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This programme contains some strong language. | 0:00:02 | 0:00:06 | |
APPLAUSE AND CHEERING | 0:00:21 | 0:00:24 | |
Hello and welcome to the show. My name is Catherine Tate. | 0:00:32 | 0:00:35 | |
When they asked me to do this show, I thought, "I don't know anything about music. | 0:00:35 | 0:00:40 | |
"But then, that kitchen extension won't pay for itself." | 0:00:40 | 0:00:43 | |
On Noel's team tonight... | 0:00:43 | 0:00:46 | |
It's one third of chart toppers N-Dubz. | 0:00:48 | 0:00:51 | |
She's no Dappy - and that's exactly why we've booked her. | 0:00:51 | 0:00:54 | |
It's Tulisa from N-Dubz. | 0:00:54 | 0:00:56 | |
We were desperate for a guest. Luckily we knew a bloke who said he could deliver in half an hour | 0:01:05 | 0:01:10 | |
even if he has been cut with other guests! It's Howard Marks. | 0:01:10 | 0:01:14 | |
And on Phill's team... | 0:01:16 | 0:01:18 | |
# Too many miracles... # | 0:01:18 | 0:01:21 | |
..a singer/songwriter famous for wearing a hat, but that's not all there is to him, | 0:01:21 | 0:01:26 | |
he's got a beard, too! | 0:01:26 | 0:01:28 | |
It's Badly Drawn Boy. | 0:01:28 | 0:01:30 | |
She's the star of hit comedy show The King is Dead, | 0:01:37 | 0:01:39 | |
the best thing on BBC3 since that screen that says, "BBC3 is not available between one and seven." | 0:01:39 | 0:01:45 | |
It's Katy Wix! | 0:01:45 | 0:01:47 | |
So we begin with Do You Really Want To Hurt Me? | 0:01:50 | 0:01:55 | |
Noel, Tulisa and Howard, have a look at this. | 0:01:55 | 0:01:57 | |
# No, I couldn't live without you # | 0:01:59 | 0:02:02 | |
Simon Cowell's greatest success since turning his hair into a geometrically perfect cube. | 0:02:02 | 0:02:07 | |
Nobody sings a bit too quiet and then a bit too loud like she does. | 0:02:07 | 0:02:11 | |
It's Leona Lewis! | 0:02:11 | 0:02:14 | |
# Gonna smile cos I deserve to # | 0:02:14 | 0:02:17 | |
That was Leona Lewis with Better in Time. | 0:02:17 | 0:02:21 | |
But what injury caused her to delay the recording of her second album? | 0:02:21 | 0:02:26 | |
Was it a) she was head-butted by a horse, | 0:02:26 | 0:02:30 | |
b) a swan broke both her arms, | 0:02:30 | 0:02:35 | |
or c) she damaged her back running away from a grumpy kestrel? | 0:02:35 | 0:02:39 | |
-"A grumpy kestrel"? -A grumpy kestrel! | 0:02:43 | 0:02:47 | |
-Excuse me being uneducated, but what is a kestrel? -It's like a hawk. | 0:02:47 | 0:02:51 | |
-It's also a lager. -Lager? See, that's more my level. | 0:02:51 | 0:02:56 | |
A reference you might get. | 0:02:56 | 0:02:58 | |
-A grumpy lager. -She was running away from a grumpy lager. | 0:02:58 | 0:03:01 | |
Can we have a look at that, cos there was a horse in the video. | 0:03:01 | 0:03:05 | |
Let's have a quick look. | 0:03:05 | 0:03:06 | |
There we go. | 0:03:07 | 0:03:09 | |
See that horse's body language? | 0:03:09 | 0:03:11 | |
That horse is going, "Get me out of this video! It's the worst music ever! | 0:03:11 | 0:03:17 | |
"I don't care how many carrots you give me." | 0:03:17 | 0:03:19 | |
You can lead a horse to a pop video, but you can't make it like it! | 0:03:19 | 0:03:24 | |
-Howard's got this brilliant fact about horses. -Yeah, | 0:03:25 | 0:03:29 | |
they don't recognise themselves in the mirror. | 0:03:29 | 0:03:32 | |
Howard, did a horse tell you this? | 0:03:35 | 0:03:38 | |
-How has somebody proved that phenomena? -By sticking a horse in front of a mirror again and again | 0:03:41 | 0:03:46 | |
and seeing if it recognises it. | 0:03:46 | 0:03:49 | |
Howard, when the horse looks in the mirror and goes, "Brrr"... | 0:03:51 | 0:03:56 | |
It means it fancies itself. | 0:03:58 | 0:04:00 | |
-What are you talking about? -Horses! | 0:04:00 | 0:04:03 | |
-Horses can't recognise themselves in the mirror. -Is that where you're at? | 0:04:06 | 0:04:10 | |
-But they can in the back of spoons. -Really? | 0:04:10 | 0:04:13 | |
When they're making tea, they think, "There's a small horse there! ..Oh, it's me!" | 0:04:15 | 0:04:20 | |
-Are we saying other animals can? -Chimps can. | 0:04:20 | 0:04:24 | |
-They can? -Chimps can. | 0:04:24 | 0:04:26 | |
Occasionally, | 0:04:28 | 0:04:29 | |
when I'm hung over, I see myself in Iceland's window and go, "Who's that idiot? | 0:04:29 | 0:04:34 | |
"Oh, it's me!" | 0:04:34 | 0:04:35 | |
But you could train a chimp to look in a mirror and say, "That's me." | 0:04:35 | 0:04:39 | |
But you wouldn't necessarily believe it. Someone might have trained it. | 0:04:39 | 0:04:43 | |
But you can't train a horse to do that. | 0:04:43 | 0:04:46 | |
But we tried all last night! | 0:04:46 | 0:04:48 | |
When I knew Howard was coming on the show, | 0:04:49 | 0:04:52 | |
the idea that we're here and we're chatting about Howard and the word horse has come up, | 0:04:52 | 0:04:57 | |
and it is actually about horses! I'm surprised about that. | 0:04:57 | 0:05:01 | |
Howard has had in your life about 69 aliases? | 0:05:01 | 0:05:06 | |
-43. -43. | 0:05:06 | 0:05:08 | |
-One of them was Albi. -Yes. | 0:05:08 | 0:05:10 | |
When I read it, I thought it said alibi, but it's Albi. | 0:05:10 | 0:05:14 | |
It was an anagram of that, and also an anagram of bail which I skipped. | 0:05:14 | 0:05:19 | |
Oh, clever! | 0:05:19 | 0:05:22 | |
While we're on this, could I turn the subject to me? | 0:05:22 | 0:05:25 | |
-Course! -The name Badly Drawn Boy, which I know is stupid, | 0:05:25 | 0:05:30 | |
but my brother worked out one day that an anagram of it is "why draw Bob Dylan". | 0:05:30 | 0:05:34 | |
Do you answer to the name of Badly? | 0:05:36 | 0:05:38 | |
-I love it. I'm like a horse looking in a mirror. -Recognising yourself. | 0:05:38 | 0:05:43 | |
Tulisa, you've got an alias. You're TT. | 0:05:43 | 0:05:46 | |
Sometimes. | 0:05:46 | 0:05:47 | |
TT's been working. She hasn't been to bed for 24 hours. | 0:05:47 | 0:05:50 | |
No, I've been awake for 24 hours. | 0:05:50 | 0:05:53 | |
TT hasn't been to bed for 24 hours, Howard Marks and me. | 0:05:53 | 0:05:57 | |
I'm vague at the best of times! | 0:05:57 | 0:06:00 | |
Team Fuzzy! | 0:06:00 | 0:06:02 | |
We've got no chance! | 0:06:02 | 0:06:04 | |
You're lucky we're facing the right way! | 0:06:04 | 0:06:07 | |
You've got 72 hours of no sleep, you three there. | 0:06:07 | 0:06:11 | |
If it all goes well for me, this is what I could look like! | 0:06:11 | 0:06:15 | |
Have you got a clue what this is? | 0:06:17 | 0:06:19 | |
I'm hoping it was all of them. | 0:06:19 | 0:06:21 | |
I'm hoping she was at the zoo and they went, "Let's kick the shit out of her!" | 0:06:21 | 0:06:25 | |
Is Leona Lewis the new Coldplay? Is that what it is? | 0:06:25 | 0:06:30 | |
She's not as good as that! | 0:06:30 | 0:06:33 | |
I don't hate her. It's what was coming out of her mouth was giving me a panic attack! | 0:06:34 | 0:06:39 | |
You could change that. | 0:06:39 | 0:06:41 | |
This is my favourite show already! | 0:06:46 | 0:06:49 | |
You don't even know what a kestrel is! | 0:06:50 | 0:06:52 | |
The thing is, all of those answers please me in some way. So I don't mind! | 0:06:53 | 0:06:58 | |
If any of those animals did that to her, I'd be quite happy! | 0:06:58 | 0:07:04 | |
For a really bland video, though, it's provoked a lengthy debate! | 0:07:05 | 0:07:10 | |
Pick a letter. | 0:07:11 | 0:07:13 | |
-Choose a letter. -J. | 0:07:13 | 0:07:15 | |
Pick a letter between A to C. | 0:07:15 | 0:07:19 | |
-Let's say A. -A. -Yeah. | 0:07:19 | 0:07:20 | |
-She got head-butted by a horse? -Yeah. | 0:07:20 | 0:07:23 | |
-You're right! -Yes! | 0:07:23 | 0:07:25 | |
Amazing! | 0:07:28 | 0:07:29 | |
The answer is Leona delayed recording her album | 0:07:32 | 0:07:35 | |
after being head-butted by her horse | 0:07:35 | 0:07:38 | |
on an early-morning stroll. | 0:07:38 | 0:07:40 | |
It's not the worst thing that has happened to Leona Lewis. Last year, | 0:07:40 | 0:07:45 | |
she was punched in the Piccadilly Waterstone's. I've never heard them called that before! | 0:07:45 | 0:07:51 | |
Phill, Badly and Katy, take a look at this! | 0:07:51 | 0:07:55 | |
No-one's done more to make charity shop chic cool | 0:07:58 | 0:08:01 | |
since Maureen at Help the Aged introduced the Crazy Friday two-for-one cardigan giveaway! | 0:08:01 | 0:08:06 | |
It's Jarvis Cocker. | 0:08:06 | 0:08:08 | |
# In no great rush to join the rest of mankind | 0:08:08 | 0:08:11 | |
# There were further complications | 0:08:11 | 0:08:15 | |
# Further complications Oh, yeah # | 0:08:16 | 0:08:19 | |
That was Jarvis Cocker with Further Complications. | 0:08:21 | 0:08:24 | |
But how did he leave himself wheelchair-bound | 0:08:24 | 0:08:26 | |
for a series of Pulp gigs? | 0:08:26 | 0:08:28 | |
Did he a) fall out of a window pretending to be Spiderman, | 0:08:28 | 0:08:33 | |
break his shinbone by being run over by Daley Thompson, | 0:08:33 | 0:08:36 | |
or c) damage his back running away from a grumpy kestrel? | 0:08:36 | 0:08:40 | |
It looks a bit like a Gap advert. | 0:08:42 | 0:08:45 | |
Or maybe they meant to put an expensive backdrop in afterwards and then forgot! | 0:08:45 | 0:08:50 | |
He's like, "Where are the pyramids you promised me?" | 0:08:50 | 0:08:53 | |
-Have you heard that joke? -I love it that you've got a joke. | 0:08:53 | 0:08:57 | |
This guy says, "This granddad, he's about 96. They call him Spiderman." | 0:08:57 | 0:09:02 | |
I said, "Why?" "Because he can't get out the bath!" | 0:09:02 | 0:09:06 | |
Oh, my God. We've got something for you. Howard has another fact. | 0:09:08 | 0:09:12 | |
A dog can smell if a spider's in the room. | 0:09:12 | 0:09:15 | |
Amazing! | 0:09:18 | 0:09:20 | |
-Do spiders make an echoing sound or something? -No, no. | 0:09:20 | 0:09:23 | |
No, this is just the stink of a spider which we can't detect | 0:09:23 | 0:09:26 | |
but a sniffer dog, which I know about, they can. | 0:09:26 | 0:09:30 | |
I love the fact that dogs can smell spiders. Spiders, you don't imagine them to have B.O. | 0:09:30 | 0:09:36 | |
-You don't go, "Oh, that spider reeks!" -There's not enough room for B.O. to cling. | 0:09:38 | 0:09:42 | |
Little thin legs. | 0:09:42 | 0:09:44 | |
Maybe they carry round mini Sure deodorants for their arms! | 0:09:44 | 0:09:50 | |
Am I on the right show? | 0:09:50 | 0:09:52 | |
So he's either fallen out of a window pretending to be Superman, | 0:09:54 | 0:09:58 | |
this is how he ends up wheelchair-bound. | 0:09:58 | 0:10:01 | |
Spiderman. Don't confuse us! Cos we're already in Animal Magic Land! | 0:10:01 | 0:10:07 | |
Oh, it was Superman that was in the wheelchair. | 0:10:07 | 0:10:10 | |
AUDIENCE GROANS | 0:10:10 | 0:10:12 | |
That's your evil minds that have done that. | 0:10:14 | 0:10:17 | |
Oh, God, yeah, and a horse did that as well! | 0:10:17 | 0:10:20 | |
-I'm going to press you for an answer, Phill. -Thank you. | 0:10:21 | 0:10:24 | |
-I'll come and press you for an answer. -He fell out the window. | 0:10:24 | 0:10:28 | |
Do you know what, you are right! | 0:10:28 | 0:10:30 | |
The answer is A. Jarvis was left wheelchair-bound | 0:10:35 | 0:10:38 | |
having fallen out of a window pretending to be Spiderman | 0:10:38 | 0:10:41 | |
while trying to impress a girl. | 0:10:41 | 0:10:43 | |
Single and embarrassed, he spent the next few weeks resting in bed | 0:10:43 | 0:10:47 | |
covering himself in a sticky web-like substance. | 0:10:47 | 0:10:50 | |
Jarvis recently recorded an album of sounds from the countryside for the National Trust. | 0:10:52 | 0:10:57 | |
It was largely the sounds of horse colliding with Leona Lewis's face. | 0:10:57 | 0:11:01 | |
At the end of that round, Noel's team have got one and Phill's team have one. | 0:11:02 | 0:11:07 | |
APPLAUSE | 0:11:07 | 0:11:09 | |
Next, the intros round. Noel and Lisa, here are yours for Howard. | 0:11:13 | 0:11:17 | |
-Ready? -OK. -One, two, three. | 0:11:22 | 0:11:24 | |
# Dum-chik-a-jing Bah-doo-da-de-doo-dah | 0:11:24 | 0:11:27 | |
# Dum-chik-a-doo Doo-doo-dah-doo | 0:11:27 | 0:11:29 | |
# Bah-bah-bah-bow | 0:11:29 | 0:11:32 | |
# Bah-bah-bah-bow # | 0:11:32 | 0:11:34 | |
What the hell are you doing? | 0:11:37 | 0:11:39 | |
You're kidding me! | 0:11:39 | 0:11:41 | |
This is the best I've ever been, you idiot! | 0:11:41 | 0:11:43 | |
Is it a cover version? | 0:11:47 | 0:11:49 | |
LAUGHTER | 0:11:49 | 0:11:51 | |
No, this is the original! | 0:11:51 | 0:11:53 | |
-I know it. -You know it? -I know it, yeah. -Do you? | 0:11:56 | 0:11:59 | |
-Yeah. -They all sound the same whenever anyone does that. | 0:11:59 | 0:12:02 | |
It all sounds to me like "chik-a-boom". | 0:12:02 | 0:12:06 | |
Or something like that. | 0:12:06 | 0:12:08 | |
-Can you go bigger? -Bigger? | 0:12:08 | 0:12:11 | |
A bit more rocky. | 0:12:11 | 0:12:13 | |
As if it's not embarrassing enough? Right. | 0:12:14 | 0:12:18 | |
One, two, three, four. | 0:12:18 | 0:12:20 | |
# Doo-chik-a-ching Ka-jing jing ja-da jing | 0:12:20 | 0:12:22 | |
# Doo-chik-a-ching Ka-jing jing ja-da jing | 0:12:22 | 0:12:25 | |
# La-la-la-la | 0:12:25 | 0:12:27 | |
# La-la-la-la! | 0:12:27 | 0:12:30 | |
Any ideas, Howard? Surely that helped? | 0:12:32 | 0:12:34 | |
No. | 0:12:34 | 0:12:36 | |
I'm going to throw it over. | 0:12:37 | 0:12:39 | |
-Is it not The Buzzcocks? -Yes! -Ever Fallen In Love? | 0:12:39 | 0:12:43 | |
-Yes! -I got that from the "Da-dah-dah-dah" bit. The first bit was rubbish. | 0:12:43 | 0:12:47 | |
Here's how it should have sounded. | 0:12:47 | 0:12:50 | |
THE BUZZCOCKS: EVER FALLEN IN LOVE | 0:12:50 | 0:12:52 | |
# La-la-la-la! # | 0:12:56 | 0:12:57 | |
# You spurn my natural emotions | 0:13:01 | 0:13:03 | |
# You make me feel like dirt # | 0:13:03 | 0:13:06 | |
-Uh... -Catherine, what's happened? Are you having a breakdown? | 0:13:06 | 0:13:11 | |
I've lost a card with all the N-Dubz slag on it. | 0:13:11 | 0:13:14 | |
Slang! | 0:13:14 | 0:13:15 | |
Sorry! I'm so sorry! | 0:13:18 | 0:13:21 | |
I'm so sorry! | 0:13:24 | 0:13:26 | |
I don't mean that! | 0:13:26 | 0:13:29 | |
That's coming down, now! | 0:13:30 | 0:13:33 | |
Like the urban kestrel that it is! | 0:13:33 | 0:13:37 | |
Oh, it's here! Look, it's here! | 0:13:38 | 0:13:41 | |
Now, N-Dubz slang. At the back of your album, you've got a glossary | 0:13:41 | 0:13:47 | |
that tells you what your slang is. | 0:13:47 | 0:13:49 | |
I'm not as involved as the boys, but I'm getting your drift. | 0:13:49 | 0:13:52 | |
So if I were to ask you what an end to a conversation is | 0:13:52 | 0:13:56 | |
in N-Dubz slang, what would it be? | 0:13:56 | 0:13:58 | |
-Nana. -Nana? No, Tulisa. | 0:13:58 | 0:14:02 | |
-It's not me, it's them two nutters. -Nana is hi or bye. | 0:14:02 | 0:14:06 | |
-If you were saying hi or bye to your nana, you'd say, "Nana, Nana." -Nana. | 0:14:06 | 0:14:10 | |
-I like it. -Catherine, you have to understand, Tulisa is basically their care worker. | 0:14:10 | 0:14:16 | |
How do you say, "Are you serious, for real", like that makes sense anyway! | 0:14:17 | 0:14:21 | |
Are you seri for really? | 0:14:21 | 0:14:23 | |
-Are you seri for really? -Can you say, "Am I bothered?" at the end? | 0:14:23 | 0:14:26 | |
-Am I bothered? -Yeah! | 0:14:26 | 0:14:29 | |
-You should say, "Am I seri for really?" -Am I seri for really? -Am I bothered? | 0:14:29 | 0:14:32 | |
-Are you seri for really? -Am I bothered? | 0:14:33 | 0:14:36 | |
-Are you seri for really? -Am I bothered? | 0:14:36 | 0:14:37 | |
-Are you seri for really? -Am I bothered? | 0:14:37 | 0:14:39 | |
-Are you seri for really? -Am I bothered? | 0:14:39 | 0:14:41 | |
-Are you seri for really? -Am I bothered? -Are you seri for really? | 0:14:41 | 0:14:43 | |
-But am I bothered? -Get out of the classroom, Catherine! | 0:14:43 | 0:14:47 | |
APPLAUSE | 0:14:47 | 0:14:49 | |
-Next intro, please. -This is mainly you, so you've got to get yourself together. | 0:14:54 | 0:14:59 | |
TULISA SETS BASS BEAT | 0:14:59 | 0:15:01 | |
# Woppa-woppa-woppa bow bow | 0:15:01 | 0:15:04 | |
# Bow-bow-bow-bow-bow-bow-bow | 0:15:04 | 0:15:06 | |
# Bow-bow-bow-bow-bow-bow-bow | 0:15:06 | 0:15:08 | |
# Bow-bow-bow-bow-bow-bow bow-wow... # | 0:15:08 | 0:15:11 | |
REPEATS CHORDS | 0:15:11 | 0:15:13 | |
Yeah, that's good. | 0:15:21 | 0:15:23 | |
-What you do think, Howard? -I thought they did it brilliantly. | 0:15:26 | 0:15:30 | |
-Any ideas? -No. -No. OK. I'll throw it over to Phill. | 0:15:32 | 0:15:37 | |
-We don't know. -You don't know?! | 0:15:37 | 0:15:40 | |
-It's Kasabian. -Oh! | 0:15:40 | 0:15:42 | |
With Underdog. Here's how it should have sounded. | 0:15:42 | 0:15:46 | |
INTRO TO UNDERDOG | 0:15:47 | 0:15:50 | |
That was Kasabian with Underdog. | 0:16:02 | 0:16:04 | |
Tom from Kasabian criticised Justin Timberlake, | 0:16:04 | 0:16:07 | |
calling him "a midget with whiskers who's trying to be black." | 0:16:07 | 0:16:11 | |
Justin replied, "What you talking about, Kasabian?" | 0:16:11 | 0:16:15 | |
We also heard Buzzcocks with Ever Fallen In Love? | 0:16:16 | 0:16:20 | |
Buzzcocks famously formed after responding to adverts | 0:16:20 | 0:16:23 | |
in the back of the NME. | 0:16:23 | 0:16:24 | |
Similarly, Tulisa found Dappy and Fazer after sitting in the dentist's waiting room | 0:16:24 | 0:16:29 | |
and flipping through an old copy of What Twat magazine. | 0:16:29 | 0:16:32 | |
Phill and Badly, here are yours for Katy. | 0:16:33 | 0:16:38 | |
Thank you, Catherine. Right, what are we doing? | 0:16:38 | 0:16:41 | |
One, two, one, two, three, four. | 0:16:42 | 0:16:44 | |
# Bom, bom, bom, bom, bom, bom, bom, bom | 0:16:44 | 0:16:47 | |
# Bom, bom, bom, bom, bom, bom, bom, bom | 0:16:47 | 0:16:49 | |
# Bom, bom, bom, bom, bom, bom, bom | 0:16:49 | 0:16:51 | |
# Dum, dum, dum, dum, dum, dum, dum, dum | 0:16:51 | 0:16:54 | |
# Dum, dum, dum, dum, dum, dum, dum, dum | 0:16:54 | 0:16:56 | |
I'm getting something. | 0:16:56 | 0:16:58 | |
# Dah, dah, dah, dah, dah, dah, dah | 0:16:58 | 0:17:01 | |
# Ugh! # | 0:17:01 | 0:17:02 | |
That was lovely. | 0:17:02 | 0:17:04 | |
I don't know any songs that... One, two, three, four was you, not part of the song? | 0:17:04 | 0:17:08 | |
Yes, that was just me. | 0:17:08 | 0:17:10 | |
And you're definitely doing it right? | 0:17:10 | 0:17:13 | |
It's not me. | 0:17:13 | 0:17:14 | |
On a song called the Monkees - no, it's a band called the Monkees, | 0:17:14 | 0:17:18 | |
they've got a song and he counts them in. He goes, "One, two, three, four, | 0:17:18 | 0:17:24 | |
"seven." Oh, shut up!" | 0:17:24 | 0:17:26 | |
-Lust For Life! -What?! -Just got it. Is it Lust For Life? -No. | 0:17:28 | 0:17:31 | |
-Why not? -Oh, this? -Yes! | 0:17:31 | 0:17:35 | |
Oh! | 0:17:35 | 0:17:36 | |
-Yes, this! -Sorry, I thought you meant... | 0:17:36 | 0:17:39 | |
I'm not commenting on your anecdote! I'm trying to gain a point in my life! | 0:17:39 | 0:17:43 | |
It's not, no. God, rubbish guests! | 0:17:43 | 0:17:47 | |
Well, if it's not Lust For Life, then... | 0:17:48 | 0:17:51 | |
-Barry Manilow? -I think we know what it is. -Do you? -I think it's Jet. | 0:17:51 | 0:17:55 | |
Are You Gonna Be My Girl? | 0:17:55 | 0:17:58 | |
Yes, that's what it says. Hooray! | 0:17:58 | 0:18:01 | |
Here's how it should sound. | 0:18:06 | 0:18:08 | |
MUSIC PLAYS | 0:18:08 | 0:18:10 | |
That's like Phil Collins. Is it? | 0:18:10 | 0:18:12 | |
-# You can't hurry love # -No, you just have to wait | 0:18:17 | 0:18:20 | |
Lust For Life! | 0:18:20 | 0:18:22 | |
# One, two, three, take my hand and come with me... # | 0:18:28 | 0:18:31 | |
Next intro, please. | 0:18:31 | 0:18:33 | |
OK. So you start it, good and bold and loud. | 0:18:33 | 0:18:36 | |
-# -Wo-wo-wo-wo-wo-wo-wo-wo-wo-wo-wo | 0:18:36 | 0:18:40 | |
# Bah-bah-bah-bah-bah-bah... # | 0:18:40 | 0:18:45 | |
It sounds like Wigfield! I know that's not it, I'm just saying it sounds like it. | 0:18:57 | 0:19:02 | |
It's one of those modern summery songs, isn't it? | 0:19:02 | 0:19:07 | |
-Worth expanding on! -Yes, what do you do in the summer? | 0:19:07 | 0:19:11 | |
All sorts! What don't you do? | 0:19:11 | 0:19:13 | |
Badly Drawn Boy, that's you, Badly. | 0:19:15 | 0:19:18 | |
-Do you not like X Factor? -That's a bit of a curveball! | 0:19:18 | 0:19:22 | |
I know. | 0:19:22 | 0:19:24 | |
-I'm interested in... -Do you like vanilla slices? | 0:19:24 | 0:19:27 | |
Fair enough! | 0:19:32 | 0:19:34 | |
She knows it. | 0:19:34 | 0:19:37 | |
-Is it... -Is it-oh? | 0:19:37 | 0:19:39 | |
-Is it-oh. -Tell me now. | 0:19:39 | 0:19:40 | |
All right, then. | 0:19:40 | 0:19:42 | |
Is it Dizzee Rascal, Holiday? | 0:19:44 | 0:19:47 | |
APPLAUSE | 0:19:47 | 0:19:50 | |
And here is how it should have sounded. | 0:19:52 | 0:19:55 | |
INTRO TO HOLIDAY | 0:19:55 | 0:19:57 | |
In 2008, Dizzee Rascal appeared with Jeremy Paxman on Newsnight | 0:20:12 | 0:20:16 | |
in one of the most awkward moments in TV history. | 0:20:16 | 0:20:19 | |
It could have been worse. Kirsty Wark was blacking up backstage in case Dizzee couldn't make it. | 0:20:19 | 0:20:24 | |
We also heard Jet with Are You Gonna Be My Girl? | 0:20:24 | 0:20:27 | |
In 2009, Jet's frontman Nic Cester collapsed in London's Hard Rock Cafe. | 0:20:27 | 0:20:32 | |
I'm not surprised - £15 for a burger?! | 0:20:32 | 0:20:35 | |
Round Three is the identity parade, my favourite bit. | 0:20:36 | 0:20:40 | |
Noel, Tulisa and Howard, how about some '80s pop? | 0:20:40 | 0:20:43 | |
For the audience only, here is Fairground Attraction. | 0:20:43 | 0:20:47 | |
# It's got to be | 0:20:47 | 0:20:50 | |
# Perfect | 0:20:51 | 0:20:53 | |
# It's got to be | 0:20:53 | 0:20:57 | |
# Worth it | 0:20:58 | 0:21:00 | |
# Too many people | 0:21:00 | 0:21:02 | |
# Take second best | 0:21:02 | 0:21:04 | |
# But I won't take anything less | 0:21:04 | 0:21:08 | |
# It's got to be | 0:21:08 | 0:21:10 | |
# Yeah | 0:21:10 | 0:21:11 | |
# Perfect. # | 0:21:12 | 0:21:14 | |
That was Fairground Attraction with Perfect. | 0:21:14 | 0:21:18 | |
But which of our line-up is drummer Roy Dodds? | 0:21:18 | 0:21:22 | |
Is it number one? Perfect. | 0:21:22 | 0:21:24 | |
Number two, not so perfect. | 0:21:24 | 0:21:27 | |
Number three - reduced to clear. | 0:21:27 | 0:21:30 | |
Number four - shop soiled. | 0:21:31 | 0:21:33 | |
Or number five - fire damaged. | 0:21:34 | 0:21:36 | |
Howard, you must have been in a few identity parades! | 0:21:38 | 0:21:41 | |
Howard... | 0:21:42 | 0:21:44 | |
-Yes? -You're actually... They're making a film about you. | 0:21:44 | 0:21:48 | |
-Yeah. They've finished it. -They've finished it? How cool is that? | 0:21:48 | 0:21:52 | |
-You're being played by Rhys Ifans. -Yes. | 0:21:52 | 0:21:54 | |
And you said, "It's great to be played by someone younger, taller and better-looking." | 0:21:54 | 0:22:00 | |
Otherwise there's no point! | 0:22:00 | 0:22:02 | |
I heard a funny story that when you went to see Rhys Ifans | 0:22:03 | 0:22:07 | |
that you knocked on the door and he was dressed as a wizard! | 0:22:07 | 0:22:11 | |
I know the story you mean. When we were actually doing the filming, | 0:22:11 | 0:22:15 | |
Rhys and I spent the night just getting caned. | 0:22:15 | 0:22:19 | |
That doesn't sound like Rhys! | 0:22:21 | 0:22:24 | |
The next morning, I walked past Rhys's hotel room | 0:22:25 | 0:22:28 | |
and there he was with a wizard's hat on and this sort of... | 0:22:28 | 0:22:33 | |
I thought, "Fucking hell. They've got this wrong." | 0:22:33 | 0:22:36 | |
I said, "Rhys, I never wore anything like that!" | 0:22:36 | 0:22:39 | |
But they were auditioning for the Harry Potter thing! | 0:22:39 | 0:22:43 | |
Is anyone grabbing you? | 0:22:46 | 0:22:49 | |
-Not yet! -I... | 0:22:49 | 0:22:51 | |
Howard doesn't want to pick anyone cos technically, it's grassing! | 0:22:51 | 0:22:55 | |
-I'm going with number two or number four. -Number two looks like a drummer. | 0:22:57 | 0:23:01 | |
-Just say a number. -Howard's saying two. Let's go for two. | 0:23:01 | 0:23:05 | |
Let's find out. Would the real Roy Dodds please step forward. | 0:23:05 | 0:23:09 | |
I told you! You didn't listen to me! | 0:23:11 | 0:23:15 | |
Now producing, gigging and recording, Roy Dodds. | 0:23:17 | 0:23:21 | |
So, Phill, Badly and Katy, | 0:23:27 | 0:23:30 | |
what about some home-grown British reggae? | 0:23:30 | 0:23:32 | |
For the audience only, here is Tippa Irie. | 0:23:32 | 0:23:36 | |
# Cutie, cutie, make sure you move your booty | 0:23:37 | 0:23:40 | |
# Shake that thing like we in the city of sin | 0:23:40 | 0:23:42 | |
# Hey, Shorty, I know you wanna party | 0:23:42 | 0:23:45 | |
# The way your body look it make me really feel naughty | 0:23:45 | 0:23:47 | |
# Cutie cutie, make sure you move your booty | 0:23:47 | 0:23:49 | |
# Shake that thing like in the city of sin | 0:23:49 | 0:23:52 | |
# Hey, Shorty, I know you wanna party | 0:23:52 | 0:23:54 | |
# The way your body look it make me really feel naughty. # | 0:23:54 | 0:23:58 | |
That was Tippa Irie with The Black Eyed Peas, Hey Mama. | 0:23:58 | 0:24:01 | |
But which of our line-up is Tippa Irie? | 0:24:01 | 0:24:05 | |
Is it number one - Hey, Mama! | 0:24:05 | 0:24:07 | |
Number two - Mamma Mia! | 0:24:07 | 0:24:09 | |
Number three - mummified! | 0:24:09 | 0:24:12 | |
Number four - Mama told me not to come! | 0:24:13 | 0:24:15 | |
Or number five - Mama's gone to Iceland. | 0:24:15 | 0:24:18 | |
Because it's a nice holiday destination. | 0:24:21 | 0:24:25 | |
I know! | 0:24:25 | 0:24:27 | |
I haven't got a clue, but I think they should form a band! | 0:24:27 | 0:24:31 | |
They all look really familiar. | 0:24:33 | 0:24:35 | |
I know that's not a help, but they do! | 0:24:35 | 0:24:38 | |
They look really familiar, all of them. | 0:24:38 | 0:24:41 | |
Can anything be gleaned from length of zip being done up? | 0:24:41 | 0:24:45 | |
Number four appears to be the coldest. | 0:24:46 | 0:24:48 | |
He wouldn't want to come on here and wear his hat on top of his... | 0:24:50 | 0:24:54 | |
Why not? What are you saying? | 0:24:54 | 0:24:57 | |
-What are you saying? -I know I look silly, but... | 0:24:57 | 0:24:59 | |
I think number two. | 0:24:59 | 0:25:01 | |
Number two has not made eye contact with anyone. | 0:25:01 | 0:25:04 | |
That's why I think it's him. | 0:25:04 | 0:25:06 | |
Oh, he's looking at me now! | 0:25:06 | 0:25:08 | |
Hello! | 0:25:08 | 0:25:09 | |
Ooh, and again! | 0:25:10 | 0:25:13 | |
Winking now, is it, sir? | 0:25:13 | 0:25:15 | |
He's got the jaded look of success. | 0:25:15 | 0:25:18 | |
We'll go with our lady instinct. | 0:25:18 | 0:25:22 | |
Lady instinct of Katy Wix. Let's find out. | 0:25:22 | 0:25:25 | |
Would the real Tippa Irie please step forward? | 0:25:25 | 0:25:27 | |
Oh, look! | 0:25:29 | 0:25:31 | |
And he winked at me! | 0:25:32 | 0:25:35 | |
With a brand new album out under Tippa Irie and Far East Band | 0:25:37 | 0:25:40 | |
it's Tippa Irie, ladies and gentlemen. | 0:25:40 | 0:25:43 | |
So we end with Next Lines. I do like this bit. | 0:25:49 | 0:25:52 | |
Noel's team are in the lead, so you go first. Oh, it's so exciting. | 0:25:52 | 0:25:57 | |
And your time starts now. | 0:25:57 | 0:26:01 | |
-I'd like to be under the sea. -In an octopus's garden. | 0:26:01 | 0:26:03 | |
-Yes. -Howard got that. -The Beatles. Thanks, Howard. | 0:26:03 | 0:26:07 | |
Yup yup, rabbit, yup yup yup, rabbit, rabbit. | 0:26:07 | 0:26:10 | |
-Rabbit, rabbit. Chas and Dave. -Yes. You and me and the guy from Sparks. | 0:26:10 | 0:26:15 | |
-One of you. -Hanging round with Howard Marks. -Yes. Super Furry Animals. | 0:26:15 | 0:26:19 | |
-Ha-ha I can give you that. Ha-ha. -The Pirate Song. -That's Wouldn't You. | 0:26:19 | 0:26:23 | |
Yes, it is. What's the next line, though? | 0:26:23 | 0:26:25 | |
-# -Wouldn't you, wouldn't you like to have me to yourself, to yourself. -# -It's yours. | 0:26:25 | 0:26:29 | |
A-a-a-oh. | 0:26:29 | 0:26:31 | |
A-a-a-oh. | 0:26:31 | 0:26:33 | |
N-Dubz. One of the blinking two albums-worth of material. Which one? | 0:26:33 | 0:26:37 | |
This is like Bill and Ben the flowerpot men. | 0:26:37 | 0:26:40 | |
-It's like Morse Code! -It's all just sounds. | 0:26:40 | 0:26:42 | |
Duh-duh-duh-dah-de-dah. Oh, no! I know it! | 0:26:42 | 0:26:46 | |
I can't say it without singing it. It goes, Duh-duh-duh-dah-de-dah. | 0:26:46 | 0:26:49 | |
Duh-duh-duh-da-dah. | 0:26:49 | 0:26:51 | |
Hawaii Five-O. | 0:26:51 | 0:26:53 | |
BUZZER | 0:26:53 | 0:26:55 | |
Phill's team, you need about 25 points to win | 0:26:58 | 0:27:02 | |
-cos they're definitely doing it. -Fingers crossed! | 0:27:02 | 0:27:05 | |
Your time starts now. Knowing me, knowing you. | 0:27:05 | 0:27:08 | |
-A-ha. -There is nothing we can do. ABBA. | 0:27:08 | 0:27:11 | |
-I chance a foolish grin. -And dribbled on my chin. One of mine. -Yes, Badly Drawn Boy. | 0:27:11 | 0:27:16 | |
-The way you wear your hat. -The way you sip your tea. | 0:27:16 | 0:27:19 | |
Yes, Fred Astaire. Baby, take off your shoes. | 0:27:19 | 0:27:22 | |
-But you can leave your hat on. -Yes, Randy Newman. | 0:27:22 | 0:27:25 | |
Always look on the bright side of life. | 0:27:25 | 0:27:27 | |
WHISTLES | 0:27:27 | 0:27:29 | |
De-dum, de-dum, is what it says on the card. Monty Python. | 0:27:29 | 0:27:33 | |
-If you're happy and you know it. -Clap your hands. | 0:27:33 | 0:27:36 | |
-Do it. It's a nursery rhyme. If you're happy and you know it. -Clap your hands. | 0:27:36 | 0:27:41 | |
-If you're happy and you know it. -And you really want to show it. | 0:27:41 | 0:27:44 | |
-If you're happy and you know it. -Clap your hands. | 0:27:44 | 0:27:46 | |
BUZZER | 0:27:46 | 0:27:47 | |
The final scores. Noel's team have ten. | 0:27:54 | 0:27:57 | |
Phill's team have got 11. | 0:27:57 | 0:27:58 | |
Thanks to Noel, Tulisa and Howard, Phill, Badly and Katy. | 0:28:07 | 0:28:11 | |
This has been Never Mind The Buzzcocks. Goodnight. | 0:28:11 | 0:28:15 | |
Subtitles by Red Bee Media Ltd | 0:28:41 | 0:28:44 |