Browse content similar to Episode 13. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
APPLAUSE AND CHEERING | 0:00:20 | 0:00:24 | |
Welcome to a very Christmassy Never Mind The Buzzcocks. | 0:00:31 | 0:00:36 | |
Phill and Noel, please reveal the Buzzcocks Christmas host. | 0:00:36 | 0:00:41 | |
It's Bob Mortimer. | 0:00:41 | 0:00:43 | |
CHEERING | 0:00:43 | 0:00:48 | |
# Lock up your pigeon | 0:00:48 | 0:00:50 | |
# Tranquillise your wife | 0:00:50 | 0:00:51 | |
# Cos Christmas time is here | 0:00:51 | 0:00:54 | |
# Pull up your pantyhose nice and tight | 0:00:54 | 0:00:58 | |
# I'm your Buzzcocks host tonight | 0:00:58 | 0:01:00 | |
# So jump down to Aldi | 0:01:00 | 0:01:02 | |
# Buy a box of vodka | 0:01:02 | 0:01:04 | |
# Cos Christmas time is here | 0:01:04 | 0:01:07 | |
# Yah! # | 0:01:07 | 0:01:08 | |
CHEERING | 0:01:08 | 0:01:11 | |
Welcome to Never Mind The Christmas Buzzcocks. | 0:01:12 | 0:01:16 | |
I'm Bob Mortimer and, look, there was a Christmas joke | 0:01:16 | 0:01:19 | |
and a Christmas fact in the Christmas cracker. | 0:01:19 | 0:01:23 | |
Phill, would you like to hear the joke | 0:01:23 | 0:01:26 | |
or would you like to hear the fact? | 0:01:26 | 0:01:28 | |
-Fact, please, Bob. -Fact. Wow, who'd have known? | 0:01:28 | 0:01:31 | |
Professor Brian Cox is so clever | 0:01:31 | 0:01:34 | |
he doesn't need to wear 3-D glasses to watch a 3-D film. | 0:01:34 | 0:01:38 | |
LAUGHTER | 0:01:38 | 0:01:41 | |
So that leaves you with the joke, Noel. | 0:01:42 | 0:01:44 | |
-OK. -What did one lawyer say to the other lawyer? | 0:01:44 | 0:01:49 | |
I don't know. | 0:01:49 | 0:01:50 | |
We are both lawyers. | 0:01:50 | 0:01:52 | |
LAUGHTER | 0:01:52 | 0:01:54 | |
Oh, those Christmas crackers and their ways. | 0:01:55 | 0:01:59 | |
On Phill's team tonight... | 0:01:59 | 0:02:01 | |
..is a Spice Girl who has | 0:02:04 | 0:02:07 | |
31 tattoos on her body. | 0:02:07 | 0:02:09 | |
Mind you, she is from Liverpool, so some of those may just be graffiti. | 0:02:09 | 0:02:13 | |
It's Melanie C. | 0:02:13 | 0:02:15 | |
APPLAUSE | 0:02:15 | 0:02:18 | |
And an actor who plays a werewolf in Being Human. | 0:02:21 | 0:02:25 | |
If you don't know what a werewolf is, imagine | 0:02:25 | 0:02:27 | |
if Justin Lee Collins only behaved like that once a month. | 0:02:27 | 0:02:31 | |
It's Russell Tovey. | 0:02:31 | 0:02:34 | |
APPLAUSE | 0:02:34 | 0:02:36 | |
And on Noel's team... | 0:02:36 | 0:02:38 | |
..is not only a leading dubstep producer | 0:02:41 | 0:02:44 | |
but also my favourite Glade plug-in. | 0:02:44 | 0:02:47 | |
It's DJ Fresh. | 0:02:47 | 0:02:50 | |
APPLAUSE | 0:02:50 | 0:02:53 | |
And a comedian who is set | 0:02:54 | 0:02:57 | |
to appear in Noel's sketch show. | 0:02:57 | 0:02:59 | |
Be careful, you don't want to be typecast as a jazz-playing turtle. | 0:02:59 | 0:03:02 | |
It's Joey Page. | 0:03:02 | 0:03:04 | |
APPLAUSE | 0:03:04 | 0:03:06 | |
-Russell, you've been in the sitcom Him And Her. -Yeah. -Yeah. | 0:03:08 | 0:03:11 | |
-And you've been in Being Human. -That's right. | 0:03:11 | 0:03:13 | |
-History Boys and so on. -Correct. | 0:03:13 | 0:03:15 | |
So I have got to take this opportunity to ask you, | 0:03:15 | 0:03:18 | |
has Nick Knowles ever reared up behind you without you noticing? | 0:03:18 | 0:03:22 | |
Not without me noticing, no. | 0:03:22 | 0:03:23 | |
It's Christmas time. What's your favourite carol? | 0:03:23 | 0:03:26 | |
Favourite carol? I like Little Donkey. | 0:03:26 | 0:03:28 | |
-NOEL: -I like Little Donkey. | 0:03:28 | 0:03:29 | |
It's a classic, isn't it? | 0:03:29 | 0:03:30 | |
It sort of get a bit funky. | 0:03:30 | 0:03:31 | |
# Little donkey | 0:03:31 | 0:03:33 | |
# Boom-chicka, boom-chicka boom-chicka. | 0:03:34 | 0:03:37 | |
# On a dusty track, dusty track Cha-cha-cha. # | 0:03:37 | 0:03:41 | |
And you play the coconuts. | 0:03:41 | 0:03:43 | |
That's the hooves. | 0:03:43 | 0:03:44 | |
-Yeah. -It wouldn't be Jesus' hooves, would it? | 0:03:44 | 0:03:47 | |
No. No. | 0:03:47 | 0:03:50 | |
Let's begin with Round One - Do They Know It's Christmas Time At All? | 0:03:50 | 0:03:54 | |
Phill, Melanie C and Russell, take a look at this. | 0:03:54 | 0:03:57 | |
# We found love in a hopeless place We found love in a hopeless place. # | 0:03:57 | 0:04:04 | |
Yes, it's the conservatively dressed, publicity-shy, | 0:04:04 | 0:04:08 | |
Bajan shrinking violet Rihanna. | 0:04:08 | 0:04:10 | |
That was Rihanna with We Found Love, | 0:04:12 | 0:04:14 | |
but what was she secretly paid £5 million to do? | 0:04:14 | 0:04:19 | |
Was it A) Turn on the Christmas lights? | 0:04:19 | 0:04:22 | |
Was it B) Dress as a sexy Santa's helper? | 0:04:22 | 0:04:25 | |
Or C) Ride a reindeer? | 0:04:25 | 0:04:28 | |
Russell, is that a prop or have you turned into a reindeer? | 0:04:28 | 0:04:31 | |
It's a were-deer. | 0:04:31 | 0:04:33 | |
LAUGHTER | 0:04:33 | 0:04:35 | |
I mean, for her to dress up in some... | 0:04:35 | 0:04:37 | |
-What is it, dress up as a sexy elf? It's not a push, is it? -Yeah. | 0:04:37 | 0:04:40 | |
Surely the novelty with Rihanna, dressing her up, would be to | 0:04:40 | 0:04:43 | |
dress her up in an unsexy way. | 0:04:43 | 0:04:45 | |
You know, as a Beefeater. | 0:04:45 | 0:04:46 | |
LAUGHTER | 0:04:46 | 0:04:48 | |
I would personally like to see her dressed like a sexy Santa's helper, | 0:04:48 | 0:04:52 | |
riding a reindeer, switching on Christmas lights. | 0:04:52 | 0:04:55 | |
You want to get your money's worth, don't you? | 0:04:55 | 0:04:58 | |
Wouldn't we all? But it's not an option. | 0:04:58 | 0:05:00 | |
-£5 million. -5 million. -Easy-peasy. | 0:05:00 | 0:05:02 | |
I mean, I'd do it for a fiver, to be fair. | 0:05:02 | 0:05:05 | |
She needs the money cos she's always on this yacht | 0:05:05 | 0:05:08 | |
and she's always just going round and round the globe. | 0:05:08 | 0:05:10 | |
If I got the £5 million, I would get a boat and just match her | 0:05:10 | 0:05:13 | |
and I'd go around next to it | 0:05:13 | 0:05:15 | |
and every time that she had one of her massive parties on it, | 0:05:15 | 0:05:17 | |
I'd put my pyjamas on and go across and go, | 0:05:17 | 0:05:20 | |
"Do you mind turning it down? I've got work in the morning." | 0:05:20 | 0:05:23 | |
LAUGHTER | 0:05:23 | 0:05:24 | |
-Hasn't she trapped a load of people on a plane at the moment? -Really? | 0:05:24 | 0:05:27 | |
She ran a competition to go on a plane | 0:05:27 | 0:05:30 | |
and she won't let the people off the plane. | 0:05:30 | 0:05:32 | |
No-one else has heard about this, no? | 0:05:32 | 0:05:34 | |
I've introduced it at far too late a stage. | 0:05:34 | 0:05:38 | |
Look out for it. | 0:05:38 | 0:05:39 | |
LAUGHTER | 0:05:39 | 0:05:41 | |
-RUSSELL: -Are they still on the plane? | 0:05:41 | 0:05:42 | |
They're on the plane as we speak, yeah. | 0:05:42 | 0:05:44 | |
One person has managed to communicate with the outside world. | 0:05:44 | 0:05:47 | |
The experience sounds terrible. | 0:05:47 | 0:05:49 | |
SHE GIGGLES | 0:05:49 | 0:05:51 | |
-RUSSELL: -How long has it been going on? | 0:05:51 | 0:05:53 | |
I think it's on the sixth day now | 0:05:53 | 0:05:54 | |
and they're hoping to escape tomorrow, I think. | 0:05:54 | 0:05:57 | |
LAUGHTER | 0:05:57 | 0:05:58 | |
She demands 5 million to let them off the plane. | 0:05:58 | 0:06:01 | |
It's not an option. It's a long shot. Do you want to go for it? | 0:06:01 | 0:06:05 | |
Shall have an answer? What do you think? | 0:06:05 | 0:06:07 | |
Lights, come on. | 0:06:07 | 0:06:08 | |
I'll go with the majority, I'll go with lights. | 0:06:08 | 0:06:11 | |
It's the correct answer. | 0:06:11 | 0:06:12 | |
APPLAUSE | 0:06:12 | 0:06:15 | |
Rihanna was paid an estimated £5 million to | 0:06:15 | 0:06:19 | |
turn on the Christmas lights at a shopping centre in London this year. | 0:06:19 | 0:06:23 | |
5 million may seem a lot, but she's got to go up into the loft, find | 0:06:23 | 0:06:27 | |
the box, untangle them and there's always one that doesn't work. | 0:06:27 | 0:06:31 | |
Isn't there, though? Isn't there? Isn't there? | 0:06:31 | 0:06:35 | |
Noel, DJ Fresh and Joey, have a look at this. | 0:06:37 | 0:06:40 | |
# Well, I'm just a modern guy... # | 0:06:40 | 0:06:45 | |
Yes, it's old scrotum face himself, Iggy Pop. | 0:06:45 | 0:06:49 | |
That was Iggy Pop with Lust For Life, but which of the following did | 0:06:54 | 0:06:58 | |
Iggy demand that he have backstage at one of his gigs? | 0:06:58 | 0:07:02 | |
Was it A) A snow machine? | 0:07:02 | 0:07:04 | |
B) Seven dwarves? | 0:07:04 | 0:07:05 | |
Or C) A partridge in a pear tree? | 0:07:05 | 0:07:08 | |
None of these things are really that Christmassy, though, are they? | 0:07:08 | 0:07:12 | |
Snow can happen at any time. | 0:07:12 | 0:07:14 | |
Joey, that's a partridge in a pear tree. | 0:07:14 | 0:07:16 | |
LAUGHTER | 0:07:16 | 0:07:17 | |
Did your mum just black the windows out at Christmas? | 0:07:17 | 0:07:20 | |
And go "There's nothing happening, Joey, just go to sleep." | 0:07:20 | 0:07:22 | |
LAUGHTER | 0:07:22 | 0:07:24 | |
Why would you have a snow machine in your dressing room? | 0:07:24 | 0:07:26 | |
-I don't know. -Can I get in front of it? | 0:07:26 | 0:07:29 | |
Oh, DJ Fresh! | 0:07:29 | 0:07:31 | |
It's always the same faces, isn't it, messing about? | 0:07:31 | 0:07:35 | |
LAUGHTER | 0:07:35 | 0:07:36 | |
Do you have a rider, DJ Fresh? | 0:07:36 | 0:07:38 | |
Just like crisps and sandwiches and stuff. Simple stuff, yeah. | 0:07:38 | 0:07:42 | |
What sort of crisps? Hula Hoops? | 0:07:42 | 0:07:44 | |
Salt and vinegar. | 0:07:44 | 0:07:45 | |
This rider you had, did you write it down when you were nine years old | 0:07:45 | 0:07:48 | |
and you've never bothered to update it? | 0:07:48 | 0:07:51 | |
-What happens to the others? -What others? -You know, the roast chicken. | 0:07:51 | 0:07:55 | |
-It doesn't work, does it, roast chicken? -It's just doesn't, does it? | 0:07:55 | 0:07:58 | |
Well, now and then, if you're a bit ill. | 0:07:58 | 0:08:00 | |
What about the Spice Girls with riders, Mel? | 0:08:03 | 0:08:05 | |
We didn't have anything. | 0:08:05 | 0:08:07 | |
Scotch eggs for Mel B? | 0:08:07 | 0:08:08 | |
Scotch eggs. | 0:08:08 | 0:08:10 | |
-NOEL: -What about you, Joey? | 0:08:10 | 0:08:11 | |
I've only ever had a dressing room once. | 0:08:11 | 0:08:13 | |
I went backstage and I came back out and my dad was like, | 0:08:13 | 0:08:16 | |
"Where have you been?" I was like... | 0:08:16 | 0:08:18 | |
Sorry, for that section of the audience it's like | 0:08:18 | 0:08:20 | |
that tree's telling the story. | 0:08:20 | 0:08:22 | |
LAUGHTER | 0:08:22 | 0:08:23 | |
So I went backstage and I came back and my dad was like, | 0:08:25 | 0:08:28 | |
"Where have you been?" I said, "In my dressing room." | 0:08:28 | 0:08:30 | |
He's like, "You've got a dressing room?" | 0:08:30 | 0:08:32 | |
And I was like, "Yeah." And he went, "Stick my coat in it." | 0:08:32 | 0:08:35 | |
LAUGHTER | 0:08:35 | 0:08:37 | |
I want an answer. I need an answer. I'm even going to have to say... | 0:08:37 | 0:08:40 | |
-HE MIMES: -# Come on! # | 0:08:40 | 0:08:42 | |
LAUGHTER | 0:08:42 | 0:08:43 | |
# Come on! # | 0:08:43 | 0:08:45 | |
# Yeah! # | 0:08:46 | 0:08:48 | |
LAUGHTER | 0:08:48 | 0:08:51 | |
Come on, Noel's team, let's have an answer. | 0:08:51 | 0:08:53 | |
I reckon it's the dwarves. He probably likes dwarves. | 0:08:53 | 0:08:55 | |
-That's your answer, the dwarves? -Yeah. | 0:08:55 | 0:08:57 | |
The dwarves is the right answer. | 0:08:57 | 0:08:59 | |
APPLAUSE | 0:08:59 | 0:09:02 | |
Iggy Pop asked gig organisers for seven dwarves to be backstage. | 0:09:05 | 0:09:09 | |
Iggy Pop was recently voted the worst celebrity face in the world. | 0:09:09 | 0:09:13 | |
If you're wondering what Iggy Pop looks like these days, | 0:09:13 | 0:09:16 | |
just imagine Carol McGiffin with a puncture. | 0:09:16 | 0:09:19 | |
LAUGHTER | 0:09:19 | 0:09:21 | |
And at the end of that round, | 0:09:24 | 0:09:25 | |
Phill's team have 1 and Noel's team have 1. | 0:09:25 | 0:09:28 | |
APPLAUSE | 0:09:28 | 0:09:31 | |
Thank you so much for coming, Mel. | 0:09:35 | 0:09:36 | |
What a privilege to be sat next to you. | 0:09:36 | 0:09:38 | |
-Have you ever been to Posh's house? -Yes, I have. -How posh is it? | 0:09:38 | 0:09:41 | |
Has it got dimmer switches? | 0:09:41 | 0:09:43 | |
Yeah. Dimmer switches in every room. | 0:09:43 | 0:09:46 | |
When you were the Spice Girls, if you had actually been | 0:09:46 | 0:09:48 | |
named after spices, I suppose, you would have been nutmeg, yeah? | 0:09:48 | 0:09:52 | |
-Why is that? -Because you're kind of hard, aren't you? | 0:09:52 | 0:09:54 | |
I think that's a misconception about me. | 0:09:54 | 0:09:56 | |
-Now I've met you, I feel terrible for saying that. -I'm soft. | 0:09:56 | 0:09:59 | |
I suppose Baby would have been vanilla | 0:09:59 | 0:10:01 | |
cos it's kind of bland. | 0:10:01 | 0:10:02 | |
No! | 0:10:02 | 0:10:04 | |
All right, well, let's call her garlic, cos she's bulbous. No? | 0:10:04 | 0:10:08 | |
I suppose Mel B would have been cumin | 0:10:08 | 0:10:11 | |
because she's a mucky bastard, isn't she? | 0:10:11 | 0:10:13 | |
-That is fitting. -Fair enough, innit? -Fair play. | 0:10:15 | 0:10:17 | |
Thank you, it's a privilege to have you here. | 0:10:17 | 0:10:21 | |
So just to set the scene for the next round, I'd like you all | 0:10:21 | 0:10:25 | |
to imagine a naked Kevin McCloud from Grand Designs, | 0:10:25 | 0:10:29 | |
squatting down on a supporting beam, | 0:10:29 | 0:10:32 | |
and gently lowering his bollocks onto a Pepperami. | 0:10:32 | 0:10:36 | |
He then says, "Imagine waking up to this view every morning." | 0:10:38 | 0:10:42 | |
Because it's time now for a real Christmas cracker, | 0:10:44 | 0:10:47 | |
it's the Intros Round. | 0:10:47 | 0:10:49 | |
Phill and Melanie C, here are yours for Russell. | 0:10:49 | 0:10:52 | |
Right. | 0:10:54 | 0:10:55 | |
# Jing, jing, jing... | 0:10:55 | 0:10:56 | |
# Ding ding ding ding | 0:10:56 | 0:11:00 | |
# Dum-dum dadala dow-dow dow-dow dow-dow... | 0:10:57 | 0:11:00 | |
# Ding ding ding ding | 0:11:00 | 0:11:01 | |
# Dum-dum dadala dow-dow dow-dow dow-dow | 0:11:01 | 0:11:03 | |
# Ding ding ding ding | 0:11:03 | 0:11:05 | |
# Dum-dum dadala dow-dow dow-dow dow-dow | 0:11:05 | 0:11:07 | |
# Ding ding ding ding | 0:11:07 | 0:11:08 | |
# Dum-dum dadala dow-dow dum-dum dow-dow. # | 0:11:08 | 0:11:11 | |
-Nope, no idea what that is. -Noel? -I know. | 0:11:14 | 0:11:16 | |
My mum and dad are in, my mum and dad will be furious with me if I don't get this. | 0:11:16 | 0:11:19 | |
-OK, so what is it? -It's Thin Lizzy, Whiskey In A Jar. | 0:11:19 | 0:11:22 | |
He's right, you know, and here is how it should have sounded. | 0:11:22 | 0:11:26 | |
INTRO PLAYS | 0:11:26 | 0:11:27 | |
# As I was going... # | 0:11:34 | 0:11:35 | |
So the next one please, Phill and Melanie. | 0:11:35 | 0:11:38 | |
One, two, three, two, two, three. | 0:11:38 | 0:11:40 | |
BOTH: # Dum digga-digga, dum digga-digga | 0:11:40 | 0:11:42 | |
# Dum digga-digga, dum digga-digga | 0:11:42 | 0:11:45 | |
# Dum digga-digga, dum digga-digga | 0:11:45 | 0:11:46 | |
# Dum digga-digga, dum digga-digga | 0:11:46 | 0:11:48 | |
# Dahhh dah-dah-dahhh dah-dah-dahhh... # | 0:11:48 | 0:11:51 | |
RUSSELL JOINS IN | 0:11:51 | 0:11:55 | |
RUSSELL CONTINUES SINGING SONG | 0:11:55 | 0:11:58 | |
Ohhh! | 0:11:58 | 0:12:00 | |
# Dahhh dah-dah-dahhh dah-dah... # Everybody, come on! | 0:12:00 | 0:12:03 | |
# Drink, drink, drink your beer... # | 0:12:03 | 0:12:07 | |
I don't know the next bit, though, I can't get to it! | 0:12:07 | 0:12:10 | |
Do you think if you changed into a wolf, you could get it? | 0:12:10 | 0:12:12 | |
-No, probably not. -Any ideas over there? This one is Christmassy. | 0:12:12 | 0:12:16 | |
-Is it? -Yeah. -Is it Cliff Richard? | 0:12:16 | 0:12:18 | |
-Ohhh! -Is it Cliff Richard? -Saviour's Day? | 0:12:20 | 0:12:22 | |
I'm going to give it to Russell. | 0:12:22 | 0:12:24 | |
-It's Saviour's Day, innit? -What?! -Saviour's Day, Cliff Richard. | 0:12:24 | 0:12:26 | |
And here is how it should have sounded. | 0:12:26 | 0:12:29 | |
INTRO PLAYS | 0:12:29 | 0:12:31 | |
# Now we have been through... # | 0:12:41 | 0:12:43 | |
-I wrote that song, Bob. -Did you? Why? | 0:12:43 | 0:12:46 | |
I've got an announcement just in, folks, sorry and all that. | 0:12:49 | 0:12:53 | |
Just an announcement. | 0:12:53 | 0:12:55 | |
DCI Falafel of the Poppadom Squad | 0:12:55 | 0:12:59 | |
will be appearing at the next motion sickness conference in Hull. | 0:12:59 | 0:13:03 | |
Tickets from Calypso Ken at Roadchef. | 0:13:03 | 0:13:06 | |
Sorry, it's just an announcement I had to make before I announce, | 0:13:06 | 0:13:10 | |
Noel and DJ Fresh, here are yours for Joey. | 0:13:10 | 0:13:14 | |
Off you go. | 0:13:14 | 0:13:16 | |
Oh, Poppadom Squad. Are you all right, are you alive? | 0:13:17 | 0:13:21 | |
-Do you want your mummy? -I'm just a bit worried. | 0:13:21 | 0:13:25 | |
What do you mean? | 0:13:25 | 0:13:26 | |
That you slightly fancy me? | 0:13:26 | 0:13:28 | |
I'm like your mad auntie. "All right, Joey, have a wine, come on!" | 0:13:30 | 0:13:35 | |
You look like Fenella Fielding molesting a young George Cole. | 0:13:35 | 0:13:38 | |
-I don't know who that is. -George Cole? Cheryl Cole's dad. | 0:13:40 | 0:13:43 | |
Oh, is it? Cool. | 0:13:43 | 0:13:44 | |
-Did you say Cheryl Cole's dead? -Dad. -Oh, dead, sorry. Wishful thinking. | 0:13:46 | 0:13:50 | |
-GROANING -It's a joke! | 0:13:50 | 0:13:52 | |
It's a comedy show! "Ooh, don't say that!" | 0:13:52 | 0:13:56 | |
He loved it, though. | 0:13:56 | 0:13:58 | |
# Byuw-ni-nyuw-ni-nyuw ni-nyuw ni-nyuw-nyuw | 0:13:59 | 0:14:02 | |
BOTH: # Ooh, cha, boom-boom cha Ooh, cha, boom-boom cha... # | 0:14:02 | 0:14:05 | |
'Yeahhhh!' | 0:14:05 | 0:14:06 | |
-Is it Footloose? -It sounded like it, but it isn't. | 0:14:10 | 0:14:14 | |
# Byuw-ni-nyuw-ni-nyuw ni-nyuw ni-nyuw-nyuw | 0:14:14 | 0:14:16 | |
# Boom-cha, boom-boom cha Ooh, cha, boom-boom cha... # | 0:14:16 | 0:14:19 | |
'Come on! | 0:14:19 | 0:14:20 | |
Maybe just focus on the beginning bit. | 0:14:22 | 0:14:25 | |
-That's what I was focusing on. -# Biiiiyoo! # | 0:14:25 | 0:14:28 | |
-Is it Cheryl Cole? -Mmmm... | 0:14:28 | 0:14:30 | |
-Ahhhh! -Is it Girls Aloud? | 0:14:30 | 0:14:33 | |
Yeah. | 0:14:33 | 0:14:35 | |
Is it one of their songs? | 0:14:35 | 0:14:37 | |
As opposed to one of their collages? | 0:14:37 | 0:14:40 | |
-No, sorry. -Then I will have to offer it over. | 0:14:43 | 0:14:46 | |
-Sound Of The Underground by Girls Aloud. -That is the correct answer. | 0:14:46 | 0:14:49 | |
And here is how it should have sounded. | 0:14:49 | 0:14:53 | |
INTRO PLAYS | 0:14:53 | 0:14:55 | |
It's quite a good tune. Take it all back. | 0:14:55 | 0:14:58 | |
Got a lot of drum and bass in it. | 0:14:58 | 0:15:00 | |
# Disco dancing with the lights down low... # | 0:15:00 | 0:15:02 | |
Good tune. Apart from that bit where they start singing. | 0:15:02 | 0:15:04 | |
-Next one please, Noel and DJ Fresh. -"Bah bah bah!" | 0:15:04 | 0:15:08 | |
-Yeah? -Yeah, yeah. | 0:15:10 | 0:15:12 | |
HE BURBLES | 0:15:12 | 0:15:14 | |
# Maaaa la la la la | 0:15:17 | 0:15:19 | |
-# Whooooa, boohhh ba-da... # -HE BURBLES | 0:15:19 | 0:15:23 | |
That's the wrong one. | 0:15:24 | 0:15:25 | |
HE BURBLES | 0:15:29 | 0:15:31 | |
-# Um-ah, um-ah, um-ah -Beow, beow, beow | 0:15:32 | 0:15:35 | |
-# Um-ah, um-ah, um-ah, um-ah, um-ah -Beow, beow, beow | 0:15:35 | 0:15:38 | |
# Um-ah, um-ah, um-ah, um-ah... # | 0:15:38 | 0:15:40 | |
Is it the Scissor Sisters? | 0:15:40 | 0:15:41 | |
Are we allowed to give him clues? | 0:15:44 | 0:15:46 | |
NOEL BURBLES | 0:15:46 | 0:15:48 | |
It sounds like a lot of songs, like someone's trying to tune the radio. | 0:15:49 | 0:15:53 | |
If it's any help, Joey, it doesn't sound anything like it. | 0:15:53 | 0:15:56 | |
-I'm having a nightmare, I don't know. -A nightmare. Phill? | 0:15:56 | 0:15:59 | |
-No. -No. -No. | 0:15:59 | 0:16:01 | |
Done a good job there, Noel. | 0:16:01 | 0:16:03 | |
It was in fact Teletubbies Say Eh-oh. | 0:16:03 | 0:16:07 | |
And here is how it should have sounded. | 0:16:07 | 0:16:09 | |
INTRO PLAYS | 0:16:09 | 0:16:11 | |
Thank you. | 0:16:13 | 0:16:15 | |
APPLAUSE AND CHEERING | 0:16:15 | 0:16:17 | |
It's all there, Joey! | 0:16:27 | 0:16:28 | |
Why didn't one of you go... # Ding-di-ding-ding! # | 0:16:28 | 0:16:32 | |
Because that's the bit where you sing. | 0:16:32 | 0:16:34 | |
But it was a xylophone, not a voice. | 0:16:34 | 0:16:36 | |
When we were practising, they said, "If you do that, | 0:16:36 | 0:16:38 | |
"we'll cut your hands off and you'll have hooks." | 0:16:38 | 0:16:41 | |
-Now I understand. Whoo, harsh! -And I don't want to have hooks. | 0:16:41 | 0:16:44 | |
-Why didn't you tell me what was going on? -What do you mean? | 0:16:44 | 0:16:47 | |
-If they're bullying you... -Oh, you look like you could really help! | 0:16:47 | 0:16:51 | |
What are you going to do, rinse a flannel out on top of them? | 0:16:53 | 0:16:56 | |
So that was Teletubbies with Teletubbies Say Eh-Oh. | 0:16:56 | 0:17:00 | |
A Christmas number two in 1997. | 0:17:00 | 0:17:04 | |
The Teletubbies famously all had TVs in their stomachs. | 0:17:04 | 0:17:07 | |
On one wild tour, they threw Tinky Winky out of a hotel window. | 0:17:07 | 0:17:12 | |
We also heard Girls Aloud with Sound Of The Underground, | 0:17:12 | 0:17:15 | |
a Christmas number one in 2002. | 0:17:15 | 0:17:17 | |
Louis Walsh has taken a swipe at Girls Aloud after their comeback. | 0:17:17 | 0:17:21 | |
Well, you know what Louis's like. He's never liked girls. | 0:17:21 | 0:17:25 | |
Aloud. | 0:17:27 | 0:17:28 | |
So that means at the end of that round, | 0:17:30 | 0:17:32 | |
Noel's team have one, and Phill's team have four. | 0:17:32 | 0:17:36 | |
APPLAUSE | 0:17:36 | 0:17:38 | |
DJ Fresh, thanks for coming. | 0:17:45 | 0:17:46 | |
The main thing when listening to you, it's the hooks. | 0:17:46 | 0:17:48 | |
The number of hooks you get into your music. | 0:17:48 | 0:17:50 | |
Then I realise you had Abu Hamza on keyboard. | 0:17:50 | 0:17:53 | |
Who's your nemesis, then? | 0:17:56 | 0:17:58 | |
Is it MC Sell-by? | 0:17:58 | 0:18:00 | |
I thought you were going to say MC Hammer for a minute. | 0:18:00 | 0:18:02 | |
-Well, he's everyone's nemesis, isn't he? -Who's your nemesis, Bob? | 0:18:02 | 0:18:07 | |
He's called Mogatron. | 0:18:07 | 0:18:09 | |
He was in Middlesbrough one week, and he was going round the town, | 0:18:10 | 0:18:13 | |
saying "I'll kick this chrome ball against your Town Hall." | 0:18:13 | 0:18:17 | |
"And your fire engines aren't safe." I says, shit, this is my nemesis. | 0:18:19 | 0:18:23 | |
I'd gone off on me BMX. I'm not stupid. | 0:18:24 | 0:18:27 | |
You'd like me to move on? | 0:18:29 | 0:18:31 | |
Honesty, I feel like an aqueduct on viaduct day. | 0:18:33 | 0:18:36 | |
Time now for the Identity Parade. | 0:18:37 | 0:18:40 | |
Phill's team, how about a Christmas pop classic? | 0:18:40 | 0:18:43 | |
For the audience only, here is Wham! | 0:18:43 | 0:18:46 | |
# Last Christmas I gave you my heart | 0:18:46 | 0:18:50 | |
# But the very next day You gave it away | 0:18:50 | 0:18:55 | |
# This year, to save me from tears | 0:18:55 | 0:18:59 | |
# I'll give it to someone special... # | 0:18:59 | 0:19:03 | |
That was Wham! with Last Christmas. | 0:19:04 | 0:19:06 | |
But which of our line-up is Kathy Hill who, | 0:19:06 | 0:19:09 | |
in the video for Last Christmas, | 0:19:09 | 0:19:11 | |
got caught up in a love triangle with George Michael and Andrew Ridgeley? | 0:19:11 | 0:19:16 | |
Is it number one, Last Christmas? | 0:19:16 | 0:19:19 | |
Number two, last chance? | 0:19:19 | 0:19:22 | |
Number three, lasts all night? | 0:19:24 | 0:19:26 | |
Number four, last of the summer wine? | 0:19:28 | 0:19:30 | |
Or number five, last night a DJ saved my life? | 0:19:31 | 0:19:35 | |
-Phill. -Ooh! -For a start, how cool is that, to have been in that video? | 0:19:36 | 0:19:41 | |
-That's true. -Meh... | 0:19:41 | 0:19:42 | |
-What were they, they were in a ski lodge. It was a love triangle. -Yeah. | 0:19:44 | 0:19:48 | |
-There were some crazy jumpers, weren't there? -Yeah, great jumpers. | 0:19:48 | 0:19:51 | |
Kathy? | 0:19:51 | 0:19:53 | |
-Nicely tried. -Ooh! I think I know. | 0:19:53 | 0:19:56 | |
-Do you? -Got a little reaction off someone. | 0:19:56 | 0:19:59 | |
You got a little reaction off me, I'm not Kathy. | 0:19:59 | 0:20:02 | |
-I'm drawn to number five for some reason. -Are you? | 0:20:04 | 0:20:06 | |
-Yeah. -I'm drawn to number one. -Isn't that funny. I'm drawn to Kathy, number one. | 0:20:06 | 0:20:10 | |
-I -don't think number three looks old enough. -What are you making of number two? -Love number two. | 0:20:10 | 0:20:15 | |
Number two's got the most '80s hair. | 0:20:15 | 0:20:17 | |
That is true. | 0:20:18 | 0:20:19 | |
There's only one of them not doing the cowboy hooked finger-thumb thing. | 0:20:19 | 0:20:23 | |
I don't know if there's anything in that. | 0:20:23 | 0:20:25 | |
Are you looking for Andrew Ridgeley or are you looking for the girl? | 0:20:25 | 0:20:28 | |
-The girl. -Sorry. I was playing a different game. | 0:20:28 | 0:20:31 | |
-PHIL: -Joey, in a very real sense, we're all looking for Andrew Ridgeley. | 0:20:31 | 0:20:34 | |
I like number one. I'd like her to be in my pop video. | 0:20:34 | 0:20:36 | |
We're not asking whether you'd like... | 0:20:36 | 0:20:38 | |
-I think it's number one. -You do as well? -I'm drawn to number one. | 0:20:38 | 0:20:41 | |
-What do you think? -I can go for number one. | 0:20:41 | 0:20:43 | |
-Number one, please. Bob. -Yeah? Well, let's find out. | 0:20:43 | 0:20:46 | |
-Would the real Kathy Hill please step forward? -Come on. | 0:20:46 | 0:20:50 | |
GROANING | 0:20:50 | 0:20:52 | |
-That's Kathy there. Did you know about George then? -No. | 0:20:55 | 0:21:00 | |
-Do you still see either of them? -No. -Not even a Christmas card from them? | 0:21:00 | 0:21:04 | |
-No. -Pricks. | 0:21:04 | 0:21:06 | |
Still finding success as a model, ladies and gentlemen, | 0:21:06 | 0:21:10 | |
it's Kathy Hill. | 0:21:10 | 0:21:11 | |
APPLAUSE | 0:21:11 | 0:21:13 | |
Now, Noel, DJ Fresh and Joey, | 0:21:15 | 0:21:18 | |
how about a little snow-based, hot choirboy action? | 0:21:18 | 0:21:21 | |
It's The Snowman. | 0:21:21 | 0:21:22 | |
# We're walking in the air | 0:21:22 | 0:21:27 | |
# We're dancing In the midnight sky... # | 0:21:27 | 0:21:33 | |
That was Aled Jones singing Walking In The Air | 0:21:34 | 0:21:37 | |
from the kids' film The Snowman. | 0:21:37 | 0:21:39 | |
But which of our line-up is Peter Auty who was the original boy | 0:21:39 | 0:21:44 | |
who actually sang the song Walking In The Air in the film | 0:21:44 | 0:21:48 | |
before choirboy Aled Jones ruthlessly turned up and released | 0:21:48 | 0:21:52 | |
his own version which became a hit single, therefore taking | 0:21:52 | 0:21:55 | |
all the glory, gaining worldwide success | 0:21:55 | 0:21:58 | |
and huge wealth off the back of it? | 0:21:58 | 0:22:00 | |
Is it number one with his face like a haunted dance school? | 0:22:01 | 0:22:06 | |
Is it number two with his face like an abandoned shit farm? | 0:22:07 | 0:22:11 | |
Is it number three with his face like a grieving pug? | 0:22:14 | 0:22:18 | |
Is it number four with his face like a bag of nowt? | 0:22:20 | 0:22:23 | |
Or number five with his face like Aled Jones's soapy bollocks? | 0:22:25 | 0:22:31 | |
Noel. | 0:22:32 | 0:22:33 | |
Number one, I mean, seriously? | 0:22:37 | 0:22:40 | |
Imagine him coming down at you... | 0:22:40 | 0:22:42 | |
..with his parsnip penis. | 0:22:44 | 0:22:47 | |
What's number two building in that stomach? | 0:22:49 | 0:22:51 | |
I hope it's number five cos he's the kind of person, you go to him | 0:22:55 | 0:22:59 | |
and he'd just go, "Aarghhh!" | 0:22:59 | 0:23:01 | |
-Why aren't you liking four? -RUSSELL: -Yeah, I'm thinking four. That was my first... | 0:23:01 | 0:23:06 | |
-NOEL: -Really? I'm getting bad vibes off number four. -I think it's number three because | 0:23:06 | 0:23:10 | |
he looks quite innocent, like he would be a choirboy, | 0:23:10 | 0:23:12 | |
but he also looks like the evil one in an office that would eat | 0:23:12 | 0:23:15 | |
all the orange creams out of the Quality Street and then just leave all the shit ones. | 0:23:15 | 0:23:19 | |
Didn't Aled Jones used to wear something | 0:23:19 | 0:23:21 | |
exactly like that in the video? | 0:23:21 | 0:23:23 | |
He might just be wearing that cos he's depressed. | 0:23:23 | 0:23:26 | |
-You reckon it's number three? -Yeah, it's got to be. | 0:23:26 | 0:23:28 | |
DJ Fresh thinks it's three. Joey thinks it's three. | 0:23:28 | 0:23:31 | |
-I'll go with my teammates. Number three. -Let's find out. | 0:23:31 | 0:23:34 | |
Would the real Peter Auty please step forward? | 0:23:34 | 0:23:38 | |
GROANING | 0:23:38 | 0:23:39 | |
Who do you think sang it better, Peter? You or Aled? | 0:23:43 | 0:23:45 | |
I did, obviously. | 0:23:45 | 0:23:47 | |
I like his version a lot, but it wasn't as good as mine, no. | 0:23:47 | 0:23:49 | |
-Do you still sing? -I do sing. Yeah, I'm an opera singer. -Are you?! -Yeah. | 0:23:49 | 0:23:53 | |
Would you sing us a bit of Spice Girls? | 0:23:53 | 0:23:56 | |
No. | 0:23:56 | 0:23:57 | |
-Sorry. -Is Aled... | 0:23:59 | 0:24:01 | |
Are his cheeks really that red or does he draw them on? | 0:24:01 | 0:24:04 | |
-I've never met Aled Jones. -You've never met him? -No. | 0:24:04 | 0:24:06 | |
If you did meet him, would you kick the shit out of him? | 0:24:06 | 0:24:10 | |
I don't know. I... | 0:24:10 | 0:24:11 | |
LAUGHTER | 0:24:11 | 0:24:13 | |
Peter, this camouflage around the neck, have you got like a big goitre | 0:24:13 | 0:24:18 | |
-filled with sex wasps or something? -Yeah(!) -No? | 0:24:18 | 0:24:24 | |
Oh, dear. Well, Peter, thank you so much. | 0:24:24 | 0:24:26 | |
Now singing opera to a professional standard, | 0:24:26 | 0:24:29 | |
ladies and gentlemen, Peter Auty. | 0:24:29 | 0:24:31 | |
APPLAUSE | 0:24:31 | 0:24:33 | |
At the end of that round, Noel's team have one, | 0:24:36 | 0:24:39 | |
and Phil's team, you have four. | 0:24:39 | 0:24:41 | |
It's Christmas, Joey. If I could give you a Christmas wish which was | 0:24:45 | 0:24:50 | |
you can fry anything in a frying pan... | 0:24:50 | 0:24:53 | |
I would fry a revolver, like most people. What would you fry? | 0:24:53 | 0:24:58 | |
-Stephen Fry. -You'd fry him up? | 0:24:58 | 0:25:00 | |
Cos then he'd be double-fried Stephen Fry. | 0:25:00 | 0:25:03 | |
-So crispy. -Fry squared. | 0:25:03 | 0:25:06 | |
So, we end with a Christmas edition of Next Lines. | 0:25:06 | 0:25:09 | |
Phil's team, you're in the lead, so you get to go first. | 0:25:09 | 0:25:13 | |
And your time, hold on, starts... | 0:25:13 | 0:25:17 | |
now. | 0:25:17 | 0:25:18 | |
The boys of the NYPD choir were singing Galway Bay... | 0:25:18 | 0:25:22 | |
# And the bells were ringing out on Christmas Day. # | 0:25:22 | 0:25:25 | |
Correct. The Pogues. Fairytale Of New York. | 0:25:25 | 0:25:27 | |
Be a little wiser, baby. Put it on. Put it on. | 0:25:27 | 0:25:31 | |
# Cos tonight is the night | 0:25:31 | 0:25:33 | |
# When two become one. # | 0:25:33 | 0:25:35 | |
Spice Girls. Two become one. | 0:25:35 | 0:25:38 | |
CHEERING AND APPLAUSE | 0:25:38 | 0:25:40 | |
And there won't be snow in Africa this Christmas. | 0:25:40 | 0:25:43 | |
Cos it's baking. | 0:25:43 | 0:25:44 | |
# The greatest gift They'll get this year is life... # | 0:25:45 | 0:25:48 | |
That's right. Band Aid. Do They Know It's Christmas? | 0:25:48 | 0:25:51 | |
On the eighth day of Christmas, my true love gave to me. | 0:25:51 | 0:25:53 | |
Eight maids a-milking. | 0:25:53 | 0:25:55 | |
-Is correct answer from The 12 Days of Christmas. -Yes! | 0:25:55 | 0:25:57 | |
I saw mommy kissing Santa Claus. | 0:25:57 | 0:25:59 | |
The whore. | 0:25:59 | 0:26:01 | |
-Underneath the mistletoe. -Last night. | 0:26:03 | 0:26:05 | |
Last night is correct, Mel. Tommie Connor. | 0:26:05 | 0:26:07 | |
I Saw Mommy Kissing Santa Claus. | 0:26:07 | 0:26:10 | |
That's it. Noel's team, you need six points to win. | 0:26:10 | 0:26:15 | |
-Your time starts... -That's not going to happen. | 0:26:15 | 0:26:19 | |
..now. Long time ago in Bethlehem so the Holy Bible said. | 0:26:19 | 0:26:23 | |
# Little donkey | 0:26:23 | 0:26:24 | |
# Carried Mary | 0:26:24 | 0:26:26 | |
# From a dusty track | 0:26:26 | 0:26:27 | |
# Dusty track. # | 0:26:27 | 0:26:29 | |
Mary's boy child Jesus Christ was born on Christmas Day. | 0:26:29 | 0:26:33 | |
That's Boney M, Mary's Boy Child. | 0:26:33 | 0:26:34 | |
On the twelfth day of Christmas, my true love gave to me. | 0:26:34 | 0:26:37 | |
# 24 people... # | 0:26:37 | 0:26:39 | |
LAUGHTER | 0:26:39 | 0:26:41 | |
It's 12 something. | 0:26:46 | 0:26:48 | |
# 12...submarines. | 0:26:48 | 0:26:50 | |
# 12 dungarees. | 0:26:50 | 0:26:54 | |
12 dungarees?! | 0:26:54 | 0:26:55 | |
-12 drummers drumming. -Argh. That's close. It was a D. | 0:26:55 | 0:26:59 | |
I don't want a lot for Christmas, there is just one thing I need. | 0:26:59 | 0:27:03 | |
# Stationery. # | 0:27:03 | 0:27:05 | |
LAUGHTER | 0:27:05 | 0:27:06 | |
Joey, please, come on. We're really losing. | 0:27:08 | 0:27:10 | |
'Come on!' | 0:27:10 | 0:27:11 | |
'Come on!' | 0:27:11 | 0:27:13 | |
'Come on!' | 0:27:13 | 0:27:15 | |
'Yeah!' | 0:27:15 | 0:27:17 | |
Book tokens are always handy. | 0:27:18 | 0:27:20 | |
No. I don't care about the presents underneath the Christmas tree. | 0:27:20 | 0:27:23 | |
"Maria" Carey. All I Want For Christmas Is You. | 0:27:23 | 0:27:25 | |
Well, I wish it could be Christmas every day. | 0:27:25 | 0:27:28 | |
# 12 dungarees. # | 0:27:28 | 0:27:30 | |
# For human beings. # | 0:27:32 | 0:27:35 | |
When the kids start singing and the band begins to play. | 0:27:35 | 0:27:38 | |
Wizard. I wish It Could Be Christmas Every Day. | 0:27:38 | 0:27:40 | |
So, the final scores are Noel's team have two points, | 0:27:44 | 0:27:48 | |
but Phil's team are tonight's winners with six. | 0:27:48 | 0:27:50 | |
CHEERING AND APPLAUSE | 0:27:50 | 0:27:53 | |
So, that's tonight's show. | 0:27:56 | 0:27:59 | |
Thanks to Phil, Melanie C and Russell Tovey, | 0:27:59 | 0:28:03 | |
Noel, DJ Fresh and Joey Page. | 0:28:03 | 0:28:06 | |
This has been Never Mind The Christmas Buzzcocks. | 0:28:08 | 0:28:11 | |
I've been Bob Mortimer. And as you enjoy the credits roll, | 0:28:11 | 0:28:15 | |
we're going to have a massive snowball fight with the audience. | 0:28:15 | 0:28:19 | |
Good night and merry Christmas. | 0:28:19 | 0:28:21 | |
# When the snowman brings the snow | 0:28:23 | 0:28:25 | |
# Well, he just might like to know | 0:28:25 | 0:28:29 | |
# He's put a great big smile | 0:28:29 | 0:28:31 | |
# On somebody's face | 0:28:31 | 0:28:34 | |
# Well, I wish it could be Christmas | 0:28:35 | 0:28:39 | |
# Every day | 0:28:39 | 0:28:42 | |
# When the kids start singing | 0:28:42 | 0:28:45 | |
# And the band begins to play | 0:28:45 | 0:28:48 | |
# Oh, I wish it could be Christmas... # | 0:28:49 | 0:28:53 | |
Subtitles by Red Bee Media Ltd | 0:28:53 | 0:28:55 |