Browse content similar to Episode 3. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
This programme contains some strong language | 0:00:02 | 0:00:09 | |
CHEERING AND APPLAUSE | 0:00:20 | 0:00:23 | |
Hello, and welcome to the show. | 0:00:31 | 0:00:33 | |
I'm Jack Dee. I'm now a father of teenagers, but I won't let that dictate how I run the show tonight. | 0:00:33 | 0:00:39 | |
So let's all have some good fun, but keep it sensible. | 0:00:39 | 0:00:42 | |
On Noel's team... | 0:00:42 | 0:00:43 | |
# Say it ain't so | 0:00:43 | 0:00:45 | |
# I will not go... # | 0:00:45 | 0:00:46 | |
-..the greatest musical collaboration since Lennon met Chapman, it's Jedward. -Hey, guys! | 0:00:46 | 0:00:51 | |
CHEERING AND APPLAUSE | 0:00:51 | 0:00:54 | |
She's got her own sketch show on ITV2, just after Jordan's show. | 0:00:57 | 0:01:01 | |
It's not the best slot, but it makes Alex Reid happy. It's Katy Brand. | 0:01:01 | 0:01:05 | |
CHEERING AND APPLAUSE | 0:01:05 | 0:01:08 | |
And on Phill's team tonight... | 0:01:12 | 0:01:14 | |
# See you with a broken string... # | 0:01:14 | 0:01:16 | |
..she's a shiny new pop starlet with a surname inspired by Justin Lee Collins' work diary. | 0:01:16 | 0:01:21 | |
It's Eliza Doolittle! | 0:01:21 | 0:01:22 | |
CHEERING AND APPLAUSE | 0:01:22 | 0:01:27 | |
Star of The Fast Show, here to appear on The Surprisingly Slow Show Until It's Been Brutally Edited, | 0:01:30 | 0:01:36 | |
it's Charlie Higson. | 0:01:36 | 0:01:37 | |
CHEERING AND APPLAUSE | 0:01:37 | 0:01:40 | |
So, we begin with Connections. Phill, Eliza and Charlie, have a look at this. | 0:01:42 | 0:01:47 | |
# You can get delirious If you take life... # | 0:01:47 | 0:01:50 | |
Interestingly, it hasn't been Chico Time since the clocks went forward - five years ago. It's Chico. | 0:01:50 | 0:01:56 | |
# You can get delirious If you take life too serious | 0:01:56 | 0:02:01 | |
# It's Chico time... # | 0:02:01 | 0:02:03 | |
-# Sexuality... # -For any younger viewers wondering what war, | 0:02:03 | 0:02:06 | |
famine and injustice look like, here's the man that cured them all. | 0:02:06 | 0:02:10 | |
It's Billy Bragg. | 0:02:10 | 0:02:12 | |
# Your laws do not apply to me... # | 0:02:13 | 0:02:17 | |
That was Chico with Chico Time and Billy Bragg with Sexuality, but what connects them? | 0:02:18 | 0:02:23 | |
What connects Chico and Billy Bragg? | 0:02:23 | 0:02:26 | |
Well done, Phill, you've correctly understood the question. | 0:02:26 | 0:02:29 | |
Phill, you directed that video, didn't you? | 0:02:29 | 0:02:32 | |
Er, yes. I was just actually looking at the still of myself there, | 0:02:32 | 0:02:35 | |
seeing that actually, at the time, in the 1980s, I appeared to be a quite successful lesbian. | 0:02:35 | 0:02:41 | |
I have to say that you, Phill and Charlie, you look like a very gay couple trying to adopt a daughter. | 0:02:41 | 0:02:47 | |
But what do those lot look like? | 0:02:50 | 0:02:53 | |
I think this lot looks more like a production of Oliver, | 0:02:53 | 0:02:56 | |
styled by Vivienne Westwood. | 0:02:56 | 0:02:59 | |
This team is amazing. | 0:02:59 | 0:03:00 | |
Look how cool it looks, OK? Look at the... It's so cool. | 0:03:00 | 0:03:04 | |
Never in my life have I looked more like a paedophile. | 0:03:04 | 0:03:08 | |
I'm pretty sure I could get you in the back of my coffin. | 0:03:13 | 0:03:17 | |
With the right sweets. | 0:03:17 | 0:03:19 | |
I'm imagining Tutti Fruttis for you, and Jelly Tots for you. | 0:03:19 | 0:03:23 | |
-OK. We love Jelly Beans. -Well, you've given it away now! | 0:03:23 | 0:03:27 | |
You aren't supposed to tell paedophiles what sweets you like. | 0:03:27 | 0:03:31 | |
When we were younger, we used to have this book on strangers, and it was a really, really scary book. | 0:03:31 | 0:03:36 | |
I was on the cover! | 0:03:36 | 0:03:38 | |
No, they had some really, really strange man with glasses. | 0:03:39 | 0:03:42 | |
-Did you learn from it? Did you find it useful? -Yes. | 0:03:42 | 0:03:45 | |
It was scary, and I was scared from it. | 0:03:45 | 0:03:46 | |
Still worked with Louis Walsh, though, didn't you? | 0:03:46 | 0:03:50 | |
Can I draw everyone's attention to the fact that Charlie Higson appears to be Tweeting? | 0:03:54 | 0:03:58 | |
I am. I'm just updating my Twitter feed. | 0:03:58 | 0:04:00 | |
"I can't believe I'm on Buzzcocks with Jedward. It's going well." | 0:04:00 | 0:04:04 | |
Yeah, well... | 0:04:04 | 0:04:05 | |
-You're a big Tweeter, aren't you? You like to Twit. Tweet. -Yeah. Our Twitter's @planetjedward. | 0:04:05 | 0:04:10 | |
John took a picture of me when I was, like, asleep in bed. | 0:04:10 | 0:04:13 | |
We Tweet the most random things. I woke up... | 0:04:13 | 0:04:15 | |
Can John finish the sentence before you start the next one, please? | 0:04:15 | 0:04:22 | |
It's like an auction! | 0:04:22 | 0:04:23 | |
"John Tweeted, then I Tweeted, then John Tweeted, then I..." | 0:04:26 | 0:04:29 | |
I've got a couple here, cos someone looked into the kind of things that you Tweet. | 0:04:33 | 0:04:37 | |
"Had nightmares. Now awake Tweeting and eating carrots." | 0:04:37 | 0:04:41 | |
Carrots are very nice. | 0:04:41 | 0:04:43 | |
Apparently, you also Tweeted, "It's so weird this morning. | 0:04:43 | 0:04:46 | |
-"Edward broke a -bowel, -and then the Coco Pops went everywhere." | 0:04:46 | 0:04:50 | |
I always have spelling mistakes, OK? And they're always, like, "Oh, my God, what are they trying to say?" | 0:04:57 | 0:05:02 | |
But then, our fans know that we're always, like, misspelling things. | 0:05:02 | 0:05:06 | |
Can I suggest something? Everyone shuts up now, | 0:05:06 | 0:05:08 | |
and we get on with the question that I asked half an hour ago? | 0:05:08 | 0:05:11 | |
-Chico is going to be... -Oh, my God, I forgot about that. | 0:05:13 | 0:05:15 | |
Oh, nearly. | 0:05:15 | 0:05:17 | |
You guys are just... | 0:05:18 | 0:05:20 | |
Come on, persevere, persevere. You'll get something out. | 0:05:20 | 0:05:22 | |
OK, you broke my heart in pieces. | 0:05:22 | 0:05:25 | |
-Go on, Charlie. Yeah? -Chico is in a very weird position... | 0:05:25 | 0:05:28 | |
-Shut up! -Yeah. -Is it political? | 0:05:28 | 0:05:32 | |
-Not really. -Is Chico a communist? -No, it's not. No, no, no. No. | 0:05:32 | 0:05:37 | |
-Is it something they used to do before they were singers? -Jobs. Was it jobs? | 0:05:37 | 0:05:41 | |
-Did they share a career? -Well, they had the same career. | 0:05:41 | 0:05:44 | |
-Pet grooming? -Oh, very close. -Police pathologist? | 0:05:44 | 0:05:47 | |
No, Charlie, no. | 0:05:47 | 0:05:49 | |
They were both goat herders at one point. | 0:05:49 | 0:05:53 | |
No, they weren't! | 0:05:53 | 0:05:55 | |
Well, I'm afraid they were. | 0:05:55 | 0:05:57 | |
The answer is they both worked as goat herders before they found fame, | 0:05:57 | 0:06:01 | |
although only one of them is absolutely certain to take it up again professionally. | 0:06:01 | 0:06:06 | |
Chico recently helped launch an anti-bullying campaign. | 0:06:06 | 0:06:10 | |
And if you've been affected by any of tonight's issues, here's the number. | 0:06:10 | 0:06:14 | |
And, guys, I've seen the autocue, so you might want to hang on to that. | 0:06:14 | 0:06:19 | |
Oh, yeah, cos, like... Yeah. Oh, yeah. | 0:06:19 | 0:06:22 | |
Noel, Jedward and Katie, would you have a look at this? | 0:06:25 | 0:06:28 | |
# All around the world... # | 0:06:28 | 0:06:29 | |
He shocked the music world by quitting rock to start a fashion line. | 0:06:29 | 0:06:33 | |
"There's a turn-up," he said, before also correctly identifying a pocket and a pair of trousers. | 0:06:33 | 0:06:38 | |
It's Liam Gallagher. | 0:06:38 | 0:06:39 | |
# All around the world... # | 0:06:39 | 0:06:41 | |
# ..moment like this... # | 0:06:41 | 0:06:43 | |
He always had a special place in his heart for his favourite twins. | 0:06:43 | 0:06:46 | |
Not Jedward, he means his actual tits. It's the thoroughly heterosexual Simon Cowell. | 0:06:46 | 0:06:52 | |
# And people search forever | 0:06:52 | 0:06:54 | |
# For that one special kiss... # | 0:06:54 | 0:06:57 | |
That, of course, was Simon Cowell. We also saw Oasis with All Around The World. | 0:06:57 | 0:07:02 | |
But what connects Simon Cowell with Liam Gallagher? | 0:07:02 | 0:07:05 | |
-OK, there's... -I thought you might know. | 0:07:05 | 0:07:07 | |
There is actually so many different things. | 0:07:07 | 0:07:10 | |
-One will do. -What do you think, Katy? | 0:07:10 | 0:07:12 | |
I'm slightly disturbed, cos whenever that music comes on | 0:07:12 | 0:07:14 | |
-with the sort of black and white montage of anyone, I suddenly find them quite attractive. -Do you? | 0:07:14 | 0:07:20 | |
-Yes. -Most footage of Hitler is in black and white. -Well... | 0:07:20 | 0:07:23 | |
It's not something I want to... Yeah. | 0:07:23 | 0:07:26 | |
There's a lot of negativity going round right now, people comparing Simon Cowell to Hitler, OK? | 0:07:26 | 0:07:31 | |
I think he's pretty cool. | 0:07:31 | 0:07:33 | |
You see, it's lines out of context like that that gets everyone in trouble. | 0:07:33 | 0:07:37 | |
Exactly! | 0:07:37 | 0:07:39 | |
-I love that window into the way you're processing this show. -I don't know what's going on. | 0:07:39 | 0:07:44 | |
Eliza Doolittle, now, you said that you would never go on X Factor. What's going on there? | 0:07:44 | 0:07:50 | |
Well, the only reason is cos I love writing, and as far as I know, | 0:07:50 | 0:07:54 | |
what you can see from what the people who do come off the show don't really... | 0:07:54 | 0:07:58 | |
-Can't write. -..write music, or it doesn't seem like they write music. | 0:07:58 | 0:08:01 | |
-It seems like they just... -No, fair enough. No, that's... Yeah. Yeah. -We totally agree. | 0:08:01 | 0:08:05 | |
Do you? | 0:08:05 | 0:08:07 | |
Cos I think I've got a lot in common with you, cos you also list your likes | 0:08:07 | 0:08:12 | |
as "bubbles in my tummy, smiles and laughing". | 0:08:12 | 0:08:16 | |
That's me all over. | 0:08:16 | 0:08:17 | |
So, what do you reckon? What's the connection between Simon Cowell and Liam Gallagher? | 0:08:17 | 0:08:23 | |
Were they both goat herds? | 0:08:23 | 0:08:25 | |
-Probably, at some point. -Well, they're both the same height. | 0:08:25 | 0:08:28 | |
-Who's going to win in a fight? -Is it that they've both recovered from lupus? | 0:08:28 | 0:08:34 | |
-They both have cool hairstyles. -What would you know? | 0:08:35 | 0:08:38 | |
-Did they both invent the Pritt Stick at the same time? -No. | 0:08:38 | 0:08:43 | |
-I know, I know! -"They're human beings"! | 0:08:43 | 0:08:45 | |
I actually know. They've both met the Queen. | 0:08:45 | 0:08:49 | |
They've both met the Queen. What? | 0:08:49 | 0:08:52 | |
-No, in actual fact they've both judged dog shows. -Dog shows? | 0:08:52 | 0:08:57 | |
In Jedward's defence, that connection is not necessarily any better than some of the ones... | 0:08:57 | 0:09:01 | |
No, I agree, but it was there, and obviously, if you knew music like I do, you would have known that. | 0:09:01 | 0:09:07 | |
I went to a dog race before. | 0:09:07 | 0:09:09 | |
-You went to a dog race? -You know the dog races, and you're, like... | 0:09:09 | 0:09:13 | |
I think me and him one time bet money on it, OK? | 0:09:13 | 0:09:15 | |
And we were below the age, OK? | 0:09:15 | 0:09:17 | |
But we still did it anyway. And then... What do you do? | 0:09:17 | 0:09:19 | |
The one that always goes to the... | 0:09:19 | 0:09:21 | |
I don't know. Yeah, before the race, kind of somehow always wins. | 0:09:21 | 0:09:24 | |
Well, it's been a super anecdote, but we have to move on. | 0:09:24 | 0:09:27 | |
The answer is they've both judged dog shows. | 0:09:33 | 0:09:36 | |
Liam sat on the Pup Idol panel at his local pub, while Cowell judged an RSPCA dog show in Brighton. | 0:09:36 | 0:09:43 | |
The RSPCA were delighted with the event, but a spokesman said | 0:09:43 | 0:09:47 | |
it was a shame Simon's prize-winning puppies had stayed under his sweater. | 0:09:47 | 0:09:51 | |
Cowell has promised to leave some of his fortune to a dogs' home. | 0:09:51 | 0:09:54 | |
His children won't be happy. Oh, wait, that's right, I forgot. | 0:09:54 | 0:09:58 | |
He'd love to have children, | 0:09:58 | 0:09:59 | |
but there's currently no time in his busy schedule to instinctively fancy women. | 0:09:59 | 0:10:04 | |
next up, it's the Intros round. | 0:10:08 | 0:10:10 | |
So, Phill and Eliza, here are yours for Charlie. | 0:10:10 | 0:10:13 | |
-There are your intros, please. -Thank you very much. | 0:10:13 | 0:10:16 | |
-OK. -Hang about. "It's the Intros round. Hooray." | 0:10:17 | 0:10:20 | |
Oh, OK. OK, go on, then. | 0:10:20 | 0:10:24 | |
# Diddle-iddle diddle-iddle diddle-iddle diddle-iddle... | 0:10:24 | 0:10:28 | |
# Diddle-iddle diddle-iddle diddle-iddle... | 0:10:28 | 0:10:30 | |
# Der-der-der! | 0:10:30 | 0:10:32 | |
# Diddle-iddle... # | 0:10:32 | 0:10:33 | |
"Eliza is making a strangely exciting noise. | 0:10:33 | 0:10:37 | |
"Am distracted." | 0:10:39 | 0:10:41 | |
# Dum-dum | 0:10:41 | 0:10:42 | |
# Dum, dum-dum, dum-dum | 0:10:42 | 0:10:47 | |
# Dum-dum-dum-dum... # | 0:10:47 | 0:10:48 | |
I have to admit, I've got the answer in front of me, and I do not know what they're doing. | 0:10:48 | 0:10:52 | |
I could listen to it for hours. | 0:10:55 | 0:10:56 | |
-It's very interesting. -It goes on forever! | 0:10:56 | 0:10:59 | |
Piano'll go... | 0:10:59 | 0:11:00 | |
# Diddle-iddle diddle-iddle... # | 0:11:00 | 0:11:03 | |
That's the clue to the fingers there. | 0:11:03 | 0:11:05 | |
-Let her do the diddle-diddle-diddle. -I'm happy to just do the fingers. | 0:11:05 | 0:11:09 | |
You guys got to work together. You need to focus, OK? | 0:11:22 | 0:11:25 | |
SHUT UP! | 0:11:25 | 0:11:27 | |
Eliza! | 0:11:28 | 0:11:30 | |
-I haven't the slightest idea what it is. -I'll give you a clue. | 0:11:34 | 0:11:38 | |
Can I give you a clue? What would you do, Charlie Higson, for love? | 0:11:38 | 0:11:41 | |
What would you do? | 0:11:41 | 0:11:43 | |
I'd Do Anything (But I Wouldn't Do That). By Meat Loaf. | 0:11:43 | 0:11:47 | |
I Would Do Anything For Love. Yes, he got it. He did actually get it! | 0:11:47 | 0:11:51 | |
He did actually get that. Oh, yes. And here's how it should have sounded. | 0:11:51 | 0:11:58 | |
INTRO PLAYS | 0:11:58 | 0:12:00 | |
I have to say that we are very thrilled to have Charlie Higson here, | 0:12:00 | 0:12:04 | |
because I was going to mention his new book, which is an absolutely terrific read. | 0:12:04 | 0:12:09 | |
I know that a lot of people love it. | 0:12:09 | 0:12:12 | |
Oh, sorry. How did that happen? | 0:12:12 | 0:12:14 | |
Sorry. No, that's Charlie Higson's new book. | 0:12:14 | 0:12:17 | |
Let's go on with one more. Phill and Eliza, one more, please. | 0:12:17 | 0:12:20 | |
-All right? -Mm-hm. | 0:12:20 | 0:12:21 | |
One, two, three, four... | 0:12:21 | 0:12:23 | |
# Dow na-na-na-na-na-na Now na-na-na-na | 0:12:23 | 0:12:26 | |
# Now na-na Now na-na | 0:12:26 | 0:12:27 | |
# Now na-now-na-na-na | 0:12:27 | 0:12:29 | |
# Dig-a-dow | 0:12:29 | 0:12:30 | |
# Na-na-na-na Dow-dow-dow-da-da | 0:12:30 | 0:12:33 | |
# Dun-der-der-der Dow-dow-dow da-dow | 0:12:33 | 0:12:36 | |
# Dun-der-der Dow-dow-dow-dow | 0:12:36 | 0:12:38 | |
# Dow-dow-dow-dung-dung | 0:12:38 | 0:12:40 | |
# Dow-dow-dow da-da! # | 0:12:40 | 0:12:41 | |
It's got some heavy guitars in it. | 0:12:41 | 0:12:44 | |
-Yeah. -Mm, I like that. It was really rocking. | 0:12:44 | 0:12:47 | |
Yours sounded a bit like a mandolin. Is there a mandolin? Or was that a slightly weedy electric guitar? | 0:12:47 | 0:12:52 | |
That was just my version of an electric guitar! | 0:12:52 | 0:12:55 | |
-That's a tough one. -It is a tough one. | 0:12:55 | 0:12:58 | |
-We know it. -Probably more up your street, knowing what I know about you. | 0:12:58 | 0:13:01 | |
I think you probably would have had this. | 0:13:01 | 0:13:04 | |
Yes, it's the Sex Pistols. | 0:13:04 | 0:13:06 | |
Not Holidays in the Sun, is it? No. | 0:13:06 | 0:13:08 | |
-Oh, no, it's not. It's... -We know it! -God Save The Queen by the Sex Pistols. | 0:13:08 | 0:13:13 | |
It says in my notes that this is how it should have sounded, | 0:13:13 | 0:13:16 | |
but of course, what it should have sounded like is the national anthem. | 0:13:16 | 0:13:20 | |
This is God Save The Queen by the Sex Pistols. | 0:13:20 | 0:13:23 | |
INTRO PLAYS | 0:13:23 | 0:13:25 | |
Yeah! | 0:13:25 | 0:13:26 | |
We knew the song. | 0:13:26 | 0:13:29 | |
You didn't, but I did know the song. | 0:13:29 | 0:13:31 | |
# God save the Queen... # | 0:13:38 | 0:13:41 | |
So, we heard Meat Loaf with I Would Do Anything For Love. | 0:13:41 | 0:13:45 | |
Meat Loaf is part Cherokee Indian. | 0:13:45 | 0:13:48 | |
Interestingly, his Indian name is Running Back For Seconds. | 0:13:48 | 0:13:52 | |
And God Save the Queen by the Sex Pistols. | 0:13:52 | 0:13:55 | |
Many have accused Johnny Rotten of selling out after his appearance in adverts for Country Life butter. | 0:13:55 | 0:14:01 | |
Jedward have never lost their credibility, and refuse to sell anything. | 0:14:01 | 0:14:05 | |
-Even records. -Yes. | 0:14:05 | 0:14:09 | |
Although, to be fair, Jack, their album's the biggest-selling album this year. | 0:14:14 | 0:14:18 | |
-Was it? -Yep. | 0:14:18 | 0:14:19 | |
-In Ireland! -In Ireland. | 0:14:19 | 0:14:21 | |
And Papua New Guinea, so two big markets there. | 0:14:24 | 0:14:28 | |
Well done. Well done, guys. So, Noel and Jedward, here are yours for Katy. So here you go. | 0:14:28 | 0:14:34 | |
Oh, my God, it's shiny! Katy, are you ready? | 0:14:34 | 0:14:38 | |
-I think I'm ready, guys. -All these songs have been made famous by Jedward. | 0:14:38 | 0:14:43 | |
If you do what we did in the room earlier, we can all have some Angel Delight later. | 0:14:43 | 0:14:48 | |
# Are you ready? | 0:14:55 | 0:14:56 | |
# Yes. # | 0:14:56 | 0:14:58 | |
All right, hang on. Concentrate. It's like a simpleton Bros. | 0:15:00 | 0:15:05 | |
One, two, three, go. | 0:15:07 | 0:15:09 | |
# Dun-dun-dun diddle-oon dun | 0:15:09 | 0:15:11 | |
# Dun-dun-dun diddle-oon dun Dun-dun-dun diddle-oon dun | 0:15:11 | 0:15:14 | |
# Baow baow | 0:15:14 | 0:15:15 | |
# Dun dun dun diddle-oon dun Dun-dun-dun diddle-oon dun | 0:15:15 | 0:15:18 | |
# Baow baow | 0:15:18 | 0:15:19 | |
# Dun-dun-dun diddle-oon dun Dun-dun-dun diddle-oon dun | 0:15:19 | 0:15:23 | |
# Dun-dun-dun diddle-oon dun. # | 0:15:23 | 0:15:24 | |
I'm in Jedward! Fuck you! | 0:15:24 | 0:15:26 | |
-Do I stop this? -Please. | 0:15:26 | 0:15:30 | |
Jack, I think I know what it is. | 0:15:30 | 0:15:32 | |
Go on, Katy. What is it? Do tell. | 0:15:32 | 0:15:34 | |
-No, I know, I know. -Remember... | 0:15:34 | 0:15:35 | |
SHUT UP! | 0:15:35 | 0:15:38 | |
Katy. | 0:15:39 | 0:15:41 | |
I think it's Under Pressure (Ice Ice Baby). | 0:15:46 | 0:15:49 | |
It is, you've got correct point, absolutely accurate. | 0:15:49 | 0:15:54 | |
Here's how it should have sounded. | 0:15:54 | 0:15:56 | |
INTRO PLAYS | 0:15:56 | 0:15:59 | |
Worst boy band ever. | 0:16:02 | 0:16:04 | |
Can we have the next song, please. | 0:16:10 | 0:16:13 | |
OK, moving on. OK, ready for this amazing performance, OK? | 0:16:13 | 0:16:16 | |
-You ready? -Yeah. | 0:16:16 | 0:16:18 | |
OK, you ready? | 0:16:18 | 0:16:20 | |
Stop eating paper. | 0:16:24 | 0:16:27 | |
Katy's had an aneurism! | 0:16:27 | 0:16:30 | |
Ladies and gentlemen, it's very important | 0:16:30 | 0:16:34 | |
that you send what you can to have Katy Brand freed from this quiz. | 0:16:34 | 0:16:38 | |
OK, we want to create the atmosphere, OK. | 0:16:39 | 0:16:42 | |
-You do it straight away. -OK, let's do this, OK. | 0:16:42 | 0:16:45 | |
We're creating the atmosphere, OK? Aaagh! Aaagh! Aaagh! | 0:16:45 | 0:16:50 | |
Oh my God, oh my God, oh my God. | 0:16:50 | 0:16:52 | |
Wait. Hold up for a second. | 0:16:52 | 0:16:53 | |
I've got a gun, and I'm going to bust you. | 0:16:53 | 0:16:57 | |
Are you creating atmosphere in the way that the guy who ran into Columbine created an atmosphere? | 0:16:57 | 0:17:02 | |
# Do-do do-do-do do-do | 0:17:02 | 0:17:04 | |
# Do-do-do-do-do do-do | 0:17:04 | 0:17:06 | |
# Do-do do-do-do do-do... # | 0:17:06 | 0:17:08 | |
Ready, ready? | 0:17:08 | 0:17:10 | |
I can't get down that low, my trousers are too tight. | 0:17:10 | 0:17:13 | |
Hey, move over. | 0:17:13 | 0:17:14 | |
# Doo-doo, doo-doo... # | 0:17:15 | 0:17:18 | |
-Where's your little "diddle eh-oh eh-oh?" -I got a bit excited. I'm on a desk. | 0:17:18 | 0:17:23 | |
-I think I know what it is. -Please, Katy, do tell us. | 0:17:23 | 0:17:27 | |
I think it might be Ghostbusters. | 0:17:27 | 0:17:29 | |
It is Ghostbusters. It is, it is. | 0:17:29 | 0:17:31 | |
Well done, well done. | 0:17:31 | 0:17:34 | |
So rewarding to be able to watch people be able to perform and maintain their integrity. | 0:17:34 | 0:17:39 | |
-Here's how it should have sounded. -We're in the wrong seats. | 0:17:39 | 0:17:42 | |
INTRO PLAYS | 0:17:42 | 0:17:44 | |
How can you tell? | 0:17:44 | 0:17:46 | |
-# Diddle eh-oh eh-oh -Ghostbusters! # | 0:17:56 | 0:17:58 | |
If there's something strange in the neighbourhood. | 0:17:58 | 0:18:01 | |
# If there's something strange in the neighbourhood | 0:18:01 | 0:18:04 | |
# Who you gonna call? Ghostbusters! | 0:18:04 | 0:18:07 | |
# If there's something weird and it don't look good | 0:18:09 | 0:18:12 | |
# Who you going to call? # | 0:18:12 | 0:18:14 | |
Does anyone remember when I used to host sometimes Have I Got News For You? | 0:18:22 | 0:18:28 | |
So, that was Jedward with Ghostbusters. | 0:18:28 | 0:18:30 | |
Ghostbusters' original singer, Ray Parker Jr, has recently been seen on television advertising 118 118. | 0:18:30 | 0:18:37 | |
A chilling glimpse into the future, eh, boys? | 0:18:37 | 0:18:39 | |
And he was the ORIGINAL artist. | 0:18:39 | 0:18:42 | |
At the end of that round, and I use the term loosely, | 0:18:44 | 0:18:48 | |
Phill's team have two, and Noel's team also have two. | 0:18:48 | 0:18:52 | |
-Lots of slapping of hands over there. -High-fives. | 0:19:00 | 0:19:04 | |
How about faces next? | 0:19:04 | 0:19:05 | |
Round three is the identity parade. | 0:19:09 | 0:19:11 | |
Phill, Eliza and Charlie, how about some early '90s novelty pop? | 0:19:11 | 0:19:15 | |
For the audience only, here is Pat and Mick. | 0:19:15 | 0:19:18 | |
# Everybody | 0:19:18 | 0:19:20 | |
# All you people gather round | 0:19:20 | 0:19:22 | |
# I'm going to use it up | 0:19:24 | 0:19:26 | |
# I'm gonna wear it out | 0:19:26 | 0:19:28 | |
# Ain't nothing else in this whole world I care about | 0:19:28 | 0:19:32 | |
# One, two, three Shake your body down. # | 0:19:35 | 0:19:37 | |
That was Pat and Mick with Use It Up And Wear It Out. | 0:19:37 | 0:19:40 | |
But which of our line-up is Mick Brown? | 0:19:40 | 0:19:43 | |
Is it number one, use it up and wear it out? | 0:19:43 | 0:19:46 | |
Number two, roll it up and throw it away. | 0:19:46 | 0:19:51 | |
Number three, take it back and ask for a refund. | 0:19:51 | 0:19:54 | |
Number four, never shop here again. | 0:19:56 | 0:19:58 | |
Or Pat Sharp? | 0:20:01 | 0:20:02 | |
-So it's not five. -It's not five, we don't think. | 0:20:11 | 0:20:15 | |
-Right, -OK. -So have we got to work out which one isn't Pat Sharp? | 0:20:15 | 0:20:20 | |
No, no, Pat Sharp is five. Gentleman broadcaster. | 0:20:20 | 0:20:23 | |
We've got to find Mick. | 0:20:23 | 0:20:25 | |
I don't want to lay on the pressure, but I'd just like to say at this point, if it's relevant, | 0:20:25 | 0:20:29 | |
that I know exactly who it is. | 0:20:29 | 0:20:30 | |
I know who all five of them are, but I'm not going to say. | 0:20:30 | 0:20:33 | |
I know number four, cos I'm friends with him on Facebook. | 0:20:33 | 0:20:37 | |
I don't like to ask, and it seems a little impertinent, but have you poked him? | 0:20:42 | 0:20:46 | |
-With my fingers. -Oh please, stop. | 0:20:49 | 0:20:52 | |
Didn't Pat Sharp use to have mad hair? | 0:20:52 | 0:20:56 | |
It was not mad! It was luxuriant, sir. | 0:20:56 | 0:20:59 | |
Beautiful. He looked like a Norse god. | 0:20:59 | 0:21:01 | |
-Are you going to make a guess? -What? -Are you going to make a guess? | 0:21:01 | 0:21:05 | |
It's a nice respite, | 0:21:05 | 0:21:06 | |
the longer this round goes on. I don't want to say anything, Jack. | 0:21:06 | 0:21:11 | |
I get your meaning, Phill, I get your drift. | 0:21:11 | 0:21:13 | |
-You keep it going, it's relaxing. -We cannot be silenced. -Ugh. | 0:21:13 | 0:21:16 | |
It's like the mother of two naughty children. | 0:21:16 | 0:21:20 | |
People knocking at the door, going, "Your kids are absolute dicks." | 0:21:20 | 0:21:25 | |
And I'm going, "They're good boys, really. | 0:21:25 | 0:21:27 | |
"When they're asleep. Look at them." | 0:21:27 | 0:21:30 | |
We actually are really good. | 0:21:30 | 0:21:32 | |
You have a delightful and alluring naivety, | 0:21:32 | 0:21:35 | |
but within the context of this quiz, you do make Dappy look like Stephen Fry. | 0:21:35 | 0:21:38 | |
That was a compliment. Are we going to have a guess? | 0:21:49 | 0:21:53 | |
-We're not having a guess. We know! It's number two. -Number two. | 0:21:53 | 0:21:57 | |
Well, let's find out. Would the real Mick Brown please step forward? | 0:21:57 | 0:22:01 | |
Mick Brown. | 0:22:06 | 0:22:07 | |
Now hosting the drivetime show on southwest London's Radio Jackie, | 0:22:10 | 0:22:13 | |
it's Mick Brown, ladies and gentlemen. | 0:22:13 | 0:22:15 | |
CHEERING AND APPLAUSE | 0:22:15 | 0:22:17 | |
Noel and Jedward and Katy, how about some mid-'90s dance music? For the audience only, here is Pianoman. | 0:22:23 | 0:22:30 | |
# Girls who are boys | 0:22:30 | 0:22:31 | |
# Who like boys to be girls | 0:22:31 | 0:22:33 | |
# Who do boys like they're girls | 0:22:33 | 0:22:34 | |
# Who do girls like they're boys | 0:22:34 | 0:22:37 | |
# Girls who are boys Who like boys to be girls | 0:22:37 | 0:22:40 | |
# Who do boys like they're girls | 0:22:40 | 0:22:42 | |
# Who do girls like they're boys. # | 0:22:42 | 0:22:45 | |
That was Pianoman with Blurred, but which of our line-up is James Sammon, also known as Pianoman? | 0:22:45 | 0:22:51 | |
Is it number one, James Salmon. | 0:22:51 | 0:22:54 | |
Number two, split kipper. | 0:22:54 | 0:22:57 | |
Number three, prawn balls. | 0:22:57 | 0:22:59 | |
Number four, little winkle. | 0:22:59 | 0:23:02 | |
Or Pat Sharpe? | 0:23:02 | 0:23:04 | |
Why are four of them bald and one of them has hair? | 0:23:11 | 0:23:14 | |
Because, John, one of them's Pat Sharp. | 0:23:14 | 0:23:17 | |
That's the joke of this round, that former DJ Pat Sharp... | 0:23:17 | 0:23:21 | |
I know, he's cool. | 0:23:21 | 0:23:23 | |
I know, but he's in both the line-ups, it's like a joke. | 0:23:23 | 0:23:26 | |
-I know, I was thinking... Oh, yeah. -Thank you for explaining that, Katie. | 0:23:26 | 0:23:31 | |
I think if I had had to explain it, I would have been sick. | 0:23:31 | 0:23:35 | |
-Do you want to swap for a while? -Yeah, why not? | 0:23:35 | 0:23:38 | |
Come on, little fella. | 0:23:45 | 0:23:47 | |
Come and sit with your Uncle Phillip. | 0:23:47 | 0:23:49 | |
I love you both, but you're bringing on a panic attack. | 0:23:49 | 0:23:53 | |
Really? Really? | 0:23:55 | 0:23:57 | |
I just wanted Phill to get the Jedward experience. | 0:23:57 | 0:24:00 | |
-Phill, do you know which one Pianoman is? -No, but I know who Pat Sharp is, my friend. | 0:24:00 | 0:24:04 | |
I've got an idea. What about if Jedward joined the line-up? | 0:24:04 | 0:24:07 | |
Would that be a good idea? Who'd want to see that? | 0:24:07 | 0:24:10 | |
-You can have Pat Sharp on your team instead. -Yes, yes! | 0:24:10 | 0:24:15 | |
CHEERING | 0:24:15 | 0:24:18 | |
Shall we go for it? | 0:24:18 | 0:24:19 | |
I don't want to. | 0:24:19 | 0:24:21 | |
Join the line-up. You saw what they did in the line-up. | 0:24:21 | 0:24:25 | |
Come on, Jedward, come with Daddy. | 0:24:27 | 0:24:29 | |
Stand next to each other. | 0:24:32 | 0:24:34 | |
Hold the five. | 0:24:34 | 0:24:37 | |
There's been another hostile takeover. | 0:24:38 | 0:24:40 | |
Pat Sharp, as befits a man of his stature, is now team captain. | 0:24:40 | 0:24:44 | |
CHEERING AND APPLAUSE | 0:24:44 | 0:24:46 | |
As befits a man of my stature, I have two seats. | 0:24:53 | 0:24:56 | |
It only took 14 years, but finally I'm comfortable. | 0:24:58 | 0:25:02 | |
Guys, you know what you need? You need sunglasses. Pat, may I? | 0:25:02 | 0:25:06 | |
Yeah, absolutely. | 0:25:06 | 0:25:07 | |
This is what we need, hang on. | 0:25:07 | 0:25:10 | |
This is going to work. | 0:25:12 | 0:25:14 | |
OK, Jackie. | 0:25:14 | 0:25:16 | |
-I'm going to break this in half, so you have half each. -Jedward are pirates. | 0:25:16 | 0:25:20 | |
Can I just say, someone has just told me that Pat Sharp is blind, and I feel terribly bad. | 0:25:30 | 0:25:34 | |
-Katy, have you got any ideas? -Shall we put it out there and just say, let's maybe go for number one. | 0:25:39 | 0:25:45 | |
Number one. Pat, are you happy with that? | 0:25:45 | 0:25:48 | |
I feel number one more than five, yeah. | 0:25:48 | 0:25:52 | |
-Let's find out. Would the real James Sammon please step forward? -Check out the fingers. | 0:25:52 | 0:25:57 | |
It is! | 0:25:57 | 0:25:58 | |
APPLAUSE | 0:25:58 | 0:26:03 | |
Still works as a dance music producer, it's James Sammon, ladies and gentlemen. Thanks very much. | 0:26:03 | 0:26:09 | |
Thank you to Pat Sharp, our guest captain. And could everyone just return to their seats, please? | 0:26:12 | 0:26:19 | |
Thank you, Pat. Bring the boys back. Come on, guys. | 0:26:19 | 0:26:23 | |
Well done. | 0:26:25 | 0:26:27 | |
It's Next Lines time. | 0:26:32 | 0:26:35 | |
Noel's team over this side, it's you first. Everybody in love. | 0:26:35 | 0:26:39 | |
Put your hands up. | 0:26:39 | 0:26:41 | |
Nearly. Go on, put your hands up. | 0:26:41 | 0:26:42 | |
JLS, Everybody In Love. | 0:26:42 | 0:26:46 | |
God save the queen. | 0:26:46 | 0:26:47 | |
She ain't no human being. | 0:26:47 | 0:26:50 | |
Actually, no. The fascist regime. Sex Pistols. | 0:26:50 | 0:26:53 | |
What time is it? | 0:26:53 | 0:26:55 | |
-Chico time. -Yeah, Chico time. | 0:26:55 | 0:26:58 | |
I don't care what the whisperers say. | 0:26:58 | 0:27:00 | |
They whisper too loud for me. | 0:27:00 | 0:27:02 | |
Eliza Doolittle, well done, you got it. | 0:27:02 | 0:27:04 | |
Warm face, warm 'ands, warm feet. | 0:27:04 | 0:27:07 | |
-Oh wouldn't it be loverly. -Oh wouldn't it be loverly. | 0:27:07 | 0:27:10 | |
-Eliza... You've made lots of songs. -That's not mine. | 0:27:10 | 0:27:12 | |
Eliza Doolittle, it says. From My Fair Lady. | 0:27:12 | 0:27:15 | |
If you could walk with the animals, talk with the animals... | 0:27:15 | 0:27:18 | |
THEY LAUGH | 0:27:22 | 0:27:24 | |
-I don't know this. -You should, this is Dr Dolittle, that's your dad. | 0:27:24 | 0:27:28 | |
He's actually my uncle. My uncle. | 0:27:28 | 0:27:32 | |
END OF ROUND BUZZER | 0:27:32 | 0:27:35 | |
Phill's now got nine points, | 0:27:40 | 0:27:42 | |
and Noel's team here on this side, I know it's confusing, have three points. | 0:27:42 | 0:27:48 | |
Which means, you need seven to win. | 0:27:48 | 0:27:50 | |
Who let the dogs out? | 0:27:50 | 0:27:52 | |
# Who let the dogs out? Who, who, who, who? # | 0:27:52 | 0:27:55 | |
Yes, I'll do that. | 0:27:55 | 0:27:57 | |
Stop, collaborate and listen. | 0:27:57 | 0:27:59 | |
# Stop, collaborate and listen Jedward's back... # | 0:27:59 | 0:28:01 | |
-Or Ice is back with a brand new adventure. -Don't just sing the words I've read out. | 0:28:01 | 0:28:07 | |
Vanilla Ice, Ice Ice Baby. | 0:28:07 | 0:28:08 | |
Jack, Jack, Jack, Jack. | 0:28:08 | 0:28:10 | |
Inside voices. | 0:28:10 | 0:28:14 | |
You're my mum, you're my dad, and you're my uncle now. | 0:28:14 | 0:28:19 | |
I would like a blood test. | 0:28:19 | 0:28:21 | |
If there's something strange in your neighbourhood. Who you gonna call? | 0:28:24 | 0:28:27 | |
The Samaritans. | 0:28:27 | 0:28:29 | |
-It's Ghostbusters. -Ghostbusters, it is. | 0:28:32 | 0:28:34 | |
Two little boys had two little toys. | 0:28:34 | 0:28:35 | |
-Each had a wooden horse. -Correct, Rolf Harris. | 0:28:35 | 0:28:38 | |
Shut up, shut up, just shut up. | 0:28:38 | 0:28:41 | |
# Shut up, just shut up, shut up. # | 0:28:41 | 0:28:44 | |
In that case you're right to repeat what I read, it's the Black Eyed Peas. | 0:28:44 | 0:28:47 | |
It's-a not-a so bad, it's a nice-a place. | 0:28:47 | 0:28:50 | |
Shadappa your face. | 0:28:50 | 0:28:52 | |
Please shut up. | 0:28:52 | 0:28:55 | |
-Are you trying to tell us something? -Yeah. -Finally! | 0:28:56 | 0:29:00 | |
It's not a song, it actually says, "Please shut up." | 0:29:00 | 0:29:04 | |
END OF ROUND BUZZER | 0:29:04 | 0:29:07 | |
The final scores are that we knew that Phill's erstwhile team, | 0:29:12 | 0:29:16 | |
now Noel's team, with the lovely Eliza and Charlie Higson had nine points. | 0:29:16 | 0:29:21 | |
And at the end of that, Noel's old team, | 0:29:21 | 0:29:24 | |
Phill's new team, have 11 points. | 0:29:24 | 0:29:27 | |
CHEERING AND APPLAUSE | 0:29:27 | 0:29:29 | |
Thanks to Noel, Eliza and Charlie, Phill, Jedward and Katy. | 0:29:35 | 0:29:39 | |
This has been Never Mind The Buzzcocks, | 0:29:39 | 0:29:41 | |
and I'll leave you with this thought. | 0:29:41 | 0:29:43 | |
No, that's what Stephen Fry does. Now, there's a show I DO watch. Good night. | 0:29:43 | 0:29:46 | |
Subtitles by Red Bee Media Ltd | 0:29:49 | 0:29:52 | |
E-mail [email protected] | 0:29:52 | 0:29:55 |