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She was one of the top, top, top comedians of the last 50 years. | 0:00:03 | 0:00:08 | |
I wouldn't be an adolescent again, if you bumped my pocket money up to | 0:00:08 | 0:00:11 | |
three and six. | 0:00:11 | 0:00:13 | |
I've never met or worked with anyone that's remotely like Victoria. | 0:00:13 | 0:00:17 | |
He fell about laughing like this. | 0:00:17 | 0:00:19 | |
I could see all the cheese and onion crisps in his fillings. | 0:00:21 | 0:00:24 | |
Vic was inspirational. There was no-one like her. | 0:00:24 | 0:00:27 | |
Only the thought of her macaroons have kept me going. | 0:00:27 | 0:00:30 | |
Funny, genius, unique. | 0:00:30 | 0:00:33 | |
-Are you all right, Bren? Did you get any? -Any sex? | 0:00:33 | 0:00:36 | |
No, I had to go to the launderette. | 0:00:36 | 0:00:38 | |
She was one of us. | 0:00:39 | 0:00:41 | |
And we wanted to have her as a friend. | 0:00:41 | 0:00:43 | |
I cut my leg last month on a mantrap that someone had left out. | 0:00:43 | 0:00:47 | |
It's a beautifully crafted piece of farm machinery. | 0:00:47 | 0:00:49 | |
If you ever get the chance, pop your leg in one. | 0:00:49 | 0:00:51 | |
Will there ever be another? | 0:00:51 | 0:00:53 | |
Doubt it. | 0:00:54 | 0:00:55 | |
-Hello, I'm Reece Shearsmith. -I'm Steve Pemberton. | 0:01:05 | 0:01:08 | |
And I'm Mark Gatiss. | 0:01:08 | 0:01:09 | |
One of the first things that bonded us when we were students | 0:01:09 | 0:01:12 | |
in Yorkshire was our shared love of Victoria Wood. | 0:01:12 | 0:01:15 | |
We first met Vic at the Television Festival in Montreux, | 0:01:15 | 0:01:18 | |
where she was picking up an award for Dinnerladies. | 0:01:18 | 0:01:20 | |
And I remember immediately going up to her and saying, | 0:01:20 | 0:01:23 | |
"Hi, how are you?" as if we were old friends. | 0:01:23 | 0:01:25 | |
Of course, none of us had ever met her before, | 0:01:25 | 0:01:27 | |
but that was part of her appeal. We felt like she was our friend, | 0:01:27 | 0:01:30 | |
even though we'd only ever seen her on TV. | 0:01:30 | 0:01:32 | |
And so, we're delighted to get together to present this programme. | 0:01:36 | 0:01:39 | |
A celebration of the finest work of our friend. | 0:01:39 | 0:01:42 | |
Victoria. | 0:01:42 | 0:01:43 | |
Vic was a proper telly addict. | 0:01:45 | 0:01:47 | |
She'd watch anything and everything. | 0:01:47 | 0:01:49 | |
In fact, the worse the programmes were, the more she enjoyed them. | 0:01:49 | 0:01:52 | |
She laughed at the sheer nonsense of it all. | 0:01:52 | 0:01:55 | |
So tonight, we're looking at Vic's take on television. | 0:01:55 | 0:02:00 | |
I mean, look at television. Well, you ARE looking. Never mind. | 0:02:06 | 0:02:09 | |
What I mean is, years ago, we used to be watching big, solid programmes | 0:02:09 | 0:02:13 | |
like The Forsyte Saga and Life On Earth. | 0:02:13 | 0:02:15 | |
Now the only things people like are the adverts and the soap operas. | 0:02:15 | 0:02:18 | |
I mean, it's coming to something when the whole nation tunes in | 0:02:18 | 0:02:21 | |
to see whether the boy from the Oxo commercial has passed his exams. | 0:02:21 | 0:02:24 | |
And video. | 0:02:27 | 0:02:29 | |
I mean, years ago, if your favourite programme was on and you had | 0:02:29 | 0:02:32 | |
to go out, you missed it. Now you can preset your date, | 0:02:32 | 0:02:34 | |
your time and your channel, go out, come back, | 0:02:34 | 0:02:37 | |
and watch half a Czechoslovakian cartoon and a recipe. | 0:02:37 | 0:02:40 | |
And remote control. I mean, it's so easy to change channels. | 0:02:42 | 0:02:45 | |
You can do it without even noticing. | 0:02:45 | 0:02:46 | |
I leant on mine once and thought Gorbachev had won the 3-2-1 holiday. | 0:02:46 | 0:02:50 | |
She realised how powerful television was. | 0:02:51 | 0:02:54 | |
Cos it was powerful for her, so she knew... | 0:02:54 | 0:02:56 | |
It's in your home. You know, it's there, accessible, all the time. | 0:02:56 | 0:03:00 | |
And people are addicted to it. | 0:03:00 | 0:03:02 | |
Well, especially before social media, | 0:03:02 | 0:03:04 | |
they REALLY were addicted to it. | 0:03:04 | 0:03:06 | |
So it was very powerful and important | 0:03:06 | 0:03:09 | |
as a form of entertainment. | 0:03:09 | 0:03:10 | |
If this show is all about telly and laughing at it, | 0:03:13 | 0:03:15 | |
then why don't we tune in to a typical day of telly | 0:03:15 | 0:03:17 | |
from Vic's unique perspective? Let's start with a cup of tea, | 0:03:17 | 0:03:21 | |
a slice of toast and a bit of breakfast TV. | 0:03:21 | 0:03:24 | |
Good morning. Welcome to day one of our regional breakfast time | 0:03:29 | 0:03:32 | |
experiment. I don't know what sort of morning YOU are having, | 0:03:32 | 0:03:36 | |
but I got up at 3:30am and travelled to work in a bus full of | 0:03:36 | 0:03:39 | |
chain-smoking navvies. It's now 6:35am. | 0:03:39 | 0:03:42 | |
I can't take my rollers out before seven o'clock. | 0:03:42 | 0:03:45 | |
But, of course, my loyalty to the company means I will wholeheartedly | 0:03:45 | 0:03:49 | |
co-operate with this innovative and, in my opinion, loopy scheme. | 0:03:49 | 0:03:53 | |
Good morning. | 0:03:53 | 0:03:55 | |
She cannibalised TV to then... | 0:03:55 | 0:03:57 | |
..do her sketches. | 0:03:59 | 0:04:01 | |
And that is part and parcel of how she was, | 0:04:01 | 0:04:03 | |
I think, why she was so successful, | 0:04:03 | 0:04:05 | |
because you recognised all the people that she was...skewering. | 0:04:05 | 0:04:10 | |
-Good morning. -Hi, there. -I'm Sally Cumbernauld. | 0:04:10 | 0:04:12 | |
This is Martin Crosthwaite. | 0:04:12 | 0:04:13 | |
-How are you? -Oh, chipping in already! | 0:04:13 | 0:04:16 | |
No, I love him. Don't be fooled by the names - we are married. | 0:04:19 | 0:04:24 | |
We certainly are. And welcome to the start of a brand-new programme. | 0:04:24 | 0:04:27 | |
BBC One's All Day Breakfast. | 0:04:27 | 0:04:29 | |
Yes, we'll be on air right from breakfast time... | 0:04:29 | 0:04:31 | |
-..all through the day. -Oh, bedtime at least. | 0:04:31 | 0:04:33 | |
So you'd better get used to our ugly mugs, cos you're going to see | 0:04:33 | 0:04:36 | |
-a lot of us. -Oh! Speak for yourself! | 0:04:36 | 0:04:38 | |
No, I love him. | 0:04:39 | 0:04:40 | |
Well, we have tonnes of stuff lined up for you. | 0:04:41 | 0:04:43 | |
I'll be talking to Lulu about how a revolutionary new treatment has | 0:04:43 | 0:04:47 | |
brought hope to literally thousands | 0:04:47 | 0:04:48 | |
of sufferers from split ends. | 0:04:48 | 0:04:50 | |
And I'll be discussing with no embarrassment at all, | 0:04:50 | 0:04:52 | |
female problems, such as wonky wombs and faulty fallopians. Can't wait. | 0:04:52 | 0:04:57 | |
We did do, yeah, spoof chat shows or morning television. | 0:04:59 | 0:05:05 | |
Loosely based on Richard and Judy and things like that. | 0:05:06 | 0:05:11 | |
Do you know, I used to do that just as well as I possibly could. | 0:05:11 | 0:05:14 | |
I wasn't acting. It was really just trying to do it. | 0:05:16 | 0:05:19 | |
I thought, "I might have a little job here when I finish here." | 0:05:19 | 0:05:22 | |
And so I did it my very best! | 0:05:22 | 0:05:24 | |
We'll be keeping you up-to-date on the weather and the stock market. | 0:05:24 | 0:05:27 | |
And Mavis Nicholson will be phoning in from those Welsh borders | 0:05:27 | 0:05:30 | |
with all the latest calorie values. | 0:05:30 | 0:05:32 | |
-So stick around. -So that's coming up. | 0:05:32 | 0:05:34 | |
Meanwhile, it's exercise time with our very own Jolly Polly. | 0:05:34 | 0:05:38 | |
And something a bit new from the BBC - hope you like it, we do - | 0:05:38 | 0:05:41 | |
a commercial break. | 0:05:41 | 0:05:43 | |
Because you are a woman. | 0:05:43 | 0:05:44 | |
Because you wear beautiful things. | 0:05:48 | 0:05:50 | |
Because you like to feel safe, whatever you're wearing. | 0:05:54 | 0:05:57 | |
Because even pretty girls have...cycles. | 0:05:58 | 0:06:02 | |
Bicycle clips for women. | 0:06:08 | 0:06:10 | |
Hello. Want to wear a bra, but you don't want to wear a woman's bra? | 0:06:18 | 0:06:22 | |
Just For Men acts like a woman's bra, | 0:06:24 | 0:06:26 | |
but feels and looks totally masculine. | 0:06:26 | 0:06:29 | |
New wide-apart straps keep clear of collar and tie, | 0:06:29 | 0:06:32 | |
and snap-proof banding means it won't ride up | 0:06:32 | 0:06:34 | |
during competitive sport or locker-room horseplay. | 0:06:34 | 0:06:37 | |
Just For Men. The bra that's wasted on women. | 0:06:37 | 0:06:41 | |
We asked you what you wanted in a detergent. | 0:06:43 | 0:06:45 | |
I'd like it to get clothes REALLY clean without fading today's | 0:06:45 | 0:06:49 | |
-snazzy colours. -I'd like it to digest repellent fat stains, | 0:06:49 | 0:06:52 | |
even at low, low temperatures. | 0:06:52 | 0:06:54 | |
I'd like it to remove sweaty stenches that embarrass me | 0:06:54 | 0:06:57 | |
-when I'm ironing. -Anything else? | 0:06:57 | 0:06:59 | |
Yes. Because we care about the environment... | 0:07:00 | 0:07:03 | |
-Yes? -We'd like it to be in a green box. | 0:07:03 | 0:07:06 | |
If you are lucky enough to be at home all day, | 0:07:14 | 0:07:16 | |
then why not watch daytime TV? | 0:07:16 | 0:07:18 | |
Daytime TV is a bit like an out-of-town shopping centre, | 0:07:18 | 0:07:21 | |
packed full of things that you think you might need, but actually, | 0:07:21 | 0:07:24 | |
-you don't really want. -Nevertheless, | 0:07:24 | 0:07:25 | |
it provided Vic with a rich seam from which to mine her comedy. | 0:07:25 | 0:07:29 | |
We'll have more needlework hints next week, | 0:07:29 | 0:07:32 | |
when Philippa will be showing us how to stitch up the mouth | 0:07:32 | 0:07:34 | |
of a talkative friend or relative. And now, as usual, on Fridays, | 0:07:34 | 0:07:37 | |
it's over to Marjorie to see what sort of week SHE'S been having. | 0:07:37 | 0:07:40 | |
Hello, Marjorie. What sort of week have you been having? | 0:07:40 | 0:07:43 | |
Well, hello, Joan. I've been having a VERY hectic time. | 0:07:43 | 0:07:46 | |
On Monday, my husband and I tiled the bathroom. More of that later. | 0:07:46 | 0:07:50 | |
And on Tuesday, we filed for divorce. | 0:07:50 | 0:07:52 | |
So, do you think you might follow the trend, Marjorie, | 0:07:52 | 0:07:55 | |
of the rather worn-out, middle-aged woman | 0:07:55 | 0:07:57 | |
shacking up with the much-younger man? | 0:07:57 | 0:07:59 | |
Well, it's certainly worth looking into, Joan. | 0:07:59 | 0:08:02 | |
One of the things I do like about young men | 0:08:02 | 0:08:05 | |
is that they tend not to wear pyjamas. | 0:08:05 | 0:08:06 | |
By pyjamas, you mean nightwear generally? | 0:08:06 | 0:08:08 | |
Yes, and striped garments in particular. | 0:08:08 | 0:08:11 | |
Yes, because I know from our postbag, Marjorie, | 0:08:11 | 0:08:13 | |
a lot of our viewers find folding pyjamas quite an arduous task. | 0:08:13 | 0:08:17 | |
That's right, Joan. Often leading to lower back pain, depression, | 0:08:17 | 0:08:21 | |
dependence on tranquillising drugs | 0:08:21 | 0:08:24 | |
and sadly, alas, to suicide. | 0:08:24 | 0:08:26 | |
Gosh. | 0:08:28 | 0:08:29 | |
It's the hidden depths of it. | 0:08:29 | 0:08:32 | |
Yes, the layers underneath that are so cleverly written into it, | 0:08:32 | 0:08:37 | |
that they really hate one another, that's right. | 0:08:37 | 0:08:40 | |
And it's gorgeous, isn't it? | 0:08:40 | 0:08:42 | |
You're waiting for it to come out. | 0:08:42 | 0:08:44 | |
"Please will you move away? Your breath smells." | 0:08:44 | 0:08:47 | |
You've also been looking at double glazing, haven't you, Marjorie? | 0:08:47 | 0:08:49 | |
CHEAP double glazing, Joan. | 0:08:49 | 0:08:51 | |
With the emphasis on the cheap, rather than the glazing. | 0:08:51 | 0:08:53 | |
-Absolutely. -So, in effect, we don't have to spend £3,000, | 0:08:53 | 0:08:57 | |
£4,000 or £5,000 keeping our homes draught-free. | 0:08:57 | 0:08:59 | |
-No. So... -So, how do we go about it? | 0:08:59 | 0:09:03 | |
I'm sorry. Could you just move away? Your breath smells. Thanks. | 0:09:03 | 0:09:06 | |
Awful, patronising and middle-class, basically. | 0:09:09 | 0:09:11 | |
The sort of women she would loathe. | 0:09:11 | 0:09:13 | |
Marjorie and I are heading for the three-star Clifftop Hotel, | 0:09:15 | 0:09:18 | |
where single people of all sexes are hoping for | 0:09:18 | 0:09:20 | |
sun, fun and a little bit of mountaineering. | 0:09:20 | 0:09:22 | |
Well, a bumpy five-hour drive on badly tarmacked B roads | 0:09:27 | 0:09:30 | |
wouldn't suit everybody, but we're both raring to pick up our bags | 0:09:30 | 0:09:34 | |
and get going. | 0:09:34 | 0:09:36 | |
The blue Samsonite, please. | 0:09:40 | 0:09:41 | |
No, that's the lot. Sorry. | 0:09:41 | 0:09:44 | |
Well, after a few of the hotel's speciality cocktails, | 0:09:52 | 0:09:54 | |
the ice is well and truly broken. | 0:09:54 | 0:09:56 | |
Everyone's having a marvellous time! | 0:09:56 | 0:09:58 | |
Over to you, Marjorie. Cheers. | 0:09:58 | 0:10:00 | |
You don't need to phone your wife. | 0:10:04 | 0:10:06 | |
Come on! | 0:10:06 | 0:10:08 | |
42 in April and no bra. Not bad, eh? | 0:10:08 | 0:10:11 | |
And I might try that later in the week. | 0:10:15 | 0:10:17 | |
Now it's off to bed because, believe you me, | 0:10:17 | 0:10:19 | |
tomorrow is to be a VERY full day. | 0:10:19 | 0:10:22 | |
Well, this is the highlight of the holiday, as far as I'm concerned. | 0:10:24 | 0:10:27 | |
A two-day course in simple mountaineering. | 0:10:27 | 0:10:30 | |
It is a marvellous way for single people to get to know one another, | 0:10:30 | 0:10:33 | |
because in a life-and-death situation like this, | 0:10:33 | 0:10:35 | |
you are totally dependent on your climbing partner. | 0:10:35 | 0:10:38 | |
Marjorie? I'm coming up. | 0:10:38 | 0:10:40 | |
OK. | 0:10:40 | 0:10:42 | |
If Marjorie were to let her concentration lapse | 0:10:42 | 0:10:45 | |
for just one second, I could literally... | 0:10:45 | 0:10:48 | |
Well... | 0:10:52 | 0:10:54 | |
That's it. Happy holidays. | 0:10:55 | 0:10:57 | |
Bye! | 0:10:57 | 0:10:58 | |
When are they taking the pins out? | 0:11:00 | 0:11:02 | |
-They're not. -Bad luck. | 0:11:02 | 0:11:04 | |
And so, now to our early-evening TV viewings. | 0:11:11 | 0:11:14 | |
You've just come in from work, tea is on the go, | 0:11:14 | 0:11:16 | |
so why not put your feet up and relax? | 0:11:16 | 0:11:18 | |
Indulge yourself in the glut of soap operas that are on offer - | 0:11:18 | 0:11:22 | |
or, as they call them nowadays, continuing dramas. | 0:11:22 | 0:11:25 | |
And now it's time for our serial, Acorn Antiques. | 0:11:25 | 0:11:28 | |
And or those of you living outside the London area, | 0:11:28 | 0:11:31 | |
who probably aren't very intelligent and can't remember the plot, | 0:11:31 | 0:11:34 | |
let me just remind you that last week | 0:11:34 | 0:11:36 | |
Babs received a mysterious visitor, | 0:11:36 | 0:11:38 | |
Mrs Overall came out of hospital, | 0:11:38 | 0:11:41 | |
and Mr Kenneth went on a secret trip into Manchesterford. | 0:11:41 | 0:11:44 | |
Oh, I beg your pardon. That was the previous week. | 0:11:44 | 0:11:47 | |
The fact is, Mrs O, | 0:11:53 | 0:11:54 | |
my life seems completely grey, bleak and pointless. | 0:11:54 | 0:11:59 | |
Well, yes. Sometimes that's God's way | 0:11:59 | 0:12:02 | |
of getting you to enjoy Gardeners' World. | 0:12:02 | 0:12:04 | |
You're smiling - things can't be all that bad. | 0:12:09 | 0:12:13 | |
Oh, bloody Nora! | 0:12:13 | 0:12:15 | |
Oh, no you're not. Oh, Mr Clifford, what shocking news. | 0:12:17 | 0:12:21 | |
Well... | 0:12:21 | 0:12:23 | |
I finally winkled it out of him, Miss Babs. | 0:12:23 | 0:12:26 | |
And it took some winkling. | 0:12:26 | 0:12:28 | |
Don't say any more, Mrs O. The baby alarm was on | 0:12:28 | 0:12:30 | |
in the antiques packing department. | 0:12:30 | 0:12:32 | |
Berta and I heard the whole darn thing. | 0:12:32 | 0:12:35 | |
DRAMATIC MUSIC | 0:12:35 | 0:12:37 | |
With Acorn Antiques, | 0:12:39 | 0:12:41 | |
everyone knows that it was based on a certain soap opera called | 0:12:41 | 0:12:45 | |
Crossroads. The moving scenery, the slightly bad cues, | 0:12:45 | 0:12:51 | |
everybody getting it slightly wrong, the camera shots, | 0:12:51 | 0:12:53 | |
the boom mic in shot. | 0:12:53 | 0:12:55 | |
And having been in that particular soap opera myself for real, | 0:12:55 | 0:13:02 | |
in the early '80s, I think Victoria loved that. | 0:13:02 | 0:13:06 | |
And she used to love my stories about Crossroads. | 0:13:06 | 0:13:09 | |
Hello, Mrs O. I thought I'd bring my OWN coffee cup down today. | 0:13:10 | 0:13:13 | |
You know, it still tastes a little bit odd. | 0:13:13 | 0:13:17 | |
What sort of little bit odd? | 0:13:17 | 0:13:18 | |
Oh, I don't know. Almost as if someone was trying to kill me. | 0:13:18 | 0:13:22 | |
Oh! You are an old silly Billy. | 0:13:22 | 0:13:25 | |
-(Get back!) -Well, you see, I am a majority shareholder | 0:13:27 | 0:13:29 | |
in Acorn Antiques since Berta's amnesia. If I were to die, | 0:13:29 | 0:13:32 | |
that would certainly suit cousin Jerez. | 0:13:32 | 0:13:35 | |
There's been a new development over Berta's father's will. | 0:13:35 | 0:13:38 | |
A new one has been found, dated the day he died. | 0:13:38 | 0:13:42 | |
Who's the sole beneficiary now? | 0:13:42 | 0:13:44 | |
That's the problem. | 0:13:44 | 0:13:47 | |
It's a little redhead he met in the blackout in 1943. | 0:13:47 | 0:13:50 | |
They had one night of passion and he never saw her again. | 0:13:50 | 0:13:54 | |
Excuse me, Miss Babs and Miss Berta, can I have a word? | 0:13:54 | 0:13:58 | |
Well, if it's to ask me for another job for your untrustworthy cousin, | 0:13:58 | 0:14:03 | |
then the answer is no. | 0:14:03 | 0:14:05 | |
His last little escapade cost me £32 in French polish, | 0:14:05 | 0:14:09 | |
not to mention apologising to every Asian grocer between here and | 0:14:09 | 0:14:13 | |
-Manchesterford. -No, it's not that. | 0:14:13 | 0:14:15 | |
It's your father, Miss Berta. | 0:14:15 | 0:14:17 | |
He's been seen in the Post Office. | 0:14:17 | 0:14:20 | |
My father's dead. | 0:14:20 | 0:14:21 | |
It was done quite seriously. | 0:14:21 | 0:14:23 | |
The secret was we never, ever did it in front of an audience. | 0:14:23 | 0:14:26 | |
So maybe we didn't know | 0:14:26 | 0:14:29 | |
quite how funny it was. | 0:14:29 | 0:14:31 | |
Certainly the cameramen didn't know, | 0:14:31 | 0:14:34 | |
because they were mystified | 0:14:34 | 0:14:36 | |
as to why we were banging into the furniture, | 0:14:36 | 0:14:40 | |
and I was putting the phone down and it was still ringing. | 0:14:40 | 0:14:43 | |
I must be Miss Berta's twin brother, then, Miss Babs. | 0:14:43 | 0:14:46 | |
Yes, run along and tell her, Derek! | 0:14:46 | 0:14:49 | |
Oh, it's been a... | 0:14:52 | 0:14:54 | |
Both talking at the same time there, Mrs O. | 0:14:54 | 0:14:57 | |
-BABS CLEARS HER THROAT -Oh, I was just going to say | 0:14:59 | 0:15:03 | |
somebody better answer that phone. | 0:15:03 | 0:15:06 | |
-PHONE STARTS RINGING -I suppose I better answer it. | 0:15:06 | 0:15:08 | |
YOU answer it and I'll get you a nice cup of...hot cup of coffee. | 0:15:08 | 0:15:13 | |
You don't have to. | 0:15:13 | 0:15:14 | |
After all, you are the sole proprietor of Acorn Antiques now. | 0:15:14 | 0:15:17 | |
Hello? | 0:15:17 | 0:15:19 | |
There's definitely nobody I know | 0:15:19 | 0:15:20 | |
who didn't find Acorn Antiques funny. | 0:15:20 | 0:15:23 | |
And you go, "Well, what was it?" | 0:15:23 | 0:15:25 | |
And it was just the chemistry of all of those characters, I think, | 0:15:25 | 0:15:28 | |
you know? And because it was again, you know, a mick take of, you know, | 0:15:28 | 0:15:33 | |
the Crossroads type programme, daytime soaps, you know, | 0:15:33 | 0:15:35 | |
with wobbly furniture and, you know, bad acting, | 0:15:35 | 0:15:38 | |
but it was just pitch perfect. | 0:15:38 | 0:15:41 | |
APPLAUSE | 0:15:41 | 0:15:43 | |
And sadly I've given up on Crossroads, I'm afraid, | 0:15:43 | 0:15:46 | |
since Miss Diane died. | 0:15:46 | 0:15:47 | |
That was very upsetting. | 0:15:47 | 0:15:49 | |
She lost the will to live, apparently. | 0:15:49 | 0:15:52 | |
Mind you, if I'd been in Crossroads for 20 years, | 0:15:52 | 0:15:54 | |
I'd have lost the will to live! | 0:15:54 | 0:15:56 | |
And I got very confused when people from The Archers | 0:15:56 | 0:15:59 | |
started turning up in Crossroads. And I thought, | 0:15:59 | 0:16:01 | |
would it be a good idea if everybody from Crossroads | 0:16:01 | 0:16:04 | |
turned up in EastEnders? | 0:16:04 | 0:16:05 | |
No, not everybody - just Benny. | 0:16:05 | 0:16:06 | |
That would be good. | 0:16:06 | 0:16:08 | |
But he wouldn't have to say anything, | 0:16:08 | 0:16:09 | |
he could just sit in Pat Beale's cleavage with his hat on, smiling. | 0:16:09 | 0:16:13 | |
I've got a friend who watches television all day, | 0:16:16 | 0:16:18 | |
right from Wincey Willis via That's My Dog, | 0:16:18 | 0:16:20 | |
down to the Open University things about germs. | 0:16:20 | 0:16:23 | |
And I said to her, "Do you think television has killed | 0:16:23 | 0:16:25 | |
"the art of conversation?" | 0:16:25 | 0:16:27 | |
She said, "Erm..." | 0:16:27 | 0:16:29 | |
Talk about killing the art of conversation - | 0:16:32 | 0:16:34 | |
look at those two, watching catch-up TV on their Smartphones. | 0:16:34 | 0:16:37 | |
But there was one more soap filled with chatter that Vic loved, | 0:16:37 | 0:16:41 | |
and she couldn't help having a laugh at that, either. | 0:16:41 | 0:16:43 | |
MUSIC: Theme from Coronation Street | 0:16:43 | 0:16:46 | |
Oh, thank you, Ena. And good health, everybody. | 0:17:00 | 0:17:04 | |
I'll give you good health, Minnie Caldwell. | 0:17:04 | 0:17:06 | |
Ooh, Ena, I'm sure I never meant... | 0:17:06 | 0:17:09 | |
You never do mean, Minnie Caldwell, so think on and look sharp. | 0:17:09 | 0:17:12 | |
Sup up and shut up. | 0:17:12 | 0:17:14 | |
I've heard enough skriking in this bug hutch to last me | 0:17:14 | 0:17:17 | |
from Weatherfield Viaduct to Whit-week Walk. | 0:17:17 | 0:17:20 | |
It's a lovely milk stout, Ena. | 0:17:20 | 0:17:22 | |
By the thump, Minnie Caldwell, you take the barm cake, you do! | 0:17:22 | 0:17:25 | |
Oh, leave her be, Ena Sharples, you've a chip on your shoulder | 0:17:25 | 0:17:28 | |
that big, Jackson's Chippy couldn't come up with t'vinegar. | 0:17:28 | 0:17:31 | |
Put a pikelet in it, Martha Longhurst, | 0:17:31 | 0:17:33 | |
and you might hear something to your own advantage. | 0:17:33 | 0:17:35 | |
Happen I might, Ena Sharples. | 0:17:35 | 0:17:37 | |
-What's to do? -Oh, yes, Ena, what's to do? | 0:17:37 | 0:17:41 | |
Well, I keep my trap shut and my lug 'oles open - unlike some folk | 0:17:41 | 0:17:44 | |
I could mention, and you can pick up some very interesting conversations | 0:17:44 | 0:17:47 | |
if you keep your hairnet jammed up against t'vestry wall. | 0:17:47 | 0:17:49 | |
By 'eck, Ena Sharples, | 0:17:49 | 0:17:51 | |
you weren't behind t'mangle when they handed out stair rods. | 0:17:51 | 0:17:55 | |
Ooh, Ena. What have you heard? | 0:17:55 | 0:17:58 | |
That stuck-up Ida Barlow, who's no better than she should be, | 0:17:58 | 0:18:01 | |
it'll be not too long before she falls under a bus. | 0:18:01 | 0:18:03 | |
Harry Hewitt'll likely get crushed under the axle of his own van, | 0:18:03 | 0:18:07 | |
and as for Valerie Barlow, and if this isn't the judgment for setting | 0:18:07 | 0:18:10 | |
herself up in her own front parlour as a so-called hair stylist, | 0:18:10 | 0:18:13 | |
then my name's not Ena Sharples. From what I hear, it's two clogs to | 0:18:13 | 0:18:16 | |
a thrupenny bit she'll electrocute herself with her own hairdryer. | 0:18:16 | 0:18:19 | |
But what about the poor little twins, Ena? | 0:18:19 | 0:18:22 | |
Their Peter and their Susan? | 0:18:22 | 0:18:23 | |
Off up to Scotland. Coming back after 20 years, | 0:18:23 | 0:18:26 | |
without so much as a Scottish accent. | 0:18:26 | 0:18:27 | |
Oh, that is nice. I must tell my Bobby. | 0:18:27 | 0:18:31 | |
Is that all? | 0:18:31 | 0:18:33 | |
All, Martha Longhurst? I should think it is all. | 0:18:33 | 0:18:36 | |
I can't stand round listening to gossip all day like some folk. | 0:18:36 | 0:18:38 | |
I've clinkers to riddle and pots to scythe. | 0:18:38 | 0:18:40 | |
Did you not hear nowt about me? | 0:18:40 | 0:18:42 | |
Happen I did, Martha Longhurst, | 0:18:42 | 0:18:44 | |
and happen I didn't. But I tell you one thing, | 0:18:44 | 0:18:48 | |
you won't be wanting this. | 0:18:48 | 0:18:49 | |
It's late evening now. Shall we stay up and watch a bit of reality TV? | 0:18:59 | 0:19:02 | |
A documentary? That's what Victoria obviously did, | 0:19:02 | 0:19:05 | |
because she made the most perfect pastiches of those programmes too. | 0:19:05 | 0:19:10 | |
How are you feeling? Very mixed, basically. | 0:19:12 | 0:19:15 | |
A little bit schizoid. | 0:19:15 | 0:19:17 | |
Do you think this talent show is crucial? | 0:19:17 | 0:19:19 | |
Never mind crucial - it's bloody important. | 0:19:19 | 0:19:22 | |
-Make or break? -Make or break, spot-on. | 0:19:22 | 0:19:24 | |
Win or lose, double or quits, | 0:19:24 | 0:19:26 | |
que sera sera, Three Coins In A Fountain, | 0:19:26 | 0:19:28 | |
Bachelor Boy, this is it. | 0:19:28 | 0:19:30 | |
Do you WANT to be a star? | 0:19:30 | 0:19:32 | |
I've got the perm, I've got the suit. | 0:19:32 | 0:19:35 | |
I've got the same vinyl flooring as Felicity Kendal. | 0:19:35 | 0:19:37 | |
Why should some other bastard pick up 40 grand | 0:19:37 | 0:19:39 | |
for advertising microwave ovens? | 0:19:39 | 0:19:41 | |
What she managed to do with pastiche | 0:19:41 | 0:19:44 | |
is to talk about something that IS about being in the world of telly, | 0:19:44 | 0:19:49 | |
being successful, being rich and famous, | 0:19:49 | 0:19:54 | |
but still keeping something that is universal about it, | 0:19:54 | 0:19:59 | |
and that ordinary people can connect to. | 0:19:59 | 0:20:03 | |
So that you felt it was authentic and genuine and funny and sad. | 0:20:03 | 0:20:08 | |
Are you VERY nervous? | 0:20:10 | 0:20:11 | |
Yeah. | 0:20:11 | 0:20:13 | |
It's a bit like drowning. | 0:20:13 | 0:20:15 | |
They're all passing before my eyes. | 0:20:15 | 0:20:16 | |
What are? | 0:20:16 | 0:20:18 | |
All my previous hairstyles. | 0:20:18 | 0:20:19 | |
Just a reminder about our postal votes... | 0:20:19 | 0:20:22 | |
So what went wrong? | 0:20:22 | 0:20:24 | |
It was the lights. | 0:20:24 | 0:20:27 | |
They're just so bloody hot, you know. | 0:20:27 | 0:20:29 | |
After a couple of minutes in that heat, I knew I was losing it. | 0:20:29 | 0:20:32 | |
-I could feel it going. -What was going? | 0:20:32 | 0:20:35 | |
The delivery? The rapport with the audience? | 0:20:35 | 0:20:38 | |
No, the bloody perm. | 0:20:38 | 0:20:40 | |
It's heartbreaking. | 0:20:42 | 0:20:44 | |
So who DID win Star Search, and have you found your star? | 0:20:46 | 0:20:51 | |
Oh, I think so. I've just been telling her. | 0:20:51 | 0:20:55 | |
She'll have to shave her legs! | 0:20:55 | 0:20:57 | |
They were really well done, those mini documentaries, | 0:20:57 | 0:21:01 | |
and I can't think of anyone who did that before her. | 0:21:01 | 0:21:05 | |
May I ask what you're doing here? | 0:21:05 | 0:21:07 | |
We've come about the test-tube babies and that. | 0:21:07 | 0:21:09 | |
We want a test tube baby. | 0:21:09 | 0:21:11 | |
Why - are there problems? | 0:21:11 | 0:21:12 | |
We've only got a maisonette so a little tiny test-tube... | 0:21:12 | 0:21:16 | |
No, they grow to a normal size - they're conceived in the test-tube. | 0:21:16 | 0:21:20 | |
We'll never both fit in. | 0:21:22 | 0:21:24 | |
-How you getting on? -We've been having tests. | 0:21:29 | 0:21:32 | |
-Fertility? -For something - I don't know if it was tility. | 0:21:32 | 0:21:35 | |
I had to go in a bathroom with a sexy sort of magazine. | 0:21:35 | 0:21:38 | |
-How did you get on? -I could read MOST of it. | 0:21:38 | 0:21:40 | |
-What happened in the end? -We didn't get one. | 0:21:43 | 0:21:46 | |
-You didn't get what? -A baby. | 0:21:46 | 0:21:47 | |
They said we had to wait nine months or something. | 0:21:47 | 0:21:50 | |
The things they wanted us to do... | 0:21:50 | 0:21:51 | |
Sections of intercost or something. | 0:21:51 | 0:21:53 | |
-It was horrible. -Well, everybody does it, you know. | 0:21:53 | 0:21:55 | |
They don't! Come on. | 0:21:57 | 0:22:00 | |
Go on, get out of it, you woolly article. | 0:22:04 | 0:22:08 | |
You've only got to look at things like The Office, | 0:22:09 | 0:22:11 | |
and people now, big series were made out of them, | 0:22:11 | 0:22:13 | |
but she was doing those right, right at the beginning, | 0:22:13 | 0:22:16 | |
those sort of reality... | 0:22:16 | 0:22:17 | |
You know, they were sort of mock, fly-on-the-wall things that she did, | 0:22:17 | 0:22:21 | |
that now, you know, we've unfortunately got channels | 0:22:21 | 0:22:24 | |
stuffed full of them now, haven't we? | 0:22:24 | 0:22:26 | |
And now BBC Braindead continues with more of Stacey Leanne's exploits | 0:22:26 | 0:22:30 | |
on that luxury liner. | 0:22:30 | 0:22:32 | |
Oh, I can't believe it's the last night of the cruise tonight. | 0:22:32 | 0:22:35 | |
I'm filling up now, just thinking about it. | 0:22:35 | 0:22:37 | |
-KNOCK AT DOOR -Are you decent? | 0:22:37 | 0:22:38 | |
Oh, you're ten years too late. Whacky sense of humour. | 0:22:38 | 0:22:41 | |
-You're rushing. Take your time. -I know what it is. | 0:22:41 | 0:22:44 | |
-Come on. -So here we go. | 0:22:44 | 0:22:46 | |
Are you ready? OK, so it goes, announcement, spotlight, on I come. | 0:22:46 | 0:22:51 | |
# La-da-da-daaa. # | 0:22:51 | 0:22:52 | |
No, it's spotlight, announcement, on you come. | 0:22:52 | 0:22:55 | |
What am I like? It is only 2.00 in the afternoon | 0:22:55 | 0:22:57 | |
and I'm already doolally, she cried. Let me just check, | 0:22:57 | 0:22:59 | |
-you're wearing your gold... -My white DJ, yes. | 0:22:59 | 0:23:01 | |
You're going to look gorgeous. No, he looks gorgeous anyway, don't he? | 0:23:01 | 0:23:04 | |
No, I love him, she lied. No, I'm only kidding. | 0:23:04 | 0:23:06 | |
Come in, Paul. | 0:23:06 | 0:23:07 | |
Seen it all before anyway. We had a bit of a drunken fumble, didn't we, | 0:23:08 | 0:23:11 | |
Boxing night? Anyway, the baps are back in the bread bin now. | 0:23:11 | 0:23:14 | |
Not coming out till New Year - promises, promises. | 0:23:14 | 0:23:17 | |
Ooh, is that the gel in my full spot? | 0:23:17 | 0:23:19 | |
-Yes. -I don't like it, Paul, I'm sorry, but I don't. | 0:23:19 | 0:23:21 | |
I think Pete's gone on his break now. | 0:23:21 | 0:23:24 | |
Do you want me to go up and change it? | 0:23:24 | 0:23:25 | |
Oh, would you? Ain't he gorgeous? | 0:23:25 | 0:23:27 | |
In fact, could you just nip up and change the whole thing, do you mind? | 0:23:27 | 0:23:29 | |
-No. -Could you just make it more razzmatazzy? -Yes. | 0:23:29 | 0:23:31 | |
-More showbiz-y. -Fine. -Warmer, more northern. | 0:23:31 | 0:23:34 | |
Oh, bless him. | 0:23:34 | 0:23:36 | |
Just tell you, I'm sure he won't mind me mentioning this, she added, | 0:23:36 | 0:23:38 | |
he took an overdose the other week. It was really upsetting, | 0:23:38 | 0:23:41 | |
cos it was one of those days when you weren't here. | 0:23:41 | 0:23:43 | |
There's me walking him round the deck in stilettos, | 0:23:43 | 0:23:45 | |
nobody filming it. Are you there? Can you just start with the one | 0:23:45 | 0:23:48 | |
on the end? Can you reach it? | 0:23:48 | 0:23:49 | |
CRASH! | 0:23:49 | 0:23:51 | |
I'll just wait till he gets back up. | 0:23:51 | 0:23:52 | |
Look. Have a look at these. Look. £3.99 Keighley Market. | 0:23:52 | 0:23:55 | |
-Can you see? Look, treble clef, cos I'm musical. -Half an hour, Stacey. | 0:23:55 | 0:23:58 | |
Oh, are you all right? | 0:23:58 | 0:23:59 | |
You know, he fell off the lighting rig this afternoon. | 0:23:59 | 0:24:01 | |
There's me trying to get the lighting right, he's screaming | 0:24:01 | 0:24:04 | |
in agony, apparently. I never even noticed, I'm so professional. | 0:24:04 | 0:24:07 | |
I'm sorry, but I am. | 0:24:07 | 0:24:08 | |
He won't mind me telling you, hurt his testicles apparently. Not nice. | 0:24:08 | 0:24:11 | |
I wouldn't know, not being a man - | 0:24:11 | 0:24:14 | |
yet, she added madly. | 0:24:14 | 0:24:15 | |
-Have a good show. -Oh, what a lovely thing to say, | 0:24:15 | 0:24:18 | |
I'm filling up again now. | 0:24:18 | 0:24:20 | |
No, carry on filming. | 0:24:20 | 0:24:22 | |
ALL: So there you have it, that was our friend Victoria | 0:24:27 | 0:24:30 | |
and her take on TV. | 0:24:30 | 0:24:32 | |
-Should we end on a song? -We end on a song. -We end on a song! | 0:24:32 | 0:24:35 | |
-All right. -Cos I looked away. | 0:24:35 | 0:24:38 | |
-Again. -So there you have it. | 0:24:39 | 0:24:41 | |
That was our friend Victoria and her take on TV. | 0:24:41 | 0:24:44 | |
Shall we end on a song? | 0:24:44 | 0:24:46 | |
Well, yes, I think we should. | 0:24:46 | 0:24:47 | |
Not us. Victoria. | 0:24:49 | 0:24:51 | |
APPLAUSE | 0:24:51 | 0:24:53 | |
# We're off in a charrie from Ratcliffe | 0:24:59 | 0:25:01 | |
-# Marie and... -Clary... | 0:25:01 | 0:25:02 | |
# And Min | 0:25:02 | 0:25:03 | |
# Out for a day at the seaside, where do we begin? | 0:25:03 | 0:25:07 | |
# Ian McCaskill the weatherman had said it would be fine | 0:25:07 | 0:25:10 | |
# It started out quite cloudy, then the sun began to shine | 0:25:10 | 0:25:14 | |
-# So I had a cornet... -And I had a wafer... | 0:25:14 | 0:25:16 | |
# And I had a 99 | 0:25:16 | 0:25:18 | |
# And I think I've dropped some Flake behind me vest | 0:25:18 | 0:25:21 | |
# Oh, Min! | 0:25:21 | 0:25:22 | |
# We went around the waxworks, we should have saved our brass | 0:25:22 | 0:25:26 | |
# One of the dummies was label-less | 0:25:26 | 0:25:28 | |
# We pushed her through the glass | 0:25:28 | 0:25:30 | |
# It could have been Bishop Makarios | 0:25:30 | 0:25:32 | |
# It could have been Alfie Bass | 0:25:32 | 0:25:33 | |
# But now we're doing what we like the best | 0:25:33 | 0:25:36 | |
# Which is sitting on the prom, showing a lot of bum | 0:25:37 | 0:25:41 | |
# And giving the passers-by a fine display | 0:25:41 | 0:25:45 | |
# Of knicker lace and winceyette | 0:25:45 | 0:25:47 | |
# As the sun begins to set | 0:25:47 | 0:25:49 | |
# At the end of a lovely day | 0:25:49 | 0:25:52 | |
# We've paddled and been on the donkeys, Marie and Clary and Min | 0:25:55 | 0:25:58 | |
# We passed a type of booth thing | 0:25:58 | 0:26:00 | |
# Fortunes told within | 0:26:00 | 0:26:02 | |
# Gypsy Petulengro | 0:26:02 | 0:26:04 | |
# Genuine gypsy born | 0:26:04 | 0:26:06 | |
# She had an enormous photograph of her with Frankie Vaughan | 0:26:06 | 0:26:10 | |
-# So I had some cockles... -And I had some mussels | 0:26:10 | 0:26:12 | |
# And I had a giant prawn | 0:26:12 | 0:26:14 | |
# But I had to throw five eighths of it away | 0:26:14 | 0:26:16 | |
# Oh, Min! | 0:26:16 | 0:26:17 | |
# The band were playing Star Wars and bits of The King and I | 0:26:17 | 0:26:21 | |
# And that terrible South Pacific | 0:26:21 | 0:26:23 | |
# Heaven alone knows why | 0:26:23 | 0:26:25 | |
# And they all got sick to the dentures | 0:26:25 | 0:26:27 | |
# Of Valley blinkin' High | 0:26:27 | 0:26:30 | |
# But now we've got the best bit of the day | 0:26:30 | 0:26:34 | |
# We're oft here on the front | 0:26:34 | 0:26:36 | |
# Showing, to be blunt | 0:26:36 | 0:26:38 | |
# The bits that don't so often get the air | 0:26:38 | 0:26:41 | |
# Bloomer legs well apart | 0:26:41 | 0:26:43 | |
# Supporters from Exchange & Mart | 0:26:43 | 0:26:46 | |
# And some cellular thermal wear | 0:26:46 | 0:26:50 | |
# We've been in all the gift shops | 0:26:59 | 0:27:01 | |
-# Marie and... -Clary... | 0:27:01 | 0:27:02 | |
# And Min | 0:27:02 | 0:27:03 | |
# We're totally, totally loopy for gifts for kith and kin | 0:27:03 | 0:27:07 | |
# But first we had our dinner | 0:27:07 | 0:27:09 | |
# We should have stuck to hake | 0:27:09 | 0:27:11 | |
# We went into one of those burger dos | 0:27:11 | 0:27:13 | |
# And that was a big mistake | 0:27:13 | 0:27:15 | |
-# I had a burger... -And I had a burger | 0:27:15 | 0:27:17 | |
# And I had a chocolate shake | 0:27:17 | 0:27:19 | |
# And I sucked me froth up with me straw | 0:27:19 | 0:27:21 | |
# Oh, Min! | 0:27:21 | 0:27:22 | |
# We bought some quite nice coasters to match me three-piece suite | 0:27:22 | 0:27:26 | |
# And a plate with Lady Di on for serving potted meat | 0:27:26 | 0:27:30 | |
# And a tiny tin of laxatives, shaped like a... # | 0:27:30 | 0:27:33 | |
-Min! -# Seat | 0:27:33 | 0:27:34 | |
# But now we're doing what we came here for | 0:27:34 | 0:27:39 | |
# We've really got it made | 0:27:39 | 0:27:41 | |
# On the esplanade | 0:27:41 | 0:27:44 | |
# Showing everything we've got, it's true | 0:27:44 | 0:27:48 | |
# Stocking tops, suspender belts | 0:27:48 | 0:27:50 | |
# Loads of gusset and bags of whelks | 0:27:50 | 0:27:55 | |
# Cos there's bob-all else to do. # | 0:27:55 | 0:27:59 | |
APPLAUSE | 0:27:59 | 0:28:02 | |
And later on, we have the British premiere | 0:28:32 | 0:28:34 | |
of the rarely performed Spanish opera by Leopoldo Gutierrez. | 0:28:34 | 0:28:38 | |
Miseria En Una Lavanderia. | 0:28:38 | 0:28:40 | |
I'm wasted here, really, aren't I? | 0:28:40 | 0:28:42 |