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Hello, and welcome to Never Mind The Buzzcocks. | 0:00:31 | 0:00:34 | |
I'm Liza Tarbuck, and it's my birthday tomorrow, | 0:00:34 | 0:00:36 | |
and I always said to myself that I would host a culturally | 0:00:36 | 0:00:39 | |
iconic pop-based quiz show before I was 30. | 0:00:39 | 0:00:43 | |
And my dreams have come true! | 0:00:43 | 0:00:45 | |
Not that funny. | 0:00:47 | 0:00:49 | |
On Phill's team tonight... | 0:00:49 | 0:00:50 | |
..is an artist who's collaborated with Tinie Tempah on two hits, | 0:00:53 | 0:00:56 | |
Frisky and Pass Out, which, coincidentally, | 0:00:56 | 0:00:59 | |
used to describe a perfect evening for me 15 years ago. | 0:00:59 | 0:01:02 | |
It's Labrinth. | 0:01:02 | 0:01:04 | |
# It started with a whisper. # | 0:01:06 | 0:01:08 | |
And a TV presenter on T4, who's conducted in-depth interviews | 0:01:08 | 0:01:12 | |
with some of the biggest stars in the world. | 0:01:12 | 0:01:14 | |
She even got to the bottom of Lady Gaga's moisturising routine. | 0:01:14 | 0:01:18 | |
It's Jameela Jamil. | 0:01:18 | 0:01:19 | |
And on Noel's team tonight... | 0:01:23 | 0:01:26 | |
# Put your arms around me, baby. # | 0:01:26 | 0:01:29 | |
..is a singer who describes her song R.I.P. | 0:01:29 | 0:01:32 | |
as a synthy, dubstep-flavoured banger, | 0:01:32 | 0:01:34 | |
which is absolutely my favourite flavour after pork and leek. | 0:01:34 | 0:01:37 | |
It's Rita Ora. | 0:01:37 | 0:01:39 | |
And Manchester's finest comedian. | 0:01:45 | 0:01:48 | |
In fact, he's so Mancunian that if you cut him in half, | 0:01:48 | 0:01:51 | |
no-one would be in the slightest bit surprised. | 0:01:51 | 0:01:54 | |
It's Jason Manford. | 0:01:54 | 0:01:55 | |
So, we begin with Sorry, No Refunds. | 0:01:59 | 0:02:02 | |
Noel, Rita and Jason, have a look at this. | 0:02:02 | 0:02:04 | |
Yes, it's the most talented Gallagher brother | 0:02:12 | 0:02:15 | |
beating his brother Paul into second place. | 0:02:15 | 0:02:17 | |
Noel Gallagher. | 0:02:17 | 0:02:19 | |
That was Noel Gallagher's High Flying Birds with AKA... | 0:02:22 | 0:02:25 | |
What A Life! But which of the following objects disrupted | 0:02:25 | 0:02:29 | |
a Noel Gallagher gig earlier this year? | 0:02:29 | 0:02:32 | |
Was it A, a spider, B, a squirrel, or C, a red herring? | 0:02:32 | 0:02:38 | |
Is it stuffed? | 0:02:38 | 0:02:39 | |
Is it stuffed? No, that's its house! | 0:02:39 | 0:02:42 | |
Oh, really? | 0:02:42 | 0:02:43 | |
There was a grey squirrel I saw stuffed, | 0:02:46 | 0:02:49 | |
but dressed as a cowboy, and I really yearned after it. | 0:02:49 | 0:02:52 | |
Proper chaps and a hat, but ready to draw. | 0:02:52 | 0:02:55 | |
And I went back, absolutely true, I went back to enquire after it, | 0:02:56 | 0:03:00 | |
because I thought, "Perfect gift for my mother." | 0:03:00 | 0:03:02 | |
It had gone, it had been snapped up. | 0:03:03 | 0:03:05 | |
I like stuffed animals. Do you like stuffed animals? | 0:03:05 | 0:03:08 | |
I prefer it when they're alive, stuffed with internal organs | 0:03:08 | 0:03:11 | |
and that. | 0:03:11 | 0:03:13 | |
When they dress them up, I always find it a bit sinister. | 0:03:13 | 0:03:16 | |
-I've got a squirrel with a rifle. -Have you? | 0:03:16 | 0:03:18 | |
He's not a cowboy, but he's like that. | 0:03:18 | 0:03:21 | |
He looks like, you know, "Pull!" | 0:03:21 | 0:03:23 | |
That way up. | 0:03:23 | 0:03:25 | |
It's not right. | 0:03:25 | 0:03:26 | |
Whereas a black cat with a rifle, | 0:03:26 | 0:03:28 | |
perhaps a red cardigan on and a foot up... | 0:03:28 | 0:03:30 | |
-How do they stuff it? Do they take everything out? -No, they keep it in. | 0:03:32 | 0:03:35 | |
Does it stink? | 0:03:35 | 0:03:36 | |
Yeah. | 0:03:36 | 0:03:37 | |
I don't know! | 0:03:39 | 0:03:40 | |
What they do is they scoop it out with one of those ice cream scoops. | 0:03:40 | 0:03:44 | |
Oh! | 0:03:44 | 0:03:45 | |
Before you answer, Rita, you've had a very big year. | 0:03:45 | 0:03:50 | |
Yes. | 0:03:50 | 0:03:51 | |
But how much of it do you remember? | 0:03:51 | 0:03:53 | |
I don't know! | 0:03:53 | 0:03:54 | |
Let's find out. | 0:03:54 | 0:03:55 | |
I'm going to read out some pop antics, | 0:03:55 | 0:03:57 | |
and all the teams have to do is decide whether it was you, | 0:03:57 | 0:04:01 | |
Rita Ora, who did it, or whether it was another singer. | 0:04:01 | 0:04:05 | |
So let's play Rita Or Another Singer! | 0:04:05 | 0:04:08 | |
Right. | 0:04:14 | 0:04:15 | |
Whose sweat is being bottled up after their stage performances | 0:04:15 | 0:04:18 | |
and then auctioned for sale, obviously? | 0:04:18 | 0:04:21 | |
Rita Ora! | 0:04:21 | 0:04:22 | |
Was it Rita, or another singer? | 0:04:22 | 0:04:23 | |
I've bought some! | 0:04:23 | 0:04:25 | |
Have you? | 0:04:25 | 0:04:26 | |
What does it taste of? | 0:04:26 | 0:04:27 | |
Honey, lemon, and a little bit of sweet and sour chicken. | 0:04:27 | 0:04:30 | |
It tastes of young Goldie Hawn. | 0:04:30 | 0:04:32 | |
Oh! | 0:04:32 | 0:04:34 | |
Do you sweat when you perform? | 0:04:35 | 0:04:37 | |
Like a dog. | 0:04:37 | 0:04:38 | |
Do you? | 0:04:38 | 0:04:39 | |
Like a pig, yeah. It's terrible. | 0:04:39 | 0:04:40 | |
The first row come for a shower, so if you haven't cleaned yourself... | 0:04:40 | 0:04:44 | |
My sweat's quite clean, though. | 0:04:44 | 0:04:45 | |
Whose sweat is being bottled up after their stage performances | 0:04:45 | 0:04:48 | |
and auctioned off for sale? | 0:04:48 | 0:04:50 | |
I think it's Rita. | 0:04:50 | 0:04:51 | |
I'm going to say Rita. | 0:04:51 | 0:04:52 | |
It's not Rita, as a matter of fact, no. | 0:04:52 | 0:04:54 | |
Surprise, surprise, it's Justin Bieber. | 0:04:54 | 0:04:56 | |
Of course it is! | 0:04:56 | 0:04:58 | |
As if he's ever sweated! | 0:04:58 | 0:04:59 | |
He doesn't sweat, he's computer animated. | 0:04:59 | 0:05:01 | |
They're just selling seawater! | 0:05:01 | 0:05:03 | |
It's amazing some of the things they sell. | 0:05:03 | 0:05:05 | |
For example, Niall from One Direction's peanut butter toast. | 0:05:05 | 0:05:07 | |
He'd just taken a bite out of it and left the leftovers, | 0:05:07 | 0:05:10 | |
and it sold for £85,000. | 0:05:10 | 0:05:12 | |
What? | 0:05:12 | 0:05:13 | |
In my defence, it was delicious. | 0:05:13 | 0:05:16 | |
OK, well, moving on, who once said, "I love dogs, | 0:05:17 | 0:05:21 | |
"I let them lick me and everything." Was it Rita or another singer? | 0:05:21 | 0:05:26 | |
Oh, that sounds like Rita! | 0:05:26 | 0:05:27 | |
Rita. | 0:05:27 | 0:05:28 | |
That sounds like Rita. | 0:05:28 | 0:05:29 | |
What is "everything"? What is "everything"? | 0:05:29 | 0:05:31 | |
I'm talking about, you know, the lick, | 0:05:31 | 0:05:33 | |
and then you have the affection, the jump, the kind of, like, | 0:05:33 | 0:05:36 | |
you know, fiddle-kiddle, cuddle... | 0:05:36 | 0:05:38 | |
Whoa! | 0:05:38 | 0:05:40 | |
No, no, no! | 0:05:40 | 0:05:42 | |
I meant like, you know, when you fiddle with your dog | 0:05:42 | 0:05:44 | |
and you cuddle... | 0:05:44 | 0:05:46 | |
Whoa, whoa! | 0:05:46 | 0:05:48 | |
"Rita admits to fiddling with animals." No, it's not! | 0:05:48 | 0:05:52 | |
You got a dog now? | 0:05:52 | 0:05:53 | |
No. | 0:05:53 | 0:05:55 | |
It's been taken into protective custody! | 0:05:55 | 0:05:57 | |
I was in an episode of Shameless, years ago. | 0:05:59 | 0:06:01 | |
Do you remember your part? Do you remember what you did? | 0:06:01 | 0:06:03 | |
Yeah, I'm going to tell you about it. | 0:06:03 | 0:06:06 | |
I was playing a security guard who was getting seduced by these | 0:06:07 | 0:06:10 | |
two girls, and they were going to rob the warehouse, | 0:06:10 | 0:06:12 | |
and then they blindfolded me, | 0:06:12 | 0:06:14 | |
and one of them was going to perform | 0:06:14 | 0:06:16 | |
some sort of sex act on my character, | 0:06:16 | 0:06:17 | |
but in the meantime, while I was blindfolded, | 0:06:17 | 0:06:20 | |
they brought this Alsatian dog to do it for them, | 0:06:20 | 0:06:23 | |
so they could carry on robbing the warehouse, | 0:06:23 | 0:06:25 | |
and there were so many complaints, that scene got, I got the paper | 0:06:25 | 0:06:29 | |
one day, and there was a picture of me as a security guard like this... | 0:06:29 | 0:06:33 | |
and the dog, and they'd blacked out the dog's eyes! | 0:06:33 | 0:06:36 | |
I can't handle cats, though, man, because they're just not loyal, man. | 0:06:39 | 0:06:42 | |
-Cats? -Yeah. I had a cat. | 0:06:42 | 0:06:43 | |
When it was young, it was just so cool and so nice and, you know, | 0:06:43 | 0:06:46 | |
really cuddly and all that, and then when it got older, | 0:06:46 | 0:06:48 | |
it was just like, "Give me my food, mate." | 0:06:48 | 0:06:50 | |
"Cool. I'm done. See you later." There's no love. | 0:06:50 | 0:06:53 | |
I'll tell you what that is a lot like. | 0:06:53 | 0:06:55 | |
A boyfriend. | 0:06:55 | 0:06:57 | |
Have you still got this cat? | 0:06:59 | 0:07:00 | |
Yeah, yeah, but we don't talk any more. | 0:07:00 | 0:07:02 | |
Yes, it was Rita Ora who let dogs lick her. | 0:07:04 | 0:07:07 | |
Rita! | 0:07:07 | 0:07:08 | |
Not in that way! | 0:07:08 | 0:07:09 | |
Has anyone here got a dog that licks them? | 0:07:09 | 0:07:12 | |
Silence. | 0:07:12 | 0:07:13 | |
Are you serious? No-one licks their... I mean, no-one... | 0:07:13 | 0:07:17 | |
LAUGHTER | 0:07:17 | 0:07:20 | |
Thanks very much for playing Rita Or Another Singer! | 0:07:21 | 0:07:24 | |
Surely it can be salvaged. | 0:07:27 | 0:07:28 | |
Oh, God, I have this nightmare that it's going to come out | 0:07:28 | 0:07:31 | |
and everyone's going to think I'm a dog licker! | 0:07:31 | 0:07:33 | |
Don't worry about that. | 0:07:33 | 0:07:34 | |
I did used to walk dogs, though, when I was younger, to get extra money. | 0:07:34 | 0:07:37 | |
I bet you were very popular with the dogs. | 0:07:37 | 0:07:40 | |
Woo-hoo! It's Rita! | 0:07:40 | 0:07:42 | |
Rita Ora, the only dog walker who gives a happy ending! | 0:07:42 | 0:07:45 | |
Do you remember, a while ago, we were talking about Noel Gallagher? | 0:07:46 | 0:07:50 | |
Oh, yeah. | 0:07:50 | 0:07:51 | |
He was prevented from playing... | 0:07:51 | 0:07:52 | |
-Let's go fish. -Fish? | 0:07:52 | 0:07:53 | |
OK, fish. We're going to go fish. | 0:07:53 | 0:07:55 | |
-We're going fish. -You're going fish? -Yeah. | 0:07:55 | 0:07:57 | |
You're wrong. The answer was A, spider. | 0:07:57 | 0:07:59 | |
Get out of it! | 0:07:59 | 0:08:00 | |
Oh! | 0:08:00 | 0:08:02 | |
As the band were setting up for a festival gig, a spider, | 0:08:02 | 0:08:05 | |
thought to be deadly, jumped out of Noel's guitar case, | 0:08:05 | 0:08:08 | |
and the whole backstage area had to be quarantined. | 0:08:08 | 0:08:11 | |
During the following search, they also found two massive black | 0:08:11 | 0:08:15 | |
caterpillars, but they turned out to be Noel's spare eyebrows. | 0:08:15 | 0:08:19 | |
Phil, Labrinth, Jameela, take a look at this. | 0:08:20 | 0:08:24 | |
# Shining | 0:08:24 | 0:08:27 | |
# And we will never be afraid again. # | 0:08:27 | 0:08:29 | |
Yes, it's big-lunged, flame-haired, | 0:08:30 | 0:08:33 | |
machine-loving warbler Florence And The Machine. | 0:08:33 | 0:08:36 | |
Well, that was Florence And The Machine with Spectrum, | 0:08:38 | 0:08:41 | |
but which of the following objects nearly prevented the band | 0:08:41 | 0:08:44 | |
performing at a BBC Radio 2 gig earlier this year? | 0:08:44 | 0:08:48 | |
Was it A, a Hoover, | 0:08:48 | 0:08:50 | |
B, that cactus, or C, a toilet? | 0:08:50 | 0:08:54 | |
We've got a Hoover, we've got this item here, | 0:08:54 | 0:08:56 | |
the poorest-selling item at Ann Summers this winter. | 0:08:56 | 0:09:00 | |
Have you ever been in Ann Summers? | 0:09:02 | 0:09:04 | |
In Ann Summers, or in her shop?! | 0:09:04 | 0:09:06 | |
Ann Summers is weird, because upstairs, | 0:09:09 | 0:09:11 | |
it's like, you go in at ground level, | 0:09:11 | 0:09:13 | |
it's like chocolate willies and fluffy handcuffs, | 0:09:13 | 0:09:16 | |
and downstairs, someone's going to get hurt. | 0:09:16 | 0:09:18 | |
I've got a fact. I don't know if this is true, | 0:09:19 | 0:09:21 | |
but I've heard that foxes literally have wheelies like that? | 0:09:21 | 0:09:25 | |
-"Wheelies"? What are "wheelies"? -I mean "willies", sorry. | 0:09:25 | 0:09:29 | |
Foxes do wheelies? | 0:09:29 | 0:09:30 | |
No, they get caught in the woman. | 0:09:31 | 0:09:33 | |
Foxes have sex with women?! | 0:09:33 | 0:09:35 | |
While doing wheelies, yeah. | 0:09:36 | 0:09:38 | |
This is like hellish Springwatch! | 0:09:38 | 0:09:41 | |
What are you considering? | 0:09:41 | 0:09:42 | |
I've got what I imagine to be the entrance to a gentleman's toilet. | 0:09:42 | 0:09:46 | |
I got locked in a portaloo at V Festival two years ago | 0:09:46 | 0:09:49 | |
during Prodigy's set, so nobody could hear me scream for one hour. | 0:09:49 | 0:09:54 | |
I hate Firestarter, I hate that song! It haunts me now forever. | 0:09:54 | 0:09:58 | |
It haunts me now forever. | 0:09:58 | 0:09:59 | |
# I'm a firestarter, Twisted firestarter. # | 0:09:59 | 0:10:01 | |
Locked in a coffin of shit. It was just awful! | 0:10:01 | 0:10:04 | |
I feel like this could definitely be a strong contender. | 0:10:04 | 0:10:07 | |
Here's the thing. | 0:10:07 | 0:10:08 | |
Think of the merchandising opportunities | 0:10:08 | 0:10:10 | |
if Florence appeared at every gig with little Henry next to her. | 0:10:10 | 0:10:13 | |
Yeah. | 0:10:13 | 0:10:15 | |
He never lets me down. I use him at home all the time. | 0:10:15 | 0:10:17 | |
Careful. | 0:10:17 | 0:10:19 | |
Whoa, not in that way! | 0:10:19 | 0:10:21 | |
But, you know, it cleans a lot of things. | 0:10:21 | 0:10:23 | |
I hate the girl version. It was like betrayal. | 0:10:26 | 0:10:28 | |
It was like, if you buy the girl, | 0:10:28 | 0:10:30 | |
then you're no longer Henry's friend. | 0:10:30 | 0:10:32 | |
I think the face of the girl, she looks a bit smug, doesn't she? | 0:10:32 | 0:10:34 | |
Like, "Yeah, I've cleaned everything!" | 0:10:34 | 0:10:36 | |
It's a Hoover! | 0:10:36 | 0:10:37 | |
Please may I have one strong answer? | 0:10:39 | 0:10:41 | |
-I go toilet. -What? | 0:10:41 | 0:10:43 | |
I go toilet. | 0:10:43 | 0:10:44 | |
I don't know. What do you think? | 0:10:46 | 0:10:47 | |
It's always the toilet. | 0:10:47 | 0:10:48 | |
They go toilet, and they're right. | 0:10:50 | 0:10:52 | |
A Florence show nearly didn't go toilet when drummer Chris Hayden | 0:10:58 | 0:11:02 | |
got stuck in the toilet just before the band were due on stage. | 0:11:02 | 0:11:06 | |
According to the band, Florence's dad was ready | 0:11:06 | 0:11:08 | |
and willing to take over on the drums, right up until the moment | 0:11:08 | 0:11:11 | |
when the toilet door key fell out of his trouser pocket. | 0:11:11 | 0:11:14 | |
And at the end of that round, Noel's team have zero, | 0:11:15 | 0:11:18 | |
and Phill's team have one. | 0:11:18 | 0:11:20 | |
It's time now for the mums' favourite. It's the intros round. | 0:11:25 | 0:11:29 | |
Phill and Labrinth, there are yours for Jameela. | 0:11:29 | 0:11:31 | |
Have you dreamed of playing this? | 0:11:31 | 0:11:33 | |
My whole life. | 0:11:33 | 0:11:34 | |
This is my favourite show ever, so that's why I'm so chuffed. | 0:11:34 | 0:11:36 | |
That's how I felt when I was on the news. | 0:11:36 | 0:11:39 | |
Bum-barum-barum. | 0:11:42 | 0:11:44 | |
-Bum-barum-barum. -OK. | 0:11:44 | 0:11:46 | |
Bum-barum-barum. | 0:11:46 | 0:11:48 | |
Bum-barum-barum. | 0:11:48 | 0:11:50 | |
Bum-barum-barum. | 0:11:50 | 0:11:52 | |
-Bum-barum-barum. -Dang, dang, dang. | 0:11:52 | 0:11:55 | |
-Bum-barum-barum. -Dang, dang, dang. | 0:11:55 | 0:11:58 | |
-Bum-barum-barum. -Bow-bow! | 0:11:58 | 0:12:00 | |
Don't be drawn into thinking that it's Frog Chorus. | 0:12:04 | 0:12:07 | |
Is it not Frog Chorus? OK. | 0:12:07 | 0:12:09 | |
You can let Frog Chorus go. | 0:12:09 | 0:12:11 | |
It's quite amphibious though, whatever it is. | 0:12:11 | 0:12:14 | |
I don't know. This is so much pressure. | 0:12:14 | 0:12:16 | |
I'm sweating. I'm so sorry. | 0:12:16 | 0:12:20 | |
It's an old song. | 0:12:20 | 0:12:21 | |
It's Carly Simon, You're So Vain, | 0:12:21 | 0:12:22 | |
and this is how it should have sounded. | 0:12:22 | 0:12:24 | |
Oh, and I know that song! | 0:12:24 | 0:12:25 | |
MUSIC: "You're So Vain" by Carly Simon | 0:12:25 | 0:12:28 | |
Come on! | 0:12:28 | 0:12:29 | |
-What's the bum-barum-barum? -Look! | 0:12:29 | 0:12:31 | |
I think that was distracting, wasn't it? | 0:12:31 | 0:12:32 | |
-Yeah. -No, man! | 0:12:32 | 0:12:34 | |
All right, Miss Three-number-ones, how would you do that bass line? | 0:12:36 | 0:12:39 | |
Play it again! Play it again! Sound, please. | 0:12:40 | 0:12:44 | |
Lab, help me out. | 0:12:44 | 0:12:45 | |
BASS LINE PLAYS | 0:12:45 | 0:12:47 | |
Right, stop. Now you do that. | 0:12:47 | 0:12:49 | |
-Buh-buh, buh-buh, bum. Buh-buh, buh-buh, bum. -That's better. | 0:12:49 | 0:12:52 | |
Yours sounded like Carly Simon was underwater! | 0:12:52 | 0:12:56 | |
-Yours sounded like she was going to go... -IMITATES BEING UNDERWATER: -# You're so vain! | 0:12:56 | 0:12:59 | |
# I bet you think this song is about you! | 0:12:59 | 0:13:03 | |
# You're so vain! # | 0:13:03 | 0:13:05 | |
I've got to defend Rita. She's been licking dogs. | 0:13:05 | 0:13:08 | |
Let's have another one, please, Phill and Labrinth. | 0:13:10 | 0:13:12 | |
Are you going to do this one in the style of a llama? | 0:13:12 | 0:13:15 | |
This is the most stress I've ever known, ever. Look at my hand. | 0:13:15 | 0:13:21 | |
You're doing the bass line, though? | 0:13:23 | 0:13:25 | |
You're doing the wah-wah-wah. | 0:13:25 | 0:13:27 | |
-Bum, bum, dah-dun-dun, tun. -Whow! | 0:13:27 | 0:13:29 | |
-Bum, bum, bum, dah-dun-dun, tun. -Whow! | 0:13:29 | 0:13:32 | |
-Dum, dum, dah-dun-dun, dun. -Whow! -That's good. | 0:13:32 | 0:13:35 | |
Dah, dum-dum, dum. | 0:13:35 | 0:13:37 | |
I know this. Keep going. | 0:13:37 | 0:13:39 | |
Dum, dum, dah-dum-dum, dum. | 0:13:39 | 0:13:41 | |
Dah-dum-dum-dum, bah-dum-dum-dum. | 0:13:41 | 0:13:44 | |
Dum-dum, dah-dum-dum-dum. | 0:13:44 | 0:13:47 | |
Dum-dum-dum, dah-dum-dum-dum. | 0:13:47 | 0:13:50 | |
BOTH: Whaaaw! | 0:13:50 | 0:13:51 | |
APPLAUSE | 0:13:54 | 0:13:57 | |
There's no way you don't know that. | 0:13:57 | 0:13:59 | |
I do know the song, I just have no idea what the lyrics are! | 0:13:59 | 0:14:01 | |
It's lingering around the tongue. | 0:14:01 | 0:14:03 | |
It's in my teeth. | 0:14:03 | 0:14:04 | |
-It's a legendary song. It's legendary. -I know, I know! | 0:14:04 | 0:14:06 | |
Everybody knows it. | 0:14:06 | 0:14:08 | |
I just keep on going to I Don't Like Cricket, | 0:14:08 | 0:14:10 | |
which is completely the opposite! | 0:14:10 | 0:14:12 | |
I'm going to hand it over to Noel's team. Any ideas? | 0:14:14 | 0:14:17 | |
Is it Bob Marley? | 0:14:17 | 0:14:18 | |
It certainly is. What track is it? | 0:14:18 | 0:14:20 | |
Could This Be Love? | 0:14:20 | 0:14:21 | |
No! | 0:14:23 | 0:14:24 | |
-It was actually Stir It Up. -Of course it was! | 0:14:24 | 0:14:27 | |
OK, the BBC's in enough trouble. Get out from under there! | 0:14:29 | 0:14:32 | |
Here's how it should have sounded. | 0:14:33 | 0:14:36 | |
MUSIC: "Stir It Up" by Bob Marley | 0:14:36 | 0:14:38 | |
That was good. | 0:14:38 | 0:14:39 | |
That was pretty good. | 0:14:39 | 0:14:40 | |
At least I knew it was reggae-esque! | 0:14:44 | 0:14:46 | |
I Don't Like Cricket is similar. | 0:14:46 | 0:14:50 | |
Thank you... | 0:14:50 | 0:14:51 | |
# I don't like cricket! # | 0:14:51 | 0:14:53 | |
So that was Bob Marley with Stir It Up. | 0:14:55 | 0:14:57 | |
Bob Marley performed with the Wailers, | 0:14:57 | 0:14:59 | |
who are still very much imitated around the world. | 0:14:59 | 0:15:02 | |
I recently went to see the Japanese Wailers, | 0:15:02 | 0:15:04 | |
and they've given it a very different spin. | 0:15:04 | 0:15:06 | |
We also heard Carly Simon with You're So Vain. | 0:15:09 | 0:15:11 | |
Recently, Carly Simon revealed the identity of the song's subject | 0:15:11 | 0:15:14 | |
to the highest bidder at a charity auction. | 0:15:14 | 0:15:17 | |
The lucky winner was a Mr Dick Ebersol, | 0:15:17 | 0:15:20 | |
who I believe is married to Fanny Cannister. | 0:15:20 | 0:15:23 | |
Noel and Rita, here are yours for Mr Manford. | 0:15:32 | 0:15:36 | |
Who's on your T-shirt? | 0:15:37 | 0:15:39 | |
Oh, it's Celine Dion. | 0:15:39 | 0:15:40 | |
Is she the Titanic woman? | 0:15:43 | 0:15:44 | |
Yes, she is the Titanic woman. | 0:15:44 | 0:15:46 | |
Right. Yeah. I hate her. | 0:15:46 | 0:15:47 | |
I'm joking. I think she's a very powerful artist. | 0:15:49 | 0:15:52 | |
At times haunting. | 0:15:54 | 0:15:56 | |
OK. | 0:15:56 | 0:15:58 | |
The... | 0:15:58 | 0:16:00 | |
Don't say what it is! | 0:16:00 | 0:16:02 | |
Nearly! | 0:16:02 | 0:16:03 | |
Two, three, four. | 0:16:03 | 0:16:05 | |
Whaaaw! | 0:16:05 | 0:16:07 | |
Brrrrrr! | 0:16:07 | 0:16:09 | |
-Beep, bee-roo! -Boom-boom. | 0:16:09 | 0:16:10 | |
-Weep, wee-roo! -Dum-dum. | 0:16:10 | 0:16:12 | |
Beep, bee-roo! Beep, bee-roo! | 0:16:12 | 0:16:14 | |
-Boom-boom. -Weep, bee-roo! | 0:16:14 | 0:16:16 | |
-Boom-boom. -Beep, bee-roo! | 0:16:16 | 0:16:18 | |
-Beep, bee-roo! -Doo, doo, doo, doo! | 0:16:18 | 0:16:21 | |
Anything creeping under your door? | 0:16:21 | 0:16:23 | |
I just don't think I've got that part of the brain! | 0:16:23 | 0:16:26 | |
No, you do. | 0:16:26 | 0:16:28 | |
All I can hear is two grown adults doing noises of children. | 0:16:28 | 0:16:32 | |
I can't put them together into music! | 0:16:32 | 0:16:34 | |
Come on, you can get this. It's so good. | 0:16:34 | 0:16:36 | |
Beep, bee-roo! | 0:16:36 | 0:16:38 | |
-No? -Yeah, it was good. | 0:16:38 | 0:16:39 | |
Yeah, that's better. | 0:16:39 | 0:16:40 | |
Is anything going on? | 0:16:42 | 0:16:43 | |
I feel the same way as I do with the Countdown Conundrum. | 0:16:43 | 0:16:45 | |
-I've got no idea. -OK. | 0:16:45 | 0:16:47 | |
Not getting it. | 0:16:47 | 0:16:48 | |
That was The Cardigans, Favourite Game, and it should sound like this. | 0:16:48 | 0:16:52 | |
MUSIC: "My Favourite Game" by The Cardigans | 0:16:52 | 0:16:56 | |
Hard, when you're on somebody else's team, because you think... Yeah. | 0:17:01 | 0:17:05 | |
Yeah, it sounded like it, a little. | 0:17:05 | 0:17:08 | |
I'm not sure about the drums. | 0:17:08 | 0:17:10 | |
Next one, please. | 0:17:10 | 0:17:11 | |
Booba, ticka, ticka, booka, ticka, ticka, booka. | 0:17:11 | 0:17:14 | |
Boompa, che, ke-chicka, ticka, boom, boom. | 0:17:14 | 0:17:16 | |
Boompa, che, ke-chicka, boom, boom, che... | 0:17:16 | 0:17:18 | |
THEY CONTINUE | 0:17:18 | 0:17:20 | |
# Yeah... # | 0:17:29 | 0:17:33 | |
# Buy me flowers, Just go ahead now. # | 0:17:33 | 0:17:35 | |
It's that one, isn't it? | 0:17:35 | 0:17:36 | |
And what's it called? | 0:17:36 | 0:17:38 | |
I sang a bit of it! | 0:17:40 | 0:17:41 | |
Isn't that the game? | 0:17:42 | 0:17:44 | |
I need a name and a title. | 0:17:44 | 0:17:46 | |
Oh, God, I know it! | 0:17:46 | 0:17:47 | |
As soon as you say it, I'll know it. Does that count? | 0:17:47 | 0:17:49 | |
# Yeah. # | 0:17:49 | 0:17:50 | |
I'll swear on whatever kid of mine you want me to swear on. | 0:17:50 | 0:17:53 | |
Stop it! | 0:17:53 | 0:17:54 | |
Don't pick the eldest, she's my favourite, but the other two... | 0:17:54 | 0:17:57 | |
I'm joking, I'm joking! | 0:17:57 | 0:17:58 | |
I'm going to have to throw it over. | 0:17:58 | 0:18:00 | |
It's Two Princes by the Spin Doctors. | 0:18:00 | 0:18:03 | |
This is how it should have sounded. | 0:18:04 | 0:18:07 | |
MUSIC: "Two Princes" by Spin Doctors | 0:18:07 | 0:18:09 | |
I didn't know it was called that. | 0:18:09 | 0:18:12 | |
Good tune. | 0:18:12 | 0:18:13 | |
# Doo-wop! Doo-doo-doo! # | 0:18:17 | 0:18:19 | |
It sounds a bit like that, though. | 0:18:19 | 0:18:21 | |
We also heard the Cardigans with Favourite Game, | 0:18:23 | 0:18:26 | |
and the Cardigans are the most Scandinavian of bands. | 0:18:26 | 0:18:29 | |
In fact, they could only be more Scandinavian | 0:18:29 | 0:18:32 | |
if Bjorn Borg was solving a killing in a Volvo | 0:18:32 | 0:18:35 | |
wearing a big jumper made of Sandi Toksvig. | 0:18:35 | 0:18:38 | |
So that means, at the end of that round, Noel's team have zero, | 0:18:41 | 0:18:44 | |
and Phill's team now have two. | 0:18:44 | 0:18:46 | |
It's time now for round three, the identity parade. | 0:18:53 | 0:18:56 | |
Phill's team, how about a little soft rhinestone rock? | 0:18:56 | 0:18:59 | |
Here is Neil Diamond. | 0:18:59 | 0:19:01 | |
# Sweet Caroline | 0:19:01 | 0:19:04 | |
# Good times never seemed so good | 0:19:06 | 0:19:09 | |
# I've been inclined... # | 0:19:12 | 0:19:15 | |
Well, that was Neil Diamond with Sweet Caroline, | 0:19:17 | 0:19:20 | |
but which of our line-up is Ian Graham, a super-fan of Neil Diamond? | 0:19:20 | 0:19:24 | |
He's seen him perform live over 200 times, | 0:19:24 | 0:19:28 | |
and owns over £100,000 worth of Neil Diamond memorabilia, including | 0:19:28 | 0:19:34 | |
a pair of his unwashed underpants which he bought at auction. | 0:19:34 | 0:19:38 | |
Is it number one, Sweet Caroline? | 0:19:38 | 0:19:40 | |
Is it number two, sweet potato? | 0:19:41 | 0:19:44 | |
Is it number three, sweet Jesus? | 0:19:45 | 0:19:48 | |
Number four, three-piece suite? | 0:19:50 | 0:19:53 | |
Number five, Janet Sweet-Porter? | 0:19:54 | 0:19:57 | |
Sorry, is number two, is that Uncle Ben? | 0:19:59 | 0:20:02 | |
Is it true that Neil's actually in the building? | 0:20:11 | 0:20:14 | |
Oh, damn! | 0:20:15 | 0:20:17 | |
Nice ploy. | 0:20:17 | 0:20:18 | |
The problem we have here in this game is it could be any of them. | 0:20:18 | 0:20:21 | |
Yes. | 0:20:21 | 0:20:22 | |
But I think it's number five. He's got that country feel. | 0:20:22 | 0:20:25 | |
Yeah, but that's too obvious. I feel like it could be number four. | 0:20:25 | 0:20:28 | |
I feel like he's a closet Diamond fan. | 0:20:28 | 0:20:30 | |
There's nothing closet about him! | 0:20:30 | 0:20:32 | |
He's got Diamond written all over him in big neon letters! | 0:20:32 | 0:20:35 | |
# I am, I said. # | 0:20:35 | 0:20:37 | |
It's four. | 0:20:39 | 0:20:40 | |
It's four. | 0:20:40 | 0:20:41 | |
Let's find out. Will the real Ian Graham please step forward? | 0:20:43 | 0:20:48 | |
Oh! | 0:20:48 | 0:20:50 | |
Nice tease! | 0:20:53 | 0:20:54 | |
It was a great dummy. | 0:20:56 | 0:20:58 | |
And already with his ticket to see Neil Diamond in concert next year, | 0:20:58 | 0:21:01 | |
Ian Graham, ladies and gentlemen. | 0:21:01 | 0:21:03 | |
APPLAUSE | 0:21:03 | 0:21:05 | |
My fans don't have to buy my stuff off the Internet or anything. | 0:21:09 | 0:21:11 | |
I usually just throw most of my clothes into the crowd. | 0:21:11 | 0:21:14 | |
And then I'm like, "That was, like, two grand!" | 0:21:14 | 0:21:17 | |
I'm like Top Cat. I do throw stuff in, but it's on a string. | 0:21:17 | 0:21:20 | |
Rita, have you ever crowd-surfed? | 0:21:23 | 0:21:24 | |
I crowd-surfed once. | 0:21:24 | 0:21:26 | |
At your own gig? | 0:21:26 | 0:21:28 | |
It was. A very intimate gig. | 0:21:28 | 0:21:30 | |
You have to stay straight, so you don't bend, | 0:21:30 | 0:21:31 | |
because then you just fall in the middle. | 0:21:31 | 0:21:33 | |
I wouldn't trust it, though, for somebody just grabbing you | 0:21:33 | 0:21:36 | |
and probing you. | 0:21:36 | 0:21:37 | |
I've been probed quite a few times! | 0:21:37 | 0:21:39 | |
Is that why they call you Labrinth? | 0:21:40 | 0:21:42 | |
So, Noel, Rita and Jason, how about some hot, gyrating granny porn? | 0:21:51 | 0:21:55 | |
It's Sir Tom Jones. | 0:21:55 | 0:21:57 | |
# It's not unusual to go out at any time | 0:21:57 | 0:22:01 | |
# But when I see you out and about it's such a crime | 0:22:03 | 0:22:06 | |
# If you should ever want to be loved by anyone | 0:22:07 | 0:22:11 | |
# It's not unusual It happens every day. # | 0:22:12 | 0:22:16 | |
That was Tom Jones with It's Not Unusual, | 0:22:17 | 0:22:20 | |
but which of our line-up is Tom Jones's super-fan Ann Hughes, | 0:22:20 | 0:22:24 | |
who has a special room in her house | 0:22:24 | 0:22:27 | |
that she uses as a shrine to Sir Tom? | 0:22:27 | 0:22:30 | |
Is it number one, It's Not Unusual? | 0:22:30 | 0:22:33 | |
Number two, it's not you, it's me? | 0:22:34 | 0:22:37 | |
Number three, it's not big and it's not clever? | 0:22:37 | 0:22:41 | |
Number four, it's not for me to judge? | 0:22:42 | 0:22:45 | |
Number five, it's not what I was expecting? | 0:22:46 | 0:22:49 | |
You know, like, women throw knickers at Tom Jones. | 0:22:52 | 0:22:54 | |
Do you think, as his fan base got older, | 0:22:54 | 0:22:57 | |
the knickers have got bigger and a bit more Bridget Jonesy? | 0:22:57 | 0:22:59 | |
He's actually being taken out now. | 0:22:59 | 0:23:01 | |
"It's not un..." | 0:23:01 | 0:23:03 | |
"Jesus, what are they?" | 0:23:03 | 0:23:05 | |
I like number five's hair. It's really cool. | 0:23:05 | 0:23:07 | |
Yeah, I like that. | 0:23:07 | 0:23:08 | |
I did see number five sitting in reception earlier. | 0:23:08 | 0:23:10 | |
Mind you, they must have all come here, so... | 0:23:10 | 0:23:12 | |
Number one's too... | 0:23:15 | 0:23:16 | |
-Tall. -Very tall. | 0:23:16 | 0:23:17 | |
Wouldn't be able to get through the door. | 0:23:17 | 0:23:19 | |
So because you're tall, you can't be a Tom Jones fan? | 0:23:19 | 0:23:22 | |
I think so. | 0:23:22 | 0:23:23 | |
The thing is, though, Tom Jones just isn't that good, is he? | 0:23:23 | 0:23:26 | |
He's a sex bomb. | 0:23:26 | 0:23:28 | |
Oooh, that's good! | 0:23:28 | 0:23:29 | |
I'd love it if number two just went and drop-kicked you for saying that. | 0:23:29 | 0:23:32 | |
Number five's digging her nails into her own thighs as you said that. | 0:23:33 | 0:23:36 | |
# Because I've had too much | 0:23:36 | 0:23:39 | |
# Of this and that! # | 0:23:39 | 0:23:41 | |
I love Tom. | 0:23:42 | 0:23:43 | |
Oh, it's you, then? | 0:23:43 | 0:23:44 | |
Wouldn't it be fun if it was? | 0:23:44 | 0:23:46 | |
If I'd dug a cellar out. | 0:23:46 | 0:23:49 | |
Did you ever see Tom Jones live? | 0:23:49 | 0:23:51 | |
I saw him at Lovebox. | 0:23:51 | 0:23:52 | |
His set was, I think, three hours long. | 0:23:52 | 0:23:54 | |
Is there a festival called Glovebox? | 0:23:54 | 0:23:56 | |
Lovebox. | 0:23:56 | 0:23:57 | |
Although I would go to Glovebox. | 0:23:59 | 0:24:01 | |
Yeah, so would I! | 0:24:01 | 0:24:02 | |
Imagine if it's just number three, | 0:24:02 | 0:24:04 | |
and she's just been quiet the whole time. | 0:24:04 | 0:24:06 | |
They've all been pretty quiet! | 0:24:06 | 0:24:08 | |
So which number are you going to pick? | 0:24:10 | 0:24:11 | |
Let's go with five, just give her more screen time for that hair. | 0:24:11 | 0:24:14 | |
-Number five. -I think it's lovely. | 0:24:14 | 0:24:16 | |
Let's find out. Would the real Ann Hughes please step forward? | 0:24:16 | 0:24:19 | |
Oh! | 0:24:20 | 0:24:21 | |
APPLAUSE | 0:24:21 | 0:24:23 | |
Still hoping to actually meet Sir Tom in private one day, | 0:24:26 | 0:24:29 | |
Ann Hughes, ladies and gentlemen. | 0:24:29 | 0:24:31 | |
Thank you. | 0:24:31 | 0:24:33 | |
And at the end of that round, Noel's team still have zero, | 0:24:34 | 0:24:38 | |
and Phill's team have two. | 0:24:38 | 0:24:40 | |
And so we end with Next Lines. | 0:24:47 | 0:24:49 | |
Phill's team, you're in the lead, so you go first. | 0:24:49 | 0:24:52 | |
"A little bit of Monica in my life." | 0:24:52 | 0:24:55 | |
A little bit of... | 0:24:55 | 0:24:56 | |
Rita? | 0:24:56 | 0:24:57 | |
No, no. # A little bit of Monica... # | 0:24:57 | 0:24:59 | |
No. A little bit of Erica by my side. | 0:24:59 | 0:25:03 | |
Lou Bega, Mambo No. 5. | 0:25:03 | 0:25:05 | |
"You remind me of the babe. What babe?" | 0:25:05 | 0:25:08 | |
Oh, my friend knows this so well. | 0:25:08 | 0:25:11 | |
If you can see me right now, please send it telepathically | 0:25:11 | 0:25:14 | |
and I can answer. | 0:25:14 | 0:25:16 | |
They've got to be a time-travelling telepath to help. | 0:25:16 | 0:25:19 | |
Babe with the power, Labyrinth? | 0:25:21 | 0:25:22 | |
You've got it! | 0:25:22 | 0:25:23 | |
That's the Goblin King from the film Labyrinth. | 0:25:23 | 0:25:26 | |
"The babe with the power. What power?" | 0:25:26 | 0:25:28 | |
Nice work. | 0:25:28 | 0:25:29 | |
"Aaaaaargh!" | 0:25:29 | 0:25:30 | |
# What is it good for? | 0:25:30 | 0:25:32 | |
# Absolutely nothing | 0:25:32 | 0:25:34 | |
# Say it again. # | 0:25:34 | 0:25:35 | |
-No? -No. | 0:25:35 | 0:25:36 | |
Oh, damn. | 0:25:36 | 0:25:38 | |
"Your sex is on fire", Kings Of Leon. | 0:25:38 | 0:25:40 | |
No, man! | 0:25:40 | 0:25:41 | |
JINGLE PLAYS | 0:25:41 | 0:25:44 | |
So, Noel, your time starts now. | 0:25:44 | 0:25:46 | |
"If you're having girl problems, I feel bad for you, son." | 0:25:46 | 0:25:50 | |
I've got 99 problems but a bitch ain't one. Hit me! | 0:25:50 | 0:25:53 | |
Jay-Z, 99 Problems. | 0:25:53 | 0:25:54 | |
"Cos when the sun sets, baby, on the Avenue..." | 0:25:54 | 0:25:57 | |
I get that drunk sex feeling, yeah, when I'm with you. | 0:25:57 | 0:26:00 | |
Rita Ora, How Do We Party. | 0:26:00 | 0:26:02 | |
Yeah! | 0:26:02 | 0:26:03 | |
What breed of dog is that about? | 0:26:03 | 0:26:04 | |
Oh, come on! | 0:26:04 | 0:26:06 | |
"Now we're back together, together." | 0:26:06 | 0:26:08 | |
# I want to hold you | 0:26:08 | 0:26:10 | |
# My love is oh so true | 0:26:10 | 0:26:12 | |
Oh, God! "I want to show you, my heart is oh so true", | 0:26:12 | 0:26:15 | |
Jason Donovan and Kylie. | 0:26:15 | 0:26:17 | |
# Especially for you. # | 0:26:17 | 0:26:20 | |
JINGLE PLAYS | 0:26:20 | 0:26:21 | |
You really are good. | 0:26:23 | 0:26:24 | |
So, the final scores are Phill's team has two | 0:26:26 | 0:26:28 | |
and Noel's team also has two! | 0:26:28 | 0:26:30 | |
Ladies and gentlemen, it's a draw, | 0:26:34 | 0:26:36 | |
and that means we're in a tie-break situation. | 0:26:36 | 0:26:38 | |
Now, Labrinth here is probably best-known for his ability to | 0:26:38 | 0:26:41 | |
predict earthquakes, but how good are the teams | 0:26:41 | 0:26:44 | |
at recognising famous people in earthquake situations? | 0:26:44 | 0:26:48 | |
There's only one way to find out. | 0:26:49 | 0:26:52 | |
It's the Shakin' Stevens Tie-breaker. | 0:26:52 | 0:26:54 | |
I'm going to show you some disturbing footage. | 0:26:59 | 0:27:01 | |
All you have to do is identify as many of the famous | 0:27:04 | 0:27:07 | |
Stevens as you can. The team who recognises the most wins. | 0:27:07 | 0:27:14 | |
Shout them out as you see them, OK? Go! | 0:27:14 | 0:27:17 | |
Steven Tyler! | 0:27:17 | 0:27:18 | |
Rachel Stevens! | 0:27:21 | 0:27:23 | |
Stevie Wonder! | 0:27:23 | 0:27:24 | |
Cat Stevens! | 0:27:24 | 0:27:26 | |
Gwen Stefani! | 0:27:26 | 0:27:28 | |
Morrissey! | 0:27:28 | 0:27:30 | |
Anna Windtour! | 0:27:30 | 0:27:31 | |
No, it's a Steve. That's the joke. | 0:27:31 | 0:27:33 | |
Boy George. | 0:27:33 | 0:27:34 | |
Stevie Nicks. | 0:27:34 | 0:27:35 | |
Yes. | 0:27:35 | 0:27:37 | |
Oh! | 0:27:37 | 0:27:39 | |
I even remember some of them. Gwen Stefani, Stevie Wonder. | 0:27:39 | 0:27:42 | |
I love it. It's not the last round of the Generation Game. | 0:27:42 | 0:27:46 | |
So, Phill's team, you got four right, massive, | 0:27:46 | 0:27:50 | |
but Noel's team, you got five! | 0:27:50 | 0:27:53 | |
So that means tonight's winners are Noel's team. | 0:27:57 | 0:28:00 | |
APPLAUSE | 0:28:00 | 0:28:02 | |
Thanks to Phill, Labrinth and Jameela Jamil, | 0:28:04 | 0:28:06 | |
Noel, Rita Ora and Jason Manford. | 0:28:06 | 0:28:09 | |
This has been Never Mind The Buzzcocks, I've been Liza Tarbuck, | 0:28:10 | 0:28:14 | |
and as you enjoy the credits, we're all going to write down | 0:28:14 | 0:28:17 | |
what we think Labrinth's real name might be. | 0:28:17 | 0:28:19 | |
Good night. | 0:28:19 | 0:28:20 | |
Join us next week, | 0:28:52 | 0:28:54 | |
when your host will definitely be one of the following comedy Bobs. | 0:28:54 | 0:28:58 |