:23 | 0:04:28 | |
Have you explained to everyone, Noel, that you chose me to be in your team | 0:04:31 | 0:04:35 | |
and yet I don't know any music, post sort of 1953? | 0:04:35 | 0:04:39 | |
-He's from the past! -I just thought that they would find that out pretty quickly. | 0:04:41 | 0:04:46 | |
As soon as you opened your mouth. | 0:04:46 | 0:04:48 | |
Doherty. I know you mentioned cats, which is quite interesting, | 0:04:51 | 0:04:55 | |
because I was at a party once in Courtney Love's hotel room. | 0:04:55 | 0:04:59 | |
He knocked on the door, and we opened the door and Pete Doherty was there | 0:04:59 | 0:05:04 | |
with a top hat full of kittens. True story. | 0:05:04 | 0:05:07 | |
On his head? | 0:05:07 | 0:05:09 | |
That would have been good if he'd...! | 0:05:09 | 0:05:11 | |
His hair's made of live kittens. | 0:05:12 | 0:05:15 | |
What a visual, though - a top hat full of kittens. | 0:05:16 | 0:05:19 | |
His dealer sold it to him and said it was meow meow. | 0:05:19 | 0:05:22 | |
It's the only real joke you'll get out of me the whole series. | 0:05:23 | 0:05:26 | |
Tinie, you've got a new album coming out, right? | 0:05:26 | 0:05:29 | |
-Yeah. -You said you want people to listen to your new album, and it's not all about chart singles. | 0:05:29 | 0:05:36 | |
You want some people to have some Tinie time when they listen to your album. What is Tinie time? | 0:05:36 | 0:05:41 | |
-A little bit of time with Tinie! -Does it sound like this? | 0:05:41 | 0:05:45 | |
MUSIC: "Pass Out" by Tinie Tempah | 0:05:45 | 0:05:49 | |
Yeah, that's Tinie time. | 0:05:49 | 0:05:50 | |
That's Tinie time. | 0:05:50 | 0:05:51 | |
-Are we going to do that for the whole show? My PRS cheque will be crazy! -Yes! | 0:05:51 | 0:05:55 | |
I haven't got an album coming out, but I am hoping to update my website in two or three months. | 0:05:58 | 0:06:03 | |
-We should do an album together. -The three of you, for sure. | 0:06:07 | 0:06:10 | |
We made a Boosh album, I don't know when it's coming out. | 0:06:10 | 0:06:12 | |
I can't wait for that. I'm a huge fan of the Boosh. | 0:06:12 | 0:06:15 | |
-You said you would remix Captain Cabinet. -Yes. -Will you? | 0:06:15 | 0:06:18 | |
I'll still do it. It's a seven-second song | 0:06:18 | 0:06:21 | |
called Captain Cabinet from the first episode of the Boosh. | 0:06:21 | 0:06:24 | |
It's a complicated song. It goes, | 0:06:24 | 0:06:25 | |
# Captain Cabinet, strapped in cabinets | 0:06:25 | 0:06:26 | |
# Will he get out? Can he get out? | 0:06:26 | 0:06:27 | |
# Course he will | 0:06:27 | 0:06:28 | |
# Captain Cabinet | 0:06:28 | 0:06:29 | |
-# Will he get out? Can he get out? # -Of course he will. | 0:06:29 | 0:06:32 | |
My dream, my life's dream, to sing Captain Cabinet with Noel Fielding. | 0:06:32 | 0:06:37 | |
It's been realised. I can go home now! | 0:06:37 | 0:06:39 | |
APPLAUSE AND CHEERING | 0:06:39 | 0:06:42 | |
-OK, so you want to guess some Dohertyness? -We know he likes kittens. | 0:06:43 | 0:06:47 | |
He brought a top hat full of kittens. | 0:06:47 | 0:06:51 | |
OK, so b) he wanted to attend the birth of his pregnant cat's kittens. You are right. The answer is b). | 0:06:51 | 0:06:57 | |
APPLAUSE | 0:06:57 | 0:06:58 | |
Yeah. What a team! | 0:06:58 | 0:07:01 | |
Doherty cancelled the lucrative gig so he could be there when his pregnant cat gave birth, | 0:07:02 | 0:07:07 | |
or to do it another way, he was having some meow meow delivered. | 0:07:07 | 0:07:10 | |
I didn't know you were going to do that. I didn't know. | 0:07:10 | 0:07:13 | |
-It was staring you in the face. -But you're the host, they'll use yours, not mine. -I don't know. | 0:07:13 | 0:07:18 | |
They'll put the laughter from yours onto that. | 0:07:18 | 0:07:22 | |
That's one point for Noel's team. | 0:07:25 | 0:07:27 | |
APPLAUSE | 0:07:27 | 0:07:30 | |
So, Alesha and Mollie, here's yours. | 0:07:32 | 0:07:34 | |
# Try to find the words to describe this girl... # | 0:07:34 | 0:07:37 | |
He's one of the richest men in hip-hop, earning 21 million a year. | 0:07:37 | 0:07:42 | |
Big deal - Tinie Tempah's job at B&Q gets him £7 an hour and all the topsoil he can carry! It's Akon. | 0:07:42 | 0:07:49 | |
# Trying to find the words to describe this girl | 0:07:49 | 0:07:52 | |
# Without being disrespectful | 0:07:52 | 0:07:57 | |
# Damn, girl, she's a sexy chick... # | 0:07:57 | 0:08:03 | |
That was David Guetta featuring Akon, with Sexy Chick. | 0:08:03 | 0:08:06 | |
But why did Akon have to cancel a tour to Sri Lanka earlier this year? | 0:08:06 | 0:08:09 | |
Was it a) he was accused of desecrating a statue of Buddha, | 0:08:09 | 0:08:14 | |
b) he was refused a visa as he shares the name of Sri Lanka's foremost jewel thief, | 0:08:14 | 0:08:19 | |
or c) he received death threats after saying he thought the Tamil Tigers invented Frosties? | 0:08:19 | 0:08:25 | |
Theeeeey're deadly! | 0:08:29 | 0:08:31 | |
The beginning of every single Akon song, except this one, | 0:08:31 | 0:08:35 | |
I think, which I am pleased about, it starts off with... | 0:08:35 | 0:08:38 | |
# Convict! # | 0:08:38 | 0:08:39 | |
And it's like, we know you're a convict, now get over it. | 0:08:39 | 0:08:42 | |
It's like us starting off... | 0:08:42 | 0:08:44 | |
# Girl band! # | 0:08:44 | 0:08:46 | |
It's like, it's over now. | 0:08:46 | 0:08:47 | |
NOEL: It's quite a weird thing to boast about. | 0:08:47 | 0:08:50 | |
Exactly! | 0:08:50 | 0:08:51 | |
# I've been done for fraud! # | 0:08:51 | 0:08:53 | |
# Loner, a bit awkward at parties! # | 0:08:55 | 0:08:58 | |
LAUGHTER | 0:08:58 | 0:09:00 | |
# I didn't write this song! # | 0:09:00 | 0:09:03 | |
Have you met Akon? | 0:09:06 | 0:09:08 | |
-I've met him, yeah. -What he's like? | 0:09:08 | 0:09:10 | |
-He's a little bit of a diva. -Are you a bit of a diva? | 0:09:10 | 0:09:14 | |
No! Don't girls always get accused of being divas? I find it's the men. | 0:09:14 | 0:09:17 | |
It's always the men! | 0:09:17 | 0:09:20 | |
Alesha, it says here you once hitched a ride back from Cannes in Chris Martin's jet. Is that true? | 0:09:20 | 0:09:26 | |
-Yes. -But, do you know you only had to pay £20 for an easyJet ticket | 0:09:26 | 0:09:29 | |
and then you don't have to sit next to Chris Martin? No-one told you that? | 0:09:29 | 0:09:33 | |
You were in his jet? | 0:09:35 | 0:09:36 | |
-Yeah, offering me sushi. -Really? -Oh, what a gentleman. | 0:09:36 | 0:09:40 | |
Is that a showbiz kind of euphemism? | 0:09:40 | 0:09:43 | |
You know when you land in planes, they go, "Do you want a boiled sweet? Because your ears will pop." | 0:09:45 | 0:09:50 | |
He goes, "Anyone want sushi?" What a dick. | 0:09:50 | 0:09:53 | |
APPLAUSE | 0:09:56 | 0:09:59 | |
We were on tour supporting Jay-Z, and I got to go on his private jet. We were flying around. | 0:10:00 | 0:10:06 | |
It was from Cardiff to London, so it took 12 minutes. The plane took off, | 0:10:06 | 0:10:11 | |
I decided to go and be like, "So, when you made..." "Buckle your seatbelts, we're landing." | 0:10:11 | 0:10:16 | |
I went back to just being a stalker. | 0:10:18 | 0:10:20 | |
Mollie, do you girls get diva-ish in The Saturdays? You're a pretty big pop group and all that, right? | 0:10:20 | 0:10:26 | |
Everyone thinks there's definitely diva activity, but there's just not. | 0:10:26 | 0:10:31 | |
-They're all so sweet. -There can't be. One of them has to be a nightmare, on the law of averages. | 0:10:31 | 0:10:37 | |
Girls are generally nightmares. | 0:10:37 | 0:10:38 | |
-That's a given. -Tell me about it! | 0:10:38 | 0:10:40 | |
-That's a given, but the band, all of them are so sweet. -You're on a girls' team! | 0:10:40 | 0:10:44 | |
I know, I feel like I've had me old fella cut off! | 0:10:44 | 0:10:46 | |
Alesha, what's the most ridiculous thing you've ever demanded at a show? | 0:10:48 | 0:10:52 | |
Ginger beer. | 0:10:52 | 0:10:53 | |
'Say what?!' | 0:10:53 | 0:10:56 | |
That is from your new single. And so is this. | 0:10:56 | 0:11:00 | |
# I think I need a better drummer. # | 0:11:00 | 0:11:02 | |
You did put out a song because you needed a better drummer, right? | 0:11:02 | 0:11:06 | |
Did you think of putting...? | 0:11:06 | 0:11:09 | |
-It's a metaphor. -Putting an ad out in the back pages of the NME? It might have been cheaper. | 0:11:09 | 0:11:14 | |
You've got to give me an answer, I've got to go Noel's team. | 0:11:14 | 0:11:16 | |
Answer. OK. Let's go with a). | 0:11:16 | 0:11:23 | |
He desecrated Buddha. | 0:11:23 | 0:11:26 | |
You are right. | 0:11:26 | 0:11:27 | |
APPLAUSE AND CHEERING | 0:11:27 | 0:11:30 | |
The answer is a). Akon was refused a visa after one of his videos caused rioting for featuring | 0:11:30 | 0:11:36 | |
a bikini-clad dancer wiggling her bottom at a statue of Buddha. | 0:11:36 | 0:11:40 | |
After signing her to his label, Akon is said to be the man behind Lady Gaga's rise to fame. | 0:11:40 | 0:11:47 | |
I've actually got the minutes to their first meeting here. | 0:11:47 | 0:11:50 | |
He said, "Ditch the cock, put a phone on your head." | 0:11:50 | 0:11:55 | |
At the end of that round, | 0:11:55 | 0:11:57 | |
Noel's team has one point, Phill's team has one point. | 0:11:57 | 0:12:00 | |
APPLAUSE | 0:12:00 | 0:12:03 | |
Next up, it's the Intros Round. Noel and Tinie, here are yours for Paul. | 0:12:06 | 0:12:10 | |
So, you're going to do a modern melody for my delectation. That I will then guess. | 0:12:11 | 0:12:18 | |
LAUGHTER AND APPLAUSE | 0:12:20 | 0:12:23 | |
That's better! I can hear things! I've been in my own world! | 0:12:23 | 0:12:30 | |
LAUGHTER | 0:12:30 | 0:12:31 | |
Before we do this, can I just say some of these are really, really hard? | 0:12:31 | 0:12:35 | |
Also, I got a bit of a bollocking from Tinie for being rubbish. | 0:12:35 | 0:12:39 | |
Tinie Tempah actually got cross with you? | 0:12:39 | 0:12:42 | |
I got well told off. He went, "It's not a joke." | 0:12:42 | 0:12:45 | |
"Do it properly." I went, "I'm doing my best!" | 0:12:46 | 0:12:50 | |
One, two, three four. | 0:12:50 | 0:12:53 | |
# Bam-bam-bam-bam-bam-bam | 0:12:53 | 0:12:58 | |
# Bam-bam-bam-bam-bam-bam... # | 0:12:58 | 0:13:04 | |
See what I mean?! I'm terrified to sing! | 0:13:04 | 0:13:08 | |
You had the bassline. | 0:13:08 | 0:13:09 | |
# Bam-bam-bam-bam-bam-bam... # | 0:13:09 | 0:13:13 | |
-It was brilliant, Tinie, let me tell you. -Let's do it together. | 0:13:13 | 0:13:16 | |
-I'll do it with you. -After three. -Get into the music. | 0:13:16 | 0:13:19 | |
One, two, three. | 0:13:19 | 0:13:20 | |
ALL: # Bam-bam-bam-bam-bam-bam Bam-bam-bam-bam-bam-bam... # | 0:13:20 | 0:13:25 | |
-No. -Yeah, I know. | 0:13:25 | 0:13:27 | |
I'll be a bystander, really getting into it. | 0:13:30 | 0:13:33 | |
You know when you dance with a dog at a wedding? Look! | 0:13:34 | 0:13:37 | |
APPLAUSE AND LAUGHTER | 0:13:42 | 0:13:45 | |
I'm going to guess, because it's obviously a modern band, | 0:13:45 | 0:13:51 | |
so it would have a name like...The Peppers. | 0:13:51 | 0:13:55 | |
It's the popular song by The Peppers - You Never Let Me Go, Baby. | 0:13:56 | 0:14:02 | |
APPLAUSE | 0:14:02 | 0:14:04 | |
Amazingly, completely wrong. Phill, would you like to have a guess? | 0:14:07 | 0:14:13 | |
It's was so obvious. Baby, You Never Let Me Go, by The Peppers. | 0:14:13 | 0:14:18 | |
Amazingly, you are both wrong. | 0:14:19 | 0:14:21 | |
The song is called Still Dre by Dr Dre, and here's how it should have sounded. | 0:14:21 | 0:14:26 | |
MUSIC: "Still Dre" by Dr Dre | 0:14:26 | 0:14:29 | |
# Representing for the gangs all across the world... # | 0:14:32 | 0:14:34 | |
-And you never got it right once. -No. | 0:14:34 | 0:14:36 | |
What a beat. | 0:14:39 | 0:14:40 | |
Is he supposed to do that bit? | 0:14:40 | 0:14:43 | |
In fairness, it's not dissimilar to some of The Peppers' later work. | 0:14:43 | 0:14:48 | |
Do you want to try another song, maybe? | 0:14:48 | 0:14:50 | |
Definitely. | 0:14:50 | 0:14:51 | |
I know that Paul knows absolutely nothing about modern musical culture. | 0:14:52 | 0:14:57 | |
I think you should play the tune in, let them dance to it and then see if he knows what it is. | 0:14:57 | 0:15:02 | |
It would be the first time. | 0:15:02 | 0:15:03 | |
Shall we play a song in? | 0:15:03 | 0:15:06 | |
Can you all cover your ears? | 0:15:06 | 0:15:07 | |
DANCE MUSIC PLAYS | 0:15:09 | 0:15:13 | |
"Call now, they're nodding! Phone our lines if you want sex right now! | 0:15:13 | 0:15:17 | |
"Seriously. Bargain-basement dating." | 0:15:17 | 0:15:20 | |
-Do you know it? -It's Just Shove Off, You Stupid Tart... | 0:15:21 | 0:15:28 | |
..by Garter Noose. | 0:15:28 | 0:15:31 | |
-Phill's team, do you know what it is? -Don't know what it is. | 0:15:32 | 0:15:36 | |
Does anyone know anything about music? | 0:15:36 | 0:15:38 | |
Not really. It's not that kind of show. | 0:15:38 | 0:15:40 | |
We're all Pepper-blind now, thanks to you! | 0:15:40 | 0:15:44 | |
It was the Friendly Fires with Skeleton Boy. | 0:15:44 | 0:15:46 | |
The drummer from Friendly Fires was injured recently in an altercation with the Brazilian Police. | 0:15:46 | 0:15:52 | |
I'm not surprised, they are a particularly vicious tribute band. | 0:15:52 | 0:15:57 | |
Phill and Mollie, here are yours for Alesha. | 0:15:58 | 0:16:01 | |
I can't see Mollie! | 0:16:04 | 0:16:05 | |
You know I love you! | 0:16:08 | 0:16:10 | |
-Phill's leading this one. -One, two, three, four. | 0:16:13 | 0:16:16 | |
# Gah, gah, gah | 0:16:16 | 0:16:21 | |
# Dah | 0:16:21 | 0:16:24 | |
# Bom-bom | 0:16:24 | 0:16:25 | |
# Boom-boom boom-boom boom-boom | 0:16:25 | 0:16:29 | |
# Bam-bam-bam-bam-bam-bam | 0:16:29 | 0:16:31 | |
# Bam-bam-bam-bam-bam-bam... # | 0:16:31 | 0:16:36 | |
I'm not having them back! | 0:16:36 | 0:16:40 | |
-Anyone know what it is? -Of course they do. | 0:16:40 | 0:16:42 | |
-Yeah, we do. -Paul Foot knows. | 0:16:42 | 0:16:44 | |
Go ahead, Paul Foot. | 0:16:44 | 0:16:46 | |
Rage Against The Machine, Killing In The Name Of. | 0:16:48 | 0:16:52 | |
Unbelievable! Unbelievable! | 0:16:52 | 0:16:54 | |
APPLAUSE AND CHEERING | 0:16:54 | 0:16:58 | |
Here's how it should have sounded. | 0:16:58 | 0:17:00 | |
MUSIC: "Killing In The Name" by Rage Against The Machine | 0:17:00 | 0:17:04 | |
I thought we did that one quite well. | 0:17:13 | 0:17:15 | |
Yes, we did that one really well. | 0:17:15 | 0:17:17 | |
You were really good. I'm terrible. So sorry. | 0:17:17 | 0:17:19 | |
-Do you want to have a go at your second number? -I think we should. | 0:17:22 | 0:17:25 | |
One, two, three. | 0:17:25 | 0:17:27 | |
# Na-na-na-nah-na | 0:17:27 | 0:17:33 | |
# Na-na-na-na, na-na-na-na, na-na-na-na... # | 0:17:33 | 0:17:39 | |
I know the tune, but who sings it? | 0:17:39 | 0:17:40 | |
-I know the song, I know the song. -Apparently not! | 0:17:40 | 0:17:45 | |
No, I do, I know the beat, but I can't picture the lyrics. | 0:17:45 | 0:17:48 | |
Picture the lyrics now. | 0:17:48 | 0:17:50 | |
"Na-na-na-na-na. Na-na-na-na. | 0:17:50 | 0:17:56 | |
"Na-na-na-na." | 0:17:56 | 0:17:59 | |
Is it Hotstepper? # Here comes the hotstepper... # | 0:17:59 | 0:18:01 | |
It's Here Comes The Hotstepper by Ini Kamoze. | 0:18:01 | 0:18:03 | |
There's a point for you, and here's what it should have sounded like. | 0:18:03 | 0:18:07 | |
# Na-na-na-na, na-na-na-na, na-na-na-na | 0:18:07 | 0:18:12 | |
# Say what?! # | 0:18:12 | 0:18:13 | |
Remix! | 0:18:13 | 0:18:16 | |
# Na-na-na-na, na-na-na-na | 0:18:16 | 0:18:22 | |
# I think I need a better drummer... # | 0:18:22 | 0:18:23 | |
That was Ini Kamoze with Here Comes The Hotstepper. | 0:18:30 | 0:18:33 | |
The hook from Here Comes The Hotstepper was borrowed from a Wilson Pickett song. | 0:18:33 | 0:18:37 | |
I can't stand these people stealing tunes from other people! | 0:18:37 | 0:18:40 | |
Those bloody Zutons and their time machine! | 0:18:40 | 0:18:43 | |
LAUGHTER | 0:18:43 | 0:18:45 | |
And at the end of that round, it's Noel's team, two points, Phill's team, two points. | 0:18:46 | 0:18:50 | |
APPLAUSE | 0:18:50 | 0:18:53 | |
Round three is the Identity Parade. | 0:18:58 | 0:19:00 | |
Phill, Alesha and Mollie, what about some Irish folk music? | 0:19:00 | 0:19:02 | |
For the audience only, here is Foster and Allen. | 0:19:02 | 0:19:06 | |
# I love to ramble down the old boreen | 0:19:06 | 0:19:09 | |
# When the hawthorn blossoms are in bloom | 0:19:09 | 0:19:12 | |
# And to sit by the gate on that old mossy seat | 0:19:12 | 0:19:16 | |
# Whispering to Kate Muldoon... # | 0:19:16 | 0:19:21 | |
That was Foster and Allen | 0:19:24 | 0:19:27 | |
with The Old Boreen, but which of our line-up is Mick Foster? | 0:19:27 | 0:19:31 | |
Is it number one, Mick Foster? | 0:19:31 | 0:19:33 | |
Number two, foster child? | 0:19:33 | 0:19:36 | |
Number three, Foster's lager? | 0:19:36 | 0:19:39 | |
Number four, Foster, Foster, Pussycat? | 0:19:39 | 0:19:42 | |
Or number five, foster a deep sense of resentment? | 0:19:42 | 0:19:47 | |
I quite like the look of number one. | 0:19:47 | 0:19:49 | |
-In what sense? -It's not about who you want to date! | 0:19:49 | 0:19:52 | |
-Number one. Likes the look of you. -He's kept his moustache in good condition. | 0:19:52 | 0:19:58 | |
He might be used to having done that while he was in the limelight. | 0:19:58 | 0:20:02 | |
I've seen a video. The guy you're looking for basically looks like an Irish Richard Gere. | 0:20:02 | 0:20:07 | |
That would be number two, then, wouldn't it? | 0:20:07 | 0:20:09 | |
Easy there! | 0:20:09 | 0:20:11 | |
Number five's got that Irish glow about him. | 0:20:16 | 0:20:18 | |
-In what sense? -Had a few Guinnesses... | 0:20:18 | 0:20:22 | |
-That is racist! -You cannot say that! | 0:20:22 | 0:20:25 | |
-All right! -You might as well say you are looking for someone with sick in their beard. | 0:20:25 | 0:20:28 | |
"I've got lots of Irish friends!" | 0:20:28 | 0:20:31 | |
My stepmum's Irish. | 0:20:31 | 0:20:33 | |
What about number three, though? | 0:20:33 | 0:20:35 | |
I'm scared of number three! | 0:20:35 | 0:20:37 | |
-He's actually... -Not sure about number three. -He's doing a bank job in Beckenham in the morning. | 0:20:37 | 0:20:42 | |
-"I need to be fresh as a daisy!" -What about number one? | 0:20:42 | 0:20:46 | |
-Mario. -OK. | 0:20:46 | 0:20:48 | |
Number one is all about collecting the gold coins and plumbing, I'm telling you right now. | 0:20:51 | 0:20:55 | |
-It's definitely number five. -It's not. -It's four. | 0:20:59 | 0:21:03 | |
-Let's find out. Would the real Mick Foster step forward? -Yes! | 0:21:03 | 0:21:08 | |
Well done! | 0:21:08 | 0:21:10 | |
Still touring and recording with Foster and Allen, Mick Foster, ladies and gentlemen. | 0:21:13 | 0:21:17 | |
APPLAUSE | 0:21:17 | 0:21:20 | |
Noel, Paul and Tinie, how about some manufactured '90s pop? | 0:21:25 | 0:21:29 | |
For the audience only, here's Steps. | 0:21:29 | 0:21:32 | |
# I forgive and forget if you say you'll never go | 0:21:32 | 0:21:39 | |
# Cos it's true what they say | 0:21:39 | 0:21:45 | |
# It's better the devil you know | 0:21:45 | 0:21:47 | |
# Oh, oh... # | 0:21:49 | 0:21:53 | |
That was Steps with Better The Devil You Know. But which one of our line-up is Lee Latchford-Evans? | 0:21:54 | 0:21:59 | |
Is it number one, Steps? | 0:21:59 | 0:22:03 | |
Number two, Steptoe And Son? | 0:22:03 | 0:22:05 | |
Number three, Stepford wife? | 0:22:05 | 0:22:08 | |
Number four, Step-ticemia? | 0:22:08 | 0:22:09 | |
Or number five, stepfather used to touch him? | 0:22:09 | 0:22:13 | |
What do you think? | 0:22:19 | 0:22:21 | |
What I'm noticing... Oh, yes, hello. | 0:22:24 | 0:22:28 | |
What I'm noticing, I don't think it's number two, because he hasn't got the show-business stand. | 0:22:28 | 0:22:32 | |
Show us the show-business stand. | 0:22:33 | 0:22:37 | |
It's more, you always want the foot slightly like that, to the side. | 0:22:37 | 0:22:42 | |
That's the show-business look. And the others have got it, to an extent. | 0:22:42 | 0:22:47 | |
You need to pat them down. See who's got the dancer's body. | 0:22:47 | 0:22:50 | |
Yes, OK. | 0:22:50 | 0:22:52 | |
Looks can be deceiving. | 0:22:53 | 0:22:54 | |
Before Paul walks across, note the showbiz walk! | 0:22:54 | 0:22:57 | |
APPLAUSE | 0:23:02 | 0:23:04 | |
That tie is almost wider than your body. You know that? | 0:23:04 | 0:23:08 | |
By the way, I think it could be number one. He's very disciplined. | 0:23:09 | 0:23:15 | |
Even when I go all weird with him. | 0:23:15 | 0:23:17 | |
Like, all unusual! | 0:23:19 | 0:23:21 | |
He has been trained not to laugh and to be highly professional. | 0:23:21 | 0:23:26 | |
I think it could be number one. | 0:23:26 | 0:23:28 | |
Number two, oh... | 0:23:28 | 0:23:30 | |
I don't think it is number two, because the feel when I touched you like that, | 0:23:32 | 0:23:37 | |
it was more like the feel of a lonely businessman in Telford. | 0:23:37 | 0:23:42 | |
Number three looks happy, like he might be getting a few royalties. | 0:23:43 | 0:23:48 | |
Might just be sitting there, just waiting, for the envelope to fall through the front door, while | 0:23:51 | 0:23:58 | |
other people have to work night in, night out! | 0:23:58 | 0:24:01 | |
APPLAUSE | 0:24:01 | 0:24:04 | |
It could be number three. | 0:24:06 | 0:24:08 | |
It's like watching a heron in a grey jacket. | 0:24:08 | 0:24:10 | |
He knows who it is. You might have to come back to the chair! | 0:24:12 | 0:24:15 | |
APPLAUSE | 0:24:17 | 0:24:22 | |
-I think, actually, it's number one. -Right. | 0:24:22 | 0:24:28 | |
Number one. | 0:24:28 | 0:24:30 | |
Number one. All right. | 0:24:30 | 0:24:32 | |
Let's find out. Would the real Lee Latchford-Evans step forward? | 0:24:32 | 0:24:35 | |
APPLAUSE | 0:24:35 | 0:24:38 | |
A point for Noel and his team. | 0:24:40 | 0:24:42 | |
He's the founder of Famously Fit Magazine, it's Lee Latchford-Evans, | 0:24:44 | 0:24:48 | |
ladies and gentlemen. | 0:24:48 | 0:24:50 | |
APPLAUSE | 0:24:50 | 0:24:51 | |
Well, what about the others? We learnt nothing of them! | 0:24:56 | 0:24:59 | |
LAUGHTER | 0:24:59 | 0:25:01 | |
And at the end of that round, it is still a deadlock. Noel with three points, Phill with three points. | 0:25:01 | 0:25:06 | |
APPLAUSE | 0:25:06 | 0:25:11 | |
So, we end with Next Lines. | 0:25:15 | 0:25:17 | |
It's a draw, so Noel's team, you go first, and your time starts now. | 0:25:17 | 0:25:21 | |
"New York." | 0:25:21 | 0:25:25 | |
"Concrete jungle where dreams are made of." | 0:25:23 | 0:25:25 | |
Alicia Keys, Jay-Z. "I want to be a part of it." | 0:25:25 | 0:25:28 | |
This is the actual song? | 0:25:28 | 0:25:32 | |
"I want to be a part of it, New York, New York." | 0:25:32 | 0:25:36 | |
Frank Sinatra, New York, New York. I cannot believe you got one. | 0:25:36 | 0:25:40 | |
APPLAUSE | 0:25:42 | 0:25:44 | |
That is unbelievable. "Ride my bike." | 0:25:45 | 0:25:49 | |
"Because I'm frigid." | 0:25:49 | 0:25:50 | |
LAUGHTER | 0:25:50 | 0:25:52 | |
"Until I get home." Mark Ronson, Business International. | 0:25:52 | 0:25:55 | |
"I really love your tiger feet." | 0:25:55 | 0:25:57 | |
"Not so keen on your iguana ears." | 0:25:57 | 0:26:01 | |
"Your tiger feet, your tiger feet." | 0:26:01 | 0:26:03 | |
"I've been to Southampton." | 0:26:03 | 0:26:05 | |
"But I've never been to Scunthorpe." | 0:26:05 | 0:26:07 | |
Tinie Tempah, Pass Out. "This baby's got a temper." | 0:26:07 | 0:26:10 | |
-"This baby's tiny." -"You'll never tame her." Prodigy. | 0:26:10 | 0:26:13 | |
"She's got an itsy bitsy teenie weenie..." | 0:26:13 | 0:26:17 | |
"Yellow polka dot bikini." | 0:26:17 | 0:26:19 | |
"Tiny, tiny, tiny, tiny, tiny vagina." | 0:26:19 | 0:26:24 | |
LAUGHTER | 0:26:24 | 0:26:26 | |
Miniature. | 0:26:29 | 0:26:30 | |
It has to be! | 0:26:31 | 0:26:34 | |
END-OF-ROUND JINGLE | 0:26:32 | 0:26:34 | |
APPLAUSE | 0:26:34 | 0:26:37 | |
Phill, Mollie, Alesha. | 0:26:40 | 0:26:42 | |
-You need eight points to win. -Oh, no. -Your time starts now. | 0:26:42 | 0:26:46 | |
"We built this city." | 0:26:46 | 0:26:48 | |
"We built this city on rock 'n roll." | 0:26:48 | 0:26:49 | |
Starship. "I need a better drummer." | 0:26:49 | 0:26:52 | |
"A better drummer. Boy, I need..." | 0:26:52 | 0:26:55 | |
-"I need a better drummer." -'Say what?!' | 0:26:55 | 0:26:58 | |
-"Say what?!" -Very nice. | 0:26:58 | 0:27:00 | |
Alesha Dixon, Drummer Boy. "I played my drum for him." | 0:27:00 | 0:27:03 | |
-That's not my song. -I know. Not all of them are going to be yours. | 0:27:03 | 0:27:05 | |
-"I played my drum for him." -No. | 0:27:07 | 0:27:09 | |
Christmas? "Pa-rup-pa-pum-pum." | 0:27:09 | 0:27:11 | |
"A newborn king to see." | 0:27:11 | 0:27:13 | |
-"Pa-rup-pa-pa-pum." -The Harry Simeone Chorale, Little Drummer Boy. | 0:27:13 | 0:27:17 | |
"I miss hurting you till you cry." | 0:27:17 | 0:27:18 | |
-Mollie. -Oh, yeah. That's mine. | 0:27:18 | 0:27:20 | |
"I miss watching you." Yeah. | 0:27:22 | 0:27:24 | |
-A bit more, please. -"As you try!" | 0:27:24 | 0:27:28 | |
The Saturdays. "Saturday night at the movies." | 0:27:28 | 0:27:31 | |
"What a fun night." | 0:27:31 | 0:27:33 | |
"Who cares what picture you see?" The Saturdays. | 0:27:35 | 0:27:37 | |
"Sunday, Monday, happy days." | 0:27:37 | 0:27:39 | |
"Tuesday, Wednesday, happy days." | 0:27:38 | 0:27:39 | |
The Saturdays, Happy Days. | 0:27:39 | 0:27:41 | |
"Monday, you can fall apart." | 0:27:41 | 0:27:43 | |
"Tuesday, Wednesday, break my heart." | 0:27:43 | 0:27:46 | |
The Saturdays, Friday I'm In Love. "Tell me why." | 0:27:46 | 0:27:48 | |
-"I don't like Mondays." -The Saturdays, I Don't Like Mondays. | 0:27:48 | 0:27:51 | |
We have some hits, haven't we?! | 0:27:51 | 0:27:52 | |
A lot. You don't have to write them to have a hit with them. | 0:27:52 | 0:27:55 | |
END-OF-ROUND JINGLE | 0:27:55 | 0:27:58 | |
APPLAUSE | 0:27:59 | 0:28:02 | |
-The final score is, Noel's team, 10 points, Phill's team, 11. -Yes! Yes! | 0:28:02 | 0:28:08 | |
CHEERING AND APPLAUSE | 0:28:08 | 0:28:10 | |
Thanks to Phill, Alesha and Mollie, Noel, Tinie and Paul. | 0:28:16 | 0:28:19 | |
This has been Never Mind The Buzzcocks. | 0:28:19 | 0:28:21 | |
I've been thoroughly entertaining and should probably be the de-facto host. | 0:28:21 | 0:28:25 | |
Again, I'm just reading what they wrote on the prompter. I'm Mark Ronson. Thank you for tuning in. | 0:28:25 | 0:28:30 | |
APPLAUSE AND CHEERING | 0:28:30 | 0:28:32 | |
Subtitles by Red Bee Media Ltd | 0:28:36 | 0:28:38 | |
E-mail [email protected] | 0:28:38 | 0:28:41 |