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# Yeah, not going out Not staying in | 0:00:02 | 0:00:06 | |
# Just hanging around With my head in a spin | 0:00:06 | 0:00:09 | |
# But there is no need To scream and shout | 0:00:09 | 0:00:12 | |
# Yeah | 0:00:12 | 0:00:13 | |
# Not going out | 0:00:13 | 0:00:15 | |
# We are not going out. # | 0:00:15 | 0:00:18 | |
-What's that? -It's called a vegetable. | 0:00:26 | 0:00:28 | |
You should have some on top of your Wagon Wheel next time. It'll help with your rickets. | 0:00:28 | 0:00:33 | |
You've made your schoolgirl error there, haven't you? | 0:00:33 | 0:00:35 | |
Although generally accepted nowadays as a vegetable, the cucumber is in fact, a fruit. | 0:00:35 | 0:00:39 | |
-You didn't know I was the font of all knowledge, did you? -No, I had you down as a vegetable as well. | 0:00:39 | 0:00:46 | |
-Why are you slicing them? I thought you were having a bath. -It's for my eyes. | 0:00:46 | 0:00:49 | |
Better with... Or without? With... Or without? | 0:00:49 | 0:00:54 | |
Well, seeing as I'm looking at you... With! | 0:00:56 | 0:00:59 | |
Is this all in preparation for your big night out tonight? | 0:01:00 | 0:01:03 | |
-I'm not going out. -Yeah, you are, you've got a ticket to a concert. | 0:01:03 | 0:01:07 | |
A ticket to what concert, Lee? | 0:01:07 | 0:01:09 | |
A ticket to a concert I never told you about, tucked away at the bottom of my handbag? | 0:01:09 | 0:01:13 | |
That's a small venue. Who's on? Prince? Sorry I went in your bag. | 0:01:13 | 0:01:19 | |
A fundraiser came to the door, collecting for a diabetes charity. | 0:01:19 | 0:01:23 | |
It made me realise I really wanted a Mars bar. | 0:01:23 | 0:01:26 | |
How did you know I had a Mars bar in my bag? | 0:01:26 | 0:01:28 | |
You've always got a Mars bar in your bag. | 0:01:28 | 0:01:30 | |
Next time, you should have it with a bit of lettuce on top. It'll help with your hypocrisy. | 0:01:30 | 0:01:35 | |
Please don't root through my bag again. You're not my husband, you're my lodger. | 0:01:35 | 0:01:39 | |
How would you like it if I constantly rifled through your pockets? | 0:01:39 | 0:01:42 | |
If you must know, the ticket was an unwanted gift. | 0:01:44 | 0:01:48 | |
-From who? -'Whom', Lee. | 0:01:48 | 0:01:52 | |
What, that Korean bloke down at the garage? | 0:01:52 | 0:01:54 | |
It was from Daisy. She's going to some 'battle of the bands' night. | 0:01:54 | 0:01:58 | |
But I've decided I don't want to go. | 0:01:58 | 0:02:00 | |
-If you're not using the ticket, I might go. -No, you can't. -Why not? | 0:02:00 | 0:02:05 | |
Because last time you went to a music gig, | 0:02:05 | 0:02:08 | |
they all had spiked Mohicans and safety pins through their noses. | 0:02:08 | 0:02:12 | |
Yeah, well S Club 7 were better before they went all commercial. | 0:02:12 | 0:02:16 | |
-Come on, let me have your ticket. -No. -All right, forget it then. | 0:02:16 | 0:02:20 | |
Look, I'm sorry. It's just that I promised I wouldn't tell you about it. | 0:02:22 | 0:02:26 | |
-Promised who? -One of the singers. | 0:02:27 | 0:02:30 | |
If it's Gina G, that restraining order expired years ago. | 0:02:30 | 0:02:34 | |
Look, it's Tim, all right? | 0:02:34 | 0:02:36 | |
Tim's joined a band and he doesn't want you there because he thinks you'll take the Mickey. | 0:02:36 | 0:02:41 | |
-Tim? In a band? -Yes. -Your brother, Tim? -Yes. | 0:02:41 | 0:02:44 | |
-Tall fella, light hair? -Is it that hard to imagine Tim fronting a band? | 0:02:44 | 0:02:50 | |
If it's a marching band and he's twirling a baton, no, | 0:02:50 | 0:02:53 | |
but a rock band? So why aren't you going to watch? | 0:02:53 | 0:02:56 | |
I just think it might be a bit embarrassing. | 0:02:56 | 0:03:00 | |
Your brother's going to be on stage, baring his soul to a hostile crowd. | 0:03:00 | 0:03:04 | |
It could be the single worst, most humiliating experience of his life, | 0:03:04 | 0:03:07 | |
and you don't want to see that? | 0:03:07 | 0:03:09 | |
It's going to be brilliant! | 0:03:09 | 0:03:11 | |
Come on. You know you want to. | 0:03:12 | 0:03:14 | |
Fine, I'll go on my own. | 0:03:15 | 0:03:18 | |
It'll be easier to throw tomatoes at him if you're not there to stop me. | 0:03:18 | 0:03:22 | |
Wow, you've just managed to name three vegetables in the last five minutes. | 0:03:22 | 0:03:28 | |
Two more, it'll be the first time in your life you've had your five a day. | 0:03:28 | 0:03:31 | |
-Tomatoes are a fruit. -Shut up! | 0:03:31 | 0:03:33 | |
Hard to imagine, isn't it? Tim backstage at a rock gig. | 0:03:40 | 0:03:44 | |
I wonder where he is? | 0:03:44 | 0:03:46 | |
There we go. A bag of dolly mixtures and Robinsons Fruit Shoot. I think we're getting close. | 0:03:46 | 0:03:51 | |
Listen, when we see him, don't say anything to undermine his confidence. | 0:03:52 | 0:03:57 | |
Lucy, give me some credit, he's my best mate. I'll just offer words of encouragement. | 0:03:57 | 0:04:01 | |
Good God! Ozzy Osbourne's been tangoed! | 0:04:09 | 0:04:13 | |
How did he find out about this? | 0:04:13 | 0:04:15 | |
-It was on Radio One. They did a big feature about you. -Did they? | 0:04:15 | 0:04:19 | |
-Very funny. -I'm sorry, Tim. What could I do? He found the ticket. | 0:04:20 | 0:04:25 | |
Like Charlie and the Chocolate Factory! When do we get to meet Willy Wonka? | 0:04:25 | 0:04:29 | |
I dunno, but I think we've just met a six foot Oompa-Loompa. | 0:04:29 | 0:04:32 | |
I accidentally laid out in the garden a bit too long. | 0:04:32 | 0:04:35 | |
What, until someone thought you were a bench and varnished you? | 0:04:35 | 0:04:39 | |
-It's a spray tan for the act. -Why? Are you bringing back the Minstrels? | 0:04:39 | 0:04:42 | |
You've criticised my skin and my dress sense. Anything else you'd like to take a pop at? | 0:04:42 | 0:04:47 | |
-I'd go for the ear piercing. Sorry. -I see you've gone for the left ear. That's the gay one, isn't it? | 0:04:47 | 0:04:53 | |
It's not actually because I Googled it. The right one's the gay ear. | 0:04:53 | 0:04:56 | |
How can you have a gay ear? | 0:04:56 | 0:04:58 | |
It's like having straight teeth. | 0:05:00 | 0:05:03 | |
Or bi-focals. | 0:05:03 | 0:05:04 | |
Very good. | 0:05:06 | 0:05:07 | |
Oh, yeah. Or a... | 0:05:07 | 0:05:10 | |
..lesbian ankle. | 0:05:10 | 0:05:12 | |
Well, at least I'm not sticking to the same look I've had since 1993. | 0:05:15 | 0:05:18 | |
You wouldn't know where to go for a piercing. | 0:05:18 | 0:05:20 | |
Yeah, exactly. But we do. Claire's Accessories. | 0:05:20 | 0:05:24 | |
Right dude, we're on next. Stop chatting up the ladies. | 0:05:25 | 0:05:31 | |
Though I can see why you'd been tempted. What's not to like? | 0:05:31 | 0:05:35 | |
Because it would be incest? | 0:05:35 | 0:05:37 | |
-Well, wish me luck. -Tim, are you sure you want to do this? | 0:05:39 | 0:05:43 | |
Yeah, why don't you forget all about it, go home and run yourself a nice hot bath of creosote remover. | 0:05:43 | 0:05:49 | |
Oh, you're really enjoying this, aren't you? | 0:05:49 | 0:05:51 | |
Well, just you wait until I'm out there on stage. You won't be enjoying it then. | 0:05:51 | 0:05:55 | |
HOPELESSLY OUT OF TUNE # All by myself... # | 0:05:59 | 0:06:02 | |
CROWD BOOS | 0:06:02 | 0:06:04 | |
Blimey, they're not a very forgiving crowd, are they? | 0:06:04 | 0:06:07 | |
Forgiving? Jesus would find it hard not to throw his sandals. | 0:06:07 | 0:06:10 | |
You don't deserve to live! | 0:06:10 | 0:06:14 | |
Well, someone's got to be the Simon Cowell figure. | 0:06:15 | 0:06:19 | |
CROWD: Boo! Boo! | 0:06:19 | 0:06:20 | |
CROWD: Off! Off! Off! | 0:06:20 | 0:06:25 | |
-That was Yellow Snow. -CROWD: BOO! | 0:06:25 | 0:06:28 | |
Next up, give it up for The Auditors. | 0:06:28 | 0:06:33 | |
SPARSE CLAPPING | 0:06:33 | 0:06:35 | |
BOTTLE SMASHES | 0:06:40 | 0:06:44 | |
Sorry, darling. Didn't realise it was you. | 0:06:44 | 0:06:47 | |
He's not going to do banter with the crowd, is he? | 0:06:47 | 0:06:50 | |
Please, no. I told him to say just hello. Please just hello, Tim. | 0:06:50 | 0:06:55 | |
How do you do, London? | 0:06:55 | 0:06:57 | |
Oh, God. | 0:06:57 | 0:06:59 | |
Or perhaps I should say Blackpool. Why Blackpool? | 0:06:59 | 0:07:03 | |
Because now's the time for us to provide you with some rock! | 0:07:03 | 0:07:07 | |
I'm going to be sick. | 0:07:10 | 0:07:12 | |
I need to get out of here before he says, "Here's a little ditty". | 0:07:12 | 0:07:16 | |
And here's a little ditty | 0:07:16 | 0:07:18 | |
that goes by the name of Viva Las Vegas. Hit it! | 0:07:18 | 0:07:22 | |
# Bright light city Going to set my soul | 0:07:28 | 0:07:31 | |
# Going to set my soul on fire | 0:07:31 | 0:07:34 | |
# Got a whole lotta money That's ready to burn. # | 0:07:34 | 0:07:38 | |
This is great. Go, Tim! | 0:07:38 | 0:07:40 | |
# So get those stakes up higher | 0:07:40 | 0:07:41 | |
# There's a thousand pretty women Waiting' out there. # | 0:07:41 | 0:07:44 | |
Somewhere in a parallel universe, Alice Cooper is advising someone on the tax advantages of a cash ISA. | 0:07:44 | 0:07:51 | |
# Viva Las Vegas. # | 0:07:51 | 0:07:53 | |
Did you write this one, darling? | 0:07:53 | 0:07:55 | |
# Viva Las Vegas. # | 0:07:55 | 0:07:57 | |
Dance! | 0:07:57 | 0:07:59 | |
GUITAR SOLO | 0:08:01 | 0:08:03 | |
CROWD CHEERS | 0:08:11 | 0:08:13 | |
What a winker... | 0:08:19 | 0:08:21 | |
# Viva | 0:08:23 | 0:08:25 | |
# Viva Las Vagas. # | 0:08:25 | 0:08:30 | |
CHEERING | 0:08:30 | 0:08:33 | |
-Here he is, the champion! -Don't make me get security! | 0:08:33 | 0:08:38 | |
You were amazing, Tim. You so deserved to win. | 0:08:38 | 0:08:40 | |
Oh well, it was only the heat. | 0:08:40 | 0:08:42 | |
Yeah, but we're in the final now. | 0:08:42 | 0:08:44 | |
And if we win that, who knows what lies ahead. | 0:08:44 | 0:08:47 | |
-Yeah, Tim, the future's bright, the future's... -Shut it! | 0:08:47 | 0:08:50 | |
You not going to introduce your friends? | 0:08:50 | 0:08:52 | |
Oh no, it's fine, we all know each other. | 0:08:52 | 0:08:56 | |
This is Lee, Daisy, and I believe you two have already met. | 0:08:56 | 0:08:59 | |
-Hope you didn't mind the kiss. -Why me? There were so many other people in there? | 0:08:59 | 0:09:03 | |
-I only saw you. -You might want to get that checked out, it sounds like cataracts. | 0:09:03 | 0:09:07 | |
-I'm Lucy, Tim's sister. -Hi Lucy, Tim's sister. I'm Stretch. | 0:09:09 | 0:09:14 | |
Stretch? Where were you conceived, Parkhurst? | 0:09:14 | 0:09:18 | |
It's a childhood nickname, it stuck. | 0:09:18 | 0:09:21 | |
I like it, you know, the purity of it. If people can sum you up in one word. | 0:09:21 | 0:09:24 | |
I've got one. | 0:09:24 | 0:09:26 | |
Lots of big musicians only go by one name. | 0:09:27 | 0:09:29 | |
You know, Seal, Bono, Sting. | 0:09:29 | 0:09:31 | |
H from Steps. That's just one letter, how cool is that? | 0:09:31 | 0:09:36 | |
Well, why not go further? Prince changed his name to a symbol. | 0:09:36 | 0:09:40 | |
That's good, I like it. Maybe I'll do that. | 0:09:40 | 0:09:43 | |
Yeah, like that bloke from Guns 'n' Roses who changed it to a punctuation mark. | 0:09:43 | 0:09:47 | |
You know, Slash. | 0:09:47 | 0:09:49 | |
Maybe you could change yours to Apostrophe. | 0:09:51 | 0:09:54 | |
Or Comma. You certainly made me pause for breath. | 0:09:54 | 0:09:58 | |
Or Colon. | 0:09:58 | 0:10:00 | |
Tim tells me you're the brains behind the whole operation. | 0:10:00 | 0:10:04 | |
Yeah, I suppose you could see me as the Lennon of the band. | 0:10:04 | 0:10:08 | |
He doesn't mean the Russian leader. Otherwise he'd have said Marx. | 0:10:08 | 0:10:13 | |
You know, stretch marks. | 0:10:13 | 0:10:15 | |
If I'm John Lennon, that makes you the poppy one, Tim, McCartney. | 0:10:18 | 0:10:22 | |
-So if we're John and Paul, Daisy must be... -Oh, I know. Roger. | 0:10:22 | 0:10:26 | |
-What? -Sorry, are we not doing the twelve disciples? | 0:10:26 | 0:10:29 | |
The Beatles. And if I'm Paul McCartney, that makes you my girlfriend, Jane Asher. | 0:10:31 | 0:10:35 | |
Yeah, or Heather Mills. | 0:10:35 | 0:10:38 | |
-Or Jane Asher. -Or I could be Linda McCartney. | 0:10:38 | 0:10:41 | |
Jane Asher. Be Jane Asher. | 0:10:41 | 0:10:43 | |
-See, I think I prefer... -You're Jane Asher! | 0:10:43 | 0:10:46 | |
We need to find a role for you. | 0:10:48 | 0:10:50 | |
If I'm John Lennon, how about making you, Yoko? | 0:10:50 | 0:10:53 | |
Oh, good God. | 0:10:53 | 0:10:55 | |
I'm sorry, I didn't catch your name. | 0:10:55 | 0:10:57 | |
Mark Chapman, pleased to meet you. | 0:10:57 | 0:11:00 | |
Well, I thought you were amazing. And to think I nearly didn't come until Lee talked me into it. | 0:11:02 | 0:11:07 | |
It's true. She was going to spend the evening in a bath with a cucumber. | 0:11:07 | 0:11:11 | |
Anyway, I'm going to have a quick chat with George and Ringo. | 0:11:13 | 0:11:17 | |
I'll see you later, alligator. | 0:11:17 | 0:11:20 | |
In a while...dickhead. | 0:11:20 | 0:11:22 | |
I'm taking it you didn't enjoy tonight then? | 0:11:24 | 0:11:26 | |
You were all right. Everyone likes a novelty act. | 0:11:26 | 0:11:30 | |
Jedward, Mr Blobby, Keith Harris and Orville. | 0:11:30 | 0:11:33 | |
Are you sure it's not just the green-eyed monster talking, Lee? | 0:11:33 | 0:11:37 | |
That's what I always thought, but actually Keith Harris does the talking. | 0:11:38 | 0:11:43 | |
The monster just moves its mouth. | 0:11:45 | 0:11:47 | |
# I could be so good for you | 0:11:56 | 0:11:58 | |
# Love you like you want me to | 0:12:00 | 0:12:02 | |
# I'd do anything for you I'll be so good for you... # | 0:12:02 | 0:12:07 | |
Piece of shit! | 0:12:07 | 0:12:09 | |
-What are you doing? -Just fancied a jam. Thought I'd try out a few licks. | 0:12:12 | 0:12:17 | |
And what did you do after you'd finished licking the jam? | 0:12:17 | 0:12:20 | |
Is that when the borrower came in and lent you his violin? | 0:12:20 | 0:12:24 | |
It's all they had in the Cancer Research shop. | 0:12:24 | 0:12:26 | |
You just bought that? Why? | 0:12:26 | 0:12:29 | |
Do you need a reason to save a life? | 0:12:29 | 0:12:31 | |
You'll have to make yourself scarce tomorrow. | 0:12:31 | 0:12:34 | |
I told Stretch he can use this place to rehearse with the band. | 0:12:34 | 0:12:38 | |
Why are you letting a loser like that hang around the flat? | 0:12:38 | 0:12:41 | |
Force of habit? | 0:12:41 | 0:12:43 | |
-You got back late last night. -I went back to Stretch's place. | 0:12:46 | 0:12:49 | |
-Oh, yeah? -There were a few of us there, it wasn't just me. | 0:12:50 | 0:12:54 | |
What was it, a drugs orgy? | 0:12:54 | 0:12:56 | |
No. Stretch doesn't do drugs. Says it restricts his flow. | 0:12:56 | 0:13:01 | |
I have the same problem with scotch eggs. | 0:13:01 | 0:13:04 | |
-So what did you do? -Nothing much. | 0:13:04 | 0:13:06 | |
Stretch played us some songs he'd written. | 0:13:06 | 0:13:09 | |
They were really good, actually. Reminded me of Nick Drake. | 0:13:09 | 0:13:13 | |
Oh, get lost! He's a sad old waste of space who still thinks he's 17. | 0:13:13 | 0:13:17 | |
If he's Nick Drake, I'm Donald Duck. | 0:13:17 | 0:13:19 | |
Well, if you insist on sitting round with no trousers and making an incomprehensible racket... | 0:13:19 | 0:13:24 | |
And he's not a waste of space. He also manages to work for a living. | 0:13:24 | 0:13:28 | |
-Well, he's meant to be a sailor, but you never see him on a ship. -Not Donald Duck. | 0:13:28 | 0:13:31 | |
So if I sing a song or play the guitar, it's annoying. | 0:13:31 | 0:13:35 | |
But if Stretch does it, it's cool. | 0:13:35 | 0:13:36 | |
Yes, because Stretch is a real musician, in an actual band, who play proper gigs. | 0:13:36 | 0:13:41 | |
You're sat in your pants with a Fisher Price toy playing the theme tune to Minder. | 0:13:41 | 0:13:46 | |
Stretch said he might write a song for me, actually. | 0:13:46 | 0:13:49 | |
Oh, big deal. Anyone can think of a few words that rhyme with 'Lucy'. | 0:13:49 | 0:13:53 | |
Go on then. | 0:13:53 | 0:13:55 | |
-Moosey. -Oh, beautiful. | 0:13:55 | 0:13:58 | |
Now I know how Robbie Williams' mother felt when she first heard 'Angels'. | 0:13:58 | 0:14:02 | |
All right, not moosey. Juicy. Oh Lucy, you are so juicy. | 0:14:02 | 0:14:09 | |
Please don't be choosey. | 0:14:09 | 0:14:11 | |
Why don't you seduce me in your Jacuzzi. | 0:14:11 | 0:14:17 | |
Made by Zanussi. | 0:14:19 | 0:14:22 | |
-Have you finished? -Kriss Akabusi. | 0:14:25 | 0:14:28 | |
-It's like being chatted up by Dr Seuss. -Dr Seussy. | 0:14:29 | 0:14:32 | |
Listen, I could join a band as well if I wanted to. | 0:14:34 | 0:14:37 | |
Well, let me know when you're ready. I'll help you strap the cymbals to your knees. | 0:14:37 | 0:14:41 | |
You? Join the band? | 0:14:49 | 0:14:51 | |
Yeah. Why not? | 0:14:51 | 0:14:53 | |
Because... Look at you. | 0:14:53 | 0:14:56 | |
Pardon? | 0:14:56 | 0:14:57 | |
Look, I'm sorry to have to tell you this, but the fact is, | 0:14:59 | 0:15:03 | |
well, you're just not very cool. | 0:15:03 | 0:15:06 | |
That's like being told I'm uncool by... | 0:15:08 | 0:15:11 | |
I genuinely can't think of anyone worse. | 0:15:11 | 0:15:15 | |
Listen, I may not look as hip as Bruno Brookes or Dave Lee Travis, | 0:15:15 | 0:15:18 | |
but I've got what it takes. | 0:15:21 | 0:15:23 | |
Come on, I've always wanted to be in a band. | 0:15:23 | 0:15:25 | |
No. And anyway, it's not my decision, Stretch is in charge. | 0:15:25 | 0:15:29 | |
And he's going to be back up here in a minute, so just leave. | 0:15:29 | 0:15:32 | |
Come on, Tim. Imagine it, me and you, best mates, living the rock 'n' roll lifestyle together. | 0:15:32 | 0:15:37 | |
We'll live fast and be dead by 30. | 0:15:37 | 0:15:39 | |
All right, 40. 5. | 0:15:39 | 0:15:42 | |
All right, early 50s. In fact, not dead at all. | 0:15:42 | 0:15:45 | |
We'll go on forever just like Status Quo. | 0:15:45 | 0:15:47 | |
-With two guitarists? -Exactly, just like Status Quo. | 0:15:47 | 0:15:50 | |
-You've certainly changed your tune. -Exactly , just like... Actually forget that one. | 0:15:50 | 0:15:54 | |
Come on, Tim, I love your band. | 0:15:54 | 0:15:57 | |
It's just your guitar player I don't like. | 0:15:57 | 0:16:00 | |
Admit it, this isn't about the band, or about me, | 0:16:00 | 0:16:02 | |
once again it's about your obsession with my sister. | 0:16:02 | 0:16:05 | |
Oh, change the record. | 0:16:05 | 0:16:07 | |
Record? Get with it, Grandad. | 0:16:07 | 0:16:09 | |
All right, shuffle your iPod Nanoo. | 0:16:09 | 0:16:11 | |
I'm not asking Stretch if you can join the band, so will you please leave? | 0:16:14 | 0:16:17 | |
OK. Fine. | 0:16:19 | 0:16:20 | |
I just felt I was losing my best mate a bit | 0:16:20 | 0:16:24 | |
and I suppose I was just trying to find some way of clinging on. | 0:16:24 | 0:16:27 | |
But I'll leave you to have fun with your new friends. | 0:16:28 | 0:16:31 | |
I've always dreamt of being in a band. | 0:16:39 | 0:16:41 | |
And if I was in the band, I'd make them play the songs you really love. | 0:16:43 | 0:16:47 | |
Put that down now, it belongs to Stretch. | 0:16:48 | 0:16:51 | |
# Looking back I could have played it differently. # | 0:16:52 | 0:16:58 | |
I don't like this stuff anymore, actually. | 0:16:58 | 0:17:00 | |
# Perfect situations can go wrong | 0:17:00 | 0:17:03 | |
I'm in a rock band now. My Elaine Page days are over. | 0:17:03 | 0:17:06 | |
# But it has never yet prevented me | 0:17:06 | 0:17:10 | |
Thinking you can win me over like a schoolgirl. | 0:17:10 | 0:17:12 | |
# Wanting far too much for far too long | 0:17:12 | 0:17:15 | |
Pathetic! | 0:17:15 | 0:17:17 | |
# Wasn't it good | 0:17:17 | 0:17:19 | |
# Oh, so good | 0:17:19 | 0:17:20 | |
# Wasn't it fine | 0:17:20 | 0:17:22 | |
# Oh, so fine | 0:17:22 | 0:17:24 | |
# Isn't it madness | 0:17:24 | 0:17:26 | |
# He can't be mine | 0:17:26 | 0:17:29 | |
# But in the end He needs a little bit more than me | 0:17:31 | 0:17:36 | |
# More security! | 0:17:36 | 0:17:38 | |
# He needs his fantasy and freedom | 0:17:38 | 0:17:42 | |
# I know him so... # | 0:17:42 | 0:17:46 | |
LOUD ROCK MUSIC | 0:17:48 | 0:17:50 | |
# The ace of spades The ace of spades | 0:17:50 | 0:17:53 | |
# The ace of spades The ace of spades. # | 0:17:53 | 0:17:56 | |
We don't need another band member. | 0:18:05 | 0:18:07 | |
I know. It's just that Lee and I are best friends | 0:18:07 | 0:18:10 | |
and I think he's feeling a bit left out. | 0:18:10 | 0:18:13 | |
A bit left out? | 0:18:13 | 0:18:14 | |
We're in band, not a sandpit. | 0:18:14 | 0:18:16 | |
I'm telling you, he's holding you back. Lose him. | 0:18:18 | 0:18:21 | |
I can't do that. We're best friends. | 0:18:22 | 0:18:25 | |
Well, that's a shame. | 0:18:25 | 0:18:26 | |
The scrapheap of the music biz is littered with the nice guys. | 0:18:26 | 0:18:29 | |
Joe Dolce... | 0:18:29 | 0:18:30 | |
Rick Astley... | 0:18:30 | 0:18:32 | |
Chesney Hawkes. | 0:18:32 | 0:18:34 | |
Exactly. | 0:18:34 | 0:18:35 | |
It is possible to be a nice guy and still a credible artist. | 0:18:35 | 0:18:39 | |
Listen, Tim, it's the final of Battle Of The Bands in a few days, | 0:18:39 | 0:18:43 | |
and I haven't got time for hangers-on. | 0:18:43 | 0:18:45 | |
Lucy would be pleased. | 0:18:46 | 0:18:48 | |
She's trying to get him out the house more. | 0:18:49 | 0:18:52 | |
Well, long enough to change the locks anyway. | 0:18:52 | 0:18:54 | |
So, you play a bit, do you? | 0:19:00 | 0:19:02 | |
Yeah. Big guitar player, me. | 0:19:02 | 0:19:04 | |
More chords than Tim's wardrobe. | 0:19:04 | 0:19:06 | |
You been playing long? | 0:19:08 | 0:19:09 | |
Well, I grew up in a musical environment. | 0:19:09 | 0:19:11 | |
-Is that right? -Yeah. | 0:19:11 | 0:19:13 | |
A big hill in Switzerland surrounded by Nazis. | 0:19:13 | 0:19:16 | |
There was three of us, Doe, Ray and me. | 0:19:16 | 0:19:19 | |
DRUM ROLL | 0:19:19 | 0:19:22 | |
Thanks. Do you want to move in permanently? | 0:19:22 | 0:19:25 | |
And what sort of music are you into? | 0:19:25 | 0:19:27 | |
You know, the old stuff. | 0:19:27 | 0:19:29 | |
Dylan when he was still acoustic. | 0:19:29 | 0:19:31 | |
Michael Jackson when he was still black. | 0:19:31 | 0:19:35 | |
Tim when he was still white. | 0:19:35 | 0:19:36 | |
Tim says there's something you want to ask me. | 0:19:38 | 0:19:41 | |
Yeah. | 0:19:42 | 0:19:44 | |
Can I join the band? | 0:19:44 | 0:19:46 | |
-DRUM ROLL -That one wasn't a joke! | 0:19:46 | 0:19:49 | |
Tell you what, maybe we could use you. | 0:19:50 | 0:19:54 | |
OK, you're in. | 0:19:54 | 0:19:55 | |
Brilliant! | 0:19:55 | 0:19:56 | |
I'll get us all a drink. | 0:19:56 | 0:19:58 | |
Who fancies a cup of tea? | 0:19:58 | 0:19:59 | |
I could use a stiff bourbon. | 0:19:59 | 0:20:01 | |
No problems. I'll get the biscuit tin. | 0:20:01 | 0:20:04 | |
Roadie? Bloody roadie? | 0:20:14 | 0:20:16 | |
Nothing wrong with being a roadie, mate. | 0:20:17 | 0:20:19 | |
Noel Gallagher started out as a roadie. | 0:20:19 | 0:20:21 | |
Well, there you go. Look at him now. | 0:20:21 | 0:20:23 | |
Presenting Deal Or No Deal six nights a week. | 0:20:23 | 0:20:26 | |
If my heart was a drummer, I'd have to give it the sack. | 0:20:35 | 0:20:38 | |
-Why? -Cos every time it sees you, | 0:20:38 | 0:20:40 | |
it misses a beat. | 0:20:40 | 0:20:42 | |
I don't suppose it knows anything by Massive Attack, does it? | 0:20:42 | 0:20:45 | |
# Fa fa fa fa fa fa fa. # | 0:20:53 | 0:20:56 | |
CLEARS THROAT | 0:20:56 | 0:20:58 | |
# Fa fa fa fa fa fa fa. # | 0:20:58 | 0:21:01 | |
So it's not just rock stars you impersonate? | 0:21:01 | 0:21:03 | |
You can do Ronnie Barker in Open All Hours as well, can you? | 0:21:03 | 0:21:06 | |
Big final tonight, rock star? | 0:21:06 | 0:21:09 | |
How's the roadying going, Lee? | 0:21:10 | 0:21:11 | |
I'm not just a roadie. I'm more of a manager/producer. | 0:21:11 | 0:21:15 | |
Well, you'd better produce some tea and biscuits, then. | 0:21:15 | 0:21:17 | |
Come on, Doris, chop chop. | 0:21:17 | 0:21:20 | |
Why don't you try doing what Tim's doing? | 0:21:20 | 0:21:22 | |
What do you mean? | 0:21:22 | 0:21:24 | |
# Fa fa fa fa fa... # Cough. | 0:21:24 | 0:21:27 | |
Look, if you don't want to be involved in the band anymore, | 0:21:27 | 0:21:29 | |
there's the door. | 0:21:29 | 0:21:31 | |
I mean, I'll miss the custard creams but I'm sure I'll have other things | 0:21:31 | 0:21:35 | |
to keep me occupied. | 0:21:35 | 0:21:36 | |
No, it's all right. | 0:21:38 | 0:21:39 | |
I'll stick around, keep an eye on things. | 0:21:39 | 0:21:42 | |
How do you like your coffee? | 0:21:43 | 0:21:45 | |
I like my coffee like I like my women. | 0:21:45 | 0:21:47 | |
Oh, please mess this up and say extra large. | 0:21:47 | 0:21:50 | |
Hot, sweet and first thing in the morning. | 0:21:50 | 0:21:54 | |
That's funny, cos I like my coffee like I like my guitar players. | 0:21:54 | 0:21:57 | |
With boiling hot water poured on it. | 0:21:57 | 0:21:59 | |
I finished the song. | 0:22:01 | 0:22:02 | |
My song? | 0:22:02 | 0:22:03 | |
Yeah. I've called it "Lucy". | 0:22:03 | 0:22:06 | |
That's so sweet. | 0:22:06 | 0:22:08 | |
Elvis, take a pew. | 0:22:08 | 0:22:10 | |
There you go. | 0:22:10 | 0:22:12 | |
I can't sing this. | 0:22:12 | 0:22:14 | |
But you're the singer. Sing. | 0:22:14 | 0:22:16 | |
She's my sister. Isn't that a bit...? | 0:22:16 | 0:22:18 | |
Sing. | 0:22:18 | 0:22:19 | |
# Oh, Lucy | 0:22:22 | 0:22:24 | |
# I want to take you on the blue sea | 0:22:24 | 0:22:28 | |
# I want you to draw me in. # | 0:22:28 | 0:22:30 | |
I'm not entirely comfortable with... | 0:22:30 | 0:22:32 | |
Sing. | 0:22:32 | 0:22:33 | |
# I see you naked in the moonlight | 0:22:33 | 0:22:36 | |
# Let me touch your skin. # | 0:22:36 | 0:22:39 | |
There's no way I'm doing the next bit. | 0:22:39 | 0:22:40 | |
Chorus! | 0:22:40 | 0:22:42 | |
# Want to take you home | 0:22:42 | 0:22:43 | |
# Want to make you moan | 0:22:43 | 0:22:45 | |
# Let's go to bed and have some fun | 0:22:45 | 0:22:48 | |
# I'll bring the hotdog | 0:22:48 | 0:22:50 | |
# You bring the bun | 0:22:50 | 0:22:53 | |
# Oh, Lucy | 0:22:55 | 0:22:57 | |
# Let's make love tonight. # | 0:22:57 | 0:23:00 | |
That was beautiful. | 0:23:03 | 0:23:05 | |
The Auditors. You're up next. | 0:23:07 | 0:23:09 | |
Crap. I've left my jacket in the van. | 0:23:10 | 0:23:12 | |
Doris, be a good girl. Go get it. | 0:23:12 | 0:23:14 | |
Yeah, and hurry up. | 0:23:14 | 0:23:15 | |
If we win this final tonight, who knows what it'll lead to. | 0:23:15 | 0:23:18 | |
Carry on with that fake tan, you might be up for a MOBO. | 0:23:18 | 0:23:22 | |
Are you the roadie with The Auditors? | 0:23:25 | 0:23:27 | |
Yeah. | 0:23:28 | 0:23:30 | |
Well, tell Stretch I said it's over. | 0:23:30 | 0:23:31 | |
And tell him he can have this eternity ring back. | 0:23:31 | 0:23:34 | |
And he can have his flat keys back as well. | 0:23:34 | 0:23:37 | |
Please tell me you haven't got any of his furniture. | 0:23:37 | 0:23:39 | |
No, but I've these he might want back. I found them under his bed. | 0:23:39 | 0:23:43 | |
It's the lyrics to the song he supposedly wrote for me. | 0:23:43 | 0:23:45 | |
I thought this song was called Lucy and he was going to "take her on the blue sea." | 0:23:45 | 0:23:49 | |
Yeah, well, my name's Grace | 0:23:49 | 0:23:51 | |
and he was going to "take me to another place." | 0:23:51 | 0:23:53 | |
Just like he was going to "take Marie and set her free." | 0:23:53 | 0:23:57 | |
"Take June to the moon." "Take Eva and never leave her." | 0:23:57 | 0:24:00 | |
And "take Miss Pippy up the Mississippi." | 0:24:00 | 0:24:04 | |
Good job he never dated Samantha Janus. | 0:24:04 | 0:24:06 | |
Hey, Doris. Where's my jacket? | 0:24:11 | 0:24:14 | |
If you want your jacket, you can get some other idiot to fetch it. | 0:24:14 | 0:24:17 | |
All right. | 0:24:17 | 0:24:19 | |
Tim, get my jacket. | 0:24:19 | 0:24:20 | |
Hang on, Tim. | 0:24:20 | 0:24:22 | |
I know you all think the sun shines out of this man's plectrum, | 0:24:22 | 0:24:26 | |
but I'm afraid to tell you | 0:24:26 | 0:24:27 | |
there's about half a dozen other Lucys out there. | 0:24:27 | 0:24:29 | |
So then who the hell is this one? | 0:24:29 | 0:24:32 | |
And that song he wrote for you, he wrote for loads of women. | 0:24:35 | 0:24:38 | |
-Look, pussycat. -Please don't call me pussycat. | 0:24:40 | 0:24:43 | |
This...really... | 0:24:43 | 0:24:45 | |
sticks in the throat. | 0:24:45 | 0:24:46 | |
Probably fur balls. | 0:24:46 | 0:24:48 | |
What an arse. | 0:24:49 | 0:24:50 | |
Right, I'm out of here. | 0:24:50 | 0:24:53 | |
-Hang on, the competition. -What's the point? | 0:24:53 | 0:24:56 | |
Something tells me I'm not getting the prize I really came for. | 0:24:56 | 0:25:00 | |
He meant intercourse with... | 0:25:01 | 0:25:03 | |
We know what he meant. | 0:25:03 | 0:25:06 | |
Well, thank you very much. | 0:25:08 | 0:25:11 | |
Well, the words were right, but can you try it without | 0:25:11 | 0:25:13 | |
the eye-popping, orange-coloured sarcasm? | 0:25:13 | 0:25:15 | |
I've just rescued your sister from a man who makes Warren Beatty look like Mother Teresa. | 0:25:15 | 0:25:19 | |
Actually now he's getting older, he does look a bit like her, doesn't he? | 0:25:19 | 0:25:22 | |
Can't you go on stage without him? | 0:25:23 | 0:25:26 | |
How can we perform without a lead guitarist? | 0:25:26 | 0:25:29 | |
Come on, let's go. | 0:25:29 | 0:25:31 | |
Hang on. You need a guitar player. | 0:25:31 | 0:25:34 | |
You're looking at one. | 0:25:34 | 0:25:35 | |
But you don't know any of our songs. | 0:25:35 | 0:25:37 | |
No. But I know a few other good ones. | 0:25:37 | 0:25:40 | |
# I've got a good idea | 0:25:40 | 0:25:44 | |
# Just you keep me near | 0:25:44 | 0:25:46 | |
# I'll be so good for you | 0:25:46 | 0:25:49 | |
# I can be so good for you | 0:25:49 | 0:25:50 | |
# I'm gonna help ya | 0:25:50 | 0:25:52 | |
# Help you like you want me to | 0:25:52 | 0:25:54 | |
# And do anything for you | 0:25:54 | 0:25:58 | |
# I'll be so good for you. # | 0:25:58 | 0:26:02 | |
GUITAR SOLO | 0:26:04 | 0:26:07 | |
CRASH! | 0:26:11 | 0:26:12 | |
BAND STOPS | 0:26:12 | 0:26:15 | |
Wow. What a night. | 0:26:28 | 0:26:31 | |
I'm surprised you can remember any of it, you were that concussed. | 0:26:31 | 0:26:35 | |
Well, it's a bit hazy, | 0:26:35 | 0:26:36 | |
but that's rock and roll for you. | 0:26:36 | 0:26:38 | |
The bright lights, the drugs. | 0:26:38 | 0:26:40 | |
That was the paramedics. | 0:26:40 | 0:26:42 | |
The women shouting, throwing underwear at me. | 0:26:43 | 0:26:46 | |
That was me trying to get you dressed again in A and E. | 0:26:46 | 0:26:49 | |
Shame we didn't win. | 0:26:50 | 0:26:52 | |
Well, it wasn't just the injury. I don't think the crowd were that keen | 0:26:52 | 0:26:55 | |
on the Elaine Page and Barbara Dickson number either. | 0:26:55 | 0:26:58 | |
Yeah, looking back I should have played it differently. | 0:26:58 | 0:27:01 | |
Sorry it didn't work out between you and Stretch. | 0:27:05 | 0:27:08 | |
Don't worry. | 0:27:08 | 0:27:09 | |
A relationship can't end if it hasn't even begun. | 0:27:09 | 0:27:12 | |
Yeah, but you were thinking about it. | 0:27:13 | 0:27:15 | |
All right, I admit I was slightly dazzled by his rock star image. | 0:27:15 | 0:27:18 | |
And what about when I was up there? | 0:27:19 | 0:27:22 | |
Was I sex, drugs and rock and roll? | 0:27:22 | 0:27:24 | |
A bit more like rumpy pumpy, Calpol and Shakin' Stevens. | 0:27:25 | 0:27:30 | |
Anyway, my guitar-playing days are behind me. | 0:27:31 | 0:27:34 | |
I've decided to settle on a far more tranquil instrument. | 0:27:34 | 0:27:37 | |
Very funny. | 0:27:37 | 0:27:39 | |
You're joking right? | 0:27:41 | 0:27:43 | |
Please tell me you're joking. | 0:27:44 | 0:27:46 | |
He's joking. | 0:27:49 | 0:27:50 | |
BANGING ON DRUMS | 0:27:50 | 0:27:52 | |
Oh, God. | 0:27:52 | 0:27:54 | |
# We're not going out | 0:27:58 | 0:28:00 | |
# Not staying in Just hanging around | 0:28:00 | 0:28:03 | |
# With my head in a spin | 0:28:03 | 0:28:04 | |
# But there is no need to scream and shout | 0:28:04 | 0:28:07 | |
# We're not going out | 0:28:07 | 0:28:11 | |
# We are not going out. # | 0:28:11 | 0:28:14 | |
Subtitles by Red Bee Media Ltd | 0:28:14 | 0:28:18 |