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-Uh-oh! -Oh, Jeez. | 0:00:02 | 0:00:04 | |
Bricks cut off my cards. I'm stuck here. | 0:00:04 | 0:00:07 | |
-Jake is going out with a 19-year-old. -She thinks I'm 17. | 0:00:07 | 0:00:11 | |
-Why? -That's what I told her. | 0:00:11 | 0:00:13 | |
You're going out with a 19-year-old lap-dancer? | 0:00:13 | 0:00:16 | |
Me and Brick split up badly. | 0:00:16 | 0:00:18 | |
He was psychologically abusive, especially to Misty. | 0:00:18 | 0:00:21 | |
So you've done a runner with Brick's daughter? | 0:00:21 | 0:00:24 | |
-DOORBELL RINGS -It's that man. He's back. | 0:00:26 | 0:00:29 | |
The guy that's looking for Auntie Angela. | 0:00:29 | 0:00:32 | |
Don't answer it. He might think we're out. | 0:00:32 | 0:00:35 | |
DOORBELL RINGS | 0:00:35 | 0:00:37 | |
I don't think so. Karen's waving at him. | 0:00:39 | 0:00:42 | |
OK. He doesn't know she's here, so when he mentions Angela, | 0:00:42 | 0:00:45 | |
act surprised, but not too surprised. Don't do too much, | 0:00:45 | 0:00:47 | |
just look normal. | 0:00:47 | 0:00:49 | |
No - normal! | 0:00:50 | 0:00:52 | |
Oh, Mr and Mrs Brockman. | 0:00:53 | 0:00:57 | |
Hello, I'm Darren Armitage, senior partner with the law firm Sneider, Morpego. | 0:00:57 | 0:01:01 | |
You may already have one of these. | 0:01:01 | 0:01:03 | |
-Yes. -Erm, no. | 0:01:03 | 0:01:05 | |
Well, you probably didn't see it because Karen gave it to me earlier. | 0:01:05 | 0:01:10 | |
But, but not... it wasn't that much earlier. | 0:01:10 | 0:01:12 | |
So I didn't have a chance to tell you. | 0:01:12 | 0:01:15 | |
That must have been Karen who cross-examined me yesterday. | 0:01:15 | 0:01:18 | |
We may be recruiting her soon. | 0:01:18 | 0:01:21 | |
Please ask Angela to come to the door. | 0:01:21 | 0:01:23 | |
-Angela? -They're not here. -They? I just said Angela. | 0:01:25 | 0:01:29 | |
Look, I don't know why you're here, but whatever it is, | 0:01:29 | 0:01:31 | |
could you please put it in writing? | 0:01:31 | 0:01:33 | |
Because we're right in the middle of a quiet family dinner. | 0:01:33 | 0:01:37 | |
We don't get many callers. They get excited. | 0:01:43 | 0:01:46 | |
-Auntie? -Shh-shh-shh! | 0:01:48 | 0:01:51 | |
Did you know your husband was going to turn into a monster? | 0:01:51 | 0:01:54 | |
No, obviously, I didn't. | 0:01:54 | 0:01:57 | |
Well, we did. "Angela's done it again," Mummy said. | 0:01:57 | 0:02:01 | |
"She's married a sociopath." What is a sociopath? | 0:02:01 | 0:02:05 | |
Look, I really don't want to talk about this right now. | 0:02:05 | 0:02:08 | |
He's mafia. You can see by the cold, merciless eyes. And the briefcase. | 0:02:08 | 0:02:13 | |
-He's not mafia. -He is, he's like that guy in The Godfather. The nice one. | 0:02:13 | 0:02:18 | |
He's not the one who kills you. He does the paperwork afterwards. You could imagine him saying, | 0:02:18 | 0:02:23 | |
"I'm sorry about Angela, it's just business." | 0:02:23 | 0:02:26 | |
-You know nothing about the Mafia. -I do! | 0:02:26 | 0:02:28 | |
-Kylie Arrett's dad's in it. -He's a security guard at SuperBowling. -By day. | 0:02:28 | 0:02:32 | |
And an assassin by night. | 0:02:32 | 0:02:35 | |
I'm sure I don't have to tell you that Angela has a casual relationship with the truth. | 0:02:35 | 0:02:39 | |
She may have told you otherwise, but the truth is | 0:02:39 | 0:02:42 | |
she has illegally abducted a vulnerable 15-year-old girl | 0:02:42 | 0:02:45 | |
and is using her as leverage to try and bump up her divorce settlement. | 0:02:45 | 0:02:48 | |
-Illegally abducted? -Yes. | 0:02:48 | 0:02:51 | |
I know my sister and she wouldn't do something like that, would she, Pete? | 0:02:51 | 0:02:55 | |
Er, no. No. No, that's very unlike her. | 0:02:55 | 0:02:59 | |
From what I remember of her. Having not seen her for some...time...now. | 0:03:00 | 0:03:07 | |
Still, this is all good for you, because Mum and Dad | 0:03:07 | 0:03:09 | |
will forget about you going out with that 19-year-old girl. | 0:03:09 | 0:03:12 | |
-Oh, just... -So she's a lap-dancer. Is she from Lapland? | 0:03:12 | 0:03:16 | |
No, you moron. Firstly, she's not a lap-dancer, she's a pole-dancer. | 0:03:16 | 0:03:21 | |
Oh, so she's from Poland. | 0:03:21 | 0:03:23 | |
Don't get me wrong, it's not just you, | 0:03:23 | 0:03:26 | |
lots of dads and some mums turn into monsters. | 0:03:26 | 0:03:29 | |
Tanya's dad says that mums turn into monsters once a month, | 0:03:29 | 0:03:34 | |
-but I think he's getting them mixed up with werewolves. -Look... | 0:03:34 | 0:03:37 | |
-this is not... -Do you think my mum and dad will suddenly turn into monsters? | 0:03:37 | 0:03:41 | |
No, Karen, there are some people who can never surprise you. | 0:03:41 | 0:03:45 | |
They can surprise me. They surprised me with a trip to Legoland. | 0:03:45 | 0:03:49 | |
Child abduction is a most serious criminal offence | 0:03:50 | 0:03:54 | |
and carries a custodial sentence, both for those who carry it out, and those who help them. | 0:03:54 | 0:03:58 | |
-Look, don't think you can push us around. -I can, though. | 0:03:58 | 0:04:01 | |
We're an immensely rich and powerful legal firm | 0:04:01 | 0:04:04 | |
who can assign an entire floor of our practice to making your lives unlivable. | 0:04:04 | 0:04:09 | |
Yeah, well, we'll see about that! | 0:04:11 | 0:04:13 | |
-Yeah! -Pete, he's gone. | 0:04:15 | 0:04:17 | |
Oh, he's got a car with darkened windows. | 0:04:20 | 0:04:22 | |
It means you can slit someone's throat in the back and no-one will know. | 0:04:22 | 0:04:26 | |
It's lucky you're still a child, otherwise they'd section you. | 0:04:26 | 0:04:29 | |
-You didn't tell him we were here, did you? -Misty's under 16. | 0:04:35 | 0:04:40 | |
-Didn't I mention that? -So, Misty, did you want to leave home? | 0:04:42 | 0:04:45 | |
-We had no choice. -Angela, please! | 0:04:45 | 0:04:48 | |
He used to lock me in my room for hours and hours. | 0:04:50 | 0:04:54 | |
Don't be scared, Misty, you are safe here with us. | 0:04:54 | 0:04:57 | |
-DOORBELL RINGS -I'll get it! | 0:04:57 | 0:04:59 | |
Ben, don't! | 0:04:59 | 0:05:01 | |
Hello! Sorry, they were a bit late getting in. | 0:05:05 | 0:05:09 | |
This is Ottfried... | 0:05:11 | 0:05:13 | |
..your exchange student? | 0:05:15 | 0:05:17 | |
Oh, shoot! | 0:05:17 | 0:05:18 | |
I mean, hello, Ottfried. Oh, God. I... It... | 0:05:20 | 0:05:22 | |
Oh, God, it's just gone right out of my head, | 0:05:22 | 0:05:26 | |
we've had all sorts here today. | 0:05:26 | 0:05:29 | |
Their plane was held up so I'm... Did Jake not mention this? | 0:05:29 | 0:05:33 | |
-Jake! -No, he's a bit... But it's fine. Come on in, Ottfried. | 0:05:33 | 0:05:38 | |
Bye, Ottfried, and, er... | 0:05:38 | 0:05:40 | |
-and good luck. -Jake! | 0:05:40 | 0:05:44 | |
-Bye, Mr Hunslet! -Bye, Ben. | 0:05:44 | 0:05:46 | |
-Have you got the smell out of your car yet? -Not entirely. | 0:05:46 | 0:05:49 | |
-Bit hard to scrub inside the glove box. -Sorry. | 0:05:49 | 0:05:52 | |
Next time I'll manage to open the window in time. | 0:05:52 | 0:05:55 | |
Or maybe don't eat seven Scotch eggs for a bet. | 0:05:55 | 0:05:59 | |
Laters! | 0:05:59 | 0:06:00 | |
We're all just in here. Please, please come through. | 0:06:04 | 0:06:07 | |
I'm just so sorry, cos we've had quite a... | 0:06:07 | 0:06:11 | |
Gosh, you're tall, aren't you? | 0:06:11 | 0:06:13 | |
We've had quite an unusual day here, but it's all back to normal now. | 0:06:13 | 0:06:20 | |
And this is my sister Angela, but if anybody asks, | 0:06:20 | 0:06:23 | |
it's probably best to say that... | 0:06:23 | 0:06:25 | |
she is not here. And this is Misty, and she, again, | 0:06:25 | 0:06:31 | |
-is not...here. -Not here? | 0:06:31 | 0:06:35 | |
That's right. Nicht...here. It's a bit complicated. | 0:06:35 | 0:06:39 | |
-The exchange student you forgot to tell us about is here! -He's got headphones on. | 0:06:39 | 0:06:44 | |
There's a man sitting in a van parked outside. | 0:06:44 | 0:06:46 | |
-What sort of man? -He'll be a builder, or something. | 0:06:46 | 0:06:49 | |
-Let's not get all... -If it comes to it, you can hide in our loft, | 0:06:49 | 0:06:52 | |
-like Anne Frank did when she was hiding from the... -So! Ottfried! | 0:06:52 | 0:06:56 | |
Let me give you the tour, and work out where the hell you're going to sleep. | 0:06:56 | 0:07:00 | |
That German boy was like a baby giant. | 0:07:02 | 0:07:04 | |
I want to be that size when I'm 15. | 0:07:04 | 0:07:06 | |
-I like to sleep with the light on. -But I like it off. | 0:07:07 | 0:07:11 | |
When I sleep with the light off, | 0:07:11 | 0:07:13 | |
it's like I'm sleeping in a cave and I get really weird dreams. | 0:07:13 | 0:07:17 | |
Yeah, but that's why I like it. | 0:07:17 | 0:07:19 | |
I don't like dreams, it's like you've gone to sleep, | 0:07:19 | 0:07:23 | |
but your brain's staying up at a sleepover with your lungs, | 0:07:23 | 0:07:26 | |
-cos your lungs have to be awake to make sure you breathe. -Your whole body's awake. | 0:07:26 | 0:07:30 | |
-It's like your brain... -But dreams are good cos they're like going to the cinema, | 0:07:30 | 0:07:34 | |
but then the movie's so much better because, it's like you're in it | 0:07:34 | 0:07:37 | |
but then you're also watching it, and then the effects are always better, | 0:07:37 | 0:07:41 | |
and you never get kicked out for being too young. | 0:07:41 | 0:07:43 | |
Yeah, but when I go to sleep I just want to sleep. | 0:07:43 | 0:07:47 | |
-I just want to close my eyes and... -Yeah, but sleep's boring without it. | 0:07:47 | 0:07:52 | |
-I just want it to be just plain black. -I want to start a dream log, | 0:07:52 | 0:07:55 | |
I don't want to forget my favourite dream, like, | 0:07:55 | 0:07:58 | |
I'll have one book for the crucifixion dreams | 0:07:58 | 0:08:00 | |
and then I'll have another book for all the other dreams I get. | 0:08:00 | 0:08:04 | |
Because, like, I get the crucifixion dream a lot, | 0:08:04 | 0:08:06 | |
but then I'm kind of used to that now so it doesn't disturb me as much as it used to. | 0:08:06 | 0:08:11 | |
-Yeah... -The best dreams are the ones with all the explosions, | 0:08:11 | 0:08:14 | |
and stuff like monsters that you'll never be able to see. | 0:08:14 | 0:08:18 | |
-That's why I keep cheese in here. -So that's what that smell is. | 0:08:18 | 0:08:22 | |
-Yeah, it's in one of these drawers. -Right. | 0:08:24 | 0:08:26 | |
Well, we've got a houseful tonight. I hope the plumbing's up to it. | 0:08:26 | 0:08:30 | |
-We still haven't got a strategy. -Maybe we should consult a lawyer. | 0:08:30 | 0:08:34 | |
-No, about Jake and his showgirl! -Look, I know it's a worry, | 0:08:34 | 0:08:38 | |
but he is a mature 15. Maybe she's an immature 19. | 0:08:38 | 0:08:42 | |
Yes, cos lap-dancers are famous for being shy, mousy girls(!) | 0:08:42 | 0:08:46 | |
-She's a pole-dancer. -Sorry, our son is dating a pole-dancer, | 0:08:46 | 0:08:50 | |
slightly further away from being a prostitute than a lap-dancer. | 0:08:50 | 0:08:54 | |
-We still need a... -A strategy, yeah, OK, I know. | 0:08:54 | 0:08:57 | |
(Oh, God.) | 0:09:01 | 0:09:03 | |
You have had the safe sex conversation with him, haven't you? | 0:09:03 | 0:09:07 | |
-Yeah, ages ago. -How did it go? -It was OK. | 0:09:07 | 0:09:12 | |
I mean, there was a bit of giggling, but, you know...I was nervous. | 0:09:14 | 0:09:18 | |
I don't want something in my head that I haven't...said is OK. | 0:09:19 | 0:09:24 | |
Yeah, but you can't stop yourself... | 0:09:24 | 0:09:26 | |
But it's like all the bad things in my life, | 0:09:26 | 0:09:28 | |
all the good things are shutting it out. | 0:09:28 | 0:09:31 | |
So whilst the good things go to sleep, the bad things think, | 0:09:31 | 0:09:35 | |
"Ah, here is my time to mess up Karen's head." | 0:09:35 | 0:09:38 | |
-It's just not good. -Yeah, but your mind doesn't fall asleep, your body does, | 0:09:38 | 0:09:43 | |
-your mind's awake. -Your mind is like...has lots of drawers in it | 0:09:43 | 0:09:47 | |
and then, like, at night all the stuff | 0:09:47 | 0:09:50 | |
just wiggles around in your head and makes weird films for you. | 0:09:50 | 0:09:53 | |
It's just, like, "No, I don't need that, I just want to go to sleep." | 0:09:53 | 0:09:57 | |
Maybe we're like characters in someone else's dream, | 0:09:57 | 0:09:59 | |
but then we're not actually real | 0:09:59 | 0:10:01 | |
and we don't actually exist in the real world. | 0:10:01 | 0:10:03 | |
-I do exist! -Well, maybe someone's got a mental disease | 0:10:03 | 0:10:08 | |
and if he doesn't get over his problem, we're going to be stuck here for ever. | 0:10:08 | 0:10:12 | |
No. | 0:10:14 | 0:10:15 | |
Angela hasn't asked once how Dad is. | 0:10:16 | 0:10:20 | |
Perhaps she's scared to. | 0:10:20 | 0:10:22 | |
-KAREN: -Mum! Dad! Ben's scaring me! | 0:10:22 | 0:10:26 | |
He scares us all, Karen, go to sleep. | 0:10:26 | 0:10:30 | |
He says I don't exist. | 0:10:30 | 0:10:32 | |
You do exist, now go to sleep. | 0:10:32 | 0:10:35 | |
Ah, I've been thinking about this whole Angela thing. | 0:10:35 | 0:10:39 | |
-I've written a sort of ledger. -OK. | 0:10:39 | 0:10:42 | |
"Reasons not to help Angela. One, it's not our problem. | 0:10:44 | 0:10:48 | |
"Two, we could get into serious legal difficulties. | 0:10:48 | 0:10:54 | |
"Three, we don't like her. Four, in that book she wrote, she called you, erm... | 0:10:54 | 0:10:59 | |
"manipulative and compared me to a dust mite. | 0:10:59 | 0:11:03 | |
"Five. We don't like..." | 0:11:03 | 0:11:05 | |
Oh, no, hang on, I've done that one twice. | 0:11:05 | 0:11:07 | |
"Five, she's probably lying." | 0:11:07 | 0:11:09 | |
"Reasons TO help Angela. One, she's your sister." | 0:11:11 | 0:11:15 | |
Yep? | 0:11:15 | 0:11:16 | |
No, that's it. If you've got any others, I'll... | 0:11:18 | 0:11:22 | |
No, sod it, we'll just tell her she's got to go. | 0:11:22 | 0:11:25 | |
This one is the really good one. A bear gets stuck in a tree. | 0:11:30 | 0:11:34 | |
-Is that a trampoline? -I can see what's going to happen. They're going to... Ha! | 0:11:34 | 0:11:38 | |
-Oh! -Oh, that's mean. -It's all right, it's not mean. | 0:11:38 | 0:11:43 | |
-Let's watch it again, let's watch it again. -See, see, let me show you. | 0:11:43 | 0:11:46 | |
-Look at it in slow motion! -Look at that, look how high it is, that's like five trampolines. | 0:11:46 | 0:11:51 | |
-And then look, and then look. Just smash! -Head first into the ground. Head first. | 0:11:51 | 0:11:55 | |
-It just bounces. -It doesn't. -It does! | 0:11:55 | 0:11:57 | |
If you watch, its head hits the floor | 0:11:57 | 0:12:00 | |
and then the rest of its body sort of crunches into his head. | 0:12:00 | 0:12:03 | |
Look. Oh, my God, that is terrible! THEY LAUGH | 0:12:03 | 0:12:09 | |
-SUE: -It's 8:20! | 0:12:09 | 0:12:11 | |
Can you stop watching animals getting hurt on YouTube? | 0:12:11 | 0:12:17 | |
Jake, we need a word, now. | 0:12:17 | 0:12:19 | |
You have till the end of today. | 0:12:22 | 0:12:24 | |
-Guten Morgen, mein Herren. -Oh, guten Morgen, Ben. | 0:12:24 | 0:12:29 | |
Would you like sausage-bread-bacon-beans? | 0:12:29 | 0:12:31 | |
-Excuse me? -I'm learning German and you have those compound nouns, | 0:12:31 | 0:12:35 | |
where you stick words together to make one-huge-long-big-word. | 0:12:35 | 0:12:38 | |
Like Gehimmelsschickelwurstgarten or | 0:12:38 | 0:12:40 | |
Blitzengrubereinekleine- messerschmidtfrau. | 0:12:40 | 0:12:44 | |
-These are not German words. -No, | 0:12:47 | 0:12:49 | |
but they could be, because you can make up any words you like. | 0:12:49 | 0:12:52 | |
Or as you would say, "You can any words you like up make." | 0:12:52 | 0:12:56 | |
It's cool being German. It's like being Yoda. | 0:12:56 | 0:12:59 | |
Yes, I am seeing a 19-year-old pole-dancer, but don't worry, | 0:12:59 | 0:13:02 | |
I always get my homework out of the way first. | 0:13:02 | 0:13:04 | |
-That's not quite the issue. is it, Pete? -No. No, it's not. | 0:13:04 | 0:13:09 | |
By the end of today, you need to tell this girl your real age. | 0:13:09 | 0:13:13 | |
-She has got a name, Mum. Victoria. -OK. | 0:13:13 | 0:13:16 | |
By the end of today, you have to tell your real age to Victoria. | 0:13:16 | 0:13:20 | |
The stripper. | 0:13:21 | 0:13:22 | |
-Ben, have you seen Misty? -No, Auntie. | 0:13:29 | 0:13:32 | |
The blue van with the man sitting in it is still outside. | 0:13:32 | 0:13:34 | |
-Thank you for keeping me up to date. -Are you going to run or hide? | 0:13:34 | 0:13:39 | |
What would you recommend? | 0:13:39 | 0:13:41 | |
Run. Because you can run but you can't hide. | 0:13:41 | 0:13:44 | |
Would you like some Cheerios? | 0:13:44 | 0:13:46 | |
No, thank you. | 0:13:46 | 0:13:48 | |
She is being chased by a scary-ex-husband-psycho-mafia-man. | 0:13:48 | 0:13:52 | |
-Misty? -You're such a hypocrite. You went to that Chippens...things. | 0:13:52 | 0:13:56 | |
-The men who took their clothes off. -That was ages ago. | 0:13:56 | 0:13:59 | |
And it was harmless. When women look at naked men they just laugh. | 0:13:59 | 0:14:04 | |
Well, cackle. | 0:14:04 | 0:14:06 | |
-Have you seen the exploding koalas? -No. -Well, | 0:14:06 | 0:14:10 | |
have you seen the, erm... the pogo hopping nuns? | 0:14:10 | 0:14:13 | |
No. | 0:14:13 | 0:14:15 | |
PHONE RINGS | 0:14:18 | 0:14:19 | |
Hello. | 0:14:21 | 0:14:23 | |
Ah, hello, Brick. ..Package? | 0:14:24 | 0:14:27 | |
Yes, we have, although why you've sent it to us I don't know, | 0:14:28 | 0:14:31 | |
because Angela and Misty aren't here. | 0:14:31 | 0:14:35 | |
Yeah, just because you're a psychoanalyst doesn't mean you can tell I'm lying. | 0:14:38 | 0:14:43 | |
-RADIO: -'And now it's time for Thought for the...' | 0:14:43 | 0:14:46 | |
Good morning, Ottfried. Did you sleep well? | 0:14:46 | 0:14:49 | |
-I heard many animal noises. -Oh, well, that'll be the foxes mating. | 0:14:49 | 0:14:53 | |
Or the new couple next door. | 0:14:53 | 0:14:56 | |
-Mum, Dad's on the phone to Brick. -Brick?! | 0:14:56 | 0:15:00 | |
Please, what is this? | 0:15:00 | 0:15:02 | |
Oh, well, you may as well know, Ottfried, er... | 0:15:02 | 0:15:06 | |
My sister married an American psychoanalyst with lots of children. | 0:15:06 | 0:15:11 | |
Um... But he turned out to be abusive so she ran away | 0:15:11 | 0:15:15 | |
with one of the children, but now he is pursuing her. | 0:15:15 | 0:15:19 | |
No. What is this? | 0:15:19 | 0:15:22 | |
Oh, that. | 0:15:22 | 0:15:24 | |
Well, that's a hot cross bun. | 0:15:24 | 0:15:26 | |
We eat them for breakfast sometimes. | 0:15:26 | 0:15:29 | |
-Are you OK? -Brick. | 0:15:31 | 0:15:32 | |
He's sent these air tickets for Angela and Misty to go back to the States, | 0:15:32 | 0:15:38 | |
but says that if they don't, | 0:15:38 | 0:15:40 | |
he's going to take emergency measures in a British court | 0:15:40 | 0:15:43 | |
to seize their passports. | 0:15:43 | 0:15:46 | |
Oh, and prosecute us. | 0:15:46 | 0:15:47 | |
Holy crap! | 0:15:47 | 0:15:49 | |
I'm not falling for that. I'm not leaving this house. | 0:15:49 | 0:15:52 | |
He could have a snatch squad waiting for me in that... | 0:15:52 | 0:15:55 | |
Well, let's just remain calm... | 0:15:55 | 0:15:57 | |
-The police aren't going to come, are they? -Sweetheart, | 0:15:57 | 0:16:00 | |
you don't need to worry about that. All that'll happen is... | 0:16:00 | 0:16:03 | |
No! I don't want to know, cos if I don't know, I'm not guilty | 0:16:03 | 0:16:07 | |
and I'm not going to be one of the people taken away in the van. | 0:16:07 | 0:16:11 | |
-Why didn't we think of that? -Look... | 0:16:13 | 0:16:16 | |
I think I've got a solution. | 0:16:16 | 0:16:18 | |
Once Misty's 16, Brick can't do anything so... | 0:16:18 | 0:16:22 | |
I know it's a huge ask, but if we could just stay until then. | 0:16:22 | 0:16:26 | |
And how far away is Misty's 16th birthday? | 0:16:26 | 0:16:30 | |
Erm...five and a half months. | 0:16:30 | 0:16:32 | |
He can't serve me an injunction if I never leave the house. | 0:16:32 | 0:16:36 | |
-You wouldn't leave the house? -I'd pull my weight. -For five and a half months? | 0:16:36 | 0:16:40 | |
I can cook, and you know I did that interior design course. I could give the house a makeover. | 0:16:40 | 0:16:45 | |
What do you say? | 0:16:45 | 0:16:46 | |
-Five and a half months. -All right, Pete. | 0:16:46 | 0:16:50 | |
Listen, Angela, it wouldn't really be very practical, | 0:16:50 | 0:16:54 | |
because by then you'd be dead and Pete and I would be in prison. | 0:16:54 | 0:16:57 | |
-Could we just stay until...? -This evening? Yes, you can. | 0:16:57 | 0:17:01 | |
This evening? | 0:17:01 | 0:17:03 | |
Yes. | 0:17:03 | 0:17:04 | |
COOKERY SHOW ON TV | 0:17:09 | 0:17:11 | |
-So, Misty, what kind of music do you like? -I don't like music. | 0:17:11 | 0:17:17 | |
-Why do you have an iPod, then? -To shut out the world. | 0:17:19 | 0:17:24 | |
Ottfried, what other English TV do you like? | 0:17:29 | 0:17:33 | |
Erm, I like Ricky Gervais and the other comedian, he is, uh... | 0:17:33 | 0:17:39 | |
he plays a character, a very funny character of the fat politician. | 0:17:39 | 0:17:43 | |
And he has funny, funny blond hair, he walks and sometimes cycles, | 0:17:43 | 0:17:48 | |
I see him on a bike on the TV. | 0:17:48 | 0:17:50 | |
Do you mean Boris Johnson? | 0:17:50 | 0:17:51 | |
Yes! Boris Johnson, yes! It's so funny, you like him also? | 0:17:51 | 0:17:56 | |
No, Ottfried, he's the Mayor of London. | 0:17:56 | 0:17:59 | |
-Yes, he plays the Mayor of London, a stupid politician... -No... | 0:17:59 | 0:18:02 | |
Very stupid and funny. | 0:18:02 | 0:18:04 | |
-Look, Ottfried... -We in Germany love him. | 0:18:04 | 0:18:07 | |
I'm feeling a little nauseous. | 0:18:07 | 0:18:09 | |
Can we watch something that isn't a cookery show? | 0:18:09 | 0:18:11 | |
'Roll the pastry thus...' | 0:18:14 | 0:18:15 | |
'Herbs, chives and...' | 0:18:15 | 0:18:18 | |
-'Duck a l'orange...' -'Lots of seasoning...' | 0:18:18 | 0:18:20 | |
-'Bit of chilli...' -'Oodles and oodles...' | 0:18:20 | 0:18:23 | |
'Just look at that! Isn't that a sight to behold?' | 0:18:23 | 0:18:26 | |
'And lots of pepper on top.' | 0:18:26 | 0:18:28 | |
Hang on, we'll get one in a sec. | 0:18:28 | 0:18:30 | |
'The pasta!' | 0:18:30 | 0:18:32 | |
Angela hasn't gone, has she? | 0:18:34 | 0:18:36 | |
-What the hell is that? -Tai chi. -Oh, yeah, tai chi, | 0:18:41 | 0:18:46 | |
the ancient art of attention-seeking. | 0:18:46 | 0:18:49 | |
-Ah, Jake. -I need a shower. | 0:18:49 | 0:18:51 | |
Have you told Victoria your real age yet? | 0:18:51 | 0:18:54 | |
Yes, yes, yes. How many times do I need to tell you? | 0:18:54 | 0:18:56 | |
Well, it's not really the number of times, it's, "Is it true?" | 0:18:56 | 0:19:00 | |
DOG BARKS Oh, for... Right! | 0:19:02 | 0:19:04 | |
Er, Angela? | 0:19:07 | 0:19:09 | |
-Hi, Pete. -Could you not do that in your room maybe? -It's better outside. | 0:19:09 | 0:19:13 | |
There are more positive ions. | 0:19:13 | 0:19:15 | |
You're setting off next door's dog. | 0:19:15 | 0:19:17 | |
He doesn't like...bright colours and...weird movement. | 0:19:17 | 0:19:21 | |
Also you're visible to Brick's spy drones out here. | 0:19:21 | 0:19:25 | |
-Are you worried about the neighbours? -No. -My God, you are, aren't you? | 0:19:25 | 0:19:29 | |
-It's not the neighbours. It's the dog, once it gets going... -Are you telling me my needs | 0:19:29 | 0:19:34 | |
-are less important than a dog's?! -Well, in this case...yes. | 0:19:34 | 0:19:38 | |
Oh, for Christ's sake! | 0:19:38 | 0:19:40 | |
PHONE BEEPS | 0:19:44 | 0:19:45 | |
-That's Jake's mobile, isn't it? -Is it? | 0:19:47 | 0:19:49 | |
"Say where to meet or I pick you up your place. Vic." | 0:19:49 | 0:19:54 | |
Well, I suppose we'd better tell him. | 0:19:54 | 0:19:57 | |
Well, then he'll think we've been reading his texts. | 0:19:57 | 0:20:00 | |
-Maybe it's best to do nothing. -But then she'll come here. -Yeah. | 0:20:00 | 0:20:04 | |
-Please, may I have some of your fruit? -Of course, help yourself. | 0:20:06 | 0:20:10 | |
-I've lost him, haven't I? -Eh? -Jake. To her. | 0:20:11 | 0:20:15 | |
And all the others that will come after her. | 0:20:15 | 0:20:18 | |
What are you doing? | 0:20:22 | 0:20:23 | |
Well, we're clearly not welcome here. So we're just going to leave. | 0:20:24 | 0:20:30 | |
Right, OK! | 0:20:31 | 0:20:33 | |
-JAKE: -Mum! There's no hot water! | 0:20:33 | 0:20:36 | |
There's a lot of us in the house at the moment, you'll just have to wait. | 0:20:36 | 0:20:39 | |
Me and Misty will leave | 0:20:39 | 0:20:42 | |
and face up to the consequences, however catastrophic. | 0:20:42 | 0:20:48 | |
-Fair enough. -For myself and that poor, frightened little girl. | 0:20:48 | 0:20:55 | |
Well, if that's your decision. | 0:20:55 | 0:20:56 | |
And if this does turn out to be the last time you ever see us, | 0:20:59 | 0:21:03 | |
-I don't want you to think this was your fault. -We won't. Will you need a cab? | 0:21:03 | 0:21:07 | |
Yes. Thank you. | 0:21:08 | 0:21:11 | |
No, I find this most upsetting. I.. | 0:21:11 | 0:21:15 | |
I think you are nice people but you behave in the ways that is not nice. | 0:21:15 | 0:21:19 | |
Yes, yes, she is annoying, but you are better than this. | 0:21:19 | 0:21:24 | |
She is your sister and they have nobody, | 0:21:24 | 0:21:28 | |
so not to help them is unforgivable. | 0:21:28 | 0:21:31 | |
A lack of morals. | 0:21:31 | 0:21:34 | |
Anyway, that is what I think. | 0:21:34 | 0:21:36 | |
His English is actually rather good, isn't it? | 0:21:39 | 0:21:43 | |
(We don't really have much choice, do we?) | 0:21:43 | 0:21:46 | |
PHONE BEEPS | 0:21:46 | 0:21:49 | |
She's outside. | 0:21:50 | 0:21:52 | |
-I bet this is a bit different from your home. -Oh, I think this is different from any home. | 0:21:53 | 0:21:58 | |
Hello! | 0:21:58 | 0:22:00 | |
-You must be Victoria. -Yeah. -Well, don't wait out there in the cold... | 0:22:01 | 0:22:06 | |
wearing almost nothing, come in. | 0:22:06 | 0:22:08 | |
-Maybe I'll just... -No, come on in! We can have a chat while Jake gets ready. -No, honestly, I would... | 0:22:08 | 0:22:13 | |
Just come in. | 0:22:13 | 0:22:15 | |
Come on, in you come. | 0:22:18 | 0:22:20 | |
-PHONE RINGS -Misty! Hello? | 0:22:20 | 0:22:23 | |
Pete, this is Victoria. | 0:22:23 | 0:22:26 | |
-Hello. -Hey. -Why don't you two go in there and have a nice chat. | 0:22:26 | 0:22:31 | |
What, us two? | 0:22:31 | 0:22:33 | |
I think it would be safer. Nice in-depth chat. | 0:22:33 | 0:22:35 | |
About things. | 0:22:35 | 0:22:38 | |
Right. Well, um... | 0:22:53 | 0:22:54 | |
Cup of tea? | 0:22:56 | 0:22:57 | |
-No, thanks. -Or a beer. | 0:22:57 | 0:23:00 | |
Because you're old enough to drink, aren't you? | 0:23:00 | 0:23:04 | |
No, thanks. | 0:23:04 | 0:23:06 | |
Whereas, with Jake, of course, that's...not the case, because... | 0:23:06 | 0:23:12 | |
given his age. | 0:23:12 | 0:23:13 | |
Which you, of course, know because... | 0:23:15 | 0:23:18 | |
-he's told you. -Sorry? | 0:23:18 | 0:23:21 | |
-He's told you he's 15? -Why would he do that? | 0:23:21 | 0:23:25 | |
-Because he's 15. -He's 15? | 0:23:25 | 0:23:29 | |
Why would he tell me he was 17? | 0:23:29 | 0:23:32 | |
Well, to impress you, I imagine. | 0:23:32 | 0:23:34 | |
That is so sweet. Bless him! | 0:23:38 | 0:23:42 | |
Oh, my God. There are eight, | 0:23:42 | 0:23:46 | |
no, nine threatening emails from Brick and his lawyers. | 0:23:46 | 0:23:51 | |
Don't worry, there's a good chance none of this is real. And if it is real, | 0:23:51 | 0:23:55 | |
there's a quantum universe with infinite worlds and in most of them, this isn't happening. | 0:23:55 | 0:24:00 | |
-Hi, Martin. -In a lot of them, you're probably on holiday. | 0:24:00 | 0:24:02 | |
Well, thanks for ringing back. | 0:24:02 | 0:24:04 | |
-And in one of them, you're playing rugby for England. -Ben, I'm on the phone. | 0:24:04 | 0:24:08 | |
But only in this universe. | 0:24:08 | 0:24:09 | |
Illegal? Really? Like, against the law? | 0:24:09 | 0:24:15 | |
-Yes. -What, me and Jake? God. | 0:24:15 | 0:24:18 | |
So they could arrest, like, hundreds of thousands of 15-year-old schoolkids all over England. | 0:24:18 | 0:24:23 | |
-That's really interesting. -Well, interesting's not exactly... | 0:24:23 | 0:24:27 | |
I can see now why you wanted to speak to me. So we done? | 0:24:27 | 0:24:31 | |
Well, we're also a bit worried about what you do. | 0:24:32 | 0:24:35 | |
The dancing? I only do it in Westminster where they make you keep your pants on. | 0:24:35 | 0:24:39 | |
Well, that's... | 0:24:39 | 0:24:42 | |
good. | 0:24:42 | 0:24:44 | |
Look, we're just not sure that one of those clubs | 0:24:44 | 0:24:47 | |
is a healthy environment for a 15-year-old boy. | 0:24:47 | 0:24:51 | |
-Oh, I don't let him watch the other girls. -But he is there in the club. | 0:24:51 | 0:24:54 | |
Look, if you want to check out the club, that it's... | 0:24:54 | 0:24:57 | |
you know, healthy, this promo gets two people in for free. | 0:24:57 | 0:25:02 | |
You could take Mrs Brockman. | 0:25:02 | 0:25:04 | |
I don't think that's going to happen. | 0:25:04 | 0:25:07 | |
Or not take her. | 0:25:09 | 0:25:11 | |
-In the multiverse... -Yeah. | 0:25:13 | 0:25:15 | |
..you can't call anything real. Because reality isn't really real. | 0:25:15 | 0:25:20 | |
Ben, if ever there was a moment not to question the nature of existence, | 0:25:20 | 0:25:24 | |
it's now, so just back off! | 0:25:24 | 0:25:26 | |
Sorry, Martin. | 0:25:26 | 0:25:28 | |
-In another universe, his name's Trevor. -Yeah? | 0:25:28 | 0:25:31 | |
At the end of the day, it comes down to this - he's 15. | 0:25:31 | 0:25:35 | |
-You're 19. -Well, he thinks I'm 19, | 0:25:35 | 0:25:37 | |
but, I mean, age is only a number, isn't it? Really. | 0:25:37 | 0:25:40 | |
Sorry, did you just say, "He THINKS I'm 19"? | 0:25:40 | 0:25:43 | |
Well, everyone does. I have to say that | 0:25:43 | 0:25:47 | |
or they won't let me do the dancing. I'm 16. | 0:25:47 | 0:25:49 | |
-You're 16? -Yep. | 0:25:49 | 0:25:53 | |
You're 16 and he's...15. | 0:25:53 | 0:25:56 | |
I guess so. | 0:25:56 | 0:26:00 | |
Well, I guess that's... | 0:26:01 | 0:26:02 | |
Hi! How long have you been here? | 0:26:02 | 0:26:07 | |
-Five minutes. -Oh, right, well, we should get going. | 0:26:07 | 0:26:10 | |
Jake, I know you're 15, not 17. | 0:26:10 | 0:26:13 | |
-Oh. -But I'm not 19, I'm 16. | 0:26:14 | 0:26:19 | |
-You're 16? -Yeah. | 0:26:21 | 0:26:25 | |
-Oh, well. -Oh, well?! | 0:26:28 | 0:26:31 | |
Do you want to see the Steve Carell film or the space one? | 0:26:31 | 0:26:34 | |
-They're both on at the cine centre? -Yeah. The Steve Carell one's meant to be good. | 0:26:34 | 0:26:38 | |
Pete? Did that go well? | 0:26:40 | 0:26:43 | |
-I... I've really no idea. -Come on, Misty, we're going. | 0:26:43 | 0:26:48 | |
Angela, look, I've been talking to a friend of mine, Martin, | 0:26:48 | 0:26:52 | |
who's a solicitor, he's driving up from Portsmouth so we can talk through | 0:26:52 | 0:26:55 | |
some of the legal options so that you and Misty are protected from Brick. | 0:26:55 | 0:27:01 | |
What I'm saying is, you don't have to leave. | 0:27:01 | 0:27:05 | |
You can stay as long as necessary. | 0:27:05 | 0:27:07 | |
I'm getting back together with Brick. | 0:27:10 | 0:27:13 | |
-I'm sorry? -That was him on the phone. | 0:27:15 | 0:27:18 | |
He was lovely. He cried. | 0:27:18 | 0:27:21 | |
-But you said yourself, he's a monster. -Oh, he has bad days. | 0:27:21 | 0:27:25 | |
But I can change him. It's like I say in my book, Pete, | 0:27:25 | 0:27:28 | |
relationships are marathons, not sprints. | 0:27:28 | 0:27:31 | |
-Come on, Misty, we've got to go and see Daddy. -Oh, for...! | 0:27:33 | 0:27:36 | |
In German, we have a word for this kind of person. Idiot. | 0:27:38 | 0:27:42 | |
Yeah, we say idiot as well. | 0:27:42 | 0:27:44 | |
Also prat, moron, git and pain in the arse. | 0:27:44 | 0:27:46 | |
-These are all good words. -Look, what matters is she's going. | 0:27:49 | 0:27:52 | |
-Problem solved. -Yes. | 0:27:52 | 0:27:55 | |
Oh, by the way, Victoria's only 16. | 0:27:56 | 0:27:59 | |
She lied about her age so she could pole-dance. | 0:27:59 | 0:28:01 | |
Right. | 0:28:01 | 0:28:03 | |
So she's an illegal pole-dancer, | 0:28:03 | 0:28:05 | |
but she's only a little bit older than Jake. | 0:28:05 | 0:28:07 | |
That...that's better, isn't it? | 0:28:07 | 0:28:09 | |
I think it might be worse. But do you know, I'm not sure now. | 0:28:09 | 0:28:13 | |
-It's sort of better and sort of worse. -I think it is a little worse. | 0:28:13 | 0:28:17 | |
-Really? -She is entertaining older men. | 0:28:18 | 0:28:21 | |
-I think you're right. He's right. -They pay for this. -Oh, God. This is so difficult. | 0:28:21 | 0:28:26 | |
There has to be a question about her morals. | 0:28:26 | 0:28:28 | |
There must be a helpline for this. | 0:28:28 | 0:28:29 | |
Subtitles by Red Bee Media Ltd | 0:28:46 | 0:28:48 |