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THIS PROGRAMME CONTAINS SOME STRONG LANGUAGE | 0:00:02 | 0:00:09 | |
CHEERING AND APPLAUSE | 0:00:21 | 0:00:23 | |
CHEERING AND APPLAUSE | 0:00:47 | 0:00:50 | |
Now, unfortunately there has been a small change of plan. | 0:00:50 | 0:00:55 | |
Shakira won't come out because | 0:00:55 | 0:00:57 | |
it's too windy, but the producers have tried to find someone | 0:00:57 | 0:01:01 | |
who is vaguely similar and also nearby. | 0:01:01 | 0:01:06 | |
I am the 1990 East Leinster Under-14s Triple-Jump bronze medallist. | 0:01:06 | 0:01:11 | |
My name is David O'Doherty, let's Never-Mind some Buzzcocks. | 0:01:11 | 0:01:16 | |
On Noel's team tonight... | 0:01:18 | 0:01:20 | |
# Normally I try to run... # | 0:01:20 | 0:01:22 | |
..I don't like this guest, I love him a million per cent. | 0:01:22 | 0:01:25 | |
It's skinny-jeans-wearing, buttoned-up-to-the-top pop merchant Olly Murs. | 0:01:25 | 0:01:31 | |
He's a man who knows his music. If it wasn't for him, | 0:01:38 | 0:01:41 | |
Hamfatter would probably be anonymous today. | 0:01:41 | 0:01:45 | |
It's gazillionaire pop Dragon Peter Jones. | 0:01:45 | 0:01:47 | |
And on Phil's team tonight... | 0:01:51 | 0:01:53 | |
-# Spice up your life -Every boy and every girl... # | 0:01:53 | 0:01:55 | |
..she used to be scary, now she's bloody terrifying, and may God | 0:01:55 | 0:01:59 | |
have mercy on our souls, it's scary Northern loudmouth Melanie Brown. | 0:01:59 | 0:02:04 | |
It's him off BBC sitcom Him & Her | 0:02:10 | 0:02:13 | |
except he doesn't play him or her, he plays the beardy one. | 0:02:13 | 0:02:16 | |
It's the beardy one off Him & Her, Joe Wilkinson. | 0:02:16 | 0:02:19 | |
OK, everyone, now let us be still like resting jaguars | 0:02:25 | 0:02:29 | |
in the Colombian rainforest. | 0:02:29 | 0:02:31 | |
Before we go on, I should explain that a lot of this script | 0:02:31 | 0:02:34 | |
has been written specifically for Shakira, | 0:02:34 | 0:02:37 | |
but I'm just going to try and get through it. | 0:02:37 | 0:02:40 | |
Now we signal the start of the show in the age-old | 0:02:40 | 0:02:43 | |
traditional way in which all pop panel shows in Colombia begin, | 0:02:43 | 0:02:48 | |
with the mystical sound of the panpipes. | 0:02:48 | 0:02:50 | |
RECORDING PLAYS | 0:02:50 | 0:02:54 | |
We begin with Want To Be Starting Something. | 0:03:00 | 0:03:03 | |
Noel, Peter and Olly, take a look at this. | 0:03:03 | 0:03:05 | |
# I came so close You touch my body... # | 0:03:05 | 0:03:08 | |
So he cheekily got caught snorting miaow-miaow and he cheekily | 0:03:08 | 0:03:12 | |
sent abusive and threatening texts to that woman | 0:03:12 | 0:03:16 | |
and then playfully ditched his pregnant girlfriend - ow! | 0:03:16 | 0:03:19 | |
But it was all done with a hop skip and a jump, | 0:03:19 | 0:03:22 | |
and a twinkle in his eye, it's cheeky chappie Dappy. | 0:03:22 | 0:03:25 | |
# Baby, I need you... # | 0:03:25 | 0:03:28 | |
That was N-Dubz with I Need You, but how did rapper Dappy get himself into trouble at Alton Towers? | 0:03:29 | 0:03:37 | |
What did you call N-Dubz there, that was quite lovely? | 0:03:38 | 0:03:41 | |
They were asking me about this guy and I've never | 0:03:41 | 0:03:44 | |
heard of him so I said how do you pronounce it, and I saw it on the sheet and I said, "Is that N-Doobs?" | 0:03:44 | 0:03:49 | |
My granny used to call them Boyz One. | 0:03:51 | 0:03:53 | |
Olly, have you been watching X Factor? | 0:03:57 | 0:03:59 | |
I have been watching it, yeah. | 0:03:59 | 0:04:02 | |
What did you do in the house? What did you do? | 0:04:02 | 0:04:04 | |
Sleep. Rehearse. Try and look after the Jedward twins. | 0:04:04 | 0:04:11 | |
Argh... | 0:04:11 | 0:04:14 | |
-None of that went on, no. -Man, if I'd been there... | 0:04:15 | 0:04:21 | |
I just don't know | 0:04:21 | 0:04:22 | |
if I've got the right vibe for that. | 0:04:22 | 0:04:25 | |
Panpipe. | 0:04:25 | 0:04:27 | |
Yeah, yeah. | 0:04:27 | 0:04:28 | |
ATONAL BREATHY SOUND | 0:04:28 | 0:04:30 | |
RECORDING PLAYS | 0:04:30 | 0:04:33 | |
Thank you. | 0:04:33 | 0:04:36 | |
I used to get felt-tips and Sellotape them together and pretend they were panpipes. | 0:04:37 | 0:04:42 | |
Only about two days ago. | 0:04:43 | 0:04:45 | |
Dragon's Den? | 0:04:47 | 0:04:49 | |
Panpipes you can draw with. | 0:04:49 | 0:04:50 | |
Look, you can do in 19 drawings at the same time! | 0:04:50 | 0:04:53 | |
Oh, God. | 0:04:53 | 0:04:55 | |
That's not the response I was looking for. | 0:04:55 | 0:04:58 | |
I mean, if you're looking for big ideas... | 0:04:58 | 0:05:01 | |
This is just a hat | 0:05:03 | 0:05:06 | |
with a whiteboard on it, it's called a whiteboard hat. | 0:05:06 | 0:05:10 | |
Say you're just trying to think of ideas and just keep it down on it. | 0:05:10 | 0:05:14 | |
You need to wipe them off, you know what I mean? | 0:05:14 | 0:05:17 | |
You can write whatever like... £80,000 for 10% over five years. | 0:05:17 | 0:05:22 | |
I'll invest half if Peter would use your expertise | 0:05:22 | 0:05:28 | |
to facilitate the idea further, | 0:05:28 | 0:05:31 | |
I am prepared to put 25 grand in. | 0:05:31 | 0:05:33 | |
Unbelievable. | 0:05:33 | 0:05:35 | |
Is he being serious? | 0:05:35 | 0:05:38 | |
Let me just be clear what the idea is, it's a whiteboard on a hat. | 0:05:38 | 0:05:43 | |
It sells itself. You don't need to say anything else. | 0:05:43 | 0:05:45 | |
Who do you think would buy it? | 0:05:45 | 0:05:47 | |
Well, there's only one of it at the moment, | 0:05:47 | 0:05:50 | |
so what I'm proposing is we could just lend it round to anyone who was interested in it. | 0:05:50 | 0:05:54 | |
Peter, in Dragon's Den there was Hamfatter, | 0:05:54 | 0:05:58 | |
the band that you threw some cash at. What's going on there? | 0:05:58 | 0:06:03 | |
I'm still working on that one. | 0:06:03 | 0:06:06 | |
Hamfatter is a bit of an odd name, isn't it? I think I could come up with a better name in... | 0:06:06 | 0:06:11 | |
four seconds. | 0:06:11 | 0:06:13 | |
Do you want to put this to the test? | 0:06:13 | 0:06:14 | |
-..two, three... -The Mothpopes. | 0:06:14 | 0:06:18 | |
How did Dappy land himself in trouble at Alton Towers, please? | 0:06:23 | 0:06:27 | |
-I assume that he did something quite naughty. -What do you mean? | 0:06:27 | 0:06:31 | |
Well, I'm not saying spitting or anything quite as bad as that. | 0:06:31 | 0:06:34 | |
Not quite as naughty as that. | 0:06:34 | 0:06:36 | |
-He might have been rude to an attendant. -I know what it is. | 0:06:36 | 0:06:38 | |
-Do you? -Yes. -Shush. | 0:06:38 | 0:06:41 | |
What does he sing? | 0:06:43 | 0:06:44 | |
# Number one I don't understand... # | 0:06:44 | 0:06:47 | |
I love that one. | 0:06:47 | 0:06:49 | |
They're cool, they're really cool. | 0:06:49 | 0:06:52 | |
You've got to be out of your fucking mind. | 0:06:52 | 0:06:57 | |
I like their style. | 0:06:57 | 0:06:58 | |
Anyone into N-Dubz over here? | 0:06:59 | 0:07:02 | |
I've no idea, and I don't care. | 0:07:02 | 0:07:04 | |
See about breaking it down, then, fighting... | 0:07:07 | 0:07:12 | |
-Fighting. -Drugs. -Spitting. -Spitting. -But I know what it is, guys! | 0:07:12 | 0:07:15 | |
Scratching. | 0:07:15 | 0:07:17 | |
He scratched somebody. | 0:07:17 | 0:07:19 | |
Really badly. | 0:07:19 | 0:07:21 | |
And he asked for his money back. | 0:07:21 | 0:07:23 | |
They said, "We're not paying your money back, N-Doob," so he knocked somebody out, | 0:07:23 | 0:07:27 | |
-and that was it. -N-Doob! | 0:07:27 | 0:07:30 | |
OK, I think that he went on the rollercoaster, | 0:07:30 | 0:07:33 | |
the upside-down one, he had loads of coins in his pocket, | 0:07:33 | 0:07:36 | |
a pound coin fell out and paralysed a duck. | 0:07:36 | 0:07:38 | |
That is the correct ans... No. | 0:07:41 | 0:07:44 | |
Now, Olly seems to have some idea of what... | 0:07:44 | 0:07:47 | |
Really? What do you reckon? | 0:07:47 | 0:07:49 | |
Allegedly, he smoked some cannabis and then got chucked out. | 0:07:49 | 0:07:53 | |
Oh, you're in trouble, he's going to get you. | 0:07:53 | 0:07:56 | |
That is 100% correct. | 0:07:56 | 0:07:59 | |
Yay, whoo! | 0:07:59 | 0:08:01 | |
Dappy was thrown out of Alton Towers Hotel on suspicion of | 0:08:04 | 0:08:08 | |
smoking cannabis, after other guests complained of a funny smell coming | 0:08:08 | 0:08:13 | |
from his room. I love Alton Towers. What's | 0:08:13 | 0:08:16 | |
that rollercoaster where you go up really fast suddenly | 0:08:16 | 0:08:20 | |
and then you come all the way back down again? | 0:08:20 | 0:08:22 | |
Oh, yes, it's the X Factor. | 0:08:22 | 0:08:25 | |
Phil, Mel and Joe, have a look at this. | 0:08:27 | 0:08:30 | |
-# Who's got a big red cherry nose? -Santa's got a big red cherry nose... # | 0:08:30 | 0:08:34 | |
He's got the face of a pickled nut-sack and the voice | 0:08:34 | 0:08:36 | |
of a gurgling Jacuzzi - it's broken-down genius Bob Dylan. | 0:08:36 | 0:08:40 | |
# That's right, must be Santa | 0:08:40 | 0:08:43 | |
# Must be Santa | 0:08:43 | 0:08:44 | |
# Must be Santa, Santa Claus... # | 0:08:44 | 0:08:48 | |
That was Bob Dylan with Must Be Santa, but how has a Portaloo landed him in trouble? | 0:08:52 | 0:08:58 | |
A Portaloo and Dylan? | 0:08:58 | 0:09:00 | |
Who sounds like he's in a Portaloo most of the time. | 0:09:00 | 0:09:04 | |
Neeeeeh. Eehhhrr! | 0:09:04 | 0:09:08 | |
Phwoar! | 0:09:08 | 0:09:10 | |
That's funny! | 0:09:12 | 0:09:14 | |
He's a notorious non-flusher. | 0:09:14 | 0:09:18 | |
It's not that far off. | 0:09:18 | 0:09:21 | |
He's coming out, he sees you, he goes, "I'd give it five minutes." | 0:09:21 | 0:09:25 | |
If you go in and you see Dylan's, you know... | 0:09:25 | 0:09:29 | |
-Leavings? -Yes. | 0:09:29 | 0:09:31 | |
..would you... | 0:09:32 | 0:09:34 | |
I wouldn't... I personally wouldn't photograph just anyone's, | 0:09:39 | 0:09:43 | |
but Dylan's and Mur's. | 0:09:43 | 0:09:47 | |
Isn't there a website called ratemypoo.com or something? | 0:09:50 | 0:09:53 | |
-Yes, there is. -Called what? Rape My Poo? -Rate My Poo. | 0:09:53 | 0:09:57 | |
Get off this quiz! | 0:09:57 | 0:09:59 | |
Dirty boy! | 0:10:01 | 0:10:03 | |
-I just said I heard. -Oh, you heard. -I heard. | 0:10:03 | 0:10:06 | |
Yes, like you "heard" about the magazines in the bushes. | 0:10:06 | 0:10:10 | |
-So how did a Portaloo get him into trouble? -Come on, B. | 0:10:13 | 0:10:16 | |
-He probably had workers there. -Workers where? -I did the same thing recently. | 0:10:16 | 0:10:20 | |
You've done the same thing recently? | 0:10:20 | 0:10:22 | |
Builders, you know when you're... | 0:10:22 | 0:10:24 | |
How do say that word? Revenovating. | 0:10:24 | 0:10:26 | |
-Revenovating? -How do you say it? | 0:10:26 | 0:10:28 | |
-Renovating. -Renovating your house. | 0:10:28 | 0:10:30 | |
So I did that in part of my house and I didn't want all the 20 workers pooing in my loo. | 0:10:30 | 0:10:35 | |
-Why not? -They take turns, they don't all go at once! | 0:10:35 | 0:10:37 | |
I got a Portaloo so that the 20 builders could poo in the Portaloo. | 0:10:39 | 0:10:44 | |
That's what I think happened. | 0:10:44 | 0:10:46 | |
He inspired the ire of his neighbours by having a Portaloo on the Dylan property. | 0:10:46 | 0:10:52 | |
You are correct. | 0:10:52 | 0:10:54 | |
See?! | 0:10:54 | 0:10:55 | |
Bob Dylan's neighbours have complained to the council | 0:11:00 | 0:11:03 | |
over the stench coming from a Portaloo on his property. | 0:11:03 | 0:11:06 | |
One even set up industrial fans to blow the smell back at him. | 0:11:06 | 0:11:09 | |
It seems strange that he's got an outside toilet, | 0:11:09 | 0:11:12 | |
but then Mel B is from Leeds, | 0:11:12 | 0:11:14 | |
so she was 32 before she had an indoor shit. | 0:11:14 | 0:11:17 | |
-What does that mean? -I don't know, these are for Shakira. | 0:11:19 | 0:11:23 | |
OK, some of my happiest memories with Papa Shakira back home in the village | 0:11:24 | 0:11:29 | |
and when the locals were divided into teams and crudely interpret the beginning of pop songs. | 0:11:29 | 0:11:34 | |
Let me now transport you back to that happy time | 0:11:34 | 0:11:37 | |
as we play the Intros round, or Los Introduciones Redondos. | 0:11:37 | 0:11:43 | |
RECORDING PLAYS | 0:11:43 | 0:11:48 | |
Noel and Ollie, here are yours for Peter. | 0:11:53 | 0:11:56 | |
OK, are you ready for this? | 0:11:56 | 0:11:58 | |
When I asked you if you like music, you suggested Celine Dion earlier on, so I was a little terrified. | 0:11:58 | 0:12:05 | |
You can beatbox, can't you, Olly? | 0:12:05 | 0:12:08 | |
-I can do a bit of beatboxing. -Are you going to beatbox on your new album? -No. | 0:12:08 | 0:12:12 | |
I think you're missing a trick there. | 0:12:12 | 0:12:14 | |
What's beatbox? | 0:12:15 | 0:12:16 | |
Don't tell him, sell it to him. | 0:12:18 | 0:12:21 | |
You've really put me on the spot. | 0:12:25 | 0:12:28 | |
Dragon's Den. I'll be Bannantyne or whatever is called, the grumpy Scots one. | 0:12:28 | 0:12:32 | |
How much money do you...? | 0:12:32 | 0:12:35 | |
-Come on! -Do you really want me to beatbox? | 0:12:40 | 0:12:42 | |
-Yes. -All right, this is my rendition of Billie Jean, Michael Jackson. | 0:12:42 | 0:12:47 | |
-All right? -All right. | 0:12:47 | 0:12:49 | |
HE MIMICS THE DRUMS AND CYMBALS | 0:12:49 | 0:12:52 | |
HE ADDS IN THE BASS LINE | 0:12:52 | 0:12:56 | |
HE BRINGS IN THE MELODY | 0:13:00 | 0:13:05 | |
CHEERING AND APPLAUSE | 0:13:05 | 0:13:07 | |
I'm in. | 0:13:12 | 0:13:14 | |
Yeah, they're clapping now, ratemypoo.com. | 0:13:14 | 0:13:19 | |
Dirty boy! | 0:13:19 | 0:13:21 | |
-That was brilliant. -Is that the one? | 0:13:21 | 0:13:25 | |
No. | 0:13:25 | 0:13:27 | |
That one's Billie Jean. | 0:13:27 | 0:13:30 | |
One, two... You do it, go on. | 0:13:32 | 0:13:34 | |
Four, three, two, one. | 0:13:34 | 0:13:36 | |
OLLY BEATBOXES DRUMS AND CYMBALS | 0:13:36 | 0:13:38 | |
SINGING BASS LINE: # Doo-doo-doo doo-doo doo-doo-doo-doo | 0:13:38 | 0:13:42 | |
# Doo-doo-doo-doo... | 0:13:42 | 0:13:44 | |
MORE MELODICALLY: # Doo-doo-doo-doo Doo-doo-doo-doo | 0:13:45 | 0:13:49 | |
# Doo-doo-doo-doo Doo-doo-doo-doo. # | 0:13:49 | 0:13:51 | |
You got any ideas? | 0:13:51 | 0:13:53 | |
Yes, I have. I've got a feeling it's... | 0:13:53 | 0:13:57 | |
I Walk The Line by Johnny Cash. | 0:13:57 | 0:13:59 | |
Yes! | 0:13:59 | 0:14:00 | |
That'll do. Absolutely, and here is how it should have sounded. | 0:14:03 | 0:14:08 | |
That's very good. | 0:14:08 | 0:14:12 | |
MUSIC: I Walk The Line by Johnny Cash | 0:14:12 | 0:14:16 | |
HE MIMICS DRUM BEAT | 0:14:16 | 0:14:18 | |
# I keep a close watch... # | 0:14:21 | 0:14:23 | |
Do the next bloody song. | 0:14:23 | 0:14:25 | |
-Do you know this one? -Yes, I do. -Let's hear it. | 0:14:25 | 0:14:27 | |
Right. One, two, three, four. | 0:14:27 | 0:14:30 | |
# Dum-dum-dum-dum-dum-dum Dabuh-dabuh, dum-dum-dum-dum-dum-dum | 0:14:30 | 0:14:34 | |
BOTH: # Dabuh-dabuh-dabuh da-da-da Dabuh-dabuh-dabuh da-da-da | 0:14:34 | 0:14:39 | |
# Dabuh-dabuh-dabuh da-da-da | 0:14:39 | 0:14:40 | |
# Dum-dum-dum-dum-dum-dum... # | 0:14:40 | 0:14:42 | |
Don't do the hands thing, it puts him off. It's like something from the 1930s. | 0:14:42 | 0:14:46 | |
# Dabuh-dabuh-dabuh da-da-da... # | 0:14:46 | 0:14:48 | |
-I know this. -Ooh! | 0:14:48 | 0:14:51 | |
I just don't know what it's called. | 0:14:51 | 0:14:53 | |
The band's name is two ladies and... | 0:14:54 | 0:14:59 | |
AUDIENCE GROANS | 0:14:59 | 0:15:01 | |
What?! ..and something they do. | 0:15:01 | 0:15:03 | |
Oh, my God! | 0:15:03 | 0:15:06 | |
-Something that two women do. -Yes, something that they do. | 0:15:06 | 0:15:09 | |
When they like each other. | 0:15:09 | 0:15:12 | |
-That's a good clue. -That is a really good clue if you're a lesbian. | 0:15:12 | 0:15:15 | |
You weren't a lesbian in the Spice Girls, were you? | 0:15:15 | 0:15:19 | |
Maybe a little bit. | 0:15:19 | 0:15:22 | |
IN NORTHERN ACCENT: Whose turn is it to be a lesbian today? | 0:15:23 | 0:15:27 | |
What about a rota, like washing-up? | 0:15:27 | 0:15:29 | |
We're going to have to send it across, you guys, because the sun's starting to come up. | 0:15:29 | 0:15:35 | |
-Well, the name of the band in your lady-reference is Scissor Sisters. -That is correct. | 0:15:35 | 0:15:40 | |
-Is it Laura? -That is 100% correct | 0:15:40 | 0:15:43 | |
and this is how it should have sounded. | 0:15:43 | 0:15:46 | |
MUSIC: Laura by Scissor Sisters | 0:15:46 | 0:15:51 | |
# Daduh-daduh-daduh da-da-da | 0:15:51 | 0:15:55 | |
# Dabuh-dabuh-dabuh da-boo-boo... # | 0:15:55 | 0:15:58 | |
# Laura, can't you give me... # | 0:16:02 | 0:16:05 | |
That was the Scissor Sisters with Laura. | 0:16:05 | 0:16:07 | |
The Scissor Sisters are named after a sexual position. | 0:16:07 | 0:16:11 | |
Interestingly, Dragon's Den is also one of Peter's favourite sexual positions. | 0:16:11 | 0:16:15 | |
You go in 15%, but only if Theo will come in with you. | 0:16:15 | 0:16:19 | |
You also heard Walk The Line by Johnny Cash. | 0:16:25 | 0:16:28 | |
The Jonas Brothers recently announced that they are recording an album of Johnny Cash covers. | 0:16:28 | 0:16:33 | |
They plan to mark the release by completing the job and actually pissing on his grave. | 0:16:33 | 0:16:38 | |
That's brilliant, that won't go in, though. | 0:16:42 | 0:16:45 | |
I'd say you're pretty... Ooh! | 0:16:45 | 0:16:47 | |
CLATTERING | 0:16:47 | 0:16:49 | |
It's fine, everyone. | 0:16:51 | 0:16:53 | |
That's called a cup-and-down, and it's an idea I had for, | 0:16:55 | 0:17:01 | |
say you're slightly clumsy with tea and whatnot, just straight back to you. | 0:17:01 | 0:17:07 | |
Just a pretty good idea, I think. | 0:17:07 | 0:17:09 | |
-What do you think of it? -That's stupid, isn't it? | 0:17:10 | 0:17:13 | |
It's a comedy show, Peter. I'm not really trying to pitch you real inventions! | 0:17:13 | 0:17:18 | |
-I like that, can I keep that? -Yeah. I'll give it to you. | 0:17:18 | 0:17:20 | |
Now I'll take it back! | 0:17:20 | 0:17:22 | |
Phil and Mel, here are yours for Joe. | 0:17:26 | 0:17:30 | |
-OK? -Yeah. | 0:17:33 | 0:17:36 | |
You're going to count in. | 0:17:37 | 0:17:39 | |
You're quite bossy, aren't you? | 0:17:39 | 0:17:42 | |
One, two, three, four. | 0:17:42 | 0:17:45 | |
-# Bring... -Bum-bum-bum-bum, bum-bum-bum-bum | 0:17:45 | 0:17:48 | |
-# Ding... -Da-na-now-now-now-now | 0:17:48 | 0:17:50 | |
-# Boom-cckk, boom-cckk... -No-no-no-no-no Do-do-do-do-do-do-do-do | 0:17:50 | 0:17:55 | |
-# Boom-cckk, boom-cckk... -Do-do-do do-do-do Do-do-do-do-do-do-do-do | 0:17:55 | 0:17:58 | |
-# Boom-cckk, boom-cckk... -Do-do-do-do do-do-do-do Do-do-do-do do-do-do-do | 0:17:58 | 0:18:00 | |
# Boom-cckk! # | 0:18:00 | 0:18:03 | |
-It's good. -Is that good? -Yeah, that is pretty good, yes. -Ah, shit. | 0:18:06 | 0:18:11 | |
Is it clue time? | 0:18:11 | 0:18:12 | |
-They're a band. -Oh, hello. | 0:18:15 | 0:18:18 | |
And the song title is just numbers. | 0:18:18 | 0:18:24 | |
Is it the Strokes song? | 0:18:24 | 0:18:26 | |
Whoa! What's it called? | 0:18:26 | 0:18:29 | |
Is it my pin number? | 0:18:29 | 0:18:30 | |
I don't know your pin number. | 0:18:30 | 0:18:33 | |
5454. | 0:18:33 | 0:18:35 | |
-No. -To genuinely is. I wish I hadn't done that. | 0:18:35 | 0:18:39 | |
I'm really muggable as well. | 0:18:39 | 0:18:42 | |
It is not, it's 12:51 by The Strokes and this is how it should have sounded. | 0:18:45 | 0:18:49 | |
MUSIC: 12:51 by The Strokes | 0:18:49 | 0:18:53 | |
-That was very good. -Yeah. | 0:18:54 | 0:18:56 | |
See, we're good! | 0:18:56 | 0:18:58 | |
12:51. | 0:18:58 | 0:19:00 | |
I got confused between numbers and time. | 0:19:05 | 0:19:08 | |
Let's have another intro, please. | 0:19:08 | 0:19:11 | |
One, two, three, four. | 0:19:12 | 0:19:14 | |
# Un-guh un-guh un-guh, bshh Buh-un-guh un-guh un-guh, bshh | 0:19:14 | 0:19:18 | |
# Un-guh un-guh un-guh, bshh Buh-un-guh un-guh un-guh, bshh... | 0:19:18 | 0:19:21 | |
# Na-na-na-na na-nin-nin-nin Na-na-na-na na-nin-nin-nin | 0:19:21 | 0:19:25 | |
# Wumbah-umbah-umbah | 0:19:25 | 0:19:27 | |
-# Wumbah-umbah-umbah -Na-na-na-na na-nin-nin-nin. # | 0:19:27 | 0:19:29 | |
Come on! | 0:19:29 | 0:19:31 | |
I feel like a headmaster interceding between an argument | 0:19:31 | 0:19:34 | |
between a very stroppy mother and a really unhappy geography teacher. | 0:19:34 | 0:19:39 | |
-Not even a clue, sorry. -A clue would be, not me, but the person who was supposed to be doing this. | 0:19:39 | 0:19:46 | |
-You've just told him! -So I take it it is Shakira song? | 0:19:46 | 0:19:50 | |
-Correct. -Well...it's all up here. | 0:19:50 | 0:19:53 | |
-What does Shakira sing about? Nature. -A peregrine falcon. | 0:19:53 | 0:19:56 | |
Wrong. That was She Wolf by Shakira, and this is how it should have sounded. | 0:19:56 | 0:20:02 | |
-See how good it was? -Yeah, that was brilliant. | 0:20:02 | 0:20:05 | |
We also heard The Strokes with 12:51. | 0:20:15 | 0:20:18 | |
Incidentally, that's how much a signed Hamfatter album | 0:20:18 | 0:20:21 | |
would cost, assuming, of course, they throw in a free £12.50. | 0:20:21 | 0:20:26 | |
I tell you what, I'm bringing this band back now. | 0:20:28 | 0:20:32 | |
I'm sure they will be in the line-up soon enough. | 0:20:32 | 0:20:36 | |
At the end of that round, the scores are Noel on two points, | 0:20:36 | 0:20:42 | |
Phil also on two points. | 0:20:42 | 0:20:44 | |
I remember back in Colombia, Papa Shakira would supplement his income appearing in | 0:20:53 | 0:20:59 | |
police line-ups alongside dangerous drug barons and political kidnappers. | 0:20:59 | 0:21:03 | |
Let me now transport you back to that happy time as we play the Identity Parade. | 0:21:03 | 0:21:08 | |
RECORDING PLAYS | 0:21:09 | 0:21:12 | |
Noel, Peter, and Olly, how about some Scottish indie pop? For the audience only, here is Bis. | 0:21:15 | 0:21:23 | |
# Sugar, sugar, kandy pop Push it down and pull it up | 0:21:23 | 0:21:26 | |
# Sugar, sugar, kandy pop Just don't let the music stop | 0:21:26 | 0:21:29 | |
# Oh, oh, oh | 0:21:29 | 0:21:31 | |
-# Kandy pop! -Oh, oh, oh | 0:21:31 | 0:21:34 | |
# Kandy pop! | 0:21:34 | 0:21:35 | |
-# Oh, oh, oh -Kandy pop! | 0:21:35 | 0:21:38 | |
-# Oh, oh, oh -Kandy pop! # | 0:21:38 | 0:21:40 | |
That was Bis with Kandy Pop, but which one of our line-up is singer Manda Rin? | 0:21:42 | 0:21:47 | |
Is it number one, Mandarin, | 0:21:47 | 0:21:50 | |
number two, Manda Holden, | 0:21:50 | 0:21:52 | |
number three, Manda Lifeboat, Skipper, | 0:21:52 | 0:21:56 | |
number four, Manda Write These Crappy Jokes, | 0:21:56 | 0:21:59 | |
or number five Man, Dats A Handy Whiteboard Hat? | 0:21:59 | 0:22:04 | |
Noel's team, any ideas? | 0:22:06 | 0:22:07 | |
Number four is wearing a different colour dress, maybe it's her. | 0:22:09 | 0:22:13 | |
All right, Columbo? | 0:22:13 | 0:22:14 | |
MIMICKING COLUMBO: Ma'am, when you came in to the line-up, ma'am, | 0:22:17 | 0:22:20 | |
-you had a red dress on, ma'am. No, it's... -She's changed it. | 0:22:20 | 0:22:23 | |
She's also the only one standing with her feet properly. | 0:22:23 | 0:22:27 | |
-That's how you should really stand if you're lady. -When was Manda Rin around? | 0:22:27 | 0:22:31 | |
AUDIENCE GASPS | 0:22:31 | 0:22:33 | |
We're not saying the other four aren't ladies, I can | 0:22:33 | 0:22:36 | |
tell you're not guys dressed up, but... | 0:22:36 | 0:22:39 | |
Oh, no... | 0:22:41 | 0:22:42 | |
Peter, what was the shittest job you have ever had? | 0:22:42 | 0:22:47 | |
-The worst job? -Yeah, well that's what I meant, shittest. | 0:22:47 | 0:22:50 | |
It's a turn of phrase we have in Ireland meaning worst. | 0:22:50 | 0:22:54 | |
-Probably doing door work and having all the abuse. -You were a bouncer?! | 0:22:54 | 0:23:01 | |
-Are you handy in a fight? -Yes. -You can breathe fire, right? | 0:23:01 | 0:23:04 | |
I can breathe fire. | 0:23:05 | 0:23:07 | |
What's the worst job you ever had? | 0:23:07 | 0:23:09 | |
Mel, have you ever had a horrific job? | 0:23:09 | 0:23:12 | |
Not really. I've worked at Pizza Hut but I enjoyed that, lovely pizza. | 0:23:12 | 0:23:16 | |
Is that after or before the Spice Girls? | 0:23:16 | 0:23:19 | |
APPLAUSE | 0:23:21 | 0:23:25 | |
So who do you reckon it is? | 0:23:25 | 0:23:27 | |
-Number two. -I'd say three. | 0:23:27 | 0:23:30 | |
Fielding, what's your final answer? | 0:23:30 | 0:23:32 | |
Two. Let's find out, would the real Manda Rin please step forward? | 0:23:32 | 0:23:38 | |
Now, performing and recording as a solo artist, Manda Rin, ladies and gentlemen. | 0:23:44 | 0:23:49 | |
Phil, Joel, and Mel, what about some home-grown heavy metal? | 0:23:56 | 0:24:00 | |
For the audience only, here is Iron Maiden. | 0:24:00 | 0:24:03 | |
# Women in uniform Sometimes they look so cold | 0:24:03 | 0:24:07 | |
# Women in uniform But, ooh, they feel so warm | 0:24:07 | 0:24:12 | |
# Women in uniform Women in uniform | 0:24:12 | 0:24:16 | |
# Women in uniform Women in uniform. # | 0:24:16 | 0:24:20 | |
That was Iron Maiden with Women In Uniform, but which of our line-up is guitarist Dennis Stratton? | 0:24:20 | 0:24:27 | |
Is it number one, Iron Maiden, | 0:24:27 | 0:24:30 | |
number two, Fair Maiden, | 0:24:30 | 0:24:33 | |
number three, Mer-Maiden, | 0:24:33 | 0:24:36 | |
number four, Maid In Taiwan, | 0:24:36 | 0:24:39 | |
or number five, Maid In A Laboratory? | 0:24:39 | 0:24:43 | |
I think number five is kind of quite cute. | 0:24:43 | 0:24:46 | |
He's got abs, he's got that long hair that can swing around. | 0:24:46 | 0:24:49 | |
I don't think number four was in Iron Maiden, I think he's just come out of a defrosted iceberg. | 0:24:53 | 0:24:58 | |
Any ideas who? | 0:25:00 | 0:25:04 | |
PANPIPES | 0:25:04 | 0:25:07 | |
That sound means it's time to play a game that has been specially prepared for me, Shakira. | 0:25:11 | 0:25:17 | |
I famously once sang that my hips don't lie, but was I telling the truth? | 0:25:18 | 0:25:24 | |
Let's find out now as we play My Hips Don't Lie - Or Do They? | 0:25:24 | 0:25:30 | |
Underneath all of these flaps are facts about nature, | 0:25:39 | 0:25:45 | |
a subject close to my tiny Colombian heart. | 0:25:45 | 0:25:50 | |
All you have to do is tell me whether they're true or false. | 0:25:50 | 0:25:55 | |
Phil's team, you get the first pick. | 0:25:55 | 0:25:58 | |
-OK. Go on, Mel, pick a number. -Number two. -Number two. | 0:25:58 | 0:26:02 | |
I once sang the lyric, "Lucky that my breasts are small and humble | 0:26:02 | 0:26:05 | |
"so you don't confuse them with mountains." | 0:26:05 | 0:26:07 | |
But true or false, the Colombian mountain lion is the only other animal that celebrates birthdays? | 0:26:07 | 0:26:14 | |
-I'll have to hurry you. -Go on, go false, David. | 0:26:16 | 0:26:20 | |
Yes, of course it's false! | 0:26:20 | 0:26:22 | |
They do celebrate Pancake Day, though. | 0:26:25 | 0:26:28 | |
Pick a number. | 0:26:28 | 0:26:30 | |
Can I have the third flap? | 0:26:30 | 0:26:34 | |
I once had a smash hit with the pop song Underneath My Clothes. | 0:26:34 | 0:26:39 | |
Underneath my clothes, I am a human female... | 0:26:39 | 0:26:43 | |
but if I was a male whale, my wanger would be called a dork, | 0:26:43 | 0:26:49 | |
-true or false? -True. | 0:26:49 | 0:26:51 | |
That is bloody true. | 0:26:51 | 0:26:53 | |
-Who bloody used to be in Iron Maiden? -It's two or three, go with two. | 0:26:59 | 0:27:05 | |
Let us find out. Would the real Dennis Stratton please step forward? | 0:27:05 | 0:27:09 | |
-It's three, it's three. -It's two. | 0:27:09 | 0:27:11 | |
-Ah! -Ah! | 0:27:11 | 0:27:13 | |
Now touring in the UK and Europe, Dennis Stratton, ladies and gentlemen. | 0:27:13 | 0:27:18 | |
When I was an even littler girl, Papa Shakira taught me one thing - | 0:27:27 | 0:27:32 | |
one line of a pop song should always be followed by another line. | 0:27:32 | 0:27:36 | |
Join me now as I transport you back to that happy time as we play the Next Lines. | 0:27:36 | 0:27:42 | |
Phil's team, you are up first. | 0:27:42 | 0:27:45 | |
What have I done to you... | 0:27:45 | 0:27:49 | |
..lately. | 0:27:47 | 0:27:49 | |
No. | 0:27:49 | 0:27:51 | |
Very embarrassing - to make you sex a lot. | 0:27:51 | 0:27:53 | |
Melanie Brown featuring Missy Elliott, I Want You Back. | 0:27:53 | 0:27:57 | |
Oh, fuck! | 0:27:57 | 0:27:58 | |
I should have known that! | 0:28:01 | 0:28:03 | |
There's a she-wolf in your closet... | 0:28:03 | 0:28:08 | |
..keep it away from your knickers. | 0:28:06 | 0:28:08 | |
Let it out so it can breathe. | 0:28:08 | 0:28:10 | |
Shakira, She Wolf. | 0:28:10 | 0:28:11 | |
Hey, Joe... | 0:28:11 | 0:28:15 | |
..where are you going with that gun in your hand? | 0:28:12 | 0:28:15 | |
Correct, Jimi Hendrix, Hey Joe. | 0:28:15 | 0:28:17 | |
Hey, man, lose that frown... | 0:28:17 | 0:28:19 | |
get yourself a cup-and-down. | 0:28:19 | 0:28:22 | |
Don't be a twat... | 0:28:24 | 0:28:27 | |
get yourself a whiteboard hat. | 0:28:27 | 0:28:29 | |
Noel's team, you now need three correct answers to win. | 0:28:37 | 0:28:41 | |
Let's have a bit of fun, you guys, don't take it too seriously, Peter. | 0:28:41 | 0:28:45 | |
Puff the Magic Dragon... | 0:28:45 | 0:28:49 | |
..lived by the sea. | 0:28:48 | 0:28:49 | |
Correct. Peter, Paul and Mary. | 0:28:49 | 0:28:51 | |
A bloody mess of broken dreams is lying scattered on the floor... | 0:28:51 | 0:28:56 | |
-Oh, that's Hamfatter. -Yes, it is! | 0:28:56 | 0:28:59 | |
Is this the way we are going to be... | 0:29:02 | 0:29:05 | |
can I have £1 million to develop my whiteboard hat? | 0:29:05 | 0:29:07 | |
Well, that's been a bit of fun. The results of tonight's proceedings | 0:29:18 | 0:29:22 | |
are Phil's team have seven points, Noel's team have seven points also. | 0:29:22 | 0:29:28 | |
APPLAUSE | 0:29:28 | 0:29:30 | |
It's a tie. Thank you to Noel, Olly, and Peter, | 0:29:30 | 0:29:34 | |
Phil, Joe, and Mel. | 0:29:34 | 0:29:37 | |
This has been Never Mind The Buzzcocks. | 0:29:37 | 0:29:39 | |
I've been Shakira. Goodnight. | 0:29:39 | 0:29:42 | |
Subtitles by Red Bee Media Ltd | 0:29:52 | 0:29:56 | |
E-mail [email protected] | 0:29:56 | 0:30:02 |