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APPLAUSE | 0:00:19 | 0:00:21 | |
Welcome to the Never Mind The Buzzcocks | 0:00:30 | 0:00:32 | |
World Music Appreciation special. | 0:00:32 | 0:00:36 | |
And please welcome your host for the evening - | 0:00:36 | 0:00:38 | |
international favourite Stephen Mangan. | 0:00:38 | 0:00:41 | |
Hello and welcome to Never Mind The Buzzcocks' World Music Appreciation special. | 0:01:13 | 0:01:18 | |
I'm Stephen Mangan. On Phill's team tonight... | 0:01:18 | 0:01:22 | |
is a singer who is best friends with Katie Price, | 0:01:24 | 0:01:27 | |
and has a been the bridesmaid at over half of her weddings. | 0:01:27 | 0:01:30 | |
If she does one more, she gets the next hat free. It's Michelle Heaton. | 0:01:30 | 0:01:34 | |
And a comic actor who did some of the voices | 0:01:39 | 0:01:42 | |
for the new animation series Full English, | 0:01:42 | 0:01:44 | |
but admits he couldn't quite pull off Simon Cowell. | 0:01:44 | 0:01:48 | |
And for legal reasons, moving on, it's Kayvan Novak! | 0:01:48 | 0:01:51 | |
And on Noel's team tonight is grime artist Sway, | 0:01:56 | 0:02:02 | |
or as he is known to his friends and family, Derek. | 0:02:02 | 0:02:05 | |
And a Canadian comedian who says that what she loves about comedy | 0:02:11 | 0:02:14 | |
in this country is that it has a clever twist to it. | 0:02:14 | 0:02:18 | |
Yeah, right. It's pooh pooh willy willy bum-face Katherine Ryan. | 0:02:18 | 0:02:22 | |
Round one is Guess Who. Phill's team, you're up first. | 0:02:26 | 0:02:31 | |
Whose faces have we morphed together here? | 0:02:31 | 0:02:34 | |
Whoa! Is this the portrait in Madonna's attic? | 0:02:34 | 0:02:37 | |
It looks a little bit Hulk Hogan-y, the whole thing. | 0:02:39 | 0:02:42 | |
If Hulk Hogan was hosting on Loose Women. | 0:02:42 | 0:02:45 | |
-I reckon I know who the girl is. -Really? Who is it? | 0:02:46 | 0:02:49 | |
-I don't even know how to pronounce her name. Is it Kesha? -Who knows? | 0:02:49 | 0:02:53 | |
And the bottom half? | 0:02:53 | 0:02:55 | |
The bottom half is kind of crinkly, but with dentures. | 0:02:55 | 0:02:59 | |
So I'm thinking maybe an Iggy Poppy kind of vibey? | 0:02:59 | 0:03:02 | |
-Kesha and Iggy Pop? -Yes. -OK, let's find out if you're right. | 0:03:02 | 0:03:06 | |
Yes, that was right! Iggy Pop and Kesha. | 0:03:08 | 0:03:11 | |
Here's another question for you. | 0:03:13 | 0:03:15 | |
Which of these two recently claimed they had sex with a ghost? | 0:03:15 | 0:03:19 | |
-What?! -One of these two has claimed they've had sex with a ghost. | 0:03:19 | 0:03:24 | |
Worst Scooby Doo episode ever! | 0:03:24 | 0:03:26 | |
What sort of ghost? Traditional ghost? | 0:03:26 | 0:03:28 | |
Because that's just a sheet with eyeholes. | 0:03:28 | 0:03:31 | |
Presumably the first thing you need to do is get a third hole in it. | 0:03:31 | 0:03:34 | |
A glory hole! | 0:03:34 | 0:03:36 | |
Was it a Pac-Man ghost? Was it the pink one? Because he's quite randy. | 0:03:38 | 0:03:42 | |
Stephen, at the end of the day, | 0:03:42 | 0:03:44 | |
were they having sex with a ghost or having a whack off into a sheet? | 0:03:44 | 0:03:48 | |
I don't know. Fun with ghoulies. | 0:03:48 | 0:03:51 | |
Don't you guys do a thing called a ghost wank? | 0:03:51 | 0:03:54 | |
-We try not to. Not on this show. -We need details. | 0:03:55 | 0:03:58 | |
-We need details on a ghost wank. -Sway knows this. | 0:03:58 | 0:04:02 | |
I've never done it. All I know is I heard it in a rap song. | 0:04:02 | 0:04:06 | |
You've got to, like, sit on your hands until they are numb. | 0:04:06 | 0:04:10 | |
-What kind of rap song? -It was an artist called Pharoahe Monch. | 0:04:10 | 0:04:13 | |
It's nice to know that rap is so informative. | 0:04:13 | 0:04:16 | |
I learned something about rap today. I heard you're a grime artist. | 0:04:16 | 0:04:19 | |
And I know that means you make music. | 0:04:19 | 0:04:21 | |
I used to think you did, like, paintings with manure. | 0:04:21 | 0:04:24 | |
-You're wrong. -I know that now, and I'm learning. And well done. | 0:04:25 | 0:04:29 | |
-Who was the ghost of? -I don't have that information. | 0:04:30 | 0:04:33 | |
The headless horseman. | 0:04:33 | 0:04:35 | |
I think you should be able to have sex with a horse and not go to jail. | 0:04:35 | 0:04:39 | |
I don't imagine many horses are going to phone the police. | 0:04:39 | 0:04:43 | |
What did he make you do first? | 0:04:46 | 0:04:48 | |
Who had sex with a ghost? It's a simple question. | 0:04:51 | 0:04:54 | |
It's weird. I'm given to understand she's very successful. | 0:04:54 | 0:04:57 | |
Why does she have jewellery | 0:04:57 | 0:04:58 | |
made by a 12-year-old boy in a metalwork class? | 0:04:58 | 0:05:01 | |
"I'm going to make a cross for Kesha. I hope she wears it." | 0:05:01 | 0:05:05 | |
He just glued two Twiglets together and sprayed 'em silver. | 0:05:06 | 0:05:11 | |
He already looks like a ghost. So I'm going to guess her. | 0:05:11 | 0:05:13 | |
She has a song called Supernatural, or something. | 0:05:13 | 0:05:16 | |
OK, you are going for Kesha. You are correct! Yes! | 0:05:16 | 0:05:19 | |
It was Kesha. | 0:05:20 | 0:05:22 | |
Yes, Kesha claims that her song Supernatural | 0:05:22 | 0:05:24 | |
was inspired by having sex with a ghost. | 0:05:24 | 0:05:26 | |
Proof to all you sceptics that don't believe | 0:05:26 | 0:05:29 | |
that Kesha really will say anything to promote an album. | 0:05:29 | 0:05:32 | |
Now, it's been a big year for world music, where we have even | 0:05:32 | 0:05:36 | |
seen Psy get the first ever Korean number one in this country. | 0:05:36 | 0:05:39 | |
And as it is the Buzzcocks' world music appreciation special, | 0:05:39 | 0:05:42 | |
I want to make sure we learn about the music of our world, and learn about it... | 0:05:42 | 0:05:46 | |
"Stephen Mangan style". | 0:05:46 | 0:05:48 | |
GANGNAM STYLE PLAYS | 0:05:48 | 0:05:51 | |
# Gangnam style. # | 0:05:51 | 0:05:52 | |
Right. Shout out if you know the answer. | 0:05:52 | 0:05:55 | |
I'm going to read you a verse of a national anthem. | 0:05:55 | 0:05:58 | |
Which country is this from? "Oh, Fatherland..." Easy. | 0:05:58 | 0:06:03 | |
"'Ere your children defenceless bend their neck beneath their yoke, | 0:06:03 | 0:06:06 | |
"may your fields be watered with blood. | 0:06:06 | 0:06:09 | |
"And may your temples, palaces and towers collapse with horrid clamour." | 0:06:09 | 0:06:13 | |
New Zealand! | 0:06:13 | 0:06:15 | |
Close. Mordor. | 0:06:15 | 0:06:18 | |
-Right first letter. -Malta. -Mexico! -Yes! It's Mexico. | 0:06:19 | 0:06:24 | |
Kayvan Novak has the right answer. | 0:06:24 | 0:06:27 | |
Noel, Sway and Katherine, have a look at this | 0:06:30 | 0:06:32 | |
and tell me who the two celebrities are. | 0:06:32 | 0:06:34 | |
I can see it straight away. | 0:06:35 | 0:06:37 | |
But I want to be a team player, so you lot have a go. | 0:06:37 | 0:06:40 | |
-That's not being a team player! -Is it Iggy Pop again? | 0:06:40 | 0:06:43 | |
It's someone real pretty, for sure. Is it, like, one of the Obama girls? | 0:06:43 | 0:06:49 | |
-He's got these two beautiful daughters. -And they look like that?! | 0:06:49 | 0:06:54 | |
I'm just going to stop them from suffering. | 0:06:56 | 0:06:59 | |
-It's Kanye West and Beyonce. -Let's see if you're right. | 0:06:59 | 0:07:02 | |
Yes, that's right. It's Kanye West and Beyonce! | 0:07:03 | 0:07:05 | |
But which of these two celebrities is planning an album | 0:07:09 | 0:07:12 | |
composed of animal noises? | 0:07:12 | 0:07:14 | |
Well, after seeing what their children would look like, | 0:07:14 | 0:07:17 | |
I think these two should make animal noises together. That was a hot photo. | 0:07:17 | 0:07:21 | |
-Beautiful eyes, beautiful teeth, beautiful hair. -And a beard. | 0:07:21 | 0:07:25 | |
And a golf jumper! | 0:07:25 | 0:07:27 | |
I'm a big Kanye West fan, but he's been a bit weird lately. | 0:07:27 | 0:07:30 | |
-Do you know him? -I've met him once. | 0:07:30 | 0:07:32 | |
-What was he like? -He was really cool. -Well, that's a boring story! | 0:07:32 | 0:07:36 | |
I did meet him one time in New York, | 0:07:37 | 0:07:39 | |
and then I met him again in London, and he was like, "Nice to meet you." | 0:07:39 | 0:07:42 | |
-He totally didn't know who I was. -What a wanker. | 0:07:42 | 0:07:45 | |
Threatened by your music? And paintings? | 0:07:47 | 0:07:51 | |
-Potentially, yeah. -Is it Kar-nye or Ka-nye? | 0:07:51 | 0:07:55 | |
-It's not Kar-nye, it's not Ka-nye. It's now Kim-ye. -Kim-ye? | 0:07:55 | 0:08:00 | |
The ladies know. He's teamed up with voluptuous ho-bag Kim Kardashian. | 0:08:00 | 0:08:05 | |
-Kim-ye? -So it's Kim-ye. Because they're a couple. | 0:08:07 | 0:08:10 | |
And Beyonce won't hang out with Kim Kardashian at all, | 0:08:10 | 0:08:12 | |
because she's low rent. | 0:08:12 | 0:08:14 | |
How do you know this stuff? | 0:08:15 | 0:08:17 | |
# Because I have nothing else to do. # | 0:08:17 | 0:08:20 | |
Have you, Sway, ever sampled any animal noises, or anything like that? | 0:08:20 | 0:08:24 | |
-Not that I know of. -If you were to sample an animal, | 0:08:24 | 0:08:27 | |
which one do you feel like you would sample? | 0:08:27 | 0:08:29 | |
Probably something that stands out a bit, like a hyena or something. | 0:08:29 | 0:08:33 | |
You could teach individual lines of songs to parrots. | 0:08:33 | 0:08:36 | |
No-one's ever done that! | 0:08:36 | 0:08:38 | |
And uncover them one parrot at a time until they say the line. | 0:08:38 | 0:08:41 | |
It might take a while to do a gig, but it'd be an adventure. | 0:08:41 | 0:08:44 | |
What do you mean, uncover? | 0:08:44 | 0:08:46 | |
Well, you get a load of parrots in a row, | 0:08:46 | 0:08:48 | |
-and you teach them Bring The Noise by Public Enemy. -And you cover their cages? | 0:08:48 | 0:08:52 | |
You uncover the first cage, it goes "Bass! How low can you go?" | 0:08:52 | 0:08:55 | |
And you cover it up again. | 0:08:55 | 0:08:56 | |
You uncover the second one, it goes, "death row". | 0:08:56 | 0:08:58 | |
You can do entire raps with about 30 parrots. | 0:08:58 | 0:09:02 | |
You know you can get remote controlled parrots? | 0:09:02 | 0:09:05 | |
-What?! -Gazza had some. | 0:09:05 | 0:09:08 | |
He apparently had two remote controlled parrots | 0:09:08 | 0:09:10 | |
in his hotel room, and he said they were his friends, right? | 0:09:10 | 0:09:14 | |
-Right. -We're laughing now. | 0:09:14 | 0:09:16 | |
Wait until an army of them comes down the street going: | 0:09:16 | 0:09:18 | |
-GEORDIE ACCENT: -"Put your hands up, all of you! | 0:09:18 | 0:09:20 | |
"The parrot army is coming to take over." | 0:09:20 | 0:09:23 | |
-So... -Definitely Kanye. -Kanye, they're going for. | 0:09:24 | 0:09:27 | |
That is the right answer! Yes. | 0:09:27 | 0:09:30 | |
Quite an informative team. Well done. | 0:09:32 | 0:09:34 | |
Kanye West is reportedly set to make an album composed | 0:09:34 | 0:09:37 | |
entirely of animal noises, although there are some obstacles, | 0:09:37 | 0:09:40 | |
not least a lawsuit from Old MacDonald. | 0:09:40 | 0:09:42 | |
You're probably wondering how Kanye West will make this album. | 0:09:42 | 0:09:46 | |
Well, basically, "Way down deep in the middle of the Congo, | 0:09:46 | 0:09:48 | |
"a hippo took an apricot, a guava and a mango. | 0:09:48 | 0:09:51 | |
"He stuck it with the others and he danced a dainty tango. | 0:09:51 | 0:09:54 | |
"The rhino said, 'I know, we'll call it Um Bongo.'" | 0:09:54 | 0:09:57 | |
APPLAUSE | 0:09:57 | 0:09:59 | |
"Stephen Mangan style." | 0:10:03 | 0:10:04 | |
GANGNAM STYLE PLAYS | 0:10:04 | 0:10:07 | |
Yes, we know what that sound means. Bands. International bands. | 0:10:07 | 0:10:11 | |
What is the Japanese rock band Golden Bomber renowned for? | 0:10:11 | 0:10:16 | |
-PHILL MAKES A BUZZING SOUND -Sushi. | 0:10:16 | 0:10:19 | |
Is the wrong answer. | 0:10:19 | 0:10:21 | |
You don't have to do the buzzing noise, but I'm enjoying it. | 0:10:21 | 0:10:24 | |
Are they Ninjas? They arrive completely silently, | 0:10:24 | 0:10:26 | |
entertain a crowd who aren't expecting it and leave? | 0:10:26 | 0:10:29 | |
-Not far off. -They don't do anything. | 0:10:29 | 0:10:31 | |
They come on stage and are just silent. | 0:10:31 | 0:10:33 | |
That's pretty much the right answer. | 0:10:33 | 0:10:35 | |
They can't play their instruments, | 0:10:35 | 0:10:37 | |
so they have professional musicians playing, | 0:10:37 | 0:10:40 | |
and their instruments are just standing there on the stage, | 0:10:40 | 0:10:42 | |
and they dance around their instruments. | 0:10:42 | 0:10:45 | |
That's like One Direction. | 0:10:45 | 0:10:48 | |
-And every other band in this country now. -Pretty much. | 0:10:48 | 0:10:50 | |
And at the end of that round, Noel's team have two, | 0:10:50 | 0:10:53 | |
and Phill's team have three. | 0:10:53 | 0:10:55 | |
Time now for a true international world music favourite. | 0:11:01 | 0:11:04 | |
It's the intros round. | 0:11:04 | 0:11:06 | |
And to keep in the world music spirit of things, each team has | 0:11:06 | 0:11:09 | |
an international instrument to help with the intros if you need them. | 0:11:09 | 0:11:13 | |
-I have one, too. -What have you got there? -I've got this. | 0:11:13 | 0:11:17 | |
-That's pretty impressive, Phill. -I'm a bit light-headed now. | 0:11:26 | 0:11:29 | |
It's like the end of Titanic. | 0:11:34 | 0:11:37 | |
It looks like you are sexing an armadillo. | 0:11:37 | 0:11:39 | |
Very good. Right. | 0:11:39 | 0:11:41 | |
Phill and Michelle, here are yours for Kayvan. | 0:11:41 | 0:11:45 | |
-OK. -Mm. -Two, three... | 0:11:45 | 0:11:48 | |
# Dum-dum-der-dum | 0:11:48 | 0:11:49 | |
# Du-dum-dum-der-dum | 0:11:49 | 0:11:51 | |
# Du-dum-dum-der-dum | 0:11:51 | 0:11:53 | |
# Du-dum-dum-der-dum... | 0:11:53 | 0:11:55 | |
-# Now-now-na-na-na-now -# Der-dum-dum-der-dum | 0:11:55 | 0:11:59 | |
-# Now-now-na-na-na-now -# Der-dum-dum-der-dum | 0:11:59 | 0:12:02 | |
# Da-da-da-da Pa-dap-pa-pa-paaa | 0:12:02 | 0:12:05 | |
# Pap-a-dap-aa... # | 0:12:05 | 0:12:07 | |
-Let's do the show right here. -# Da-da-da-da | 0:12:07 | 0:12:09 | |
# Pap-a-da-da | 0:12:09 | 0:12:11 | |
# Pa-pa they're OK... # | 0:12:11 | 0:12:13 | |
HORN BLASTS | 0:12:13 | 0:12:15 | |
# Da-da-da-da | 0:12:15 | 0:12:17 | |
# They can... and they can't see the light | 0:12:17 | 0:12:21 | |
# Cos we are living in a material world | 0:12:21 | 0:12:24 | |
# And you are a material girl. # | 0:12:24 | 0:12:26 | |
-That's the right answer, of course. It was... -CHEERING AND APPLAUSE | 0:12:26 | 0:12:30 | |
..Material girl. Here's how it should have sounded. | 0:12:30 | 0:12:33 | |
MUSIC: "Material Girl" by Madonna | 0:12:33 | 0:12:35 | |
# Wow-wow-wow-wow | 0:12:35 | 0:12:37 | |
# Wow-wow-wow-wow | 0:12:38 | 0:12:40 | |
# Some boys kiss me | 0:12:46 | 0:12:48 | |
# Some boys hug me... # | 0:12:48 | 0:12:50 | |
(PHILL) SOME boys! | 0:12:50 | 0:12:51 | |
HE LAUGHS | 0:12:51 | 0:12:54 | |
LAUGHTER | 0:12:54 | 0:12:56 | |
Did you see Madonna's nipple in Lithuania? | 0:12:56 | 0:13:00 | |
Who HASN'T seen Madonna's nipple in Lithuania? | 0:13:00 | 0:13:03 | |
It went on holiday and she knew nothing about it. | 0:13:03 | 0:13:06 | |
It's now on the flag. | 0:13:06 | 0:13:08 | |
Madonna's getting a kicking. I quite like Madonna. | 0:13:08 | 0:13:11 | |
-(PHILL) Not a fan. -No? | 0:13:11 | 0:13:13 | |
No. Not a fan. She's just a lucky karaoke singer. So... | 0:13:13 | 0:13:17 | |
Are you ready for this one? | 0:13:17 | 0:13:18 | |
Boom! | 0:13:18 | 0:13:20 | |
# Nur-nur-nur-nur-nur-nur-nur-nur | 0:13:20 | 0:13:22 | |
-Boom! -# Nur-nur-nur-nur-nur-nur-nur-nur | 0:13:22 | 0:13:25 | |
-Boom! -# Nur-nur-nur-nur-nur-nur-nur-nur | 0:13:25 | 0:13:28 | |
-Boom! -# Heh-heh-heh-heh! | 0:13:28 | 0:13:32 | |
# Boof! Deng-a-deng-a-di-deh Boof! Deng-a-deng-a-di-deh | 0:13:32 | 0:13:35 | |
# Boof! Deng-a-deng-a-di-deh Boof! Deng-a-deng-a-di-deh | 0:13:35 | 0:13:37 | |
# Heh-heh-heh-heh! # | 0:13:37 | 0:13:38 | |
Stop! | 0:13:38 | 0:13:39 | |
APPLAUSE | 0:13:41 | 0:13:44 | |
If you don't get that, you're a tool. | 0:13:44 | 0:13:47 | |
Oh! | 0:13:47 | 0:13:48 | |
Oh, the gauntlet is down! | 0:13:48 | 0:13:50 | |
Tool was a clue. Tool was a clue. | 0:13:50 | 0:13:53 | |
What are you doing giving them clues? Have you not understood this? | 0:13:53 | 0:13:56 | |
See this side of the table, that's our team. | 0:13:56 | 0:13:59 | |
-I can't even think of, kind of, a... -Really? | 0:13:59 | 0:14:02 | |
-..a bad guess. -OK, well, I'm going to pass it over. | 0:14:02 | 0:14:05 | |
-It's Prodigy, Firestarter. -Is the right answer. Thank you, Sway. | 0:14:05 | 0:14:08 | |
It was, of course, Firestarter. Here's how it should have sounded. | 0:14:08 | 0:14:14 | |
MUSIC: "Firestarter" by The Prodigy | 0:14:14 | 0:14:17 | |
# I'm the trouble-starter... # | 0:14:24 | 0:14:26 | |
So, that was The Prodigy with Firestarter. | 0:14:26 | 0:14:29 | |
The Prodigy's line-up remains to this day | 0:14:29 | 0:14:31 | |
Liam Howlett, Keith Flint and Max Reality. | 0:14:31 | 0:14:35 | |
That's not his real name, obviously. I mean, what sort of name is Keith? | 0:14:35 | 0:14:39 | |
We also heard Madonna, with Material Girl. | 0:14:39 | 0:14:42 | |
Madonna also does a lot of philanthropic work. | 0:14:42 | 0:14:44 | |
She has dedicated endless hours and millions of dollars | 0:14:44 | 0:14:48 | |
in her tireless fight against the seven visible signs of ageing. | 0:14:48 | 0:14:52 | |
Noel and Sway, here are yours for Katherine. | 0:14:54 | 0:14:58 | |
-I think you're going to be good at this. -You're wrong. | 0:14:58 | 0:15:01 | |
HE WHISPERS | 0:15:01 | 0:15:03 | |
Oh, shit. | 0:15:03 | 0:15:04 | |
-I was so relying on you, Sway. -Do the piano. | 0:15:04 | 0:15:07 | |
-# Doo-doo-doo-doo-doo... # -Yeah, all right, ready? | 0:15:07 | 0:15:11 | |
I just had this feeling that I've known you since I was, like, eight. It's so weird. | 0:15:11 | 0:15:15 | |
When we were playing conkers. OK, right. | 0:15:15 | 0:15:17 | |
Right, and when he comes round the corner, we'll whack him on the head with a conker, | 0:15:17 | 0:15:21 | |
nick his conkers, cos he's got way better conkers than us. | 0:15:21 | 0:15:24 | |
And then we'll get lollies. OK, so... | 0:15:24 | 0:15:27 | |
One, two, three, go. | 0:15:27 | 0:15:29 | |
-# Der-ner-ner-ner-ner -Bow-bow-bow-bow | 0:15:29 | 0:15:33 | |
-# Der-ner-ner-ner-ner -Bow-bow-bow-bow | 0:15:33 | 0:15:37 | |
# I know you've been hu-urt | 0:15:37 | 0:15:40 | |
# Der-ner-ner | 0:15:40 | 0:15:41 | |
# By someone else | 0:15:41 | 0:15:43 | |
# Bow-bow-bow... # | 0:15:43 | 0:15:44 | |
I still don't know the song, and we all enjoying it as a unit. | 0:15:44 | 0:15:49 | |
Rihanna's Instagram should be shut down long ago. | 0:15:49 | 0:15:51 | |
-That is Drake, Take Care. -Is the right answer! | 0:15:51 | 0:15:55 | |
Here's how it should have sounded. | 0:15:57 | 0:15:58 | |
MUSIC: "Take Care" by Drake, featuring Rihanna | 0:15:58 | 0:16:01 | |
Well done. I liked that rendition. | 0:16:01 | 0:16:04 | |
And you're not even high. | 0:16:04 | 0:16:06 | |
# I've asked about you... # | 0:16:14 | 0:16:16 | |
Do you know, I know Drake. Do you know Drake? | 0:16:16 | 0:16:18 | |
-No, I don't, actually. -Is Drake Canadian? -Yes. | 0:16:18 | 0:16:21 | |
-He threw a bottle at Chris Brown, apparently. -Really? | 0:16:21 | 0:16:24 | |
-Why, cos Chris Brown hit Rihanna? -Because they all fight over Rihanna. | 0:16:24 | 0:16:27 | |
-Yeah, but he fights WITH Rihanna, doesn't he? -Not Drake. | 0:16:27 | 0:16:30 | |
What does Drake do - peck her? | 0:16:30 | 0:16:32 | |
Yes, well, that was Sir Francis Drake there with Take Care. | 0:16:35 | 0:16:38 | |
Next one, please. | 0:16:39 | 0:16:41 | |
Ah, I'm just going to let you do them, Sway, you know I am. | 0:16:41 | 0:16:44 | |
My shell is standing by, if you need any help. It's quite appropriate. | 0:16:44 | 0:16:47 | |
We should get this out, shouldn't we? | 0:16:47 | 0:16:50 | |
-It's not going to help, but it looks cool. -Anyone want a coffee? | 0:16:50 | 0:16:53 | |
(PHILL) Blood and sand! | 0:16:53 | 0:16:54 | |
-Wow. -Cappuccino, anyone? | 0:16:54 | 0:16:56 | |
One, two, three, go... | 0:16:58 | 0:17:01 | |
-# Nur-nur-nur -Ba-rrring | 0:17:01 | 0:17:04 | |
# Ban-ban-bwarrrrr | 0:17:04 | 0:17:06 | |
# Nur-nur-nur | 0:17:06 | 0:17:07 | |
# Ba-rrring | 0:17:07 | 0:17:08 | |
# Ban-ban-bwarrrrr | 0:17:08 | 0:17:11 | |
-# Nur-nur-nur -Ban-ban-bwarrrrr | 0:17:11 | 0:17:14 | |
SHELL BLASTS A LOW NOTE | 0:17:14 | 0:17:16 | |
-# Nur-nur-nur -Ban-ban-bwarrrrr | 0:17:16 | 0:17:19 | |
HORN BLASTS | 0:17:19 | 0:17:22 | |
-# Nur-nur-nur -Ban-ban-bwarrrrr. # | 0:17:22 | 0:17:24 | |
HORN BLASTS | 0:17:24 | 0:17:26 | |
LAUGHTER | 0:17:30 | 0:17:33 | |
You lot are ruining it. | 0:17:33 | 0:17:34 | |
-Oh, sorry! -We're ruining it, apparently. -We're ruining it. | 0:17:34 | 0:17:37 | |
Oh, yeah - WE'RE ruining it(!) | 0:17:37 | 0:17:40 | |
Wait a minute, is this a sick joke, or is it a song? | 0:17:40 | 0:17:42 | |
It's a song but, to be honest, we're just doing it really badly. | 0:17:42 | 0:17:45 | |
I don't think it's your cup of tea. I don't think you'll get it. | 0:17:45 | 0:17:48 | |
-How do you know what I like? -You just spent ages talking about it. | 0:17:48 | 0:17:52 | |
-Is it from here? -What, from Earth? | 0:17:53 | 0:17:56 | |
Let's do it one more time. | 0:17:56 | 0:17:57 | |
-Don't use that, though. -All right. I'll put it down. | 0:17:57 | 0:18:00 | |
Spoilsport. | 0:18:00 | 0:18:02 | |
-I feel the panpipe would help this one, wouldn't it? -I think it might. | 0:18:03 | 0:18:06 | |
AIR BLOWS THROUGH WITH NO SOUND | 0:18:06 | 0:18:09 | |
Grime artists and panpipes never really work together. | 0:18:09 | 0:18:12 | |
-Can you act at it, please, Mr Mangan? -All right, I'll do facial expressions that represent | 0:18:12 | 0:18:16 | |
-the song title. -OK. | 0:18:16 | 0:18:17 | |
One, two, three, go. | 0:18:17 | 0:18:19 | |
-# Nur-nur-nur -Ban-ban-bwarrrrr | 0:18:19 | 0:18:22 | |
-# Nur-nur-nur -Ban-ban-bwarrrrr | 0:18:24 | 0:18:27 | |
# Boom-boom-boom Boom-boom. # | 0:18:27 | 0:18:32 | |
Like, Sour Daily Mail? | 0:18:32 | 0:18:33 | |
So close. | 0:18:33 | 0:18:35 | |
-Sour... -I'm going to have to pass it over. | 0:18:35 | 0:18:37 | |
-No! Sour... -(PHILL) Sour Times. | 0:18:37 | 0:18:40 | |
Sour Times by Portishead. | 0:18:40 | 0:18:41 | |
I said Sour Time! | 0:18:41 | 0:18:43 | |
Here's how it should have sounded. | 0:18:43 | 0:18:45 | |
MUSIC: "Sour Times" by Portishead | 0:18:45 | 0:18:49 | |
LAUGHTER | 0:18:52 | 0:18:55 | |
So that was Portishead with the very chirpy Sour Times. | 0:18:55 | 0:19:00 | |
Portishead played shows in Spain, France and Italy during | 0:19:00 | 0:19:03 | |
a short trek around Europe this summer. | 0:19:03 | 0:19:05 | |
-COUGHS: -Cruise ship. | 0:19:05 | 0:19:06 | |
We also heard Drake featuring Rihanna, with Take Care. | 0:19:09 | 0:19:14 | |
Rihanna is currently suing a magazine in France after | 0:19:14 | 0:19:16 | |
they published humiliating long-lens paparazzi photos of her | 0:19:16 | 0:19:20 | |
with some clothes on. | 0:19:20 | 0:19:21 | |
VOICEOVER: 'Stephen Mangan style.' | 0:19:23 | 0:19:24 | |
MUSIC: "Gangnam Style" by Psy | 0:19:24 | 0:19:27 | |
# Gangnam style.... # | 0:19:27 | 0:19:29 | |
OK, for an international bonus point, we have one category left. | 0:19:29 | 0:19:33 | |
Songs. | 0:19:33 | 0:19:34 | |
The Drive-By Truckers are an alternative country band | 0:19:34 | 0:19:37 | |
from Alabama, but which word have we left out from the title | 0:19:37 | 0:19:40 | |
of their smash-hit song? | 0:19:40 | 0:19:42 | |
The President's WHAT is missing? | 0:19:42 | 0:19:45 | |
-Cat. -The President's Cat. I wish it was that. | 0:19:45 | 0:19:48 | |
SOUTHERN DRAWL: Dick And Balls. | 0:19:48 | 0:19:49 | |
The President's "Dick And Baawls"? | 0:19:49 | 0:19:53 | |
-That's very close. -Willy? | 0:19:53 | 0:19:55 | |
Willy is pretty much the right answer. | 0:19:55 | 0:19:57 | |
-The President's PENIS Is Missing. -(SWAY) Oh, wow. | 0:19:57 | 0:20:00 | |
Excuse me. Excuse me, | 0:20:01 | 0:20:05 | |
but there is no such thing as a penis in Alabama. | 0:20:05 | 0:20:08 | |
That is dick and baawls, and I feel like I said that from the jump. | 0:20:08 | 0:20:11 | |
At the end of that round, Phil's team have four | 0:20:13 | 0:20:16 | |
and Noel's team have six. | 0:20:16 | 0:20:17 | |
APPLAUSE | 0:20:17 | 0:20:20 | |
Round Three is the identity parade. | 0:20:23 | 0:20:26 | |
Phil's team, how about some early '80s rhythm and groove? | 0:20:26 | 0:20:29 | |
For the audience only, here is Alton Edwards. | 0:20:29 | 0:20:34 | |
# I | 0:20:34 | 0:20:35 | |
# Wanna spend some time with you | 0:20:35 | 0:20:39 | |
# I just wanna | 0:20:39 | 0:20:40 | |
# Be with you | 0:20:40 | 0:20:44 | |
# All the while | 0:20:44 | 0:20:46 | |
# I just wanna | 0:20:46 | 0:20:49 | |
# I | 0:20:49 | 0:20:51 | |
# Wanna spend some time with you... # | 0:20:51 | 0:20:54 | |
That was Alton Edwards, with I Just Wanna, | 0:20:54 | 0:20:57 | |
but which of our line-up is Alton Edwards? | 0:20:57 | 0:21:00 | |
Is it number one, Alton Edwards, | 0:21:00 | 0:21:02 | |
number two, Alton Towers, | 0:21:02 | 0:21:04 | |
number three, Alton-ative lifestyle, | 0:21:06 | 0:21:08 | |
number four, Alton know-better, | 0:21:08 | 0:21:11 | |
or number five, Alton-nates between men and women? | 0:21:11 | 0:21:15 | |
LAUGHTER | 0:21:15 | 0:21:17 | |
-You're talking early '80s. -Early '80s. -So look at the young men... | 0:21:17 | 0:21:21 | |
I think one and three are too young. | 0:21:21 | 0:21:23 | |
I think one could potentially be a little bit older than you think. | 0:21:23 | 0:21:27 | |
You reckon? | 0:21:27 | 0:21:29 | |
Three's got a swagger. Look at him. There you go. | 0:21:29 | 0:21:31 | |
Three has got a swagger! He's just moved. I think four looks youngest. | 0:21:31 | 0:21:37 | |
Four is cock of the walk now. | 0:21:37 | 0:21:41 | |
Four's thinking, "Suck on that, three and one!" | 0:21:41 | 0:21:44 | |
-Let's go with four, then. -You think four? -Let's go with four. | 0:21:45 | 0:21:49 | |
-OK, let's give four a little test. -All right, four. | 0:21:49 | 0:21:52 | |
Well, let's find out. Will the real Alton Edwards please step forward? | 0:21:52 | 0:21:55 | |
Oh! | 0:21:57 | 0:21:58 | |
APPLAUSE | 0:21:58 | 0:22:01 | |
With an album available on the internet, Alton Edwards, | 0:22:02 | 0:22:05 | |
ladies and gentlemen! | 0:22:05 | 0:22:07 | |
CHEERING AND APPLAUSE | 0:22:07 | 0:22:09 | |
Now, Noel, Sway and Katherine, | 0:22:11 | 0:22:13 | |
how about some turn-of-the-century underground pop? | 0:22:13 | 0:22:16 | |
Not underground in a cool, underground music scene way. | 0:22:16 | 0:22:19 | |
I mean more a boy band named after the Underground Tube system in London kind of way. | 0:22:19 | 0:22:22 | |
Here for the audience only, are Northern Line. | 0:22:22 | 0:22:25 | |
# What do I have to do | 0:22:25 | 0:22:27 | |
# To get closer to you? | 0:22:27 | 0:22:28 | |
# Cos I would do anything to make you mine | 0:22:28 | 0:22:33 | |
# Near or far Just to be where you are | 0:22:33 | 0:22:36 | |
# Tell me who would have thought | 0:22:36 | 0:22:38 | |
# I'd find love on the Northern Line... # | 0:22:38 | 0:22:42 | |
That was Northern Line with Love On The Northern Line, | 0:22:42 | 0:22:44 | |
but which of our line-up is boy band member Dan Corsi? | 0:22:44 | 0:22:49 | |
Is it number one, Dan Corsi, | 0:22:49 | 0:22:52 | |
number two, main Corsi, | 0:22:52 | 0:22:54 | |
number three, horses for Corsi, | 0:22:54 | 0:22:57 | |
number four - Cor, see? | 0:22:57 | 0:23:00 | |
Or number five, Corsi does - look at him! | 0:23:00 | 0:23:04 | |
Am I allowed to say I already know who it is already even though | 0:23:06 | 0:23:09 | |
it's not my turn to answer? | 0:23:09 | 0:23:11 | |
Of Corsi. | 0:23:11 | 0:23:12 | |
I have a feeling I may have got off with the real Dan Corsi | 0:23:12 | 0:23:16 | |
years and years and years ago. | 0:23:16 | 0:23:19 | |
-Whereabouts in the country are you from? -I'm from Newcastle. | 0:23:19 | 0:23:21 | |
Newcastle. So the odds of you copping off with someone while drunk | 0:23:21 | 0:23:24 | |
are...HIGH! | 0:23:24 | 0:23:27 | |
Which one of you melted under the Heaton? | 0:23:27 | 0:23:30 | |
Number one had a bit of a swagger when he came in. | 0:23:31 | 0:23:34 | |
Number two, pretty handsome, | 0:23:34 | 0:23:36 | |
in a sort of Rob-Lowe-gone-wrong way. | 0:23:36 | 0:23:39 | |
Number three obviously left his Spitfire outside. | 0:23:41 | 0:23:44 | |
Number four looks a bit shifty. Number two's dead inside. | 0:23:46 | 0:23:49 | |
-Number one came in... -I think it's number four. -Do you? | 0:23:49 | 0:23:53 | |
He's got an animal charm. | 0:23:53 | 0:23:54 | |
-He got a little nervous when she started speaking. -Oh, really? | 0:23:54 | 0:23:57 | |
Don't tell me I got off with more than one of them, then! | 0:23:57 | 0:24:00 | |
Apparently you got off with all of them. | 0:24:00 | 0:24:02 | |
Did you get all the way off? | 0:24:02 | 0:24:04 | |
- Noooo. - Oh! | 0:24:04 | 0:24:06 | |
We're talking just a really sweet, innocent kiss. | 0:24:06 | 0:24:09 | |
-(NOEL) Really? -Yeah. | 0:24:09 | 0:24:10 | |
They could all have been in a boy band. It's so hard. | 0:24:10 | 0:24:13 | |
I really like your music. Like, # Find love on the Northern Line... # | 0:24:13 | 0:24:18 | |
She's from Canada. | 0:24:18 | 0:24:20 | |
-What's your favourite boy band? -One Direction! Obviously. But... | 0:24:20 | 0:24:26 | |
-Who do you like out of One Direction? -Zane. | 0:24:26 | 0:24:29 | |
-Zane, good choice. -Because he's got shark eyes. He's damaged. | 0:24:29 | 0:24:31 | |
-He's got shark eyes and he's damaged? -Yes. | 0:24:31 | 0:24:34 | |
-He'd like to be damaged again. -Wow. | 0:24:34 | 0:24:36 | |
Would you like to take him round the back of the aquarium, by the filters? | 0:24:36 | 0:24:40 | |
You look a little bit like a mermaid. | 0:24:40 | 0:24:42 | |
-Is that how you lure them in? -That's nice of you to say. | 0:24:42 | 0:24:44 | |
But I have a vagina, unfortunately. | 0:24:44 | 0:24:47 | |
The guy who is the real Dan hasn't actually changed that much considering it was 11 years ago. | 0:24:47 | 0:24:52 | |
-Still looking good, Dan! -Still looking good. | 0:24:52 | 0:24:54 | |
Still looking hot, my friend! | 0:24:54 | 0:24:56 | |
OK, which one is it? | 0:24:56 | 0:24:57 | |
-Shall we do four? -Yeah, what have we got to lose? | 0:24:57 | 0:25:00 | |
OK, we'll go number four. I'll go with Sway. | 0:25:00 | 0:25:03 | |
Well, let's find out. Will the real Dan Corsi please step forward? | 0:25:03 | 0:25:08 | |
CHEERING AND APPLAUSE Yeah! Yeah! | 0:25:08 | 0:25:11 | |
Now DJing in Camden, Dan Corsi, ladies and gentlemen. | 0:25:14 | 0:25:19 | |
CHEERING AND APPLAUSE | 0:25:19 | 0:25:23 | |
At the end of that round, Phill's team has four | 0:25:23 | 0:25:26 | |
and Noel's team has six. | 0:25:26 | 0:25:28 | |
APPLAUSE | 0:25:28 | 0:25:32 | |
So we end our world music appreciation special with a world music next lines. | 0:25:32 | 0:25:36 | |
Noel's team, you're in the lead, so you go first. | 0:25:36 | 0:25:39 | |
Your time starts...now. | 0:25:39 | 0:25:42 | |
The Vengabus is coming and everybody's jumping... | 0:25:42 | 0:25:45 | |
# So come and join the party Come on and move your body | 0:25:46 | 0:25:49 | |
# Vengabus is coming And everybody's jumping | 0:25:49 | 0:25:53 | |
# New York to San Francisco The intercity disco... # | 0:25:53 | 0:25:56 | |
Is the right answer. Yes, Vengaboys. | 0:25:56 | 0:25:59 | |
Yeah. | 0:25:59 | 0:26:01 | |
An astronomer claims it was sighted on Venus... | 0:26:01 | 0:26:04 | |
The President's missing his penis? | 0:26:04 | 0:26:06 | |
-Has anyone seen the president's penis, yes! -Yeah! | 0:26:06 | 0:26:09 | |
Drive-By Truckers. | 0:26:09 | 0:26:11 | |
Lucky that my breasts are small and humble... | 0:26:11 | 0:26:13 | |
So you don't confuse them with mountains. That one. | 0:26:13 | 0:26:16 | |
So right. So right it's wrong. Colombia. | 0:26:16 | 0:26:20 | |
-O Canada... -Our home and native land. | 0:26:20 | 0:26:23 | |
-The Canadian national anthem. -Wow. | 0:26:23 | 0:26:25 | |
END-OF-ROUND-JINGLE | 0:26:25 | 0:26:27 | |
-Right. So, Phill's team, you need five points to win. -Uh-huh. | 0:26:29 | 0:26:33 | |
Your time starts...now. | 0:26:33 | 0:26:36 | |
All the things she said, all the things she said... | 0:26:36 | 0:26:40 | |
# All the things she said | 0:26:38 | 0:26:40 | |
# All the things she did All the things she did | 0:26:40 | 0:26:42 | |
# Der-der-der-der-der | 0:26:42 | 0:26:43 | |
# Running through my head Running through my head... # | 0:26:43 | 0:26:45 | |
Yes, t.A.T.u., she's Russian, good, yes. | 0:26:45 | 0:26:48 | |
Watch me wallabies feed, mate, watch me wallabies feed... | 0:26:48 | 0:26:53 | |
# Watch me wallabies, feed, mate | 0:26:52 | 0:26:53 | |
# Watch me wallabies feed... # | 0:26:53 | 0:26:56 | |
(AS ROLF HARRIS) And I managed to scramble out of the water and get to the bank | 0:26:56 | 0:26:59 | |
and you can bet my parents have me taking swimming lessons | 0:26:59 | 0:27:02 | |
as soon as they possibly can. | 0:27:02 | 0:27:04 | |
It's, "Eh, they're are a dangerous breed, mate, so watch me wallabies feed. | 0:27:06 | 0:27:10 | |
"When love takes over, yeah..." | 0:27:10 | 0:27:16 | |
# When love takes over, ye-e-eah... # | 0:27:13 | 0:27:16 | |
LAUGHTER | 0:27:17 | 0:27:19 | |
# No one can...survive, or deny? # | 0:27:19 | 0:27:22 | |
You know you can't deny. I'll give you that. David Guetta, When Love Takes Over. He's French. | 0:27:22 | 0:27:26 | |
Yes, I've been broken-hearted... | 0:27:26 | 0:27:29 | |
Fooled since the day we started. | 0:27:27 | 0:27:29 | |
Blue since the day we parted. Yes, ABBA, Swedish. | 0:27:29 | 0:27:31 | |
Where did you come from, where did you go? | 0:27:31 | 0:27:33 | |
# Where did you come from | 0:27:33 | 0:27:34 | |
# Where did you go? | 0:27:34 | 0:27:35 | |
# Where did you come from Cotton Eye Joe? # | 0:27:35 | 0:27:38 | |
Yes, Rednex. They're Swedish. Good. | 0:27:38 | 0:27:39 | |
-END-OF-ROUND-JINGLE -Woo-hoo-hoo! | 0:27:39 | 0:27:42 | |
So the final scores are... Phill's team have eight, | 0:27:44 | 0:27:47 | |
but Noel's team are winners, with nine! | 0:27:47 | 0:27:50 | |
CHEERING AND APPLAUSE | 0:27:50 | 0:27:54 | |
So that is it. Thank you to Phill, Michelle Heaton, Kayvan Novak, | 0:27:57 | 0:28:00 | |
Noel, Sway and Katherine Ryan. | 0:28:00 | 0:28:02 | |
This has been Never Mind The Buzzcocks. I've been Stephen Mangan. | 0:28:02 | 0:28:05 | |
And, as you enjoy the credits, we're going to end the show | 0:28:05 | 0:28:08 | |
like an international '70s cop drama, | 0:28:08 | 0:28:10 | |
with a freeze under the final mu... | 0:28:10 | 0:28:12 | |
APPLAUSE | 0:28:14 | 0:28:17 | |
Subtitles by Red Bee Media Ltd | 0:28:40 | 0:28:44 | |
Join us next week, when your host will definitely be | 0:28:46 | 0:28:48 | |
one of the following Lizas. | 0:28:48 | 0:28:49 | |
Will it be... | 0:28:49 | 0:28:50 |