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This programme contains some strong language. | 0:00:01 | 0:00:05 | |
CHEERING AND APPLAUSE | 0:00:29 | 0:00:32 | |
Hello. Hello and welcome to what they call a show. | 0:00:32 | 0:00:37 | |
I think you all know why I'm here. | 0:00:37 | 0:00:39 | |
I could have been on Strictly Come Dancing or on I'm A Celebrity, Get Me Out Of Here, | 0:00:39 | 0:00:44 | |
but I wanted to put myself through the most degenerating and debasing show of them all. | 0:00:44 | 0:00:50 | |
Let's play Never Mind The Buzzcocks! | 0:00:50 | 0:00:52 | |
CHEERING AND APPLAUSE | 0:00:52 | 0:00:54 | |
Now, on Phill's team tonight... | 0:00:57 | 0:00:59 | |
# The morning's on its way... # | 0:00:59 | 0:01:02 | |
He's an exceptionally nice man, he's served his country with distinction and written music adored by millions | 0:01:02 | 0:01:08 | |
but Buzzcock rules are Buzzcock rules, so here's a man only the public likes - James Blunt. | 0:01:08 | 0:01:14 | |
APPLAUSE | 0:01:14 | 0:01:16 | |
It's one of those new comedians with a strange name. I'll probably not understand a word the man says. | 0:01:19 | 0:01:25 | |
But I'll do the old avuncular smile and nod thing just to encourage the lad. It's Rufus Hound. | 0:01:25 | 0:01:31 | |
APPLAUSE | 0:01:31 | 0:01:34 | |
And on Noel's team... | 0:01:35 | 0:01:38 | |
# Oh, mayhem... # | 0:01:38 | 0:01:39 | |
She's young, she's Irish. She's trying to repair some of the musical damage caused by Jedward. | 0:01:39 | 0:01:45 | |
From Dublin's fair city, it's Molly Malone... No, Imelda May! | 0:01:45 | 0:01:50 | |
APPLAUSE | 0:01:50 | 0:01:52 | |
She's the only thing I listen to on Radio 1 these days. | 0:01:56 | 0:02:00 | |
Modelled herself on Tony Blackburn. | 0:02:00 | 0:02:02 | |
And in the dark with the light behind her, she's not unlike him. | 0:02:02 | 0:02:07 | |
It's Radio 1's Edith Bowman. | 0:02:07 | 0:02:09 | |
APPLAUSE | 0:02:09 | 0:02:11 | |
So, we begin with Guess Who. | 0:02:13 | 0:02:16 | |
Phill, James and Rufus, take a look at this. | 0:02:16 | 0:02:20 | |
# Hello, hello... # | 0:02:20 | 0:02:22 | |
He's the world's biggest rock star with the conscience of a saint and the glasses of a Chilean miner. | 0:02:22 | 0:02:28 | |
The biggest thing to come out of Ireland since Shergar, Enya | 0:02:28 | 0:02:31 | |
and the international fiscal crisis, it's "Bonio"! | 0:02:31 | 0:02:35 | |
# Don't blame it on the sunshine... # | 0:02:37 | 0:02:39 | |
The best band ever with Five in their name, numerically stranded between The Fun Boy Three | 0:02:39 | 0:02:44 | |
and The Temperance Seven, it's Michael, Tito, Jermaine | 0:02:44 | 0:02:48 | |
and two others whose names escape me. | 0:02:48 | 0:02:51 | |
It's The Jackson Five. | 0:02:51 | 0:02:53 | |
That was The Jackson Five with Blame It On The Boggie...Boogie | 0:02:55 | 0:02:59 | |
and U2 with Vertigo. | 0:02:59 | 0:03:01 | |
But now here's the question, lads. | 0:03:01 | 0:03:04 | |
Who once wrote a brand-new foreword to the Bible? | 0:03:04 | 0:03:07 | |
Bono or The Jackson Five? | 0:03:07 | 0:03:10 | |
Well, it's not going to be him. | 0:03:10 | 0:03:13 | |
-Not Bono. -With the glasses and the fact that he's as powerful as he is, it says Bond villain to me. | 0:03:13 | 0:03:19 | |
"I'm Bono." All he needs is a cat every time he does those gigs. | 0:03:19 | 0:03:23 | |
Just in a huge, round chair. "I've been expecting you..." | 0:03:23 | 0:03:27 | |
"I should bloody hope so, Bono. It was 60 quid a ticket!" | 0:03:27 | 0:03:30 | |
If you are the Bible's publishers... | 0:03:31 | 0:03:34 | |
Yeah. | 0:03:34 | 0:03:35 | |
..who I believe is God, which one of them would have got the gig? | 0:03:35 | 0:03:41 | |
-Does he have a publishing wing? -Well, he's omnipotent. | 0:03:41 | 0:03:45 | |
So he has distribution, he works in the warehouse, he signs the cheques. | 0:03:45 | 0:03:50 | |
That's really the beauty of being God. | 0:03:50 | 0:03:53 | |
As a one-man band goes, omnipotence is very much your calling card. | 0:03:53 | 0:03:57 | |
He's going to go with whichever one sings the most about love because God is love. | 0:03:57 | 0:04:03 | |
"And whomsoever lives in love lives in God and God lives in them." 1 John 4:16. I like the way you're thinking! | 0:04:03 | 0:04:10 | |
-I'll take this to a lower level. -Must you? -I was going to speak to James and bring him in. | 0:04:10 | 0:04:15 | |
-Oh, God! -You're a notorious playboy... | 0:04:15 | 0:04:18 | |
LAUGHTER | 0:04:18 | 0:04:21 | |
This is a note from my mother. | 0:04:21 | 0:04:23 | |
What is the secret of your success with women, James? | 0:04:23 | 0:04:27 | |
-I'm a lesbian. -Ah! | 0:04:27 | 0:04:29 | |
And much bigger with no clothes on. | 0:04:31 | 0:04:33 | |
You're too quick for me, James, I'll tell you that! | 0:04:36 | 0:04:39 | |
Thank God you've got two fellas as slow as anything beside you! | 0:04:39 | 0:04:43 | |
Terry, you're smashin' it tonight. Absolutely smashin' it. | 0:04:44 | 0:04:49 | |
-Which is popular talk for ruining it? -No. | 0:04:49 | 0:04:52 | |
-It means you're doing well. -Thank you. | 0:04:52 | 0:04:54 | |
I've done quite a few panel shows with all different sorts of hosts. | 0:04:54 | 0:04:58 | |
Normally, if they have a go at you, you want to fight back. | 0:04:58 | 0:05:02 | |
-But when Terry says the thing, I sit here thinking, "You're right, I am..." -BLEEP | 0:05:02 | 0:05:07 | |
LAUGHTER AND APPLAUSE | 0:05:07 | 0:05:09 | |
What kind of a person do you guys think I am? | 0:05:11 | 0:05:15 | |
Can we have an answer? Is it The Jackson Five or our "Bonio"? | 0:05:16 | 0:05:20 | |
I think that if God had tried to get in touch with Bono to write the foreword, he'd have only got his PA. | 0:05:20 | 0:05:27 | |
Bono once... This is a true story. | 0:05:27 | 0:05:29 | |
I'm going to name-drop like an idiot, but Bono rang me up once. | 0:05:29 | 0:05:33 | |
I don't know how he got my number and I stupidly thought it was one of my mates mucking about, | 0:05:33 | 0:05:39 | |
so I was like, "Yeah, whatever..." | 0:05:39 | 0:05:41 | |
And it was him, but I went to him, "That's not even a good Irish accent, you dick!" | 0:05:41 | 0:05:47 | |
LAUGHTER | 0:05:47 | 0:05:49 | |
And it was him! | 0:05:49 | 0:05:52 | |
Did he happen to say... | 0:05:52 | 0:05:55 | |
-IRISH ACCENT: -"Noel, I've been asked to do a foreword to the Bible"? | 0:05:55 | 0:05:59 | |
Listen, if this is the first round and it's taken this long, | 0:05:59 | 0:06:03 | |
we won't be out before Christmas. | 0:06:03 | 0:06:06 | |
-Gentlemen? -You think it's Bono. | 0:06:06 | 0:06:08 | |
-I'm going to go for Bono. -Bono. | 0:06:08 | 0:06:11 | |
-I hate to say it, but you're right. -APPLAUSE | 0:06:11 | 0:06:15 | |
Bono once wrote a foreword to a book of the Bible. | 0:06:16 | 0:06:21 | |
A little known fact here - Bono actually appears in that painting of The Last Supper. | 0:06:21 | 0:06:27 | |
He's there on the end, sitting on the "Edge". | 0:06:27 | 0:06:29 | |
LAUGHTER | 0:06:29 | 0:06:31 | |
-Noel, Imelda... -Yeah. -Edith... Look closely at this. | 0:06:33 | 0:06:38 | |
# We can get a sensual seduction... # | 0:06:38 | 0:06:41 | |
He was Snoop Doggy Dogg, then Snoop Dogg, then Snoop and now Snoop Dogg again. | 0:06:41 | 0:06:46 | |
At last, sense has prevailed. Raise a hind leg and salute Snoop Dogg! | 0:06:46 | 0:06:52 | |
# Sensual seduction... # | 0:06:52 | 0:06:55 | |
And she kissed a girl and liked it, then she kissed Russell Brand and liked that as well for some reason. | 0:06:56 | 0:07:02 | |
It's equal opportunities tonsil jockey and California girl Katy Perry. | 0:07:02 | 0:07:08 | |
That was Katy Perry with California Girls and Snoop Dogg with Sensual Seduction. | 0:07:12 | 0:07:18 | |
But who tried to hire the entire country of Liechtenstein for a video shoot? | 0:07:19 | 0:07:24 | |
Was it Katy Perry or was it Snoop Dogg? | 0:07:24 | 0:07:29 | |
-Is it a big country or a small country? -It's about the same size as Limerick. | 0:07:30 | 0:07:35 | |
Liechtenstein is a great place to hide your money. | 0:07:36 | 0:07:39 | |
How do you go about hiring an entire country? | 0:07:40 | 0:07:44 | |
Is it like one of those extras you get on a website when you book a flight? "You want a car, a country?" | 0:07:44 | 0:07:50 | |
Who do you phone up to hire a country? | 0:07:50 | 0:07:53 | |
-It's a weird video. She sees a walking jelly tot... -It's awesome. | 0:07:53 | 0:07:58 | |
I'd quite like to meet a walking... | 0:07:58 | 0:08:01 | |
It walks over and she looks a bit frightened, | 0:08:01 | 0:08:04 | |
then as a natural reaction, shoots Nesquik out of her tits. | 0:08:04 | 0:08:08 | |
LAUGHTER | 0:08:09 | 0:08:11 | |
-I would go for Snoop. -Really? -Yeah. | 0:08:11 | 0:08:14 | |
He has the best microphone I've ever seen. Sorry, Terry. I know you're a legend when it comes to microphones. | 0:08:14 | 0:08:19 | |
At Glastonbury, he had this diamante microphone with a knuckle-duster hand grip that came on. | 0:08:19 | 0:08:25 | |
You do see some interesting mics, don't you? | 0:08:25 | 0:08:28 | |
I was just thinking it's another world for me. | 0:08:30 | 0:08:34 | |
Lou Reed had a gold microphone. | 0:08:34 | 0:08:36 | |
-You did a duet with Lou Reed, didn't you? -I did. | 0:08:36 | 0:08:40 | |
Just got back and he ordered in this microphone | 0:08:40 | 0:08:44 | |
and it was apparently pure gold. | 0:08:44 | 0:08:47 | |
-Solid gold? -Solid gold. | 0:08:47 | 0:08:49 | |
I like to imagine that he said it was solid gold, but it was actually chocolate money. | 0:08:49 | 0:08:55 | |
Do you think C3PO looks at Lou Reed with his gold microphone and thinks, "Looks like he's giving me a blowy"? | 0:08:55 | 0:09:02 | |
-I had no idea before I met you... -Sorry, Terry. -..just the depths of your depravity. -Sorry. | 0:09:02 | 0:09:09 | |
I was going to say to you, any tips, as an Irish woman, on getting on here? | 0:09:09 | 0:09:14 | |
-No. -In this country? | 0:09:14 | 0:09:17 | |
No. I've... No. | 0:09:17 | 0:09:19 | |
LAUGHTER | 0:09:19 | 0:09:21 | |
-Cos you're really struggling, Terry(!) -Yeah. | 0:09:21 | 0:09:25 | |
-You really need the help(!) -You're a knight. We should call you Sir Tel. -No, you shouldn't. | 0:09:25 | 0:09:31 | |
-Can we though? -No, you shouldn't. | 0:09:31 | 0:09:33 | |
Does it slightly turn you on when people call you Sir Tel? | 0:09:33 | 0:09:37 | |
Oh, let's not talk about me! | 0:09:37 | 0:09:40 | |
Come on, you guys. | 0:09:40 | 0:09:43 | |
When you're made a "sir", do they give you any jewellery? | 0:09:43 | 0:09:46 | |
Come to my dressing room afterwards and I'll show you. | 0:09:46 | 0:09:51 | |
-Can we have an answer? -All I can think about now is Lou Reed singing into C3PO's penis. | 0:09:54 | 0:09:59 | |
That's all I can think about. | 0:09:59 | 0:10:02 | |
R2 would be next to him, going, "Oh..." | 0:10:02 | 0:10:06 | |
"Oh, Mr Reed! | 0:10:07 | 0:10:09 | |
"You just keep me hanging on!" | 0:10:09 | 0:10:12 | |
Of course, king of the robot blowies - Henry. | 0:10:12 | 0:10:16 | |
LAUGHTER | 0:10:16 | 0:10:18 | |
Do you live on your own? | 0:10:18 | 0:10:21 | |
LAUGHTER AND APPLAUSE | 0:10:21 | 0:10:23 | |
Enough of the society entertainment! | 0:10:26 | 0:10:29 | |
Can we have an answer from the more logical side here? | 0:10:31 | 0:10:35 | |
-I'm going to leave it to... -Snoop. -Snoop. -Yeah. | 0:10:35 | 0:10:39 | |
-OK, you're right. -Yes! -That's a point each. | 0:10:39 | 0:10:43 | |
APPLAUSE | 0:10:43 | 0:10:45 | |
The answer is Snoop Dogg once tried to hire Liechtenstein for a video shoot. | 0:10:45 | 0:10:50 | |
In 2008, Snoop's tour bus was raided and police found strippers, marijuana and booze. | 0:10:50 | 0:10:56 | |
It reminds me of the time we took the old Radio 2 Roadshow down... | 0:10:56 | 0:11:01 | |
to Cirencester. | 0:11:01 | 0:11:03 | |
Let's just say nobody was in bed before nine o'clock. | 0:11:05 | 0:11:09 | |
At the end of that thrilling round, it's a point each to Noel and Phill. | 0:11:10 | 0:11:15 | |
APPLAUSE | 0:11:15 | 0:11:17 | |
I've had a missive from Linda in Tring, wondering if we're having another round? | 0:11:21 | 0:11:27 | |
Are we...? | 0:11:28 | 0:11:31 | |
-We are. -LAUGHTER | 0:11:31 | 0:11:33 | |
It's the Intros Round. | 0:11:34 | 0:11:36 | |
Phill and James, here are yours for Rufus. | 0:11:36 | 0:11:40 | |
Now...I'll hand you the card, the magic card. You've got to perform for Rufus. | 0:11:40 | 0:11:45 | |
Rufus, as ever, perceptive and the ears of an owl. | 0:11:45 | 0:11:50 | |
One, two, three, four. | 0:11:50 | 0:11:52 | |
-# Boom-boom, ba-da-da-da-dum -Tch! -Ba-da-da-da-dum -Tch! | 0:11:52 | 0:11:56 | |
-# Boom-boom, ba-da-da-da-dum -Tch! -Ba-da-da-da-dum -Tch! | 0:11:56 | 0:12:00 | |
# Oh! Oh! Oh! Boom-boom, ba-da-da-da-dum | 0:12:00 | 0:12:02 | |
-# Tch! -Oh! Hey! | 0:12:02 | 0:12:05 | |
-# Ba-da-da-da-dum... # Will you concentrate? -No idea? | 0:12:05 | 0:12:09 | |
-# Ba-da-da-da-dum... -Tch! Tch! # | 0:12:09 | 0:12:12 | |
# Seh, seh, ho, ho! # | 0:12:12 | 0:12:15 | |
-This is not working. -He's got Tourette's syndrome. | 0:12:15 | 0:12:18 | |
-What do you think, Rufus? -Uh... I've genuinely forgot it. | 0:12:20 | 0:12:24 | |
-It's tough. -Bowman has got it so much, she's dancing to it. -Yeah, I know. | 0:12:24 | 0:12:29 | |
-# Tch! Tch! -Da-da-da-da... # | 0:12:31 | 0:12:34 | |
I've got the military behind me now and... | 0:12:39 | 0:12:42 | |
There's a certain amount of pressure to get this right soon. | 0:12:42 | 0:12:46 | |
Go on, James, tell me he's beautiful. | 0:12:46 | 0:12:49 | |
APPLAUSE | 0:12:52 | 0:12:54 | |
I know who it is. I clearly know the song. I don't know the name of The Stone Roses classic. | 0:12:56 | 0:13:02 | |
-It's Phill... -Everybody in Manchester is like, "What a fucking wanker! | 0:13:02 | 0:13:07 | |
"That's why we should have all the telly up here, | 0:13:07 | 0:13:10 | |
"so then we can make EastEnders more like fucking Shameless." | 0:13:10 | 0:13:14 | |
That'd be good for a week! | 0:13:14 | 0:13:16 | |
LAUGHTER | 0:13:16 | 0:13:19 | |
Oh, Fools Gold. No... Fools Gold. | 0:13:21 | 0:13:24 | |
D'you know, you're absolutely right. | 0:13:24 | 0:13:27 | |
APPLAUSE Well done. | 0:13:27 | 0:13:30 | |
Here is how it should have sounded. | 0:13:31 | 0:13:35 | |
INTRO PLAYS: "Fools Gold" - The Stone Roses | 0:13:35 | 0:13:38 | |
You got that right, but you can never gig up north again. | 0:13:38 | 0:13:42 | |
With a group of people looking at me, going, "But he's not talking about things at the end of my road!" | 0:13:45 | 0:13:51 | |
LAUGHTER | 0:13:51 | 0:13:53 | |
If you like that, go and watch Peter Kay. He's brilliant at remembering. | 0:13:53 | 0:13:58 | |
-What about the next one then, lads? -Are you ready for that one? -Yes, I am ready. -OK... | 0:13:59 | 0:14:05 | |
-Were you in the cavalry or not? -Can we dim the lights? -Ride me, ride me, ride me. | 0:14:08 | 0:14:14 | |
APPLAUSE | 0:14:15 | 0:14:17 | |
Wow! | 0:14:17 | 0:14:19 | |
The last person to do that to me was Brian Kennedy. | 0:14:20 | 0:14:24 | |
-Shall we sing the song now? -I'm a devil for the balladeers. | 0:14:26 | 0:14:31 | |
One, two, three, four... | 0:14:31 | 0:14:33 | |
# Dang-dang, dagga-dagga-dag-dag | 0:14:33 | 0:14:36 | |
# Dagga-dagga-dag-dag Dagga-dagga-dag-dag | 0:14:36 | 0:14:39 | |
-# Dagga-dagga-dag-dag -Daa-aan...dan-dan | 0:14:39 | 0:14:43 | |
-# Dagga-dagga-dag-dag -Daa-aan....dan-dan | 0:14:43 | 0:14:46 | |
-# Dagga-dagga-dag-dag -Daa-aan...dan-dan | 0:14:46 | 0:14:50 | |
# Dan-dan...dan-dan | 0:14:50 | 0:14:53 | |
-# Dan-dan...dan-dan -Dagga-dagga-dag-dag | 0:14:53 | 0:14:57 | |
# Dan-dan... # | 0:14:57 | 0:14:58 | |
# Don't cry Don't change your eye | 0:14:58 | 0:15:03 | |
# It's only teenage wasteland... # | 0:15:03 | 0:15:07 | |
-So the song is called...? -Baba O'Riley by The Who. | 0:15:07 | 0:15:11 | |
APPLAUSE | 0:15:11 | 0:15:14 | |
This is the only programme that combines pop music and the Horse of the Year Show. | 0:15:16 | 0:15:22 | |
Two correct, Rufus. Well done. | 0:15:22 | 0:15:24 | |
Here, friends, is how it should have sounded. | 0:15:24 | 0:15:28 | |
INTRO PLAYS: "Baba O'Riley" - The Who | 0:15:28 | 0:15:30 | |
# Out here in the fields... # | 0:15:40 | 0:15:44 | |
So that was The Who with Baba O'Riley. | 0:15:44 | 0:15:47 | |
Pete Townshend suffers from tinnitus, | 0:15:47 | 0:15:50 | |
an annoying, monotonous buzzing that sounds as if it's coming from the base of your skull. | 0:15:50 | 0:15:55 | |
If you want to know what that sounds like, tune in to Chris Evans on Radio 2 every morning. | 0:15:55 | 0:16:01 | |
APPLAUSE | 0:16:01 | 0:16:04 | |
Just fooling around here... | 0:16:05 | 0:16:08 | |
Fools Gold by Stone Roses. | 0:16:08 | 0:16:10 | |
Mani from The Stones Roses described today's music | 0:16:10 | 0:16:14 | |
as "a torrent of mediocrity, dull as dishwater, safe and unimaginative." | 0:16:14 | 0:16:18 | |
Did I tell you of my new collection of favourite tunes? | 0:16:18 | 0:16:22 | |
Last year, The Stone Roses' Ian Brown was wounded by an on-stage attack. | 0:16:23 | 0:16:29 | |
Louis Walsh had told him, "The song choice was all wrong and you just didn't own it!" | 0:16:30 | 0:16:36 | |
Noel and Imelda, here are yours that you're going to perform for Edith. | 0:16:46 | 0:16:51 | |
I don't think I'm ever going to get that image of you doing Louis Walsh out of my head. | 0:16:51 | 0:16:57 | |
LAUGHTER AND APPLAUSE | 0:16:59 | 0:17:01 | |
OK, you don't have to ride me like a greyhound. It's fine. | 0:17:03 | 0:17:07 | |
-I'll sing your bit, then we'll swap, yeah? -Yeah? | 0:17:07 | 0:17:11 | |
-# De-de-de-de-de... # Yeah? -All right. | 0:17:11 | 0:17:13 | |
That's like when you give a really small child a simple task. | 0:17:13 | 0:17:17 | |
"You can't cook dinner with me, but if you hold this wooden spoon... | 0:17:17 | 0:17:22 | |
"Then we can say we cooked dinner together." | 0:17:24 | 0:17:27 | |
# Doooooo | 0:17:30 | 0:17:33 | |
# Doo-dooooo | 0:17:33 | 0:17:37 | |
-# Ba-da-da-da-daaa -De-de-de-de | 0:17:37 | 0:17:39 | |
# Ba-da-da-da-da-da-doo... # | 0:17:39 | 0:17:42 | |
-OK, yeah. -OK... | 0:17:42 | 0:17:44 | |
# Ba-da-da-da-doo Ba-da-da-da-da-doo... # | 0:17:44 | 0:17:48 | |
Is it Rod Stewart? | 0:17:48 | 0:17:50 | |
Yes! Yeah... > | 0:17:50 | 0:17:52 | |
# My heart is here tonight | 0:17:52 | 0:17:55 | |
# Time is on my side... # | 0:17:55 | 0:17:57 | |
Ohh! | 0:17:57 | 0:17:59 | |
-# Do-do-do-do-doo -De-de-de-de-de... # | 0:17:59 | 0:18:02 | |
Stop singing, stop singing! | 0:18:02 | 0:18:05 | |
-# Do-do-do-do-doo... # -Terry, make it stop! | 0:18:05 | 0:18:08 | |
You know when you get... | 0:18:08 | 0:18:10 | |
LAUGHTER | 0:18:10 | 0:18:13 | |
-Something like My Heart Is Here Tonight? -Oh, Edith, Edith. | 0:18:13 | 0:18:17 | |
Dave Lee Travis would have known the answer. | 0:18:17 | 0:18:20 | |
Yes, but he's 105. | 0:18:20 | 0:18:22 | |
The answer is Young Turks. Here's how it should have sounded. | 0:18:23 | 0:18:28 | |
INTRO PLAYS: "Young Turks" - Rod Stewart | 0:18:28 | 0:18:32 | |
# Do-do-do-do-doo Do-do-do-do-doo.... # | 0:18:33 | 0:18:37 | |
Couldn't get the words. | 0:18:37 | 0:18:39 | |
# Billy left his home with a dollar in his pocket... # | 0:18:39 | 0:18:43 | |
Well, it has its own elusive charm, certainly. | 0:18:43 | 0:18:47 | |
OK, Noel, next intro, please. Good luck to you, Imelda. | 0:18:48 | 0:18:52 | |
-# Doo... Do-do-do-do-do-do-doo -Nana-nana-now-now, bow-wow-wow | 0:18:52 | 0:18:57 | |
-# Ooh, yeah! -Now-now-bung-tch | 0:18:57 | 0:18:59 | |
-# Wa-wa-nama-now-now, now-now-now -Tch, tch, tch | 0:18:59 | 0:19:04 | |
# Jigga-doo-doo... # | 0:19:04 | 0:19:05 | |
You know this. I know I know. I just can't say the words. | 0:19:05 | 0:19:09 | |
-# Now-now-now... # -We're on a different tune. -# Oh, yeah! # | 0:19:09 | 0:19:13 | |
# Nana-nana-now-now, bow-dow-dow-dow | 0:19:13 | 0:19:18 | |
# Bung-tch... # | 0:19:18 | 0:19:20 | |
ALL JOIN IN | 0:19:20 | 0:19:22 | |
-# Boom-boom-boom -Tch! | 0:19:22 | 0:19:25 | |
-# Na-na-na-na-na-na -Bom-bom, bom-bom-bom | 0:19:25 | 0:19:29 | |
# Bom! | 0:19:29 | 0:19:31 | |
# Na-na-na-na-na-na Bom-bom-bom... # | 0:19:31 | 0:19:35 | |
OK, OK! | 0:19:35 | 0:19:37 | |
I tell you something, Terry. They didn't get audience participation when Amstell was in the chair. | 0:19:37 | 0:19:43 | |
He hated people. | 0:19:43 | 0:19:46 | |
After this show, I'm not that keen on them myself. | 0:19:46 | 0:19:50 | |
Edith, you won't get this. | 0:19:52 | 0:19:54 | |
# Edith, I've hidden the answer in my labyrinth... # | 0:19:54 | 0:19:59 | |
It's David Bowie. Is it Ziggy? | 0:20:00 | 0:20:03 | |
-Ziggy what? -Stardust. -You got it. | 0:20:03 | 0:20:06 | |
APPLAUSE | 0:20:06 | 0:20:09 | |
This is how it should have sounded, he said bad-temperedly. | 0:20:11 | 0:20:15 | |
INTRO PLAYS: "Ziggy Stardust" - David Bowie | 0:20:15 | 0:20:18 | |
-That was weird. -You had a brain snap. -Totally. | 0:20:18 | 0:20:21 | |
# Ooh, yeah... # We got that bit. > | 0:20:22 | 0:20:25 | |
# Ziggy played guitar... # | 0:20:25 | 0:20:28 | |
-What an idiot! -That was David Bowie with Ziggy Stardust. | 0:20:28 | 0:20:33 | |
After a difficult interview, I came close to slapping David Bowie. | 0:20:33 | 0:20:37 | |
I can't tell you what I thought of him, | 0:20:37 | 0:20:40 | |
but I almost blanked him in the blankety-blank, the totally blankety-blanker! | 0:20:40 | 0:20:45 | |
And we also heard Young Turks by Rod Stewart. | 0:20:45 | 0:20:49 | |
Rod Stewart is a 65-year-old man. He's expecting his eighth child by four different women. | 0:20:49 | 0:20:54 | |
I don't know, youngsters these days! | 0:20:54 | 0:20:57 | |
Now, my mail bag is bulging. | 0:20:57 | 0:21:00 | |
I think it's boredom that brings it on. What everyone wants to know is, "What's the next round, Terry?" | 0:21:03 | 0:21:09 | |
Let me get you off your tenterhooks by telling you that it's the Identity Parade | 0:21:09 | 0:21:15 | |
and this week, we've made it a Eurovision special. | 0:21:15 | 0:21:18 | |
ALL: Ooh! | 0:21:18 | 0:21:21 | |
So, Phill, James and Rufus, how about some '90s Eurovision rap, eh? | 0:21:21 | 0:21:26 | |
For the audience only, here's Love City Groove. | 0:21:26 | 0:21:29 | |
# In the morning | 0:21:29 | 0:21:32 | |
# When the sun shines | 0:21:32 | 0:21:34 | |
# Down on your body | 0:21:34 | 0:21:36 | |
# I know we're really making love now | 0:21:37 | 0:21:40 | |
# We're really making, we're really making | 0:21:40 | 0:21:42 | |
# We're really making, we're really making | 0:21:42 | 0:21:45 | |
# We're really making, we're really making, we're really making love now... # | 0:21:45 | 0:21:49 | |
That was Love City Groove with...Love City Groove. | 0:21:49 | 0:21:53 | |
How do they think them up? | 0:21:53 | 0:21:55 | |
Which of our line-up is the singer Paul Hardy? | 0:21:55 | 0:22:00 | |
Is Number 1 Paul Hardy? | 0:22:00 | 0:22:02 | |
Is Number 2 Laurel and Hardy? | 0:22:02 | 0:22:05 | |
Is Number 3 Kiss Me Hardy? | 0:22:05 | 0:22:07 | |
Is Number 4 Hardy Har Har? | 0:22:07 | 0:22:10 | |
LAUGHTER | 0:22:10 | 0:22:13 | |
Or is Number 5 Hardy Worth Getting Out Of Bed For? | 0:22:13 | 0:22:17 | |
It's not Number 4. He's come straight out of a Chilean mine. | 0:22:19 | 0:22:22 | |
-SOUTH AMERICAN ACCENT: -"I will do the Buzzcocks this week." | 0:22:22 | 0:22:26 | |
Number 3 is an Elvis impersonator. | 0:22:26 | 0:22:28 | |
-Do your Elvis impersonation. -He can't move or do anything you say. | 0:22:28 | 0:22:32 | |
You can't come here, James Blunt, with all your fine ways and try and make the rules. | 0:22:32 | 0:22:38 | |
I apologise. | 0:22:38 | 0:22:40 | |
LAUGHTER | 0:22:40 | 0:22:43 | |
James is slightly reeling because that's not his family tartan. | 0:22:43 | 0:22:47 | |
Number 1 kind of looks the most... | 0:22:49 | 0:22:51 | |
-It's clearly Number 1, isn't it? -I think it's Number 1. | 0:22:51 | 0:22:55 | |
Would the real Paul Hardy step forward now? | 0:22:55 | 0:22:58 | |
APPLAUSE | 0:23:00 | 0:23:02 | |
Performing Elvis in his tribute show Elvis - What If, Paul Hardy, ladies and gentlemen! | 0:23:05 | 0:23:11 | |
APPLAUSE | 0:23:11 | 0:23:14 | |
-That's what James said. -Yeah. | 0:23:14 | 0:23:17 | |
-For Noel, Imelda and Edith, how about some Eurovision '80s pop? -Yes! | 0:23:18 | 0:23:24 | |
For the audience only, Bucks Fizz. | 0:23:24 | 0:23:26 | |
# And try to look as if you don't care less | 0:23:26 | 0:23:28 | |
# But if you want to see some more | 0:23:28 | 0:23:31 | |
# Bending the rules of the game will let you find the one you're looking for | 0:23:31 | 0:23:36 | |
# And then you can show that you think you know You're making your mind up... # | 0:23:36 | 0:23:41 | |
That was Bucks Fizz with Making Your Mind Up, so Noel's team, which of our line-up is singer Cheryl Baker? | 0:23:41 | 0:23:48 | |
Is it Number 1, Making Your Mind Up? | 0:23:48 | 0:23:51 | |
Number 2, I've Made My Mind Up? | 0:23:51 | 0:23:53 | |
Number 3, I Definitely Know Who It Is? | 0:23:53 | 0:23:56 | |
Number 4, I'm Having Second Thoughts? | 0:23:56 | 0:23:59 | |
Or Number 5, Oh No, It's Number 2? | 0:23:59 | 0:24:02 | |
LAUGHTER AND APPLAUSE | 0:24:02 | 0:24:05 | |
She's laughing, she's laughing. | 0:24:08 | 0:24:10 | |
She's laughing. It's Number 2. She's laughing. | 0:24:10 | 0:24:13 | |
What do you mean, "It's Number 2, she's laughing"? | 0:24:13 | 0:24:17 | |
Do you mean the one that looks exactly like Cheryl Baker? | 0:24:17 | 0:24:21 | |
You can't see what we can see. It's like sort of transsexual Frank Zappas. It's terrifying. | 0:24:21 | 0:24:27 | |
People that haven't got HDTV think the Nolans are back together! | 0:24:27 | 0:24:32 | |
They are! | 0:24:32 | 0:24:35 | |
I think it's Number 2. They all look very good... | 0:24:37 | 0:24:41 | |
What do you mean, you THINK it's Number 2? It's Number 2! | 0:24:41 | 0:24:44 | |
The one that looks like Cheryl Baker that in his introduction Terry said it was! | 0:24:44 | 0:24:51 | |
-OK, let's find out. -Wait a sec. Terry, easy! | 0:24:53 | 0:24:56 | |
-For God's sake! -Let me just... | 0:24:56 | 0:24:59 | |
-We want to make sure. -I've got the authority of a seven-year-old girl. This is ridiculous. Edith's useless. | 0:24:59 | 0:25:05 | |
You're dressed as a ladybird. It's Number 2! | 0:25:05 | 0:25:09 | |
Number 2. Would the real Cheryl Baker please step forward? | 0:25:09 | 0:25:13 | |
-It's Number 2. -APPLAUSE | 0:25:14 | 0:25:17 | |
Now touring with The Original Bucks Fizz, Cheryl Baker, ladies and gentlemen! | 0:25:23 | 0:25:28 | |
CHEERING AND APPLAUSE | 0:25:28 | 0:25:31 | |
OK... The fax machine is overheating with requests to know what round it is. | 0:25:37 | 0:25:43 | |
I can tell you... I can. | 0:25:43 | 0:25:47 | |
-It's Next Lines. You're in the lead, Phill. -Yeah. | 0:25:48 | 0:25:52 | |
-So you go first. -Thank you, Terry. -Your time starts now. | 0:25:52 | 0:25:56 | |
And from this envelope from which I tear the questions feverishly... | 0:25:56 | 0:26:00 | |
# Congratulations and jubilations... # | 0:26:02 | 0:26:07 | |
-"I want the world to know how happy I can be." -That'll do. | 0:26:07 | 0:26:11 | |
-Cliff's looking well these days, isn't he? -Finally, his face has caught up with his bollocks. | 0:26:11 | 0:26:17 | |
# BBC... | 0:26:18 | 0:26:21 | |
# Radio 2! # | 0:26:21 | 0:26:23 | |
APPLAUSE | 0:26:23 | 0:26:27 | |
Royaume-Uni... | 0:26:27 | 0:26:30 | |
Nul points! | 0:26:30 | 0:26:32 | |
# You're beautiful, you're beautiful... # | 0:26:35 | 0:26:38 | |
I know it. | 0:26:38 | 0:26:41 | |
# You're beautiful... | 0:26:41 | 0:26:44 | |
# It's true... # | 0:26:44 | 0:26:47 | |
No. | 0:26:48 | 0:26:49 | |
The answer is, "And so are you, Terry." | 0:26:49 | 0:26:52 | |
END-OF-ROUND JINGLE | 0:26:52 | 0:26:55 | |
APPLAUSE | 0:26:56 | 0:26:59 | |
-Look, they're running away with this. -We only need 47 to win. -Come on. Pull yourselves together. | 0:26:59 | 0:27:05 | |
OK, your time starts now... As if we were keeping to a time! | 0:27:05 | 0:27:10 | |
Come on. | 0:27:12 | 0:27:14 | |
-"Ziggy played guitar..." -Oh, not again! | 0:27:14 | 0:27:18 | |
It's "Jammin' good with Weird and Gilly". | 0:27:18 | 0:27:22 | |
You got it right, Edith. My goodness! | 0:27:22 | 0:27:24 | |
Fantastic. It was "Jammin' good with Weird and Gilly," David Bowie's Ziggy Stardust. | 0:27:24 | 0:27:30 | |
Loveable chap that he is. | 0:27:30 | 0:27:32 | |
Was it that bad an interview? Come on, tell us. | 0:27:32 | 0:27:36 | |
-Yeah. -What did he do, Terry? Show us on the puppet what David Bowie did to you. | 0:27:36 | 0:27:42 | |
Sometimes you want to know just a little bit too much. | 0:27:43 | 0:27:47 | |
"He's the devil divine, I'm so glad that he's mine..." | 0:27:47 | 0:27:51 | |
-AS DAVID BOWIE: -I don't know this one! | 0:27:51 | 0:27:54 | |
-"Cos he's my big, bad, handsome man." -Yeah, of course, that's one of yours, Imelda. # Blankety Blank... | 0:27:54 | 0:28:00 | |
-# Blankety Blank. # -Correct. -AS DAVID BOWIE: -# Blankety Blank... # | 0:28:00 | 0:28:05 | |
That would be brilliant if David Bowie presented Blankety Blank. | 0:28:05 | 0:28:09 | |
-Just on it. Terry should present it. -Sorry. | 0:28:09 | 0:28:12 | |
# Ziggy played... # Blank. | 0:28:12 | 0:28:15 | |
You're only delaying this cos you know they're catching you up. | 0:28:15 | 0:28:19 | |
# Maybe I didn't love you... | 0:28:19 | 0:28:21 | |
# Quite as often as I should have... # | 0:28:21 | 0:28:24 | |
# That is correct, all available on this... # | 0:28:24 | 0:28:27 | |
LAUGHTER | 0:28:27 | 0:28:30 | |
"You're answering questions that have not yet been asked..." | 0:28:31 | 0:28:35 | |
-AS DAVID BOWIE: -It was a shit interview, Terry. | 0:28:35 | 0:28:39 | |
-Afterwards, you called me a prick. -I should know this one. | 0:28:39 | 0:28:44 | |
END-OF-ROUND JINGLE | 0:28:44 | 0:28:47 | |
Oh, no way! | 0:28:47 | 0:28:49 | |
APPLAUSE | 0:28:49 | 0:28:51 | |
And so drained of all emotion, we come to the final scores. | 0:28:53 | 0:28:57 | |
Noel with 9, | 0:28:57 | 0:29:00 | |
Phill, an even more magnificent 10. Phill's the winner. | 0:29:00 | 0:29:03 | |
APPLAUSE | 0:29:05 | 0:29:08 | |
So, thanks to Phill and James and Rufus and Noel, Imelda and Edith. | 0:29:08 | 0:29:13 | |
This has been... Never Mind The Boo Radleys. | 0:29:13 | 0:29:17 | |
I used to be Terry Wogan. | 0:29:19 | 0:29:22 | |
Good night. | 0:29:22 | 0:29:24 | |
CHEERING AND APPLAUSE | 0:29:24 | 0:29:27 | |
Subtitles by Subtext for Red Bee Media Ltd 2010 | 0:29:47 | 0:29:51 | |
Email [email protected] | 0:29:51 | 0:29:54 |